A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[Battle of the Boyne.] To His Royal Highness George Prince of Wales, This Plate engraved from the original Picture of The Battle of the Boyne,](jpegs/54702.jpg)
[Battle of the Boyne.] To His Royal Highness George Prince of Wales, This Plate engraved from the original Picture of The Battle of the Boyne, in the Collection of the R.t Hon.ble the Lord Grosvenor Is by permission Dedicated by His Roal Highnesse's most faithful obedient Servants - Benj.n West and John Hill.
Painted by B. West, Historical Painter to His Majesty. Engraved by John Hall.
Published as the Act directs, 18 Oct.r 1781 by B. West, j. Hall & W. Woollett, London.
Etching with engraving, 18th century watermark. 485 x 615mm (19 x 24¼"). Trimmed to plate, some toning of paper.
William III on a white horse, leading his army across the Boyne, 1st July 1690. Bottom right the Duke of Schomberg is carried off by four soldiers, having been shot in the neck
BM: 1876,0708.2600, final published state.
[Ref: 54702] £420.00
Painted by B. West, Historical Painter to His Majesty. Engraved by John Hall.
Published as the Act directs, 18 Oct.r 1781 by B. West, j. Hall & W. Woollett, London.
Etching with engraving, 18th century watermark. 485 x 615mm (19 x 24¼"). Trimmed to plate, some toning of paper.
William III on a white horse, leading his army across the Boyne, 1st July 1690. Bottom right the Duke of Schomberg is carried off by four soldiers, having been shot in the neck
BM: 1876,0708.2600, final published state.
[Ref: 54702] £420.00
![[Battle of the Boyne] The Fortunate Escape of King William the Third. Vide Smollet, Vol 1. Chap. 2.](jpegs/66128.jpg)
[Battle of the Boyne] The Fortunate Escape of King William the Third. Vide Smollet, Vol 1. Chap. 2. Dedicated by permission to the Earl of Essex in whose possession the Handkerchief and part of the Coat still remain.
Painted by Ab.m Cooper R.A. Engraved by W. Giller.
London, Published Nov.r 2, 1829, by Moon, Boys & Graves, Printsellers to the King 6, Pall Mall.
Scarce & rare mezzotint, printed on chine collé. 400 x 315mm (15¾ x 12½"), with large margins.
The day before the Battle of the Boyne, William III was surveying the fords over which his troops would cross the river to reach James's forces. A Jacobite artillery shot wounded the king in the sholder. Here Thomas Coningsby presses his handkerchief to the wound.
[Ref: 66128] £280.00 (£336.00 incl.VAT)
Painted by Ab.m Cooper R.A. Engraved by W. Giller.
London, Published Nov.r 2, 1829, by Moon, Boys & Graves, Printsellers to the King 6, Pall Mall.
Scarce & rare mezzotint, printed on chine collé. 400 x 315mm (15¾ x 12½"), with large margins.
The day before the Battle of the Boyne, William III was surveying the fords over which his troops would cross the river to reach James's forces. A Jacobite artillery shot wounded the king in the sholder. Here Thomas Coningsby presses his handkerchief to the wound.
[Ref: 66128] £280.00 (£336.00 incl.VAT)
The Battle of the Boyne. July 1st 1690.
Wyke Pinx.t. Goldar sculp.
London: engraved for Harrison's Edition or Rapin. Publish'd as the Act directs. Dec.r 3, 1783.
Engraving. 210 x 280mm (8¼ x 11"), large margins.
A battle scene, with William III on his white horse, surrounded by his officers.
[Ref: 63142] £160.00 (£192.00 incl.VAT)
Wyke Pinx.t. Goldar sculp.
London: engraved for Harrison's Edition or Rapin. Publish'd as the Act directs. Dec.r 3, 1783.
Engraving. 210 x 280mm (8¼ x 11"), large margins.
A battle scene, with William III on his white horse, surrounded by his officers.
[Ref: 63142] £160.00 (£192.00 incl.VAT)
The Battle of the Boyne.
Painted by West. Engraved by J. Grozer.
London: Republished 1. May 1824 by Robert Wilkinson, No. 125 Fenchurch Street.
Rare aquatint with etching. On watermarked paper, 'J. Whatman'. Sheet size: 275 x 375mm (10¾ x 14¾"). Trimmed to platemark. Light creasing and scuffs.
A scene after Benjamin West, depicting William III in the centre, leading his army on horseback as they surge onto the banks of the River Boyne, where, in the lower left corner, the Duke of Schomberg, mortally wounded, is carried by four soldiers. The Battle of the Boyne took place in 1690 between the Catholic James II and the Protestant William III across the River Boyne near the town of Drogheda on the east coast of Ireland, resulting in a victory fo William III.
[Ref: 37321] £140.00 (£168.00 incl.VAT)
Painted by West. Engraved by J. Grozer.
London: Republished 1. May 1824 by Robert Wilkinson, No. 125 Fenchurch Street.
Rare aquatint with etching. On watermarked paper, 'J. Whatman'. Sheet size: 275 x 375mm (10¾ x 14¾"). Trimmed to platemark. Light creasing and scuffs.
A scene after Benjamin West, depicting William III in the centre, leading his army on horseback as they surge onto the banks of the River Boyne, where, in the lower left corner, the Duke of Schomberg, mortally wounded, is carried by four soldiers. The Battle of the Boyne took place in 1690 between the Catholic James II and the Protestant William III across the River Boyne near the town of Drogheda on the east coast of Ireland, resulting in a victory fo William III.
[Ref: 37321] £140.00 (£168.00 incl.VAT)
![[Battle of the Boyne.] Overwinning van K.o Willem de III door het volkomen Slaan van Jacobus de II in Ierland de 11 July 1690.](jpegs/42944.jpg)
[Battle of the Boyne.] Overwinning van K.o Willem de III door het volkomen Slaan van Jacobus de II in Ierland de 11 July 1690.
Hugo Allard fecit.
Carolus Allard excudit. [n.d., c.1690.]
Engraving. 17th century watermark; 245 x 300mm (6½ x 12"). Trimmed and tipped into album sheet.
A battle scene showing the Battle of the Boyne between James II and William III in Ireland on 11th July 1690.
[Ref: 42944] £360.00
Hugo Allard fecit.
Carolus Allard excudit. [n.d., c.1690.]
Engraving. 17th century watermark; 245 x 300mm (6½ x 12"). Trimmed and tipped into album sheet.
A battle scene showing the Battle of the Boyne between James II and William III in Ireland on 11th July 1690.
[Ref: 42944] £360.00
![[Battle of the Boyne] The Fortunate Escape of King William the Third. Vide Smollet, Vol 1. Chap. 2.](jpegs/64736.jpg)
[Battle of the Boyne] The Fortunate Escape of King William the Third. Vide Smollet, Vol 1. Chap. 2. Dedicated by permission to the Earl of Essex in whose possession the Handkerchief and part of the Coat still remain.
Painted by Ab.m Cooper R.A. Engraved by W. Giller.
London, Published Nov.r 2, 1829, by Moon, Boys & Graves, Printsellers to the King 6, Pall Mall.
Scarce mezzotint. 400 x 315mm (15¾ x 12½"), with large margins.
The day before the Battle of the Boyne, William III was surveying the fords over which his troops would cross the river to reach James's forces. A Jacobite artillery shot wounded the king in the shoulder. Here Thomas Coningsby presses his handkerchief to the wound.
[Ref: 64736] £260.00 (£312.00 incl.VAT)
Painted by Ab.m Cooper R.A. Engraved by W. Giller.
London, Published Nov.r 2, 1829, by Moon, Boys & Graves, Printsellers to the King 6, Pall Mall.
Scarce mezzotint. 400 x 315mm (15¾ x 12½"), with large margins.
The day before the Battle of the Boyne, William III was surveying the fords over which his troops would cross the river to reach James's forces. A Jacobite artillery shot wounded the king in the shoulder. Here Thomas Coningsby presses his handkerchief to the wound.
[Ref: 64736] £260.00 (£312.00 incl.VAT)
Boys and Dogs.
Painted by T. Gainsborough R.A. Engraved by Henry Dawe.
London, Published July 1st 1824, by W.J. White, 14 Brownlow Street, Holborn.
Mezzotint. 360 x 255mm (14¼ x 10"). Slight foxing.
Mezzotint of Thomas Gainsborough's 1783 painting 'Two Shepherd Boys with Dogs Fighting' (Kenwood House). Inspired by William Hogarth's 'The Four Stages of Cruelty', the scene is presented as a grand anti-pastoral with the boys contravening morality both in neglecting their flocks and encouraging their dogs to fight.
Ex: collection of the Hon. C. Lennox-Boyd.
[Ref: 35228] £240.00 (£288.00 incl.VAT)
Painted by T. Gainsborough R.A. Engraved by Henry Dawe.
London, Published July 1st 1824, by W.J. White, 14 Brownlow Street, Holborn.
Mezzotint. 360 x 255mm (14¼ x 10"). Slight foxing.
Mezzotint of Thomas Gainsborough's 1783 painting 'Two Shepherd Boys with Dogs Fighting' (Kenwood House). Inspired by William Hogarth's 'The Four Stages of Cruelty', the scene is presented as a grand anti-pastoral with the boys contravening morality both in neglecting their flocks and encouraging their dogs to fight.
Ex: collection of the Hon. C. Lennox-Boyd.
[Ref: 35228] £240.00 (£288.00 incl.VAT)
Boys Skating. Garçons Patinant.
Painted by G.Morland. Engrav'd by E Scott.
London. Publish'd Dec.r 9th by J.R.Smith, King Street, Covent Garden.
Stipple, printed in sepia. 365 x 425mm. Horizontal crease through title area.
[Ref: 4283] £190.00 (£228.00 incl.VAT)
Painted by G.Morland. Engrav'd by E Scott.
London. Publish'd Dec.r 9th by J.R.Smith, King Street, Covent Garden.
Stipple, printed in sepia. 365 x 425mm. Horizontal crease through title area.
[Ref: 4283] £190.00 (£228.00 incl.VAT)
Bataille in Braband.
Georg. Phil. Rugendas del. Abraham Drentwelt ornam. del. Jacob Andreas Friderich Sculpsit.
Cum Gratia et Privileg: Sac: Cæs. Majest. Jerimias Wolff excudit aug: Vind; [n.d. c.1720]
Engraving. 440 x 380mm. Tear just entering platemark.
View of the Battle of Brabant, 1706. The view is surrounded by an extemely decorative allegorical border, also containing a plan of the battle and a short descriptive text. Published in Decker's 'Representatio Belli ob Successionem in Regno Hispanico', a history of the War of the Spanish Succession.
[Ref: 1695] £190.00 (£228.00 incl.VAT)
Georg. Phil. Rugendas del. Abraham Drentwelt ornam. del. Jacob Andreas Friderich Sculpsit.
Cum Gratia et Privileg: Sac: Cæs. Majest. Jerimias Wolff excudit aug: Vind; [n.d. c.1720]
Engraving. 440 x 380mm. Tear just entering platemark.
View of the Battle of Brabant, 1706. The view is surrounded by an extemely decorative allegorical border, also containing a plan of the battle and a short descriptive text. Published in Decker's 'Representatio Belli ob Successionem in Regno Hispanico', a history of the War of the Spanish Succession.
[Ref: 1695] £190.00 (£228.00 incl.VAT)
Edward Bruce, C.B. & K. of 3.d C. of R.M.O. of W.N. Captain of His Majesty's Ship Impregnable at the Memorable Victory of Algiers, on the 27th. Of August 1816.
Painted by J. Northcote Esq.r R.A. Engraved by C.Turner.
London, Published Oct.r 20, 1817, by C.Turner, 50, Warren Street, Fitzroy Square.
Mezzotint. Plate 354 x 250mm. 14 x 9¾".
Rear-Admiral Sir Edward Brace (1773-1843) was a senior officer in the British Royal Navy during the French Revolutionary and Napoleonic Wars. He commanded HMS Impreganbale but made a serious mistake with his navigation causing him to suffer 210 casualties. This did affect his career but only slightly and he continued to rise through the ranks where he was knighted in the Order of the Bath in 1834, althougth he was later denied any sea-going commands. In 1838 he became vice-admiral and was appointed commander in chief at the Nore.
NPG: D877. Whitman: 76.
[Ref: 17307] £220.00 (£264.00 incl.VAT)
Painted by J. Northcote Esq.r R.A. Engraved by C.Turner.
London, Published Oct.r 20, 1817, by C.Turner, 50, Warren Street, Fitzroy Square.
Mezzotint. Plate 354 x 250mm. 14 x 9¾".
Rear-Admiral Sir Edward Brace (1773-1843) was a senior officer in the British Royal Navy during the French Revolutionary and Napoleonic Wars. He commanded HMS Impreganbale but made a serious mistake with his navigation causing him to suffer 210 casualties. This did affect his career but only slightly and he continued to rise through the ranks where he was knighted in the Order of the Bath in 1834, althougth he was later denied any sea-going commands. In 1838 he became vice-admiral and was appointed commander in chief at the Nore.
NPG: D877. Whitman: 76.
[Ref: 17307] £220.00 (£264.00 incl.VAT)
Theophile Brachet S. De La Milletiere Con.er Du. Roy En Ses Con.ls Destat et Prive.
Ph. Champaigne pinx. T. Morin scul. cum priv. Regis.
[n.d., c.1650.]
Engraving. Sheet: 310 x 250mm (12 x 9¾''). Trimmed.
A portrait of French statesman Théophile Brachet de la Milletière (1588-1665).
[Ref: 49079] £230.00 (£276.00 incl.VAT)
Ph. Champaigne pinx. T. Morin scul. cum priv. Regis.
[n.d., c.1650.]
Engraving. Sheet: 310 x 250mm (12 x 9¾''). Trimmed.
A portrait of French statesman Théophile Brachet de la Milletière (1588-1665).
[Ref: 49079] £230.00 (£276.00 incl.VAT)
The Reverend Mr Thomas Bradbury.
Mrs. Mary Grace Pinx. J. Faber fecit.
Printed for John Bowles, at No. 13 in Cornhill. Price 2. Shill.
Fine mezzotint. Plate: 355 x 250mm (14 x 9¾'') very large margins.
Portrait of Thomas Bradbury (1677-1759), dissenting minister; seated facing front, in clerical dress without a wig, left hand on his knee, right elbow resting on a table beside a book, document and ink stand. Curtain and bookshelves behind. After Mary Grace (d. 1786).
[Ref: 48801] £260.00 (£312.00 incl.VAT)
Mrs. Mary Grace Pinx. J. Faber fecit.
Printed for John Bowles, at No. 13 in Cornhill. Price 2. Shill.
Fine mezzotint. Plate: 355 x 250mm (14 x 9¾'') very large margins.
Portrait of Thomas Bradbury (1677-1759), dissenting minister; seated facing front, in clerical dress without a wig, left hand on his knee, right elbow resting on a table beside a book, document and ink stand. Curtain and bookshelves behind. After Mary Grace (d. 1786).
[Ref: 48801] £260.00 (£312.00 incl.VAT)
Defeat and Death of General Braddock in North America. Engraved for Russell's History of England.
Dodd delin.t. Edm.d Scott Sculp.
[London: J. Cooke, 1779.]
Engraving. 305 x 195mm (12 x 7¾"). Slight text offset, bit messy.
General Edward Braddock (1695-1755) being shot from his horse in a battle with the French troops occupying the Ohio River Valley during the French and Indian War (part of the Seven Years' War). George Washington presided at the burial service near Great Meadows and kept Braddock's ceremonial sash with him for the rest of his life.
[Ref: 45850] £95.00 (£114.00 incl.VAT)
Dodd delin.t. Edm.d Scott Sculp.
[London: J. Cooke, 1779.]
Engraving. 305 x 195mm (12 x 7¾"). Slight text offset, bit messy.
General Edward Braddock (1695-1755) being shot from his horse in a battle with the French troops occupying the Ohio River Valley during the French and Indian War (part of the Seven Years' War). George Washington presided at the burial service near Great Meadows and kept Braddock's ceremonial sash with him for the rest of his life.
[Ref: 45850] £95.00 (£114.00 incl.VAT)
![Bradfield College [in pencil to the right.]](jpegs/40022.jpg)
Bradfield College [in pencil to the right.] [Plate 1]
Etched by Wallace Hester [in pencil to the left.]
[n.d. c.1930s.]
Etching. Platemark: 200 x 265mm (8 x 10¼"), with very large margins.
A view of part of Bradfield College, the independent school in Bradfield, Berkshire. The college was founded in 1850 by Thomas Stevens, Rector and Lord of the Manor of Bradfield.
[Ref: 40022] £70.00 (£84.00 incl.VAT)
Etched by Wallace Hester [in pencil to the left.]
[n.d. c.1930s.]
Etching. Platemark: 200 x 265mm (8 x 10¼"), with very large margins.
A view of part of Bradfield College, the independent school in Bradfield, Berkshire. The college was founded in 1850 by Thomas Stevens, Rector and Lord of the Manor of Bradfield.
[Ref: 40022] £70.00 (£84.00 incl.VAT)
![Bradfield College [in pencil to the right.]](jpegs/40023.jpg)
Bradfield College [in pencil to the right.] [Plate 2]
Etched by Wallace Hester [in pencil to the left.] WH.
[n.d. c.1930s.]
Etching, mint. Platemark: 200 x 265mm (8 x 10¼"), very large margins.
A view of part of Bradfield College, the independent school in Bradfield, Berkshire with the school's motto and crest in the centre below the image. The college was founded in 1850 by Thomas Stevens, Rector and Lord of the Manor of Bradfield.
[Ref: 40023] £70.00 (£84.00 incl.VAT)
Etched by Wallace Hester [in pencil to the left.] WH.
[n.d. c.1930s.]
Etching, mint. Platemark: 200 x 265mm (8 x 10¼"), very large margins.
A view of part of Bradfield College, the independent school in Bradfield, Berkshire with the school's motto and crest in the centre below the image. The college was founded in 1850 by Thomas Stevens, Rector and Lord of the Manor of Bradfield.
[Ref: 40023] £70.00 (£84.00 incl.VAT)
1867. Whitsuntide Galas! Peel Park, Bradford. Programme of Performance for Monday, June 10th.
[1867.]
Scarce letterpress handbill. Sheet 250 x 190mm (9¾ x 7½"). Creasing.
Attractions include Mr Liskard's 'Mysterious Musical Teapot', a 'Grand Balloon Ascent by Captain Metcalf', and 'A Grand Display of Fireworks by Professor Dyer, of London'.
[Ref: 57185] £230.00 (£276.00 incl.VAT)
[1867.]
Scarce letterpress handbill. Sheet 250 x 190mm (9¾ x 7½"). Creasing.
Attractions include Mr Liskard's 'Mysterious Musical Teapot', a 'Grand Balloon Ascent by Captain Metcalf', and 'A Grand Display of Fireworks by Professor Dyer, of London'.
[Ref: 57185] £230.00 (£276.00 incl.VAT)
![[The Children of Joseph Baggaley Bradshaw.]](jpegs/42502.jpg)
[The Children of Joseph Baggaley Bradshaw.]
Jos. Wright pinxit. Val. Green fecit.
[n.d., c.1769.]
Mezzotint. Scratched proof. Plate: 375 x 475mm (14¾ x 18¾"). Slight repair in lower title on right. Trimmed to plate and laid on card.
A group portrait of three children of Joseph Baggale Bradshaw shown holding a lamb in a rural landscape. After a painting by Joseph Wright of Derby (1734-1797).
CS: 141.
[Ref: 42502] £650.00
Jos. Wright pinxit. Val. Green fecit.
[n.d., c.1769.]
Mezzotint. Scratched proof. Plate: 375 x 475mm (14¾ x 18¾"). Slight repair in lower title on right. Trimmed to plate and laid on card.
A group portrait of three children of Joseph Baggale Bradshaw shown holding a lamb in a rural landscape. After a painting by Joseph Wright of Derby (1734-1797).
CS: 141.
[Ref: 42502] £650.00
![[John Bradshaw]](jpegs/42337.jpg)
[John Bradshaw]
[George Perfect Harding, c.1813]
Watercolour and wash, 18th century paper; 230 x 180mm (9 x 7"). False margins added.
John Bradshaw (bap. 1602-d.1659), lawyer, politician, and regicide. Throughout his career Bradshaw was aligned with more radical elements in English politics, and he was appointed lord president of the high court of justice to try Charles I, and subsequently to chair the high court of justice to try and condemn royalist delinquents. Watercolour by George Perfect Harding (1779/80-1853), miniature painter, probably after an anonymous etching published in 1813. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42337] £420.00
[George Perfect Harding, c.1813]
Watercolour and wash, 18th century paper; 230 x 180mm (9 x 7"). False margins added.
John Bradshaw (bap. 1602-d.1659), lawyer, politician, and regicide. Throughout his career Bradshaw was aligned with more radical elements in English politics, and he was appointed lord president of the high court of justice to try Charles I, and subsequently to chair the high court of justice to try and condemn royalist delinquents. Watercolour by George Perfect Harding (1779/80-1853), miniature painter, probably after an anonymous etching published in 1813. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42337] £420.00
The Reverend Robert Bragge P.D.
Robert Bragge Pinx.t. J. Faber fe. 1738.
Mezzotint. 355 x 255mm (14 x 10"). Thread margins, left edge with a small repair.
Rev Robert Bragge (1665-1738), an Independent minister in London, known as 'eternal Bragge' of Lime Street. A moderate Calvinist, he was a popular preacher at Salters' Hall, where he once preached for four months on Joseph's coat. Among his written works are 'A Brief Essay Concerning the Soul of Man' and 'Church Discipline according to its Ancient Standard, as it was Practis'd in Primitive Times'.
[Ref: 40509] £220.00 (£264.00 incl.VAT)
Robert Bragge Pinx.t. J. Faber fe. 1738.
Mezzotint. 355 x 255mm (14 x 10"). Thread margins, left edge with a small repair.
Rev Robert Bragge (1665-1738), an Independent minister in London, known as 'eternal Bragge' of Lime Street. A moderate Calvinist, he was a popular preacher at Salters' Hall, where he once preached for four months on Joseph's coat. Among his written works are 'A Brief Essay Concerning the Soul of Man' and 'Church Discipline according to its Ancient Standard, as it was Practis'd in Primitive Times'.
[Ref: 40509] £220.00 (£264.00 incl.VAT)
![[Robert Bragge.]](jpegs/15966.jpg)
[Robert Bragge.]
Cav.r Ghezzi del.
[n.d., c.1740.]
Rare etching. Sheet 320 x 210mm (12½ x 8¼"). Trimmed and laid on album sheet.
Portrait of Robert Bragge, a famed London art dealer and connoisseur who held numerous auctions during the 1740s and 1750s. Etched by Arthur Pond after Pier Leone Ghezzi (1675-1755), regarded as the first professional caricaturist. Based in Rome, Ghezzi moved freely amongst the Italian nobility, even associating with Pope Clement XI. His satirical portraits include one of Vivaldi and several British grand tourists. Arthur Pond (1701-58), painter, engraver, print-seller, dealer and collector. For an example of M. Darly's cariacture of Robert Bragge see our ref: 14138.
NPG D32082. Hake: 79.
[Ref: 15966] £280.00 (£336.00 incl.VAT)
Cav.r Ghezzi del.
[n.d., c.1740.]
Rare etching. Sheet 320 x 210mm (12½ x 8¼"). Trimmed and laid on album sheet.
Portrait of Robert Bragge, a famed London art dealer and connoisseur who held numerous auctions during the 1740s and 1750s. Etched by Arthur Pond after Pier Leone Ghezzi (1675-1755), regarded as the first professional caricaturist. Based in Rome, Ghezzi moved freely amongst the Italian nobility, even associating with Pope Clement XI. His satirical portraits include one of Vivaldi and several British grand tourists. Arthur Pond (1701-58), painter, engraver, print-seller, dealer and collector. For an example of M. Darly's cariacture of Robert Bragge see our ref: 14138.
NPG D32082. Hake: 79.
[Ref: 15966] £280.00 (£336.00 incl.VAT)
![[Robert Bragge] Mons.r Le Virtu'.](jpegs/14138.jpg)
[Robert Bragge] Mons.r Le Virtu'.
Pubd. according to Act of Parl.t Nov.r 3d. 1771 by MDarly 39 Strand.
Etching, 160 x 105mm (6¼ x 4¼").
Dr Robert Bragge, art dealer, connoisseur and auctioneer. who held numerous auctions through the 1740s and 1750s in London, in a long cloak, leaning on a stick; he wears spectacles. From '24 Caricatures by several ladies, gentlemen, artists, etc.', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.1' upper left and '21' upper right.
BM Satires: 4684.
[Ref: 14138] £160.00 (£192.00 incl.VAT)
Pubd. according to Act of Parl.t Nov.r 3d. 1771 by MDarly 39 Strand.
Etching, 160 x 105mm (6¼ x 4¼").
Dr Robert Bragge, art dealer, connoisseur and auctioneer. who held numerous auctions through the 1740s and 1750s in London, in a long cloak, leaning on a stick; he wears spectacles. From '24 Caricatures by several ladies, gentlemen, artists, etc.', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.1' upper left and '21' upper right.
BM Satires: 4684.
[Ref: 14138] £160.00 (£192.00 incl.VAT)
Tycho Brahe Geb. zu Kundstorp in Schonen d.13 Aprl. 1546. Gestorb. zu Prag d.24.Oct.1601.
[German.] [n.d. c.1810.]
Stipple, paper watermarked with large margins. Plate 120 x 84mm (4¾ x 3¼").
Tycho Brahe (1546-1601) the Danish nobleman known for his accurate and comprehensive astronomical and planetary obersvations. In his 'De nova stella' of 1573, he refuted the Aristotelian belief in an unchanging celestial realm. In 1597 he was invited by the Bohemian King and the Holy Roman Emperor Rudolph II to Prague, where he became the official imperial astronomer. Aside from his considerable contributions to astronomy, he also was known for contributions to medicine; his herbal medicines were in use as late as the 1900s. From "Allgemeine Geographische Ephemeriden".
[Ref: 29534] £140.00 (£168.00 incl.VAT)
[German.] [n.d. c.1810.]
Stipple, paper watermarked with large margins. Plate 120 x 84mm (4¾ x 3¼").
Tycho Brahe (1546-1601) the Danish nobleman known for his accurate and comprehensive astronomical and planetary obersvations. In his 'De nova stella' of 1573, he refuted the Aristotelian belief in an unchanging celestial realm. In 1597 he was invited by the Bohemian King and the Holy Roman Emperor Rudolph II to Prague, where he became the official imperial astronomer. Aside from his considerable contributions to astronomy, he also was known for contributions to medicine; his herbal medicines were in use as late as the 1900s. From "Allgemeine Geographische Ephemeriden".
[Ref: 29534] £140.00 (£168.00 incl.VAT)
Tycho Brahe Astronome. Ne a Knud- Strup pres d'Helsinborg en Dannemare le 19 x.bre 1546. Mort a Prague le 24 Octobre 1601.
[after Jacques de Gheyn II]
A Paris chez Odieuvre, M.d d'Estampes, quai de l'Ecole vis a vis la Samarit.e ala belle Imag. CPR. [n.d., c.1730.]
Engraving, sheet 220 x 130mm (8¾ x 5¼"). Trimmed within plate and glued to backing sheet.
Half-length portrait of Tycho Brahe, wearing a feathered beret and collar of the Order of the Elephant, holding glove and resting hand on ledge. Tycho Brahe (born Tyge Ottesen Brahe 1546 -1601) was a Danish astrologer, alchemist and astronomer known for his accurate and comprehensive astronomical observations.
Not in Wellcome: 405.
[Ref: 57154] £95.00 (£114.00 incl.VAT)
[after Jacques de Gheyn II]
A Paris chez Odieuvre, M.d d'Estampes, quai de l'Ecole vis a vis la Samarit.e ala belle Imag. CPR. [n.d., c.1730.]
Engraving, sheet 220 x 130mm (8¾ x 5¼"). Trimmed within plate and glued to backing sheet.
Half-length portrait of Tycho Brahe, wearing a feathered beret and collar of the Order of the Elephant, holding glove and resting hand on ledge. Tycho Brahe (born Tyge Ottesen Brahe 1546 -1601) was a Danish astrologer, alchemist and astronomer known for his accurate and comprehensive astronomical observations.
Not in Wellcome: 405.
[Ref: 57154] £95.00 (£114.00 incl.VAT)
Tychonis Brahe
De L'armessin Sculp
From 'Academie des Science et des Arts', Amsterdam 1682.
Engraving. Sheet 185 x 135mm (7¼ x 5¼"). Trimmed to image and laid on album paper. Light staining across the image.
A half portrait of Tycho Brahe (1546-1601), a Dutch astronomer and nobleman. He observed that the moon orbited the Earth and that the planets orbited the Sun - although still believed the Sun orbited the Earth. He wore a prosthetic nose for much of his life after losing his original in a drunken duel with a cousin.
[Ref: 53793] £160.00 (£192.00 incl.VAT)
De L'armessin Sculp
From 'Academie des Science et des Arts', Amsterdam 1682.
Engraving. Sheet 185 x 135mm (7¼ x 5¼"). Trimmed to image and laid on album paper. Light staining across the image.
A half portrait of Tycho Brahe (1546-1601), a Dutch astronomer and nobleman. He observed that the moon orbited the Earth and that the planets orbited the Sun - although still believed the Sun orbited the Earth. He wore a prosthetic nose for much of his life after losing his original in a drunken duel with a cousin.
[Ref: 53793] £160.00 (£192.00 incl.VAT)
Tycho Brahé Astronome. Ne a Knud- Strup pres d'Helsinborg en Dannemare le 19 x.bre 1546. Mort a Prague le 24 Octobre 1601.
[after Jacques de Gheyn II]
[n.d., c.1730.]
Engraving, sheet 220 x 130mm (8¾ x 5¼"). Trimmed within plate and mounted in album paper at edges.
Half-length portrait of Tycho Brahe, wearing a feathered beret and collar of the Order of the Elephant, holding glove and resting hand on ledge. Tycho Brahe (born Tyge Ottesen Brahe 1546 -1601) was a Danish astrologer, alchemist and astronomer known for his accurate and comprehensive astronomical observations.
Not in Wellcome: 405.
[Ref: 62426] £230.00 (£276.00 incl.VAT)
[after Jacques de Gheyn II]
[n.d., c.1730.]
Engraving, sheet 220 x 130mm (8¾ x 5¼"). Trimmed within plate and mounted in album paper at edges.
Half-length portrait of Tycho Brahe, wearing a feathered beret and collar of the Order of the Elephant, holding glove and resting hand on ledge. Tycho Brahe (born Tyge Ottesen Brahe 1546 -1601) was a Danish astrologer, alchemist and astronomer known for his accurate and comprehensive astronomical observations.
Not in Wellcome: 405.
[Ref: 62426] £230.00 (£276.00 incl.VAT)
Io. Alex. Brambilla Aug. Imp: Ios: II. Chirurg: Ord: Castrens: Et Praetorianorum Primarius &c. Viennae apud Artaria Societ. Serit arbores quae sanitati prosint. Cecilius.
C. Vinazer fecit. Ignaz Alberti sculpsit &c. 1783.
Com Priv. S.C.M.
Engraving and stipple. Plate 165 x 107mm. 6½ x 4¼".
Johann Alexandre Brambilla (1729-1800) was an Italian physician and military surgeon. As a military surgeon he served during the Seven Years' War and then in 1764 he assumed the position of surgeon to Joseph II.
In the National Library of Medicine. Wellcome Library: 1358i
[Ref: 23243] £75.00 (£90.00 incl.VAT)
C. Vinazer fecit. Ignaz Alberti sculpsit &c. 1783.
Com Priv. S.C.M.
Engraving and stipple. Plate 165 x 107mm. 6½ x 4¼".
Johann Alexandre Brambilla (1729-1800) was an Italian physician and military surgeon. As a military surgeon he served during the Seven Years' War and then in 1764 he assumed the position of surgeon to Joseph II.
In the National Library of Medicine. Wellcome Library: 1358i
[Ref: 23243] £75.00 (£90.00 incl.VAT)
![Marietta Brambilla [facsimile signature.]](jpegs/23661.jpg)
Marietta Brambilla [facsimile signature.]
Gedr. bei Joh. Hofelich. Kriehuber 839.
Eigenthum und Verlag von Pietro Mechetti qm. Carlo. Kais König Hof-Kunst-und Musikalienhandlung. [n.d. c.1839.]
Lithograph. Purple-rim border, on album page. Facsimile autograph. 394 x 280mm. 15½ x 11".
Marietta Brambilla (1807-1875) was an Italian alto. She was part of the famous family of singers, well known for the many interpretations of the works of Rossini. She was the first perfomer of Maffio Orsini in Lucrezia Borgia and Pierotto in Linda in Chamounix, both by Donizetti. She performed many times at the Teatro San Carlo in Naples.
Harvard: 2.
[Ref: 23661] £190.00 (£228.00 incl.VAT)
Gedr. bei Joh. Hofelich. Kriehuber 839.
Eigenthum und Verlag von Pietro Mechetti qm. Carlo. Kais König Hof-Kunst-und Musikalienhandlung. [n.d. c.1839.]
Lithograph. Purple-rim border, on album page. Facsimile autograph. 394 x 280mm. 15½ x 11".
Marietta Brambilla (1807-1875) was an Italian alto. She was part of the famous family of singers, well known for the many interpretations of the works of Rossini. She was the first perfomer of Maffio Orsini in Lucrezia Borgia and Pierotto in Linda in Chamounix, both by Donizetti. She performed many times at the Teatro San Carlo in Naples.
Harvard: 2.
[Ref: 23661] £190.00 (£228.00 incl.VAT)
Mad.lle Brambilla.
Published by Mr. Ainsworth, 27, Old Bond St. London. June, 1828. Printed by Engelmann, Graf, Coindet & Co.
Lithograph. 215 x 127mm. 8½ x 5".
Madamoiselle Brambill (fl.1840), vocalist. Plate to Eber's Seven Years of the Kings Theatre.
Harvard: 152-3
[Ref: 15080] £65.00 (£78.00 incl.VAT)
Published by Mr. Ainsworth, 27, Old Bond St. London. June, 1828. Printed by Engelmann, Graf, Coindet & Co.
Lithograph. 215 x 127mm. 8½ x 5".
Madamoiselle Brambill (fl.1840), vocalist. Plate to Eber's Seven Years of the Kings Theatre.
Harvard: 152-3
[Ref: 15080] £65.00 (£78.00 incl.VAT)
![[View from Brand in Swiss Saxony]](jpegs/46107.jpg)
[View from Brand in Swiss Saxony] Vue prise du Brand dans la Suisse Saxonne.
chez Meser à Dresde Schlossgasse No.315 [c.1820]
Aquatint with fine hand-colouring, platemark 120 x 180mm (4¾ x 7") very large margins.
[Ref: 46107] £70.00 (£84.00 incl.VAT)
chez Meser à Dresde Schlossgasse No.315 [c.1820]
Aquatint with fine hand-colouring, platemark 120 x 180mm (4¾ x 7") very large margins.
[Ref: 46107] £70.00 (£84.00 incl.VAT)
Brandt Découvrant le Phosphore.
Ulm sculp. Imp. Delâtre Rue S.t Jacques, 303, Paris.
Paris, Publié par Cadart & Luquet, Editeurs, 79, Rue Richlieu [n.d., 1864].
Etching. 320 x 240mm (12½ x 9½"), paper watermarked 'Aqua Fortistes', large margins.
A portrait of German alchemist Hennig Brand (c.1630-c.1700) standing by a glowing retort in which, by heating urine, distilled phosphorus. Etched by Emile Ulm (1829-92) for Alfred Cadart's 'Societe des Aqua-Fortistes - Eaux-Fortes Modernes', on paper made for the society.
[Ref: 67122] £140.00 (£168.00 incl.VAT)
Ulm sculp. Imp. Delâtre Rue S.t Jacques, 303, Paris.
Paris, Publié par Cadart & Luquet, Editeurs, 79, Rue Richlieu [n.d., 1864].
Etching. 320 x 240mm (12½ x 9½"), paper watermarked 'Aqua Fortistes', large margins.
A portrait of German alchemist Hennig Brand (c.1630-c.1700) standing by a glowing retort in which, by heating urine, distilled phosphorus. Etched by Emile Ulm (1829-92) for Alfred Cadart's 'Societe des Aqua-Fortistes - Eaux-Fortes Modernes', on paper made for the society.
[Ref: 67122] £140.00 (£168.00 incl.VAT)
Minna Brandes Sängerin auf dem Theater in Hamburg..
Schade gemalt von Sintzenich gestochen.
[n.d. c.1785.]
Rare stipple. 300 x 215mm (11¾ x 8½"). Trimmed to plate along upper and lower edges.
Charlotte Wilhelmina Franziska Brandes (1765-1788) was a German singer, pianist, actress and composer. Born in Berlin, she studied music in Weimar and piano and voice in Dresden. She had an amazing three octave range as a singer and performed successfully in courts and opera. In 1782 she moved to Hamburg and was designated as a singer in the Hamburg Theatre.
[Ref: 20944] £180.00 (£216.00 incl.VAT)
Schade gemalt von Sintzenich gestochen.
[n.d. c.1785.]
Rare stipple. 300 x 215mm (11¾ x 8½"). Trimmed to plate along upper and lower edges.
Charlotte Wilhelmina Franziska Brandes (1765-1788) was a German singer, pianist, actress and composer. Born in Berlin, she studied music in Weimar and piano and voice in Dresden. She had an amazing three octave range as a singer and performed successfully in courts and opera. In 1782 she moved to Hamburg and was designated as a singer in the Hamburg Theatre.
[Ref: 20944] £180.00 (£216.00 incl.VAT)
![[Mode of punishment by Branding, or burning of the Hand, at the New Sessions House.]](jpegs/62101.jpg)
[Mode of punishment by Branding, or burning of the Hand, at the New Sessions House.]
[Dodd delin. White sculp.]
[n.d., c.1780.]
Etching, proof before letters. Sheet 180 x 110mm (7 x 4¼"). Trimmed within plate. Foxing.
An illustration from the 'Malefactors Register, or, a Tyburn and Newgate Calendar'.
[Ref: 62101] £65.00 (£78.00 incl.VAT)
[Dodd delin. White sculp.]
[n.d., c.1780.]
Etching, proof before letters. Sheet 180 x 110mm (7 x 4¼"). Trimmed within plate. Foxing.
An illustration from the 'Malefactors Register, or, a Tyburn and Newgate Calendar'.
[Ref: 62101] £65.00 (£78.00 incl.VAT)
The Most Rare and Excellent History of the Dutchess of Suffolk, and her Husband Richard Bertie's Calamities. To the Tune of ''Queen Dido.'' Originally published in the Reign of Queen Elizabeth; reprinted in 1738; and again in 1806.
Nichols and Son, Printers, Red Lion Passage, Fleet Street.
Letterpress songsheet with small engraved plate. Sheet 495 x 305mm (19½ x 12").
A 27-verse song relating the story of Katherine Brandon, Duchess of Suffolk, and her second husband, Richard Bertie. As supporters of the Protestant Reformation the couple fled to the continent to avoid Mary I's purges, and were appointed administrators of Lithuania by the king of Poland, Sigismund II Augustus. An account of their exile appeared in Foxe's Book of Martyrs, probably written by Bertie.
Provenance: Sandys Family, Ormersley Court, Worcestershire.
[Ref: 52115] £250.00 (£300.00 incl.VAT)
Nichols and Son, Printers, Red Lion Passage, Fleet Street.
Letterpress songsheet with small engraved plate. Sheet 495 x 305mm (19½ x 12").
A 27-verse song relating the story of Katherine Brandon, Duchess of Suffolk, and her second husband, Richard Bertie. As supporters of the Protestant Reformation the couple fled to the continent to avoid Mary I's purges, and were appointed administrators of Lithuania by the king of Poland, Sigismund II Augustus. An account of their exile appeared in Foxe's Book of Martyrs, probably written by Bertie.
Provenance: Sandys Family, Ormersley Court, Worcestershire.
[Ref: 52115] £250.00 (£300.00 incl.VAT)
Geeraardt Brandt, in zyn leven Leeraar der Remonstrantsche Gemeente te Amsterdam. Geb: den XXV. Jul: MDCXXII. Gest: den XI. Oct. MDCLXXXV. Wat man verbeeldt dees pxint? Den Kerkhistorischiyver Met zyn geslepen brein en zedigheit en yver; Den Vxededichter, die ten dienst van't Vrye landt De vlugge veder voert, den arbeidsamen BRANDT, A. Moonen.
M Musscher pinx. P: van Gunst Sculp.
B. Bos. Excudit. [n.d. c.1710.]
Copper engraving. Plate 183 x 134mm. 7¼ x 5¼".
Gerard Brandt (1626-1685), was a Dutch playwright, poet, preacher, church historian, biographer and naval historian. He was a well-known writer in his own time.
[Ref: 14890] £120.00 (£144.00 incl.VAT)
M Musscher pinx. P: van Gunst Sculp.
B. Bos. Excudit. [n.d. c.1710.]
Copper engraving. Plate 183 x 134mm. 7¼ x 5¼".
Gerard Brandt (1626-1685), was a Dutch playwright, poet, preacher, church historian, biographer and naval historian. He was a well-known writer in his own time.
[Ref: 14890] £120.00 (£144.00 incl.VAT)
Section of Brandy Vault (shewing stowage).
S.M. Pike 1866 to accompany report to Mr. Coller.
Architectural drawing. 480 x 600mm (19 x 23½"). Tears and folds.
From the Port of London Authority archives.
[Ref: 11289] £120.00 (£144.00 incl.VAT)
S.M. Pike 1866 to accompany report to Mr. Coller.
Architectural drawing. 480 x 600mm (19 x 23½"). Tears and folds.
From the Port of London Authority archives.
[Ref: 11289] £120.00 (£144.00 incl.VAT)
Work by Frank Brangwyn. Ten Plates Reproduced in Facsimile.
Photographische Gesellschaft, Berlin. London Agents: The Berlin Photographic Company, Fine Art Publishers to the King. - MDCCCCXIV [1914]
Parchment portfolio gilt, no 22 of a large paper issue of 25, containing 10 colour photogravures, proofs signed in pencil by the artist and blind stamped, with title and contents. Issue label on front pastedown, numbered and signed in ink by Brangwyn. 4pp. prospectus extra. Portfolio, title and contents worn, distressed, plates in good condition, but 'Fruit' lacks title label pasted on reverse.
Ten plates illustrating porters in the London docks, including Rug Porters, Meat, Tea & Suger, Curios & Coal.. According to the contents: 'The reproductions are from the cartoons for the Paintings executed in 1913-1914 for Lloyd's Register, in the City of London'. The ten paintings in tempura decorated the committee luncheon room until the late 1960s when they were put into storage and subsequently lost!
[Ref: 52064] £1,250.00 view all images for this item
Photographische Gesellschaft, Berlin. London Agents: The Berlin Photographic Company, Fine Art Publishers to the King. - MDCCCCXIV [1914]
Parchment portfolio gilt, no 22 of a large paper issue of 25, containing 10 colour photogravures, proofs signed in pencil by the artist and blind stamped, with title and contents. Issue label on front pastedown, numbered and signed in ink by Brangwyn. 4pp. prospectus extra. Portfolio, title and contents worn, distressed, plates in good condition, but 'Fruit' lacks title label pasted on reverse.
Ten plates illustrating porters in the London docks, including Rug Porters, Meat, Tea & Suger, Curios & Coal.. According to the contents: 'The reproductions are from the cartoons for the Paintings executed in 1913-1914 for Lloyd's Register, in the City of London'. The ten paintings in tempura decorated the committee luncheon room until the late 1960s when they were put into storage and subsequently lost!
[Ref: 52064] £1,250.00 view all images for this item
Tayadaneega.
[Brodtmann.]
[Zurich, c.1827.]
Lithograph. 330 x 228mm (13 x 9").
Thayendanegea or Joseph Brant (1743-1807) was a Mohawk military and political leader, based in present-day New York, who was closely associated with Great Britain during and after the American Revolution. He met many of the most significant figures of the time, including George Washington and King George III. He was educated at an Anglican mission school and lifelong ally of the British, and fought as a young man against the French and later during the War of American Independence. In 1775 he travelled to London to gain assurance that Mohawk support for the British cause would be rewarded by fair treatment in respect of land rights. When the treaty of 1783 and the formation of the United States of America failed to protect native lands, Brant negotiated territory along the Grand River on the north shore of Lake Erie for the Iroquois people (of whom the Mohawks were a part). In order to secure promised compensation for losses suffered by Native Americans who had supported Britain, he travelled again to London in 1785-6. The remaining decades of Brant's life were marked by concern to maintain Iroquois interests and to prevent encroachment on traditional lands by European and American settlers. From Heinrich Rudolf Schinz's "Naturhistorische Abbildungen der Saeugethiere". See ref: 25605 for coloured version.
See Ref: 25605 for coloured version.
[Ref: 29509] £140.00 (£168.00 incl.VAT)
[Brodtmann.]
[Zurich, c.1827.]
Lithograph. 330 x 228mm (13 x 9").
Thayendanegea or Joseph Brant (1743-1807) was a Mohawk military and political leader, based in present-day New York, who was closely associated with Great Britain during and after the American Revolution. He met many of the most significant figures of the time, including George Washington and King George III. He was educated at an Anglican mission school and lifelong ally of the British, and fought as a young man against the French and later during the War of American Independence. In 1775 he travelled to London to gain assurance that Mohawk support for the British cause would be rewarded by fair treatment in respect of land rights. When the treaty of 1783 and the formation of the United States of America failed to protect native lands, Brant negotiated territory along the Grand River on the north shore of Lake Erie for the Iroquois people (of whom the Mohawks were a part). In order to secure promised compensation for losses suffered by Native Americans who had supported Britain, he travelled again to London in 1785-6. The remaining decades of Brant's life were marked by concern to maintain Iroquois interests and to prevent encroachment on traditional lands by European and American settlers. From Heinrich Rudolf Schinz's "Naturhistorische Abbildungen der Saeugethiere". See ref: 25605 for coloured version.
See Ref: 25605 for coloured version.
[Ref: 29509] £140.00 (£168.00 incl.VAT)
Tayadaneega. 8.
[Brodtmann.]
[Zurich, c.1827.]
Lithograph. 330 x 240mm (13 x 9½").
Thayendanegea or Joseph Brant (1743-1807) was a Mohawk military and political leader, based in present-day New York, who was closely associated with Great Britain during and after the American Revolution. He met many of the most significant figures of the time, including George Washington and King George III. He was educated at an Anglican mission school and lifelong ally of the British, and fought as a young man against the French and later during the War of American Independence. In 1775 he travelled to London to gain assurance that Mohawk support for the British cause would be rewarded by fair treatment in respect of land rights. When the treaty of 1783 and the formation of the United States of America failed to protect native lands, Brant negotiated territory along the Grand River on the north shore of Lake Erie for the Iroquois people (of whom the Mohawks were a part). In order to secure promised compensation for losses suffered by Native Americans who had supported Britain, he travelled again to London in 1785-6. The remaining decades of Brant's life were marked by concern to maintain Iroquois interests and to prevent encroachment on traditional lands by European and American settlers. From Brodtmann's "History of Mammals".
[Ref: 29513] £140.00 (£168.00 incl.VAT)
[Brodtmann.]
[Zurich, c.1827.]
Lithograph. 330 x 240mm (13 x 9½").
Thayendanegea or Joseph Brant (1743-1807) was a Mohawk military and political leader, based in present-day New York, who was closely associated with Great Britain during and after the American Revolution. He met many of the most significant figures of the time, including George Washington and King George III. He was educated at an Anglican mission school and lifelong ally of the British, and fought as a young man against the French and later during the War of American Independence. In 1775 he travelled to London to gain assurance that Mohawk support for the British cause would be rewarded by fair treatment in respect of land rights. When the treaty of 1783 and the formation of the United States of America failed to protect native lands, Brant negotiated territory along the Grand River on the north shore of Lake Erie for the Iroquois people (of whom the Mohawks were a part). In order to secure promised compensation for losses suffered by Native Americans who had supported Britain, he travelled again to London in 1785-6. The remaining decades of Brant's life were marked by concern to maintain Iroquois interests and to prevent encroachment on traditional lands by European and American settlers. From Brodtmann's "History of Mammals".
[Ref: 29513] £140.00 (£168.00 incl.VAT)
Tayadaneega.
[Brodtmann.]
[Zurich, c.1827.]
Tinted lithograph. Sheet: 205 x 280mm (8 x 11"). Trimmed, laid on album sheet.
Thayendanegea or Joseph Brant (1743-1807) was a Mohawk military and political leader, based in present-day New York, who was closely associated with Great Britain during and after the American Revolution. He met many of the most significant figures of the time, including George Washington and King George III. In 1775 he travelled to London to gain assurance that Mohawk support for the British cause would be rewarded by fair treatment in respect of land rights. When the treaty of 1783 and the formation of the United States of America failed to protect native lands, Brant negotiated territory along the Grand River on the north shore of Lake Erie for the Iroquois people (of whom the Mohawks were a part). From Heinrich Rudolf Schinz's "Naturhistorische Abbildungen der Saeugethiere".
[Ref: 39929] £95.00 (£114.00 incl.VAT)
[Brodtmann.]
[Zurich, c.1827.]
Tinted lithograph. Sheet: 205 x 280mm (8 x 11"). Trimmed, laid on album sheet.
Thayendanegea or Joseph Brant (1743-1807) was a Mohawk military and political leader, based in present-day New York, who was closely associated with Great Britain during and after the American Revolution. He met many of the most significant figures of the time, including George Washington and King George III. In 1775 he travelled to London to gain assurance that Mohawk support for the British cause would be rewarded by fair treatment in respect of land rights. When the treaty of 1783 and the formation of the United States of America failed to protect native lands, Brant negotiated territory along the Grand River on the north shore of Lake Erie for the Iroquois people (of whom the Mohawks were a part). From Heinrich Rudolf Schinz's "Naturhistorische Abbildungen der Saeugethiere".
[Ref: 39929] £95.00 (£114.00 incl.VAT)
![[Joseph Brant] Joseph Thayendaneken.](jpegs/67561.jpg)
[Joseph Brant] Joseph Thayendaneken. The Mohawk Chief.
Wonderful Magazine. From an Original Drawing in the Posession of James Boswell Esq.r.
[n.d., c.1800.] Published by Alex.r Hogg.
Engraving. 170 x 120mm (6¾ x 4¾"). Some foxing. Trimmed close to plate on left-side.
Portrait of the Mohawk leader Joseph Brant (1742-1807). Brant was closely associated with Great Britain during the American Revolution and journeyed to England in 1775 for an audience with King George III.
[Ref: 67561] £380.00
Wonderful Magazine. From an Original Drawing in the Posession of James Boswell Esq.r.
[n.d., c.1800.] Published by Alex.r Hogg.
Engraving. 170 x 120mm (6¾ x 4¾"). Some foxing. Trimmed close to plate on left-side.
Portrait of the Mohawk leader Joseph Brant (1742-1807). Brant was closely associated with Great Britain during the American Revolution and journeyed to England in 1775 for an audience with King George III.
[Ref: 67561] £380.00
![[Braque d'Auvergne.]](jpegs/47466.jpg)
[Braque d'Auvergne.]
[n.d., c.1930.]
Photo etching. Plate: 180 x 250mm (7 x 9¾").
A portrait of a French pointer.
[Ref: 47466] £50.00 (£60.00 incl.VAT)
[n.d., c.1930.]
Photo etching. Plate: 180 x 250mm (7 x 9¾").
A portrait of a French pointer.
[Ref: 47466] £50.00 (£60.00 incl.VAT)
![[Braque du Bourbonnais.]](jpegs/47464.jpg)
[Braque du Bourbonnais.]
[n.d., c.1930.]
Photo etching. Plate: 180 x 250mm (7 x 9¾").
A portrait of a Braque du Bourbonnais hound.
[Ref: 47464] £50.00 (£60.00 incl.VAT)
[n.d., c.1930.]
Photo etching. Plate: 180 x 250mm (7 x 9¾").
A portrait of a Braque du Bourbonnais hound.
[Ref: 47464] £50.00 (£60.00 incl.VAT)
Brasen-Nose College. Part of the Schools &c. taken from the top of Radcliffe Library.
F. Mackenzie del.t. J. Hill sculp.t.
London, Pub.d Aug.t 1 1813, at 101 Strand, for R. Ackermann's History of Oxford.
Aquatint with fine hand colour. 300 x 250mm (11¾ x 9¾"). Crease not visible from front.
Brasen-Nose College taken from the top of Radcliffe Library. Brasen-Nose College began as Brasenose Hall in the 13th century, before being founded as a college in 1509.
[Ref: 62944] £160.00 (£192.00 incl.VAT)
F. Mackenzie del.t. J. Hill sculp.t.
London, Pub.d Aug.t 1 1813, at 101 Strand, for R. Ackermann's History of Oxford.
Aquatint with fine hand colour. 300 x 250mm (11¾ x 9¾"). Crease not visible from front.
Brasen-Nose College taken from the top of Radcliffe Library. Brasen-Nose College began as Brasenose Hall in the 13th century, before being founded as a college in 1509.
[Ref: 62944] £160.00 (£192.00 incl.VAT)
Bacon Faced Fellows of Brazen Nose, Broke Loose.
Rowlandson. Del.
Pub. d [erased]1811 by Tho.s Tegg No 111 Cheapside. Price One Shilling
Coloured etching, visible area 240 x 335mm (9½ x 13¼"). Date erased (as BM example). Laid down.
A crowd of burlesqued elderly Fellows in cap and gown stream from a doorway and walk through an archway towards a quadrangle. One enters the Principal's Lodge followed by a buxom girl with baskets of fruit, exciting the prurient interest of some of the Fellows. Others buy fruit from another pretty girl. At the time the Principal of Brazenose was Frodsham Hodson (1770-1822), Regius Professor of Divinity 1820. Although the architecture is realistically drawn it is not Brazenose.
BM Satires 11782.
[Ref: 58481] £260.00 (£312.00 incl.VAT)
Rowlandson. Del.
Pub. d [erased]1811 by Tho.s Tegg No 111 Cheapside. Price One Shilling
Coloured etching, visible area 240 x 335mm (9½ x 13¼"). Date erased (as BM example). Laid down.
A crowd of burlesqued elderly Fellows in cap and gown stream from a doorway and walk through an archway towards a quadrangle. One enters the Principal's Lodge followed by a buxom girl with baskets of fruit, exciting the prurient interest of some of the Fellows. Others buy fruit from another pretty girl. At the time the Principal of Brazenose was Frodsham Hodson (1770-1822), Regius Professor of Divinity 1820. Although the architecture is realistically drawn it is not Brazenose.
BM Satires 11782.
[Ref: 58481] £260.00 (£312.00 incl.VAT)
Walter / Jeffry a fool at Kensington / at Oxford. The Bully[?] Brazen Nose
Pen and ink sketch with watercolour, sheet 105 x 70mm (4 x 2¾"). Additional ms verso.
Sketch of two figures. Brazenose College interest.
[Ref: 37649] £160.00 (£192.00 incl.VAT)
Pen and ink sketch with watercolour, sheet 105 x 70mm (4 x 2¾"). Additional ms verso.
Sketch of two figures. Brazenose College interest.
[Ref: 37649] £160.00 (£192.00 incl.VAT)
![Zoological Gardens, Belle Vue, Manchester. Twenty-Eighth Annual July Brass Band Contest Saturday, July 12th, 1913. [&] The 75th Annual September Championship Brass Band Contest Monday, September 5th, 1927 (2).](jpegs/27500.jpg)
Zoological Gardens, Belle Vue, Manchester. Twenty-Eighth Annual July Brass Band Contest Saturday, July 12th, 1913. [&] The 75th Annual September Championship Brass Band Contest Monday, September 5th, 1927 (2). Open to all Amateur Bands...
Printed at the Zoological Gardens, Belle Vue, Manchester [as dated].
Two large four-page printed playbills (single sheet folded), each c. 445 x 285mm. 17½ x 11¼". Multiple weakened folds, with some general soiling, as normal; extremities a little bumped and tatty. Bottom cut.
These advertisement flyers, which would have been sold at the venue, give details of prizes, regulations covering the contest, and list the names of the bands taking part. Also recorded are the names of the individual conductors and players, alongside their instruments. The 1927 edition with pencil annotations. Belle Vue Zoological Gardens was a large zoo, amusement park, and exhibition hall complex in Belle Vue, Manchester, opened in 1836.
[Ref: 27500] £120.00 view all images for this item
Printed at the Zoological Gardens, Belle Vue, Manchester [as dated].
Two large four-page printed playbills (single sheet folded), each c. 445 x 285mm. 17½ x 11¼". Multiple weakened folds, with some general soiling, as normal; extremities a little bumped and tatty. Bottom cut.
These advertisement flyers, which would have been sold at the venue, give details of prizes, regulations covering the contest, and list the names of the bands taking part. Also recorded are the names of the individual conductors and players, alongside their instruments. The 1927 edition with pencil annotations. Belle Vue Zoological Gardens was a large zoo, amusement park, and exhibition hall complex in Belle Vue, Manchester, opened in 1836.
[Ref: 27500] £120.00 view all images for this item
Louis Brassin.
L. Ghemar.
Imp. Simonan & Toovey, Bruxelles. [n.d. c.1860.]
Lithograph. 470 x 350mm. 18½ x 13¾". Crease upper left-hand corner. Some tears into sheet margin.
Louis Brassin (1840-1884) was a Belgian pianist, composer and music educator. He is best known now for his piano transcription of the Magic Fire Music from Wagner's Die Walküre, the second of Wagner's four opera cycle Der Ring des Nibelungen. At the age of seven, Brassin entered the Leizig Conservatory.
[Ref: 19947] £120.00 (£144.00 incl.VAT)
L. Ghemar.
Imp. Simonan & Toovey, Bruxelles. [n.d. c.1860.]
Lithograph. 470 x 350mm. 18½ x 13¾". Crease upper left-hand corner. Some tears into sheet margin.
Louis Brassin (1840-1884) was a Belgian pianist, composer and music educator. He is best known now for his piano transcription of the Magic Fire Music from Wagner's Die Walküre, the second of Wagner's four opera cycle Der Ring des Nibelungen. At the age of seven, Brassin entered the Leizig Conservatory.
[Ref: 19947] £120.00 (£144.00 incl.VAT)
L. Braund.
A.Chevallier Tayler. 1905.
Spottiswode & Co. Ltd. Lith. London.
Chormolithograph. 255 x 380mm. Repair lower right corner
Leonard Charles Braund [1875-1955], England, London County, Somerset, Surrey Right-hand bat. ACT:Born in Leytonstone, Essex, in 1862 to a legal family, Albert Chevallier Tayler won a scholarship to the Slade School when he was 17. He prints date from the same period as his commissioned by Kent County Cricket Club to paint what has now become his most famous painting of 'Kent Vs. Lancashire'. In his career he exhibited 49 paintings in total at the Academy, and he was also the Honorary Secretary of the Royal British Colonial Society of Artists. Albert Chevallier Tayler died in 1928.
[Ref: 1245] £120.00 (£144.00 incl.VAT)
A.Chevallier Tayler. 1905.
Spottiswode & Co. Ltd. Lith. London.
Chormolithograph. 255 x 380mm. Repair lower right corner
Leonard Charles Braund [1875-1955], England, London County, Somerset, Surrey Right-hand bat. ACT:Born in Leytonstone, Essex, in 1862 to a legal family, Albert Chevallier Tayler won a scholarship to the Slade School when he was 17. He prints date from the same period as his commissioned by Kent County Cricket Club to paint what has now become his most famous painting of 'Kent Vs. Lancashire'. In his career he exhibited 49 paintings in total at the Academy, and he was also the Honorary Secretary of the Royal British Colonial Society of Artists. Albert Chevallier Tayler died in 1928.
[Ref: 1245] £120.00 (£144.00 incl.VAT)
![[The Bravo.]](jpegs/36456.jpg)
[The Bravo.] Alt. 28. Lat. 24 unc.
Giorgio pinx. V.Prenner inc.
[n.d., c.1730.]
Engraving with mezzotint. Sheet: 160 x 225mm (6¼ x 9"). Trimmed within plate. Laid on album sheet.
A engraving of 'The Bravo', c.1520 which was originally attibuted to Giorgione but has since been reattributed to Titian. One man grabs another from behind by his shoulder.
[Ref: 36456] £120.00 (£144.00 incl.VAT)
Giorgio pinx. V.Prenner inc.
[n.d., c.1730.]
Engraving with mezzotint. Sheet: 160 x 225mm (6¼ x 9"). Trimmed within plate. Laid on album sheet.
A engraving of 'The Bravo', c.1520 which was originally attibuted to Giorgione but has since been reattributed to Titian. One man grabs another from behind by his shoulder.
[Ref: 36456] £120.00 (£144.00 incl.VAT)
The Town of Bray.
Le Porte del. et Sculp.
[London: Thomas Macklin, 1796]
Coloured etching. 475 x 630mm (18 x 24¾"), paper watermarked 'HS&S 183[*]'. Narrow margins, creases, publication line weakly inked. Sky rubbed on right.
A view of Bray, County Wicklow, from the banks of the River Dargle, showing the bridge. One of a series of Irish views drawn by John Laporte.
Bonar Law: p.67
[Ref: 54763] £420.00
Le Porte del. et Sculp.
[London: Thomas Macklin, 1796]
Coloured etching. 475 x 630mm (18 x 24¾"), paper watermarked 'HS&S 183[*]'. Narrow margins, creases, publication line weakly inked. Sky rubbed on right.
A view of Bray, County Wicklow, from the banks of the River Dargle, showing the bridge. One of a series of Irish views drawn by John Laporte.
Bonar Law: p.67
[Ref: 54763] £420.00