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Water Spaniel.
Water Spaniel.
Painted by A. Cooper R.A. Drawn on Stone by Thomas Fairland.
London, Published by Harding and King, 24, Cornhill June__1834.
Fine hand coloured lithograph on india paper, india 290 x 230mm. 11½ x 9". Trimmed to india, so lacking wove margins. Laid on board.
Study of a spaniel's head, the body submerged. After Abraham Cooper (1787 - 1868), from a series of 12 'The Sportsman's Kennel, A Series of Heads of the principal British Sporting Dogs...Executed in Lithography by Thos. Fairland, after pictures painted from the life', 1833-1835.
Siltzer p.95.
[Ref: 19447]   £220.00   (£264.00 incl.VAT)
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[A water spaniel in a landscape.]
[A water spaniel in a landscape.] No.17.
Lith. De Villain.
[French, c.1820s.]
Lithograph, sheet 270 x 365mm. 10½ x 14¼".
A spaniel in shallow water beside a reed-bed has spied a bird in the foreground. From an unidentified series.
[Ref: 19450]   £70.00   (£84.00 incl.VAT)
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Water Spaniel.
Water Spaniel.
Painted by A. Cooper R. A. Drawn on Stone by Thomas Fairland.
London, Published by B. B. King, Monument Yard. Printed by Graf & Soret. [n.d., c.1845.]
Hand-coloured lithograph printed on chine collé. Sheet: 335 x 215mm (12½ x 8"). Staining in corners, tear in bottom edge.
A portrait of a water spaniel swimming in a lake.
[Ref: 47737]   £130.00   (£156.00 incl.VAT)
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Der Wasserhund.
Der Wasserhund. Wilde Enten Jago.
Aus der Kunstanstalt des Bibliographischen Instituts in Hildburghausen u. New York. Figenthum der Vetleger.
[n.d. c.1820.]
Engraving. Plate: 200 x 250mm (8 x 9¾"). Small margins. Slight tear in bottom margin.
A shooting scene showing a spaniel racing to catch a falling duck.
[Ref: 47739]   £60.00   (£72.00 incl.VAT)
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Irish Water Spaniel ''Captain''.
Irish Water Spaniel ''Captain''. The Property of M.r Hugh Beaver.
R. S. Maseley. Cassell's Illustrated Book of the Dog.
Cassell, Petter, Galpin & Co. Lith. London. [n.d., c.1880.]
Chromolithograph. Sheet: 215 x 270mm (8½ x 10½").
[Ref: 47741]   £50.00   (£60.00 incl.VAT)
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[Water Spaniel] A Portrait of a Dog, Belonging to Lord Edw.d Bentinck.
[Water Spaniel] A Portrait of a Dog, Belonging to Lord Edw.d Bentinck.
G. Barret Pinx.t. J Watson fecit.
J Boydell excudit. [Publish'd according to Act of Parliament, by J. Boydell, Engraver in Cheapside; Nov. r 1.st 1768.]
Scarce & rare mezzotint, 18th century watermark. Sheet 435 x 550mm (17 x 21¾"). Trimmed in plate at bottom, affecting title and losing publication line.
An untitled scene of a springer spaniel in woodland, watching a duck startled from a pool. The painting, by George Barret (1732-84), was exhibited at the Society of Artists of Great Britain in 1768. Lord Edward Charles Bentinck (1744-1819) was the younger brother of William Henry Cavendish Bentinck, 3rd Duke of Portland. He was MP for Lewes at the time this was painted.
See: Siltzer pg 383. Goodwin 175, state iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64876]   £650.00  
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The Effect of a Water Spout at Sea.
The Effect of a Water Spout at Sea. N.o 109.
J.F. Ellis. Pinx.t. H. Dawe. Sculp.
Pub.d April 1832 by H. Dawe 6 Bartholomew Place Kentish Town, R. Ackermann Strand & C. Tilt Fleet Street
Mezzotint, sheet 150 x 190mm (6 x 7½).
A view of a ship on rough seas sailing away from a waterspout.
[Ref: 57034]   £80.00   (£96.00 incl.VAT)
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The Phenomena of Water Spouts.
The Phenomena of Water Spouts.
[n.d., c.1800]
Engraving, sheet 115 x 180mm (4½ x 7") Trimmed within plate.
A view of waterspouts lettered, presumably once with an explanatory key. Ships sail in the distance
[Ref: 57048]   £80.00   (£96.00 incl.VAT)
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The Phenomena of Water Spouts.
The Phenomena of Water Spouts.
[n.d., c.1800]
Engraving, sheet 115 x 180mm (4½ x 7") Trimmed within plate.
A view of waterspouts lettered, presumably once with an explanatory key. Ships sail in the distance
[Ref: 57050]   £80.00   (£96.00 incl.VAT)
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Three Water Spouts, seen by Captain Read.
Three Water Spouts, seen by Captain Read. Vol.VI. p.98.
J. Lodge sc p.
[n.d. c.1780.]
Engraving. 140 x 82mm. 5½ x 3¼".
Waterspouts seen behind a lone ship floating on the undulating waves. The equivalent over water to tornadoes on land, however waterspouts are generally considered weaker than tornadoes.
[Ref: 25155]   £60.00   (£72.00 incl.VAT)
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[Carnation.]
[Carnation.]
[n.d., c.1845.]
Watercolour. Sheet 170 x 150 (6¾ x 6"). Laid on card.
A fine botanical illustration.
[Ref: 66214]   £60.00   (£72.00 incl.VAT)
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[Geranium.]
[Geranium.]
[n.d., c.1845.]
Watercolour on card. Sheet 250 x 190mm (9¾ x 7½") Stains.
A fine botanical illustration.
[Ref: 66221]   £70.00   (£84.00 incl.VAT)
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[Ipomoea.]
[Ipomoea.]
[n.d., c.1845.]
Watercolour. Sheet 205 x 140mm (8 x 5½")
A fine botanical illustration.
[Ref: 66218]   £65.00   (£78.00 incl.VAT)
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[Ipomoea.]
[Ipomoea.]
[n.d., c.1845.]
Watercolour on card, blindstamped 'Bristol boards'. Sheet 220 x 190mm (8¾ x 7½")
A fine botanical illustration.
[Ref: 66219]   £70.00   (£84.00 incl.VAT)
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[Roses and Pansies.]
[Roses and Pansies.]
[n.d., c.1845.]
Watercolour. Sheet 190 x 125mm (7½ x 5")
A fine botanical illustration.
[Ref: 66216]   £140.00   (£168.00 incl.VAT)
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[Roses, lily and fuchias in a basket.]
[Roses, lily and fuchias in a basket.]
[n.d., c.1845.]
Watercolour on card. Sheet 125 x 140mm (5 x 5½")
A fine botanical illustration.
[Ref: 66217]   £95.00   (£114.00 incl.VAT)
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[Vase of flowers.]
[Vase of flowers.]
[dated 1848 in pencil on reverse.]
Watercolour on card. Verso in pencil "To Dear Sister ..? from her affectionate sister Eleanor Woodham, Clifton Oct 1843"; Sheet 195 x 130mm (7¾ x 5").
A fine botanical illustration.
[Ref: 66215]   £260.00   (£312.00 incl.VAT)
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[Untitled scene of two men with fishing rods clambering up rocks by the side of a small waterfall]
[Untitled scene of two men with fishing rods clambering up rocks by the side of a small waterfall]
[Etched by Thomas Rowlandson after Samuel Howitt.]
[n.d., c.1785.]
Etching, proof. 200 x 275mm (8 x 10¾").
The British Museum's example is in a bound volume of Rowlandson's 'Imitations of Modern Drawings'.
BM: 1849,1208.444.
[Ref: 67171]   £490.00  
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[Waterfall with anglers] J. Pearce's Transparent Views.
[Waterfall with anglers] J. Pearce's Transparent Views.
London: Published by Reeves and Sons, Cheapside; and W. Morgan, 25, Bartlett's Buildings, Holborn. Published at 11, Paternoster Row [n.d., c.1845].
Lithograph, mounted in card with three labels. Card 270 x 220mm (10¾ x 8¾").
A view of men fishing under a waterfall on a moonlit night, designed to be held up before a light source to enhance the scene.
[Ref: 61092]   £180.00   (£216.00 incl.VAT)
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Waterfalls
Waterfalls
Drawn & Engraved by John Emslie 1846.
London: J. Reynolds, 174, Strand; Reeves & Sons; Rock & Co; Peacock & Mansfield. [n.d., c.1850]
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼"). Ink stamps on the back 'St Thomas's Schools Mount Vernon' and 'Broughton Hall West Derby.'
Data visulisation of waterfall heights with key; from Reynolds series 'Introduction to Natural Philosophy', a companion to Reynolds's series of Popular diagrams of natural philosophy comprising of two hundred and fifty illustrations.
[Ref: 56879]   £220.00   (£264.00 incl.VAT)
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A Comparative Picture of the Principal Waterfalls in the World.
A Comparative Picture of the Principal Waterfalls in the World.
[C. Smith & Son. 1836.]
Hand-coloured lithograph. Sheet: 560 x 390mm (22 x 15½"). Central crease as normal, staining. Publication line missing. Slight loss upper left.
A comparative view of the highest waterfalls in the world with the highest being Cascade of Gavarny in the Pyrenees to the last cataract of the Nile.
[Ref: 44825]   £230.00   (£276.00 incl.VAT)
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B. Waterhouse. M.D.
B. Waterhouse. M.D. Professor of the Theory and Practice of Medicine.
R. Reeve. sc.
[n.d., c. 1805].
Engraving with large margins. Platemark: 150 x 95mm. (6 x 3¾").
A portrait, in oval, of Benjamin Waterhouse (1754 - 1846). Waterhouse was a physician, co-founder and professor of Harvard Medical School. He is most well known for being the first doctor to test the smallpox vaccine in the United States, which he carried out on his own family.
Wellcome: 3119
[Ref: 31685]   £65.00   (£78.00 incl.VAT)
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Vera effigies Eduardi Waterhousi Armigeri Anno Domini 1663: Annoque Aetatis Suae 44.
Vera effigies Eduardi Waterhousi Armigeri Anno Domini 1663: Annoque Aetatis Suae 44.
D. Loggan ad vivum Sculp.
[n.d., c.1663.]
Engraving. Sheet size: 270 x 180mm (10½ x 7¼"). Trimmed to image. Glued to album sheet at corners.
A portrait of British antiquary and author, Edward Waterhouse (1619 - 1670). Head and shoulders in an oval frame, wearing a cap, collar and gown. This portrait was the frontispiece to his publication 'Fortescutus illustratus, or a commentary on that nervous treatise De laudibus legum Angliæ' (1663). A coat of arms is inscribed below image, with a motto on scroll above arms reading "Firma Nobis Fides".
[Ref: 33847]   £220.00   (£264.00 incl.VAT)
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Eduardus Water - hous Armig.
Eduardus Water - hous Armig.
A. Hertochs fe.
[n.d., c.1665.]
Rare engraving. Sheet size: 140 x 95mm (5½ x 3¾"). Trimmed to image. Glued to album sheet at corners.
A portrait of British antiquary and author, Edward Waterhouse (1619 - 1670). Half length, to the right, looking at viewer; wearing a cloak wrapped over shoulders. In an oval frame on a pedestal with arms below. This portrait was the frontispiece to Waterhouse's publication, 'The Gentleman's Monitor' (1665).
[Ref: 33849]   £160.00   (£192.00 incl.VAT)
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[A villager watering horses in a stream.]
[A villager watering horses in a stream.]
P: Wouwermans pinx. von heideck del:
[Munich: J. Stuntz, 1811-1816.]
Tinted lithograph. Printed area 350 x 420mm (13¾ x 16½"), very large margins. Some spotting, stain.
An early tinted lithograph, from 'Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière.'
[Ref: 60940]   £160.00   (£192.00 incl.VAT)
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L'Abreuvoir.
L'Abreuvoir. Gravé d'apres le Tableau Original de N. Berghem de 2 Pied 5 pouces de Haut sur 2 Pied 9 pouces de Large.
N. Berghem pinxit. Pelletier fecit.
à Amsterdam chez P. Fouquet junoir. [n.d. c.1750.]
Engraving. 326 x 396mm (12¾ x 15½"). Trimmed.
The watering place: shepherd on horseback on the other side of the water with some goats and a dog; a woman and child resting next to their washing in the foreground, and to the right, a woman on horse with sheep and cows; a ruined castle to the left.
[Ref: 31197]   £120.00   (£144.00 incl.VAT)
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Vue intérieure de la Serre Victoria, dans l'Etablissement Van Houtte. VII, 654-5b.
Vue intérieure de la Serre Victoria, dans l'Etablissement Van Houtte. VII, 654-5b.
Off. Lith. & pict. in Horto van Houtteano.
[n.d, c.1850.]
Chromolithograph. Sheet: 170 x 255mm (6¾ x 10").
A view in a greenhouse containing giant waterlilies or Victoria amazonica in the gardens of Belgian horticulturist Louis van Houtte (1810-1876). An illustration from van Houtte's horticultural journal 'Flore des Serres et des Jardins de l'Europe' 1845-1888.
[Ref: 47247]   £50.00   (£60.00 incl.VAT)
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The Terror & flight of Buonaparte after the Battle of Waterloo, leaving his hat & Sword in his Carriage.
The Terror & flight of Buonaparte after the Battle of Waterloo, leaving his hat & Sword in his Carriage.
London, Published by Thomas Kelly, Paternoster row, Feb. 29 ~ 1817.
Engraving, printed in red and hand-finished. Sheet 205 x 265mm (8 x 10½"). Trimmed.
Napoleon galloping his horse, looking over his shoulder at the chasing troops.
For coloured impression see ref. 37127.
[Ref: 46102]   £60.00   (£72.00 incl.VAT)
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The Battle of Waterloo Decided by the Duke of Wellington, Heading a charge upon the French Imperial Guards, June 18.th. 1815.
The Battle of Waterloo Decided by the Duke of Wellington, Heading a charge upon the French Imperial Guards, June 18.th. 1815.
J. A. Atkinson Del. M. Dubourg Sculp.
Published & Sold Sep.r.1. 1815 by Edw.d Orme, Publisher to his Majesty & H. R. H. the Prince Regent, Bond Street corner of Brook Street London.
Aquatint with fine hand colour. 330 x 250mm (13 x 9¾"), with large margins.
Wellington, mounted upon his horse Copenhagen, calls the charge on the Imperial Guard, brandishing his sword. Napoleon watches the battle from a platform built to allow him an overall view of the battlefield.
[Ref: 59516]   £260.00   (£312.00 incl.VAT)
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Napoleon Terminating his Military Carreer, at the Memorable Battle of Waterloo.
Napoleon Terminating his Military Carreer, at the Memorable Battle of Waterloo.
[Engraved by George Cruikshank.]
Published Sep.r 15, 1827 by John Cumberland, No 19, Ludgate Hill.
Coloured aquatint. Sheet 215 x 275mm (8½ x 10¾"). Folded twice as issued, small split taped, album paper stuck over left edge.
Napoleon, mounted on a prancing Marengo, in the middle of the battlefield. From W.H. Ireland's 'Life of Napoleon Bonaparte', 1828.
Tooley 278.
[Ref: 53364]   £140.00   (£168.00 incl.VAT)
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Bonaparte's Carriage.
Bonaparte's Carriage.
[No. 2 of Ackermann's Repository of Arts &c. Pub. Feby. 1 1816.]
Coloured etching with aquatint. Sheet 135 x 215mm. (5¼ x 8½"). Trimmed into image at top, and losing publication line at bottom.
Napoleon Bonaparte's near-capture after the Battle of Waterloo; the French Emperor rides away from the Prussian troops that have captured his carriage. The Prussian field marshal Gebhard Leberecht von Blucher, quoted below the image, presented the carriage to the Prince Regent, who subsequently sold it to William Bullock, who made it the centrepiece of a Napoleon exhibition at his Egyptian Hall, Piccadilly. In 1842 it was sold to Madame Tussaud, who displayed for 80 years before it was completely destroyed in a fire. Numbered 'Pl. 9, Vol. I', for Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. The formal title of the publication was "Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics", and it discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature.
[Ref: 55741]   £50.00   (£60.00 incl.VAT)
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Flight of Buonaparte from the Field of Waterloo accompanied by his Guide.
Flight of Buonaparte from the Field of Waterloo accompanied by his Guide.
Drawn & Etch'd by G. Cruikshank. Rouse sculp.
Pub.d by H. Colburn, Conduit Street, London, 1816.
Rare coloured aquatint. 250 x 315mm (9¾ x 12½"). Trimmed to plate on right, chip entering plate on left, stains.
Napoleon Bonaparte on horseback with two guards and a guide.
[Ref: 55800]   £120.00   (£144.00 incl.VAT)
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The Terror & flight of Buonaparte after the Battle of Waterloo, leaving his hat & Sword in his Carriage.
The Terror & flight of Buonaparte after the Battle of Waterloo, leaving his hat & Sword in his Carriage.
London, Published by Thomas Kelly, Paternoster row, Feb. 29 ~ 1816.
Engraving. 210 x 275mm (8¼ x 10¾"). Trimmed. Nicks to edges.
Napoleon galloping his horse, looking over his shoulder at the chasing troops.
[Ref: 55839]   £50.00   (£60.00 incl.VAT)
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Battle of Waterloo.
Battle of Waterloo. Bonaparte in his Retreat, Passing La Belle Alliance, After having witnessed the flight of his Imperial Guard, and the British in pursuit from the opposite height.
Drawn by Capt.n Geo. Jones, & Engraved by Mr S. Mitan for Kelly's Battle of Waterloo.
London, Pub. by Thomas Kelly, No. 53 Paternoster Row, March 15, 1817.
Engraving. Sheet 210 x 275mm (8¼ x 10¾"). Trimmed.
Napoleon galloping his horse, gesturing behind. From Christopher Kelly's 'The Memorable Battle of Waterloo'.
[Ref: 55840]   £50.00   (£60.00 incl.VAT)
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Bonaparte's Observatory.
Bonaparte's Observatory. To view the Battle of Waterloo, June 18-1815.
London Published by Thomas Kelly Paternoster Row. Oct. 14-1815.
Coloured engraving, watermark 1814; 245 x 195mm (9½ x 7¾"). Trimmed with partial loss of the publication line; laid onto album sheet at sides.
A figure, pressumably Napoleon, looking through a telescope with two escorts atop the viewing platform of a trestle tower.
[Ref: 55848]   £65.00   (£78.00 incl.VAT)
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Bonaparte's Observatory.
Bonaparte's Observatory. To view the Battle of Waterloo, June 18-1815.
London Published by Thomas Kelly Paternoster Row. [Oct. 14-1815].
Engraving. 245 x 195mm (9½ x 7¾"). Spotting and some foxing near the lower margin, creasing. A couple of nicks in the bottom edge.
A figure, presumably Napoleon, looking through a telescope with two escorts atop the viewing platform of a trestle tower.
[Ref: 55851]   £30.00   (£36.00 incl.VAT)
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Napoleon at Waterloo.
Napoleon at Waterloo.
[n.d., c.1840.]
Coloured lithograph, sheet 150 x 125mm (6 x 5"). Time stained.
Napoleon sits on his horse Marengo at the Battle of Waterloo amongst a foggy backdrop of cannon fire and fighting, mill in distance.
[Ref: 55856]   £65.00   (£78.00 incl.VAT)
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[Waterloo] Napoleon at his Advanced Position, Viewing the entre of the Prussians;
[Waterloo] Napoleon at his Advanced Position, Viewing the entre of the Prussians; With La Coste & Marshal Bertrand to his Right.
Engraved by Tho.s Crabb from a Drawing by G.M. Brighty.
London, Published by Tho.s Crane Court, West Street, 1816.
Aquatint, printed in colours and hand finished. Sheet 180 x 90mm (7 x 3½"). Trimmed into image on three sides, mounted in album paper, stain in sky.
Napoleon uses a telescope to watch the arrival of the Prussian army onto the field of Waterloo, the turning point of the battle.
[Ref: 55897]   £75.00   (£90.00 incl.VAT)
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The Total Defeat & Flight of the French Army (at the Battle of Waterloo) Commanded by Napol.n Bounaparte: June 18, 1815.
The Total Defeat & Flight of the French Army (at the Battle of Waterloo) Commanded by Napol.n Bounaparte: June 18, 1815.
[after George Cuikshank.]
Publish'd June 4. 1816 by Whittle & Laurie, 53, Fleet Street, London.
Scarce coloured etching. 275 x 440mm (10¾ x 17¼"). Several tears repaired.
The aftermath of Waterloo, with Napoleon Bonaparte galloping towards his carriage, which is waiting for him under his watchtower.
[Ref: 60805]   £360.00  
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[Bound reprint of The Times newspaper,  June 22nd 1815, with reports of the Battle of Waterloo.]
[Bound reprint of The Times newspaper, June 22nd 1815, with reports of the Battle of Waterloo.]
[n.d., 1915?]
4to, 450 x 300mm (17¾ x 12"), blue cloth gilt; pp.(iv), letterpress. . Folds, tears and surface dirt, bottom edge reinforced with brown tape, binding worn.
A centenary(?) facsimile of The Times newspaper printed five days after the Battle of Waterloo, containing the first reports, including a list of casualties. The original was larger and had five columns; the list of casualties was published on the 23rd June.
https://guides.loc.gov/noteworthy-newspaper-issues/london-times
[Ref: 62559]   £150.00   view all images for this item
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A Sketch of the Operations of the Campaign in the Netherlands. June 1815.
A Sketch of the Operations of the Campaign in the Netherlands. June 1815.
[n.d., c.1816.]
Coloured engraving. Sheet 305 x 205mm (12 x 8"). Trimmed to printed border and mounted in album paper. Some offset.
A map of the approaches to Brussels, showing the French advance and the array of the British defences.
[Ref: 37310]   £160.00  
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The Battle at Waterloo.
The Battle at Waterloo.
[After Baron Charles Steuben.]
[n.d., c.1845.]
Very rare lithograph. Printed area: 405 x 545mm (16 x 21½").
A dramatic scene at the Battle of Waterloo, with Napoleon on horseback in the centre, facing left, looking grimly at his struggling soldiers who fall on all sides, with one running up from the left, waving his hat behind him as he speaks urgently to the Emperor. The French standards are flying behind them. A Scottish officer watches the scene with a thoughtful expression in the extreme left. After German painter Baron Charles Guillaume Henri Auguste François Louis Steuben (1788 - 1856).
[Ref: 36154]   £360.00  
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Bonaparte's Carriage.
Bonaparte's Carriage.
No.2 of Ackermann's Repository of Arts &c. Pub. Feby. 1 1816.
Hand coloured etching with aquatint. Sheet: 145 x 235mm (5¾ x 9¼''). Repaired tear in bottom edge.
A scene showing Napoleon Bonaparte's near-capture after the Battle of Waterloo; the French Emperor rides away from the Prussian troops that have captured his carriage. The Prussian field marshal Gebhard Leberecht von Blucher, quoted below the image, presented the carriage to the Prince Regent, who subsequently sold it to William Bullock, who made it the centrepiece of a Napoleon exhibition at his Egyptian Hall, Piccadilly. In 1842 it was sold to Madame Tussaud, who displayed for 80 years before it was completely destroyed in a fire. Numbered 'Pl. 9, Vol. I', for Rudolph Ackermann's 'Repository of Arts' periodical, published from 1809-1829. The formal title of the publication was "Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics", and it discussed and illustrated day to day life, and influenced English taste in fashion, architecture and literature.
[Ref: 49056]   £60.00   (£72.00 incl.VAT)
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Waterloo.
Waterloo. [Conveying the French Cannon from the Field of Battle, on the 24th July, 1815.] From a Drawing made on the Spot, July 24th, 1815.
Publish'd by R. Bowyer, Pall Mall, 1816.
Coloured aquatint. Plate: 400 x 300mm (15¾ x 11¾").
An illustration from Bowyer's 'Campaign of Waterloo', a sequel to his 'Illustrated Record of Important Events in the Annals of Europe', which had ended after the first abdication of Napoelon Bonaparte in April 1814.
Abbey Life: 354.
[Ref: 42634]   £140.00   (£168.00 incl.VAT)
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A Plan of the Glorious Battle of Waterloo,
A Plan of the Glorious Battle of Waterloo, Fought on Sunday, June 18th, 1815; Between the Allied Armies, under the command of His Grace the Duke of Wellington, and of Prince Blucher; and the French Army under the command of Napoleon Buonaparte.
Davies sculp.t Compton Street: Brunsw.k Square.
Published by R. Bowyer, Pall Mall, 1816.
Engraved map. 350 x 290mm (13¾ x 7½"). Central horizontal crease where previously folded. Slightly time stained.
The map from Bowyer's 'Campaign of Waterloo', a sequel to his 'Illustrated Record of Important Events in the Annals of Europe', the narrative of which had ended after the first abdication of Napoleon Bonaparte in April 1814.
[Ref: 39356]   £220.00  
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The Battle of Waterloo.
The Battle of Waterloo. To the Prince Regent this Plate is with His Most Gracious Permission Humbly Dedicated by His Royal Highnesses Obliged Devoted & Faithful Servants T. Clay and R. Lambe. [&] To Field Marshal H.R.H. the Duke of York this Plate is with Permission most Humbly Dedicated by His Royal Highness's Obliged Devoted & Faithful Servants R. Lambe and T. Clay.
Alexander Sauerweid Pinx.t. John W. Cook [& H.R. Cook], Sculpt.
London: Pub.d Mar. 1. [& June 18th.] 1819, by R. Lambe, 96, Gracechurch Street and T. Clay, 18, Ludgate Hill.
Pair of mixed method engravings with small margins. 550 x 820mm (21½ x 32¼"). Some wear to edges. Repairs & damaged. Sky scuffed.
Pair of large rare scenes from the Battle of Waterloo. The first scene is focused on the Duke of Wellington, shown on horseback with a telescope in his right hand, having given the order for the advance of the British troops. The second shows the charge of the British heavy cavalry led by General Henry Paget (1768-1854), Earl of Uxbridge, against Comte d'Erlon's column, which checked the French advance. One of the last cannonballs shot that day hit Paget's right leg necessitating its amputation. He was created Marquess of Anglesey the following month. Alexander Sauerweid (1782 - 1844) was a Baltic German painter who specialised in battle scenes and horses. He studied in Dresden and received commissions of horse portraits from Napoleon before moving to St Petersburg to paint official portraits of Russian troops and their uniforms for Alexander I. He also instructed the sons of Nocholas I in drawing. In 1831 he bcame a director of the St Petersburg Academy.
[Ref: 36757]   £950.00   view all images for this item
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The Battle of Waterloo.
The Battle of Waterloo.
Painted by J.A. Atkinson. The Portraits by A.W. Dervis. Drawn & Engraved by John Burnet.
London, J. Hagger, 67 Paternoster Row. [n.d., c.1850.]
Etching and engraving. Sheet 510 x 690mm (20 x 37¼"). Trimmed to plate.
The Duke of Wellington, mounted, hat in hand, the battle being fought across the fields behind. To the right Highlander foot soldiers fight French cavalry. A re-engraved plate, first published 1819.
[Ref: 36761]   £360.00  
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[Steam cranes, Waterloo Bridge]
[Steam cranes, Waterloo Bridge]
H. Macbeth-Raeburn Sct.
[n.d., c.1910]
Signed etching with very large margins, platemark 200 x 300mm (8 x 11¾").
Industrial scene on the south bank of the river Thames, with steam cranes on scaffolding hoisting pails, surrounded by boats to let. By Henry Macbeth Raeburn (1860-1947), portrait painter and printmaker active in London, who exhibited at the RA 1881-1904. 'A good etcher' (Guichard).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36796]   £260.00   (£312.00 incl.VAT)
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Key to the Battle of Waterloo, by Lieut. Read.
Key to the Battle of Waterloo, by Lieut. Read.
G.W. Ginger, College Street, Westminster.
[n.d., watermarked 1836.]
Etching with letterpress. Sheet 450 x 560mm (17¾ x 22"). Watermarked 'Sweetapple 1836', Wear to edges.
Keyplate to the aquatint drawn and etched by William Heath after Lieut. R.P. Read, first published by Reeve in 1816. This keyplate is for a later issue as the letterpress 'Summary Account of that Decisive Victory' has been updated to include Napoleon's death on St Helena in 1821.
Ex: collection of the Hon. Christopher Lennox-Boyd.
[Ref: 36969]   £360.00  
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[Keyplate to the Battle of Waterloo, by William Heath.]
[Keyplate to the Battle of Waterloo, by William Heath.]
[n.d., c.1880.]
Wood engraving. Printed area 120 x 360mm (4¾ x 14¼").
Keyplate to the aquatint by Fry & Sutherland after William Heath, first published by Reeve in 1817. It names Wellington, Clinton, and Anglesea, with Napoleon Bonaparte in the background.
Ex: collection of the Hon. Christopher Lennox-Boyd.
[Ref: 36971]   £85.00   (£102.00 incl.VAT)
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