Grosvenor Prints

Eclipse of the Sun.
[London: David Bogue, c. 1845.]
Coloured lithograph on card. Sheet 150 x 190mm (6 x 7½"). Edges clipped at corners.
A solar eclipse over a Middle-Eastern landscape. Plate 60 of 'The Beauty of the Heavens: a pictorial display of the astronomical phenomena of the universe' by Charles F Blunt.
[Ref: 56790] £180.00 (£216.00 incl.VAT)

Parhelia _ No 2.
[London: David Bogue, c. 1845.]
Coloured lithograph on card. Sheet 150 x 190mm (6 x 7½"). Edges clipped at corners.
Parhelia (or 'sun dogs') are an atmospheric optical phenomenon that consists of a bright spot to one or both sides of the Sun. Plate 96 of 'The Beauty of the Heavens: a pictorial display of the astronomical phenomena of the universe' by Charles F Blunt.
[Ref: 56789] £120.00 (£144.00 incl.VAT)

Le Soleil et ses principaux phenomenes. Pl. V.
[After John Emslie] Depose. Kiessling & Comp a Bruxelles.
Librairie de W. Nitzsche a Hall, Wurttemburg. [n.d., c.1862].
Hand coloured engraving, sheet 230 x 285mm (9 x 11¼").
Large image of the Sun with several sunspots, and smaller diagrams at the top showing the relationship of the Sun and Earth during the day and night and at different seasons. Small vignettes at the bottom give artistic renderings of a Transit of Mercury, The Sun at Midnight at the North Cape of Europe and an Annualar Eclipse. A bar down the left hand side of the main image shows the comparative size of the planets as seen from the Sun and a bar on the right shows the changing appearance of sunspots on different parts of its disc. One of twelve from the French version of the Astronomischer Bilder Atlas 'Astronomie Populare en Tableaux Tansparents', from Wilhelm Nitzschke, 1862.
[Ref: 56898] £280.00 (£336.00 incl.VAT)

The Magnitude of the Sun, the Primary and Secundary Planets, and the Distances of the Secundaey Planets from their Primary Ones;
Deduced from the Latest Observations by S. Dunn. Teacher of the Mathematical Sciences.
London. Printed for Rob.t Sayer, No 53 in Fleet Street, as the Act directs 10 June 1786.
Engraving with mezzotint detailing. 360 x 560mm (14¼ x 22"), very large margins. Repaired tear in lower centre fold in margin.
A diagram comparing the sizes of the Sun and planets, and illustrating the distances of Earth, Jupiter and Saturn from their satellites. From ''A New and General Introduction to Practical Astronomy, with its application to Geography'' by Samuel Dunn (1723-94). He taught at the Maritime Academy, Ormond House, Paradise Row in Chelsea. The use of mezzotint on such scientific diagrams is unusual.
[Ref: 57111] £450.00

Sol. Interea magnum Sol circumvolvitur annon Terrarumque suis flammis opera omnia lustrat. Aeneid lib. 4.
Raphael Urbinos pinxit. Carlo Lasinio inc.
Si vendono da Nicola d'Antoni in Via del Corso No.35. [n.d., c.1780.]
Engraving. 335 x 510mm (13¼ x 20"). Repairs top margin, publication line weak, creases lower title.
Helios (or Apollo) in a chariot drawn by four horses. From 'I Sette Pianeti dipinti da Raffaele d'Urbino nella Sala Borgia del Vaticano', after designs by Raphael in the Sala dei Pontefici.
[Ref: 60383] £280.00 (£336.00 incl.VAT)

Just as the Sun went down. A Pathetic Incident of War Time. Words and Music by Lyn Udall. Sung with Great Success by Miss Nellie Gannon.
H.G. Banks Lith.
Charles Sheard & C.o, Anglo-American Music Publishers, 196, Shaftesbury Avenue, W.C. New York: M. Witmark & Son, 8 West 29.th S.t [n.d., c.1900].
Lithograph. Sheet 355 x 250mm (14 x 10¼") Small tears in edges.
The music sheet cover showing two British soldiers lying by a field gun under a shredded Union flag, looking at lockets with their sweethearts' hair as they die. The pith helmet suggests the scene is during the Second Boer War (1899-1902). Lyn Udall (1870-1963) was an American composer. 'Just as the Sun Went Down' was first published in 1898, with a cover relating to the Spanish-American War. The song was successful: other cover illustrations show the tanks and biplanes of the First World War.
[Ref: 62917] £130.00 (£156.00 incl.VAT)

[The surface and appearance of the Sun.] Astronomy. Plate 3.
Engraved & Printed in Colour by W. & A.K. Johnston. Edinburgh.
William Blackwood & Sons, Edinburgh & London. [n.d. c.1855-77.]
Chromolithograph. 270 x 345mm (10½ x 13½"). Central crease as normal.
Four diagrams illuminating the 'Paths of the spots across the disc of the sun at different peiods of the year', 'the zodiacal light', 'solar spots, viewed with high magnifying power' and the 'apparent magnitude of the sun as viewed from the various planets'. Plate 3 of Blackwood & Sons' 'School Atlas of Astronomy' by Scottish borthers William and Alexander Keith Johnston who established their own printing business in Edinburgh after training under globe maker James Kirkwood. The Atlas included eighteen coloured plates of celestial bodies, first published in 1855, the final edition was published in 1877.
[Ref: 56915] £80.00 (£96.00 incl.VAT)

That Celebrated Horse, Sunbeam.
[n.d. c.1830.]
Wood engraving, very scarce. 113 x 163mm. 4½ x 6½". Cut, laid on album sheet.
Sunbeam (c.1855) produced by Sunflower and Chanticleer, of great pedigree from her mother's side whose sire was Bay Middleton, the undefeated thoroughbred racehorse whose victories included two British Classic Races. He was twice the leading Sire in Great Britain and Ireland.
[Ref: 20848] £110.00 (£132.00 incl.VAT)

A View of Sunbury, up the River Thames. No.2.
J. Boydell Del. & Sculp.
Publish'd according to Act of Parliament by J. Boydell at the Unicorn the Corner of Queen Street Cheapside. Price 1.s. [n.d. c.1750.]
Engraving, printed on 18th century watemarked paper. Plate 260 x 431mm. 10¼ x 17". Large margins.
A view of Sunbury-on-Thames, in Surrey. Punts, boats and merchant vessel seen on the River Thames.
See Ref: 859. Collage: k1274478.
[Ref: 25623] £350.00

A View of Sunbury, up the River Thames. No.2.
J. Boydell Del. & Sculp.
Pulish'd according to Act of Parliament by J. Boydell at the Unicorn the Corner of Queen Street Cheapside. Price 1s. [1770.]
Engraving, paper watermarked with very large margins. Plate 260 x 425mm (10¼ x 16¾").
A view along the River Thames at Sunbury, from "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.2.
[Ref: 29295] £250.00 (£300.00 incl.VAT)

Quinze Ans de Voyages Autour du Monde, par le Capitaine Gabriel Lafond (de Lurcy). Aniere (Détroit de la Sonde).
Lith. par S.t Aulaire et Freeman.
Lith de Rigo frères, Pass: Saulnier, 19. [n.d., c.1840.]
A rare tinted lithograph. Sheet: 375 x 520mm (14¾ x 20½"). Vertical crease.
A view of the Sunda Islands in North Sumatra with figures in the foreground. An illustration from 'Quinze Ans de Voyages Autour du Monde' by Gabriel Lafond de Lurcy who departed on his second voyage around the world in 1828, his description of his travels was published in 1840.
[Ref: 46712] £260.00 (£312.00 incl.VAT)

Iles de la Sonde, Java - Sunda Islands, Java. Océanie. V. Pitt. No.22.
A. St. Aulaire. Imp. d'Aubert & C.ie.
Publié par Aubert, Place de la Bourse, 29. [n.d. c.1830.]
Coloured lithograph. 290 x 201mm (11½ x 8").
Images of Javan costume: Pirogues of the natives; court-attire; bridegroom and bride; natives of various classes; habitations of the natives. A summary paragraph describing the land, population and resources.
[Ref: 52461] £130.00 (£156.00 incl.VAT)

[Three engravings published in the Carlton House Magazine] Sunday Work which ought to be prohibited [&] The Bakers Sunday Triumph [&] The Rev.d G.H.J. Esq.r
[Published by W. & J. Stratford (?), c.1794]
Three engravings, each platemark approx. 180 x 115mm (6¾ x 4¼").
Three prints published in the 'Carlton House Magazine'. 'The Bakers Sunday Triumph' shows bakers rejoicing while the Albion Mills (a steam-powered flour mill in Southwark, inspiration for William Blake's ''dark satanic mills''; the fire is illustrated in Ackermann's Microcosm of London) burns behind them, in celebration of George III's act forbidding the baking of bread on Sundays. This plate was a reissue of a print by Barlow after Collings titled 'Conflagration! Or the Merry Mealmongers', published in the 'Attic Miscellany' in 1791. It is likely that the other two plates were also reissues.
BM Satires 8482 (Bakers Sunday Triumph)
[Ref: 45862] £130.00 (£156.00 incl.VAT)

The Sunday before Confirmation. Parson_What did your Godfathers & Godmothers then for you?_Boy_Nothing, Sir, Rot'em for I never had none.
F. delt.
[Thomas McLean.]
Hand-coloured etching, watermark 'J. Whatman 1825'. Sheet: 205 x 235mm (8 x 9¼''). Trimmed and tipped into an album sheet.
A comic scene in a church in which a scruffy boy stands out from a line of children and converses with a vicar.
BM Satire Undescribed.
[Ref: 50724] £100.00 (£120.00 incl.VAT)

Sunday Evening.
H. Bunbury del.
[n.d. c.1810.]
Very fine hand-coloured etching. 120 x 151mm. 4¾ x 6".
A scene at home. An old man sits in a high-backed chair with his wife asleep next to him. A boy reads at the table, with another woman sitting beside him. A dog and cat fight in the middle of the room.
See BM Satires: 5084.
[Ref: 16081] £140.00 (£168.00 incl.VAT)

East Street Chapel, St. Neots. Sunday Evening Lectures Will be delivered upon the following Subjects:-- 1878... [Four October/ November dates with lecture titles follow.]
D.R. Tomson, Printer, St. Neots. [1878.]
Letterpress broadside advertisement, very rare, sheet 285 x 225mm. 11¼ x 8¾". Folds, some staining. Chip and tear from upper edge.
Advertising an upcoming series of lectures with a strong religious theme, for the moral nourishment and improvement of local residents.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester's Light Horse.
[Ref: 16467] £80.00 (£96.00 incl.VAT)

[Sunday Morning.]
[Drawn & Etched by Theodore Lane. Engraved by Geo. Hunt.]
[London, Published by Tho.s McLean, 26, Haymarket, 1827.]
Coloured aquatint. Sheet 230 x 335mm (9 x 13¼"). Trimmed into image, losing all inscriptions.
The interior of a busy barber's shop, centred on a scared man being shaved with a cut-throat razor, which has nicked his face, lips and nose. On the wall behind are prints, including Egerton's caricature 'Number One or Blood for Blood', also set in a barber's shop, also engraved by the Hunts.
Hickman: p.96, first published by Hunt c.1825.
[Ref: 58241] £220.00 (£264.00 incl.VAT)

[Sunday Sabbatarianism] The Political Drama. No 5. Illustrations of Sir Andrew Agnews New Act. Things Not to be Done on the Sabbath.
Printed and Published by G. Drake, 12, Houghton Street, Clare Market [n.d., c.1836.]
Woodcut with letterpress. Sheet 410 x 280mm (16 x 11"). Laid on album paper at corners
Four satirical scenes of what might happen if one of the Sabbath Observance Bills of Sir Andrew Agnew (1793-1849, MP for Wigtownshire) was passed. Top left a policeman says he has to get permission from the Bishop to intervene to stop a man hanging himself. Top right a man is stopped from calling the midwife. Agnew introduced four bills during his seven years in Parliament, prompting Charles Dickens to write that his motivated was resentment that those poorer than himself might have any pleasure in life.
[Ref: 54420] £160.00 (£192.00 incl.VAT)

The Lord's Prayer. Belief. & Ten Commandments. Hallelujah.
[n.d., c.1850.]
Steel engraving on porcelain card. Sheet 70 x 110mm (2¾ x 4¼").
A Sunday School card with the three texts in tiny writing.
See Ref: 48813 & 48814
[Ref: 48812] £75.00 (£90.00 incl.VAT)

Life of Christ.
Pub. by J.T. Wood, 9 Curriers Hall Court, London Wall. [n.d., c.1850.]
Steel engraving on porcelain paper. Sheet 155 x 95mm (6 x 3¾").
A Sunday School card with vignette scenes of the Life of Christ; the texts of The Lord's Prayer and The Belief; and the word 'Bible' in micrography.
See: Ref: 48812 & 48814
[Ref: 48813] £70.00 (£84.00 incl.VAT)

The Beauties of the Holy Bible.
Engraved, Printed & Published by H. Green, 7 Neviles Court, Fetter Lane, London
Steel engraving on porcelain paper, printed in blue. Sheet 95 x 140mm (3¾ x 5½").
A Sunday School card with vignette scenes of the Life of Christ.
See Ref: 48813 & 48812
[Ref: 48814] £70.00 (£84.00 incl.VAT)

Hymns. By B.J. Montgomery Esq. for the Sunday School Jubilee Sep. 14, 1831. Anniversary of the Birth-day of R. Raikes, Esq. the Founder of Sunday Schools.
Sold at the Sunday School Union Depository 5 Paternoster Row [c.1831].
Letterpress broadside handbill; engraved lettering below steel-engraved portrait of Robert Raikes, and sitter's facsimile signature. India(?) paper on card, sheet 175 x 110mm, 7 x 4¼". Lacking margins, with corners rounded (as issued?).
Two columns of six verses each, captioned 'Monmouth' (left) and 'Cranbrook' (right). Robert Raikes (1735 - 1811) was a journalist and promoter of Sunday Schools. These bills would have been issued by the regional headquarters of his foundations throughout the country to celebrate his birthday. A philanthropist and businessman, Raikes campaigned for prison reform and devoted himself to establishing Sunday Schools. In 1780, he founded the first formal, free Sunday School in Gloucester. As editor and owner of the Gloucester Journal he was able to use his own newspaper to promote the idea that Sunday Schools could prevent juvenile delinquency, religious ignorance and unemployment by teaching children to read and write.
See item Ref: 16769 for a similar Newcastle imprint.
[Ref: 27923] £120.00 (£144.00 incl.VAT)

Sunday School Jubilee to be Celebrated on Thursday Sepr. 8th. 1831. In Commemoration of the Founding of Sunday Schools by R. Raikes Esqr.
Sold at the Sunday School Union Depository No.20, Quay Side Newcastle upon Tyne. [c.1831.]
Letterpress broadside handbill/frontispiece? with steel engraved portrait of Robert Raikes by W. Collard. Sheet 130 x 90mm, 5 x 3½".
Robert Raikes (1735 - 1811) was a journalist and promoter of Sunday Schools. A philanthropist and businessman, Raikes campaigned for prison reform and devoted himself to establishing Sunday Schools. In 1780, he founded the first formal, free Sunday School in Gloucester. As editor and owner of the Gloucester Journal he was able to use his own newspaper to promote the idea that Sunday Schools could prevent juvenile delinquency, religious ignorance and unemployment by teaching children to read and write.
[Ref: 16769] £60.00 (£72.00 incl.VAT)

Sunderland Pier, Durham.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Cleveland Street, Fitzroy Square, London, July 1, 1822.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Watermarked 'J. Whatman Turkey Mill 1821'. Mint, with large margins, uncut.
A view of Tynemouth with the ruins of Tynemouth Priory, the lighthouse and fishing boats. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 35966] £180.00 (£216.00 incl.VAT)

West View of the Stupendous Iron Bridge Built over the River Wear in Sunderland by Row.d Budron Esq.r M.P. under the immediate inspection of Mr T. Wilson Engineer.
Engraved by T.A. Kidd N.Castle on Tyne.
Jan.y 1. 1805. Published by W. Tarn, Sunderland.
Engraving. Sheet 145 x 215mm (5¾ x 8½"). Trimmed, laid on album paper at edges.
The world's second iron bridge, opened 1796.
[Ref: 42019] £110.00 (£132.00 incl.VAT)

[Old Sunderland.]
[by Thomas Marie Madawaska Hemy.]
Published by Hills & Co, Printsellers, Sunderland, Nov.r 1st 1888.
Scarce etching. 430 x 560mm (17 x 22") with large margins. Limited edition 85, Artists Proof 35, Before Letters 50; Printsellers' Association blindstamp.
An extremely rare view of the River Wear at Ettrick's Quay, Sunderland, half-a-century before it was cleared for the creation of Corporation Quay (1932). The original painting by Hemy (1850-1937) is in the Tyne & Wear Archives & Museums.
[Ref: 51970] £420.00

West View of the Stupendous Iron Bridge Built over the River Wear in Sunderland by Row.d Budron Esq.r M.P. Span of the Arch 256 F.t Height 100 F.t Cast Iron 214 Tons. Worked Iron 46 Tons. Foundation Stone Laid 24 SEp. 1795. Opened 9 Aug. 1796.
Published by T. Robson [c.1805]
Engraving. Sheet 165 x 240mm (6½ x 9½"). Trimmed, losing part of publication line.
The world's second iron bridge, opened 1796.
For similar view of the bridge see ref.42019.
[Ref: 46025] £95.00 (£114.00 incl.VAT)

[Wearmouth Bridge] A South East View of the Cast Iron Bridge over the River Wear at Sunderland in the C.o of Durham. Built by Roland Burdon Esq.r M.P. Span 236 Ft, height 100 Ft, Spring of the Arch 33 Ft, It is supposed to be the Largest Arch in the World - The Foundation Stone was laid 24th Sept, 1793 & the Bridge was opened 9th Aug.t 1796.
R. Johnson Delt. A.Hunter Scult.
[n.d. 1796]
Rare engraving. Sheet 355 x 420mm (14 x 16½"). Trimmed to plate, repaired tears.
A view of the first Wearmouth Bridge, shortly after it opened, showing that masted ships could pass underneath it easily. It was the second major cast-iron bridge in the world, but twice as long as the Severn Iron Bridge, with an unprecedented single span of 236ft. The bridge was designed and built by the engineer Thomas Wilson, sponsored by Rowland Burdon.
[Ref: 54167] £650.00

Pray M.r Gardener What Is The Language Of The Flowers To Day? Och! Its Not To Be Mistaken Madam; This Sunflower Was Red, This Morning, But It Was So Jealous Of Your Ladyships' Beauty, That It Has Turn'd Entirely Yellow.
Dean & C.o Threadneedle S.t. [n.d. c.1833]
Hand-coloured lithograph, sheet 410 x 235mm (16¼ x 9¼"). Trimmed and glued to blue scrapbook paper.
An ugly woman asks her Scottish gardener about the flowers. The gardener gives a flattering reply. Her black servant smiles in amusement.
[Ref: 62032] £95.00 (£114.00 incl.VAT)

Where are You A Driving too Spooney?
[Monogram of an open hand] del.
[n.d., c.1825.]
Coloured etching. Sheet 220 x 160mm (8¾ x 6¼"). Trimmed to printed border.
A man wearing fashionable sunglasses walks into the handle on a butcher's tray, poking himself in the eye. On the tray is a beef heart and kidneys.
[Ref: 61326] £75.00 (£90.00 incl.VAT)

[''Where forlorn Sunsets fare & fade on desolate sea and lonely sand''.]
Percival Gaskell.
[n.d., c.1910.]
Mezzotint, signed in pencil. Plate: 230 x 325mm (9 x 12¾''), with very large margins. Slight foxing in margins
A landscape view with a sunset and sea birds. By artist Percival Gaskell (1868-1934).
[Ref: 47972] £120.00 (£144.00 incl.VAT)

[''Where forlorn Sunsets fare & fade on desolate sea and lonely sand''.] Trial Proof [pencil]
Percival Gaskell.
[n.d., c.1910.]
Mezzotint, signed in pencil. In pencil on mount "only proof taken of the state" Plate: 230 x 325mm (9 x 12¾''), with very large margins. Slight foxing in margins
A landscape view with a sunset and sea birds. By artist Percival Gaskell (1868-1934).
See 47972 for published state.
[Ref: 48145] £120.00 (£144.00 incl.VAT)

Sunset.- D. Teniers.
[Ralph Cockburn c.1816.]
Aquatint with fantastic colour. Sheet: 165 x 225mm (6½ x 9"). Trimmed to printed image and mounted on card with captions pasted below as issued.
A rural scene in which a shepherd stands herding his sheep with a large house in the background. From a collection of aquatints of popular paintings in the Dulwich Picture Gallery's collection drawn, engraved and published by Ralph Cockburn, keeper of the Dulwich Picture Gallery, between 1816-1820.
Abbey 201.
[Ref: 43562] £95.00 (£114.00 incl.VAT)

La Superstition. R 3.
Huquier ex.
[A Paris chez Huquier rue des Mathurins près celle de Sorbonne. C.P.R.] [n.d. c.1760.]
Fine and rare etching. 160 x 110mm (6¼ x 4¼"), with very large margins.
A rococo design, with owls, engraved and published by Gabriel Huquier (1695-1772).
[Ref: 59573] £160.00 (£192.00 incl.VAT)

[Different Sensations.] After Dinner. [&] Preparing for Supper.
[Thomas Rowlandson.]
[London. Pub.d Oct.r 22nd 1789 by S. Alken, 1789.]
Two coloured aquatints. Framed. Sight size 200 x 245mm (7¾ x 9¾"). Trimmed. Unexamined out of frame.
Two scenes of four printed on the same sheet with the overall title 'Different Sensations'. 'After Dinner': a man leans back in his chair as a maid clears the table. 'Preparing for Supper': a diner with his wig in his hand is guided into his chair by a servant, while a maid tucks a napkin into his collar.
Not in BM.
[Ref: 58402] £350.00 view all images for this item

Rivière De Sourabaya.
Paris del. Himely sc. de Sainson Edit. Finot imp.
Aquatint on india, plate 295 x 380mm (11½ x 15") with very large margins. Blind stamp with 'La Favorite' in the bottom margin. Some spotting in margins.
Part of a series "Voyage Autour du Monde par les Mers de l’Inde et de la Chine de la corvette de sa Majeste La Favorite execute pendant les annees 1830,1831,1832 sous le commandement de M. Laplace". Published in Paris in 1835 under the direction of Louise Auguste de Sainson. Under the command of Laplace, La Favorite explored Indian Ocean and the route to the Indies via the Strait of Malacca, between Sumatra and Malaysia, into the China Sea (1830-1832). A scene along a river in Sourabaya (Surabaya) Indonesia. People walk along a path on the river bank, buildings to the left of them the river to the right. Two men in the distance navigate the water in a boat.
[Ref: 54877] £190.00 (£228.00 incl.VAT)

Suratte.
[London, John Ogilby, c.1667.]
Engraving. 290 x 350mm, 11½ x 13¾". Some creasing as normal.
A view of Surat, in Gujerat in India, an illustration from Johan Nieuhof's account of his travels in the Far East with the Dutch East India Company, 1665-7. It is an illustration from the English edition of Johann Nieuhof's 'Voyages and travels, into Brasil, and the East-Indies', published by John Ogilby.
[Ref: 18798] £220.00 (£264.00 incl.VAT)

Suratte, een volkryke Koopstadt in Oostindie onder het gebiet van den grooten Mogol.
Pet Schenk.
Amsteld C.P. [n.d., c.1702.]
Engraving, 210 x 265mm. 8¼ x 10½". Small hole upper left corner of image. One or two stain spots.
Surat was a trading post of the Dutch East India Company on the north west coast of India. Dutch warships, East Indiamen and other sailing craft in the foreground. Engraved and published in Amsterdam by Pieter Schenk (1660 - 1718/1719). Titles in Dutch, to left, and Latin. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
Hollstein, vol XV, nos.1306-1405.
[Ref: 11079] £280.00 (£336.00 incl.VAT)

De Stadt Souratte.
[Amsterdam, Jacob van Meurs, 1671.]
Engraving. 250 x 350mm.
Dutch East-Indiamen in the harbour of Surat in Gujarat, India. From Arnoldus Montanus' 'Asie'.
[Ref: 4271] £280.00 (£336.00 incl.VAT)

A View of Surat in the East Indies. Engrav'd for Drake's Voyages.
J.s. Record Sculpt.
[n.d., c.1780.]
Engraving. Sheet 190 x 270mm.
The trading port of Surat, Gujerat, India.
[Ref: 7115] £60.00 (£72.00 incl.VAT)

A View of Surat, in the East Indies.
Rooker Sculp.t.
[n.d., c.1780.]
Etching. 185 x 260mm.
The trading port of Surat, Gujerat, India.
[Ref: 7016] £80.00 (£96.00 incl.VAT)

Suratte, een volkryke Koopstadt in Oostindie onder het gebiet van den grooten Mogol.
Pet Schenk.
Amsteld C.P. 77. [n.d., c.1702.]
Engraving. 222 x 280mm (8¾ x 11") with small margins. Small hole upper left corner of image. One stain spot; some creasing.
Surat was a trading post of the Dutch East India Company on the north west coast of India. Dutch warships, East Indiamen and other sailing craft in the foreground. Engraved and published in Amsterdam by Pieter Schenk (1660 - 1718/1719). Titles in Dutch, to left, and Latin. Plate to Schenk's 'Hecatompolis' (1702), which included one hundred profile views of cities throughout the world.
Hollstein, vol XV, nos.1306-1405.
[Ref: 52392] £320.00

A View of Surat.
Rooker Sculp.t.
[n.d., c.1770.]
Engraving. 180 x 260mm (7 x 10¼") large margins. Stain in image.
The trading fort at Surat, Gujerat.
[Ref: 52057] £130.00 (£156.00 incl.VAT)

Seething Wells.
[n.d., c.1850?]
Ink sketch map. Sheet 425 x 680mm (16¾ x 26¾"). Tears.
A sketch map of the Brighton Road from near the Thames Ditton Marina to the Fox & Hounds public house at Westfield Road, with Brighton Road (to Surbiton) marked 'From Brighton'. It is possible this was drawn when both Chelsea Water Works and Lambeth Waterworks were about to be relocated to Seething Wells in 1852 after their original sites were declared too polluted to provide drinking water safely.
[Ref: 49013] £160.00

The Sure Water Cure.
[London: Mess.rs Fores, 1843.]
Oblong 8vo; printed boards, publisher's letterpress ads on pastedowns; lithographed 'preface', 11 (of 12) lithographic scenes, each with a lithographic description on reverse of previous plate. Covers distressed and rebacked, contents disbound, lacking one sheet (with plate 6 and description of 7).
A volume of satires of 'hydropathy'.
[Ref: 66541] £160.00 (£192.00 incl.VAT) view all images for this item

[Valentine.] Surely love is between us.
On stone by G. Ryner.
Published by Shepherd & Sutton, Foster Lane, London. A Duiotes Lithog. 70 St. Martins Lane. [n.d. c.1820.]
Lithograph. 243 x 349mm. 9½ x 13¾". Spotting.
Valentines. Satire of two lovers with a cupid sat between them.
[Ref: 15446] £75.00 (£90.00 incl.VAT)

[Thomas Brugis.]
T.Cross sculpsit.
[n.d., c.1680.]
Engraving. Sheet 125 x 75mm (5 x 3"). Trimmed and backed onto album paper at edges.
Portrait of Thomas Brugis (fl. 1640.), an English surgeon, the frontis to 'Vade Mecum'. Brugis practised for seven years as a surgeon during the civil wars. He does not record upon which side he served. Brugis wrote The Marrow of Physicke, London, 1640, 4to; and Vade Mecum, or a Companion for a Chirurgion, of which the first edition appeared, London, 1651, 12mo, and the seventh 1689, in the same size.
W452.
[Ref: 67699] £260.00 (£312.00 incl.VAT)

The Surgeon's Theatre in the Old Bailey. 80 Feet in Front.
B. Cole Sculp.
[n.d. c.1756.]
Etching and engraving with large margins. Plate 204 x 349mm (8 x 13¾").
Elevation of front of building, with steps leading to entrance from left and right. The Surgeons' Hall stood in the Old Bailey, on the site of the New Sessions House, till 1809. A plate from Maitland's "The History of London".
[Ref: 29410] £70.00 (£84.00 incl.VAT)

Heelmeester. De duyvel, Meester Hans, is dat myn arm verbinden! [/] Riep Teuwes; op die schreeu trok Griet een schere bek. [/] Je praat zo wat, zei Hans, ik moet kwaad eerst vinden, [/] Zal ik 't geneezen: wel hoe baarje, ben je gek? A.B.
Corn: dusart fec. et inv. 1695.
Etching. Sheet: 180 x 260mm (7 x 10¼"). Trimmed within plate.
A scene in a Dutch surgeon's surgery in which a surgeon in a cloth cap performs an operation on the arm of a man sitting in a chair, behind them a woman clasps her hands in horror. The surgeon's room is full of tools and a stuffed armadillo hangs from the ceiling above them.
[Ref: 39495] £260.00 (£312.00 incl.VAT)

[Surgical Tools.] Heelkundige Werktuigen. Chururgische Instrumente. A Instrumens de Chirurgie.
Arthus-Betrand editeur. Imp. de Lemercier Bernard et Ce.
[n.d., c.1850.]
Rare lithograph. Sheet 360 x 280mm (14¼ x 11"). Trimmed and backed onto album paper.
A diagram depicting various surgical tools.
Wellcome 493629i.
[Ref: 66715] £180.00 (£216.00 incl.VAT)

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