A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[India] Francis Warden Esq. Late East India Director, and Formerly Cheif Secretary at Bombay.](jpegs/66111.jpg)
[India] Francis Warden Esq. Late East India Director, and Formerly Cheif Secretary at Bombay. Engraved by Will.m Walker from a Picture by J. Hayes.
London 1st February 1851, Published by Mr. Walker, 64, Margaret St. Cavendish Square. Private Plate.
Proof mezzotint. 430 x 320mm (17 x 12½"), with very large margins.
A three-quarter portrait of Francis Warden (1775-1853), seated in an office, holding a letter, books behind. While working for the Bombay Presidency, Warden was an advocate of introducing modern education methods to India and reforming the judiciary. He was also the proprietor of two newspapers, the Bombay Courier and the Bombay Gazette.
O'D 402.
[Ref: 66111] £360.00
London 1st February 1851, Published by Mr. Walker, 64, Margaret St. Cavendish Square. Private Plate.
Proof mezzotint. 430 x 320mm (17 x 12½"), with very large margins.
A three-quarter portrait of Francis Warden (1775-1853), seated in an office, holding a letter, books behind. While working for the Bombay Presidency, Warden was an advocate of introducing modern education methods to India and reforming the judiciary. He was also the proprietor of two newspapers, the Bombay Courier and the Bombay Gazette.
O'D 402.
[Ref: 66111] £360.00
Francis Warden Esq. Late East India Director, and Formerly Cheif Secretary at Bombay. Engraved by Will.m Walker from a Picture by J. Hayes. Private Plate.
London 1st February 1851, Published by Mr. Walker, 64, Margaret St. Cavendish Square. Private Plate.
Mezzotint. 430 x 320mm (17 x 12½"). Trimmed into plate.
A three-quarter portrait of Francis Warden (1775-1853), seated in an office, holding a letter, books behind. While working for the Bombay Presidency, Warden was an advocate of introducing modern education methods to India and reforming the judiciary. He was also the proprietor of two newspapers, the Bombay Courier and the Bombay Gazette.
O'D 402. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66109] £180.00 (£216.00 incl.VAT)
London 1st February 1851, Published by Mr. Walker, 64, Margaret St. Cavendish Square. Private Plate.
Mezzotint. 430 x 320mm (17 x 12½"). Trimmed into plate.
A three-quarter portrait of Francis Warden (1775-1853), seated in an office, holding a letter, books behind. While working for the Bombay Presidency, Warden was an advocate of introducing modern education methods to India and reforming the judiciary. He was also the proprietor of two newspapers, the Bombay Courier and the Bombay Gazette.
O'D 402. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66109] £180.00 (£216.00 incl.VAT)
![[Wardmote Inquest.]](jpegs/44614.jpg)
[Wardmote Inquest.]
[W.H. Pyne.]
Published by William Miller, Albermarle Street, Jan.y. 1. 1805.
Hand-coloured aquatint, with letterpress sheet. Sheet: 250 x 365mm (9¾ x 14½"). Staining on right edge, staple in top right corner.
A plate from 'Costume of Great Britain' showing a member of the Wardmote Inquest in his uniform supervising the weighing of some items. Weights & measures officer.
[Ref: 44614] £130.00 (£156.00 incl.VAT)
[W.H. Pyne.]
Published by William Miller, Albermarle Street, Jan.y. 1. 1805.
Hand-coloured aquatint, with letterpress sheet. Sheet: 250 x 365mm (9¾ x 14½"). Staining on right edge, staple in top right corner.
A plate from 'Costume of Great Britain' showing a member of the Wardmote Inquest in his uniform supervising the weighing of some items. Weights & measures officer.
[Ref: 44614] £130.00 (£156.00 incl.VAT)
Ware Church.
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"), pt Whatman watermarked paper, large margins.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59187] £120.00 (£144.00 incl.VAT)
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"), pt Whatman watermarked paper, large margins.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59187] £120.00 (£144.00 incl.VAT)
Ware-Priory.
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"), large margins. Spotting in title area.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59186] £130.00 (£156.00 incl.VAT)
Drawn by R.M. Batty. Engrav'd by F. Jukes.
London Pub.d Jan.y 1793 by F. Jukes, No. 16 Howland Street.
Rare aquatint. 200 x 265mm (8 x 10½"), large margins. Spotting in title area.
R.M. Batty and Francis Jukes produced a series of aquatint views of Hertfordshire.
Not in Abbey Scenery.
[Ref: 59186] £130.00 (£156.00 incl.VAT)
James Ware Esq.r F.R.S. &c.
Engraved by Ridley from a Picture by Mather Brown.
[Pub. by J. Asperne, 32, Cornhill, 1, March, 1804.]
Stipple. 135 x 105mm (5¼ x 4¼"). Trimmed inside platemark. Laid on scrap paper.
An illustration from the 'New European Magazine'. A portrait in an oval of oculist James Ware (1756-1815), half-length, standing to right, wearing spectacles, a dark double-breadted coat fastened with three buttons, and a white neckerchief. Ware was an English eye surgeon, and Fellow of the Royal Society, who practiced in London during the Georgian era. He is considered one of the founding fathers of modern ophthalmology in Britain.
Wellcome: 3112
[Ref: 34449] £65.00 (£78.00 incl.VAT)
Engraved by Ridley from a Picture by Mather Brown.
[Pub. by J. Asperne, 32, Cornhill, 1, March, 1804.]
Stipple. 135 x 105mm (5¼ x 4¼"). Trimmed inside platemark. Laid on scrap paper.
An illustration from the 'New European Magazine'. A portrait in an oval of oculist James Ware (1756-1815), half-length, standing to right, wearing spectacles, a dark double-breadted coat fastened with three buttons, and a white neckerchief. Ware was an English eye surgeon, and Fellow of the Royal Society, who practiced in London during the Georgian era. He is considered one of the founding fathers of modern ophthalmology in Britain.
Wellcome: 3112
[Ref: 34449] £65.00 (£78.00 incl.VAT)
![Warfield Church. [No.23]](jpegs/67312.jpg)
Warfield Church. [No.23]
Drawn & Engraved by Chas. Tomkins.
[London: Printed by J. Whiting, Finsbury Place, For J. Manson, Gerrard Street, Soho; and sold by Messrs. White, Fleet Street; T. Payne, Mews Gate; Greenland and Norris, Finsbury Square; H.D. Symonds, Paternoster Row; by the principal Booksellers in Berkshire and the adjoining Counties 1805.]
Coloured aquatint. Sheet 300 x 210mm (11¾ x 8¼").
St Michael's Church, Warfield, Berkshire. Boys playing cricket in the paddock beside the church, an early cricket image.
Abbey: 292: 23.
[Ref: 67312] £180.00 (£216.00 incl.VAT)
Drawn & Engraved by Chas. Tomkins.
[London: Printed by J. Whiting, Finsbury Place, For J. Manson, Gerrard Street, Soho; and sold by Messrs. White, Fleet Street; T. Payne, Mews Gate; Greenland and Norris, Finsbury Square; H.D. Symonds, Paternoster Row; by the principal Booksellers in Berkshire and the adjoining Counties 1805.]
Coloured aquatint. Sheet 300 x 210mm (11¾ x 8¼").
St Michael's Church, Warfield, Berkshire. Boys playing cricket in the paddock beside the church, an early cricket image.
Abbey: 292: 23.
[Ref: 67312] £180.00 (£216.00 incl.VAT)
![[Warfield Park] A View of the Gardens of Tho.s Hart Esq.r from the India House at Warfield, Berkshire.](jpegs/58512.jpg)
[Warfield Park] A View of the Gardens of Tho.s Hart Esq.r from the India House at Warfield, Berkshire.
J. Harris Pinx.t. J. Wood Sculp.t.
Published 10th Jan.y 1753 by J. Harris.
Scarce engraving, fine impression. Sheet 390 x 560mm (15¼ x 22"). Trimmed within plate. Slight creasing on right.
A view of a landscaped estate, a 'Grecian temple' folly on a hill, with a couple being rowed in a canopied boat.
[Ref: 58512] £320.00
J. Harris Pinx.t. J. Wood Sculp.t.
Published 10th Jan.y 1753 by J. Harris.
Scarce engraving, fine impression. Sheet 390 x 560mm (15¼ x 22"). Trimmed within plate. Slight creasing on right.
A view of a landscaped estate, a 'Grecian temple' folly on a hill, with a couple being rowed in a canopied boat.
[Ref: 58512] £320.00
Edwardus Waring, M.D, F.R.S. Olim Matheseos Professor Lucasianus apud Cantabrigienses; et Colegii Sanctæ Mariæ, Magdalenæ Socius.
Drawn by T.s Kerrich. Engraved by Facius.
[n.d., c.1794.]
Stipple. 320 x 230mm (12½ x 9"). Thread margin on left.
Head and shoulders portrait of Edward Waring (c. 1736-98), Lucasian professor of mathematics, one of the highest positions in Cambridge.
W 3113.
[Ref: 64368] £220.00 (£264.00 incl.VAT)
Drawn by T.s Kerrich. Engraved by Facius.
[n.d., c.1794.]
Stipple. 320 x 230mm (12½ x 9"). Thread margin on left.
Head and shoulders portrait of Edward Waring (c. 1736-98), Lucasian professor of mathematics, one of the highest positions in Cambridge.
W 3113.
[Ref: 64368] £220.00 (£264.00 incl.VAT)
![[Warkworth Hermitage]](jpegs/14110.jpg)
[Warkworth Hermitage]
Drawn by T. Girtin Engrav'd by T. Powell Pupil to the late Mr. B.T. Pouney 1801
London, Published July 4. 1801, by S.W. Reynolds, No. 47, Poland Street, Oxford Street.
Very scarce copper engraving, printed area 450 x 565mm ( 17¾ x 22¼"). Some repairs.
The late medieval hermitage at Warkworth, hewn from deep rock above the River Coquet, as celebrated in Bishop Percy's ballad 'The Hermit of Warkworth'. Engraved after a watercolour by Thomas Girtin (now in the Victoria & Albert Museum).
Greg Smith, 'Thomas Girtin: The Art of Watercolour' (catalogue for 2002 Girtin exhibition at Tate Britain)
[Ref: 14110] £380.00
Drawn by T. Girtin Engrav'd by T. Powell Pupil to the late Mr. B.T. Pouney 1801
London, Published July 4. 1801, by S.W. Reynolds, No. 47, Poland Street, Oxford Street.
Very scarce copper engraving, printed area 450 x 565mm ( 17¾ x 22¼"). Some repairs.
The late medieval hermitage at Warkworth, hewn from deep rock above the River Coquet, as celebrated in Bishop Percy's ballad 'The Hermit of Warkworth'. Engraved after a watercolour by Thomas Girtin (now in the Victoria & Albert Museum).
Greg Smith, 'Thomas Girtin: The Art of Watercolour' (catalogue for 2002 Girtin exhibition at Tate Britain)
[Ref: 14110] £380.00
Warley Ho!
M.r Bunbury del.
J.s Bretherton. f. 23.d Jan.y 1782.
Partially hand-coloured etching, the faces and hands are in colour, 280 x 400mm (11 x 15¾"). On 18th century watermarked paper. Thread margins top and bottom. Small repaired tear at bottom.
A satire on middle-class horsemanship: an ungainly couple ride shabby horses toward the military camp at Warley Heath, Essex; the woman’s mount is urinating while the man struggles to rein in his horse as it lunges forward.
[Ref: 67366] £260.00 (£312.00 incl.VAT)
M.r Bunbury del.
J.s Bretherton. f. 23.d Jan.y 1782.
Partially hand-coloured etching, the faces and hands are in colour, 280 x 400mm (11 x 15¾"). On 18th century watermarked paper. Thread margins top and bottom. Small repaired tear at bottom.
A satire on middle-class horsemanship: an ungainly couple ride shabby horses toward the military camp at Warley Heath, Essex; the woman’s mount is urinating while the man struggles to rein in his horse as it lunges forward.
[Ref: 67366] £260.00 (£312.00 incl.VAT)
Rules for a Warm Weather Ball or Salutary Conduct for Corpulent Dancers.
Argus del. [Charles Williams.]
Handcoloured etching. J. Whatman watermarked paper 1818. Plate: 350 x 250mm (13¾ x 10). Tears in edges. Some staining and creases.
A scene in a ballroom in which a large woman, fanning herself, converses with a man about the heat. Around them figures dance and dine while musicians play in a gallery.
BM Satire 10664.
[Ref: 38766] £140.00 (£168.00 incl.VAT)
Argus del. [Charles Williams.]
Handcoloured etching. J. Whatman watermarked paper 1818. Plate: 350 x 250mm (13¾ x 10). Tears in edges. Some staining and creases.
A scene in a ballroom in which a large woman, fanning herself, converses with a man about the heat. Around them figures dance and dine while musicians play in a gallery.
BM Satire 10664.
[Ref: 38766] £140.00 (£168.00 incl.VAT)
Mr. P.F. Warner.
A.Chevallier Tayler. 1905.
Spottiswode & Co. Ltd. Lith. London.
Chormolithograph. 255 x 380mm. Top left corner torn away.
Pelham Francis Warner, 'Plum' [1873-1963] the Grand Old Man of English cricket, touring New Zealand, Australia, and Sout Africa and was Captain of Middlesex by 1908. ACT:Born in Leytonstone, Essex, in 1862 to a legal family, Albert Chevallier Tayler won a scholarship to the Slade School when he was 17. He prints date from the same period as his commissioned by Kent County Cricket Club to paint what has now become his most famous painting of 'Kent Vs. Lancashire'. In his career he exhibited 49 paintings in total at the Academy, and he was also the Honorary Secretary of the Royal British Colonial Society of Artists. Albert Chevallier Tayler died in 1928.
[Ref: 1265] £80.00 (£96.00 incl.VAT)
A.Chevallier Tayler. 1905.
Spottiswode & Co. Ltd. Lith. London.
Chormolithograph. 255 x 380mm. Top left corner torn away.
Pelham Francis Warner, 'Plum' [1873-1963] the Grand Old Man of English cricket, touring New Zealand, Australia, and Sout Africa and was Captain of Middlesex by 1908. ACT:Born in Leytonstone, Essex, in 1862 to a legal family, Albert Chevallier Tayler won a scholarship to the Slade School when he was 17. He prints date from the same period as his commissioned by Kent County Cricket Club to paint what has now become his most famous painting of 'Kent Vs. Lancashire'. In his career he exhibited 49 paintings in total at the Academy, and he was also the Honorary Secretary of the Royal British Colonial Society of Artists. Albert Chevallier Tayler died in 1928.
[Ref: 1265] £80.00 (£96.00 incl.VAT)
![[The Warning.]](jpegs/61527.jpg)
[The Warning.]
Heywood Hardy pinx.t [ink signature]. E.G.Hester [pencil signature.]
[Published 1891 by I.P.Mendoza, St.James Gallery, London.]
Photogravure proof on india signed by the artist and engraver, with etched remarque, ltd to 225 impressions. India 350 x 470mm (13¾ x 18½), with very large margins. Margins time stained.
The Warning also known as Half Afraid / Don't Fear. Three girls in late Victorian dress are on a lawn, one on the right coaxing a smaller child to feed a dog a biscuit while the third stands to the left of the dog with her arms around its neck. There are roses at their feet, a rose bush behind them, and dense foliage in the background.
[Ref: 61527] £320.00
Heywood Hardy pinx.t [ink signature]. E.G.Hester [pencil signature.]
[Published 1891 by I.P.Mendoza, St.James Gallery, London.]
Photogravure proof on india signed by the artist and engraver, with etched remarque, ltd to 225 impressions. India 350 x 470mm (13¾ x 18½), with very large margins. Margins time stained.
The Warning also known as Half Afraid / Don't Fear. Three girls in late Victorian dress are on a lawn, one on the right coaxing a smaller child to feed a dog a biscuit while the third stands to the left of the dog with her arms around its neck. There are roses at their feet, a rose bush behind them, and dense foliage in the background.
[Ref: 61527] £320.00
![[Anne Warren.]](jpegs/21925.jpg)
[Anne Warren.]
Painted by G. Romney. Engraved by C. Hodges.
[n.d. c.1790.]
A scarce mezzotint. 500 x 340mm (19¾ x 13½"), with large margins. Time stained.
Portrait of Anne Warren, who was one of two daughters to William Powell the actor and theatre manager (1735/6-1769). According to Chaloner Smith, this was the only state from a private plate and that it was never published.
CS: 32, ii; Horne: 126.
[Ref: 21925] £850.00
Painted by G. Romney. Engraved by C. Hodges.
[n.d. c.1790.]
A scarce mezzotint. 500 x 340mm (19¾ x 13½"), with large margins. Time stained.
Portrait of Anne Warren, who was one of two daughters to William Powell the actor and theatre manager (1735/6-1769). According to Chaloner Smith, this was the only state from a private plate and that it was never published.
CS: 32, ii; Horne: 126.
[Ref: 21925] £850.00
Chas. Warren Esq.r
W. Behnes, Sculptor. Engraved by S.W. Reynolds. Engraver to the King.
Pubd. June 10.th 1824 for the Proprietor by Colnaghi & Co. Cockspur Street.
Mezzotint, collector's stamp on verso, with very large margins. Plate 355 x 254mm. 14 x 10".
Portrait of Charles Warren after a sculptured bust by W. Behnes, directed towards left. Charles Warren (1762-1823) was an engraver and draughtsman; one of the first engravers to use steel.
Whitman: 290. See Lugt: 31 [Victoria & Albert Museum].
[Ref: 24416] £280.00 (£336.00 incl.VAT)
W. Behnes, Sculptor. Engraved by S.W. Reynolds. Engraver to the King.
Pubd. June 10.th 1824 for the Proprietor by Colnaghi & Co. Cockspur Street.
Mezzotint, collector's stamp on verso, with very large margins. Plate 355 x 254mm. 14 x 10".
Portrait of Charles Warren after a sculptured bust by W. Behnes, directed towards left. Charles Warren (1762-1823) was an engraver and draughtsman; one of the first engravers to use steel.
Whitman: 290. See Lugt: 31 [Victoria & Albert Museum].
[Ref: 24416] £280.00 (£336.00 incl.VAT)
Edmund Thomas Warren.
Roubiliac pinx.t. J. Jones sculp.t.
Publ.d according to Act May 8. 1778.
Mezzotint. 240 x 195mm (9½ x 7¾").
Portrait of Edmund Thomas Warren (d. 1794), a musician and first secretary of the 'Noblemen and Gentlemen's Catch Club' (founded 1761), he published an annual collection of catches and glees from 1762 to 1793, generally known as the Warren Collection. He is pointing to a book titled 'Reliques of Ancient Music', one of his collections. His library of music was sold at Leigh and Sotheby in 1797.
[Ref: 5190] £140.00 (£168.00 incl.VAT)
Roubiliac pinx.t. J. Jones sculp.t.
Publ.d according to Act May 8. 1778.
Mezzotint. 240 x 195mm (9½ x 7¾").
Portrait of Edmund Thomas Warren (d. 1794), a musician and first secretary of the 'Noblemen and Gentlemen's Catch Club' (founded 1761), he published an annual collection of catches and glees from 1762 to 1793, generally known as the Warren Collection. He is pointing to a book titled 'Reliques of Ancient Music', one of his collections. His library of music was sold at Leigh and Sotheby in 1797.
[Ref: 5190] £140.00 (£168.00 incl.VAT)
The Right Reverend John Warren, D.D. Late Lord Bishop of Bangor. Ob: Jan:ry 27:th 1800.
Painted by G: Romney. Engraved by V. Green Mezzotinto Engraver to His Majesty.
[n.d. c.
Mezzotint with collector's mark. 509 x 380mm (20 x 15"). Trimmed at bottom.
John Warren (1730-1800) was Bishop of St David's from 1779-1783, and Bishop of Bangor from 1783 until his death. Portrait after George Romney, three-quarter length, sitting, directed towards right, looking to front, wig, robes, right arm on chair, left holding cap.
Ex Collection: Earl of Bute. Horne: 127.
[Ref: 29142] £130.00 (£156.00 incl.VAT)
Painted by G: Romney. Engraved by V. Green Mezzotinto Engraver to His Majesty.
[n.d. c.
Mezzotint with collector's mark. 509 x 380mm (20 x 15"). Trimmed at bottom.
John Warren (1730-1800) was Bishop of St David's from 1779-1783, and Bishop of Bangor from 1783 until his death. Portrait after George Romney, three-quarter length, sitting, directed towards right, looking to front, wig, robes, right arm on chair, left holding cap.
Ex Collection: Earl of Bute. Horne: 127.
[Ref: 29142] £130.00 (£156.00 incl.VAT)
Sir John Borlase Warren, Bart. K.B.
Mark Oates Pinxt. Jas. Fittler sculpt. Engraver to the King.
Pub. Octr. 1. 1799, for Mark Oates, by J. & J. Boydell No. 90, Cheapside; & at the Shakespeare Gallery, Pall Mall, London.
Fine engraving. Plate 445 x 328mm. Sheet 685 x 503mm. Scuffed and some tears around the edge of the sheet.
Sir John Borlase Warren, 1st Baronet (2 September 1753 - 27 February 1822), was an English admiral, politician and diplomat. He entered Emmanuel College, Cambridge in 1769, but in 1771 entered the Royal Navy as an able seaman; in 1774 he became member of Parliament for Great Marlow; and in 1775 he was created a baronet. His career as a seaman really began in 1777, and two years later he obtained command of a ship. In April 1794, as Commodore of the frigate squadron off the north west French coast assisting in the blockade of Brest, Warren and his squadron captured a number of French frigates. In 1795 he commanded one of the two squadrons carrying troops for the Quiberon expedition and in 1796 his frigate squadron off Brest is said to have captured or destroyed 220 vessels. In October 1798 a French fleet, carrying 5000 men, sailed from Brest intending to invade Ireland. The plan was frustrated in no small part due to the squadron under his command. In 1802 he was sworn of the Privy Council and sent to St. Petersburg as ambassador extraordinary, but he did not forsake the sea, and in 1806 he captured a large French warship, the Marengo at the Action of 13 March 1806. He became an Admiral in 1810, and was commander-in-chief on the North American Station in 1813-1814. He died on 27 February 1822.
Parker: 1102. In the NMM.
[Ref: 12632] £230.00 (£276.00 incl.VAT)
Mark Oates Pinxt. Jas. Fittler sculpt. Engraver to the King.
Pub. Octr. 1. 1799, for Mark Oates, by J. & J. Boydell No. 90, Cheapside; & at the Shakespeare Gallery, Pall Mall, London.
Fine engraving. Plate 445 x 328mm. Sheet 685 x 503mm. Scuffed and some tears around the edge of the sheet.
Sir John Borlase Warren, 1st Baronet (2 September 1753 - 27 February 1822), was an English admiral, politician and diplomat. He entered Emmanuel College, Cambridge in 1769, but in 1771 entered the Royal Navy as an able seaman; in 1774 he became member of Parliament for Great Marlow; and in 1775 he was created a baronet. His career as a seaman really began in 1777, and two years later he obtained command of a ship. In April 1794, as Commodore of the frigate squadron off the north west French coast assisting in the blockade of Brest, Warren and his squadron captured a number of French frigates. In 1795 he commanded one of the two squadrons carrying troops for the Quiberon expedition and in 1796 his frigate squadron off Brest is said to have captured or destroyed 220 vessels. In October 1798 a French fleet, carrying 5000 men, sailed from Brest intending to invade Ireland. The plan was frustrated in no small part due to the squadron under his command. In 1802 he was sworn of the Privy Council and sent to St. Petersburg as ambassador extraordinary, but he did not forsake the sea, and in 1806 he captured a large French warship, the Marengo at the Action of 13 March 1806. He became an Admiral in 1810, and was commander-in-chief on the North American Station in 1813-1814. He died on 27 February 1822.
Parker: 1102. In the NMM.
[Ref: 12632] £230.00 (£276.00 incl.VAT)
Pelham Warren. MD: F.R.S.
Painted & Engraved by John Linnell, 1835.
London Published Novr. 10, 1836 by J.Linnell Porchester Terrace Bayswater.
Fine mezzotint. 485 x 370mm (19 x 14½"), with large margins.
Portrait of Pelham Warren (1778-1835), English physician. He started a medical practice in London immediately after he had taken his first degree in medicine, and on 6 April 1803 was elected physician to St. George's Hospital, a post which he resigned in April 1816. His patients included Elizabeth Lamb, Viscountess Melbourne and George William Lefevre. John Linnell (1792 - 1882) was one of the most highly regarded and successful artists of his day and formed an impressive network of connections through being very versatile and able to work in a number of mediums. He was William Blake's last patron and his daughter, Hannah, married Samuel Palmer.
W 3115. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65886] £260.00 (£312.00 incl.VAT)
Painted & Engraved by John Linnell, 1835.
London Published Novr. 10, 1836 by J.Linnell Porchester Terrace Bayswater.
Fine mezzotint. 485 x 370mm (19 x 14½"), with large margins.
Portrait of Pelham Warren (1778-1835), English physician. He started a medical practice in London immediately after he had taken his first degree in medicine, and on 6 April 1803 was elected physician to St. George's Hospital, a post which he resigned in April 1816. His patients included Elizabeth Lamb, Viscountess Melbourne and George William Lefevre. John Linnell (1792 - 1882) was one of the most highly regarded and successful artists of his day and formed an impressive network of connections through being very versatile and able to work in a number of mediums. He was William Blake's last patron and his daughter, Hannah, married Samuel Palmer.
W 3115. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65886] £260.00 (£312.00 incl.VAT)
![[Pelham Warren.]](jpegs/65887.jpg)
[Pelham Warren.] [MD: F.R.S.]
[Painted & Engraved by John Linnell, 1835.]
[London Published Novr. 10, 1836 by J.Linnell Porchester Terrace Bayswater.]
Mezzotint, unfinished proof, 485 x 370mm (19 x 14½"), large margins.
Portrait of Pelham Warren (1778-1835), English physician. He started a medical practice in London immediately after he had taken his first degree in medicine, and on 6 April 1803 was elected physician to St. George's Hospital, a post which he resigned in April 1816. His patients included Elizabeth Lamb, Viscountess Melbourne and George William Lefevre. John Linnell (1792 - 1882) was one of the most highly regarded and successful artists of his day and formed an impressive network of connections through being very versatile and able to work in a number of mediums. He was William Blake's last patron and his daughter, Hannah, married Samuel Palmer.
W 3115.
[Ref: 65887] £350.00
[Painted & Engraved by John Linnell, 1835.]
[London Published Novr. 10, 1836 by J.Linnell Porchester Terrace Bayswater.]
Mezzotint, unfinished proof, 485 x 370mm (19 x 14½"), large margins.
Portrait of Pelham Warren (1778-1835), English physician. He started a medical practice in London immediately after he had taken his first degree in medicine, and on 6 April 1803 was elected physician to St. George's Hospital, a post which he resigned in April 1816. His patients included Elizabeth Lamb, Viscountess Melbourne and George William Lefevre. John Linnell (1792 - 1882) was one of the most highly regarded and successful artists of his day and formed an impressive network of connections through being very versatile and able to work in a number of mediums. He was William Blake's last patron and his daughter, Hannah, married Samuel Palmer.
W 3115.
[Ref: 65887] £350.00
![[William Warren] W. Warren, LLD.](jpegs/66417.jpg)
[William Warren] W. Warren, LLD. Filius S. Warren. Aul. Trin: Cantab: Socius nuper Vicarij de Ashford in Com: Catij.
Heins P. 1728. W. Robins Mezzotint 1731.
Rare mezzotint. Sheet 300 x 210mm (11¾ x 8¼"). Trimmed to plate.
A half-length portrait in oval of William Warren (1682-1745), wearing dark robes, bands and a chin-length white wig. He was president of Trinity Hall, Cambridge, vicar of Ashford and a keen antiquary.
CS 11. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66417] £160.00 (£192.00 incl.VAT)
Heins P. 1728. W. Robins Mezzotint 1731.
Rare mezzotint. Sheet 300 x 210mm (11¾ x 8¼"). Trimmed to plate.
A half-length portrait in oval of William Warren (1682-1745), wearing dark robes, bands and a chin-length white wig. He was president of Trinity Hall, Cambridge, vicar of Ashford and a keen antiquary.
CS 11. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66417] £160.00 (£192.00 incl.VAT)
![[Warrens Jet Blacking] With Warrens, 30, Strand, the Boot so bright / The Cat alarm'd prepares her shade to fight.](jpegs/58840.jpg)
[Warrens Jet Blacking] With Warrens, 30, Strand, the Boot so bright / The Cat alarm'd prepares her shade to fight. Presented to his Musical Friends by Robert Warren. Air The King God Bless him.
[n.d., c.1825.]
Engraved music sheet, printed on both sides. 280 x 205mm (11 x 8"). Loss of print lower left, taped over plate on reverse. Damaged.
An early advertising jingle, with a vignette of a cat taking fright from its own reflection in the back of a highly-polished boot. Rare Dickens item. There were two rival firms in London called 'Warren’s Blacking', formed by two brothers who had fallen out, Jonathan & Thomas. This music sheet was published by Thomas's son, Robert. Jonathan's rival firm is best known for employing a 12-year-old Charles Dickens while his father was in debtor's prison in 1824. He earned six shillings a week pasting labels on pots of boot blacking, in a building near Hungerford stairs, infested with rats.
[Ref: 58840] £260.00 (£312.00 incl.VAT)
[n.d., c.1825.]
Engraved music sheet, printed on both sides. 280 x 205mm (11 x 8"). Loss of print lower left, taped over plate on reverse. Damaged.
An early advertising jingle, with a vignette of a cat taking fright from its own reflection in the back of a highly-polished boot. Rare Dickens item. There were two rival firms in London called 'Warren’s Blacking', formed by two brothers who had fallen out, Jonathan & Thomas. This music sheet was published by Thomas's son, Robert. Jonathan's rival firm is best known for employing a 12-year-old Charles Dickens while his father was in debtor's prison in 1824. He earned six shillings a week pasting labels on pots of boot blacking, in a building near Hungerford stairs, infested with rats.
[Ref: 58840] £260.00 (£312.00 incl.VAT)
![[Ruined church in a field with tree and seated figure]](jpegs/36809.jpg)
[Ruined church in a field with tree and seated figure]
Lithograph, very scarce; sheet 255 x 330mm (10 x 13"). Damaged, torn. Manuscript in ink verso: 'By Mrs Arnold Warrington [?] An early lithographic sketch supposed to be in 1806'.
Interesting early lithograph combining the Romantic landscape tropes of the solitary figure, ruined church and gnarled tree.
[Ref: 36809] £130.00 (£156.00 incl.VAT)
Lithograph, very scarce; sheet 255 x 330mm (10 x 13"). Damaged, torn. Manuscript in ink verso: 'By Mrs Arnold Warrington [?] An early lithographic sketch supposed to be in 1806'.
Interesting early lithograph combining the Romantic landscape tropes of the solitary figure, ruined church and gnarled tree.
[Ref: 36809] £130.00 (£156.00 incl.VAT)
Praelium ad Warsaviam dies Tertius 20 July 1656.
Dahlbergh ad Vivum Delineavit. W. Swidde sculp[Stock] Holmiae.
[Stockholm, n.d., c.1700.]
Etching, 300 x 565mm. 11¾ x 22¼". Creases; tear to centre of image. Laid on board.
Bird's eye view of the Battle of Warsaw (with that city in the distance upper left) on July 18, 1656 – July 20, 1656, between the armies of the Polish-Lithuanian Commonwealth and of Sweden and Brandenburg. It was a major battle in the war between Poland and Sweden in the period 1655 - 1660, also known as The Deluge (part of the Northern Wars). Latin key explanations to points of interest are set into a decorative cartouche lower left. A vignette portrait of the victorious Charles X Gustav (1622 – 1660), King of Sweden above this. In the battle, a smaller Swedish-Brandenburg force gained victory over a Polish-Lithuanian force superior in numbers, though in the long term the victory achieved little. Polish-Lithuanian losses were insignificant, and even though Swedish forces were able to reoccupy Warsaw, they were forced to abandon it soon afterward. Engraved by Dutchman Willem Swidde (1660 c. - 1714) who worked in Amsterdam and Stockholm.
[Ref: 9023] £420.00
Dahlbergh ad Vivum Delineavit. W. Swidde sculp[Stock] Holmiae.
[Stockholm, n.d., c.1700.]
Etching, 300 x 565mm. 11¾ x 22¼". Creases; tear to centre of image. Laid on board.
Bird's eye view of the Battle of Warsaw (with that city in the distance upper left) on July 18, 1656 – July 20, 1656, between the armies of the Polish-Lithuanian Commonwealth and of Sweden and Brandenburg. It was a major battle in the war between Poland and Sweden in the period 1655 - 1660, also known as The Deluge (part of the Northern Wars). Latin key explanations to points of interest are set into a decorative cartouche lower left. A vignette portrait of the victorious Charles X Gustav (1622 – 1660), King of Sweden above this. In the battle, a smaller Swedish-Brandenburg force gained victory over a Polish-Lithuanian force superior in numbers, though in the long term the victory achieved little. Polish-Lithuanian losses were insignificant, and even though Swedish forces were able to reoccupy Warsaw, they were forced to abandon it soon afterward. Engraved by Dutchman Willem Swidde (1660 c. - 1714) who worked in Amsterdam and Stockholm.
[Ref: 9023] £420.00
![[Posia Boroski Bridge, Warsaw.]](jpegs/2470.jpg)
[Posia Boroski Bridge, Warsaw.]
Fred. A. Farrell [signed in pencil]
[n.d. c.1925]
Etching. 200 x 365mm.
b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.
[Ref: 2470] £140.00 (£168.00 incl.VAT)
Fred. A. Farrell [signed in pencil]
[n.d. c.1925]
Etching. 200 x 365mm.
b.1882. Scotland. Official Artist with the 51st Highlanders 1914-1918.
[Ref: 2470] £140.00 (£168.00 incl.VAT)
Grand Théâtre National à Warsovie. Terminé en 1832.
Antoine Corazzi del. Adam Pilinski sc.
[Paris, n.d., c. 1840.]
Steel engraving. Sheet 185 x 270mm, 7¼ x 10½".
The new National Theatre at Warsaw, home of the National Opera, finished 1832 and opened with a performance of Rossini's 'Barber of Seville in 1833. Bombed flat in WWII, it was rebuilt in replica and opened again in 1965. From a painting in the collection of Leonard Chodzko (1800-71), a Polish historian active in the November Uprising of 1830 and the Great Emigration that followed it.
[Ref: 21333] £80.00 (£96.00 incl.VAT)
Antoine Corazzi del. Adam Pilinski sc.
[Paris, n.d., c. 1840.]
Steel engraving. Sheet 185 x 270mm, 7¼ x 10½".
The new National Theatre at Warsaw, home of the National Opera, finished 1832 and opened with a performance of Rossini's 'Barber of Seville in 1833. Bombed flat in WWII, it was rebuilt in replica and opened again in 1965. From a painting in the collection of Leonard Chodzko (1800-71), a Polish historian active in the November Uprising of 1830 and the Great Emigration that followed it.
[Ref: 21333] £80.00 (£96.00 incl.VAT)
Église Évangélique à Warsovie. Terminé en 1781.
Zug del. Adam Pilinski sc.
[Paris, n.d., c. 1840.]
Steel engraving. Sheet 185 x 270mm, 7¼ x 10½".
The Holy Trinity Evangelical Church of the Augsburg Confession, known as Zug's Church after the architect Szymon Bogumil Zug (1733-1807). From a painting , probably by the architect, in the collection of Leonard Chodzko (1800-71), a Polish historian active in the November Uprising of 1830 and the Great Emigration that followed it.
[Ref: 21334] £65.00 (£78.00 incl.VAT)
Zug del. Adam Pilinski sc.
[Paris, n.d., c. 1840.]
Steel engraving. Sheet 185 x 270mm, 7¼ x 10½".
The Holy Trinity Evangelical Church of the Augsburg Confession, known as Zug's Church after the architect Szymon Bogumil Zug (1733-1807). From a painting , probably by the architect, in the collection of Leonard Chodzko (1800-71), a Polish historian active in the November Uprising of 1830 and the Great Emigration that followed it.
[Ref: 21334] £65.00 (£78.00 incl.VAT)
Vaisseau du troisiême rang a la Voille. Twee Decks Schip vande derde Rang.
a Amsterdam Chez Gerard Valk Avec Privil. [n.d., c.1720.]
Engraving. 430 x 540mm (17 x 21¼"), with wide margins. Laid on board, some worming in margins.
A two-decked, third-rank warship of the 17th century, under sail. Originally published between 1693-1708 in Pierre Mortier's 'Neptune Français' (described by Koeman as the 'most expensive sea-atlas ever published in Amsterdam in the seventeenth century'), this example is a later state published by Valk (1652-1726).
[Ref: 54058] £520.00
a Amsterdam Chez Gerard Valk Avec Privil. [n.d., c.1720.]
Engraving. 430 x 540mm (17 x 21¼"), with wide margins. Laid on board, some worming in margins.
A two-decked, third-rank warship of the 17th century, under sail. Originally published between 1693-1708 in Pierre Mortier's 'Neptune Français' (described by Koeman as the 'most expensive sea-atlas ever published in Amsterdam in the seventeenth century'), this example is a later state published by Valk (1652-1726).
[Ref: 54058] £520.00
Vaisseau du premier rang portant pauillon d'Admiral.
[Jan van Vianen.]
a Amsterdam chez Gerard Valk avec Privilege [n.d., c.1710].
Engraving, 435 x 555mm. 17 x 21¾". Closed tear into plate at left.
Detailed profile of a first-rate French warship. From the famous sea atlas 'Neptune Francois' (1693) by Pierre Mortier, re-published by Gerard Valck (1651/1652 - 1726). The plate was originally engraved by Jan van Vianen (c.1660 - 1726?). Numbered '5' lower right.
[Ref: 13818] £850.00
[Jan van Vianen.]
a Amsterdam chez Gerard Valk avec Privilege [n.d., c.1710].
Engraving, 435 x 555mm. 17 x 21¾". Closed tear into plate at left.
Detailed profile of a first-rate French warship. From the famous sea atlas 'Neptune Francois' (1693) by Pierre Mortier, re-published by Gerard Valck (1651/1652 - 1726). The plate was originally engraved by Jan van Vianen (c.1660 - 1726?). Numbered '5' lower right.
[Ref: 13818] £850.00
![[A warship.]](jpegs/55463.jpg)
[A warship.]
Printed; and Sold by John Garrett at his shop, next ye Exchange stayres in Cornhill: where ye may have all sorts of Large and small Mapps, Books for Drawing, and Copy Books, and Choyce of very good prints [n.d., c.1690].
Very rare engraving. Sheet 385 x 470mm (15¼ x 18½"). Trimmed into plate, two wormholes in sky, hole in rigging of ship on left, some staining, centre fold as issued.
A wonderful and scarce large engraving of the 17th century. Impressive warship under sail, its various components numbered in the image (key lettering missing). John Garrett (1673 active - 1718/20), one of the leading map and print sellers at the end of the 17th century, had premises at the south entrance of the Royal Exchange in Cornhill, London.
[Ref: 55463] £1,150.00
Printed; and Sold by John Garrett at his shop, next ye Exchange stayres in Cornhill: where ye may have all sorts of Large and small Mapps, Books for Drawing, and Copy Books, and Choyce of very good prints [n.d., c.1690].
Very rare engraving. Sheet 385 x 470mm (15¼ x 18½"). Trimmed into plate, two wormholes in sky, hole in rigging of ship on left, some staining, centre fold as issued.
A wonderful and scarce large engraving of the 17th century. Impressive warship under sail, its various components numbered in the image (key lettering missing). John Garrett (1673 active - 1718/20), one of the leading map and print sellers at the end of the 17th century, had premises at the south entrance of the Royal Exchange in Cornhill, London.
[Ref: 55463] £1,150.00
H.M.S. Warspite, 50 Guns, in a Gale of Wind. To the Right Hon.ble Lord John Hay, this print is respectfully dedicated by his Lordship's very obedient humble servant N.M. Condy.
N.M. Condy del. T.G. Dutton lith. Day & Haghe Lithr.s to the Queen.
London: Ackermann & Co Strand, George Foster, 114 Fenchurch St. _ Plymouth, Edmund Fry.
Tinted lithograph. Sheet 380 x 560mm (15 x 22"), large margins.
'Warspite' was built and launched, at Chatham in 1807 as a 74-gun two-decker. After an active career, in the Napoleonic Wars and including service in the Anglo-American 'War of 1812' when she took three U.S. privateers, she was decommissioned in 1815. In 1840 her second remodelling reduced her to a one-deck, 50-gun frigate, as shown here, for service on the home station. Lord John Hay commanded her between 1841 and 1845, visiting New York in 1842 to take Lord Ashburton to negotiate the Webster-Ashburton Treaty. She remained at sea until 1862 when she was loaned to the Marine Society as a boys' training ship. Accidentally burned by fire at Woolwich in 1876, her wreck was subsequently broken up on the Thames. American interest.
[Ref: 63554] £420.00
N.M. Condy del. T.G. Dutton lith. Day & Haghe Lithr.s to the Queen.
London: Ackermann & Co Strand, George Foster, 114 Fenchurch St. _ Plymouth, Edmund Fry.
Tinted lithograph. Sheet 380 x 560mm (15 x 22"), large margins.
'Warspite' was built and launched, at Chatham in 1807 as a 74-gun two-decker. After an active career, in the Napoleonic Wars and including service in the Anglo-American 'War of 1812' when she took three U.S. privateers, she was decommissioned in 1815. In 1840 her second remodelling reduced her to a one-deck, 50-gun frigate, as shown here, for service on the home station. Lord John Hay commanded her between 1841 and 1845, visiting New York in 1842 to take Lord Ashburton to negotiate the Webster-Ashburton Treaty. She remained at sea until 1862 when she was loaned to the Marine Society as a boys' training ship. Accidentally burned by fire at Woolwich in 1876, her wreck was subsequently broken up on the Thames. American interest.
[Ref: 63554] £420.00
Warstone Brewery. Alex.r Forrest & Sons.
[Anon., c.1820]
Engraving, platemark 115 x 190mm (4½ x 7½").
Warstone Brewery, situated in the Jewellery Quarter of Birmingham. This engraving shows kilns for drying hops and a cart loaded with barrels of beer leaving the premises.
[Ref: 43692] £75.00 (£90.00 incl.VAT)
[Anon., c.1820]
Engraving, platemark 115 x 190mm (4½ x 7½").
Warstone Brewery, situated in the Jewellery Quarter of Birmingham. This engraving shows kilns for drying hops and a cart loaded with barrels of beer leaving the premises.
[Ref: 43692] £75.00 (£90.00 incl.VAT)
Wartenberg's Cellulose, or Chemically Pure Wood-Fibre for Paper-Making, Commonly Called Paper Pulp.
A. & M. Zimmermann, 27, Mincing Lane, London, E.C. Sole Agents.
[Anon, n.d., c.1860.]
Promotional letterpress leaflet, 4to, rare, (c.255 x 205mm, 10 x 8"), four pages. Vertical and horizontal folds.
Trade advertisement for a special pulp aimed at paper manufacturers and mill-owners.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester's Light Horse.
[Ref: 16791] £120.00
A. & M. Zimmermann, 27, Mincing Lane, London, E.C. Sole Agents.
[Anon, n.d., c.1860.]
Promotional letterpress leaflet, 4to, rare, (c.255 x 205mm, 10 x 8"), four pages. Vertical and horizontal folds.
Trade advertisement for a special pulp aimed at paper manufacturers and mill-owners.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester's Light Horse.
[Ref: 16791] £120.00
The Rev.d Mr Thomas Warton.
Sir Joshua Reynolds pinxit. C. Hodges fecit.
London Publish'd July 10th. 1784, by W. Humphrey No. 227 Strand.
Mezzotint, state before publisher altered from Humphrey to Rising, title in open letters. 455 x 325mm, 18 x 12¾". Indentation to paper in centre, and repair above title.
Thomas Warton the Younger (1728 - 1790), historian of English poetry and Poet Laureate. The portrait by Sir Joshua Reynolds (1723 - 1792) is in the common room of Trinity College, Oxford. It was exhibited at the Royal Academy in 1784.
Chaloner Smith 33: ii/iii. Hamilton p.71, ii/iii. DNB.
[Ref: 21623] £240.00 (£288.00 incl.VAT)
Sir Joshua Reynolds pinxit. C. Hodges fecit.
London Publish'd July 10th. 1784, by W. Humphrey No. 227 Strand.
Mezzotint, state before publisher altered from Humphrey to Rising, title in open letters. 455 x 325mm, 18 x 12¾". Indentation to paper in centre, and repair above title.
Thomas Warton the Younger (1728 - 1790), historian of English poetry and Poet Laureate. The portrait by Sir Joshua Reynolds (1723 - 1792) is in the common room of Trinity College, Oxford. It was exhibited at the Royal Academy in 1784.
Chaloner Smith 33: ii/iii. Hamilton p.71, ii/iii. DNB.
[Ref: 21623] £240.00 (£288.00 incl.VAT)
The Rev.d Mr Thomas Warton.
Sir Joshua Reynolds pinxit. C. Hodges fecit.
London Publish'd Dec.r 1: 1786, by W. Dickinson No. 158 Bond Street.
Fine mezzotint. 455 x 325mm (18 x 12¾"). Repairs to margins.
Thomas Warton the Younger (1728-90), historian of English poetry and Poet Laureate. The portrait, by Sir Joshua Reynolds (1723-92), was exhibited at the Royal Academy in 1784. It is now in the Common Room of Trinity College, Oxford.
Chaloner Smith 33: iii/iii. Hamilton p.71, iii/iii.
[Ref: 55688] £360.00 (£432.00 incl.VAT)
Sir Joshua Reynolds pinxit. C. Hodges fecit.
London Publish'd Dec.r 1: 1786, by W. Dickinson No. 158 Bond Street.
Fine mezzotint. 455 x 325mm (18 x 12¾"). Repairs to margins.
Thomas Warton the Younger (1728-90), historian of English poetry and Poet Laureate. The portrait, by Sir Joshua Reynolds (1723-92), was exhibited at the Royal Academy in 1784. It is now in the Common Room of Trinity College, Oxford.
Chaloner Smith 33: iii/iii. Hamilton p.71, iii/iii.
[Ref: 55688] £360.00 (£432.00 incl.VAT)
No 1. Warwick Castle from the Lodge Hill. To the Right Honourable George Greville Earl of Warwick &c. &c. This and the following Views of his Ancient and Magnificent Castle, are Humbly Inscribed, by his Lordships most Obedient and most Humble Servant Paul Sandby R. A. [&] No 2. The Entrance of Warwick Castle from the Lower Court. [&] No 3. Caesars Tower and Part of Warwick Castle from the Island. [&] No 4. Part of Warwick Castle from the S.E.
P. Sandby Fecit.
Publish'd Jan.y 1776. by J. Boydell Cheapside.
Set of four aquatints, printed in sepia. Each c.335 x 475mm (13¼ x 18¾"). All laid on archival paper. 1 with long crease; 2 with repaired tear and surface abrasion in inscription area; 3 with two long creases, abrasion in margins; 4 with damage to margins and unprinted area of plate. Damaged.
The full set of four views of Warwick Castle by Paul Sandby (1725-1809), dedicated to his pupil Charles Greville, who gave the secret of the aquatint method to Sandby.
[Ref: 60893] £650.00 view all images for this item
P. Sandby Fecit.
Publish'd Jan.y 1776. by J. Boydell Cheapside.
Set of four aquatints, printed in sepia. Each c.335 x 475mm (13¼ x 18¾"). All laid on archival paper. 1 with long crease; 2 with repaired tear and surface abrasion in inscription area; 3 with two long creases, abrasion in margins; 4 with damage to margins and unprinted area of plate. Damaged.
The full set of four views of Warwick Castle by Paul Sandby (1725-1809), dedicated to his pupil Charles Greville, who gave the secret of the aquatint method to Sandby.
[Ref: 60893] £650.00 view all images for this item
![[Caesar's Tower, Warwick Castle.] 20.](jpegs/14608.jpg)
[Caesar's Tower, Warwick Castle.] 20. [Caesar's Tower of Warwick Castle was built by Thomas de Beauchamp in the middle of the fourteenth century (1370). It is built on solid rock, and rises to a height of 150ft. The tower is of peculiar, if not unique, construction, in shape an irregular polygon with rounded outer walls. The basement contains a gloomy dungeon, on whose walls may be seen the drawings and scratchings of the prisoners, which show that even "airless dungeons and iron fetters cannot restrain the spirit." The inner gate is arranged so that blazing pitch or molten metal might be poured on the heads of any invaders attacking the Castle. From the Tower extends the range of buildings containing the hall and the apartments of the Castle. The buildings are the most attractive relics of feudal times to be seen in England to-day.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 279 x 252mm. 11 x 10".
[Ref: 14608] £30.00 (£36.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 279 x 252mm. 11 x 10".
[Ref: 14608] £30.00 (£36.00 incl.VAT)
![[Warwick Castle.] 24.](jpegs/14612.jpg)
[Warwick Castle.] 24. [The Castle as it now stands is chiefly a fournteenth century building. The strategic position of Warwick was realised long before the present building was erected, and earthworks may be seen of the fort completed by Ethelgleda, a daughter of Alfred the Great. The Castle has been rebuilt on more than one occasion, and the building as it stands to-day is largely as it was left by Sir Fulke Greville, a direct ancester of the Earl of Warwick. On the right is Beauchamp's Tower, or Guy's Tower, 120 ft. high, which as built by Thomas de Beauchamp, Earl of Warwick. On the left is Caesar's Tower, built a few years earlier. The buildings include the great hall, state rooms and domestic buildings. The hall and the passages around contain fine collections of arms and armous, and in the state rooms are many pictures and works of art, some of considerable value. Sir Walter Scott, viewing the Castle in 1828, called it "the noblest sight in England. The finest monument of ancient and chivalrous splendour that yet remains to us uninjured by time."]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 258 x 286mm. 10¼ x 11¼".
[Ref: 14612] £40.00 (£48.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 258 x 286mm. 10¼ x 11¼".
[Ref: 14612] £40.00 (£48.00 incl.VAT)
Warwick Castle from the Lodge Hill. To the Right Honourable George Greville Earl of Warwick &c. &c. This and the following Views of his Ancient and Magnificent Castle, are Humbly Inscribed, by his Lordships most Obedient and most Humble Servant Paul Sandby R. A.
P. Sandby Fecit.
Publish'd Jany. 1776. by J Boydell Cheapside.
Aquatint, printed in sepia, 18th century watermark; 335 x 475mm (13¼ x 18¾"), with very large margins. Repaired tear in margin, creasing.
The first plate of four views of Warwick by Paul Sandby (1725 - 1809), dedicated to his pupil Charles Greville, who gave the secret of the aquatint method to Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55982] £360.00
P. Sandby Fecit.
Publish'd Jany. 1776. by J Boydell Cheapside.
Aquatint, printed in sepia, 18th century watermark; 335 x 475mm (13¼ x 18¾"), with very large margins. Repaired tear in margin, creasing.
The first plate of four views of Warwick by Paul Sandby (1725 - 1809), dedicated to his pupil Charles Greville, who gave the secret of the aquatint method to Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55982] £360.00
The Siege of Warwick Castle, or The Battle between the Fellows & Licenciates.
[Oxford Magazine, n.d., August 1768.
Engraving. 115 x 185mm (4½ x 7¼"). Hole on plate mark patched.
A satire on an invasion of the College of Physicians at Warwick Lane in London, when 'Licenciates' (doctors not educated at English universities, usually because they were non-conformist) broken in to harass the fellows. However here the fellows are the government, lead by a skeletal 'Death', and the licenciates are Scots led by Lord Bute in a jester's hat and jack-boots. Weapons include a huge syringe and a urinal. One of the fellows says 'They pretend to cure the Kings Evil'.
BM Satires 4173.
[Ref: 45053] £140.00 (£168.00 incl.VAT)
[Oxford Magazine, n.d., August 1768.
Engraving. 115 x 185mm (4½ x 7¼"). Hole on plate mark patched.
A satire on an invasion of the College of Physicians at Warwick Lane in London, when 'Licenciates' (doctors not educated at English universities, usually because they were non-conformist) broken in to harass the fellows. However here the fellows are the government, lead by a skeletal 'Death', and the licenciates are Scots led by Lord Bute in a jester's hat and jack-boots. Weapons include a huge syringe and a urinal. One of the fellows says 'They pretend to cure the Kings Evil'.
BM Satires 4173.
[Ref: 45053] £140.00 (£168.00 incl.VAT)
The Entrance of Warwick Castle from the Lower Court.
P. Sandby Fecit.
Publish'd Jany. 1776. by J. Boydell Cheapside.
Aquatint, printed in sepia. 345 x 480mm (13½ x 18¾"), with very large margins. Long printer's crease in image on left.
A view of the walls of Warwick Castle, plate two from a set of four by Paul Sandby (1725 - 1809). In the foreground a man tries to disentangle a kite from a tree.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55983] £360.00
P. Sandby Fecit.
Publish'd Jany. 1776. by J. Boydell Cheapside.
Aquatint, printed in sepia. 345 x 480mm (13½ x 18¾"), with very large margins. Long printer's crease in image on left.
A view of the walls of Warwick Castle, plate two from a set of four by Paul Sandby (1725 - 1809). In the foreground a man tries to disentangle a kite from a tree.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55983] £360.00
Part of Warwick Castle from the S.E.
P. Sandby Fecit.
Publish'd Jany. 1776. by J Boydell Cheapside.
Aquatint printed in sepia, 18th century watermark; 320 x 375mm (12½ x 14¾"), with very large margins.. Creasing.
A view of Warwick Castle, looking up at the walls from the banks of the Avon, from a set of four views of Warwick that Sandby dedicated to his pupil Charles Greville.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55984] £330.00
P. Sandby Fecit.
Publish'd Jany. 1776. by J Boydell Cheapside.
Aquatint printed in sepia, 18th century watermark; 320 x 375mm (12½ x 14¾"), with very large margins.. Creasing.
A view of Warwick Castle, looking up at the walls from the banks of the Avon, from a set of four views of Warwick that Sandby dedicated to his pupil Charles Greville.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55984] £330.00
Caesars Tower and Part of Warwick Castle from the Island.
P. Sandby Fecit.
Publish'd Jany. 1776. by J Boydell Cheapside.
Aquatint printed in sepia. 320 x 375mm (12½ x 14¾"), with large margins..
A view of Warwick Castle, looking up at the walls from an island in the Avon, from a set of four views of Warwick that Sandby dedicated to his pupil Charles Greville.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55985] £550.00
P. Sandby Fecit.
Publish'd Jany. 1776. by J Boydell Cheapside.
Aquatint printed in sepia. 320 x 375mm (12½ x 14¾"), with large margins..
A view of Warwick Castle, looking up at the walls from an island in the Avon, from a set of four views of Warwick that Sandby dedicated to his pupil Charles Greville.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55985] £550.00
The Entrance of Warwick Castle from the Lower Court.
P. Sandby Fecit.
Publish'd Jany. 1776. by J. Boydell Cheapside.
Aquatint, printed in sepia. 345 x 480mm (13½ x 18¾"). A very fine impression. Trimmed to plate, repaired tears off image.
A view of the walls of Warwick Castle, plate two from a set of four by Paul Sandby (1725 - 1809). In the foreground a man tries to disentangle a kite from a tree.
[Ref: 61483] £420.00
P. Sandby Fecit.
Publish'd Jany. 1776. by J. Boydell Cheapside.
Aquatint, printed in sepia. 345 x 480mm (13½ x 18¾"). A very fine impression. Trimmed to plate, repaired tears off image.
A view of the walls of Warwick Castle, plate two from a set of four by Paul Sandby (1725 - 1809). In the foreground a man tries to disentangle a kite from a tree.
[Ref: 61483] £420.00
![[Guy's Cliffe, Warwick.] 14.](jpegs/14553.jpg)
[Guy's Cliffe, Warwick.] 14. [The road from Warwick to Kenilworth passes the Avenue of Guy's Cliffe. The story of Guy, Earl of Warwick, is one of the most popular romances of chivalry. Guy, it is said, left England to fight in Palestine, and returned to perform great feats of valour. Afterwards, instead of accepting the King's favour and returning to his wife, he became a hermit in a cave, and the place became known as Guy's Cliffe. From his cave he walked regularly to Warwick Castle to receive alms from his wife, who was unaware of his identity. Tradition says that he sent for his wife on the point of death, and was buried in the cave. The story may have little claim to the authentice, but the cave is undoubtedly an old one, as is shown by the saxon inscription.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. Image 284 x 259mm. 11¼ x 10¼".
The picture shows the balcony of the old mill which faces the Cliffe.
[Ref: 14553] £30.00 (£36.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. Image 284 x 259mm. 11¼ x 10¼".
The picture shows the balcony of the old mill which faces the Cliffe.
[Ref: 14553] £30.00 (£36.00 incl.VAT)
![[Leycester Hospital, Warwick, Outer Porch.] 16.](jpegs/14555.jpg)
[Leycester Hospital, Warwick, Outer Porch.] 16. [This Hospital owes its existence to Robert Dudley, Earl of Leicester, and dates from the reign of Henry VI. In 1511, the Earl of Warwick took the building over and founded the Hospital to accommodate twelve ex-soldiers or their descendents in succession, from the villages in the surrounding district. The men were provided with blue gowns, with Leicester's badge and a ragged staff, embroidered on the left sleeve. To-day the gowns are worn by the pensioners when they attend church. The Hospital, a very fine example of a timber framed building, stands in a terrace rising abruptly from the roadway to St. James' Chapel, which is built over the arch of the old West Gate. Overhanging the arch entrance gateway is a picturesque gabled storey with the insignia "The Bear and Ragged Staff."]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. Image 286 x 255mm. 11¼ x 10".
[Ref: 14555] £30.00 (£36.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. Image 286 x 255mm. 11¼ x 10".
[Ref: 14555] £30.00 (£36.00 incl.VAT)
![[Leycester Hospital Quadrangle, Warwick.] 19.](jpegs/14607.jpg)
[Leycester Hospital Quadrangle, Warwick.] 19. [The Quadrangle of the Leycester Hospital is surrounded by panelled Elizabethan buildings. Facing the entrance is the richly ornamented front of the Master's Lodge. On the right is a cloister-like corridor leading to some of the rooms of the pensioners; on the left is the old banqueting hall, now partitioned into small apartments for various domestic purposes. The roof is of well preserved Spanish chestnut, dating from 1830. The upper part of the hall where the minstrel gallery formerly stood is now cut offr and forms the drawing room of the Master's house. On the opposite side of the Quadrangle is the kitchen, which serves as a common room. On its walls is a fine collection of ancient swords and armour, and in it are contained numerous relics including an old chair said to be Saxon, a beautifully carved oak cabinet from Kenilworth Castle, a portion of tapestry from Cumnor Hall (near Oxford) worked by Amy Robsart, and the signature portion of Lord Leicester's will.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 285 x 255mm. 11¼ x 10".
[Ref: 14607] £30.00 (£36.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 285 x 255mm. 11¼ x 10".
[Ref: 14607] £30.00 (£36.00 incl.VAT)
The Warwick Vase, as it appears in the Green House erected for it, at Warwick Castle. 2 Miles W from Leamington.
Drawn from Nature & on Stone by J. Brandard.
Leamington, Published by C. Elston, 12, Lower Union Parade. M&N Hanhart, Lith Printers. [n.d. c.1845.]
Lithograph on india. 258 x 318mm (10 x 12½").
A view of a large antique vase, standing on an inscribed pedestal among trees planted in pots and in the ground, with figures of a man and woman standing at its side to the left, and a man on crutches pointing at the vase. The Warwick Vase is an ancient Roman marble vase that was discovered at Hadrian's Villa in Tivoli c.1771 by Gavin Hamiton. It was sold to the British envoy at the court of Naples, Sir William Hamilton, who shipped the vase to his elder nephew, George Greville, 2nd Earl of Warwick, who commissioned a special greenhouse for it to preserve it from the British Climate.
[Ref: 20061] £95.00 (£114.00 incl.VAT)
Drawn from Nature & on Stone by J. Brandard.
Leamington, Published by C. Elston, 12, Lower Union Parade. M&N Hanhart, Lith Printers. [n.d. c.1845.]
Lithograph on india. 258 x 318mm (10 x 12½").
A view of a large antique vase, standing on an inscribed pedestal among trees planted in pots and in the ground, with figures of a man and woman standing at its side to the left, and a man on crutches pointing at the vase. The Warwick Vase is an ancient Roman marble vase that was discovered at Hadrian's Villa in Tivoli c.1771 by Gavin Hamiton. It was sold to the British envoy at the court of Naples, Sir William Hamilton, who shipped the vase to his elder nephew, George Greville, 2nd Earl of Warwick, who commissioned a special greenhouse for it to preserve it from the British Climate.
[Ref: 20061] £95.00 (£114.00 incl.VAT)
At Warwick Castle The Celebrated Warwick Vase in Marble. [&] Marble Vase from the Antique. [&] Antique Marble Vase.
Engraved by Henry Moses.
[London Published by W.B. Cookes, 9 Soho Square, Oct.r 13.th 1827.]
Three engravings on porcelain card. Sheets 140 x 200mm (5½ x 8''), 135 x 120mm (5¼ x 4¾") & 135 x 125mm (5¼ x 5"). Laid on scrap sheet, some discolouration.
The Warwick Vase is a Roman marble vase with Bacchic ornament, discovered in the silt of a marshy pond at Hadrian's Villa about 1771 by Gavin Hamilton. He sold the fragments to Sir William Hamilton who repaired it with Carrara marble and shipped it to his nephew George Greville, 2nd Earl of Warwick, who set it on a lawn at Warwick Castle before building a conservatory for it. As a famous piece, a mould was made of it and two full-size bronze replicas were cast, one now in Windsor Castle, the other in the Fitzwilliam Museum. At auction in 1978 the vase was purchased by the Metropolitan Museum of Art, but after it was declared an object of national importance an export licence was denied. It is now in the Burrell Collection near Glasgow in Scotland.
[Ref: 60934] £240.00 (£288.00 incl.VAT)
Engraved by Henry Moses.
[London Published by W.B. Cookes, 9 Soho Square, Oct.r 13.th 1827.]
Three engravings on porcelain card. Sheets 140 x 200mm (5½ x 8''), 135 x 120mm (5¼ x 4¾") & 135 x 125mm (5¼ x 5"). Laid on scrap sheet, some discolouration.
The Warwick Vase is a Roman marble vase with Bacchic ornament, discovered in the silt of a marshy pond at Hadrian's Villa about 1771 by Gavin Hamilton. He sold the fragments to Sir William Hamilton who repaired it with Carrara marble and shipped it to his nephew George Greville, 2nd Earl of Warwick, who set it on a lawn at Warwick Castle before building a conservatory for it. As a famous piece, a mould was made of it and two full-size bronze replicas were cast, one now in Windsor Castle, the other in the Fitzwilliam Museum. At auction in 1978 the vase was purchased by the Metropolitan Museum of Art, but after it was declared an object of national importance an export licence was denied. It is now in the Burrell Collection near Glasgow in Scotland.
[Ref: 60934] £240.00 (£288.00 incl.VAT)