A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
R_l Advice.
Lewis Marks del.
Pub.d by T. Tegg 111 Cheapside, June 6. 1814.
Hand-coloured etching, J. Whatman & W. Balston watermark. Sheet: 245 x 340mm (9¾ x 13½"). Damaged.
A satirical scene shows an ugly woman sitting on the throne dipping her hand in a box of snuff while the Prince Regent enquires after his wife. A commentary on the arrival of the allied sovereigns who exploited the Regent's bad relationship with his wife.
BM Satires 12278.
[Ref: 46474] £220.00 (£264.00 incl.VAT)
Lewis Marks del.
Pub.d by T. Tegg 111 Cheapside, June 6. 1814.
Hand-coloured etching, J. Whatman & W. Balston watermark. Sheet: 245 x 340mm (9¾ x 13½"). Damaged.
A satirical scene shows an ugly woman sitting on the throne dipping her hand in a box of snuff while the Prince Regent enquires after his wife. A commentary on the arrival of the allied sovereigns who exploited the Regent's bad relationship with his wife.
BM Satires 12278.
[Ref: 46474] £220.00 (£264.00 incl.VAT)
St Agnes. From the Painting of Domenichino Zampieri, 6 feet 10 inches high, by 5 feet wide, in the Royal Palace at Kensington.
Domenichino Zampieri Pinx.t. Robertus Strange delin.t et sculp.t Londini 1759.
[London: Robert Strange, 1790.]
Engraving. 505 x 360mm (20 x 14¼"), with large margins. Foxing top margin.
St Agnes of Rome, patron saint of chastity, her hands joined in prayer, a cherub with a lamb at her feet and another flying above her, bringing a crown and palm. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Domenico Zampieri, c.1620, now in the Royal Collection at Windsor Castle.
[Ref: 46536] £260.00 (£312.00 incl.VAT)
Domenichino Zampieri Pinx.t. Robertus Strange delin.t et sculp.t Londini 1759.
[London: Robert Strange, 1790.]
Engraving. 505 x 360mm (20 x 14¼"), with large margins. Foxing top margin.
St Agnes of Rome, patron saint of chastity, her hands joined in prayer, a cherub with a lamb at her feet and another flying above her, bringing a crown and palm. From a collected edition of the engravings by Sir Robert Strange (1721-92) after famous paintings, in this case one by Domenico Zampieri, c.1620, now in the Royal Collection at Windsor Castle.
[Ref: 46536] £260.00 (£312.00 incl.VAT)
The Air Pump improved by Mr. Haukesbee F.R.S.
Printed for J. Hinton at ye Kings Arms, S.t Pauls Church Yard, 1747.
Enrgaving. Plate: 165 x 90mm (6½ x 3½") with large margins.
A diagram of an air pump designed by scientist Francis Hauksbee (1660-1713). The double barrelled pump was presented to the Royal Society in 1703.
[Ref: 46304] £75.00 (£90.00 incl.VAT)
Printed for J. Hinton at ye Kings Arms, S.t Pauls Church Yard, 1747.
Enrgaving. Plate: 165 x 90mm (6½ x 3½") with large margins.
A diagram of an air pump designed by scientist Francis Hauksbee (1660-1713). The double barrelled pump was presented to the Royal Society in 1703.
[Ref: 46304] £75.00 (£90.00 incl.VAT)
Yours Truly, John Aitken.
On Stone by S.T.G. From Portrait by Mr. F.F. Hutton. 1854.
Campbell & Fergusson, Melbourne.
Tinted lithograph, rare. Sheet: 460 x 315mm (18 x 12¼") very large margins.
A portrait of John Aitken (1792-1858) a pioneer sheepbreeder. Aitken was the son of a Scottish farmer who arrived in Van Dieman's Land in 1825.
[Ref: 45926] £320.00
On Stone by S.T.G. From Portrait by Mr. F.F. Hutton. 1854.
Campbell & Fergusson, Melbourne.
Tinted lithograph, rare. Sheet: 460 x 315mm (18 x 12¼") very large margins.
A portrait of John Aitken (1792-1858) a pioneer sheepbreeder. Aitken was the son of a Scottish farmer who arrived in Van Dieman's Land in 1825.
[Ref: 45926] £320.00
![[Alchemist in his study- illustration to Erasmus, 'In Praise of Folly'?]](jpegs/46499.jpg)
[Alchemist in his study- illustration to Erasmus, 'In Praise of Folly'?] Le docteur et ses attributs
C. Eisen inv.
a Paris chez Basan [c.1760]
Engraving, platemark 140 x 85mm (5¼ x 3¼"). 'Eloge de la Folie' in ms lower left.
Book illustration after Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These also included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, La Fontaine and Erasmus.
[Ref: 46499] £180.00 (£216.00 incl.VAT)
C. Eisen inv.
a Paris chez Basan [c.1760]
Engraving, platemark 140 x 85mm (5¼ x 3¼"). 'Eloge de la Folie' in ms lower left.
Book illustration after Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established. These also included editions of Lucretius, Ovid, Tacitus, Virgil, Boccaccio, Ariosto, La Fontaine and Erasmus.
[Ref: 46499] £180.00 (£216.00 incl.VAT)
Part of the New City of Alexandria, with the Light House.
L. Meyer del. T. Milton direx.
Published by R. Bowyer, Historic Gallery, Pall Mall, Feb, 1802.
Fine hand-coloured aquatint, E & P 1801 watermark; Plate: 290 x 375mm (11½ x 14¾"), with large margins.
A view of Alexandria with the light house in the distance. Luigi Mayer (1755-1803), was a Italian-German artist commissioned who travelled extensively through the Ottoman Empire between 1776-1794 as one of the earliest and most important late 18th century European painters of the Ottoman Empire. His 3-volume work, "Views in Egypt, Palestine and Other Parts of the Ottoman Empire", contained 96 aquatints by Thomas Milton.
Abbey Travel 369.
[Ref: 46225] £160.00 (£192.00 incl.VAT)
L. Meyer del. T. Milton direx.
Published by R. Bowyer, Historic Gallery, Pall Mall, Feb, 1802.
Fine hand-coloured aquatint, E & P 1801 watermark; Plate: 290 x 375mm (11½ x 14¾"), with large margins.
A view of Alexandria with the light house in the distance. Luigi Mayer (1755-1803), was a Italian-German artist commissioned who travelled extensively through the Ottoman Empire between 1776-1794 as one of the earliest and most important late 18th century European painters of the Ottoman Empire. His 3-volume work, "Views in Egypt, Palestine and Other Parts of the Ottoman Empire", contained 96 aquatints by Thomas Milton.
Abbey Travel 369.
[Ref: 46225] £160.00 (£192.00 incl.VAT)
The Obelisks at Alexandria, Called Cleopatra's Needles.
L. Meyer del.t.
Published by R. Bowyer, Historic Gallery, Pall Mall, 1802.
Fine hand-coloured aquatint. E & P 1801 watermark. Plate: 290 x 375mm (11½ x 14¾"), with very large margins.
A view of an Ancient Egyptian obelisk at Alexandra. Luigi Mayer (1755-1803), was a Italian-German artist commissioned who travelled extensively through the Ottoman Empire between 1776-1794 as one of the earliest and most important late 18th century European painters of the Ottoman Empire. His 3-volume work, "Views in Egypt, Palestine and Other Parts of the Ottoman Empire", contained 96 aquatints by Thomas Milton.
Abbey Travel 369.
[Ref: 46224] £140.00 (£168.00 incl.VAT)
L. Meyer del.t.
Published by R. Bowyer, Historic Gallery, Pall Mall, 1802.
Fine hand-coloured aquatint. E & P 1801 watermark. Plate: 290 x 375mm (11½ x 14¾"), with very large margins.
A view of an Ancient Egyptian obelisk at Alexandra. Luigi Mayer (1755-1803), was a Italian-German artist commissioned who travelled extensively through the Ottoman Empire between 1776-1794 as one of the earliest and most important late 18th century European painters of the Ottoman Empire. His 3-volume work, "Views in Egypt, Palestine and Other Parts of the Ottoman Empire", contained 96 aquatints by Thomas Milton.
Abbey Travel 369.
[Ref: 46224] £140.00 (£168.00 incl.VAT)
Lez Amazones D'après Alfred de Dreux. I. [&] 2.
Lith Par Eug. Ciceri et Ach. Giroux. [&] Lith Par Ach. Giroux et Eug. Ciceri.
Paris. Goupil & Vibert, Éditeurs. London P.d 15 Ap.l /45 by E. Gambard Junin & Co 25 Berniers S.t. Oxf.d S.t. Berlin. Verlag von L Sachsé & C.te Imp. Lith de Cattier à Paris.
Pair of lithographs with fine hand colour. Printed areas 535 x 380mm (21 x 15"), with very large margins. Some spotting to margins.
A pair of equestrian portraits, with women riding side-saddle, accompanied by a hound. Plate 1 has the woman in medieval dress, plate 2 in contemporary riding outfit. Alfred de Dreux (1810-60) painted portraits of both people and horses, often together. In 1848 he followed King Louis-Philippe into exile in Surrey, but returned to France in 1852, taking commissions from Napoleon III. He died on a visit to England.
[Ref: 46252] £750.00 view all images for this item
Lith Par Eug. Ciceri et Ach. Giroux. [&] Lith Par Ach. Giroux et Eug. Ciceri.
Paris. Goupil & Vibert, Éditeurs. London P.d 15 Ap.l /45 by E. Gambard Junin & Co 25 Berniers S.t. Oxf.d S.t. Berlin. Verlag von L Sachsé & C.te Imp. Lith de Cattier à Paris.
Pair of lithographs with fine hand colour. Printed areas 535 x 380mm (21 x 15"), with very large margins. Some spotting to margins.
A pair of equestrian portraits, with women riding side-saddle, accompanied by a hound. Plate 1 has the woman in medieval dress, plate 2 in contemporary riding outfit. Alfred de Dreux (1810-60) painted portraits of both people and horses, often together. In 1848 he followed King Louis-Philippe into exile in Surrey, but returned to France in 1852, taking commissions from Napoleon III. He died on a visit to England.
[Ref: 46252] £750.00 view all images for this item
![[South Stack, Anglesea.]](jpegs/46039.jpg)
[South Stack, Anglesea.]
[n.d., c.1860.]
Lithograph, rare. Sheet: 185 x 260mm (7¼ x 10¼"). Trimmed to image.
A view of South Stack off Holy Island and Anglesea showing the suspension bridge built in 1828. Several figures are shown heading toward the bridge, one figure looks through a telescope, two carry fishing rods and other watch a large ship out to sea.
[Ref: 46039] £80.00 (£96.00 incl.VAT)
[n.d., c.1860.]
Lithograph, rare. Sheet: 185 x 260mm (7¼ x 10¼"). Trimmed to image.
A view of South Stack off Holy Island and Anglesea showing the suspension bridge built in 1828. Several figures are shown heading toward the bridge, one figure looks through a telescope, two carry fishing rods and other watch a large ship out to sea.
[Ref: 46039] £80.00 (£96.00 incl.VAT)
![[Animals.]](jpegs/46203.jpg)
[Animals.]
[n.d., c.1820.]
Pencil drawings, 18th century watermark; Sheet: 250 x 190mm (9¾ x 7½"). Laid on album sheet.
A collection of drawings on animals including a kangaroo, a mastiff, a lion dog and a spaniel.
[Ref: 46203] £190.00 (£228.00 incl.VAT)
[n.d., c.1820.]
Pencil drawings, 18th century watermark; Sheet: 250 x 190mm (9¾ x 7½"). Laid on album sheet.
A collection of drawings on animals including a kangaroo, a mastiff, a lion dog and a spaniel.
[Ref: 46203] £190.00 (£228.00 incl.VAT)
![[Arch of Augustus, Aosta.]](jpegs/46090.jpg)
[Arch of Augustus, Aosta.] Arc de triomphe d'Auguste à Aoste.
Publié p.r J.P. Lamy à Basle, Berne, Lausanne, Genève. [c.1830]
Aquatint printed in black and sepia, platemark 180 x 200mm (7 x 8") very large margins.
The Arch of Augustus in the city of Aosta, Italy. The arch was constructed in 25 BC to commemorate the Roman victory over the Salassi, as a result of which the Romans founded Augusta Praetoria Salassorum (now Aosta) on Salassi territory.
[Ref: 46090] £140.00 (£168.00 incl.VAT)
Publié p.r J.P. Lamy à Basle, Berne, Lausanne, Genève. [c.1830]
Aquatint printed in black and sepia, platemark 180 x 200mm (7 x 8") very large margins.
The Arch of Augustus in the city of Aosta, Italy. The arch was constructed in 25 BC to commemorate the Roman victory over the Salassi, as a result of which the Romans founded Augusta Praetoria Salassorum (now Aosta) on Salassi territory.
[Ref: 46090] £140.00 (£168.00 incl.VAT)
The April Fool consigned to Infamy and Ridicule.
[by Charles Williams]
Pubd April 1st 1801 by S W Fores 50 Piccadilly. Folios of Caricatures lent out for the Evening
Etching with hand-colouring, platemark 280 x 390mm (11 x 15¼"). 18th century watermark. Trimmed to platemark.
The titular April Fool (possibly John James Hamilton, first marquis of Abercorn) stands with his arms around two women, wearing handbands labelled 'Ridicule' and 'Infamy'. On the right a third woman gestures towards the scene, proclaiming 'I have made him a fixed figure for the hand of Scorn to point her slow-moving finger at'. Etching by Charles Williams (1797 - 1830, fl.), prolific etcher of satires from his own designs and those of other artists (especially Woodward). Almost all his plates are anonymous and little work has been done to establish for certain which prints he made. As a result Williams is little-known in comparison with contemporaries such as Rowlandson and Gillray in spite of the comparable quality of some of his work.
BM Satires 9776.
[Ref: 46558] £240.00 (£288.00 incl.VAT)
[by Charles Williams]
Pubd April 1st 1801 by S W Fores 50 Piccadilly. Folios of Caricatures lent out for the Evening
Etching with hand-colouring, platemark 280 x 390mm (11 x 15¼"). 18th century watermark. Trimmed to platemark.
The titular April Fool (possibly John James Hamilton, first marquis of Abercorn) stands with his arms around two women, wearing handbands labelled 'Ridicule' and 'Infamy'. On the right a third woman gestures towards the scene, proclaiming 'I have made him a fixed figure for the hand of Scorn to point her slow-moving finger at'. Etching by Charles Williams (1797 - 1830, fl.), prolific etcher of satires from his own designs and those of other artists (especially Woodward). Almost all his plates are anonymous and little work has been done to establish for certain which prints he made. As a result Williams is little-known in comparison with contemporaries such as Rowlandson and Gillray in spite of the comparable quality of some of his work.
BM Satires 9776.
[Ref: 46558] £240.00 (£288.00 incl.VAT)
![[Vaulted room]](jpegs/46503.jpg)
[Vaulted room]
Invent et del: par Angelo Quaglio [c.1818]
Lithograph, printed area 280 x 210mm (11 x 8¼"), with large margins
Early lithograph by Angelo Quaglio, member of a large family of Italian artists from near Lake Lugano. Angelo Quaglio supplied the drawings used to illustrate Sulpiz Boisserée's history of Cologne Cathedral, which was part of the successful effort to get the unfinished nave of the church completed. Examples of his work are in the Morgan Library & Museum, New York.
Provenance: Rokeby Park Durham.
[Ref: 46503] £230.00 (£276.00 incl.VAT)
Invent et del: par Angelo Quaglio [c.1818]
Lithograph, printed area 280 x 210mm (11 x 8¼"), with large margins
Early lithograph by Angelo Quaglio, member of a large family of Italian artists from near Lake Lugano. Angelo Quaglio supplied the drawings used to illustrate Sulpiz Boisserée's history of Cologne Cathedral, which was part of the successful effort to get the unfinished nave of the church completed. Examples of his work are in the Morgan Library & Museum, New York.
Provenance: Rokeby Park Durham.
[Ref: 46503] £230.00 (£276.00 incl.VAT)
Architecture.
[n.d., c.1750.]
Engraving with original hand colour. 235 x 325mm (9¼ x 12¾"). Trimmed to image, laid on card.
An allegorical scene of the building of a neo-classical building, with an architect showing his plans to smartly-dressed people.
[Ref: 46394] £220.00 (£264.00 incl.VAT)
[n.d., c.1750.]
Engraving with original hand colour. 235 x 325mm (9¼ x 12¾"). Trimmed to image, laid on card.
An allegorical scene of the building of a neo-classical building, with an architect showing his plans to smartly-dressed people.
[Ref: 46394] £220.00 (£264.00 incl.VAT)
Source de l'Arveiron. Chamonix.
S. Morel M.d d'estampes à Genève.
Imp. Lemercier, Paris [c.1850]
Tinted lithograph, printed area 105 x 120mm (4 x 4¾").
The source of the Arveiron at Montanvert, near Chamonix. It was visited by the Shelleys and Samuel Taylor Coleridge. Probably published in 'Chamonix et Ses Environs', one of Morel's 'Souvenirs de la Suisse' series, which contained 23 tinted lithographic views by Morel, Mottu, Linck and others.
[Ref: 46115] £70.00 (£84.00 incl.VAT)
S. Morel M.d d'estampes à Genève.
Imp. Lemercier, Paris [c.1850]
Tinted lithograph, printed area 105 x 120mm (4 x 4¾").
The source of the Arveiron at Montanvert, near Chamonix. It was visited by the Shelleys and Samuel Taylor Coleridge. Probably published in 'Chamonix et Ses Environs', one of Morel's 'Souvenirs de la Suisse' series, which contained 23 tinted lithographic views by Morel, Mottu, Linck and others.
[Ref: 46115] £70.00 (£84.00 incl.VAT)
![[Atahualpa] Athabaliba ultimus Rex Peruanorum.](jpegs/46398.jpg)
[Atahualpa] Athabaliba ultimus Rex Peruanorum.
[London: John Ogilby 1671.]
Engraving. 290 x 170mm (11½ x 6¾"), with very large margins.
Medallion portrait of Atahualpa (c.1502-33), the last ruling emperor of the Incas, within an ornately-illustrated border. From Ogilby's 'America', an English edition of Arnoldus van Bergen's ''De Nieuwe en onbekende weereld of Beschryving van America''.
[Ref: 46398] £240.00 (£288.00 incl.VAT)
[London: John Ogilby 1671.]
Engraving. 290 x 170mm (11½ x 6¾"), with very large margins.
Medallion portrait of Atahualpa (c.1502-33), the last ruling emperor of the Incas, within an ornately-illustrated border. From Ogilby's 'America', an English edition of Arnoldus van Bergen's ''De Nieuwe en onbekende weereld of Beschryving van America''.
[Ref: 46398] £240.00 (£288.00 incl.VAT)
Outline of the View of Athens exhibiting in the Panorama Strand.
Engraved by R & E Williamson.
[n.d., c.1820.]
Engraving. Sheet: 245 x 440mm (9¾ x 17½"). Trimmed and laid on album sheet.
A key plate to a view of Athens exhibited in Barker's Panorama in the Strand. This alternative venue to the more famous Panorama in Leicester Square was opened in 1801 by Thomas Edward Barker and Ramsay Richard Reinagle.
[Ref: 46205] £260.00 (£312.00 incl.VAT)
Engraved by R & E Williamson.
[n.d., c.1820.]
Engraving. Sheet: 245 x 440mm (9¾ x 17½"). Trimmed and laid on album sheet.
A key plate to a view of Athens exhibited in Barker's Panorama in the Strand. This alternative venue to the more famous Panorama in Leicester Square was opened in 1801 by Thomas Edward Barker and Ramsay Richard Reinagle.
[Ref: 46205] £260.00 (£312.00 incl.VAT)
![[Prince Augustus Frederick] The Protestants Champion!!](jpegs/46605.jpg)
[Prince Augustus Frederick] The Protestants Champion!!
R. Cruickshank fecit.
Pub.d August 1825 by G. Humphrey 24 St. James Street.
Hand-coloured etching. Sheet: 280 x 230mm (11 x 9"). Trimmed.
A satirical portrait of Prince Augustus Frederick, Duke of Sussex (1773-1843), 6th son of George III.
Not in BM.
[Ref: 46605] £190.00 (£228.00 incl.VAT)
R. Cruickshank fecit.
Pub.d August 1825 by G. Humphrey 24 St. James Street.
Hand-coloured etching. Sheet: 280 x 230mm (11 x 9"). Trimmed.
A satirical portrait of Prince Augustus Frederick, Duke of Sussex (1773-1843), 6th son of George III.
Not in BM.
[Ref: 46605] £190.00 (£228.00 incl.VAT)
![[Great St Bernard Hospice after Avalanche on Mount Marengo, 20 January 1825]](jpegs/46108.jpg)
[Great St Bernard Hospice after Avalanche on Mount Marengo, 20 January 1825] Première echapée de vue sur le couvent du grand St. Bernard, avec la représentation de l'avalanche qui se précipita du mont Marengo, le 20 Janvier 1825.
Publié p.r J.P. Lamy à Basle, Berne, Lausanne, Genève. [c.1830]
Aquatint printed in black and sepia, platemark 180 x 200mm (7 x 8") very large margins.
[Ref: 46108] £120.00 (£144.00 incl.VAT)
Publié p.r J.P. Lamy à Basle, Berne, Lausanne, Genève. [c.1830]
Aquatint printed in black and sepia, platemark 180 x 200mm (7 x 8") very large margins.
[Ref: 46108] £120.00 (£144.00 incl.VAT)
![Cartouche Nouveau 1 [-4].](jpegs/46275.jpg)
Cartouche Nouveau 1 [-4].
Babel invenit et delineavit. Avec Privilege de Roy.
A Paris chez Jacques Chereau rue St Jacques au grand St Remy. [n.d., c.1760.]
4 etchings stitched at top. Each plate 200 x 160mm (8 x 6¼") with large margins. Staining on 4th plate. Uncut.
The designs of four baroque frames by Pierre-Edmé Babel (1720-75). A famous engraver and frame-maker, some of whose work are on display in the Hall of Mirrors Versailles. In 1772 he charged the Bishop of Limoge 400 livres for a frame for Joseph-Benoît Suvée's 'St Louis receiving the crown of thorns', now in the Musée Municipal de Limoges.
[Ref: 46275] £230.00 (£276.00 incl.VAT) view all images for this item
Babel invenit et delineavit. Avec Privilege de Roy.
A Paris chez Jacques Chereau rue St Jacques au grand St Remy. [n.d., c.1760.]
4 etchings stitched at top. Each plate 200 x 160mm (8 x 6¼") with large margins. Staining on 4th plate. Uncut.
The designs of four baroque frames by Pierre-Edmé Babel (1720-75). A famous engraver and frame-maker, some of whose work are on display in the Hall of Mirrors Versailles. In 1772 he charged the Bishop of Limoge 400 livres for a frame for Joseph-Benoît Suvée's 'St Louis receiving the crown of thorns', now in the Musée Municipal de Limoges.
[Ref: 46275] £230.00 (£276.00 incl.VAT) view all images for this item
Baccalaur.
[n.d., c.1820.]
Etching with hand colour, scarce. Sheet 380 x 480mm (15 x 19"). Trimmed within plate, small tear in top edge.
A portrait of a grey horse with curled forelock, mane and tail, in the style of James Ward's 'Celebrated Horses'. However we have been unable to trace anything about either horse, artist or engraver.
[Ref: 46196] £360.00
[n.d., c.1820.]
Etching with hand colour, scarce. Sheet 380 x 480mm (15 x 19"). Trimmed within plate, small tear in top edge.
A portrait of a grey horse with curled forelock, mane and tail, in the style of James Ward's 'Celebrated Horses'. However we have been unable to trace anything about either horse, artist or engraver.
[Ref: 46196] £360.00
![[Vignettes of Bad Kreuznach]](jpegs/46582.jpg)
[Vignettes of Bad Kreuznach] Souvenir de Creuznach.
F.C. Klimsch gez. W.I. Cooke
Publié par B. Dondorf à Francfort s/m. [c.1850]
Steel-engraving on india, platemark 200 x 260mm (8 x 10¼") large margins.
Views of landmarks in Bad Kreuznach, Germany.
[Ref: 46582] £75.00 (£90.00 incl.VAT)
F.C. Klimsch gez. W.I. Cooke
Publié par B. Dondorf à Francfort s/m. [c.1850]
Steel-engraving on india, platemark 200 x 260mm (8 x 10¼") large margins.
Views of landmarks in Bad Kreuznach, Germany.
[Ref: 46582] £75.00 (£90.00 incl.VAT)
The Barber of Seville.
Publish'd Mar 15. 1808 by Lauire & Whittle, 53 Fleet Street, London.
Hand-coloured etching. Sheet: 180 x 220mm (7 x 8½ "). Trimmed, losing letterpress song, with foxing.
An illustration to a ten-verse poem (not present) satirising Gioachino Rossini's 'Barber of Seville. A woman with cross-eyes and a hairy chin sits under a grape-trellis and an orange-tree; a barber kneels at her feet. In the song the amour promises to shave her every morning if she will marry him.
BM Satire 11195.
[Ref: 46482] £120.00 (£144.00 incl.VAT)
Publish'd Mar 15. 1808 by Lauire & Whittle, 53 Fleet Street, London.
Hand-coloured etching. Sheet: 180 x 220mm (7 x 8½ "). Trimmed, losing letterpress song, with foxing.
An illustration to a ten-verse poem (not present) satirising Gioachino Rossini's 'Barber of Seville. A woman with cross-eyes and a hairy chin sits under a grape-trellis and an orange-tree; a barber kneels at her feet. In the song the amour promises to shave her every morning if she will marry him.
BM Satire 11195.
[Ref: 46482] £120.00 (£144.00 incl.VAT)
![[Baron * Doner-Dronk-Dickdorf and Miss Quoltz.]](jpegs/46478.jpg)
[Baron * Doner-Dronk-Dickdorf and Miss Quoltz.]
Published 20th March, 1810 by Laurie & Whittle, No.53 Fleet Street London.
Hand-etching. Sheet: 170 x 230mm (6¾ x 9"). Trimmed and stained.
An illustration to a song sung by Mr Fawcett the popular Drama, called "The Free Knights, or the Edict of Charlemagne''. A little man sits upon a mantlepiece, held up by a woman while a footman brings in food.
BM Satire 11699.
[Ref: 46478] £45.00 (£54.00 incl.VAT)
Published 20th March, 1810 by Laurie & Whittle, No.53 Fleet Street London.
Hand-etching. Sheet: 170 x 230mm (6¾ x 9"). Trimmed and stained.
An illustration to a song sung by Mr Fawcett the popular Drama, called "The Free Knights, or the Edict of Charlemagne''. A little man sits upon a mantlepiece, held up by a woman while a footman brings in food.
BM Satire 11699.
[Ref: 46478] £45.00 (£54.00 incl.VAT)
![[Woodcut commemorating Basel joining the Swiss Confederation in 1501]](jpegs/46379.jpg)
[Woodcut commemorating Basel joining the Swiss Confederation in 1501] Basel win Welt-beruehmte Vandeels-Statt / tratt in Bund Ano 1501 [...]
[Anon., sixteenth century]
Woodcut with hand-colouring, sheet 280 x 150mm (11 x 6"). Slight loss bottom right. Repairs, damage.
[Ref: 46379] £140.00 (£168.00 incl.VAT)
[Anon., sixteenth century]
Woodcut with hand-colouring, sheet 280 x 150mm (11 x 6"). Slight loss bottom right. Repairs, damage.
[Ref: 46379] £140.00 (£168.00 incl.VAT)
I.re Vue du Combat de Beachy-Head Entre les Flottes combinées d'Angleterre, de Hollande et celle de France commandée par de Tourville en 1690.
N. Ozanne del.t. F. Dequevauviller sculp.t.
[n.d., c.1790.]
Engraving. 290 x 395mm (11½ x 15½"). Repaired tears, a few small holes in large margins.
The Battle of Beachy Head, fought on the 10th July 1690, between an Anglo-Dutch fleet and the French navy. as part of the Nine Years' War. The English Admiral Torrington wanted to withdraw in the face of a larger opponent but was ordered to fight by Mary II, leading to a defeat that left the French in control of the English Channel. Blamed, Torrington was court martialed but acquitted. The day after Beachy Head William III won the Battle of the Boyne.
[Ref: 46271] £260.00 (£312.00 incl.VAT)
N. Ozanne del.t. F. Dequevauviller sculp.t.
[n.d., c.1790.]
Engraving. 290 x 395mm (11½ x 15½"). Repaired tears, a few small holes in large margins.
The Battle of Beachy Head, fought on the 10th July 1690, between an Anglo-Dutch fleet and the French navy. as part of the Nine Years' War. The English Admiral Torrington wanted to withdraw in the face of a larger opponent but was ordered to fight by Mary II, leading to a defeat that left the French in control of the English Channel. Blamed, Torrington was court martialed but acquitted. The day after Beachy Head William III won the Battle of the Boyne.
[Ref: 46271] £260.00 (£312.00 incl.VAT)
J. Bem. Es lebe Ungarn! Es lebe die Freiheit! [Facsimilie Signature.]
Lith. v. Benseler. Druck v. Mercier in Berlin.
Verlag u. Eigenth v. Gebr. Rocca in Berlin.
Lithograph. Sheet: 495 x 360mm (19½ x 14"), with large margins
A half-length portrait of Józef Bem (1794-1850) who was a Polish engineer who also served as a Ottoman pasha, Bem worked and fought for the future of Poland both inside and outside Poland. From the collection of Lady Elizabeth Fielding (1773-1846), mother of William Henry Fox-Talbot, and her family.
[Ref: 46453] £280.00 (£336.00 incl.VAT)
Lith. v. Benseler. Druck v. Mercier in Berlin.
Verlag u. Eigenth v. Gebr. Rocca in Berlin.
Lithograph. Sheet: 495 x 360mm (19½ x 14"), with large margins
A half-length portrait of Józef Bem (1794-1850) who was a Polish engineer who also served as a Ottoman pasha, Bem worked and fought for the future of Poland both inside and outside Poland. From the collection of Lady Elizabeth Fielding (1773-1846), mother of William Henry Fox-Talbot, and her family.
[Ref: 46453] £280.00 (£336.00 incl.VAT)
![[Frontispiece to Part VII of the Bibliotheca Chalcographica]](jpegs/46378.jpg)
[Frontispiece to Part VII of the Bibliotheca Chalcographica] VII Pars Bibliohecae Chalcographicae Id Est / Continuatio Secunda Iconum Virorum Illustrium
Impensis Clementis Amony, Bibliopolae et Chalcographi
Francfordy ad Moenum Anno MDCLXIX
Engraving, sheet 180 x 140mm (7 x 5½"). Trimmed to image. Small loss top right.
Frontispiece to one of the final parts of the Bibliotheca Chalcographica, a series of portrait prints published in nine parts between 1597 and 1664, initially with text by Jean-Jacques Boissard and engravings by Theodor de Bry but with other writers and engravers becoming involved in the later parts.
[Ref: 46378] £140.00 (£168.00 incl.VAT)
Impensis Clementis Amony, Bibliopolae et Chalcographi
Francfordy ad Moenum Anno MDCLXIX
Engraving, sheet 180 x 140mm (7 x 5½"). Trimmed to image. Small loss top right.
Frontispiece to one of the final parts of the Bibliotheca Chalcographica, a series of portrait prints published in nine parts between 1597 and 1664, initially with text by Jean-Jacques Boissard and engravings by Theodor de Bry but with other writers and engravers becoming involved in the later parts.
[Ref: 46378] £140.00 (£168.00 incl.VAT)
George Birkbeck, Esq.r M.D. President of the London Mechanics Institution & of the Medical & Chirurgical Society of London; &c.
Engraved by Henry Adlard.
Knight and Lacey, London February 16, 1828.
Stipple. Sheet: 220 x 130mm (8¾ x 5"). Trimmed within plate.
A view of the physician and pioneer of adult education George Birkbeck (1776-1841), he founded the Birkbeck University of London and was head of the Chemical Society.
[Ref: 45980] £45.00 (£54.00 incl.VAT)
Engraved by Henry Adlard.
Knight and Lacey, London February 16, 1828.
Stipple. Sheet: 220 x 130mm (8¾ x 5"). Trimmed within plate.
A view of the physician and pioneer of adult education George Birkbeck (1776-1841), he founded the Birkbeck University of London and was head of the Chemical Society.
[Ref: 45980] £45.00 (£54.00 incl.VAT)
James Bolland, Executed for Forgery.
[Anon., c.1772]
Engraving, platemark 170 x 110mm (6¾ x 4¼"). Large margins on 3 sides.
James Bolland (c.1727-1772), sheriff's officer and forger. After having committed various crimes in his past, including hiding debtors and illegal seizure of property, Bolland was arrested for forgery in 1771, tried at the Old Bailey, and hanged at Tyburn on 18 March 1772. Engraving published in the 'Tyburn Chronicle'.
For another likeness see ref. 7741.
[Ref: 46571] £65.00 (£78.00 incl.VAT)
[Anon., c.1772]
Engraving, platemark 170 x 110mm (6¾ x 4¼"). Large margins on 3 sides.
James Bolland (c.1727-1772), sheriff's officer and forger. After having committed various crimes in his past, including hiding debtors and illegal seizure of property, Bolland was arrested for forgery in 1771, tried at the Old Bailey, and hanged at Tyburn on 18 March 1772. Engraving published in the 'Tyburn Chronicle'.
For another likeness see ref. 7741.
[Ref: 46571] £65.00 (£78.00 incl.VAT)
Landing the Shore End of Bombay Cable at Aden.
M.&N. Hanhart. [n.d., c.1870.]
Chromolithograph, rare. Sheet: 140 x 200mm (5½ x 8"). Foxing around edges.
A scene showing the laying of the British-Indian telegraph cable at Aden, the cable was laid by the Anglo-Indian Telegraph Company between 1869-1870.
[Ref: 46440] £65.00 (£78.00 incl.VAT)
M.&N. Hanhart. [n.d., c.1870.]
Chromolithograph, rare. Sheet: 140 x 200mm (5½ x 8"). Foxing around edges.
A scene showing the laying of the British-Indian telegraph cable at Aden, the cable was laid by the Anglo-Indian Telegraph Company between 1869-1870.
[Ref: 46440] £65.00 (£78.00 incl.VAT)
A Book of Beasts Drawn from Nature, by M. Oudri, & Grav'd by P.Garon .
Printed & Publish'd Aug.t 1750, by J. Rocque Land Surveyer, Charing Cross.
Etching. Sheet: 195 x 260mm (7¾ x 10¼").
The frontispiece to a drawing book of animals showing the rear of a horse, demonstrating the technique of foreshortening.
[Ref: 45929] £95.00 (£114.00 incl.VAT)
Printed & Publish'd Aug.t 1750, by J. Rocque Land Surveyer, Charing Cross.
Etching. Sheet: 195 x 260mm (7¾ x 10¼").
The frontispiece to a drawing book of animals showing the rear of a horse, demonstrating the technique of foreshortening.
[Ref: 45929] £95.00 (£114.00 incl.VAT)
Glacier des Bussons (Inferieur). Chamonix.
Dessiné d'ap. nature par Mottu. Lith. par Tirpenne
S. Morel, Ed. à Genève. Imp. Lemercier, Paris [c.1850]
Tinted lithograph, printed area 110 x 120mm (4¼ x 4¾") large margins.
The end of the Glacier des Bussons, looking up towards the Aiguille du Midi. Probably published in 'Chamonix et Ses Environs', one of Morel's 'Souvenirs de la Suisse' series, which contained 23 tinted lithographic views by Morel, Mottu, Linck and others.
[Ref: 46112] £60.00 (£72.00 incl.VAT)
Dessiné d'ap. nature par Mottu. Lith. par Tirpenne
S. Morel, Ed. à Genève. Imp. Lemercier, Paris [c.1850]
Tinted lithograph, printed area 110 x 120mm (4¼ x 4¾") large margins.
The end of the Glacier des Bussons, looking up towards the Aiguille du Midi. Probably published in 'Chamonix et Ses Environs', one of Morel's 'Souvenirs de la Suisse' series, which contained 23 tinted lithographic views by Morel, Mottu, Linck and others.
[Ref: 46112] £60.00 (£72.00 incl.VAT)
John Bowring, L.L.D. Proof.
Drawn by C.A. Du Val. Engraved by J. Stephenson.
Published by Mess.rs Ackermann & Co. London and Tho.s Agnew, Repository of Arts, Manchester, Oct.r 21st 1844.
Mixed-method engraving. 370 x 280mm (14½ x 11"), blind stamp of Agnew's Manchester, with large margins. Uncut. Foxing in margins
Sir John Bowring (1792-1872), linguist and traveller, diplomatist and author; seated, looking to front, his left elbow on a table and wearing a dark coat, holding spectacles in his left hand. Bowring promoted reforms to the keeping of public accounts and obtained the issue of the florin as the first step towards a decimal system of currency. A friend of John Stuart Mill and editor of the radical 'Westminster Review'; after a varied career as journalist, poet, financial and economic expert, MP, traveller and diplomat, he became consul at Canton in 1847. He was later appointed plenipotentiary to China and governor, commander-in-chief and vice -admiral of Hong Kong.
[Ref: 46347] £360.00
Drawn by C.A. Du Val. Engraved by J. Stephenson.
Published by Mess.rs Ackermann & Co. London and Tho.s Agnew, Repository of Arts, Manchester, Oct.r 21st 1844.
Mixed-method engraving. 370 x 280mm (14½ x 11"), blind stamp of Agnew's Manchester, with large margins. Uncut. Foxing in margins
Sir John Bowring (1792-1872), linguist and traveller, diplomatist and author; seated, looking to front, his left elbow on a table and wearing a dark coat, holding spectacles in his left hand. Bowring promoted reforms to the keeping of public accounts and obtained the issue of the florin as the first step towards a decimal system of currency. A friend of John Stuart Mill and editor of the radical 'Westminster Review'; after a varied career as journalist, poet, financial and economic expert, MP, traveller and diplomat, he became consul at Canton in 1847. He was later appointed plenipotentiary to China and governor, commander-in-chief and vice -admiral of Hong Kong.
[Ref: 46347] £360.00
Boxers of Bangor or Messengers of Peace.
Pub.d Aug.t 6. 1796 by S.W. Fores No 50 Piccadilly NB Folios of Caricatures Lent out for the Evening.
Hand-coloured etching. J. Whatman 1794 watermark; S.W.F. ink stamp on right. Plate: 255 x 395mm (10 x 15½"). Stain in small margins. Very slight printer's crease.
A satirical scene showing the Bishop of Bangor leading a riot to remove Samuel Grindley from a building attached to the Cathedral. Kneeling at the Bishop's feet are two young women, one of which is Mrs Elizabeth Warren who succeeded in calming the mob.
BM Satire 8882.
[Ref: 46736] £260.00 (£312.00 incl.VAT)
Pub.d Aug.t 6. 1796 by S.W. Fores No 50 Piccadilly NB Folios of Caricatures Lent out for the Evening.
Hand-coloured etching. J. Whatman 1794 watermark; S.W.F. ink stamp on right. Plate: 255 x 395mm (10 x 15½"). Stain in small margins. Very slight printer's crease.
A satirical scene showing the Bishop of Bangor leading a riot to remove Samuel Grindley from a building attached to the Cathedral. Kneeling at the Bishop's feet are two young women, one of which is Mrs Elizabeth Warren who succeeded in calming the mob.
BM Satire 8882.
[Ref: 46736] £260.00 (£312.00 incl.VAT)
![[View from Brand in Swiss Saxony]](jpegs/46107.jpg)
[View from Brand in Swiss Saxony] Vue prise du Brand dans la Suisse Saxonne.
chez Meser à Dresde Schlossgasse No.315 [c.1820]
Aquatint with fine hand-colouring, platemark 120 x 180mm (4¾ x 7") very large margins.
[Ref: 46107] £70.00 (£84.00 incl.VAT)
chez Meser à Dresde Schlossgasse No.315 [c.1820]
Aquatint with fine hand-colouring, platemark 120 x 180mm (4¾ x 7") very large margins.
[Ref: 46107] £70.00 (£84.00 incl.VAT)
Rio Janeiro.
R.Elwes del et lith. Hullmandel & Walton, Lithog.
London: Hurst & Blackett Great Marlborough Street [c.1854]
Lithograph printed in colour, printed area 125 x 180mm (5 x 7").
Rio de Janeiro, the second most populous city in Brazil and the national capital until 1960, when the capital was moved to the new city of Brasília nearer to the centre of the country by Robert Elwes (1819-1878) a Victorian traveller.
[Ref: 45597] £160.00 (£192.00 incl.VAT)
R.Elwes del et lith. Hullmandel & Walton, Lithog.
London: Hurst & Blackett Great Marlborough Street [c.1854]
Lithograph printed in colour, printed area 125 x 180mm (5 x 7").
Rio de Janeiro, the second most populous city in Brazil and the national capital until 1960, when the capital was moved to the new city of Brasília nearer to the centre of the country by Robert Elwes (1819-1878) a Victorian traveller.
[Ref: 45597] £160.00 (£192.00 incl.VAT)
William Briggs M.D. Physician in Ordinary to King William y.e 3.d. Fellow of the College of Physicians, and of the Royal Society, &c.
R. White delin 1697. I. Faber fecit 1738.
Sold by P. Overton in Fleet Street.
A rare mezzotint. Sheet: 350 x 250mm (13¾ x 9¾"). Trimmed.
A portrait of William Biggs, doctor to King William III, holding a copy of his book "Ophthalmo Graphia".
Not in Wellcome.
[Ref: 46469] £290.00 (£348.00 incl.VAT)
R. White delin 1697. I. Faber fecit 1738.
Sold by P. Overton in Fleet Street.
A rare mezzotint. Sheet: 350 x 250mm (13¾ x 9¾"). Trimmed.
A portrait of William Biggs, doctor to King William III, holding a copy of his book "Ophthalmo Graphia".
Not in Wellcome.
[Ref: 46469] £290.00 (£348.00 incl.VAT)
The Royal Palace at Brighton.
Lithograph, rare. Sheet: 225 x 350mm (9 x 13¾"). Trimmed
A view of the Brighton Pavillion as it was when it was a Royal Residence. It was sold by Queen Victoria in 1850 who used the proceeds to furnish her summer residence, Osborne House on the Isle of Wight. Below the image is a key listing the various rooms in the palace.
[Ref: 45728] £140.00 (£168.00 incl.VAT)
Lithograph, rare. Sheet: 225 x 350mm (9 x 13¾"). Trimmed
A view of the Brighton Pavillion as it was when it was a Royal Residence. It was sold by Queen Victoria in 1850 who used the proceeds to furnish her summer residence, Osborne House on the Isle of Wight. Below the image is a key listing the various rooms in the palace.
[Ref: 45728] £140.00 (£168.00 incl.VAT)
Jonathan Britain. What villains set the Portsmouth Yard on Fire...
T. Parkinson ad vivam del. J.R. Smith Fecit.
Publish'd by W.m Humphrey, at the Shell Warehouse, opposite Cecil Court, S.t Martins Lane, Nov.r 20.th 1771.
Mezzotint. Plate: 350 x 250mm (13¾ x 9¾"). Repaired tears, margins messy.
A portrait of the criminal Jonathan Britain who was executed for forgery in 1772. Having commited forgery he wrote several letters claiming responsibilty for a fire in Portsmouth and requested a pardon in return for surrendering himself and his accomplices, this was disregarded and he was arrested for his crimes.
[Ref: 46470] £140.00 (£168.00 incl.VAT)
T. Parkinson ad vivam del. J.R. Smith Fecit.
Publish'd by W.m Humphrey, at the Shell Warehouse, opposite Cecil Court, S.t Martins Lane, Nov.r 20.th 1771.
Mezzotint. Plate: 350 x 250mm (13¾ x 9¾"). Repaired tears, margins messy.
A portrait of the criminal Jonathan Britain who was executed for forgery in 1772. Having commited forgery he wrote several letters claiming responsibilty for a fire in Portsmouth and requested a pardon in return for surrendering himself and his accomplices, this was disregarded and he was arrested for his crimes.
[Ref: 46470] £140.00 (£168.00 incl.VAT)
The Britannia Bridge.
T. Picken. Day & Son, lith.rs to the Queen.
Bangor, Published by W. Shone, June 19th 1849.
Tinted lithograph. Sheet: 290 x 380mm (11 x 15"). Light staining and tears in very large margins.
A view of the Britannia Tubular Bridge which was designed by Robert Stephenson (1803-1859) and completed in 1850. The bridge served as the crossing for the Chester and Holyhead Railway over the Menai Straits of Angelsey and Holyhead. The trains ran through the rectagular metal structure. Details of the bridge are given below the image.
[Ref: 45795] £95.00 (£114.00 incl.VAT)
T. Picken. Day & Son, lith.rs to the Queen.
Bangor, Published by W. Shone, June 19th 1849.
Tinted lithograph. Sheet: 290 x 380mm (11 x 15"). Light staining and tears in very large margins.
A view of the Britannia Tubular Bridge which was designed by Robert Stephenson (1803-1859) and completed in 1850. The bridge served as the crossing for the Chester and Holyhead Railway over the Menai Straits of Angelsey and Holyhead. The trains ran through the rectagular metal structure. Details of the bridge are given below the image.
[Ref: 45795] £95.00 (£114.00 incl.VAT)
The Britannia Tubular and Menai Suspension Bridges.
G. Hawkins. Day & Son Lith.rs to The Queen.
Published by T. Catherall Chester & Bangor 1852.
Lithograph. Sheet: 275 x 350mm (11 x 13¾"). Mounted into an album sheet. Repaired tear top right.
A view of the Britannia Tubular bridge built over the Menai Strait between Wales and Angelsey, the bridge was built to allow trains to cross the strait. The bridge was designed by Robert Stephenson and was opened in 1850.
[Ref: 45967] £140.00 (£168.00 incl.VAT)
G. Hawkins. Day & Son Lith.rs to The Queen.
Published by T. Catherall Chester & Bangor 1852.
Lithograph. Sheet: 275 x 350mm (11 x 13¾"). Mounted into an album sheet. Repaired tear top right.
A view of the Britannia Tubular bridge built over the Menai Strait between Wales and Angelsey, the bridge was built to allow trains to cross the strait. The bridge was designed by Robert Stephenson and was opened in 1850.
[Ref: 45967] £140.00 (£168.00 incl.VAT)
Daniel Bryan, The Sailor who so nobly Volunteered at the risk of his life to bury the French General during the Siege of Acre.
Sketched on the Spot by F.B. Spilsbury & Drawn by Dan.l Orme. T. Vivares sc.t
Edw.d Orme Excu.t Sold & Published March 25th 1803 by Edw.d Orme Printseller to His Majesty & the the Royal Family, 59 Bond Street, London.
Coloured aquatint, platemark 300 x 395mm (11¾ x 15½"), with very large margins. Printed on Whatman paper with 1801 watermark. Very fine.
British soldier burying a French general killed during the Siege of Acre in 1799, an unsuccessful French attach on the city of Acre (now Akko, modern Israel) during Napoleon's invasion of Egypt and Syria. Plate from 'Picturesque Scenery in the Holy Land and Syria', a volume of prints after drawings by Francis B. Spilsbury, a naval surgeon and amateur artist who made the drawings while on board HMS Le Tigre during campaigns in 1799 and 1800. The source watercolour by Spilsbury is in the V & A Museum.
Abbey 381.6
[Ref: 46517] £260.00 (£312.00 incl.VAT)
Sketched on the Spot by F.B. Spilsbury & Drawn by Dan.l Orme. T. Vivares sc.t
Edw.d Orme Excu.t Sold & Published March 25th 1803 by Edw.d Orme Printseller to His Majesty & the the Royal Family, 59 Bond Street, London.
Coloured aquatint, platemark 300 x 395mm (11¾ x 15½"), with very large margins. Printed on Whatman paper with 1801 watermark. Very fine.
British soldier burying a French general killed during the Siege of Acre in 1799, an unsuccessful French attach on the city of Acre (now Akko, modern Israel) during Napoleon's invasion of Egypt and Syria. Plate from 'Picturesque Scenery in the Holy Land and Syria', a volume of prints after drawings by Francis B. Spilsbury, a naval surgeon and amateur artist who made the drawings while on board HMS Le Tigre during campaigns in 1799 and 1800. The source watercolour by Spilsbury is in the V & A Museum.
Abbey 381.6
[Ref: 46517] £260.00 (£312.00 incl.VAT)
![[Illustration to German translation of 'The Life of John Buncle' by Thomas Amory]](jpegs/46370.jpg)
[Illustration to German translation of 'The Life of John Buncle' by Thomas Amory] Leben Joh. Bunkels. S.45 No.1
D. Chodowiecki inv & sc.
[1778]
Etching, sheet 140 x 85mm (5½ x 3¼"). Trimmed.
Etching by Daniel Chodowiecki (1726-1801), German painter and etcher whose output as a printmaker consists of over 2000 plates. He was the director of the Berliner Akamie from 1797, and also an avid collector of prints and drawings.
[Ref: 46370] £35.00 (£42.00 incl.VAT)
D. Chodowiecki inv & sc.
[1778]
Etching, sheet 140 x 85mm (5½ x 3¼"). Trimmed.
Etching by Daniel Chodowiecki (1726-1801), German painter and etcher whose output as a printmaker consists of over 2000 plates. He was the director of the Berliner Akamie from 1797, and also an avid collector of prints and drawings.
[Ref: 46370] £35.00 (£42.00 incl.VAT)
![[Illustration to German translation of 'The Life of John Buncle' by Thomas Amory]](jpegs/46373.jpg)
[Illustration to German translation of 'The Life of John Buncle' by Thomas Amory] Leben Joh. Bunkels. S.93 No.2
D. Chodowiecki inv & sc.
[published by Friedrich Nicolai, 1778]
Etching, sheet 140 x 85mm (5½ x 3¼"). Trimmed.
John Buncle in a chapel for morning prayers. One of a set of illustrations to John Amory's 'The Life of John Buncle, Esq.' by Daniel Chodowiecki (1726-1801), German painter and etcher whose output as a printmaker consists of over 2000 plates. He was the director of the Berliner Akamie from 1797, and also an avid collector of prints and drawings.
[Ref: 46373] £40.00 (£48.00 incl.VAT)
D. Chodowiecki inv & sc.
[published by Friedrich Nicolai, 1778]
Etching, sheet 140 x 85mm (5½ x 3¼"). Trimmed.
John Buncle in a chapel for morning prayers. One of a set of illustrations to John Amory's 'The Life of John Buncle, Esq.' by Daniel Chodowiecki (1726-1801), German painter and etcher whose output as a printmaker consists of over 2000 plates. He was the director of the Berliner Akamie from 1797, and also an avid collector of prints and drawings.
[Ref: 46373] £40.00 (£48.00 incl.VAT)
![[Illustration to German translation of 'The Life of John Buncle' by Thomas Amory]](jpegs/46372.jpg)
[Illustration to German translation of 'The Life of John Buncle' by Thomas Amory] Leben Joh. Bunkels. S.93 No.2
D. Chodowiecki inv & sc.
[published by Friedrich Nicolai, 1778]
Etching, sheet 140 x 85mm (5½ x 3¼"). Trimmed.
John Buncle saving the unconscious Miss Melmoth from her flooded cabin. One of a set of illustrations to John Amory's 'The Life of John Buncle, Esq.' by Daniel Chodowiecki (1726-1801), German painter and etcher whose output as a printmaker consists of over 2000 plates. He was the director of the Berliner Akamie from 1797, and also an avid collector of prints and drawings.
[Ref: 46372] £40.00 (£48.00 incl.VAT)
D. Chodowiecki inv & sc.
[published by Friedrich Nicolai, 1778]
Etching, sheet 140 x 85mm (5½ x 3¼"). Trimmed.
John Buncle saving the unconscious Miss Melmoth from her flooded cabin. One of a set of illustrations to John Amory's 'The Life of John Buncle, Esq.' by Daniel Chodowiecki (1726-1801), German painter and etcher whose output as a printmaker consists of over 2000 plates. He was the director of the Berliner Akamie from 1797, and also an avid collector of prints and drawings.
[Ref: 46372] £40.00 (£48.00 incl.VAT)
![[Illustration to German translation of 'The Life of John Buncle' by Thomas Amory]](jpegs/46371.jpg)
[Illustration to German translation of 'The Life of John Buncle' by Thomas Amory] Leben Joh. Bunkels. S.119 No.4
D. Chodowiecki inv & sc.
[published by Friedrich Nicolai, 1778]
Etching, sheet 140 x 85mm (5½ x 3¼"). Trimmed. Slight foxing.
John Buncle looking at the skeleton of John Orton. One of a set of illustrations to John Amory's 'The Life of John Buncle, Esq.' by Daniel Chodowiecki (1726-1801), German painter and etcher whose output as a printmaker consists of over 2000 plates. He was the director of the Berliner Akamie from 1797, and also an avid collector of prints and drawings.
[Ref: 46371] £50.00 (£60.00 incl.VAT)
D. Chodowiecki inv & sc.
[published by Friedrich Nicolai, 1778]
Etching, sheet 140 x 85mm (5½ x 3¼"). Trimmed. Slight foxing.
John Buncle looking at the skeleton of John Orton. One of a set of illustrations to John Amory's 'The Life of John Buncle, Esq.' by Daniel Chodowiecki (1726-1801), German painter and etcher whose output as a printmaker consists of over 2000 plates. He was the director of the Berliner Akamie from 1797, and also an avid collector of prints and drawings.
[Ref: 46371] £50.00 (£60.00 incl.VAT)
The manner of Burning a Woman convicted of Treason.
Dodd delin. J. Lodge sculp. [c.1770.]
Engraving, sheet 205 x 120mm (8 x 4¾"). Small margins on 3 sides.
Engraving published in the 'Tyburn Chronicle'.
[Ref: 46568] £65.00 (£78.00 incl.VAT)
Dodd delin. J. Lodge sculp. [c.1770.]
Engraving, sheet 205 x 120mm (8 x 4¾"). Small margins on 3 sides.
Engraving published in the 'Tyburn Chronicle'.
[Ref: 46568] £65.00 (£78.00 incl.VAT)
Cæsaria.
Sketched on the Spot by F.B. Spilsbury & drawn by D.l Orme. I.C. Stadler Aquatinta.
Sold & Published Sept.r 1. 1803, by Edw.d Orme, Printseller to His Majesty & the Royal Family, 59, New Bond Street.
Fine hand-coloured aquatint. Plate: 300 x 390mm (12 x 15¼"), with very large margins.
A view of Caesarea in northern Israel taken from the sea. A scene from 'Picturesque Scenery in the Holy Land and Syria'.
Abbey Scenery 383.
[Ref: 46227] £160.00 (£192.00 incl.VAT)
Sketched on the Spot by F.B. Spilsbury & drawn by D.l Orme. I.C. Stadler Aquatinta.
Sold & Published Sept.r 1. 1803, by Edw.d Orme, Printseller to His Majesty & the Royal Family, 59, New Bond Street.
Fine hand-coloured aquatint. Plate: 300 x 390mm (12 x 15¼"), with very large margins.
A view of Caesarea in northern Israel taken from the sea. A scene from 'Picturesque Scenery in the Holy Land and Syria'.
Abbey Scenery 383.
[Ref: 46227] £160.00 (£192.00 incl.VAT)
The Right Hon.ble George Canning.
Drawn on Stone by F.R. Say from a Print after Sir Tho.s Lawrence P.R.A. Printed by Hullmandel
London Published by J. Dickinson, 114, New Bond Street, June 1st 1827.
Lithograph on india, india dimensions 270 x 205mm (10½ x 8") large margins. Uncut.
George Canning (1770-1827), prime minister and parodist. This portrait, after a painting by Sir Thomas Lawrence, was published during Canning's term as prime minister which, at 119 days, was the shortest ever.
[Ref: 46512] £140.00 (£168.00 incl.VAT)
Drawn on Stone by F.R. Say from a Print after Sir Tho.s Lawrence P.R.A. Printed by Hullmandel
London Published by J. Dickinson, 114, New Bond Street, June 1st 1827.
Lithograph on india, india dimensions 270 x 205mm (10½ x 8") large margins. Uncut.
George Canning (1770-1827), prime minister and parodist. This portrait, after a painting by Sir Thomas Lawrence, was published during Canning's term as prime minister which, at 119 days, was the shortest ever.
[Ref: 46512] £140.00 (£168.00 incl.VAT)