A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Verdi.
Camille Gilbert del. Abel Lauret sculp.
L'Art. Imp. A. Salmon. [n.d., c.1860.]
Engraving. Plate: 315 x 250mm (12¼ x 9¾"), with very large margins.
A bust-length portrait of Italian opera composer Giuseppe Verdi (1813-1901) set within an oval, framed with a decorative border listing his most famous operas.
[Ref: 46703] £220.00 (£264.00 incl.VAT)
Camille Gilbert del. Abel Lauret sculp.
L'Art. Imp. A. Salmon. [n.d., c.1860.]
Engraving. Plate: 315 x 250mm (12¼ x 9¾"), with very large margins.
A bust-length portrait of Italian opera composer Giuseppe Verdi (1813-1901) set within an oval, framed with a decorative border listing his most famous operas.
[Ref: 46703] £220.00 (£264.00 incl.VAT)
Sr Francis Veer Colonel et Gouverneur Oostende.
[The Hague: Aert Meuris, n.d., 1621.]
Etching with engraving. 165 x 120mm (6½ x 4¾"). Tipped onto album paper on right margins.
A head and shoulders portrait of Elizabethan Sir Francis Vere (c.1560-1609), fighting in the Netherlands during both the Anglo-Spanish War This print, celebrating his successful defence of Ostend in 1601, comes from Phillipe Fleming's 'Oostende Vermaerde, gheweldighe, lanckduyrighe, ende Bloedighe Belegheringhe...'
[Ref: 65797] £65.00 (£78.00 incl.VAT)
[The Hague: Aert Meuris, n.d., 1621.]
Etching with engraving. 165 x 120mm (6½ x 4¾"). Tipped onto album paper on right margins.
A head and shoulders portrait of Elizabethan Sir Francis Vere (c.1560-1609), fighting in the Netherlands during both the Anglo-Spanish War This print, celebrating his successful defence of Ostend in 1601, comes from Phillipe Fleming's 'Oostende Vermaerde, gheweldighe, lanckduyrighe, ende Bloedighe Belegheringhe...'
[Ref: 65797] £65.00 (£78.00 incl.VAT)
![[Memorial tomb of Sir Francis Vere in Westminster Abbey]](jpegs/37630.jpg)
[Memorial tomb of Sir Francis Vere in Westminster Abbey] Francisco Vero, Equiti Attrato, Galfredi F Ioannis Comitis Oxoniae Nepoti, Brieliae et Portsmuthae Praefecto [...]
R. Gaywood fecit Loni 1657
Etching, sheet 235 x 300mm (9¼ x 11¾"). Trimmed inside platemark and glued to album sheet at corners; 18th century print of Edward I's tomb verso. Rare.
The tomb of Sir Francis Vere (1560-1609) in the chapel of St John the Evangelist in Westminster Abbey, where his brother Horace is also buried. An army officer and diplomat, Vere is shown in civilian dress lying under a slab on which his suit of armour is laid out. The monument has been attributed to the sculptor Maximilian Colt. The Latin inscription below is probably the same as that on the tomb. Francis was one of the greatest soldiers serving under Elizabeth I and distinguished himself at the Battle of Nieuwpoort (1600) and during the defence of Ostend against the Spanish. He married Elizabeth, daughter of John Dent of London. His reputation was also enhanced by his 'Commentaries', the memoirs of his campaigns which were published posthumously.
[Ref: 37630] £140.00 (£168.00 incl.VAT)
R. Gaywood fecit Loni 1657
Etching, sheet 235 x 300mm (9¼ x 11¾"). Trimmed inside platemark and glued to album sheet at corners; 18th century print of Edward I's tomb verso. Rare.
The tomb of Sir Francis Vere (1560-1609) in the chapel of St John the Evangelist in Westminster Abbey, where his brother Horace is also buried. An army officer and diplomat, Vere is shown in civilian dress lying under a slab on which his suit of armour is laid out. The monument has been attributed to the sculptor Maximilian Colt. The Latin inscription below is probably the same as that on the tomb. Francis was one of the greatest soldiers serving under Elizabeth I and distinguished himself at the Battle of Nieuwpoort (1600) and during the defence of Ostend against the Spanish. He married Elizabeth, daughter of John Dent of London. His reputation was also enhanced by his 'Commentaries', the memoirs of his campaigns which were published posthumously.
[Ref: 37630] £140.00 (£168.00 incl.VAT)
Sr. Horace Vere since Baron of Tilbury.
[Sc. Faithorne.]
[n.d. c.1660.]
Copper engraving. 202 x 140mm. 8 x 5½". Cut.
Horace Vere (1565-1635) was an English military leader during the Eighty Years' War and the Thirty Years' War. He was sent to the Palatinate by James I in 1620.
See NPG: D22970. BM: 1847,0318.126. Fagan Page 65 only state.
[Ref: 16765] £130.00 (£156.00 incl.VAT)
[Sc. Faithorne.]
[n.d. c.1660.]
Copper engraving. 202 x 140mm. 8 x 5½". Cut.
Horace Vere (1565-1635) was an English military leader during the Eighty Years' War and the Thirty Years' War. He was sent to the Palatinate by James I in 1620.
See NPG: D22970. BM: 1847,0318.126. Fagan Page 65 only state.
[Ref: 16765] £130.00 (£156.00 incl.VAT)
Horatius Veer, Eques Aurat, Pot: Jacobi, Mag: Brit: etc: Regis Capitan: Gener: et Inferioris Elect: Palatinatus General: etc: Hic Equitum Splendos generosus Horatius ille Veer, ferus haud, verus sed mage Martis honos. Quem colit Anglus, amat quem Belga, Herous habetur; Stirpe diu Vireat nobiliore potens.
Eb: Kieser exc: D.M.C.B.
Engraving. Plate 184 x 127mm. 7¼ x 5".
Horace Vere, 1st Baron Vere of Tilbury (1565-1635) was an English military leader during the Eighty Years' War and the Thirty Years' War. In 1620, James I sent him to the Palatine.
[Ref: 18396] £95.00 (£114.00 incl.VAT)
Eb: Kieser exc: D.M.C.B.
Engraving. Plate 184 x 127mm. 7¼ x 5".
Horace Vere, 1st Baron Vere of Tilbury (1565-1635) was an English military leader during the Eighty Years' War and the Thirty Years' War. In 1620, James I sent him to the Palatine.
[Ref: 18396] £95.00 (£114.00 incl.VAT)
![[Still life of flowers in a vase.]](jpegs/66061.jpg)
[Still life of flowers in a vase.]
[after Simon Verelst.]
[London: John Lloyd, c.1690.]
Rare mezzotint. Sheet 215 x 170mm (8½ x 6¾"). Trimmed to plate on three sides, into plate at bottom, losing inscription space.
A flower arrangement in a glass vase, with four butterflies and apricots and cherries on the table.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66061] £180.00 (£216.00 incl.VAT)
[after Simon Verelst.]
[London: John Lloyd, c.1690.]
Rare mezzotint. Sheet 215 x 170mm (8½ x 6¾"). Trimmed to plate on three sides, into plate at bottom, losing inscription space.
A flower arrangement in a glass vase, with four butterflies and apricots and cherries on the table.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66061] £180.00 (£216.00 incl.VAT)
Philip Verheyen Secretiora Naturae mysteria Temporis auxilio detegit Anatomia
P. Devel Sculp Brux [1710]
Engraving, platemark 165 x 125mm (6½ x 5"); very large margins.
Philip Verheyen (1648-1710), Flemish surgeon and anatomist. Frontispiece to the second (1710) edition of Verheyen's most celebrated work, 'Corporis Humanae Anatomiae', published posthumously by his widow.
W: 3047 not in.
[Ref: 41233] £130.00 (£156.00 incl.VAT)
P. Devel Sculp Brux [1710]
Engraving, platemark 165 x 125mm (6½ x 5"); very large margins.
Philip Verheyen (1648-1710), Flemish surgeon and anatomist. Frontispiece to the second (1710) edition of Verheyen's most celebrated work, 'Corporis Humanae Anatomiae', published posthumously by his widow.
W: 3047 not in.
[Ref: 41233] £130.00 (£156.00 incl.VAT)
![[Verité.]](jpegs/63227.jpg)
[Verité.]
Ch. Eisen inv. E. De Ghendt Sculp.
[n.d., c.1800.]
Engraving. 115 x 85mm (4½ x 3½"), very large margins. Foxing near bottom of margin.
Portrait of a nude woman, holding a book and large quill. The woman may be Veritas is the name given to the Roman virtue of truthfulness, which was considered one of the main virtues any good Roman should possess.
[Ref: 63227] £75.00 (£90.00 incl.VAT)
Ch. Eisen inv. E. De Ghendt Sculp.
[n.d., c.1800.]
Engraving. 115 x 85mm (4½ x 3½"), very large margins. Foxing near bottom of margin.
Portrait of a nude woman, holding a book and large quill. The woman may be Veritas is the name given to the Roman virtue of truthfulness, which was considered one of the main virtues any good Roman should possess.
[Ref: 63227] £75.00 (£90.00 incl.VAT)
As Sour as Verjuice.
Drawn by ME Engraved by G. Hunt
London Published by Tho.s McLean 26 Haymarket 1827
Hand-coloured etching with aquatint, sheet 360 x 205mm (14 x 8"). Cut and tipped into backing sheet. With possible printers crease.
Man in a restaurant rings its service bell, knocking over a candle in the process, seemingly in response to the sourness of his wine. 'As sour as verjuice [vinegar]' was a common simile, for instance "he looked at me as sour as verjuice" (Thomas Dekker, 'The Shoemaker's Holiday', 1600). After M Egerton (1821 - 1827; fl.), humorous designer and social satirist; apparently an amateur since he often signed as 'Esq'.
Hickman p.72. State II of II. BM Satires undescribed.
[Ref: 56521] £190.00 (£228.00 incl.VAT)
Drawn by ME Engraved by G. Hunt
London Published by Tho.s McLean 26 Haymarket 1827
Hand-coloured etching with aquatint, sheet 360 x 205mm (14 x 8"). Cut and tipped into backing sheet. With possible printers crease.
Man in a restaurant rings its service bell, knocking over a candle in the process, seemingly in response to the sourness of his wine. 'As sour as verjuice [vinegar]' was a common simile, for instance "he looked at me as sour as verjuice" (Thomas Dekker, 'The Shoemaker's Holiday', 1600). After M Egerton (1821 - 1827; fl.), humorous designer and social satirist; apparently an amateur since he often signed as 'Esq'.
Hickman p.72. State II of II. BM Satires undescribed.
[Ref: 56521] £190.00 (£228.00 incl.VAT)
Nikolass Verkolje. Geboren te Delft, 11 April, 1673. Overleden te Amsterd. 21 January, 1746. Verkolje, alom beroemd door de eelste kunsttafreelen, Die Stichter van Pictuurs bekoorlykste eertrofeen. Boeit, als aan deze print, ons oog aan zyn panneelen, En streelt, ja steelt het hart van ieder Protogeen. Wien zich de Tyber, Seine en Teems ten voorbeeld Stellen, Onze Amstel ziet in hem een Fenix der Apellen. S. Feitama.
Seipsum pinxit Ao.1713. J. Houbraken sculpsit Ao.1753.
Engraving and etching, fine. 205 x 145mm (8 x 5¾").
Nikolaas Verkolje (1673-1746) was a Dutch Golden Age painter and mezzotint maker, and was good friends with Houbraken. Houbraken intended to write a biographical sketch of Nikolaas but he died before publication.
[Ref: 26057] £120.00 (£144.00 incl.VAT)
Seipsum pinxit Ao.1713. J. Houbraken sculpsit Ao.1753.
Engraving and etching, fine. 205 x 145mm (8 x 5¾").
Nikolaas Verkolje (1673-1746) was a Dutch Golden Age painter and mezzotint maker, and was good friends with Houbraken. Houbraken intended to write a biographical sketch of Nikolaas but he died before publication.
[Ref: 26057] £120.00 (£144.00 incl.VAT)
Cheval en liberté.
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 350 x 440mm (13¾ x 17¼"). Trimmed.
A horse biting at a dog, after Antoine Charles Horace Vernet (1758-1835).
Dayot 240 - No 18.
[Ref: 22236] £260.00 (£312.00 incl.VAT)
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 350 x 440mm (13¾ x 17¼"). Trimmed.
A horse biting at a dog, after Antoine Charles Horace Vernet (1758-1835).
Dayot 240 - No 18.
[Ref: 22236] £260.00 (£312.00 incl.VAT)
Jumont Anglaise.
Carle Vernet. I. lithog. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾") large margins.
An 'English Mare' in a landscape, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48208] £450.00
Carle Vernet. I. lithog. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾") large margins.
An 'English Mare' in a landscape, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48208] £450.00
Cheval Anglaise au moment de la Course.
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾").
A jockey teaching a racehorse the course, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48209] £300.00
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾").
A jockey teaching a racehorse the course, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48209] £300.00
Cheval Persan. dessiné d'après un des chevaux envoyés par le Roi de Perse à S.A.R. le Prince régent d'Angleterre.
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 330 x 340mm (13 x 13½"), large margins. Repaired tear in margins, creasing in edges.
A portrait of a Persian horseman on a stallion, drawn from one sent to George, Prince Regent. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63946] £390.00
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 330 x 340mm (13 x 13½"), large margins. Repaired tear in margins, creasing in edges.
A portrait of a Persian horseman on a stallion, drawn from one sent to George, Prince Regent. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63946] £390.00
![[Cossack cavalryman.]](jpegs/63945.jpg)
[Cossack cavalryman.]
Carle Vernet. S. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 400 x 445mm (15¾ x 17½"). Narrow margin at bottom, several repaired tears.
A Cossack horseman on a stallion, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63945] £280.00 (£336.00 incl.VAT)
Carle Vernet. S. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 400 x 445mm (15¾ x 17½"). Narrow margin at bottom, several repaired tears.
A Cossack horseman on a stallion, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63945] £280.00 (£336.00 incl.VAT)
60.
Loeillot d'apres C. Vernet. Y. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A man tries to calm a horse, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60596] £160.00 (£192.00 incl.VAT)
Loeillot d'apres C. Vernet. Y. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A man tries to calm a horse, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60596] £160.00 (£192.00 incl.VAT)
73.
[Loeillot d'apres C. Vernet. Y. lith. de Delpech.]
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A rides a horse holding a scimitar, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60597] £160.00 (£192.00 incl.VAT)
[Loeillot d'apres C. Vernet. Y. lith. de Delpech.]
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A rides a horse holding a scimitar, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60597] £160.00 (£192.00 incl.VAT)
74.
[Loeillot d'apres C. Vernet.] Y. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A man holds the reins of the horse and raises a baton, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60598] £160.00 (£192.00 incl.VAT)
[Loeillot d'apres C. Vernet.] Y. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A man holds the reins of the horse and raises a baton, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60598] £160.00 (£192.00 incl.VAT)
59.
[Loeillot d'apres C. Vernet. Y. lith. de Delpech.]
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾"). Light time staining at bottom of the paper.
A man tries to calm a rearing horse, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60599] £160.00 (£192.00 incl.VAT)
[Loeillot d'apres C. Vernet. Y. lith. de Delpech.]
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾"). Light time staining at bottom of the paper.
A man tries to calm a rearing horse, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60599] £160.00 (£192.00 incl.VAT)
Jument Persan. envoyée par le Roi de Perse à S.A.R. le Prince Régent d'Angleterre.
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Printed area 290 x 380mm (11½ x 15"). Slight mount burn.
A portrait of a Persian mare, held by a groom, other horses and a camel behind. The horse was the one sent to George, Prince Regent. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 67897] £390.00
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Printed area 290 x 380mm (11½ x 15"). Slight mount burn.
A portrait of a Persian mare, held by a groom, other horses and a camel behind. The horse was the one sent to George, Prince Regent. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 67897] £390.00
Mameluck en repos.
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 310 x 410mm (12¼ x 16"), large margins.
A turbaned mamluk resting against a rock, with a long-stemmed pipe, his Arabian horse, still saddled, by his side. Behind is a desert town. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63947] £450.00
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 310 x 410mm (12¼ x 16"), large margins.
A turbaned mamluk resting against a rock, with a long-stemmed pipe, his Arabian horse, still saddled, by his side. Behind is a desert town. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63947] £450.00
Cheval Normand.
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 350 x 440mm (13¾ x 17¼"). Margins trimmed, surface wear to edges.
A rustic riding a horse, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48273] £220.00 (£264.00 incl.VAT)
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 350 x 440mm (13¾ x 17¼"). Margins trimmed, surface wear to edges.
A rustic riding a horse, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48273] £220.00 (£264.00 incl.VAT)
![[Coaching horses.]](jpegs/48274.jpg)
[Coaching horses.] 55.
Carle Vernet. Imp. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 415 x 550mm (16¼ x 21¾").
A coach drawn by four horses, encouraged by riders with whips, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48274] £280.00 (£336.00 incl.VAT)
Carle Vernet. Imp. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 415 x 550mm (16¼ x 21¾").
A coach drawn by four horses, encouraged by riders with whips, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48274] £280.00 (£336.00 incl.VAT)
![[Persian cavalryman.]](jpegs/48275.jpg)
[Persian cavalryman.]
Carle Vernet.
[n.d., c.1820.]
Lithograph. Sheet 415 x 550mm (16¼ x 21¾"). A little foxing.
A Persian horseman, armed with lance, bow and quiver, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48275] £550.00
Carle Vernet.
[n.d., c.1820.]
Lithograph. Sheet 415 x 550mm (16¼ x 21¾"). A little foxing.
A Persian horseman, armed with lance, bow and quiver, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48275] £550.00
La Lilly.
Carle Vernet. Imp. I. lithog. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾") large margins.
A jockey about to mount a mare racehorse, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
Dayot 215.
[Ref: 48207] £450.00
Carle Vernet. Imp. I. lithog. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾") large margins.
A jockey about to mount a mare racehorse, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
Dayot 215.
[Ref: 48207] £450.00
Cheval de Cavalerie Française.
Carle Vernet. I. lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾") large margins. Slight foxing mark on right margin.
A cavalry trooper watering his horse from a bucket, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48210] £380.00
Carle Vernet. I. lithog. de F. Delpech.
[n.d., c.1820.]
Lithograph. Sheet 420 x 550mm (16½ x 21¾") large margins. Slight foxing mark on right margin.
A cavalry trooper watering his horse from a bucket, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 48210] £380.00
![Le Midi [Midday]](jpegs/38523.jpg)
Le Midi [Midday] Dedié a Messire Pierre Charles de Villette Chevalier Seigneur du Plessis Villette...[etc.] Tire de son Cabinet et gravé de la meme grandeur de l'Original. Par son tres-humble Serviteur Aliamet.
J. Vernet Pinxit. Aliamet Sculp.
a Paris chez l'Auteur rue des Mathurins vis a vis celle des Masons [n.d., c.1775].
Fine etching and engraving, platemark 355 x 455mm (14 x 18"). Very large margins.
River scene with fishermen using nets to catch fish, and a family hurrying to shelter from the weather. Part of a set of landscapes representing the times of day after Joseph Vernet (1714 - 1789), the famous marine painter.
For 'Morning' from the same set see ref. 10290.
[Ref: 38523] £260.00 (£312.00 incl.VAT)
J. Vernet Pinxit. Aliamet Sculp.
a Paris chez l'Auteur rue des Mathurins vis a vis celle des Masons [n.d., c.1775].
Fine etching and engraving, platemark 355 x 455mm (14 x 18"). Very large margins.
River scene with fishermen using nets to catch fish, and a family hurrying to shelter from the weather. Part of a set of landscapes representing the times of day after Joseph Vernet (1714 - 1789), the famous marine painter.
For 'Morning' from the same set see ref. 10290.
[Ref: 38523] £260.00 (£312.00 incl.VAT)
La Belle Matinée
Gravé d'après le Tableau original de Joseph Vernet Peintre Par Pierre Benazach 1774
Engraving, platemark 460 x 345mm (18 x 13½"). Very large margins. Uncut.
Woman with two children unloading a small boat, after the famous marine painter Joseph Vernet (1714 - 1789). Vernet studied and worked in Rome (1734-53) until recalled to Paris where he was commissioned to paint a set representing French harbours (the 'Ports de France'). He was the father of Carle Vernet, and grandfather of Horace.
[Ref: 38457] £260.00 (£312.00 incl.VAT)
Gravé d'après le Tableau original de Joseph Vernet Peintre Par Pierre Benazach 1774
Engraving, platemark 460 x 345mm (18 x 13½"). Very large margins. Uncut.
Woman with two children unloading a small boat, after the famous marine painter Joseph Vernet (1714 - 1789). Vernet studied and worked in Rome (1734-53) until recalled to Paris where he was commissioned to paint a set representing French harbours (the 'Ports de France'). He was the father of Carle Vernet, and grandfather of Horace.
[Ref: 38457] £260.00 (£312.00 incl.VAT)
Le Rocher Dangereux. Gravé d'après le Tableau peint par F. Vernet, de deux pieds et demi de large sur un pied huit pouces de baur.
F. Vernet Pinx. P.F.Tardieu Sculp.
et se Vend à Paris Chez Cochin, aux Galeries du Louvre. [n.d., 1790.]
Engraving. Sheet 450 x 615mm (13½ x 24¼"). Small margins.
Boats struggling in a storm, beneath a cliff with a castle on top.
[Ref: 43452] £420.00
F. Vernet Pinx. P.F.Tardieu Sculp.
et se Vend à Paris Chez Cochin, aux Galeries du Louvre. [n.d., 1790.]
Engraving. Sheet 450 x 615mm (13½ x 24¼"). Small margins.
Boats struggling in a storm, beneath a cliff with a castle on top.
[Ref: 43452] £420.00
La Tempeste. Peint par Joseph Vernet Peintre du Roy.
J. Vernet Pinx. AD *** Sculp.
Se. vend. a. Paris.
Engraving. Sheet: 360 x 420mm (14 x 16½"). Trimmed within plate.
A nautical scene during a storm in which a group of shipwrecked sailors attempt to save sailors still stranded at sea. In the distance a lighting bolt streaks through the sky and another ship leans dangerously.
Provenance: Edge Hall Library, Cheshire
[Ref: 46837] £160.00 (£192.00 incl.VAT)
J. Vernet Pinx. AD *** Sculp.
Se. vend. a. Paris.
Engraving. Sheet: 360 x 420mm (14 x 16½"). Trimmed within plate.
A nautical scene during a storm in which a group of shipwrecked sailors attempt to save sailors still stranded at sea. In the distance a lighting bolt streaks through the sky and another ship leans dangerously.
Provenance: Edge Hall Library, Cheshire
[Ref: 46837] £160.00 (£192.00 incl.VAT)
Tems de Orageux. Dédiée à Monsieur Vialy Peintre du Roi Par son Serviteur et ami Aliamet. Ce Tableau est tiré du Cabinet de Mr Vialy.
J. Vernet Pinxit. J. Aliamet dirrexit.
A Paris, chéz Alimet, Graveur du Roy, rue de Mathurins vis à vis celle des Maçons. [n.d., c.1760.]
Engraving. 350 x 455mm (13¾ x 18"), with wide margins.
A stormy seascape with a ruined tower on a headland, after Joseph Vernet.
[Ref: 38114] £230.00 (£276.00 incl.VAT)
J. Vernet Pinxit. J. Aliamet dirrexit.
A Paris, chéz Alimet, Graveur du Roy, rue de Mathurins vis à vis celle des Maçons. [n.d., c.1760.]
Engraving. 350 x 455mm (13¾ x 18"), with wide margins.
A stormy seascape with a ruined tower on a headland, after Joseph Vernet.
[Ref: 38114] £230.00 (£276.00 incl.VAT)
A Sea Storm on the Coast of Italy.
Vernet Pinx.t. C. Corbutt fecit.
London, Printed for & Sold by Rob.t Sayer Map & Printseller at the Golden Buck near Serjeants Inn, Fleet Street [n.d., c.1776].
Mezzotint. 255 x 355mm (10 x 14"). Narrow margins, creasing, toning, a few repairs.
A ship in trouble of a rocky shore, men working to save sailors from the water, after Joseph Vernet (1714-89, father of Carle Vernet). The engraver's name is Charles Corbutt, of whom nothing can be traced other than his prints. It is generally believed that the name is a pseudonym used by Richard Houston and probably also by Richard Purcell.
BM: 2010,7081.3227.
[Ref: 35846] £240.00 (£288.00 incl.VAT)
Vernet Pinx.t. C. Corbutt fecit.
London, Printed for & Sold by Rob.t Sayer Map & Printseller at the Golden Buck near Serjeants Inn, Fleet Street [n.d., c.1776].
Mezzotint. 255 x 355mm (10 x 14"). Narrow margins, creasing, toning, a few repairs.
A ship in trouble of a rocky shore, men working to save sailors from the water, after Joseph Vernet (1714-89, father of Carle Vernet). The engraver's name is Charles Corbutt, of whom nothing can be traced other than his prints. It is generally believed that the name is a pseudonym used by Richard Houston and probably also by Richard Purcell.
BM: 2010,7081.3227.
[Ref: 35846] £240.00 (£288.00 incl.VAT)
A Calm, with Fishermen, &c, on the Coast of Italy.
Vernet pinx.t.
London, Printed for & sold by Rob.t Sayer Map and Printseller at the Golden Buck near Serjeants Inn Fleet St. [n.d., c.1760].
Mezzotint with etching, 255 x 320mm (10 x 12½") on 18th century watermarked paper. Trimmed to image on three sides, into plate at bottom, laid on album paper.
A harbour with with a cliff arch with a tower above, and fishermen landing their catch. From a series of seascapes after Joseph Vernet (1714-89), father of Carle.
[Ref: 60182] £140.00 (£168.00 incl.VAT)
Vernet pinx.t.
London, Printed for & sold by Rob.t Sayer Map and Printseller at the Golden Buck near Serjeants Inn Fleet St. [n.d., c.1760].
Mezzotint with etching, 255 x 320mm (10 x 12½") on 18th century watermarked paper. Trimmed to image on three sides, into plate at bottom, laid on album paper.
A harbour with with a cliff arch with a tower above, and fishermen landing their catch. From a series of seascapes after Joseph Vernet (1714-89), father of Carle.
[Ref: 60182] £140.00 (£168.00 incl.VAT)
A Sea Storm.
[after Joseph Vernet.]
Printed for Jn.o Bowles [***] at the Black Horse in Cornhill, and Rob.t Sayer at the Buck in Fleet Street [n.d., c.1764].
Mezzotint. 250 x 320mm (9¾ x 12½"). Trimmed to image on three sides, into plate at bottom, laid on album paper.
A scene of a ship in trouble off a rocky shore, men working to save sailors from the water. Behind is an Italianate harbour with a lighthouse, with a lightning bolt crossing the sky. The removal of '& Son' from Bowles's address suggests this example was printed after Carington Bowles went independent in 1764. From a series of seascapes after Joseph Vernet (1714-89), father of Carle.
[Ref: 60181] £140.00 (£168.00 incl.VAT)
[after Joseph Vernet.]
Printed for Jn.o Bowles [***] at the Black Horse in Cornhill, and Rob.t Sayer at the Buck in Fleet Street [n.d., c.1764].
Mezzotint. 250 x 320mm (9¾ x 12½"). Trimmed to image on three sides, into plate at bottom, laid on album paper.
A scene of a ship in trouble off a rocky shore, men working to save sailors from the water. Behind is an Italianate harbour with a lighthouse, with a lightning bolt crossing the sky. The removal of '& Son' from Bowles's address suggests this example was printed after Carington Bowles went independent in 1764. From a series of seascapes after Joseph Vernet (1714-89), father of Carle.
[Ref: 60181] £140.00 (£168.00 incl.VAT)
Naufrage.
Peint par Joseph Vernet en. 1755. Grave par J.J. Avril en. 1775.
A Paris chex l'auteur rue de la huchette la porte cochere en face de la rue Zacharie.
Copper engraving with small margins. Platemark: 590 x 440mm. (23¼ x 17¼"). Laid on 18th century sheet with hand-drawn border; damage to top corners.
Coastal landscape during a storm, after Joseph Vernet (1714 - 1789), with shipwreck scene in the foreground; fishermen are trying to drag the wreck while others support a woman. An infant lies on a rock, lower left, while two figures are mourning over the body. Large mountains surrounded by clouds in the distance.
[Ref: 28387] £320.00
Peint par Joseph Vernet en. 1755. Grave par J.J. Avril en. 1775.
A Paris chex l'auteur rue de la huchette la porte cochere en face de la rue Zacharie.
Copper engraving with small margins. Platemark: 590 x 440mm. (23¼ x 17¼"). Laid on 18th century sheet with hand-drawn border; damage to top corners.
Coastal landscape during a storm, after Joseph Vernet (1714 - 1789), with shipwreck scene in the foreground; fishermen are trying to drag the wreck while others support a woman. An infant lies on a rock, lower left, while two figures are mourning over the body. Large mountains surrounded by clouds in the distance.
[Ref: 28387] £320.00
From the original Picture in the Collection of Tho.s Lewis Esq.r
J. Vernet Pinx.t. P.C. Canot Sculp.t.
[n.d. c.1780.]
Engraving. 342 x 496mm (13½ x 19½"). Laid on sheet, small tear where attached in lower right corner.
A serene setting of a coastal bay, a ship anchored and unloading; a town in the background. Sailing boats in the bay area; some sailors unloading a small dinghy to lower right. Fishermen by the cliff to the left; other sailors setting up camp by lighting a small fire.
[Ref: 19145] £180.00 (£216.00 incl.VAT)
J. Vernet Pinx.t. P.C. Canot Sculp.t.
[n.d. c.1780.]
Engraving. 342 x 496mm (13½ x 19½"). Laid on sheet, small tear where attached in lower right corner.
A serene setting of a coastal bay, a ship anchored and unloading; a town in the background. Sailing boats in the bay area; some sailors unloading a small dinghy to lower right. Fishermen by the cliff to the left; other sailors setting up camp by lighting a small fire.
[Ref: 19145] £180.00 (£216.00 incl.VAT)
The Dangerous Rock / Ecueil Dangereux
J. Vernet pinx.t. J. Dixon fecit
Printed for John Bowles, at No. 13 in Cornhill
Mezzotint with very large margins, platemark 255 x 360mm (10 x 14"). Slight creasing.
Shipwreck with survivors clambering onto the rocks. One of many British prints from the dramatic landscapes of Joseph Vernet (1714-89).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36203] £320.00
J. Vernet pinx.t. J. Dixon fecit
Printed for John Bowles, at No. 13 in Cornhill
Mezzotint with very large margins, platemark 255 x 360mm (10 x 14"). Slight creasing.
Shipwreck with survivors clambering onto the rocks. One of many British prints from the dramatic landscapes of Joseph Vernet (1714-89).
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36203] £320.00
M.r Grevil Verney.
M. Dahll pinx. R: Williams fec:
Sold by J Smith at ye Lyon & Crown in Russel Street Covent Garden. [n.d., c.1700.]
Fine mezzotint. 355 x 255mm (14 x 10"). Thread margins, damage in background at top left, laid on card.
Greville Verney (d. 1707), second son of John Verney of Compton Verney, holding a landscape print in one hand and pointing to a large world globe with the other.
CS: 53. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64569] £240.00 (£288.00 incl.VAT)
M. Dahll pinx. R: Williams fec:
Sold by J Smith at ye Lyon & Crown in Russel Street Covent Garden. [n.d., c.1700.]
Fine mezzotint. 355 x 255mm (14 x 10"). Thread margins, damage in background at top left, laid on card.
Greville Verney (d. 1707), second son of John Verney of Compton Verney, holding a landscape print in one hand and pointing to a large world globe with the other.
CS: 53. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64569] £240.00 (£288.00 incl.VAT)
M.r Grevil Verney.
M. Dahll pinx. R: Williams fec:
Sold by J Smith at ye Lyon & Crown in Russel Street Covent Garden. [n.d., c.1700.]
Mezzotint. 355 x 255mm (14 x 10"), with large margins. Creasing in inscription area.
Greville Verney (d. 1707), second son of John Verney of Compton Verney, holding a landscape print in one hand and pointing to a large world globe with the other.
CS: 53. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64572] £380.00
M. Dahll pinx. R: Williams fec:
Sold by J Smith at ye Lyon & Crown in Russel Street Covent Garden. [n.d., c.1700.]
Mezzotint. 355 x 255mm (14 x 10"), with large margins. Creasing in inscription area.
Greville Verney (d. 1707), second son of John Verney of Compton Verney, holding a landscape print in one hand and pointing to a large world globe with the other.
CS: 53. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64572] £380.00
M.r Grevil Verney.
M. Dahll pinx. R: Williams fec:
Sold by J Smith at ye Lyon & Crown in Russel Street Covent Garden. [n.d., c.1700.]
Mezzotint. 355 x 255mm (14 x 10"). Laid on album paper at edges.
Greville Verney (d. 1707), second son of John Verney of Compton Verney, holding a landscape print in one hand and pointing to a large world globe with the other.
CS: 53. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64573] £360.00
M. Dahll pinx. R: Williams fec:
Sold by J Smith at ye Lyon & Crown in Russel Street Covent Garden. [n.d., c.1700.]
Mezzotint. 355 x 255mm (14 x 10"). Laid on album paper at edges.
Greville Verney (d. 1707), second son of John Verney of Compton Verney, holding a landscape print in one hand and pointing to a large world globe with the other.
CS: 53. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64573] £360.00
![[M.r Grevil Verney.]](jpegs/64571.jpg)
[M.r Grevil Verney.]
[M. Dahll pinx. R: Williams fec:]
[Sold by J Smith at ye Lyon & Crown in Russel Street Covent Garden.] [n.d., c.1700.]
Mezzotint, fine & rare proof before all letters, uncleaned title area. 355 x 255mm (14 x 10"). Small margins. Time staining.
Greville Verney (d. 1707), second son of John Verney of Compton Verney, holding a landscape print in one hand and pointing to a large world globe with the other. This proof state has no lettering on the globe surface; the horizon band has no letters or Zodiac symbols.
CS: 53, only listing the published state. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64571] £480.00
[M. Dahll pinx. R: Williams fec:]
[Sold by J Smith at ye Lyon & Crown in Russel Street Covent Garden.] [n.d., c.1700.]
Mezzotint, fine & rare proof before all letters, uncleaned title area. 355 x 255mm (14 x 10"). Small margins. Time staining.
Greville Verney (d. 1707), second son of John Verney of Compton Verney, holding a landscape print in one hand and pointing to a large world globe with the other. This proof state has no lettering on the globe surface; the horizon band has no letters or Zodiac symbols.
CS: 53, only listing the published state. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64571] £480.00
The honoble William Verney Esqr.
P. Lely pinxit.
R.Tompson excudit. [n.d. c.1690.]
Fine mezzotint, 17th century watermark, 335 x 250mm (13¼ x 9¾"), large margins.
A full-length portrait of William Verney (1668-83), son of Sir Grevill Verney ,as a boy sitting, wearing a long wig and Roman attire, gently stroking the head of a dog. Behind him are a spear and a tree, with a landscape featuring water, a mountain, and distant buildings to the right.
CS48. Blackett-Ord & Turner T68 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65082] £380.00
P. Lely pinxit.
R.Tompson excudit. [n.d. c.1690.]
Fine mezzotint, 17th century watermark, 335 x 250mm (13¼ x 9¾"), large margins.
A full-length portrait of William Verney (1668-83), son of Sir Grevill Verney ,as a boy sitting, wearing a long wig and Roman attire, gently stroking the head of a dog. Behind him are a spear and a tree, with a landscape featuring water, a mountain, and distant buildings to the right.
CS48. Blackett-Ord & Turner T68 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65082] £380.00
The honorable William Verney Esqr.
P. Lely pinxit.
R.Tompson excudit. [n.d. c.1690.]
Fine mezzotint, watermarked paper, 335 x 250mm (13¼ x 9¾"), large margins
A full-length portrait of William Verney (1668-83), son of Sir Grevill Verney ,as a boy sitting, wearing a long wig and Roman attire, gently stroking the head of a dog. Behind him are a spear and a tree, with a landscape featuring water, a mountain, and distant buildings to the right.
CS48. Blackett-Ord T68 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65083] £380.00
P. Lely pinxit.
R.Tompson excudit. [n.d. c.1690.]
Fine mezzotint, watermarked paper, 335 x 250mm (13¼ x 9¾"), large margins
A full-length portrait of William Verney (1668-83), son of Sir Grevill Verney ,as a boy sitting, wearing a long wig and Roman attire, gently stroking the head of a dog. Behind him are a spear and a tree, with a landscape featuring water, a mountain, and distant buildings to the right.
CS48. Blackett-Ord T68 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65083] £380.00
H.M.S. Vernon, 50 Guns
Drawn by H. John Vernon, Day & Hague, Lith.rs to the Queen.
A.Hinton, Portsmouth. ___Ackermann & Co. London
Tinted lithograph. Printed area 415 x 290mm. Small nicks in margins.
HMS Vernon was a fifty gun frigate,designed by Sir William Symonds, that saw active service in home waters, under Captain Sir F. A. Collier in the Dutch blockade 1832, the Americas and the East Indies between 1832 and 1848. She was then laid up in Chatham Dockyard, becoming a topledo school at Portsmouth 1876.
Parker:1918.pg.91
[Ref: 6320] £260.00 (£312.00 incl.VAT)
Drawn by H. John Vernon, Day & Hague, Lith.rs to the Queen.
A.Hinton, Portsmouth. ___Ackermann & Co. London
Tinted lithograph. Printed area 415 x 290mm. Small nicks in margins.
HMS Vernon was a fifty gun frigate,designed by Sir William Symonds, that saw active service in home waters, under Captain Sir F. A. Collier in the Dutch blockade 1832, the Americas and the East Indies between 1832 and 1848. She was then laid up in Chatham Dockyard, becoming a topledo school at Portsmouth 1876.
Parker:1918.pg.91
[Ref: 6320] £260.00 (£312.00 incl.VAT)
This print representing the East India Ship Vernon, Geo. Denny Commander, on her voyage out, fitted with a Steam Engine of 30 horse power, passing H.M. ships 'Edinburgh & Blenheim 74.s. beating down Channel on the 21st of September 1839 off Benbridge, Isle of Wight, is respectfully Inscribed to Richard Green, Esq.r of Blackwall, the owner and builder of the Vernon, John Lynn. Proof.
Painted and Published by J. Lynn, Marine Painter, 23, Polygon, Somers Town, London. Engraved by W.O. Geller. Printed by S.H. Hawkins.
[n.,d., c.1839.]
Aquatint, printed in colours and hand finished. Sheet 530 x 725mm (21 x 28½"). Trimmed to plate at sides, into image at top, losing c.50mm of sky), some cracking to edges, overall toning, new margin added at top, laid on archival paper.
Vernon, a 911 ton paddle steamer, off Bembridge. Built in 1839 for the Green Blackwall Line's London-Madras run, , her engines proved to be uneconomical and were removed. In 1867, after nearly thirty years carrying passengers to the colonies in the East, Vernon was sold to the Colony of New South Wales for a 'Public Industrial School', for problem children. Within a year 113 boys, some as young as three, were aboard, being given moral, nautical and industrial training, with some elementary schooling. In 1892 was sold for breaking to Mess.rs Rae and Surge for £180; taken to Balls Head Bay on the north of Sydney Bay, the ship was burned to the waterline the following year. Australian interest.
Lynn's painting is in the National Maritime Museum, BHC3686.
[Ref: 54035] £350.00
Painted and Published by J. Lynn, Marine Painter, 23, Polygon, Somers Town, London. Engraved by W.O. Geller. Printed by S.H. Hawkins.
[n.,d., c.1839.]
Aquatint, printed in colours and hand finished. Sheet 530 x 725mm (21 x 28½"). Trimmed to plate at sides, into image at top, losing c.50mm of sky), some cracking to edges, overall toning, new margin added at top, laid on archival paper.
Vernon, a 911 ton paddle steamer, off Bembridge. Built in 1839 for the Green Blackwall Line's London-Madras run, , her engines proved to be uneconomical and were removed. In 1867, after nearly thirty years carrying passengers to the colonies in the East, Vernon was sold to the Colony of New South Wales for a 'Public Industrial School', for problem children. Within a year 113 boys, some as young as three, were aboard, being given moral, nautical and industrial training, with some elementary schooling. In 1892 was sold for breaking to Mess.rs Rae and Surge for £180; taken to Balls Head Bay on the north of Sydney Bay, the ship was burned to the waterline the following year. Australian interest.
Lynn's painting is in the National Maritime Museum, BHC3686.
[Ref: 54035] £350.00
The Hon.ble Edward Vernon Esq.r: Vice Admiral of the Blue, And Comander in Chief of all HIs Majestie's Ships in the West-Indies. To the R.t Hon.ble Lord Mayor, the Court of Aldermen, & y.e Common Council of y.e City of London this Plate is humbly dedicated by their most obedient Serv.t John Faber.
T Bardwell pinxit. J. Faber fecit 1740.
Sold by Faber at the Golden Head in Bloomsbury Square.
Rare mezzotint, fine impression, print 355 x 250mm (14 x 9¾"). Trimmed within plate and glued to album sheet.
Three-quarter length portrait of Admiral Edward Vernon (1684-1757) wearing a sword, long coat, cravat and long dark wig, pointing to left with right hand, holding a long telescope in right hand.
CS 363.
[Ref: 58816] £260.00 (£312.00 incl.VAT)
T Bardwell pinxit. J. Faber fecit 1740.
Sold by Faber at the Golden Head in Bloomsbury Square.
Rare mezzotint, fine impression, print 355 x 250mm (14 x 9¾"). Trimmed within plate and glued to album sheet.
Three-quarter length portrait of Admiral Edward Vernon (1684-1757) wearing a sword, long coat, cravat and long dark wig, pointing to left with right hand, holding a long telescope in right hand.
CS 363.
[Ref: 58816] £260.00 (£312.00 incl.VAT)
![[Vice Admiral S.r Edw.d Vernon.]](jpegs/5548.jpg)
[Vice Admiral S.r Edw.d Vernon.]
Painted by H.Singleton. Engraved by J.Jones, Engraver Extrasordinary to His R.H. the Prince of Wales and Principal Engraver to His R.H. the Duke of York.
Publish'd as the Act directs Sept.r 1, 1791 by J.Jones, No 75 Great Portland Street, Portland Place.
Mezzotint, proof before title. With engraved bookplate of the Vernon family and Vernon's signature ink pasted in the inscription area. 665 x 335mm. Some faint damp staining, mainly in margins, some creasing.
Sir Edward Vernon, commanded the fleet that took Pondicherry in 1778. Subsequently he was promoted to rear-admiral in 1779 and returned to England early in 1781. He saw no more active service, but was made a vice-admiral in 1787 and admiral in 1794, only to die a few weeks later. In 1785 he made a couple of balloon ascents from Tottenham Court Road, one reaching Horsham, the other Colchester. He was only a distant relative of his more famous namesake. Apparently Vernon's own copy of this full-length portrait.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5548] £690.00
Painted by H.Singleton. Engraved by J.Jones, Engraver Extrasordinary to His R.H. the Prince of Wales and Principal Engraver to His R.H. the Duke of York.
Publish'd as the Act directs Sept.r 1, 1791 by J.Jones, No 75 Great Portland Street, Portland Place.
Mezzotint, proof before title. With engraved bookplate of the Vernon family and Vernon's signature ink pasted in the inscription area. 665 x 335mm. Some faint damp staining, mainly in margins, some creasing.
Sir Edward Vernon, commanded the fleet that took Pondicherry in 1778. Subsequently he was promoted to rear-admiral in 1779 and returned to England early in 1781. He saw no more active service, but was made a vice-admiral in 1787 and admiral in 1794, only to die a few weeks later. In 1785 he made a couple of balloon ascents from Tottenham Court Road, one reaching Horsham, the other Colchester. He was only a distant relative of his more famous namesake. Apparently Vernon's own copy of this full-length portrait.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5548] £690.00
Arena di Verona come sta al presente.
[after Saverio Avesan.]
[n.d., c.1770.]
Engraving. 185 x 260mm (7¼ x 10¼") very large margins. Printer's crease entering plate, wear and tear in margins.
The ruins of Verona Arena, built AD 30.
[Ref: 57948] £130.00 (£156.00 incl.VAT)
[after Saverio Avesan.]
[n.d., c.1770.]
Engraving. 185 x 260mm (7¼ x 10¼") very large margins. Printer's crease entering plate, wear and tear in margins.
The ruins of Verona Arena, built AD 30.
[Ref: 57948] £130.00 (£156.00 incl.VAT)
Ponte Della Pietra.
[n.d., c.1840].
Tinted lithograph. Sheet size: 180 x 285mm (7 x 11¼"). Trimmed to image and around title.
A view of the Ponte Pietra or 'Stone Bridge', once known as the Pons Marmoreus, a Roman arch bridge crossing the Adige River in Verona, Italy. The bridge was completed in 100 BC, and it originally flanked another Roman bridge, the Pons Postumius; both structures provided the city (on the right bank) with access to the Roman theatre on the east bank.
[Ref: 33370] £140.00 (£168.00 incl.VAT)
[n.d., c.1840].
Tinted lithograph. Sheet size: 180 x 285mm (7 x 11¼"). Trimmed to image and around title.
A view of the Ponte Pietra or 'Stone Bridge', once known as the Pons Marmoreus, a Roman arch bridge crossing the Adige River in Verona, Italy. The bridge was completed in 100 BC, and it originally flanked another Roman bridge, the Pons Postumius; both structures provided the city (on the right bank) with access to the Roman theatre on the east bank.
[Ref: 33370] £140.00 (£168.00 incl.VAT)
Il Duomo. In Verona.
[n.d., c.1840].
Tinted lithograph. Sheet size: 180 x 285mm (7 x 11¼"). Trimmed to image on 3 sides.
A view of Verona Cathedral, northern Italy, showing the Romanesque facade at the front, including details such as the two Griffins at the base of the pillars, the clock tower above, which was one of the world's first striking clocks, and the large circular gothic window at the top.
[Ref: 33372] £140.00 (£168.00 incl.VAT)
[n.d., c.1840].
Tinted lithograph. Sheet size: 180 x 285mm (7 x 11¼"). Trimmed to image on 3 sides.
A view of Verona Cathedral, northern Italy, showing the Romanesque facade at the front, including details such as the two Griffins at the base of the pillars, the clock tower above, which was one of the world's first striking clocks, and the large circular gothic window at the top.
[Ref: 33372] £140.00 (£168.00 incl.VAT)