A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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J.M. Barrie.
Supplement to The Bookman, Christmas, 1905.
Photo by G.C. Beresford, Yeoman's Row. W. The Cranford Press, Wealdstone.
Photogravure. Sheet: 330 x 210mm (12½ x 8¼'').
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 48958] £70.00 (£84.00 incl.VAT)
Supplement to The Bookman, Christmas, 1905.
Photo by G.C. Beresford, Yeoman's Row. W. The Cranford Press, Wealdstone.
Photogravure. Sheet: 330 x 210mm (12½ x 8¼'').
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 48958] £70.00 (£84.00 incl.VAT)
J. M. Barrie. Supplement to The Bookman Christmas, 1920.
Photo by Alvin Langdon Coburn.
[1920.]
Photogravure. Sheet: 315 x 200mm (12.5 x 8"). Tear in left edge.
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 45811] £85.00 (£102.00 incl.VAT)
Photo by Alvin Langdon Coburn.
[1920.]
Photogravure. Sheet: 315 x 200mm (12.5 x 8"). Tear in left edge.
A portrait of Scottish novelist James Matthew Barrie (1860-1937), best known for writing 'Peter Pan'.
[Ref: 45811] £85.00 (£102.00 incl.VAT)
Barrington picking the Pocket of J. Brown Esq.r.
[n.d., c.1790.]
Engraving. Plate: 165 x 110mm (6½ x 4¼''). Small margins.
A scene showing pickpocket George Barrington (1755-1804) picking a pocket, below are various aparatus for stealing. George Barrington was a socialite who was convicted for stealing in 1790 and transported to Botany Bay. On his journey to Australia he alerted the captain to a plan to seize the ship, on their arrival the captain reported his actions to the authorities and he received a warrant of emancipation, he later became high constable of Parramatta.
[Ref: 51117] £160.00 (£192.00 incl.VAT)
[n.d., c.1790.]
Engraving. Plate: 165 x 110mm (6½ x 4¼''). Small margins.
A scene showing pickpocket George Barrington (1755-1804) picking a pocket, below are various aparatus for stealing. George Barrington was a socialite who was convicted for stealing in 1790 and transported to Botany Bay. On his journey to Australia he alerted the captain to a plan to seize the ship, on their arrival the captain reported his actions to the authorities and he received a warrant of emancipation, he later became high constable of Parramatta.
[Ref: 51117] £160.00 (£192.00 incl.VAT)
![[Samuel Barrington.]](jpegs/9325.jpg)
[Samuel Barrington.]
Benj.n Wilson Pinxit R. Earlom Sculp.
London, printed for R. Sayer & J. Bennett, No. 53 Fleet Street as the Act directs, 20th Sept. 1779.
Mezzotint. Plate: 380 x 280mm (15 x 11"). Very fine.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS 7. i. See Ref: 8465.
[Ref: 9325] £350.00
Benj.n Wilson Pinxit R. Earlom Sculp.
London, printed for R. Sayer & J. Bennett, No. 53 Fleet Street as the Act directs, 20th Sept. 1779.
Mezzotint. Plate: 380 x 280mm (15 x 11"). Very fine.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS 7. i. See Ref: 8465.
[Ref: 9325] £350.00
The Honourable Samuel Barrington, Vice Admiral of the Blue, and Commander in Chief of his Majestys Ships at the Reduction of St. Lucia.
Sir Joshua Reynolds pinxt: Richd. Earlom fecit.
London, Printed for R.Sayer & J.Bennett, Map & Print-sellers, No.53, Fleet Street; as the Act directs, 12th. Feby. 1780.
Mezzotint. 378 x 279mm. 14" 7/8 x 11". Embossed collectors stamp for Ch. Kemeys-Tynte [Luft gives 1779-1860 as the dates although these may not be correct.] Repaired tear in lower margin.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS:6.ii. See Ref: 9325 in Addendum.
[Ref: 8465] £250.00 (£300.00 incl.VAT)
Sir Joshua Reynolds pinxt: Richd. Earlom fecit.
London, Printed for R.Sayer & J.Bennett, Map & Print-sellers, No.53, Fleet Street; as the Act directs, 12th. Feby. 1780.
Mezzotint. 378 x 279mm. 14" 7/8 x 11". Embossed collectors stamp for Ch. Kemeys-Tynte [Luft gives 1779-1860 as the dates although these may not be correct.] Repaired tear in lower margin.
Rear Admiral Samuel Barrington RN (1729 — 1800) British Admiral whose career spanned 50 years served in the Mediterranean against North African Corsairs, off the West African coast, off France and in the Channel. He accompanied Commordore Keppel to North America in 1755 and again served with Keppel in 1761 at Belle-Isle. He served as a Captain in the Channel for many years when in 1778 was advanced to Rear Admiral of the White and sent as Commander in Chief in the West Indies. Having been succesful in taking St. Lucia from the French he served in the West Indies for another couple of years after which in 1782 he returned to the Channel Fleet and served under Howe at the relief of Gibraltar.
CS:6.ii. See Ref: 9325 in Addendum.
[Ref: 8465] £250.00 (£300.00 incl.VAT)
The bay of Barrisdale, in Loch Hourne.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1819.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Barrisdale bay on Loch Hourn, with sailing boats in the water, buildings on the coast and rocky mountains behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36106] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1819.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Barrisdale bay on Loch Hourn, with sailing boats in the water, buildings on the coast and rocky mountains behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36106] £160.00 (£192.00 incl.VAT)
The Devil Paid His Due.
[by J.Barrow?]
Pub.d by J.Wallis. No 16, Ludgate Street. March 6 1784.
Engraving. 250 x 350mm. Trimmed within plate, small loss of printed surface.
Charles James Fox tied to an elephant's tail, being whipped by Justice. In December 1783 the coalition government of Charles James Fox (1749-1806) and Lord North was removed from office by George III after a sustained campaign of public vilification. James sayer was the son of a merchant captain from Great Yarmouth Norfolk. He openly attacked Fox, many of his cartoons damaging Fox's career. Fox had supported American Independence.
BM: 6440.
[Ref: 6791] £260.00 (£312.00 incl.VAT)
[by J.Barrow?]
Pub.d by J.Wallis. No 16, Ludgate Street. March 6 1784.
Engraving. 250 x 350mm. Trimmed within plate, small loss of printed surface.
Charles James Fox tied to an elephant's tail, being whipped by Justice. In December 1783 the coalition government of Charles James Fox (1749-1806) and Lord North was removed from office by George III after a sustained campaign of public vilification. James sayer was the son of a merchant captain from Great Yarmouth Norfolk. He openly attacked Fox, many of his cartoons damaging Fox's career. Fox had supported American Independence.
BM: 6440.
[Ref: 6791] £260.00 (£312.00 incl.VAT)
Isaac Barrow D.D. and Chaplain in Ordinary to King Charles II. professor of Geometry in Gresham College, and of the Greek Tongue and Mathematics at Cambridge, and Master of Trinity College in that University.
Vandyke pinx.t. Pelit Sculp.t..
Engrav'd for the Royal Magazine. [n.d., c.1770]
Engraving, plate 175 x 100mm (7 x 4"), with large margins. Some surface dirt on left.
Oval portraits of Isaac Barrow (1630 –1677) an English Christian theologian and mathematician who is generally given credit for his early role in the development of infinitesimal calculus.
Wellcome: 183-7
[Ref: 57053] £70.00 (£84.00 incl.VAT)
Vandyke pinx.t. Pelit Sculp.t..
Engrav'd for the Royal Magazine. [n.d., c.1770]
Engraving, plate 175 x 100mm (7 x 4"), with large margins. Some surface dirt on left.
Oval portraits of Isaac Barrow (1630 –1677) an English Christian theologian and mathematician who is generally given credit for his early role in the development of infinitesimal calculus.
Wellcome: 183-7
[Ref: 57053] £70.00 (£84.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris coll. S.S. Trini. Cantab. Praefec. Nec-Non Acad. Eiusdem Procanc: 1676.
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. 275 x 190mm. (10¾ x 7½"), with large margins on 3 sides.
Portrait, head and shoulders in an oval frame, long hair, wearing bands, gown and robes; coat of arms below. Isaac Barrow (1630-1677) was a divine. He was an English theologian, and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i;
[Ref: 53621] £90.00 (£108.00 incl.VAT)
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. 275 x 190mm. (10¾ x 7½"), with large margins on 3 sides.
Portrait, head and shoulders in an oval frame, long hair, wearing bands, gown and robes; coat of arms below. Isaac Barrow (1630-1677) was a divine. He was an English theologian, and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i;
[Ref: 53621] £90.00 (£108.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris coll. S.S. Trini. Cantab. Praefec. Nec-Non Acad. Eiusdem Procanc: 1676.
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. Platemark: 275 x 190mm (10¾ x 7½"), with large margins.
Portrait of Isaac Barrow (1630-1677), head and shoulders in an oval frame, long hair, wearing bands, gown and robes, with a coat of arms below. Barrow was an English theologian and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i; ex Collection: R. Hobson of Hove.
[Ref: 39257] £140.00 (£168.00 incl.VAT)
D. Loggan ad Vivum delin.
[n.d. c.1676.]
Engraving. Platemark: 275 x 190mm (10¾ x 7½"), with large margins.
Portrait of Isaac Barrow (1630-1677), head and shoulders in an oval frame, long hair, wearing bands, gown and robes, with a coat of arms below. Barrow was an English theologian and mathmatician who is generally remembered for his early role in the development of infinitesimal calculus, and particularly for the discovery of the fundamental theorem of calculus. Isaac Newton was a student of Barrow's and went on to develop calculus in a modern form.
Wellcome Library no. 792i; ex Collection: R. Hobson of Hove.
[Ref: 39257] £140.00 (£168.00 incl.VAT)
Isaacus Barrow S.T.P. Reg. Ma.ti A Sacris Coll. S. S. Trini. Cantab. Præfec. Nec. Non Acad. Eiusdem Procanc. ao. 1676.
D. Loggan ad Vivam delin. Bernigeroth sc.
[n.d., c.1690.]
Engraving. Sheet: 175 x 125mm (7 x 5''). Trimmed.
A portrait of academic and mathematician Isaac Barrow (1630-1677) who was master of Trinity College, Cambridge and was famed for "Calculus".
W. 183.3.
[Ref: 48727] £220.00 (£264.00 incl.VAT)
D. Loggan ad Vivam delin. Bernigeroth sc.
[n.d., c.1690.]
Engraving. Sheet: 175 x 125mm (7 x 5''). Trimmed.
A portrait of academic and mathematician Isaac Barrow (1630-1677) who was master of Trinity College, Cambridge and was famed for "Calculus".
W. 183.3.
[Ref: 48727] £220.00 (£264.00 incl.VAT)
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![John Barrow [facsimile signature].](jpegs/64974.jpg)
John Barrow [facsimile signature].
Painted by John Lucas. Engraved by G.T. Payne.
London, Published May 27th. 1847, by Henry Graves & Comp.y Printsellers to the Queen, 6, Pall Mall.
Mezzotint. 385 x 305mm (15¼ x 12"), with large margins. Some faint spotting.
A half-length portrait of Sir John Barrow (1764-1848), who accompanied Lord Macartney to China in 1792 (authoring the official account) and to South Africa in 1797 to settle the government of the new colony of the Cape of Good Hope. He was appointed Second Secretary to the Admiralty in 1804 and was one of the founding members of the Royal Geographical Society.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64974] £360.00
Painted by John Lucas. Engraved by G.T. Payne.
London, Published May 27th. 1847, by Henry Graves & Comp.y Printsellers to the Queen, 6, Pall Mall.
Mezzotint. 385 x 305mm (15¼ x 12"), with large margins. Some faint spotting.
A half-length portrait of Sir John Barrow (1764-1848), who accompanied Lord Macartney to China in 1792 (authoring the official account) and to South Africa in 1797 to settle the government of the new colony of the Cape of Good Hope. He was appointed Second Secretary to the Admiralty in 1804 and was one of the founding members of the Royal Geographical Society.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64974] £360.00
William Barrowby, M.D.
F.Hayman Pinx.t. J.S.Müller sculp.t.
Sold by J.S.Müller at No 11 in Cravan Buildings ~ Price 2 Shill.ng.
A rare mezzotint. 350 x 250mm. Trimmed close to plate. Crease in top left corner.
It is said that this a portrait of the son of William Barrowby, Senior Fellow of the College of Physicians. The father cured Müller of a long illness, so Müller engraved this plate for free in gratitude. The painting by Hayman, although now untraced, is dated by Allen to the 1740s.
CS: 1. Ex: Collection of The Hon. C. Lennox-Boyd; Brian Allen, 'Francis Hayman'
[Ref: 3110] £240.00 (£288.00 incl.VAT)
F.Hayman Pinx.t. J.S.Müller sculp.t.
Sold by J.S.Müller at No 11 in Cravan Buildings ~ Price 2 Shill.ng.
A rare mezzotint. 350 x 250mm. Trimmed close to plate. Crease in top left corner.
It is said that this a portrait of the son of William Barrowby, Senior Fellow of the College of Physicians. The father cured Müller of a long illness, so Müller engraved this plate for free in gratitude. The painting by Hayman, although now untraced, is dated by Allen to the 1740s.
CS: 1. Ex: Collection of The Hon. C. Lennox-Boyd; Brian Allen, 'Francis Hayman'
[Ref: 3110] £240.00 (£288.00 incl.VAT)
Mrs. Barry.
Kettle Pinxt. S Paul [pseudonym of Samuel De Wilde?] fecit.
[n.d., c.1780.]
Rare mezzotint. 355 x 255mm (14 x 10"). Lower right margin corner chipped.
Ann (or Anne) Barry (née Street) (baptised 1733 - 1801), actress, sitting with her hands folded in her lap, wearing a white gown with ribbons looping the sleeves and a sash around her waist. Her hair is up with pearls, she has a pearl necklace, with cloak over left shoulder and her knees. After Tilly Kettle (1735-86).
Chaloner Smith 1 ('Paul'), only state but sitter's face with some retouching,
[Ref: 23453] £220.00 (£264.00 incl.VAT)
Kettle Pinxt. S Paul [pseudonym of Samuel De Wilde?] fecit.
[n.d., c.1780.]
Rare mezzotint. 355 x 255mm (14 x 10"). Lower right margin corner chipped.
Ann (or Anne) Barry (née Street) (baptised 1733 - 1801), actress, sitting with her hands folded in her lap, wearing a white gown with ribbons looping the sleeves and a sash around her waist. Her hair is up with pearls, she has a pearl necklace, with cloak over left shoulder and her knees. After Tilly Kettle (1735-86).
Chaloner Smith 1 ('Paul'), only state but sitter's face with some retouching,
[Ref: 23453] £220.00 (£264.00 incl.VAT)
Mrs. Barry.
Kettle Pinxt. S Paul [pseudonym of Samuel De Wilde?] fecit.
[n.d., c.1780.]
Rare mezzotint. Sheet 355 x 250mm (14 x 9¾"). Trimmed to image on three sides, into plate at bottom.
Ann (or Anne) Barry (née Street) (baptised 1733 - 1801), actress, sitting with her hands folded in her lap, wearing a white gown with ribbons looping the sleeves and a sash around her waist. Her hair is up with pearls, she has a pearl necklace, with cloak over left shoulder and her knees. After Tilly Kettle (1735-86).
Chaloner Smith 1 ('Paul'), only state but sitter's face with some retouching, See ref: 23453.
[Ref: 61548] £180.00 (£216.00 incl.VAT)
Kettle Pinxt. S Paul [pseudonym of Samuel De Wilde?] fecit.
[n.d., c.1780.]
Rare mezzotint. Sheet 355 x 250mm (14 x 9¾"). Trimmed to image on three sides, into plate at bottom.
Ann (or Anne) Barry (née Street) (baptised 1733 - 1801), actress, sitting with her hands folded in her lap, wearing a white gown with ribbons looping the sleeves and a sash around her waist. Her hair is up with pearls, she has a pearl necklace, with cloak over left shoulder and her knees. After Tilly Kettle (1735-86).
Chaloner Smith 1 ('Paul'), only state but sitter's face with some retouching, See ref: 23453.
[Ref: 61548] £180.00 (£216.00 incl.VAT)
James Barry Esq. From an original Cast, taken a short time before his Death.
Drawn by W.Evans, Engraved by C. Picart.
Published May 1, 1809, by T. Cadell & W. Davies, Strand London.
Stipple. Sheet 270 x 210mm, 10½ x 8¼". Trimmed within plate.
James Barry (1741-1806), a painter inspired by classical art, who decorated the great room of the Society of Arts with 'The Progress of Human Culture', 1777-83. This work was described by critic Andrew Graham-Dixon as 'Britain's late, great answer to the Sistine Chapel'.
See NPG 441 for Evans's original black crayon and wash on paper, circa 1805
[Ref: 27022] £70.00 (£84.00 incl.VAT)
Drawn by W.Evans, Engraved by C. Picart.
Published May 1, 1809, by T. Cadell & W. Davies, Strand London.
Stipple. Sheet 270 x 210mm, 10½ x 8¼". Trimmed within plate.
James Barry (1741-1806), a painter inspired by classical art, who decorated the great room of the Society of Arts with 'The Progress of Human Culture', 1777-83. This work was described by critic Andrew Graham-Dixon as 'Britain's late, great answer to the Sistine Chapel'.
See NPG 441 for Evans's original black crayon and wash on paper, circa 1805
[Ref: 27022] £70.00 (£84.00 incl.VAT)
James Barry Esq. Professor of Painting at the Royal Academy. From an original Cast, taken a short time before his Death.
Drawn by W.Evans, Engraved by C. Picart.
Published Feb. 11, 1811, by T. Cadell & W. Davies, Strand London.
Stipple. Sheet 380 x 330mm, 15 x 13". Slight creasing top left.
James Barry (1741-1806), historical painter and first Royal Academician to have been expelled from the Academy. Barry decorated the great room of the Society of Arts with 'The Progress of Human Culture', 1777-83, a work was described by critic Andrew Graham-Dixon as 'Britain's late, great answer to the Sistine Chapel'.
See NPG 441 for Evans's original black crayon and wash on paper, circa 1805
[Ref: 27023] £95.00 (£114.00 incl.VAT)
Drawn by W.Evans, Engraved by C. Picart.
Published Feb. 11, 1811, by T. Cadell & W. Davies, Strand London.
Stipple. Sheet 380 x 330mm, 15 x 13". Slight creasing top left.
James Barry (1741-1806), historical painter and first Royal Academician to have been expelled from the Academy. Barry decorated the great room of the Society of Arts with 'The Progress of Human Culture', 1777-83, a work was described by critic Andrew Graham-Dixon as 'Britain's late, great answer to the Sistine Chapel'.
See NPG 441 for Evans's original black crayon and wash on paper, circa 1805
[Ref: 27023] £95.00 (£114.00 incl.VAT)
James Barry Esq.r late R.A. From a Picture Painted by himself about the Year 1783. European Magazine.
[James Barry.] Engraved by Ridley & Holl.
Published by J. Asperne, at the Bible, Crown & Constitution, 32, Cornhill April 30, 1806.
Stipple with small margins. Plate 159 x 114mm. 6¼ x 4½".
James Barry (1741-1806), the English painter who attracted the patronage of the statesman Edmund Burke who then sent him to Italy. Inspired by antique art, he executed several large historical works in a neo-classical style and, from 1777 to 1783, he decorated the great room of the Society of Arts. An ardent spokesman for high art, he became disillusioned with contemporary patronage and quarrelled with most of his colleagues.
[Ref: 27704] £60.00 (£72.00 incl.VAT)
[James Barry.] Engraved by Ridley & Holl.
Published by J. Asperne, at the Bible, Crown & Constitution, 32, Cornhill April 30, 1806.
Stipple with small margins. Plate 159 x 114mm. 6¼ x 4½".
James Barry (1741-1806), the English painter who attracted the patronage of the statesman Edmund Burke who then sent him to Italy. Inspired by antique art, he executed several large historical works in a neo-classical style and, from 1777 to 1783, he decorated the great room of the Society of Arts. An ardent spokesman for high art, he became disillusioned with contemporary patronage and quarrelled with most of his colleagues.
[Ref: 27704] £60.00 (£72.00 incl.VAT)
The Levee, or the Maecenas of Scrubs and Scaramouches. Attic Miscellany.
Drawn by Collings. Etch'd by Barlow.
Published as the Act directs, by Bentley & C° June Ist 1791.
Etching. 195 x 235mm (7¾ x 9¼"). Original binding folds.
A boxing satire. A group of parasitic followers surround Richard Barry (1769-1793), 7th Earl of Barrymore, including boxers, jockeys, cock-fighters and a man resembling the Prince of Wales. On the back wall are paintings of 'Scrub' (after his nickname 'Lord Scrub), racing, cockfighting and a pierrot and harlequin. On the floor is an open book: 'New Pantomime by Bar & Co'. Despite being painted at an early age as an angelic Cupid by Richard Cosway, Barry found infamy as a rake, beginning at school at Eton, from where he would hire cabs to London to visit prostitutes. The Prince of Wales nicknamed him 'Hellgate'. He married the daughter of a sedan chair man: after he accidently killed himself with his own musket aged 23, she turned to prostitution and bare-knuckle boxing before becoming a matron of the female prisoners at the Tothill Fields Bridewell.
[Ref: 60162] £240.00 (£288.00 incl.VAT)
Drawn by Collings. Etch'd by Barlow.
Published as the Act directs, by Bentley & C° June Ist 1791.
Etching. 195 x 235mm (7¾ x 9¼"). Original binding folds.
A boxing satire. A group of parasitic followers surround Richard Barry (1769-1793), 7th Earl of Barrymore, including boxers, jockeys, cock-fighters and a man resembling the Prince of Wales. On the back wall are paintings of 'Scrub' (after his nickname 'Lord Scrub), racing, cockfighting and a pierrot and harlequin. On the floor is an open book: 'New Pantomime by Bar & Co'. Despite being painted at an early age as an angelic Cupid by Richard Cosway, Barry found infamy as a rake, beginning at school at Eton, from where he would hire cabs to London to visit prostitutes. The Prince of Wales nicknamed him 'Hellgate'. He married the daughter of a sedan chair man: after he accidently killed himself with his own musket aged 23, she turned to prostitution and bare-knuckle boxing before becoming a matron of the female prisoners at the Tothill Fields Bridewell.
[Ref: 60162] £240.00 (£288.00 incl.VAT)
![[Richard, Earl of Barrymore]](jpegs/65199.jpg)
[Richard, Earl of Barrymore]
Painted by R. Cosway. Engraved by J Jehner.
Published June 24. 1778, by John Boydell Engraver in Cheapside London
Mezzotint with fantastic colour, 18th century watermark; 380 x 280mm (15 x 11"). Trimmed to plate.
Portrait of Richard Barry, Earl of Barrymore (1769-93), depicted as Cupid sitting on the grass beside a rose bush. With his back to the viewer, he looks over his shoulder while playing a lyre, all within a circular frame. As a young man the engraver, Isaac Jehner (1750-1818), had a series of accidents that broke his thighs and left arm, which were badly treated, leaving him on limited stature and disabled. He published a memoir, unusual for an engraver, called 'Fortune's Football' in 1806, described by Alexander as 'a pioneering account by a person with disabilites of his experiences'.
CS 1 I of I. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65199] £360.00
Painted by R. Cosway. Engraved by J Jehner.
Published June 24. 1778, by John Boydell Engraver in Cheapside London
Mezzotint with fantastic colour, 18th century watermark; 380 x 280mm (15 x 11"). Trimmed to plate.
Portrait of Richard Barry, Earl of Barrymore (1769-93), depicted as Cupid sitting on the grass beside a rose bush. With his back to the viewer, he looks over his shoulder while playing a lyre, all within a circular frame. As a young man the engraver, Isaac Jehner (1750-1818), had a series of accidents that broke his thighs and left arm, which were badly treated, leaving him on limited stature and disabled. He published a memoir, unusual for an engraver, called 'Fortune's Football' in 1806, described by Alexander as 'a pioneering account by a person with disabilites of his experiences'.
CS 1 I of I. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65199] £360.00
![[Richard Barry, 7th Earl of Barrymore] No. VIII. Antonietta. No. IX. The Theatrical Peer of Berks.](jpegs/38574.jpg)
[Richard Barry, 7th Earl of Barrymore] No. VIII. Antonietta. No. IX. The Theatrical Peer of Berks.
London, Published by A. Hamilton Jun.r. Fleet Street, 1. April, 1790.
Engraving. Plate: 175 x 110mm (7 x 4¼"). Light foxing and staining. Small margins, cut to plate at top. Few wormholes.
Two portrait busts set in ovals. On the right is a portrait of Richard Barry, 7th Earl of Barrymore (1769-1793) an English nobleman, theatrical enthusiast and rake. Known as Hellgate and Rake of Rakes. The portrait on the left depicts Antonietta, a French dancer Barry brought over from Paris to advise on his theatricals at his house at Wargrave. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satire 7700.
[Ref: 38574] £50.00 (£60.00 incl.VAT)
London, Published by A. Hamilton Jun.r. Fleet Street, 1. April, 1790.
Engraving. Plate: 175 x 110mm (7 x 4¼"). Light foxing and staining. Small margins, cut to plate at top. Few wormholes.
Two portrait busts set in ovals. On the right is a portrait of Richard Barry, 7th Earl of Barrymore (1769-1793) an English nobleman, theatrical enthusiast and rake. Known as Hellgate and Rake of Rakes. The portrait on the left depicts Antonietta, a French dancer Barry brought over from Paris to advise on his theatricals at his house at Wargrave. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satire 7700.
[Ref: 38574] £50.00 (£60.00 incl.VAT)
![[Spranger Barry] M.r Barry in the Character of Macbeth.](jpegs/66076.jpg)
[Spranger Barry] M.r Barry in the Character of Macbeth. Axt 2.d Scene 3.
Ja.s Gwim. [engraved by Michael Jackson.]
Printed for Rob.t Sayer, Map & Printseller in Fleet Str.t. Publish'd according to Act of Parliament
Scarce mezzotint. 345 x 240mm (13½ x 9½"), large margins. Edges rubbed. Messy.
A full-length portrait of Irish actor Spranger Barry (1719-77), a daggar in each hand. He was a rival of David Garrick: in 1750 the Theatre Royal in Drury Lane and the Covent Garden Theatre put on competing performances of 'Romeo and Juliet', and the critics preferred Barry's Romeo to Garrick's.
CS I, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66076] £290.00 (£348.00 incl.VAT)
Ja.s Gwim. [engraved by Michael Jackson.]
Printed for Rob.t Sayer, Map & Printseller in Fleet Str.t. Publish'd according to Act of Parliament
Scarce mezzotint. 345 x 240mm (13½ x 9½"), large margins. Edges rubbed. Messy.
A full-length portrait of Irish actor Spranger Barry (1719-77), a daggar in each hand. He was a rival of David Garrick: in 1750 the Theatre Royal in Drury Lane and the Covent Garden Theatre put on competing performances of 'Romeo and Juliet', and the critics preferred Barry's Romeo to Garrick's.
CS I, ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66076] £290.00 (£348.00 incl.VAT)
Jean Bart. Ne a Dunkerque en 1650. Mort en 1702. Du grand Louis Jean-Bart etendit la puissance, L'Empire de Thetis admira sa valeur Et toujours ce soutien du pavillon de France Sera de nos marins le modele & l'honneur. Dedie aux Marins, a l'honneur, au courage et a l'amour de la patrie. En 181 paroitra le Portrait de l'Admiral Nelson.
Peint d'apres Nature par Hyacinthe Rigaud. Grave par Perrot.
Publie a Paris en 181 par Mr. Bernardini Illyrien, ancien Commissaire Principal de la Marine, de S.M. le Roi des Deux Siciles. Depose a la Direction generale.
Stipple printed in colour. Sheet 360 x 445mm. Tatty margins with some discolouration.
Jean Bart, French naval commander and privateer, who achieved his greatest successes during the War of the Grand Alliance (1688 - 1697). He captured 386 ships, destroying many more..
[Ref: 4902] £260.00 (£312.00 incl.VAT)
Peint d'apres Nature par Hyacinthe Rigaud. Grave par Perrot.
Publie a Paris en 181 par Mr. Bernardini Illyrien, ancien Commissaire Principal de la Marine, de S.M. le Roi des Deux Siciles. Depose a la Direction generale.
Stipple printed in colour. Sheet 360 x 445mm. Tatty margins with some discolouration.
Jean Bart, French naval commander and privateer, who achieved his greatest successes during the War of the Grand Alliance (1688 - 1697). He captured 386 ships, destroying many more..
[Ref: 4902] £260.00 (£312.00 incl.VAT)
Jean Bart.
J. Chapman sculp.
[n.d., c.1800.]
Stipple. Sheet size: 155 x 110mm (6 x 4¼"). Trimmed inside platemark. Laid on scrap sheet.
A portrait in an oval of French naval commander and privateer Jean Bart (1650 - 1702). Jean Bart was born in Dunkirk in 1650 and almost certainly spoke Flemish, at that time the native language in the region. When war broke out between France and the United Provinces in 1672, Bart entered the French service and became captain of one of the Dunkirk privateers. In this capacity he displayed such astonishing bravery, that Louis XIV sent him on a special mission to the Mediterranean, where he gained great distinction. He went on to achieve his greatest successes during the Nine Years' War (1688-1697).
[Ref: 34443] £65.00 (£78.00 incl.VAT)
J. Chapman sculp.
[n.d., c.1800.]
Stipple. Sheet size: 155 x 110mm (6 x 4¼"). Trimmed inside platemark. Laid on scrap sheet.
A portrait in an oval of French naval commander and privateer Jean Bart (1650 - 1702). Jean Bart was born in Dunkirk in 1650 and almost certainly spoke Flemish, at that time the native language in the region. When war broke out between France and the United Provinces in 1672, Bart entered the French service and became captain of one of the Dunkirk privateers. In this capacity he displayed such astonishing bravery, that Louis XIV sent him on a special mission to the Mediterranean, where he gained great distinction. He went on to achieve his greatest successes during the Nine Years' War (1688-1697).
[Ref: 34443] £65.00 (£78.00 incl.VAT)
![[Bartholomew Fair] The Fiend's Frying Pan or Annual Festival of Tom Foolery & Vice,](jpegs/57709.jpg)
[Bartholomew Fair] The Fiend's Frying Pan or Annual Festival of Tom Foolery & Vice, Under the Sanction of the Lord Mayor and thew Worshipful Court of Aldermen! In the Age of Intellect. Pl 3.
Desaigned Etched & Published by George Cruikshank, Sept.r 1. 1832.
Etching. Sheet 275 x 380mm (10¾ x 15"). Trimmed to plate, laid on album paper, small tear, spotting.
Bartholomew Fair is depicted in a frying pan held above a fire by a huge horned demon with a toasting fork. Two imps hold up scrolls listing the 'Amusements of the People', including 'Drunkenness, Riot, Robbery, Rascality', more demons on top left. A tent has large advert for "Wild Beasts". An attack on the lawlessness of Bartholomew Fair, before an 1840 ban on exhibitions sent it into decline, ceasing completely by 1855.
BM Satires 17352.
[Ref: 57709] £280.00 (£336.00 incl.VAT)
Desaigned Etched & Published by George Cruikshank, Sept.r 1. 1832.
Etching. Sheet 275 x 380mm (10¾ x 15"). Trimmed to plate, laid on album paper, small tear, spotting.
Bartholomew Fair is depicted in a frying pan held above a fire by a huge horned demon with a toasting fork. Two imps hold up scrolls listing the 'Amusements of the People', including 'Drunkenness, Riot, Robbery, Rascality', more demons on top left. A tent has large advert for "Wild Beasts". An attack on the lawlessness of Bartholomew Fair, before an 1840 ban on exhibitions sent it into decline, ceasing completely by 1855.
BM Satires 17352.
[Ref: 57709] £280.00 (£336.00 incl.VAT)
Best Mode of Going to Bartholomew Fair.
Designed and Etched by T. Lane.
Pub. by G. Hunt Corner of York St & Bridges St.
Fine coloured aquatint. Sheet 305 x 225mm (12 x 8¾"). Trimmed within plate, tear through title, laid on album paper.
A man smoking a pipe and carrying a cudgel, his body protected by a barrel with spikes, heavy boots protrunding from the bottom. Bartholomew Fair, held on the 24th August in Smithfield, was founded as a cloth fair in 1133. It expanded over the years to include sideshows, especially prize-fighters, musicians, wire-walkers, acrobats, puppets, freaks and wild animals, as illustrated in a famous view in the 'Microcosm of London'. However it also became increasing rowdy, with fights and muggings, as satirised here, and eventually the fair was suppressed in 1855.
Hickman p.86.
[Ref: 58465] £230.00 (£276.00 incl.VAT)
Designed and Etched by T. Lane.
Pub. by G. Hunt Corner of York St & Bridges St.
Fine coloured aquatint. Sheet 305 x 225mm (12 x 8¾"). Trimmed within plate, tear through title, laid on album paper.
A man smoking a pipe and carrying a cudgel, his body protected by a barrel with spikes, heavy boots protrunding from the bottom. Bartholomew Fair, held on the 24th August in Smithfield, was founded as a cloth fair in 1133. It expanded over the years to include sideshows, especially prize-fighters, musicians, wire-walkers, acrobats, puppets, freaks and wild animals, as illustrated in a famous view in the 'Microcosm of London'. However it also became increasing rowdy, with fights and muggings, as satirised here, and eventually the fair was suppressed in 1855.
Hickman p.86.
[Ref: 58465] £230.00 (£276.00 incl.VAT)
Bartholomew Fair. Plate 8.
Rowlandson & Pugin del. et sculpt. J. Bluck Aquat.
London. Pub Feb. 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, J. Whatman 1806 watermark; plate 230 x 280mm (9 x 11"), with large margins. Two small stains within plate but not image.
The Bartholomew Fair was one of London's pre-eminent summer Charter fairs or street markets. The fair was established to fund the Priory of St Bartholomew and from 1133 to 1855 it took place on 24th August within the precincts of the Priory at West Smithfield, outside Aldersgate of the City of London. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62775] £180.00 (£216.00 incl.VAT)
Rowlandson & Pugin del. et sculpt. J. Bluck Aquat.
London. Pub Feb. 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, J. Whatman 1806 watermark; plate 230 x 280mm (9 x 11"), with large margins. Two small stains within plate but not image.
The Bartholomew Fair was one of London's pre-eminent summer Charter fairs or street markets. The fair was established to fund the Priory of St Bartholomew and from 1133 to 1855 it took place on 24th August within the precincts of the Priory at West Smithfield, outside Aldersgate of the City of London. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62775] £180.00 (£216.00 incl.VAT)
Bartholomew Fair.
Rowlandson & Pugin del. et sculpt. J. Bluck Aquat.
London. Pub Feb. 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
The Bartholomew Fair was one of London's pre-eminent summer Charter fairs or street markets. The fair was established to fund the Priory of St Bartholomew and from 1133 to 1855 it took place on 24th August within the precincts of the Priory at West Smithfield, outside Aldersgate of the City of London. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34093] £220.00 (£264.00 incl.VAT)
Rowlandson & Pugin del. et sculpt. J. Bluck Aquat.
London. Pub Feb. 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
The Bartholomew Fair was one of London's pre-eminent summer Charter fairs or street markets. The fair was established to fund the Priory of St Bartholomew and from 1133 to 1855 it took place on 24th August within the precincts of the Priory at West Smithfield, outside Aldersgate of the City of London. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 34093] £220.00 (£264.00 incl.VAT)
Bartholomew Fair, 1721.
Published as the Act directs by J. F. Setchel, 23, King-Street, Covent-Garden [1824].
Fan leaf: etching and aquatint. 290 x 560mm (11½ x 22"). with letterpress descriptive label. Trimmed to plate on left, repairs to folds.
Scarce & fine Fan leaf showing London's famous Bartholomew Fair and its diverse entertainments, with numerous street sellers, performers and booths. Of interest are the early big wheel and a peep show of the Siege of Gibraltar. Published by bookseller and stationer John Frederick Setchel (1774 - 1846).
[Ref: 67448] £680.00
Published as the Act directs by J. F. Setchel, 23, King-Street, Covent-Garden [1824].
Fan leaf: etching and aquatint. 290 x 560mm (11½ x 22"). with letterpress descriptive label. Trimmed to plate on left, repairs to folds.
Scarce & fine Fan leaf showing London's famous Bartholomew Fair and its diverse entertainments, with numerous street sellers, performers and booths. Of interest are the early big wheel and a peep show of the Siege of Gibraltar. Published by bookseller and stationer John Frederick Setchel (1774 - 1846).
[Ref: 67448] £680.00
![[Rev.d John Bartlam, A.M.]](jpegs/34383.jpg)
[Rev.d John Bartlam, A.M.]
[Painted by Geo. Dawe Esq.r R.A. Engraved by James Godby.]
[London: Edward Orme, 1823.]
Stipple, rare proof before letters, with very large margins. 375 x 285mm (14¾ x 11¼").
John Bartlam (1770-1823), vicar of Ponseland, Northumberland and Beoley, Worcestershire.
NPG D21485.
[Ref: 34383] £130.00 (£156.00 incl.VAT)
[Painted by Geo. Dawe Esq.r R.A. Engraved by James Godby.]
[London: Edward Orme, 1823.]
Stipple, rare proof before letters, with very large margins. 375 x 285mm (14¾ x 11¼").
John Bartlam (1770-1823), vicar of Ponseland, Northumberland and Beoley, Worcestershire.
NPG D21485.
[Ref: 34383] £130.00 (£156.00 incl.VAT)
![[William Berkeley] Sr. William Bartley. Admirall.](jpegs/12792.jpg)
[William Berkeley] Sr. William Bartley. Admirall.
P. Lely pinxit.
R.Tompson excudit. [n.d. c.1680.]
A fine and rare mezzotint. 335 x 246mm (13¼ x 9¾"). Trimmed to plate.
William Berkeley, Admiral of the White, killed in battle with the Dutch, 1st June 1666.
CS: Tompson 5. Not in Parker. From the Collection of Viscount Hood.
[Ref: 12792] £230.00 (£276.00 incl.VAT)
P. Lely pinxit.
R.Tompson excudit. [n.d. c.1680.]
A fine and rare mezzotint. 335 x 246mm (13¼ x 9¾"). Trimmed to plate.
William Berkeley, Admiral of the White, killed in battle with the Dutch, 1st June 1666.
CS: Tompson 5. Not in Parker. From the Collection of Viscount Hood.
[Ref: 12792] £230.00 (£276.00 incl.VAT)
![[Presentation in the Temple]](jpegs/35209.jpg)
[Presentation in the Temple] Venerunt in Jerusalem, ut sifterent eum Domino / S. Luc. Cap. II V.22 / Florentiae in Sacrario S. Marci
Fra. Bartolomeo di S. Marco pinxit / Ang. Campanella sculpsit Romae 1771
Engraving with small margins, platemark 290 x 275mm (11¾ x 10¾"). Glued to backing sheet.
'They brought him to Jerusalem, to present him to the Lord'. Engraving after Florentine painter Fra Bartolommeo (1472-1517). Painted for the novitiate chapel of S Marco, Florence in 1516, The Uffizi exchanged the work in 1793 for Durer's 'Adoration of the Magi' in Vienna. Fra Bartolommeo's painting is now in the Kunsthistorisches Museum, Vienna.
For another engraving of the same work, see ref. 27307.
[Ref: 35209] £140.00 (£168.00 incl.VAT)
Fra. Bartolomeo di S. Marco pinxit / Ang. Campanella sculpsit Romae 1771
Engraving with small margins, platemark 290 x 275mm (11¾ x 10¾"). Glued to backing sheet.
'They brought him to Jerusalem, to present him to the Lord'. Engraving after Florentine painter Fra Bartolommeo (1472-1517). Painted for the novitiate chapel of S Marco, Florence in 1516, The Uffizi exchanged the work in 1793 for Durer's 'Adoration of the Magi' in Vienna. Fra Bartolommeo's painting is now in the Kunsthistorisches Museum, Vienna.
For another engraving of the same work, see ref. 27307.
[Ref: 35209] £140.00 (£168.00 incl.VAT)
Baccio Bandinel
E. De Boulonois fecit.
From 'Academie des Science et des Arts', Amsterdam 1682.
Engraving. Sheet 185 x 135mm (7¼ x 5¼"). Trimmed to image and laid on album paper.
Half portrait of Bartolommeo Bandinelli (1488-1560) surrounded by small scale sculptures. Bandinelli was an Italian sculptor influenced by and deeply obsessed with Michelangelo.
[Ref: 53800] £120.00 (£144.00 incl.VAT)
E. De Boulonois fecit.
From 'Academie des Science et des Arts', Amsterdam 1682.
Engraving. Sheet 185 x 135mm (7¼ x 5¼"). Trimmed to image and laid on album paper.
Half portrait of Bartolommeo Bandinelli (1488-1560) surrounded by small scale sculptures. Bandinelli was an Italian sculptor influenced by and deeply obsessed with Michelangelo.
[Ref: 53800] £120.00 (£144.00 incl.VAT)
![[Frontis to Caldecott's Musical Miscellany MS Vol. III.]](jpegs/60980.jpg)
[Frontis to Caldecott's Musical Miscellany MS Vol. III.]
F. Bartolozzi sculp.
Goulding, D'Almaine, Potter & Co. Music Publishers 20 Soho Sq. [c.1810].
Etching. 115 x 210mm (4½ x 8¼") very large margins. Old ink mss. name added, crack in platemark, some spotting and creasing.
Mrs. Wadham Wyndham "Caldecott's Musical Miscellany MS Vol. III” was a musical score book printed by Goulding D'Almaine, Potter & Co music publishers and musical instrument sellers, with a cartouche design by Francesco Bartolozzi (1725-1815), filled with songs and pieces, most with titles and some composers, with an index of titles and composers at the back, and various verses at the front and comments on John Barratt at the back. Music publishers 'Goulding & D’Almaine' was founded in 1785; it became 'Goulding, D’Almaine, Potter & Co.' c.1810.
[Ref: 60980] £160.00 (£192.00 incl.VAT)
F. Bartolozzi sculp.
Goulding, D'Almaine, Potter & Co. Music Publishers 20 Soho Sq. [c.1810].
Etching. 115 x 210mm (4½ x 8¼") very large margins. Old ink mss. name added, crack in platemark, some spotting and creasing.
Mrs. Wadham Wyndham "Caldecott's Musical Miscellany MS Vol. III” was a musical score book printed by Goulding D'Almaine, Potter & Co music publishers and musical instrument sellers, with a cartouche design by Francesco Bartolozzi (1725-1815), filled with songs and pieces, most with titles and some composers, with an index of titles and composers at the back, and various verses at the front and comments on John Barratt at the back. Music publishers 'Goulding & D’Almaine' was founded in 1785; it became 'Goulding, D’Almaine, Potter & Co.' c.1810.
[Ref: 60980] £160.00 (£192.00 incl.VAT)
The Infant Toilet.
F.Bartolozzi R.A. inv.t. A Cardon sculp.t
London, Publish'd by Colnaghi, Sala & Co. late Torre, 132 Pall Mall.
Stipple, printed in brown. 200 x 220mm.
[Ref: 533] £240.00 (£288.00 incl.VAT)
F.Bartolozzi R.A. inv.t. A Cardon sculp.t
London, Publish'd by Colnaghi, Sala & Co. late Torre, 132 Pall Mall.
Stipple, printed in brown. 200 x 220mm.
[Ref: 533] £240.00 (£288.00 incl.VAT)
![[Music publisher's invitiation.]](jpegs/35839.jpg)
[Music publisher's invitiation.]
F. Bartolozzi sculp.
Goulding, D'Almaine, Potter & Co. Music Publishers 20 Soho Sq. [c.1810].
Etching. 115 x 210mm (4½ x 8¼"). Narrow margins.
Decorative design by Francesco Bartolozzi (1725-1815). Music publishers 'Goulding & D’Almaine' was founded in 1785; it became 'Goulding, D’Almaine, Potter & Co.' c.1810.
[Ref: 35839] £190.00 (£228.00 incl.VAT)
F. Bartolozzi sculp.
Goulding, D'Almaine, Potter & Co. Music Publishers 20 Soho Sq. [c.1810].
Etching. 115 x 210mm (4½ x 8¼"). Narrow margins.
Decorative design by Francesco Bartolozzi (1725-1815). Music publishers 'Goulding & D’Almaine' was founded in 1785; it became 'Goulding, D’Almaine, Potter & Co.' c.1810.
[Ref: 35839] £190.00 (£228.00 incl.VAT)
![[Untitled Female Profile.]](jpegs/538.jpg)
[Untitled Female Profile.]
F. Bartolozzi in. et Sculp.
Publish'd according to Act of Parliament de 15 June 1776.
Stipple printed in sanguine. 125 x 165mm. Very slight paper discolouration.
[Ref: 538] £180.00 (£216.00 incl.VAT)
F. Bartolozzi in. et Sculp.
Publish'd according to Act of Parliament de 15 June 1776.
Stipple printed in sanguine. 125 x 165mm. Very slight paper discolouration.
[Ref: 538] £180.00 (£216.00 incl.VAT)
![[Shepherdess sitting with sheep outside a cottage, spinning wool]](jpegs/43124.jpg)
[Shepherdess sitting with sheep outside a cottage, spinning wool] Guidata ch'a la Greggia Irminda poi / S'asside e sta filando i Lini suio
Francesco Bartolozzi scolp. Appo Teodoro Viero Ven.d 1774
Etching, fine impression; scarce; platemark 235 x 175mm (9¼ x 7"). Thread margins.
One a series of six pastoral subjects etched after designs by the Venice-based publisher and artist Teodoro Viero (1740-95) by Francesco Bartolozzi (1725-1815). Bartlozzi was a Florentine engraver who in 1768 was elected as a founding member of the Royal Academy in London (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. Fine impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi's work. Inscription 'Solo all'Albertine' verso suggests the only other impression known to Calabi was in the Albertine Museum, Vienna.
Calabi & de Vesme 1342
[Ref: 43124] £220.00 (£264.00 incl.VAT)
Francesco Bartolozzi scolp. Appo Teodoro Viero Ven.d 1774
Etching, fine impression; scarce; platemark 235 x 175mm (9¼ x 7"). Thread margins.
One a series of six pastoral subjects etched after designs by the Venice-based publisher and artist Teodoro Viero (1740-95) by Francesco Bartolozzi (1725-1815). Bartlozzi was a Florentine engraver who in 1768 was elected as a founding member of the Royal Academy in London (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. Fine impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi's work. Inscription 'Solo all'Albertine' verso suggests the only other impression known to Calabi was in the Albertine Museum, Vienna.
Calabi & de Vesme 1342
[Ref: 43124] £220.00 (£264.00 incl.VAT)
![[Young man fishing, with a woman and small boy nearby]](jpegs/43125.jpg)
[Young man fishing, with a woman and small boy nearby] Osservato da Fille il Pesce piglia / Per sostentar la debil sua Famiglia
Francesco Bartolozzi scolp. Appo Teodoro Viero Ven.d 1774
Etching, fine impression; scarce; platemark 235 x 175mm (9¼ x 7"). Thread margins.
One a series of six pastoral subjects etched after designs by the Venice-based publisher and artist Teodoro Viero (1740-95) by Francesco Bartolozzi (1725-1815). Bartlozzi was a Florentine engraver who in 1768 was elected as a founding member of the Royal Academy in London (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. Fine impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi's work. Inscription 'Solo all'Albertine' verso suggests the only other impression known to Calabi was in the Albertine Museum, Vienna.
Calabi & de Vesme 1343
[Ref: 43125] £220.00 (£264.00 incl.VAT)
Francesco Bartolozzi scolp. Appo Teodoro Viero Ven.d 1774
Etching, fine impression; scarce; platemark 235 x 175mm (9¼ x 7"). Thread margins.
One a series of six pastoral subjects etched after designs by the Venice-based publisher and artist Teodoro Viero (1740-95) by Francesco Bartolozzi (1725-1815). Bartlozzi was a Florentine engraver who in 1768 was elected as a founding member of the Royal Academy in London (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. Fine impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi's work. Inscription 'Solo all'Albertine' verso suggests the only other impression known to Calabi was in the Albertine Museum, Vienna.
Calabi & de Vesme 1343
[Ref: 43125] £220.00 (£264.00 incl.VAT)
![[Young couple embracing; young woman and sheep on right]](jpegs/43126.jpg)
[Young couple embracing; young woman and sheep on right] Soglion gli Amanti coltivar non poco / Le lusinghe, gli scherzi il riso, e il gioco
Francesco Bartolozzi scolp. Appo Teodoro Viero Ven.d 1774
Etching, fine impression; scarce; platemark 235 x 175mm (9¼ x 7"). Thread margins.
One a series of six pastoral subjects etched after designs by the Venice-based publisher and artist Teodoro Viero (1740-95) by Francesco Bartolozzi (1725-1815). Bartlozzi was a Florentine engraver who in 1768 was elected as a founding member of the Royal Academy in London (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. Fine impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi's work. Inscription 'Solo all'Albertine' verso suggests the only other impression known to Calabi was in the Albertine Museum, Vienna.
Calabi & de Vesme 1345
[Ref: 43126] £220.00 (£264.00 incl.VAT)
Francesco Bartolozzi scolp. Appo Teodoro Viero Ven.d 1774
Etching, fine impression; scarce; platemark 235 x 175mm (9¼ x 7"). Thread margins.
One a series of six pastoral subjects etched after designs by the Venice-based publisher and artist Teodoro Viero (1740-95) by Francesco Bartolozzi (1725-1815). Bartlozzi was a Florentine engraver who in 1768 was elected as a founding member of the Royal Academy in London (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. Fine impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi's work. Inscription 'Solo all'Albertine' verso suggests the only other impression known to Calabi was in the Albertine Museum, Vienna.
Calabi & de Vesme 1345
[Ref: 43126] £220.00 (£264.00 incl.VAT)
![[Woman mourning and embracing a tomb in the form of a pot]](jpegs/35960.jpg)
[Woman mourning and embracing a tomb in the form of a pot]
G.B. Cipriani inv. / F. Bartolozzi sculp.
Published as the Act directs Nov. 20 1776
Etching, sheet 155 x 160mm (6 x 6¼"). Trimmed inside platemark; slight foxing.
Title page to 'Miscellaneous works of Ph. D. Stanhope, Earl of Chesterfield' (1777). In a later state this print was identified as Bathsheba mourning her husband Uriah.
de Vesme 1694.2
[Ref: 35960] £70.00 (£84.00 incl.VAT)
G.B. Cipriani inv. / F. Bartolozzi sculp.
Published as the Act directs Nov. 20 1776
Etching, sheet 155 x 160mm (6 x 6¼"). Trimmed inside platemark; slight foxing.
Title page to 'Miscellaneous works of Ph. D. Stanhope, Earl of Chesterfield' (1777). In a later state this print was identified as Bathsheba mourning her husband Uriah.
de Vesme 1694.2
[Ref: 35960] £70.00 (£84.00 incl.VAT)
![[Profile of a Woman.]](jpegs/35553.jpg)
[Profile of a Woman.]
F. Bartolozzi inv. et sculp.
Published according to Act of Parliament de 15 june 1776.
Stipple with large margins; Rare. Plate: 125 x 170mm (5 x 6¾"). Some light foxing.
Profile portrait of a woman wearing a shawl.
De Vesme: 117. State II of II. For an example in sanguine see ref: 538.
[Ref: 35553] £160.00 (£192.00 incl.VAT)
F. Bartolozzi inv. et sculp.
Published according to Act of Parliament de 15 june 1776.
Stipple with large margins; Rare. Plate: 125 x 170mm (5 x 6¾"). Some light foxing.
Profile portrait of a woman wearing a shawl.
De Vesme: 117. State II of II. For an example in sanguine see ref: 538.
[Ref: 35553] £160.00 (£192.00 incl.VAT)
![[F. Bartolozzi, R:A:]](jpegs/68023.jpg)
[F. Bartolozzi, R:A:]
Sir Joshua Reynolds Pinxit. J. Watson Fecit.
Publishd Sep.r 24. 1785 by T. Watson N.º 33, Strand London.
Fine mezzotint, proof, 375 x 275mm (14¾ x 10¾"), with large margins. On 18th century watermarked paper.
A half-length portrait of Florentine engraver Francesco Bartolozzi (1725-1815), in fur-trimmed jacket.
CS 3, ii of ii; Russell 3, iii of iii; Goodwin 46, iii of iii; Hamilton p.6, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68023] £420.00
Sir Joshua Reynolds Pinxit. J. Watson Fecit.
Publishd Sep.r 24. 1785 by T. Watson N.º 33, Strand London.
Fine mezzotint, proof, 375 x 275mm (14¾ x 10¾"), with large margins. On 18th century watermarked paper.
A half-length portrait of Florentine engraver Francesco Bartolozzi (1725-1815), in fur-trimmed jacket.
CS 3, ii of ii; Russell 3, iii of iii; Goodwin 46, iii of iii; Hamilton p.6, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68023] £420.00
F. Bartolozzi, R:A:
Sir Joshua Reynolds Pinxit. J. Watson Fecit.
Publishd Sep.r 24. 1785 by T. Watson N.º 33, Strand London.
Mezzotint. 375 x 275mm (14¾ x 10¾"), large margins.
A half-length portrait of Florentine engraver Francesco Bartolozzi (1725-1815), in fur-trimmed jacket.
CS 3, ii of ii; Russell 3, iii of iii; Goodwin 46, iii of iii; Hamilton p.6, ii of iii. Ex: collections of The Hon. Christopher Lennox-Boyd and Mrs. E.M. Hamilton (EMH ink stamp), and other Collector'
[Ref: 67985] £320.00
Sir Joshua Reynolds Pinxit. J. Watson Fecit.
Publishd Sep.r 24. 1785 by T. Watson N.º 33, Strand London.
Mezzotint. 375 x 275mm (14¾ x 10¾"), large margins.
A half-length portrait of Florentine engraver Francesco Bartolozzi (1725-1815), in fur-trimmed jacket.
CS 3, ii of ii; Russell 3, iii of iii; Goodwin 46, iii of iii; Hamilton p.6, ii of iii. Ex: collections of The Hon. Christopher Lennox-Boyd and Mrs. E.M. Hamilton (EMH ink stamp), and other Collector'
[Ref: 67985] £320.00
Francis Bartolozzi R.A.
[after Robert. Menageot.]
[n.d., c.1780.]
Stipple. 155 x 105mm (6¼ x 4¼"), with large margins.
Roundel portrait of Italian engraver Francesco Bartolozzi (1724-1815) as a young man.
[Ref: 40271] £180.00 (£216.00 incl.VAT)
[after Robert. Menageot.]
[n.d., c.1780.]
Stipple. 155 x 105mm (6¼ x 4¼"), with large margins.
Roundel portrait of Italian engraver Francesco Bartolozzi (1724-1815) as a young man.
[Ref: 40271] £180.00 (£216.00 incl.VAT)
Francis Bartolozzi, Esq.r
London, Pub 12 Oct. 1783 by R. Menageot, No.49 Broad Street, Soho
Stipple printed in brown, scarce, platemark 155 x 130mm (6¼ x 5"), with very large margins. Repaired wormhole title area
Francesco Bartolozzi (1725-1815), Florentine engraver who was elected a founding member of the Royal Academy in 1768 (the RA did not admit engravers at this time but made an exception in his case). Bartolozzi met George III's librarian Richard Dalton in Italy in 1763, and Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England Bartolozzi became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. The reproductive engraver Robert Menageot (1748-1783, fl.) published his original profile portrait of Bartolozzi in 1778. This slightly different plate, published by Menageot, was presumably made five years later because the success of the first plate had caused the plate to wear down from printing so many impressions.
Not in O'D; for other versions of the same likeness see refs.35725 and 40271.
[Ref: 47408] £140.00 (£168.00 incl.VAT)
London, Pub 12 Oct. 1783 by R. Menageot, No.49 Broad Street, Soho
Stipple printed in brown, scarce, platemark 155 x 130mm (6¼ x 5"), with very large margins. Repaired wormhole title area
Francesco Bartolozzi (1725-1815), Florentine engraver who was elected a founding member of the Royal Academy in 1768 (the RA did not admit engravers at this time but made an exception in his case). Bartolozzi met George III's librarian Richard Dalton in Italy in 1763, and Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England Bartolozzi became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. The reproductive engraver Robert Menageot (1748-1783, fl.) published his original profile portrait of Bartolozzi in 1778. This slightly different plate, published by Menageot, was presumably made five years later because the success of the first plate had caused the plate to wear down from printing so many impressions.
Not in O'D; for other versions of the same likeness see refs.35725 and 40271.
[Ref: 47408] £140.00 (£168.00 incl.VAT)
Francis Bartolozzi Esq RA.
W.Artaud Pinx. Pastorini & P.W. Tomkins sculp.
London Published Feb 1st 1803, by H. Macklin, Poets Gallery, Fleet Street.
Engraving. 380 x 510mm (15 x 20")..
Francesco Bartolozzi (1725-1815), Florentine engraver, elected a founding member of the Royal Academy in 1768. The publisher, Hannah Macklin, was the widow of Thomas Macklin, continuing his business after his death in 1801.
[Ref: 454] £220.00 (£264.00 incl.VAT)
W.Artaud Pinx. Pastorini & P.W. Tomkins sculp.
London Published Feb 1st 1803, by H. Macklin, Poets Gallery, Fleet Street.
Engraving. 380 x 510mm (15 x 20")..
Francesco Bartolozzi (1725-1815), Florentine engraver, elected a founding member of the Royal Academy in 1768. The publisher, Hannah Macklin, was the widow of Thomas Macklin, continuing his business after his death in 1801.
[Ref: 454] £220.00 (£264.00 incl.VAT)
Francis Bartolozzi Esq RA.
W.Artaud Pinx. Pastorini & P.W. Tomkins sculp.
London Published Feb 1st 1803, by H. Macklin, Poets Gallery, Fleet Street.
Engraving with small margins, 380 x 510mm. Slightly trimmed on left border.
Francesco Bartolozzi (1725-1815), Florentine engraver, elected a founding member of the Royal Academy in 1768 (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. The publisher, Hannah Macklin, was the widow of Thomas Macklin, continuing his business after his death in 1801.
[Ref: 31871] £360.00
W.Artaud Pinx. Pastorini & P.W. Tomkins sculp.
London Published Feb 1st 1803, by H. Macklin, Poets Gallery, Fleet Street.
Engraving with small margins, 380 x 510mm. Slightly trimmed on left border.
Francesco Bartolozzi (1725-1815), Florentine engraver, elected a founding member of the Royal Academy in 1768 (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. The publisher, Hannah Macklin, was the widow of Thomas Macklin, continuing his business after his death in 1801.
[Ref: 31871] £360.00
Bartolozzi And his Works. A Biographical and Decriptive Account of the Life and Career of Francesco Bartolozzi, R.A. (Illustrated) with some observations on The Present Demand for and Value of his Prints; the way to detect Modern Impressions from Worn-out plates and to recognise falsely-tinted Impressions; Deceptions attempted with Prints; Print Collecting, Judging, Handling, &c.; together with a List of upwards of 2,000 - the most extensive record yet complied - of the Great Engraver's Works. "Sous leurs heureuses mains le cuivre devient or." Vol. I.
by Andrew W. Tuer
London : Field & Tuer, ye Leadenhalle Presse. Hamilton, Adams & Co., Paternoster Row. New York : Scriber & Welford, 743 & 745 Broadway. [n.d. c.1885].
Book: Two Vols. 4to (284 x 219mm). (i) pp 211. (ii) pp. 152. 13 plates printed in brown and sanguine. Board binding with gilt title on spine and front cover, with small gilt crest in bottom right-hand corner. (i) Ex Libris Royal Society of Arts Library. Rubbed, slightly torn binding with some spotting.
An illustrated catalogue of the life and works of Francesco Bartolozzi.
[Ref: 10199] £250.00 view all images for this item
by Andrew W. Tuer
London : Field & Tuer, ye Leadenhalle Presse. Hamilton, Adams & Co., Paternoster Row. New York : Scriber & Welford, 743 & 745 Broadway. [n.d. c.1885].
Book: Two Vols. 4to (284 x 219mm). (i) pp 211. (ii) pp. 152. 13 plates printed in brown and sanguine. Board binding with gilt title on spine and front cover, with small gilt crest in bottom right-hand corner. (i) Ex Libris Royal Society of Arts Library. Rubbed, slightly torn binding with some spotting.
An illustrated catalogue of the life and works of Francesco Bartolozzi.
[Ref: 10199] £250.00 view all images for this item
![[F. Bartolozzi, R:A:]](jpegs/68024.jpg)
[F. Bartolozzi, R:A:]
[Sir Joshua Reynolds Pinxit. J. Watson Fecit.]
[Publishd Sep.r 24. 1785 by T. Watson N.º 33, Strand London.]
Mezzotint, proof before letters. 375 x 275mm (14¾ x 10¾"), with large margins. Old ink title and artists' names, paper toned, laid on card at edges.
A half-length portrait of Florentine engraver Francesco Bartolozzi (1725-1815), in fur-trimmed jacket. The BM's proof (Aa,9.1) has the same ink mss, suggesting it was done in the printing house.
CS 3, i of ii; Russell 3, i of iii; Goodwin 46, i of iii; Hamilton p.6, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68024] £360.00
[Sir Joshua Reynolds Pinxit. J. Watson Fecit.]
[Publishd Sep.r 24. 1785 by T. Watson N.º 33, Strand London.]
Mezzotint, proof before letters. 375 x 275mm (14¾ x 10¾"), with large margins. Old ink title and artists' names, paper toned, laid on card at edges.
A half-length portrait of Florentine engraver Francesco Bartolozzi (1725-1815), in fur-trimmed jacket. The BM's proof (Aa,9.1) has the same ink mss, suggesting it was done in the printing house.
CS 3, i of ii; Russell 3, i of iii; Goodwin 46, i of iii; Hamilton p.6, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68024] £360.00