A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Lady Whitmore, From the Original Picture in His Majesty's Collection at Windsor.]](jpegs/64927.jpg)
[Lady Whitmore, From the Original Picture in His Majesty's Collection at Windsor.]
Painted by Sir Peter Lely. Engrav'd by Thomas Watson.
Publish'd Jan.y 1.st 1778, for T. Watson, No.142., & W: Shropshire, No.158, New Bond-Street, London.
Mezzotint. Proof before title, 18th century watermark. 455 x 330mm (18 x 13"). Damage to inscription area. Multiple repairs to edge of plate. Some faint creasing.
Lady Frances Whitmore (c.1643-1690), daughter of Sir William Brooke and wife of Sir Thomas Whitmore. From a set of six prints after a series of paintings by Sir Peter Lely of women at the court of Charles II, known as 'The Beauties of Windsor'. The portraits were commissioned by Anne Hyde, first wife of James II (then Duke of York).
Goodwin: 34; CS 5 ii/iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64927] £190.00 (£228.00 incl.VAT)
Painted by Sir Peter Lely. Engrav'd by Thomas Watson.
Publish'd Jan.y 1.st 1778, for T. Watson, No.142., & W: Shropshire, No.158, New Bond-Street, London.
Mezzotint. Proof before title, 18th century watermark. 455 x 330mm (18 x 13"). Damage to inscription area. Multiple repairs to edge of plate. Some faint creasing.
Lady Frances Whitmore (c.1643-1690), daughter of Sir William Brooke and wife of Sir Thomas Whitmore. From a set of six prints after a series of paintings by Sir Peter Lely of women at the court of Charles II, known as 'The Beauties of Windsor'. The portraits were commissioned by Anne Hyde, first wife of James II (then Duke of York).
Goodwin: 34; CS 5 ii/iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64927] £190.00 (£228.00 incl.VAT)
![[Lady Whitmore, From the Original Picture in His Majesty's Collection at Windsor.]](jpegs/46988.jpg)
[Lady Whitmore, From the Original Picture in His Majesty's Collection at Windsor.]
Painted by Sir Peter Lely. Engrav'd by Thomas Watson.
Publish'd Jan.y 1.st 1778, for T. Watson, No.142., & W: Shropshire, No.158, New Bond-Street, London.
Mezzotint. 455 x 330mm (18 x 13"). Thread margins. Slight loss in margin bottom left.
Lady Frances Whitmore (c.1643-1690), daughter of Sir William Brooke and wife of Sir Thomas Whitmore. From a set of prints after a series of paintings by Sir Peter Lely of women at the court of Charles II, known as 'The Beauties of Windsor'. The portraits were commissioned by Anne Hyde, first wife of James II (then Duke of York).
Goodwin: 34; CS 5 ii/iii.
[Ref: 46988] £320.00
Painted by Sir Peter Lely. Engrav'd by Thomas Watson.
Publish'd Jan.y 1.st 1778, for T. Watson, No.142., & W: Shropshire, No.158, New Bond-Street, London.
Mezzotint. 455 x 330mm (18 x 13"). Thread margins. Slight loss in margin bottom left.
Lady Frances Whitmore (c.1643-1690), daughter of Sir William Brooke and wife of Sir Thomas Whitmore. From a set of prints after a series of paintings by Sir Peter Lely of women at the court of Charles II, known as 'The Beauties of Windsor'. The portraits were commissioned by Anne Hyde, first wife of James II (then Duke of York).
Goodwin: 34; CS 5 ii/iii.
[Ref: 46988] £320.00
![[Lady Whitmore, From the Original Picture in His Majesty's Collection at Windsor.]](jpegs/43746.jpg)
[Lady Whitmore, From the Original Picture in His Majesty's Collection at Windsor.]
Painted by Sir Peter Lely. Engrav'd by Thomas Watson.
Publish'd Jan.y 1.st 1778, for T. Watson, No.142., & W: Shropshire, No.158, New Bond-Street, London.
Mezzotint, platemark 457 x 330mm (18 x 13"), with very large margins. Crease lower left. Good impression.
Lady Frances Whitmore (c.1643-1690), daughter of Sir William Brooke and wife of Sir Thomas Whitmore. From a set of prints after a series of paintings by Sir Peter Lely of women at the court of Charles II, known as 'The Beauties of Windsor'. The portraits were commissioned by Anne Hyde, first wife of James II (then Duke of York).
Goodwin: 34; CS 5 ii/iii;
[Ref: 43746] £320.00
Painted by Sir Peter Lely. Engrav'd by Thomas Watson.
Publish'd Jan.y 1.st 1778, for T. Watson, No.142., & W: Shropshire, No.158, New Bond-Street, London.
Mezzotint, platemark 457 x 330mm (18 x 13"), with very large margins. Crease lower left. Good impression.
Lady Frances Whitmore (c.1643-1690), daughter of Sir William Brooke and wife of Sir Thomas Whitmore. From a set of prints after a series of paintings by Sir Peter Lely of women at the court of Charles II, known as 'The Beauties of Windsor'. The portraits were commissioned by Anne Hyde, first wife of James II (then Duke of York).
Goodwin: 34; CS 5 ii/iii;
[Ref: 43746] £320.00
James Hawkins Whitshed Esq.r Vice Admiral of the Red Squadron_
J. Northcote pinx.t H.R. Cook sculp.
Published Nov.r 30 1809, by J. Gold, 103, Show Lane, Fleet Street.
Stipple. 228 x 134mm. 9 x 5¼".
Sir James Hawkins Whitshed (1762-1849) was Admiral of the Fleet, of the British Royal Navy. He served during the American Revolutionary War and the French Revolutionary Wars. In 1803 he was appointed Lord Lieutenant of Ireland, and four years later he went on to be Commander-in-Chief at Cork. In 1821 he was appointed Commander-in-Chief, Portsmouth.
Ex Norman Blackburn Collection.
[Ref: 18677] £45.00 (£54.00 incl.VAT)
J. Northcote pinx.t H.R. Cook sculp.
Published Nov.r 30 1809, by J. Gold, 103, Show Lane, Fleet Street.
Stipple. 228 x 134mm. 9 x 5¼".
Sir James Hawkins Whitshed (1762-1849) was Admiral of the Fleet, of the British Royal Navy. He served during the American Revolutionary War and the French Revolutionary Wars. In 1803 he was appointed Lord Lieutenant of Ireland, and four years later he went on to be Commander-in-Chief at Cork. In 1821 he was appointed Commander-in-Chief, Portsmouth.
Ex Norman Blackburn Collection.
[Ref: 18677] £45.00 (£54.00 incl.VAT)
![Thos Whittaker, Preston [facsimile signature and mss.]](jpegs/15176.jpg)
Thos Whittaker, Preston [facsimile signature and mss.] Tell me not what strong drink has been...It is Britains curse. It is the God of ths Nation.
T.W. Wilson del. Alvey, lith. London Road.
[n.d., c.1830.]
Lithograph, sheet 315 x 220mm. 12½ x 8¾". Diagonal crease.
A temperance campaigner speaking and gesticulating, clutching a scroll of paper in his left hand. Presumably he is an antecedent of Sir Thomas Palmer Whittaker (1850 - 1919), the politician and temperance reformer, newspaper editor and writer.
[Ref: 15176] £140.00 (£168.00 incl.VAT)
T.W. Wilson del. Alvey, lith. London Road.
[n.d., c.1830.]
Lithograph, sheet 315 x 220mm. 12½ x 8¾". Diagonal crease.
A temperance campaigner speaking and gesticulating, clutching a scroll of paper in his left hand. Presumably he is an antecedent of Sir Thomas Palmer Whittaker (1850 - 1919), the politician and temperance reformer, newspaper editor and writer.
[Ref: 15176] £140.00 (£168.00 incl.VAT)
Whittington Hall.
[n.d., c.1850.]
Pencil sketch. Sheet 140 x 210mm (5½ x 8¼"), mounted on card.
Whittington Old Hall, a 16th-century mansion house at Whittington, Staffordshire, is now a grade II* listed building, divided into apartments. On verso is a pencil description of rooms, my bedrooms etc and marked on page in numbers.
[Ref: 34960] £140.00 (£168.00 incl.VAT)
[n.d., c.1850.]
Pencil sketch. Sheet 140 x 210mm (5½ x 8¼"), mounted on card.
Whittington Old Hall, a 16th-century mansion house at Whittington, Staffordshire, is now a grade II* listed building, divided into apartments. On verso is a pencil description of rooms, my bedrooms etc and marked on page in numbers.
[Ref: 34960] £140.00 (£168.00 incl.VAT)
A View of the Canal and of the Gothick Tower in the Garden of his Grace the Duke of Argyl at Whitton.
[after William Woollett.]
London Printed for Rob.t Sayer Map & Printseller in Fleet Street. [n.d., c.1770.]
Engraving. 180 x 280mm (7 x 11"), with very large margins.
Enclosed on land that had been part of Hounslow Heath, Whitton Park was established by Archibald Campbell, third Duke of Argyll, in 1722. A founder of the Royal Bank of Scotland, and nicknamed the 'Treemonger' by Horace Walpole, he planted many exotic species of plants and trees, making his gardens famous. After his death many plants, including mature trees, were moved to Princess Augusta's gardens at Kew, which evolved into the Royal Botanic Gardens. Some of his trees are still alive. From "Twelve Views of Gentlemens Seats and Gardens by Woollett &c.".
[Ref: 45248] £140.00 (£168.00 incl.VAT)
[after William Woollett.]
London Printed for Rob.t Sayer Map & Printseller in Fleet Street. [n.d., c.1770.]
Engraving. 180 x 280mm (7 x 11"), with very large margins.
Enclosed on land that had been part of Hounslow Heath, Whitton Park was established by Archibald Campbell, third Duke of Argyll, in 1722. A founder of the Royal Bank of Scotland, and nicknamed the 'Treemonger' by Horace Walpole, he planted many exotic species of plants and trees, making his gardens famous. After his death many plants, including mature trees, were moved to Princess Augusta's gardens at Kew, which evolved into the Royal Botanic Gardens. Some of his trees are still alive. From "Twelve Views of Gentlemens Seats and Gardens by Woollett &c.".
[Ref: 45248] £140.00 (£168.00 incl.VAT)
![[Whitton Park] A View of the Canal and of the Gothick Tower in the Garden of his Grace the Duke of Argyl at Whitton.](jpegs/61386.jpg)
[Whitton Park] A View of the Canal and of the Gothick Tower in the Garden of his Grace the Duke of Argyl at Whitton.
W. Woollett del. et sculp.
London Publish'd according to Act of Parliam.t, June 1757, & Sold by John Tinney at the Golden Lion in Fleetstreet & Tho.s Bowles in S.t Paul's Church Yard, Jn.o Bowles & Son in Cornhill & Rob.t Sayer in Fleetstreet.
Etching. 370 x 535mm (14½ x 21"), with large margins.
A view of an ornamental waterway and folly in Whitton Park, built by Archibald Campbell, third Duke of Argyll, who bought the estate in 1722. In the foreground are promenaders and lady anglers. A founder of the Royal Bank of Scotland, Cambell planted many exotic species of plants and trees, making his gardens famous and and earning him the nickname 'the Treemonger' from Horace Walpole. After his death many plants, including mature trees, were moved to Princess Augusta's gardens at Kew, which evolved into the Royal Botanic Gardens. Some of his trees are still alive.
Fagan XXX, unrecorded state between 2 (first published state) & 3 (of 4).
[Ref: 61386] £420.00
W. Woollett del. et sculp.
London Publish'd according to Act of Parliam.t, June 1757, & Sold by John Tinney at the Golden Lion in Fleetstreet & Tho.s Bowles in S.t Paul's Church Yard, Jn.o Bowles & Son in Cornhill & Rob.t Sayer in Fleetstreet.
Etching. 370 x 535mm (14½ x 21"), with large margins.
A view of an ornamental waterway and folly in Whitton Park, built by Archibald Campbell, third Duke of Argyll, who bought the estate in 1722. In the foreground are promenaders and lady anglers. A founder of the Royal Bank of Scotland, Cambell planted many exotic species of plants and trees, making his gardens famous and and earning him the nickname 'the Treemonger' from Horace Walpole. After his death many plants, including mature trees, were moved to Princess Augusta's gardens at Kew, which evolved into the Royal Botanic Gardens. Some of his trees are still alive.
Fagan XXX, unrecorded state between 2 (first published state) & 3 (of 4).
[Ref: 61386] £420.00
![[Whitton Park] A View of the House and part of the Garden of his Grace the Duke of Argyl, at Whitton.*](jpegs/61387.jpg)
[Whitton Park] A View of the House and part of the Garden of his Grace the Duke of Argyl, at Whitton.* * near Hounslow Middlesex.
W. Woollett del. et sculp.t.
London Publish'd according to Act of Parliam.t, June 1757, & Sold by John Tinney at the Golden Lion in Fleetstreet & Tho.s Bowles in S.t Paul's Church Yard, Jn.o Bowles & Son in Cornhill & Rob.t Sayer in Fleetstreet.
Etching, 18th century watermark. 370 x 535mm (14½ x 21"), with large margins.
A view of the house of Whitton Park, built by Roger Morris for Archibald Campbell, third Duke of Argyll, in 1735, surrounded by exotic trees. In the foreground are promenaders. A founder of the Royal Bank of Scotland, Cambell planted many exotic species of plants and trees, making his gardens famous and and earning him the nickname 'the Treemonger' from Horace Walpole. After his death many plants, including mature trees, were moved to Princess Augusta's gardens at Kew, which evolved into the Royal Botanic Gardens. Some of his trees are still alive.
Fagan XXXI, unrecorded state between 2 (first published state) & 3 (of 4).
[Ref: 61387] £420.00
W. Woollett del. et sculp.t.
London Publish'd according to Act of Parliam.t, June 1757, & Sold by John Tinney at the Golden Lion in Fleetstreet & Tho.s Bowles in S.t Paul's Church Yard, Jn.o Bowles & Son in Cornhill & Rob.t Sayer in Fleetstreet.
Etching, 18th century watermark. 370 x 535mm (14½ x 21"), with large margins.
A view of the house of Whitton Park, built by Roger Morris for Archibald Campbell, third Duke of Argyll, in 1735, surrounded by exotic trees. In the foreground are promenaders. A founder of the Royal Bank of Scotland, Cambell planted many exotic species of plants and trees, making his gardens famous and and earning him the nickname 'the Treemonger' from Horace Walpole. After his death many plants, including mature trees, were moved to Princess Augusta's gardens at Kew, which evolved into the Royal Botanic Gardens. Some of his trees are still alive.
Fagan XXXI, unrecorded state between 2 (first published state) & 3 (of 4).
[Ref: 61387] £420.00
Pollaiuolo to Picasso. Master Prints in the Whitworth Art Gallery.
[1980.]
4to, illustrated soft covers; pp. 36, profusely illustrated. Slightly scuffed cover.
An exhibition catalogue published to accompany an exhibition of Old Master prints, most of which were donated by G.T. Clough, at the Whitworth Art Gallery, Manchester.
[Ref: 59927] £15.00
[1980.]
4to, illustrated soft covers; pp. 36, profusely illustrated. Slightly scuffed cover.
An exhibition catalogue published to accompany an exhibition of Old Master prints, most of which were donated by G.T. Clough, at the Whitworth Art Gallery, Manchester.
[Ref: 59927] £15.00
Whixley in ye West Rideing of Yorkshire the Seat of the Hon.ble Christopher Tanckree Esqr.
L. Knyff Del. J. Kip scul.
[London: Joseph Smith, c.1707.]
Engraving. 360 x 490mm (14 x 19¼"). Trimmed within plate at bottom. Small tears in title.
Whixley Hall near Aldborough, formerly the seat of the Tancred family. It is now listed Grade II. From 'Britannia Illustrata'.
[Ref: 45187] £190.00 (£228.00 incl.VAT)
L. Knyff Del. J. Kip scul.
[London: Joseph Smith, c.1707.]
Engraving. 360 x 490mm (14 x 19¼"). Trimmed within plate at bottom. Small tears in title.
Whixley Hall near Aldborough, formerly the seat of the Tancred family. It is now listed Grade II. From 'Britannia Illustrata'.
[Ref: 45187] £190.00 (£228.00 incl.VAT)
Who Are You? Ask Anybody. Ask the Ladies. Ask My Relations They Know, There Is No Pride About Me.
A.C.
[n.d., c.1830.]
A rare lithograph. Sheet: 215 x 280mm (8½ x 11"). Trimmed with some damage and creasing.
Three figures stand above three answers to the question 'Who are you?'. A well-dressed figure smoking a cigar answers 'Ask anyone', a cupid-like figure answers 'Ask the ladies', while a third, scruffy, dog-like figure answers 'Ask my relations they know, there is no pride about me'.
[Ref: 43789] £65.00 (£78.00 incl.VAT)
A.C.
[n.d., c.1830.]
A rare lithograph. Sheet: 215 x 280mm (8½ x 11"). Trimmed with some damage and creasing.
Three figures stand above three answers to the question 'Who are you?'. A well-dressed figure smoking a cigar answers 'Ask anyone', a cupid-like figure answers 'Ask the ladies', while a third, scruffy, dog-like figure answers 'Ask my relations they know, there is no pride about me'.
[Ref: 43789] £65.00 (£78.00 incl.VAT)
Who Are You? Ask Anybody. Ask the Ladies. Ask my Relations They know there is no Pride about me.
[n.d., c.1840.]
Lithograph. Sheet 230 x 300mm. Some wear.
[Ref: 7202] £60.00 (£72.00 incl.VAT)
[n.d., c.1840.]
Lithograph. Sheet 230 x 300mm. Some wear.
[Ref: 7202] £60.00 (£72.00 incl.VAT)
Who Cares for You! 377
[after Robert Dighton.]
Printed for & Sold by Carington Bowles No. 69 St Pauls Church Yard, London. Published as the Act directs, 2, March, 1792.
Mezzotint. 150 x 120mm (6 x 4½"), large margins. Small scuff in title area.
A buxom prostitute standing hands on hips. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd. BM Satires 8418, Bowles & Carver edition.
[Ref: 63438] £260.00 (£312.00 incl.VAT)
[after Robert Dighton.]
Printed for & Sold by Carington Bowles No. 69 St Pauls Church Yard, London. Published as the Act directs, 2, March, 1792.
Mezzotint. 150 x 120mm (6 x 4½"), large margins. Small scuff in title area.
A buxom prostitute standing hands on hips. One of many 'droll' mezzotints in roundels made from the designs of Robert Dighton (1751-1814) who, after the death of John Collet in 1780, became the foremost designer of such images.
Ex: collection of the Late Hon. C. Lennox-Boyd. BM Satires 8418, Bowles & Carver edition.
[Ref: 63438] £260.00 (£312.00 incl.VAT)
Qui Vive! Who Goes There!.
Emile Lassalle d'apres Alfred De Dreux. Imp. par Lemercier, a Paris. ['Emile Lassalle' signature facsimile in plate lower left.]
New-York, Pubd. by Goupil & Co. 289 Broadway. Paris._Goupil, Vibert & Cie. _Editeurs, 15. Boulevart Montmatre et 10 rue d'Enghien. London._Pubd. By E. Gambart & Co. 25 Berners St. Oxford St. [n.d., c.1855.]
Coloured lithograph highlighted with gum arabic, image 460 x 630mm. Light staining to title area.
A Cavalier King Charles spaniel and fox terrier alerted by someone approaching. With publisher's blindstamp below publication line.
[Ref: 8329] £680.00
Emile Lassalle d'apres Alfred De Dreux. Imp. par Lemercier, a Paris. ['Emile Lassalle' signature facsimile in plate lower left.]
New-York, Pubd. by Goupil & Co. 289 Broadway. Paris._Goupil, Vibert & Cie. _Editeurs, 15. Boulevart Montmatre et 10 rue d'Enghien. London._Pubd. By E. Gambart & Co. 25 Berners St. Oxford St. [n.d., c.1855.]
Coloured lithograph highlighted with gum arabic, image 460 x 630mm. Light staining to title area.
A Cavalier King Charles spaniel and fox terrier alerted by someone approaching. With publisher's blindstamp below publication line.
[Ref: 8329] £680.00
Who's Your Hatter?
Madeley litho. 3 Wellington St. Strand.
London, Pub. by John Mabley, 143, Strand. [n.d., c.1850.]
Lithograph, very rare. Printed area 180 x 265mm, 7 x 10½".
A putto and a young satyr facing each other, hands on knees, both wearing hats. The title probably refers to 'Who's Your Hatter?', a comic song by E. J. Westrop.
[Ref: 24593] £160.00 (£192.00 incl.VAT)
Madeley litho. 3 Wellington St. Strand.
London, Pub. by John Mabley, 143, Strand. [n.d., c.1850.]
Lithograph, very rare. Printed area 180 x 265mm, 7 x 10½".
A putto and a young satyr facing each other, hands on knees, both wearing hats. The title probably refers to 'Who's Your Hatter?', a comic song by E. J. Westrop.
[Ref: 24593] £160.00 (£192.00 incl.VAT)
Wholesale and Retail. What'_s your pleasure Miss_Why I wants, a Fardeneth, of Lollyhop, an a Fardeneth, of Brandy-ball, and I must have-em. Trade-Price, cos they'_r to Sell-again.
Drawn by Sugarstick. Hunt Scult.
Lewis & Co. 79 Leadenhall St. [n.d. c.1800.]
Coloured aquatint. 267 x 355mm. 10½ x 14".
The interior of a wholesale confectioner.
[Ref: 16042] £320.00
Drawn by Sugarstick. Hunt Scult.
Lewis & Co. 79 Leadenhall St. [n.d. c.1800.]
Coloured aquatint. 267 x 355mm. 10½ x 14".
The interior of a wholesale confectioner.
[Ref: 16042] £320.00
Suspension Bridge over the river Tees at Whorlton.
Green Arch.t Lambert [c.1831]
Engraving on india, platemark 130 x 170mm (5 x 6¾"), with very large margins. Paper tone to india; foxing. Rare.
The suspension bridge in the small village of Whorlton, County Durham, designed by John Green of Newcastle. Opened in 1831 it was the earliest such road bridge in England.
[Ref: 43619] £75.00 (£90.00 incl.VAT)
Green Arch.t Lambert [c.1831]
Engraving on india, platemark 130 x 170mm (5 x 6¾"), with very large margins. Paper tone to india; foxing. Rare.
The suspension bridge in the small village of Whorlton, County Durham, designed by John Green of Newcastle. Opened in 1831 it was the earliest such road bridge in England.
[Ref: 43619] £75.00 (£90.00 incl.VAT)
Who s Afraid.
Pub accord to Act March 18th. 1773 by MDarly 39 Strand.
Etching, 170 x 125mm. 6¾ x 5".
An elderly man shouting with outstretched arms. In his left hand is a walking-stick. A wide looped hat on the back of his head shows straggling locks of his own hair. He wears a long coat with wide cuffs, a plain neck cloth, ruffled shirt-sleeves, and high-quartered shoes. From 'Characters, Macaronies & Caricatures, by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.6' upper left and '2' upper right.
BM Satires: 5149.
[Ref: 14491] £130.00 (£156.00 incl.VAT)
Pub accord to Act March 18th. 1773 by MDarly 39 Strand.
Etching, 170 x 125mm. 6¾ x 5".
An elderly man shouting with outstretched arms. In his left hand is a walking-stick. A wide looped hat on the back of his head shows straggling locks of his own hair. He wears a long coat with wide cuffs, a plain neck cloth, ruffled shirt-sleeves, and high-quartered shoes. From 'Characters, Macaronies & Caricatures, by MDarly', in an album of caricatures published by Mary Darly dated January 1776. It seems that her husband Matthew made the plates. Numbered 'V.6' upper left and '2' upper right.
BM Satires: 5149.
[Ref: 14491] £130.00 (£156.00 incl.VAT)
Wick, Caithness.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Cleveland Street, Fitzroy Square, London, June 1, 1821.
Hand-coloured aquatint. Plate 228 x 298mm. 9 x 11¾". Some paper toning. Paper loss to lower right and upper left corners. Unknown collector's stamp.
View of Wick Bay at right, crowded with boats; Wick harbour in background at left, town beyond; hills on the coast in foreground at left, with two-storey building on hilltop; within a rectangular border. Illustration to Ayton's 'Voyage round Great Britain', vol. V.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 21643] £60.00 (£72.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Cleveland Street, Fitzroy Square, London, June 1, 1821.
Hand-coloured aquatint. Plate 228 x 298mm. 9 x 11¾". Some paper toning. Paper loss to lower right and upper left corners. Unknown collector's stamp.
View of Wick Bay at right, crowded with boats; Wick harbour in background at left, town beyond; hills on the coast in foreground at left, with two-storey building on hilltop; within a rectangular border. Illustration to Ayton's 'Voyage round Great Britain', vol. V.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 21643] £60.00 (£72.00 incl.VAT)
Wyck the Seat of Richard Haines Esq.
J. Kip Delin et Sculp
[n.d., c.1707]
Line engraving, platemark 345 x 425mm (13½ x 16¾"). Large margins; fold through centre as issued; hole to top edge of platemark.
A view of Wyck House from Kip's 'Britannia Illustrata'. These views are significant for providing reliable records of the development of the formal English garden in the Dutch-French style.
[Ref: 27245] £180.00 (£216.00 incl.VAT)
J. Kip Delin et Sculp
[n.d., c.1707]
Line engraving, platemark 345 x 425mm (13½ x 16¾"). Large margins; fold through centre as issued; hole to top edge of platemark.
A view of Wyck House from Kip's 'Britannia Illustrata'. These views are significant for providing reliable records of the development of the formal English garden in the Dutch-French style.
[Ref: 27245] £180.00 (£216.00 incl.VAT)
Wide-Awake.
[after James Gillray]
[n.d., c.1806.]
Hand-coloured etching. Sheet: 225 x 185mm (9 x 7¼"). Trimmed.
A comic scene in which an old man is startled awake from a nap by two howling cats.
Copy of BM Satire 10645.
[Ref: 43650] £260.00 (£312.00 incl.VAT)
[after James Gillray]
[n.d., c.1806.]
Hand-coloured etching. Sheet: 225 x 185mm (9 x 7¼"). Trimmed.
A comic scene in which an old man is startled awake from a nap by two howling cats.
Copy of BM Satire 10645.
[Ref: 43650] £260.00 (£312.00 incl.VAT)
![[Wide River Scene.]](jpegs/31193.jpg)
[Wide River Scene.] 4.
F.E. Weirotter fecit.
[n.d. c.1760.]
Etching with large margins. Plate 89 x 214mm (3½ x 8½").
Fishermen at the river with sailboats; in front a boat with a lowered square-sail, several figures. On the water further sailing and other boats; on the left a town. Sheet 4 of 6-sheet set of the "Six différantes vue s'aprés nature", dedicated to Jean Antoine de Peters.
[Ref: 31193] £80.00 (£96.00 incl.VAT)
F.E. Weirotter fecit.
[n.d. c.1760.]
Etching with large margins. Plate 89 x 214mm (3½ x 8½").
Fishermen at the river with sailboats; in front a boat with a lowered square-sail, several figures. On the water further sailing and other boats; on the left a town. Sheet 4 of 6-sheet set of the "Six différantes vue s'aprés nature", dedicated to Jean Antoine de Peters.
[Ref: 31193] £80.00 (£96.00 incl.VAT)
The Widow & The Black Ram.
[n.d., c.1820.]
Coloured aquatint. Sheet 100 x 115mm (4 x 4½"). Trimmed. Remains of map verso.
A widow rides a black ram into a court full of laughing lawyers. An illustration of a ancient manorial custom in parts of England, relating to 'free bench', the widow's right to retain tenure of her late husband's land. This was usually allowed as long as she preserved her chastity. If she strayed she would lose the proprty but could avoid this by the penance of riding the ram into court, reciting a verse beginning 'Here I am, / Riding upon a black ram, / Like a whore as I am'. During the trial of Queen Caroline in 1820, Theodore Lane depicted her entering the House of Lords on a black ram with the face of her supposed lover, Bartolommeo Bergami (BM Satires 14013).
[Ref: 62238] £95.00 (£114.00 incl.VAT)
[n.d., c.1820.]
Coloured aquatint. Sheet 100 x 115mm (4 x 4½"). Trimmed. Remains of map verso.
A widow rides a black ram into a court full of laughing lawyers. An illustration of a ancient manorial custom in parts of England, relating to 'free bench', the widow's right to retain tenure of her late husband's land. This was usually allowed as long as she preserved her chastity. If she strayed she would lose the proprty but could avoid this by the penance of riding the ram into court, reciting a verse beginning 'Here I am, / Riding upon a black ram, / Like a whore as I am'. During the trial of Queen Caroline in 1820, Theodore Lane depicted her entering the House of Lords on a black ram with the face of her supposed lover, Bartolommeo Bergami (BM Satires 14013).
[Ref: 62238] £95.00 (£114.00 incl.VAT)
Widow Costard's Cow and Goods destrained for Rent are redeemed by the generosity of Johnny Pearmain.
E. Penny Pinxit. Wm. Sedgwick Sculpsit.
Publish'd Septr. 29th 1784, by John Boydell, Engraver, in Cheapside, London.
Stipple and etching. Plate 355 x 275mm. 14 x 10¾". A fine impression.
A passing traveller, Jonny Pearman, helps a widow in distress by paying her rent to the landlord, before her goods and cow are confiscated. After the painting by Edward Penny in the Yale Centre for British Art.
From the Oettingen-Wallerstein Collection.
[Ref: 17013] £230.00 (£276.00 incl.VAT)
E. Penny Pinxit. Wm. Sedgwick Sculpsit.
Publish'd Septr. 29th 1784, by John Boydell, Engraver, in Cheapside, London.
Stipple and etching. Plate 355 x 275mm. 14 x 10¾". A fine impression.
A passing traveller, Jonny Pearman, helps a widow in distress by paying her rent to the landlord, before her goods and cow are confiscated. After the painting by Edward Penny in the Yale Centre for British Art.
From the Oettingen-Wallerstein Collection.
[Ref: 17013] £230.00 (£276.00 incl.VAT)
Widow Mahoney, a Comic Song, in the Irish Style, Sung by M.r T. Philipps and M.r Morgan. The Words by T. Hudson, The Music by J. Blewitt Composer of ''Barny Brallaghan'', ''Emerald Isle'', ''Katty O Lynch'' &c.
Printed by Engelmann, Graf, Coindet & Co.
Ent. Sta. Hall. London: Published by Clementi, Collard and Collard, 26, Cheapside. Price 2/-.
Songsheet. 325 x 235mm (12¾ x 9¼").
A songsheet for the song 'Widow Mahoney' with an illustration by George Cruikshank. From the famous Cohn Collection in his wrapper and bookplate.
[Ref: 47607] £85.00 (£102.00 incl.VAT)
Printed by Engelmann, Graf, Coindet & Co.
Ent. Sta. Hall. London: Published by Clementi, Collard and Collard, 26, Cheapside. Price 2/-.
Songsheet. 325 x 235mm (12¾ x 9¼").
A songsheet for the song 'Widow Mahoney' with an illustration by George Cruikshank. From the famous Cohn Collection in his wrapper and bookplate.
[Ref: 47607] £85.00 (£102.00 incl.VAT)
The Widow of an Indian Chief Watching the Arms of Her Deceased Husband.
Painted by J. Wright. Engravd by J R Smith, Mezzotinto Engraver to his Royal Highn.s the Prince of Wales; & his Serene Highn.s the Duke of Orleans.
Published March, 2. 1812, by Tho. Palser, Surry-side of Westminster Bridge.
Mezzotint, very fine printing in colours and hand finished. 460 x 560mm. (18 x 22"). Thread margins.
A Native American woman sitting beneath a tree stump on which her dead husband's quiver, bow, knife and axe are hung. Below is choppy water, above a stormy sky. Engraved by John Raphael Smith after Joseph Wright of Derby (1734-97). The painting, now in the Derby Museum and Art Gallery, was first exhibited in Wright's one-man show of 1785, following his break from the Royal Academy. In the catalogue that accompanied the first showing of the painting in London in 1785, Wright explained that it depicts the custom whereby the widow of a great Native American warrior would sit all day for a month beneath a memorial in the form of a tree on which were hung his weapons. Wright, as always, strove for accuracy in depicting his subject: here his source was James Adair's 'History of the American Indians' (1775), an important record of mid 18th-century life in America.
J. Egerton p.144; Frankau 375, iii of iii; D'Oench 301. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64544] £1,350.00
Painted by J. Wright. Engravd by J R Smith, Mezzotinto Engraver to his Royal Highn.s the Prince of Wales; & his Serene Highn.s the Duke of Orleans.
Published March, 2. 1812, by Tho. Palser, Surry-side of Westminster Bridge.
Mezzotint, very fine printing in colours and hand finished. 460 x 560mm. (18 x 22"). Thread margins.
A Native American woman sitting beneath a tree stump on which her dead husband's quiver, bow, knife and axe are hung. Below is choppy water, above a stormy sky. Engraved by John Raphael Smith after Joseph Wright of Derby (1734-97). The painting, now in the Derby Museum and Art Gallery, was first exhibited in Wright's one-man show of 1785, following his break from the Royal Academy. In the catalogue that accompanied the first showing of the painting in London in 1785, Wright explained that it depicts the custom whereby the widow of a great Native American warrior would sit all day for a month beneath a memorial in the form of a tree on which were hung his weapons. Wright, as always, strove for accuracy in depicting his subject: here his source was James Adair's 'History of the American Indians' (1775), an important record of mid 18th-century life in America.
J. Egerton p.144; Frankau 375, iii of iii; D'Oench 301. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64544] £1,350.00
The Widow of an Indian Chief Watching the Arms of Her Deceased Husband.
Painted by J. Wright. Engravd by J R Smith, Mezzotinto Engraver to his Royal Highn.s the Prince of Wales; & his Serene Highn.s the Duke of Orleans.
London, Pub.d Jan.y 29, 1789 by I.R.Smith N.31 King Street, Cov.t Garden.
Mezzotint, very fine printing in colours and hand-finished. 460 x 560mm. (18 x 22"). Edges damaged and browned. Small margins.
A Native American woman sitting beneath a tree stump on which her dead husband's quiver, bow, knife and axe are hung. Below is choppy water, above a stormy sky. Engraved by John Raphael Smith after Joseph Wright of Derby (1734-97). The painting, now in the Derby Museum and Art Gallery, was first exhibited in Wright's one-man show of 1785, following his break from the Royal Academy. In the catalogue that accompanied the first showing of the painting in London in 1785, Wright explained that it depicts the custom whereby the widow of a great Native American warrior would sit all day for a month beneath a memorial in the form of a tree on which were hung his weapons. Wright, as always, strove for accuracy in depicting his subject: here his source was James Adair's 'History of the American Indians' (1775), an important record of mid 18th-century life in America.
J. Egerton p.144; Frankau 375, ii of iii; D'Oench 301. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64545] £1,350.00
Painted by J. Wright. Engravd by J R Smith, Mezzotinto Engraver to his Royal Highn.s the Prince of Wales; & his Serene Highn.s the Duke of Orleans.
London, Pub.d Jan.y 29, 1789 by I.R.Smith N.31 King Street, Cov.t Garden.
Mezzotint, very fine printing in colours and hand-finished. 460 x 560mm. (18 x 22"). Edges damaged and browned. Small margins.
A Native American woman sitting beneath a tree stump on which her dead husband's quiver, bow, knife and axe are hung. Below is choppy water, above a stormy sky. Engraved by John Raphael Smith after Joseph Wright of Derby (1734-97). The painting, now in the Derby Museum and Art Gallery, was first exhibited in Wright's one-man show of 1785, following his break from the Royal Academy. In the catalogue that accompanied the first showing of the painting in London in 1785, Wright explained that it depicts the custom whereby the widow of a great Native American warrior would sit all day for a month beneath a memorial in the form of a tree on which were hung his weapons. Wright, as always, strove for accuracy in depicting his subject: here his source was James Adair's 'History of the American Indians' (1775), an important record of mid 18th-century life in America.
J. Egerton p.144; Frankau 375, ii of iii; D'Oench 301. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64545] £1,350.00
The Widow of an Indian Chief Watching the Arms of Her Deceas'd Husband.
Painted by J. Wright. Engravd by J R Smith, Mezzotinto Engraver to his Royal Highn.s the Prince of Wales & his Serene Highn.s the Duke of Orleans.
London, Pub.d Jan.y 29, 1789 by I.R.Smith N.31 King Street, Cov.t Garden.
Fine mezzotint, etched letter proof. 460 x 560mm. (18 x 22"). Some restoration to edges.
A Native American woman sitting beneath a tree stump on which her dead husband's quiver, bow, knife and axe are hung. Below is choppy water, above a stormy sky. Engraved by John Raphael Smith after Joseph Wright of Derby (1734-97). In this early state the 't' of 'the Arms' is not crossed. The painting, now in the Derby Museum and Art Gallery, was first exhibited in Wright's one-man show of 1785, following his break from the Royal Academy. In the catalogue that accompanied the first showing of the painting in London in 1785, Wright explained that it depicts the custom whereby the widow of a great Native American warrior would sit all day for a month beneath a memorial in the form of a tree on which were hung his weapons. Wright, as always, strove for accuracy in depicting his subject: here his source was James Adair's 'History of the American Indians' (1775), an important record of mid 18th-century life in America.
J. Egerton p.144; Frankau 375, i of iii; D'Oench 301. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64548] £1,350.00
Painted by J. Wright. Engravd by J R Smith, Mezzotinto Engraver to his Royal Highn.s the Prince of Wales & his Serene Highn.s the Duke of Orleans.
London, Pub.d Jan.y 29, 1789 by I.R.Smith N.31 King Street, Cov.t Garden.
Fine mezzotint, etched letter proof. 460 x 560mm. (18 x 22"). Some restoration to edges.
A Native American woman sitting beneath a tree stump on which her dead husband's quiver, bow, knife and axe are hung. Below is choppy water, above a stormy sky. Engraved by John Raphael Smith after Joseph Wright of Derby (1734-97). In this early state the 't' of 'the Arms' is not crossed. The painting, now in the Derby Museum and Art Gallery, was first exhibited in Wright's one-man show of 1785, following his break from the Royal Academy. In the catalogue that accompanied the first showing of the painting in London in 1785, Wright explained that it depicts the custom whereby the widow of a great Native American warrior would sit all day for a month beneath a memorial in the form of a tree on which were hung his weapons. Wright, as always, strove for accuracy in depicting his subject: here his source was James Adair's 'History of the American Indians' (1775), an important record of mid 18th-century life in America.
J. Egerton p.144; Frankau 375, i of iii; D'Oench 301. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64548] £1,350.00
The Widow's Tale.
Painted by J.R.Smith. Engrav'd by W.Ward.
London Pub. June 2 1789 by J.R.Smith King Street Cov.t Garden.
Mezzotint, printed in colour and finished by hand. 560 x 405mm.
[Ref: 5631] £480.00
Painted by J.R.Smith. Engrav'd by W.Ward.
London Pub. June 2 1789 by J.R.Smith King Street Cov.t Garden.
Mezzotint, printed in colour and finished by hand. 560 x 405mm.
[Ref: 5631] £480.00
Wiesbaden
[c.1600]
Engraving, platemark approx 185 x 370mm (7¼ x 14½"), large margins on 3 sides.
The spa town of Wiesbaden in Germany, on the northern bank of the Rhine. The neighbouring city of Mainz is in the distance on the left.
[Ref: 39653] £240.00 (£288.00 incl.VAT)
[c.1600]
Engraving, platemark approx 185 x 370mm (7¼ x 14½"), large margins on 3 sides.
The spa town of Wiesbaden in Germany, on the northern bank of the Rhine. The neighbouring city of Mainz is in the distance on the left.
[Ref: 39653] £240.00 (£288.00 incl.VAT)
![[Wiesberg Castle] Vue du Château Wisberg en Tirol.](jpegs/41747.jpg)
[Wiesberg Castle] Vue du Château Wisberg en Tirol.
P. Marchioretto pinx. Ant. Klauber sculp A.V. 1807.
Se vend chez l'Auteur V. Zana & Comp.
Engraving. 205 x 230mm (8 x 9") very large margins.
Weisberg Castle, home to the Duke of Wolkenstein.
[Ref: 41747] £140.00 (£168.00 incl.VAT)
P. Marchioretto pinx. Ant. Klauber sculp A.V. 1807.
Se vend chez l'Auteur V. Zana & Comp.
Engraving. 205 x 230mm (8 x 9") very large margins.
Weisberg Castle, home to the Duke of Wolkenstein.
[Ref: 41747] £140.00 (£168.00 incl.VAT)
A Wife. The Young Man's Best Companion.
[n.d., c.1830.]
Lithograph with hand colour. Sheet: 200 x 145mm (8 x 5¾").
A portrait of a wife, dressed in white doing her embroidery.
[Ref: 46069] £85.00 (£102.00 incl.VAT)
[n.d., c.1830.]
Lithograph with hand colour. Sheet: 200 x 145mm (8 x 5¾").
A portrait of a wife, dressed in white doing her embroidery.
[Ref: 46069] £85.00 (£102.00 incl.VAT)
I had nai been a Wife but weeks only four, / When sitting sa mearnfully at mine ayn door:
Wells del. et sculp.t
Pub.d June 8 1784 by W.m Wells, 20 July 1779 No. 132 Fleet Street
Rare stipple printed in sepia, platemark 70 x 90mm (2¾ x 3½"), very large margins.
An unhappy wife contemplates how much has changed in only four weeks of marriage.
[Ref: 45153] £180.00 (£216.00 incl.VAT)
Wells del. et sculp.t
Pub.d June 8 1784 by W.m Wells, 20 July 1779 No. 132 Fleet Street
Rare stipple printed in sepia, platemark 70 x 90mm (2¾ x 3½"), very large margins.
An unhappy wife contemplates how much has changed in only four weeks of marriage.
[Ref: 45153] £180.00 (£216.00 incl.VAT)
Why! hollo Muggins where have you bin? I aint seen you this long while _ how are yer? Oh! Tray Bang _ Tray Bang _ I've bin stopping on the Contment at Bolong _ for the change of Hair, and to become fammar with french manners.
[Unidentified artist's monogram.] Printed by L.M. Lefevre, Newman St.
London: W. Spooner, 377 Strand. [n.d., c.1838.]
Hand coloured lithograph, sheet 265 x 180mm. 10½ x 7". Fine colour; sheet trimmed.
The artist uses an unusual monogram of a wine bottle. Social satire; conversation outside a hairdressers/wig shop. A pretentious man (left) sporting the latest Continental fashions boasts of a recent trip to France - partly in cod-French - and proudly refers to his new hair style. In window adverts for "Balm of Columbia the growth of hair" and "A fine young bear this day sold in pots". For the satirical series 'Funny Characters' published by William Spooner (1833 - 1847; fl.).
[Ref: 17336] £160.00 (£192.00 incl.VAT)
[Unidentified artist's monogram.] Printed by L.M. Lefevre, Newman St.
London: W. Spooner, 377 Strand. [n.d., c.1838.]
Hand coloured lithograph, sheet 265 x 180mm. 10½ x 7". Fine colour; sheet trimmed.
The artist uses an unusual monogram of a wine bottle. Social satire; conversation outside a hairdressers/wig shop. A pretentious man (left) sporting the latest Continental fashions boasts of a recent trip to France - partly in cod-French - and proudly refers to his new hair style. In window adverts for "Balm of Columbia the growth of hair" and "A fine young bear this day sold in pots". For the satirical series 'Funny Characters' published by William Spooner (1833 - 1847; fl.).
[Ref: 17336] £160.00 (£192.00 incl.VAT)
Eleazar Wigan Writing Mr. At the Hand and Pen on Great Tower Hill London, MDCLXXXXV. Penna Vetat Mori.
I. Closterman Pinxit. I. Sturt Sculpsit. 96.
[1696.]
Fine engraving. 280 x 205mm (11 x 8"). Small margins.
Portrait of writing master Eleazar Wigan, used as the frontispiece of his 1696 "Practical arithmetick an introduction to ye whole art wherein the most necessary rules are fairly describ'd in the usuall hands adorn'd with great variety of flourishes perform'd by command of hand design'd to be interleav'd for ye more speedy fitting of youth for merchandise or trade".
BM: 1881,0611.333.
[Ref: 55206] £380.00
I. Closterman Pinxit. I. Sturt Sculpsit. 96.
[1696.]
Fine engraving. 280 x 205mm (11 x 8"). Small margins.
Portrait of writing master Eleazar Wigan, used as the frontispiece of his 1696 "Practical arithmetick an introduction to ye whole art wherein the most necessary rules are fairly describ'd in the usuall hands adorn'd with great variety of flourishes perform'd by command of hand design'd to be interleav'd for ye more speedy fitting of youth for merchandise or trade".
BM: 1881,0611.333.
[Ref: 55206] £380.00
Eleazer Wigan Writing Mr. At the Hand and Pen on Great Tower Hill / London MDCLXXXXV
[John Sturt after John Closterman]
Rare engraving, on verso in ink 7:6; sheet 270 x 195mm (10½ x 7¾"). Trimmed
Eleazer Wigan, writing master. Frontispiece to his 'Practical Arithmetick: An introduction to ye whole art wherein the most necessary rules are fairly describ'd in the usuall hands adorn'd with great variety of flourishes perform'd by command of hand design'd to be interleav'd for ye more speedy fitting of youth for merchandize or trade' (1695).
O'D 1 (only likeness). Ex: The Hon. Christopher Lennox-Boyd Collection.
[Ref: 38869] £220.00 (£264.00 incl.VAT)
[John Sturt after John Closterman]
Rare engraving, on verso in ink 7:6; sheet 270 x 195mm (10½ x 7¾"). Trimmed
Eleazer Wigan, writing master. Frontispiece to his 'Practical Arithmetick: An introduction to ye whole art wherein the most necessary rules are fairly describ'd in the usuall hands adorn'd with great variety of flourishes perform'd by command of hand design'd to be interleav'd for ye more speedy fitting of youth for merchandize or trade' (1695).
O'D 1 (only likeness). Ex: The Hon. Christopher Lennox-Boyd Collection.
[Ref: 38869] £220.00 (£264.00 incl.VAT)
![[Device of John Wight.]](jpegs/68000.jpg)
[Device of John Wight.] Welcom The Wight That Bringeth Such Light.
[n.d., c.1580.]
Woodcut. Sheet 90 x 75mm (3½ x 3"). Trimmed and backed onto album paper at borders
A publisher's device incorporating a portrait of bookseller and publisher John Wight (1549-89), who traded at the Sign of the Rose in St. Paul’s Churchyard, London, between 1549 and 1589 and published Shakespeare. He holds a book titled Scientia, which likely functions as a ''canting'' device (that is, an emblematic motif similar to a merchant’s mark), exploiting a pun on the surname: ''Welcome the Wight that bringeth such light.''
[Ref: 68000] £180.00 (£216.00 incl.VAT)
[n.d., c.1580.]
Woodcut. Sheet 90 x 75mm (3½ x 3"). Trimmed and backed onto album paper at borders
A publisher's device incorporating a portrait of bookseller and publisher John Wight (1549-89), who traded at the Sign of the Rose in St. Paul’s Churchyard, London, between 1549 and 1589 and published Shakespeare. He holds a book titled Scientia, which likely functions as a ''canting'' device (that is, an emblematic motif similar to a merchant’s mark), exploiting a pun on the surname: ''Welcome the Wight that bringeth such light.''
[Ref: 68000] £180.00 (£216.00 incl.VAT)
The Rev. John Wightman. D.D. mm. [a collection]
From a Miniature by Alexander Painted by Maxwell. Engraved by R....
[n.d. c.1840.]
Six mixed-method engravings. A rare series of printing processed proofs taken by the artist. One lettered; one with ink signature; two proofs; one unfinished proof; one with pencil title added. Appox plate 229 x 159mm. 9 x 6¼". Some trimmed to the plate at the top; one trimmed to the plate.
Reverend John Wightman (1762-1847), minister of Kirkmahoe, Dumfries, Scotland.
[Ref: 17445] £270.00 (£324.00 incl.VAT) view all images for this item
From a Miniature by Alexander Painted by Maxwell. Engraved by R....
[n.d. c.1840.]
Six mixed-method engravings. A rare series of printing processed proofs taken by the artist. One lettered; one with ink signature; two proofs; one unfinished proof; one with pencil title added. Appox plate 229 x 159mm. 9 x 6¼". Some trimmed to the plate at the top; one trimmed to the plate.
Reverend John Wightman (1762-1847), minister of Kirkmahoe, Dumfries, Scotland.
[Ref: 17445] £270.00 (£324.00 incl.VAT) view all images for this item
![Goe: Wightwick [facsimile.]](jpegs/19050.jpg)
Goe: Wightwick [facsimile.]
R.R. Scanlan del.t E. Scriven sc.
Library of the Fine Arts, 1832.
Stipple, rare. Plate 190 x 140mm. Trimmed to the plate along right edge.
George Wightwick (1802-1872) was an architect and considered to have been the first architectural journalist.
[Ref: 19050] £65.00 (£78.00 incl.VAT)
R.R. Scanlan del.t E. Scriven sc.
Library of the Fine Arts, 1832.
Stipple, rare. Plate 190 x 140mm. Trimmed to the plate along right edge.
George Wightwick (1802-1872) was an architect and considered to have been the first architectural journalist.
[Ref: 19050] £65.00 (£78.00 incl.VAT)
Richardus Wightwick. T.B. alter Fund:m Coll: Pembrochiae Ao Di 1624 Hanc effigiem Rev:do Viro Collwell Brickenden S.T.P. et istius Coll: Magistro.
Summa cum Humil & Observanntia D.D.D. J.Faber.
[n.d., c.1712.]
Mezzotint, 18th century watermark. Sheet 260 x 200mm (10¼ x 8") very large margins.
Portrait of Richard Wightwick (c. 1547 - 1629), Church of England clergyman, co-founder of Pembroke College, Oxford.
CS 34 I of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65051] £160.00 (£192.00 incl.VAT)
Summa cum Humil & Observanntia D.D.D. J.Faber.
[n.d., c.1712.]
Mezzotint, 18th century watermark. Sheet 260 x 200mm (10¼ x 8") very large margins.
Portrait of Richard Wightwick (c. 1547 - 1629), Church of England clergyman, co-founder of Pembroke College, Oxford.
CS 34 I of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65051] £160.00 (£192.00 incl.VAT)
Richardus Wightwick. T.B. alter Fund:m Coll: Pembrochiae Ao Di 1624 Hanc effigiem Rev:do Viro Collwell Brickenden S.T.P. et istius Coll: Magistro.
Summa cum Humil & Observanntia D.D.D. J.Faber.
[n.d., c.1730.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet, London.
Mezzotint, 18th century watermark. Sheet 260 x 200mm (10¼ x 8").
Portrait of Richard Wightwick (c. 1547 - 1629), Church of England clergyman, co-founder of Pembroke College, Oxford.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65053] £150.00 (£180.00 incl.VAT)
Summa cum Humil & Observanntia D.D.D. J.Faber.
[n.d., c.1730.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet, London.
Mezzotint, 18th century watermark. Sheet 260 x 200mm (10¼ x 8").
Portrait of Richard Wightwick (c. 1547 - 1629), Church of England clergyman, co-founder of Pembroke College, Oxford.
CS 34 III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65053] £150.00 (£180.00 incl.VAT)
Wigmore Castle, Herefordshire. Antiquities, N.º 4.
Painted by W. Hodges. Engraved by V. Green, & J. Jukes.
Published Oct. 16th. 1778 by V. Green, Mezzotint Engraver to his Majesty &c. No. 29 Newman Street, Oxford Street, and at No. 52, Strand. Se vend à Londres, chez les Freres Torre, Marchands d'Estampes.
Aquatint. 410 x 550mm (16 x 21½"). Laid on original card at corners. Thread margins, creasing in corners.
The ruins of the Norman Wigmore Castle, founded around 1070 but slighted during the Civil War.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67686] £320.00
Painted by W. Hodges. Engraved by V. Green, & J. Jukes.
Published Oct. 16th. 1778 by V. Green, Mezzotint Engraver to his Majesty &c. No. 29 Newman Street, Oxford Street, and at No. 52, Strand. Se vend à Londres, chez les Freres Torre, Marchands d'Estampes.
Aquatint. 410 x 550mm (16 x 21½"). Laid on original card at corners. Thread margins, creasing in corners.
The ruins of the Norman Wigmore Castle, founded around 1070 but slighted during the Civil War.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67686] £320.00
Wigmore Castle, Herefordshire.
Painted by W. Hodges. Engraved by V. Green, & J. Jukes.
Published Oct. 16th. 1778 by V. Green, Mezzotint Engraver to his Majesty &c. No. 29 Newman Street, Oxford Street, and at No. 52, Strand. Se vend à Londres, chez les Freres Torre, Marchands d'Estampes.
Aquatint, 410 x 550mm. Some foxing throughout image; hand inscription '(from Strawberry Hill)' in title area.
Wigmore Castle was first founded after the Norman Conquest, around 1070, but following the English Civil War was left in a state of ruin.
[Ref: 8396] £360.00
Painted by W. Hodges. Engraved by V. Green, & J. Jukes.
Published Oct. 16th. 1778 by V. Green, Mezzotint Engraver to his Majesty &c. No. 29 Newman Street, Oxford Street, and at No. 52, Strand. Se vend à Londres, chez les Freres Torre, Marchands d'Estampes.
Aquatint, 410 x 550mm. Some foxing throughout image; hand inscription '(from Strawberry Hill)' in title area.
Wigmore Castle was first founded after the Norman Conquest, around 1070, but following the English Civil War was left in a state of ruin.
[Ref: 8396] £360.00
Wigs.
Pub,d Accor:g to Act Octr 12 1773 by MDarly 39 Strand.
Etching. 245 x 345mm (9¾ x 13½").
14 caricature heads showing the different types of wig worn by men. A companion print to 'Hats' (item 14112). Some are apparently portraits, including Henry Bathurst, 2nd Earl Bathurst (1714 - 1794), Lord Chancellor. A caricature published by the team of Matthew Darly (c.1721-80) & his wife Mary (1736-91).
BM Satires: 5170.
[Ref: 14113] £420.00
Pub,d Accor:g to Act Octr 12 1773 by MDarly 39 Strand.
Etching. 245 x 345mm (9¾ x 13½").
14 caricature heads showing the different types of wig worn by men. A companion print to 'Hats' (item 14112). Some are apparently portraits, including Henry Bathurst, 2nd Earl Bathurst (1714 - 1794), Lord Chancellor. A caricature published by the team of Matthew Darly (c.1721-80) & his wife Mary (1736-91).
BM Satires: 5170.
[Ref: 14113] £420.00
Wigs.
Pub,d Accor:g to Act Octr 12 1773 by MDarly 39 Strand.
Etching, 18th century watermark. 245 x 345mm (9¾ x 13½"), with very large margins. Mint.
14 caricature heads showing the different types of wig worn by men. A companion print to 'Hats' (reference 63586). Some are apparently portraits, including Henry Bathurst, 2nd Earl Bathurst (1714 - 1794), Lord Chancellor. A companion plate to 'Hats', both published by the team of Matthew Darly (c.1721-80) & his wife Mary (1736-91).
BM Satires: 5170.
[Ref: 63585] £380.00
Pub,d Accor:g to Act Octr 12 1773 by MDarly 39 Strand.
Etching, 18th century watermark. 245 x 345mm (9¾ x 13½"), with very large margins. Mint.
14 caricature heads showing the different types of wig worn by men. A companion print to 'Hats' (reference 63586). Some are apparently portraits, including Henry Bathurst, 2nd Earl Bathurst (1714 - 1794), Lord Chancellor. A companion plate to 'Hats', both published by the team of Matthew Darly (c.1721-80) & his wife Mary (1736-91).
BM Satires: 5170.
[Ref: 63585] £380.00
How do you like, Mem my light Summer Wig _ I'm told it will be all the rage.
[n.d., c.1790?.]
Coloured etching. Sheet 155 x 105mm (6 x 4¼"). Trimmed from a larger sheet, laid on album paper.
A large woman with a large, curly wig. One of four satires of wigs on one plate.
[Ref: 61102] £75.00 (£90.00 incl.VAT)
[n.d., c.1790?.]
Coloured etching. Sheet 155 x 105mm (6 x 4¼"). Trimmed from a larger sheet, laid on album paper.
A large woman with a large, curly wig. One of four satires of wigs on one plate.
[Ref: 61102] £75.00 (£90.00 incl.VAT)
Wigton, Galloway.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. June, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view at Wigtown, with boats on a stretch of water in the foreground and buildings among trees on the hillside behind. Figures stand on the bank to the right, with others walking uphill on a road. A church can be seen in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36113] £190.00 (£228.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. June, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view at Wigtown, with boats on a stretch of water in the foreground and buildings among trees on the hillside behind. Figures stand on the bank to the right, with others walking uphill on a road. A church can be seen in the distance. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36113] £190.00 (£228.00 incl.VAT)
Wigton, Galloway.
Drawn & Etched by Will.m Daniell.
Published by Mess.rs Longman & C.o. Paternoster Row & W. Daniell, 9 Cleveland S.t. Fitzroy Square London, June 1. 1816.
Coloured aquatint with large margins. Plate: 225 x 300mm (9 x 12"). Some slight foxing.
View across an inlet of water up towards the town of Wigtown. Two boats filled with figures sail on the water whilst groups of figures walk on the path towards the town. Plate 55 from Vol. II of 'Voyage Round Great Britain'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33900] £120.00 (£144.00 incl.VAT)
Drawn & Etched by Will.m Daniell.
Published by Mess.rs Longman & C.o. Paternoster Row & W. Daniell, 9 Cleveland S.t. Fitzroy Square London, June 1. 1816.
Coloured aquatint with large margins. Plate: 225 x 300mm (9 x 12"). Some slight foxing.
View across an inlet of water up towards the town of Wigtown. Two boats filled with figures sail on the water whilst groups of figures walk on the path towards the town. Plate 55 from Vol. II of 'Voyage Round Great Britain'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33900] £120.00 (£144.00 incl.VAT)
![[Wijnendale] The Battle of Winendael September the 28. 1708.](jpegs/64727.jpg)
[Wijnendale] The Battle of Winendael September the 28. 1708.
A. Benoist Inv. Cl. Du Bosc fecit.
Publish'd by Cl. Du Bosc September the 22. 1735. according to Act of Parliament..
Engraving, 18th century watermark. 260 x 195mm (10¼ x 7¾"), with large margins.
A scene in the War of the Spanish Succession (1701-14), an Allied ammunition convoy protected by troops under the command of Major General John Richmond Webb and Brigadier Cornelis van Nassau-Woudenberg came under attack by French troops. The Allied officers are shown on horseback with the battle behind. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64727] £140.00 (£168.00 incl.VAT)
A. Benoist Inv. Cl. Du Bosc fecit.
Publish'd by Cl. Du Bosc September the 22. 1735. according to Act of Parliament..
Engraving, 18th century watermark. 260 x 195mm (10¼ x 7¾"), with large margins.
A scene in the War of the Spanish Succession (1701-14), an Allied ammunition convoy protected by troops under the command of Major General John Richmond Webb and Brigadier Cornelis van Nassau-Woudenberg came under attack by French troops. The Allied officers are shown on horseback with the battle behind. A plate from 'The Military History of the Late Prince Eugene of Savoy, and of the Late John Duke of Marlborough: Including a Particular Description of the Several Battles, Sieges, &c. in which Either or Both Those Generals Commanded'. The scene is surrounded by a decorative frame.
[Ref: 64727] £140.00 (£168.00 incl.VAT)