A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Interior of the Temple of Aboo Simbel. Nov.r 9th, 1836. Nubia.
David Roberts. R.A.
London, Published F. G. Moon, 20 Threadneedle Street, Aug.t 1st, 1846.
Tinted lithograph. Printed area 350 x 495mm (13¾ x 19½").
Abu Simbel, one of Egypt's top tourist attractions, built by Ramesses II in the 13th century BC. This view is of the main hypostyle hall, showing the eight statues of Ramesses dressed as Osiris, half-buried in sand. In 1968 the whole complex was moved to an artificial hill to raise it above the water of the artifical lake created by the Aswan Dam. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40746] £1,100.00
David Roberts. R.A.
London, Published F. G. Moon, 20 Threadneedle Street, Aug.t 1st, 1846.
Tinted lithograph. Printed area 350 x 495mm (13¾ x 19½").
Abu Simbel, one of Egypt's top tourist attractions, built by Ramesses II in the 13th century BC. This view is of the main hypostyle hall, showing the eight statues of Ramesses dressed as Osiris, half-buried in sand. In 1968 the whole complex was moved to an artificial hill to raise it above the water of the artifical lake created by the Aswan Dam. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40746] £1,100.00
Achille Reconnu par Ulysse. Du Cabinet de M.gr Le Duc de Praslin. Grandeur de 42. Pouces sur 32.
Peint pas D. Teniers dans le Goût de Rubens. Gravé à l'Eau-forte par Martini et terminé par J. Ph. le Bas 1772.
A Paris ches le Bas Graveur Pensionnaire du Roi, Conseiller en son Académie de Peinture &c. rue de la Harpe. No.78 de l'Oeuvre de Teniers.
Engraving. Plate: 290 x 345mm (11½ x 13½"), with large margins Marks in top margin.
A classical scene showing Ulysses discovering the young Achilles hidden amongst the women. Ulysses is sent to find Achilles as a prophecy stated that Troy will not fall without him, however Achilles' mother, discovering that he would die should he go to war, hid him amongst the women of the house by dressing him as a girl. The scene shows Achilles betraying himself by being the only 'girl' to be interested in the weapons concealed amongst the gifts presented to the group by Ulysses.
[Ref: 47565] £160.00 (£192.00 incl.VAT)
Peint pas D. Teniers dans le Goût de Rubens. Gravé à l'Eau-forte par Martini et terminé par J. Ph. le Bas 1772.
A Paris ches le Bas Graveur Pensionnaire du Roi, Conseiller en son Académie de Peinture &c. rue de la Harpe. No.78 de l'Oeuvre de Teniers.
Engraving. Plate: 290 x 345mm (11½ x 13½"), with large margins Marks in top margin.
A classical scene showing Ulysses discovering the young Achilles hidden amongst the women. Ulysses is sent to find Achilles as a prophecy stated that Troy will not fall without him, however Achilles' mother, discovering that he would die should he go to war, hid him amongst the women of the house by dressing him as a girl. The scene shows Achilles betraying himself by being the only 'girl' to be interested in the weapons concealed amongst the gifts presented to the group by Ulysses.
[Ref: 47565] £160.00 (£192.00 incl.VAT)
St. Jean D'Acre. April 24th 1839.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, Septr. 18th , 1843.
Tinted lithograph, printed area 355 x 510mm.
An important port city of the eastern Mediterranean on the Bay of Haifa. During the Crusades it changed hands many times between Christians and Muslims.
[Ref: 4920] £400.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, Septr. 18th , 1843.
Tinted lithograph, printed area 355 x 510mm.
An important port city of the eastern Mediterranean on the Bay of Haifa. During the Crusades it changed hands many times between Christians and Muslims.
[Ref: 4920] £400.00
The Alchymist. He's in Belief of Chymistry, so bold,/ if his Dream last, he'll turn the Age to Gold.
Teniers pinx.t. W. Baillie sculp.t.
Early impression
Etching. 220 x 190mm (8¾ x 7½"). Thread margins.
An alchemist in his workshop, using bellows to make his fire burn hotter, etched by Captain William Baillie (1723-1810) after David Teniers the younger (1610-90). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
[Ref: 55334] £260.00 (£312.00 incl.VAT)
Teniers pinx.t. W. Baillie sculp.t.
Early impression
Etching. 220 x 190mm (8¾ x 7½"). Thread margins.
An alchemist in his workshop, using bellows to make his fire burn hotter, etched by Captain William Baillie (1723-1810) after David Teniers the younger (1610-90). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
[Ref: 55334] £260.00 (£312.00 incl.VAT)
Alexandria.
David Roberts. R.A. L. Haghe lith.
London, Published F. G. Moon, 20 Threadneedle Street, Dec.r 1st, 1848.
Tinted lithograph, printed area 390 x 520mm (15¼ x 20½").
European and Turkish warships at anchor in the harbour of Alexandria. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40729] £850.00
David Roberts. R.A. L. Haghe lith.
London, Published F. G. Moon, 20 Threadneedle Street, Dec.r 1st, 1848.
Tinted lithograph, printed area 390 x 520mm (15¼ x 20½").
European and Turkish warships at anchor in the harbour of Alexandria. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40729] £850.00
Alexandria.
David Roberts. R.A. L. Haghe lith.
London, Published F. G. Moon, 20 Threadneedle Street, Dec.r 1st, 1848.
Tinted lithograph with touches of later hand colour. Printed area 390 x 520mm (15¼ x 20½") large margins.
European and Turkish warships at anchor in the harbour of Alexandria. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 51205] £650.00
David Roberts. R.A. L. Haghe lith.
London, Published F. G. Moon, 20 Threadneedle Street, Dec.r 1st, 1848.
Tinted lithograph with touches of later hand colour. Printed area 390 x 520mm (15¼ x 20½") large margins.
European and Turkish warships at anchor in the harbour of Alexandria. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 51205] £650.00
Interview with the Viceroy of Egypt, at his Palace, Alexandria, May 12th 1839.
David Roberts. R.A. L. Haghe lith.
London, Published F. G. Moon, 20 Threadneedle Street, Dec.r 1st, 1849.
Tinted lithograph, printed area 370 x 490mm (14½ x 19¼"). With added colour & crease below title.
Mehmet Ali (1769-1849) meeting with a group of Europeans including the British Consul Major-General Patrick Campbell (1779–1857), Lieut. Waghorn and Roberts himself. Roberts did not have his pencil, so he reconstructed this scene from memory. Although this was an informal meeting, the Europeans were worried that Mehmet Ali was going to declare independence from the Ottoman Empire. The following year (1840) the British Navy blockaded the Nile Delta, forcing Mehmet Ali to accept a compromise, in which he was given hereditary rule of Egypt as an Ottoman viceroy. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40994] £600.00
David Roberts. R.A. L. Haghe lith.
London, Published F. G. Moon, 20 Threadneedle Street, Dec.r 1st, 1849.
Tinted lithograph, printed area 370 x 490mm (14½ x 19¼"). With added colour & crease below title.
Mehmet Ali (1769-1849) meeting with a group of Europeans including the British Consul Major-General Patrick Campbell (1779–1857), Lieut. Waghorn and Roberts himself. Roberts did not have his pencil, so he reconstructed this scene from memory. Although this was an informal meeting, the Europeans were worried that Mehmet Ali was going to declare independence from the Ottoman Empire. The following year (1840) the British Navy blockaded the Nile Delta, forcing Mehmet Ali to accept a compromise, in which he was given hereditary rule of Egypt as an Ottoman viceroy. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 40994] £600.00
![[Alsatian.]](jpegs/47731.jpg)
[Alsatian.]
David Gee [Pencil Signature]
[n.d., c.1930.]
Signed etching, scarce. Plate: 165 x 110mm (6½ x 4¼"), with very large margins.
A portrait of an Alsation.
[Ref: 47731] £60.00 (£72.00 incl.VAT)
David Gee [Pencil Signature]
[n.d., c.1930.]
Signed etching, scarce. Plate: 165 x 110mm (6½ x 4¼"), with very large margins.
A portrait of an Alsation.
[Ref: 47731] £60.00 (£72.00 incl.VAT)
Les Amusements des Matelots. Gravé d'après le Tableau Original de David Teniers, large d'un pied 10. pouces, sur 1 pied 2. pouces de haut. Qui est au Cabinet de Monsieur le Comte de Vence Maréchal des Camps et Armeés du Roy.
D. Teniers Pinx. P. Chenu Sculp.
A Paris chés l'Auteur rue de la Harpe à côté du Passage des Jacobins vis-à-vis le Caffé de Condé. [n.d., c.1753.]
Etching. 380 x 490mm (15 x 19¼"). Tear just entering plate on right & left. Large margins.
The Pleasures of Sailors: tavern scene with five peasants smoking and drinking in right foreground, the right one holding a large jug, others playing cards in front of the fire-place in right background.
[Ref: 38102] £220.00 (£264.00 incl.VAT)
D. Teniers Pinx. P. Chenu Sculp.
A Paris chés l'Auteur rue de la Harpe à côté du Passage des Jacobins vis-à-vis le Caffé de Condé. [n.d., c.1753.]
Etching. 380 x 490mm (15 x 19¼"). Tear just entering plate on right & left. Large margins.
The Pleasures of Sailors: tavern scene with five peasants smoking and drinking in right foreground, the right one holding a large jug, others playing cards in front of the fire-place in right background.
[Ref: 38102] £220.00 (£264.00 incl.VAT)
Askelon.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, Oct 1st 1842.
Tinted lithograph, printed area 325 x 485mm.
Ashkelon was the site of the first 'archaeological excavation' in the Holy Land when Lady Hester Stanhope conducted a small dig. Excavations have uncovered remains from nearly every period from the Neolithic until the 13th century A.D.
[Ref: 4921] £450.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, Oct 1st 1842.
Tinted lithograph, printed area 325 x 485mm.
Ashkelon was the site of the first 'archaeological excavation' in the Holy Land when Lady Hester Stanhope conducted a small dig. Excavations have uncovered remains from nearly every period from the Neolithic until the 13th century A.D.
[Ref: 4921] £450.00
General View of Esouan and the Island of Elephantine.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, July. 1st. 1848.
Tinted lithograph, printed area 330 x 490mm (13 x 19¼").
Aswan, situated at Egypt's first cataract, studded with numerous granite islands. The largest, Elephantine Island has various monuments, and a Nubian settlement. Qubbet el-Hawa was the burial ground of the Old Kingdom noblemen from Elephantine, and their tombs were hewn out of the rock, about halfway up the hill facing the river.
[Ref: 4922] £900.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, July. 1st. 1848.
Tinted lithograph, printed area 330 x 490mm (13 x 19¼").
Aswan, situated at Egypt's first cataract, studded with numerous granite islands. The largest, Elephantine Island has various monuments, and a Nubian settlement. Qubbet el-Hawa was the burial ground of the Old Kingdom noblemen from Elephantine, and their tombs were hewn out of the rock, about halfway up the hill facing the river.
[Ref: 4922] £900.00
Mister Baldwin. Supplement to the New Statesman and Nation, November 4, 1933 (3).
Low.
Photo-lithograph. Sheet size: 230 x 330mm (9 x 13"). Slight paper toning.
Stanley Baldwin, 1st Earl Baldwin of Bewdley, (1867 - 1947) was a British Conservative politician, who dominated the government in his country between the two world wars. Three times Prime Minister, he is the only premier to have served under three monarchs (George V, Edward VIII and George VI). By New Zealand born artist, Sir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934.
[Ref: 37146] £75.00 (£90.00 incl.VAT)
Low.
Photo-lithograph. Sheet size: 230 x 330mm (9 x 13"). Slight paper toning.
Stanley Baldwin, 1st Earl Baldwin of Bewdley, (1867 - 1947) was a British Conservative politician, who dominated the government in his country between the two world wars. Three times Prime Minister, he is the only premier to have served under three monarchs (George V, Edward VIII and George VI). By New Zealand born artist, Sir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934.
[Ref: 37146] £75.00 (£90.00 incl.VAT)
Tho: Barlow. S. S. Theol: Dr. Coll: Reg: Praepositus, et pro. D. Margareta SS. Theol. Professor Publicus. Oxon. A.o 1672. Herculeus ultra quem jactat rauca columnas/ Fama (nec officio par tamen illa suo)/ En tibi BARLOUM, potuit qua Sculptor, at ipsa/ Arte licet claram vincit ut umbra manum!/ Ora venusta vides, et nobilis Atria nientis;/ Quad nitet interius nulla Tabella dabit.
D. Loggan ad vivum sculp.
[n.d., c. 1675.]
Engraving. Sheet 240 x 175mm (9½ x 7"). Trimmed to image and laid on album paper. Toning.
Thomas Barlow (1608/9-1691) was Provost of Queens College, Oxford and bishop of Lincoln under Charles II and James II.
[Ref: 53751] £85.00 (£102.00 incl.VAT)
D. Loggan ad vivum sculp.
[n.d., c. 1675.]
Engraving. Sheet 240 x 175mm (9½ x 7"). Trimmed to image and laid on album paper. Toning.
Thomas Barlow (1608/9-1691) was Provost of Queens College, Oxford and bishop of Lincoln under Charles II and James II.
[Ref: 53751] £85.00 (£102.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris coll. S.S. Trini. Cantab. Praefec. Nec-Non Acad. Eiusdem Procanc: 1676.
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. 275 x 190mm. (10¾ x 7½"), with wide margins on 3 sides.
Portrait, head and shoulders in an oval frame, long hair, wearing bands, gown and robes; coat of arms below. Isaac Barrow (1630-1677) was a divine. He was an English theologian, and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i;
[Ref: 53621] £90.00 (£108.00 incl.VAT)
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. 275 x 190mm. (10¾ x 7½"), with wide margins on 3 sides.
Portrait, head and shoulders in an oval frame, long hair, wearing bands, gown and robes; coat of arms below. Isaac Barrow (1630-1677) was a divine. He was an English theologian, and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i;
[Ref: 53621] £90.00 (£108.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris coll. S.S. Trini. Cantab. Praefec. Nec-Non Acad. Eiusdem Procanc: 1676.
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. Platemark: 275 x 190mm (10¾ x 7½"), large margins.
Portrait of Isaac Barrow (1630-1677), head and shoulders in an oval frame, long hair, wearing bands, gown and robes, with a coat of arms below. Barrow was an English theologian and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i; ex Collection: R. Hobson of Hove.
[Ref: 39257] £140.00 (£168.00 incl.VAT)
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. Platemark: 275 x 190mm (10¾ x 7½"), large margins.
Portrait of Isaac Barrow (1630-1677), head and shoulders in an oval frame, long hair, wearing bands, gown and robes, with a coat of arms below. Barrow was an English theologian and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i; ex Collection: R. Hobson of Hove.
[Ref: 39257] £140.00 (£168.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris Coll. S. S. Trini. Cantab. Præfec. Nec. Non Acad. Eiusdem Procanc. ao. 1676.
D. Loggan ad Vivam delin. Bernigeroth sc.
[n.d., c.1690.]
Engraving. Sheet: 175 x 125mm (7 x 5''). Trimmed.
A portrait of academic and mathematician Isaac Barrow (1630-1677) who was master of Trinity College, Cambridge and was famed for "Calculus".
W. 183.3.
[Ref: 48727] £220.00 (£264.00 incl.VAT)
D. Loggan ad Vivam delin. Bernigeroth sc.
[n.d., c.1690.]
Engraving. Sheet: 175 x 125mm (7 x 5''). Trimmed.
A portrait of academic and mathematician Isaac Barrow (1630-1677) who was master of Trinity College, Cambridge and was famed for "Calculus".
W. 183.3.
[Ref: 48727] £220.00 (£264.00 incl.VAT)
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Bath from the Beacon Cliffs.
D. Cox Delt. Smart & Sutherland Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
A prospect of the City of Bath. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 6. Bath Central Library Collection IOB 194 1104675272.
[Ref: 27402] £250.00 (£300.00 incl.VAT)
D. Cox Delt. Smart & Sutherland Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
A prospect of the City of Bath. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 6. Bath Central Library Collection IOB 194 1104675272.
[Ref: 27402] £250.00 (£300.00 incl.VAT)
Lansdown Crescent Bath.
D. Cox Delt. Smart & Sutherland, Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
View of the Royal Crescent, Bath, which was designed by John Palmer and built between 1789 and 1793. It enjoys a view over central Bath, being sited on Lansdown Hill near to but higher than the Royal Crescent. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 3. Bath Central Library Collection IOB 560 1104675272.
[Ref: 27400] £250.00 (£300.00 incl.VAT)
D. Cox Delt. Smart & Sutherland, Sculpt.
London, Published Jany. 1st 1820, by S. & J. Fuller, 34 Rathbone Place.
Aquatint in original colour by hand, very rare; 275 x 325mm. 10¾ x 12¾". An early issue on Whatman paper.
View of the Royal Crescent, Bath, which was designed by John Palmer and built between 1789 and 1793. It enjoys a view over central Bath, being sited on Lansdown Hill near to but higher than the Royal Crescent. From 'Six Views of the City of Bath. From drawings made by David Cox' ("Price £1 10s. In Colours"). David Cox (1783-1859), landscape painter; Cox stayed in Bath in 1819, in 1836 and again in 1840.
Abbey Scenery 44, 3. Bath Central Library Collection IOB 560 1104675272.
[Ref: 27400] £250.00 (£300.00 incl.VAT)
Ralph Bathurst. [In ink below image:] an Eminent Physician & Divine born in 1620. he studied Divinity in Trinity College Oxford._Lond.Encycl. p.662. He died 1704. age 84.
A. Walker sculp. e Tab. D.Loggan ad viv. fac.
[n.d. c.1761.]
Copper Engraving. Very fine impression, with large margins. Plate 178 x 120mm.
Dr Ralph Bathusrt (1620-1704) was an English theologian and physician. He was ordained in 1644 but his prospects were disrupted by the English Civil War and he turned to medicine. He was part of the original group of Oxford experimentalists attached to the Royal Society of London, and later crossed circles with physicians and was involved in the dissection of Ann Green. During the First Anglo-Dutch War of 1652, he worked in practical medicine alongside Daniel Whistle, who was in charge of wounded naval personnel. In 1660, with the English Restoration, he turned back to the Church, and in 1663 he was elected Fellow of the Royal Society, and a year later was made President of Trinity College. In 1670 he was Dean of Wells Cathedral and for three years, from 1673, he was Vice-Chancellor of the University of Oxford.
NPG: D29585. Not in W.
[Ref: 17961] £60.00 (£72.00 incl.VAT)
A. Walker sculp. e Tab. D.Loggan ad viv. fac.
[n.d. c.1761.]
Copper Engraving. Very fine impression, with large margins. Plate 178 x 120mm.
Dr Ralph Bathusrt (1620-1704) was an English theologian and physician. He was ordained in 1644 but his prospects were disrupted by the English Civil War and he turned to medicine. He was part of the original group of Oxford experimentalists attached to the Royal Society of London, and later crossed circles with physicians and was involved in the dissection of Ann Green. During the First Anglo-Dutch War of 1652, he worked in practical medicine alongside Daniel Whistle, who was in charge of wounded naval personnel. In 1660, with the English Restoration, he turned back to the Church, and in 1663 he was elected Fellow of the Royal Society, and a year later was made President of Trinity College. In 1670 he was Dean of Wells Cathedral and for three years, from 1673, he was Vice-Chancellor of the University of Oxford.
NPG: D29585. Not in W.
[Ref: 17961] £60.00 (£72.00 incl.VAT)
Hilaire Belloc
[David] Low
Supplement to The New Statesman, April 17, 1926.
Photo-lithograph, platemark 220 x 185mm (8½ x 7").
Hilaire Belloc (1870-1953), poet and author, also Liberal MP for South Salford (1906-1910). Now chiefly remembered for his early comic and satirical work such as 'The Bad Child's Book of Beasts' (1896), Belloc's work increasingly engaged with historical and political issues. This caricature was made soon after the publication of 'The Cruise of the 'Nona'' (1925), which recalled a voyage around England in a small boat on the eve of war in 1914. By Sir David Low (1891-1963) for the New Statesman. New Zealand-born Low, who described caricature as the art of 'all-in portraiture', published two series of portraits as supplements to the New Statesman. The original drawing for this caricature is in the Victoria & Albert Museum.
[Ref: 34834] £130.00 (£156.00 incl.VAT)
[David] Low
Supplement to The New Statesman, April 17, 1926.
Photo-lithograph, platemark 220 x 185mm (8½ x 7").
Hilaire Belloc (1870-1953), poet and author, also Liberal MP for South Salford (1906-1910). Now chiefly remembered for his early comic and satirical work such as 'The Bad Child's Book of Beasts' (1896), Belloc's work increasingly engaged with historical and political issues. This caricature was made soon after the publication of 'The Cruise of the 'Nona'' (1925), which recalled a voyage around England in a small boat on the eve of war in 1914. By Sir David Low (1891-1963) for the New Statesman. New Zealand-born Low, who described caricature as the art of 'all-in portraiture', published two series of portraits as supplements to the New Statesman. The original drawing for this caricature is in the Victoria & Albert Museum.
[Ref: 34834] £130.00 (£156.00 incl.VAT)
Hillaire Beloc. Supplement to the New Statesman, April 17, 1926 (13).
Low.
Photo-lithograph. Sheet size: 230 x 330mm (9 x 13"). Small ink smudge in lower margin.
A portrait of Joseph Hilaire Pierre René Belloc (1870 - 1953, an Anglo-French writer and historian. He was one of the most prolific writers in England during the early twentieth century. He was known as a writer, orator, poet, sailor, satirist, man of letters, soldier and political activist. By New Zealand born artist, Sir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934.
[Ref: 37144] £130.00 (£156.00 incl.VAT)
Low.
Photo-lithograph. Sheet size: 230 x 330mm (9 x 13"). Small ink smudge in lower margin.
A portrait of Joseph Hilaire Pierre René Belloc (1870 - 1953, an Anglo-French writer and historian. He was one of the most prolific writers in England during the early twentieth century. He was known as a writer, orator, poet, sailor, satirist, man of letters, soldier and political activist. By New Zealand born artist, Sir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934.
[Ref: 37144] £130.00 (£156.00 incl.VAT)
Entrance to the Caves of Beni Hassan.
David Roberts R. A. L. Haghe lith.
[n.d. c, 1840]
Lithograph with letterpress. Framed. Printed area: 300 x 540mm, (12 x 21"). Frame: 520 x 700mm, (20½ x 27½"). Unexamined out of frame.
View of the entrance to the Ancient Egyptian cemetery of Beni Hasan in front of which two goat herds and their flock are resting. Beni Hasan, as the letterpress describes, contained detailed depictions of everyday life in Ancient Egypt.
[Ref: 35080] £150.00 (£180.00 incl.VAT)
David Roberts R. A. L. Haghe lith.
[n.d. c, 1840]
Lithograph with letterpress. Framed. Printed area: 300 x 540mm, (12 x 21"). Frame: 520 x 700mm, (20½ x 27½"). Unexamined out of frame.
View of the entrance to the Ancient Egyptian cemetery of Beni Hasan in front of which two goat herds and their flock are resting. Beni Hasan, as the letterpress describes, contained detailed depictions of everyday life in Ancient Egypt.
[Ref: 35080] £150.00 (£180.00 incl.VAT)
![[George Bernard Shaw.]](jpegs/37240.jpg)
[George Bernard Shaw.] Supplement to the New Statesman, February 27, 1926 (7).
Low.
Photo-lithograph. Sheet size: 230 x 330mm (9 x 13").
A portrait of George Bernard Shaw (1856 - 1950), Irish playwright and a co-founder of the London School of Economics. By New Zealand born artist, Sir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934.
[Ref: 37240] £160.00 (£192.00 incl.VAT)
Low.
Photo-lithograph. Sheet size: 230 x 330mm (9 x 13").
A portrait of George Bernard Shaw (1856 - 1950), Irish playwright and a co-founder of the London School of Economics. By New Zealand born artist, Sir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934.
[Ref: 37240] £160.00 (£192.00 incl.VAT)
Ernest Bevin. Supplement to the New Statesman and Nation, December 30, 1933 (11).
Low.
Photo-lithograph. Sheet size: 230 x 330mm (9 x 13").
A portrait of Ernest Bevin (1881 - 1951), a British statesman, trade union leader, and Labour politician. He co-founded and served as general secretary of the Transport and General Workers' Union from 1922 to 1940, and as Minister of Labour in the war-time coalition government. By New Zealand born artist, Sir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934.
[Ref: 37143] £75.00 (£90.00 incl.VAT)
Low.
Photo-lithograph. Sheet size: 230 x 330mm (9 x 13").
A portrait of Ernest Bevin (1881 - 1951), a British statesman, trade union leader, and Labour politician. He co-founded and served as general secretary of the Transport and General Workers' Union from 1922 to 1940, and as Minister of Labour in the war-time coalition government. By New Zealand born artist, Sir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934.
[Ref: 37143] £75.00 (£90.00 incl.VAT)
Bichat (Marie; Francois Xavier) Ne le 11. 9bre. 1771 a Thoirette, Dept. de l'ain, mort a Paris dans le mois de Juillet 1802.
Dumont, eleve de Mr. David. Imp. Lithogr. de G. Engelmann, rue Cassette N.18 a Paris.
Rare lithograph. 552 x 368mm (21¾ x 14½"). Some tears and nicks to the edges. Horizontal crease through centre.
A very striking portrait of Marie François Xavier Bichat (1771-1802), French anatomist and physiologist. Bichat is best remembered as the father of modern histology and pathology.
Not in Wellcome.
[Ref: 14574] £240.00 (£288.00 incl.VAT)
Dumont, eleve de Mr. David. Imp. Lithogr. de G. Engelmann, rue Cassette N.18 a Paris.
Rare lithograph. 552 x 368mm (21¾ x 14½"). Some tears and nicks to the edges. Horizontal crease through centre.
A very striking portrait of Marie François Xavier Bichat (1771-1802), French anatomist and physiologist. Bichat is best remembered as the father of modern histology and pathology.
Not in Wellcome.
[Ref: 14574] £240.00 (£288.00 incl.VAT)
Joh. Henr. Biehler, Joh. Georg. II et Joh. Georg. III. Electorum Sax. Cubicular. in Dresden. Nat. ueising in Wurtenb. 5 Febr. 1633 Denat. 7 Mart. 1698.
D. Richter pinx.
Pet. Schenck fec: et exc: Amstelod: cum Privilegio. [n.d., c.1700.]
Scarce mezzotint. 265 x 180mm (10½ x 7"). Slight crease. Small margins.
Johann Heinrich Biehler (1633-98), Jeweler and cubicular (i.e. 'Groom of the Stool') to the elector of Saxony, Johann Georg II and his son Johann Georg III.
[Ref: 53349] £380.00
D. Richter pinx.
Pet. Schenck fec: et exc: Amstelod: cum Privilegio. [n.d., c.1700.]
Scarce mezzotint. 265 x 180mm (10½ x 7"). Slight crease. Small margins.
Johann Heinrich Biehler (1633-98), Jeweler and cubicular (i.e. 'Groom of the Stool') to the elector of Saxony, Johann Georg II and his son Johann Georg III.
[Ref: 53349] £380.00
The Blind Fiddler.
Painted by D. Wilkie, R.A. Engraved by J. Burnet.
London, Published Oct.r 1.st 1811 By Mess.rs Boydell & Co. Cheapside.
Engraving. Fine impression, open letters. Platemark: 495 bx 615mm (19½ x 24¼") with large margins.
A blind fiddler, on the left, plays to a large family within a rustic interior. A woman sits by the hearth holding a small child in her lap, two children watching the fiddler in the centre, with a man and woman behind them playing with another child, and two boys on the right, one trying to imitate the fiddler. After Scottish genre painter and etcher David Wilkie (1785 - 1841).
Provenance: Hooton Pagnell Hall, Yorkshire.
[Ref: 39833] £360.00
Painted by D. Wilkie, R.A. Engraved by J. Burnet.
London, Published Oct.r 1.st 1811 By Mess.rs Boydell & Co. Cheapside.
Engraving. Fine impression, open letters. Platemark: 495 bx 615mm (19½ x 24¼") with large margins.
A blind fiddler, on the left, plays to a large family within a rustic interior. A woman sits by the hearth holding a small child in her lap, two children watching the fiddler in the centre, with a man and woman behind them playing with another child, and two boys on the right, one trying to imitate the fiddler. After Scottish genre painter and etcher David Wilkie (1785 - 1841).
Provenance: Hooton Pagnell Hall, Yorkshire.
[Ref: 39833] £360.00
Blind - Man's Buff.
Painted by David Wilkie RA. Engraved by Abraham Raimbach, _ Hon.y Member of the IMP.L Academy at St. Petersberg.
Published 1.st June, 1822 by D. Wilkie and A. Raimbach, London.
Very fine engraving, pen letter state. 510 x 640mm (20 x 25¼"), with wide margins, uncut. Damage to lower edge of sheet.
A lively interior scene. A blindfolded man feels his way around a room, as many adults and children try to remain out of his reach. A small boy cheekily tugs on the blindfolded man’s jacket. David Wilkie (1785-1841) painted the original oil version of ‘Blind Man’s Buff’ in 1812. It was exhibited at the Royal Academy the following year, having been commissioned by the Prince Regent (later George IV), who paid the considerable sum of 500 guineas for the work. The painting remains in the Royal Collection today. An oil sketch, made in preparation for the work, is in the Tate Collection.
Provenance: Hooton Pagnell Hall, Yorkshire.
[Ref: 39981] £360.00
Painted by David Wilkie RA. Engraved by Abraham Raimbach, _ Hon.y Member of the IMP.L Academy at St. Petersberg.
Published 1.st June, 1822 by D. Wilkie and A. Raimbach, London.
Very fine engraving, pen letter state. 510 x 640mm (20 x 25¼"), with wide margins, uncut. Damage to lower edge of sheet.
A lively interior scene. A blindfolded man feels his way around a room, as many adults and children try to remain out of his reach. A small boy cheekily tugs on the blindfolded man’s jacket. David Wilkie (1785-1841) painted the original oil version of ‘Blind Man’s Buff’ in 1812. It was exhibited at the Royal Academy the following year, having been commissioned by the Prince Regent (later George IV), who paid the considerable sum of 500 guineas for the work. The painting remains in the Royal Collection today. An oil sketch, made in preparation for the work, is in the Tate Collection.
Provenance: Hooton Pagnell Hall, Yorkshire.
[Ref: 39981] £360.00
L'Aveugle Joueur de Violon.
Dav. Wilkie Peint. Jazet Sculp.t
A Paris, chez Jazet. Faub.g St. Martin, No.71, et Ch.les Bance, Rue J.J. Rousseau, No.10. Déposé à la Direction. [n.d. c.1820.]
Aquatint with etching. 300 x 394mm (11¾ x 15½"). Soiling to right corner,
The blind violinist: rustic interior with at left a blind man sitting on a chair and playing violin for a family of country folk; one of the boys mocks the musician by pretending to play on bellows.
[Ref: 31313] £190.00 (£228.00 incl.VAT)
Dav. Wilkie Peint. Jazet Sculp.t
A Paris, chez Jazet. Faub.g St. Martin, No.71, et Ch.les Bance, Rue J.J. Rousseau, No.10. Déposé à la Direction. [n.d. c.1820.]
Aquatint with etching. 300 x 394mm (11¾ x 15½"). Soiling to right corner,
The blind violinist: rustic interior with at left a blind man sitting on a chair and playing violin for a family of country folk; one of the boys mocks the musician by pretending to play on bellows.
[Ref: 31313] £190.00 (£228.00 incl.VAT)
![[Sir Henry Blount.]](jpegs/33848.jpg)
[Sir Henry Blount.] Loquendum cum vulgo sentiendum cum sapientibus.
D. Loggan ad Vivum delin et sculp.
1679.
Engraving. Sheet size: 240 x 175mm (9½ x 7"). Trimmed to image. False borders. Glued to album sheet at corners.
A portrait of the traveller and landowner Sir Henry Blount (1602–1682). Half length, to the right, looking at viewer, wearing a jacket with small collar tied at the neck with a ribbon. In an oval on a pedestal with a motto on ribbon at top, and a coat of arms below. Blount travelled extensively in Europe and the Levant and was the author of 'Voyage into the Levant' published in London in 1634.
[Ref: 33848] £180.00 (£216.00 incl.VAT)
D. Loggan ad Vivum delin et sculp.
1679.
Engraving. Sheet size: 240 x 175mm (9½ x 7"). Trimmed to image. False borders. Glued to album sheet at corners.
A portrait of the traveller and landowner Sir Henry Blount (1602–1682). Half length, to the right, looking at viewer, wearing a jacket with small collar tied at the neck with a ribbon. In an oval on a pedestal with a motto on ribbon at top, and a coat of arms below. Blount travelled extensively in Europe and the Levant and was the author of 'Voyage into the Levant' published in London in 1634.
[Ref: 33848] £180.00 (£216.00 incl.VAT)
![[Napoleon Crossing the Alps.]](jpegs/55785.jpg)
[Napoleon Crossing the Alps.]
Lithograph. Sheet 125 x 95mm (5 x 3¾"). Trimmed, losing title?, mounted in album paper.
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 55785] £75.00 (£90.00 incl.VAT)
Lithograph. Sheet 125 x 95mm (5 x 3¾"). Trimmed, losing title?, mounted in album paper.
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 55785] £75.00 (£90.00 incl.VAT)
![[Napoleon Crossing the Alps.]](jpegs/55748.jpg)
[Napoleon Crossing the Alps.]
[n.d., c.1820.]
Lithograph. Sheet 125 x 110mm (5 x 4¼"). Trimmed to printed border, losing title, old ink mss title pasted on, laid on album paper.
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 55748] £65.00 (£78.00 incl.VAT)
[n.d., c.1820.]
Lithograph. Sheet 125 x 110mm (5 x 4¼"). Trimmed to printed border, losing title, old ink mss title pasted on, laid on album paper.
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 55748] £65.00 (£78.00 incl.VAT)
![[Napoleon Bonaparte Crossing the Alps.]](jpegs/55898.jpg)
[Napoleon Bonaparte Crossing the Alps.]
Coloured lithograph. Sheet 140 x 110mm (5½ x 4¼"). Trimmed into image.
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 55898] £85.00 (£102.00 incl.VAT)
Coloured lithograph. Sheet 140 x 110mm (5½ x 4¼"). Trimmed into image.
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 55898] £85.00 (£102.00 incl.VAT)
Bonaparte Crossing the Alps.
Mezzotint. Sheet 150 x 120mm (6 x 4¾"). Trimmed into image, title excised and pasted below, mounted on album paper.
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 55786] £75.00 (£90.00 incl.VAT)
Mezzotint. Sheet 150 x 120mm (6 x 4¾"). Trimmed into image, title excised and pasted below, mounted on album paper.
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 55786] £75.00 (£90.00 incl.VAT)
Napoleon Crossing the Alps.
Lithograph, trimmed into oval. Sheet 130 x 160mm (5 x 6¼"). Trimmed into image, title excised and pasted below, mounted on album paper.
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 55787] £75.00 (£90.00 incl.VAT)
Lithograph, trimmed into oval. Sheet 130 x 160mm (5 x 6¼"). Trimmed into image, title excised and pasted below, mounted on album paper.
A version of Jacques-Louis David's famous painting of Napoleon on a rearing Marengo.
[Ref: 55787] £75.00 (£90.00 incl.VAT)
Napoleon Asleep in his Study. Taken Shortly Before the Battle of Waterloo.
Drawn by Dr Memes from a sketch by David. _ Eng.d by W.H. Lizars.
[n.d., c.1820.]
Engraving. Sheet 180 x 180mm (4¾ x 7"). Trimmed within plate, laid on album paper. Foxed.
Napoleon Bonaparte in uniform, asleep in a chair in a tent.
[Ref: 55824] £65.00 (£78.00 incl.VAT)
Drawn by Dr Memes from a sketch by David. _ Eng.d by W.H. Lizars.
[n.d., c.1820.]
Engraving. Sheet 180 x 180mm (4¾ x 7"). Trimmed within plate, laid on album paper. Foxed.
Napoleon Bonaparte in uniform, asleep in a chair in a tent.
[Ref: 55824] £65.00 (£78.00 incl.VAT)
Napoleon Buonaparte. Engraved with permission by Rob.t Cooper from the original whole length Picture Painted by Mr. David his chief Painter at Paris.
London Published Jan.y 1815 for the Propietor by William Cribb, 13 Tavistock Street, Covent Garden.
Stipple, rich impression. 505 x 365mm (19¾ x 14¼"). Cracks in image restored, some surface abrasions, laid on archival paper. Damaged.
Half length portrait of Napeolon Bonaparte, looking towards the front, dressed in uniform with cross and Grand Eagle of the Legion of honour, his right hand slipped inside his waistcoat. A detail of the full-length portrait by Jacques-Louis David, ''The Emperor Napoleon in his Study at the Tuileries''.
[Ref: 59651] £320.00
London Published Jan.y 1815 for the Propietor by William Cribb, 13 Tavistock Street, Covent Garden.
Stipple, rich impression. 505 x 365mm (19¾ x 14¼"). Cracks in image restored, some surface abrasions, laid on archival paper. Damaged.
Half length portrait of Napeolon Bonaparte, looking towards the front, dressed in uniform with cross and Grand Eagle of the Legion of honour, his right hand slipped inside his waistcoat. A detail of the full-length portrait by Jacques-Louis David, ''The Emperor Napoleon in his Study at the Tuileries''.
[Ref: 59651] £320.00
Napoleon Crossing the Alp's.
[Anon., c.1830.]
Lithograph with hand-colouring and gum arabic, sheet 150 x 130mm (6 x 5"). Tear to image at top.
Perhaps the most famous image of Napoleon, Jacques-Louis David's 'Napoleon Crossing the Alps' painted five times between 1801 and 1805. The painting, initially commissioned by the king of Spain, represents in idealized form Napoleon's crossing through the Great St Bernard Pass in 1800. Napoleon's army can be seen behind, and the printmaker has taken some licence to make them more prominent than in David's paintings.
[Ref: 35938] £60.00 (£72.00 incl.VAT)
[Anon., c.1830.]
Lithograph with hand-colouring and gum arabic, sheet 150 x 130mm (6 x 5"). Tear to image at top.
Perhaps the most famous image of Napoleon, Jacques-Louis David's 'Napoleon Crossing the Alps' painted five times between 1801 and 1805. The painting, initially commissioned by the king of Spain, represents in idealized form Napoleon's crossing through the Great St Bernard Pass in 1800. Napoleon's army can be seen behind, and the printmaker has taken some licence to make them more prominent than in David's paintings.
[Ref: 35938] £60.00 (£72.00 incl.VAT)
Le Bonnet Vert. From the original Picture. Painted by D. Teniers Jun.r in the Possession of Jeremiah Harman Esq.r Drawn by T.W. Strutt and Engraved with permission by R.t Cooper.
London. Published Novr. 1. 1813, by Longman, Hurst, Rees, Orme and Brown, J. White, Cadell and Davies, and P.W. Tomkins,. No.54 New Bond Street.
Etching and stipple on india. Sheet 420 x 318mm (16½ x 14½"). Slight foxing
Tavern interior with three men sitting on the left, the nearest lighting his pipe, a cap hanging on the back of his chair, another leaning back in his chair and exhaling smoke, the third between them, leaning forward as he smokes; a group playing cards in front of the hearth in right background; after David Teniers the Younger.
[Ref: 52388] £120.00 (£144.00 incl.VAT)
London. Published Novr. 1. 1813, by Longman, Hurst, Rees, Orme and Brown, J. White, Cadell and Davies, and P.W. Tomkins,. No.54 New Bond Street.
Etching and stipple on india. Sheet 420 x 318mm (16½ x 14½"). Slight foxing
Tavern interior with three men sitting on the left, the nearest lighting his pipe, a cap hanging on the back of his chair, another leaning back in his chair and exhaling smoke, the third between them, leaning forward as he smokes; a group playing cards in front of the hearth in right background; after David Teniers the Younger.
[Ref: 52388] £120.00 (£144.00 incl.VAT)
Boors at Cards in the Cabinet at Houghton. Picture the same size as the print.
David Teniers Pinxit. Josiah Boydell delin.t J. B. Michel Sculpsit.
Published Dec.r 1st 1778 by J.on Boydell Engraver in Cheapside London.
Fine engraving. 370 x 260mm (14½ x 10¼"), with very wide margins.
A scene depicting a group of merry men engrossed in a game of cards.
[Ref: 54122] £160.00 (£192.00 incl.VAT)
David Teniers Pinxit. Josiah Boydell delin.t J. B. Michel Sculpsit.
Published Dec.r 1st 1778 by J.on Boydell Engraver in Cheapside London.
Fine engraving. 370 x 260mm (14½ x 10¼"), with very wide margins.
A scene depicting a group of merry men engrossed in a game of cards.
[Ref: 54122] £160.00 (£192.00 incl.VAT)
Jeu de Boule, Ou IV.e Vûë de Flandre. 26
D. Teniers pinx. Le Bas Sculp.
a Paris chez J.P. Le Bas graveur du Roy, rüe de la Harpe vis a vis la rüe Percée 1742.
Etching. 365 x 460mm (14½ x 18"). Narrow margins, worm holes filled.
A group of boys play boule in a village.
[Ref: 45786] £260.00 (£312.00 incl.VAT)
D. Teniers pinx. Le Bas Sculp.
a Paris chez J.P. Le Bas graveur du Roy, rüe de la Harpe vis a vis la rüe Percée 1742.
Etching. 365 x 460mm (14½ x 18"). Narrow margins, worm holes filled.
A group of boys play boule in a village.
[Ref: 45786] £260.00 (£312.00 incl.VAT)
The Bowling. Les Joueurs de Boules 1736.
D. Teniers inv. Vivaret [Francis Vivares] Sculp.
Rocque Excudit.
Etching. Sheet 150 x 250mm (6 x 9¾"). Trimmed within plate, mounted in album paper.
Peasants playing boules outside an inn.
[Ref: 55612] £190.00 (£228.00 incl.VAT)
D. Teniers inv. Vivaret [Francis Vivares] Sculp.
Rocque Excudit.
Etching. Sheet 150 x 250mm (6 x 9¾"). Trimmed within plate, mounted in album paper.
Peasants playing boules outside an inn.
[Ref: 55612] £190.00 (£228.00 incl.VAT)
![[Peasants playing bowls outside a village inn]](jpegs/47998.jpg)
[Peasants playing bowls outside a village inn]
D Teniers [in plate] C. Weisbrodt 1773.
Etching, platemark 205 x 265mm (8 x 11½"). Proof with small margins.
Etching after one of several scenes by David Teniers the Younger showing peasants playing bowls (another is in the National Gallery). Etched by Carl Guillaume Weisbrod (1743-1806), Stuttgart-born printmaker who studied and worked in France before returning to Germany in 1780.
[Ref: 47998] £65.00 (£78.00 incl.VAT)
D Teniers [in plate] C. Weisbrodt 1773.
Etching, platemark 205 x 265mm (8 x 11½"). Proof with small margins.
Etching after one of several scenes by David Teniers the Younger showing peasants playing bowls (another is in the National Gallery). Etched by Carl Guillaume Weisbrod (1743-1806), Stuttgart-born printmaker who studied and worked in France before returning to Germany in 1780.
[Ref: 47998] £65.00 (£78.00 incl.VAT)
The Diversion of Bowls. Ls Joue de Boules 1736.
[after David Teniers the younger.]
[n.d., c.1750.]
Engraving. Sheet 140 x 190mm (5½ x 7½"). Trimmed within plate, rust spot, creasing.
Peasants playing boules outside an inn.
[Ref: 55613] £130.00 (£156.00 incl.VAT)
[after David Teniers the younger.]
[n.d., c.1750.]
Engraving. Sheet 140 x 190mm (5½ x 7½"). Trimmed within plate, rust spot, creasing.
Peasants playing boules outside an inn.
[Ref: 55613] £130.00 (£156.00 incl.VAT)
![[The Breakfast Table.]](jpegs/56664.jpg)
[The Breakfast Table.]
D. Wilkie R.A. Etched by C.W. Marr.
London, Nov. 24, 1823, Published by J. Young, Upper Charlotte Street, Fitzroy Square, and Hurst, Robinson & Co 90 Cheapside.
Etchin on chine collé. 290 x 230mm (11½ x 9"), very large margins.
An etching after David Wilkie's painting 'The Breakfast Table', with an old couple and a young man sitting at a round breakfast table. A maid pours hot water into a teapot.
[Ref: 56664] £70.00 (£84.00 incl.VAT)
D. Wilkie R.A. Etched by C.W. Marr.
London, Nov. 24, 1823, Published by J. Young, Upper Charlotte Street, Fitzroy Square, and Hurst, Robinson & Co 90 Cheapside.
Etchin on chine collé. 290 x 230mm (11½ x 9"), very large margins.
An etching after David Wilkie's painting 'The Breakfast Table', with an old couple and a young man sitting at a round breakfast table. A maid pours hot water into a teapot.
[Ref: 56664] £70.00 (£84.00 incl.VAT)
Mr. Edwd. Bright late of Malden in Essex. Who died November 10, 1750. Aged 29 Years. He weigh'd 43 Stone & 1/2 (14tt toye Stone) which is 609 pounds.
[after David Ogborne.]
J.J Haid et filius excud. A.V. [Augsburg, Germany, c.1760.]
A fine & very rare mezzotint. 410 x 290mm (16¼ x 11½"). Framed. Unexamined out of frame.
A portrait of Edward Bright (1721-50), a grocer from Maldon, Essex, famed for his corpulence. Engraved and published by Johann Jakob Haid (1704 - 1767), mezzotinter and founder of a big publishing house in Augsburg, in collaboration with his son. This image was copied from the 1750 mezzotint by James McArdell after David Ogborne.
See Refs: 58382 & 58347 for Fat Men
[Ref: 58383] £750.00
[after David Ogborne.]
J.J Haid et filius excud. A.V. [Augsburg, Germany, c.1760.]
A fine & very rare mezzotint. 410 x 290mm (16¼ x 11½"). Framed. Unexamined out of frame.
A portrait of Edward Bright (1721-50), a grocer from Maldon, Essex, famed for his corpulence. Engraved and published by Johann Jakob Haid (1704 - 1767), mezzotinter and founder of a big publishing house in Augsburg, in collaboration with his son. This image was copied from the 1750 mezzotint by James McArdell after David Ogborne.
See Refs: 58382 & 58347 for Fat Men
[Ref: 58383] £750.00
Cairo looking West.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, Decr. 1st 1848.
Tinted lithograph, printed area 340 x 530mm (13¼ x 20¾")..
The Pyramids in the distance mark the limits of the city and the start of the Desert. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 54953] £950.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, Decr. 1st 1848.
Tinted lithograph, printed area 340 x 530mm (13¼ x 20¾")..
The Pyramids in the distance mark the limits of the city and the start of the Desert. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 54953] £950.00
Bazaar of the Coppersmiths, Cairo.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, Dec.r 1st, 1848.
Tinted lithograph, printed area 485 x 325mm (19 x 12¾").
A market within the Qalawan Complex of old Cairo. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40734] £1,150.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, Dec.r 1st, 1848.
Tinted lithograph, printed area 485 x 325mm (19 x 12¾").
A market within the Qalawan Complex of old Cairo. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe. This example comes from the library of Sir Richard Hungerford Pollen (1815-81), 3rd Baronet of Redenham, an amateur artist listed as a subscriber to this work. However this is not a hand-coloured subscription plate but is still an early printing, one issued in wrappered parts prior to the bound First Edition.
Abbey Travel 272.
[Ref: 40734] £1,150.00
Bazaar of the Coppersmiths, Cairo.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, Dec.r 1st, 1848.
Tinted lithograph, printed area 485 x 325mm (19 x 12¾").
A market within the Qalawan Complex of old Cairo. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 41002] £1,250.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, Dec.r 1st, 1848.
Tinted lithograph, printed area 485 x 325mm (19 x 12¾").
A market within the Qalawan Complex of old Cairo. Published in the monumental folio edition of 'Egypt & Nubia: from drawings made on the spot' by David Roberts (1796 - 1864), lithographed by Louis Haghe.
Abbey Travel 272.
[Ref: 41002] £1,250.00
The Citadel of Cairo, Residence of Mehemet Ali.
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, July 2nd, 1849.
Tinted lithograph, printed area 345 x 485mm (13½ x 19"). Slight mount stain.
A prospect of Caro's Citadel, as rebuilt by Muhammed Ali Pascha (1769-1849). A pilgrim's caravan is shown leaving for Mecca.
[Ref: 34908] £750.00
David Roberts. R.A. L. Haghe Lith.
London, Published F. G. Moon, 20 Threadneedle Street, July 2nd, 1849.
Tinted lithograph, printed area 345 x 485mm (13½ x 19"). Slight mount stain.
A prospect of Caro's Citadel, as rebuilt by Muhammed Ali Pascha (1769-1849). A pilgrim's caravan is shown leaving for Mecca.
[Ref: 34908] £750.00