A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Brigadier Gen.l Arnold.
Engraved for the Universal Magazine.
[n.d., London, c.1781.]
Engraving, 180 x 110mm.
Benedict Arnold (1741 - 1801). American general and traitor in the American Revolution; in 1780 his plan to surrender West Point to the British was foiled.
[Ref: 7453] £50.00 (£60.00 incl.VAT)
Engraved for the Universal Magazine.
[n.d., London, c.1781.]
Engraving, 180 x 110mm.
Benedict Arnold (1741 - 1801). American general and traitor in the American Revolution; in 1780 his plan to surrender West Point to the British was foiled.
[Ref: 7453] £50.00 (£60.00 incl.VAT)
Le General Arnold un des Chefs de l Armee Anglo Americaine.
A Paris chez Esnauts et Rapilly, rue St. Jacques, a la Ville de Coutances, A.P.D.R. [n.d.,c.1780.]
Etching and engraving, sheet 185 x 130mm. 7¼ x 5".
Benedict Arnold (1741 - 1801). American general and traitor in the American Revolution; in 1780 his plan to surrender West Point to the British was foiled.
[Ref: 9900] £140.00 (£168.00 incl.VAT)
A Paris chez Esnauts et Rapilly, rue St. Jacques, a la Ville de Coutances, A.P.D.R. [n.d.,c.1780.]
Etching and engraving, sheet 185 x 130mm. 7¼ x 5".
Benedict Arnold (1741 - 1801). American general and traitor in the American Revolution; in 1780 his plan to surrender West Point to the British was foiled.
[Ref: 9900] £140.00 (£168.00 incl.VAT)
Brigadier Gen.l Arnold.
Engraved for the Universal Magazine.
[London, 1781.]
Engraving. 190 x 115mm (7¼ x 4½").
Brigadier General Benedict Arnold served in the American Army during the Revolution. In 1780 Arnold successfully lobbied for command of West Point on the Hudson River. Working through André, he came to an agreement in August to surrender the post to the British. Meeting on September 21, Arnold and André sealed the deal. Departing the meeting, André was captured two days later as he returned to New York City. Learning of this on September 24, Arnold was forced to flee to HMS Vulture in the Hudson River as the plot was exposed. Remaining calm, Washington investigated the scope of betrayal and offered to exchange André for Arnold. This was refused and André was hung as a spy on October 2. Receiving a commission as a brigadier general in the British Army, Arnold campaigned against American forces in Virginia later that year and in 1781. In his last major action of the war, he won the Battle of Groton Heights in Connecticut in September 1781. Effectively viewed as a traitor by both sides, he did not receive another command when the war ended despite lengthy efforts. Returning to life as a merchant he lived in Britain and Canada before his death in London on June 14, 1801.
[Ref: 122] £45.00 (£54.00 incl.VAT)
Engraved for the Universal Magazine.
[London, 1781.]
Engraving. 190 x 115mm (7¼ x 4½").
Brigadier General Benedict Arnold served in the American Army during the Revolution. In 1780 Arnold successfully lobbied for command of West Point on the Hudson River. Working through André, he came to an agreement in August to surrender the post to the British. Meeting on September 21, Arnold and André sealed the deal. Departing the meeting, André was captured two days later as he returned to New York City. Learning of this on September 24, Arnold was forced to flee to HMS Vulture in the Hudson River as the plot was exposed. Remaining calm, Washington investigated the scope of betrayal and offered to exchange André for Arnold. This was refused and André was hung as a spy on October 2. Receiving a commission as a brigadier general in the British Army, Arnold campaigned against American forces in Virginia later that year and in 1781. In his last major action of the war, he won the Battle of Groton Heights in Connecticut in September 1781. Effectively viewed as a traitor by both sides, he did not receive another command when the war ended despite lengthy efforts. Returning to life as a merchant he lived in Britain and Canada before his death in London on June 14, 1801.
[Ref: 122] £45.00 (£54.00 incl.VAT)
General Arnold.
April 10 1783 by William Richardson No 174 Strand.
Stipple, very scarce proof. Sheet 155 x 110mm (6¼ x 4¼"). Trimmed within plate, crease on left.
Benedict Arnold (1741-1801), the American general whose traitorous plan to to surrender West Point to the British was foiled. The portrait was engraved by Burnet Reading after the original painting by Pierre Eugene Du Simetiere. The completed print was published May 10th, a month after this proof.
[Ref: 23129] £260.00 (£312.00 incl.VAT)
April 10 1783 by William Richardson No 174 Strand.
Stipple, very scarce proof. Sheet 155 x 110mm (6¼ x 4¼"). Trimmed within plate, crease on left.
Benedict Arnold (1741-1801), the American general whose traitorous plan to to surrender West Point to the British was foiled. The portrait was engraved by Burnet Reading after the original painting by Pierre Eugene Du Simetiere. The completed print was published May 10th, a month after this proof.
[Ref: 23129] £260.00 (£312.00 incl.VAT)
E.G. Arnold.
A. Chevallier Tayler 1905 [facsimile signature.]
Spottiswoode & Co. Ltd. Lith London.
Chromolithograph with accompanying text sheet. 381 x 254mm. 15 x 10". Some creasing, foxing.
Edward George Arnold (1876-1942) the English cricketer who played ten Test matches from 1903 to 1907, and most of his 343 first-class matches for Worcestershire between 1899 and 1913. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting. From 'The Empire's Cricketers'.
[Ref: 26518] £120.00 (£144.00 incl.VAT)
A. Chevallier Tayler 1905 [facsimile signature.]
Spottiswoode & Co. Ltd. Lith London.
Chromolithograph with accompanying text sheet. 381 x 254mm. 15 x 10". Some creasing, foxing.
Edward George Arnold (1876-1942) the English cricketer who played ten Test matches from 1903 to 1907, and most of his 343 first-class matches for Worcestershire between 1899 and 1913. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting. From 'The Empire's Cricketers'.
[Ref: 26518] £120.00 (£144.00 incl.VAT)
Samuel Arnold Mus.D.
S.J. Arnold pinx. Ridley Sculp.
[n.d. c.1795.]
Stipple, laid on album page. 146 x 112mm (5¾ x 4½").
Samuel Arnold (1740-1802), the English composer and organist. It is believed that his mother was Princess Amelia. He began writing music for the theatre in 1764. A few years later he became director of music at the Marylebone Gardens. In 1783 he became organist at the Chapel Royal, and in 1793 he became organist at Westminster Abbey, where he was eventually buried. He is also known for producing the first collected edition of the works of Handel between 1787 and 1797, published in 180 parts.
[Ref: 34592] £60.00 (£72.00 incl.VAT)
S.J. Arnold pinx. Ridley Sculp.
[n.d. c.1795.]
Stipple, laid on album page. 146 x 112mm (5¾ x 4½").
Samuel Arnold (1740-1802), the English composer and organist. It is believed that his mother was Princess Amelia. He began writing music for the theatre in 1764. A few years later he became director of music at the Marylebone Gardens. In 1783 he became organist at the Chapel Royal, and in 1793 he became organist at Westminster Abbey, where he was eventually buried. He is also known for producing the first collected edition of the works of Handel between 1787 and 1797, published in 180 parts.
[Ref: 34592] £60.00 (£72.00 incl.VAT)
Samuel Arnold, Mus. Doct. Oxon. Organist and Composer to His Majesty's Chapels Royal.
Engrav'd from an original picture by Russel, R.A. Crayon Painter to His Majesty, & to His R.H. the Prince of Wales.
[n.d. c.1785.]
Stipple, laid on album page. 166 x 112mm (6½ x 4½").
Samuel Arnold (1740-1802), the English composer and organist. It is believed that his mother was Princess Amelia. He began writing music for the theatre in 1764. A few years later he became director of music at the Marylebone Gardens. In 1783 he became organist at the Chapel Royal, and in 1793 he became organist at Westminster Abbey, where he was eventually buried. He is also known for producing the first collected edition of the works of Handel between 1787 and 1797, published in 180 parts.
[Ref: 34593] £70.00 (£84.00 incl.VAT)
Engrav'd from an original picture by Russel, R.A. Crayon Painter to His Majesty, & to His R.H. the Prince of Wales.
[n.d. c.1785.]
Stipple, laid on album page. 166 x 112mm (6½ x 4½").
Samuel Arnold (1740-1802), the English composer and organist. It is believed that his mother was Princess Amelia. He began writing music for the theatre in 1764. A few years later he became director of music at the Marylebone Gardens. In 1783 he became organist at the Chapel Royal, and in 1793 he became organist at Westminster Abbey, where he was eventually buried. He is also known for producing the first collected edition of the works of Handel between 1787 and 1797, published in 180 parts.
[Ref: 34593] £70.00 (£84.00 incl.VAT)
![[Samuel James Arnold] S. Arnold [facsimile signature]](jpegs/62169.jpg)
[Samuel James Arnold] S. Arnold [facsimile signature]
S.J. Arnold Esq.re pinx.t. W.P. Sherlock fecit.
Printed by Lefevre & Co, 52, Newman St. [n.d., c.1835.]
Lithograph on chine collé. Sheet 155 x 220mm (6 x 8¾"), with large backing sheet and margins. Some rubbing of backing sheet.
Self-portrait of Samuel James Arnold (1740-1802) an English composer and organist, born in London. He began writing music for the theatre in about the year 1764. A few years later, he became the director of music at Marylebone Gardens, for which he wrote much of his popular music.
[Ref: 62169] £95.00 (£114.00 incl.VAT)
S.J. Arnold Esq.re pinx.t. W.P. Sherlock fecit.
Printed by Lefevre & Co, 52, Newman St. [n.d., c.1835.]
Lithograph on chine collé. Sheet 155 x 220mm (6 x 8¾"), with large backing sheet and margins. Some rubbing of backing sheet.
Self-portrait of Samuel James Arnold (1740-1802) an English composer and organist, born in London. He began writing music for the theatre in about the year 1764. A few years later, he became the director of music at Marylebone Gardens, for which he wrote much of his popular music.
[Ref: 62169] £95.00 (£114.00 incl.VAT)
M.r Arnold.
[n.d., c.1785.]
Rare stipple proof. 150 x 110mm (6 x 4¼"). Thread margins on three sides, old ink mss., 'Aeronaut', in bottom margin.
A bust-length oval portrait of Stuart Amos Arnold (active c.1785) a cockaded hat over his curled and powdered hair tied in a queue, in a dark coat and light waistcoat with large lapels, his linen starched. He was a Royal Navy purser and surveyor and author and. Arnold published several commercial works on Navigation in the 18th Century, before losing an arm, at which point he became famous as a hot air balloonist, touring Europe with his flying circus. He made an ascent from St George's Fields in 1785, which ended in disaster after it got caught on some railings. In 1778 he wrote 'The Merchants and Owners Friend: Or, Seamens Preserver, Etc.'. In 1800 his sea chart 'The Lewis and West Coast of Scotland' was published in London by D. & E. Steel; in 1803 a French edition of his chart of Ireland was published by the Depot de la Marine. The British Museum have incorrectly identified the sitter as the military commander and famous traitor Benedict Arnold (1741-1801).
O'Donoghue 1908-25 undescribed. BM website 1920,1211.147. See also reference 56930.
[Ref: 60800] £160.00 (£192.00 incl.VAT)
[n.d., c.1785.]
Rare stipple proof. 150 x 110mm (6 x 4¼"). Thread margins on three sides, old ink mss., 'Aeronaut', in bottom margin.
A bust-length oval portrait of Stuart Amos Arnold (active c.1785) a cockaded hat over his curled and powdered hair tied in a queue, in a dark coat and light waistcoat with large lapels, his linen starched. He was a Royal Navy purser and surveyor and author and. Arnold published several commercial works on Navigation in the 18th Century, before losing an arm, at which point he became famous as a hot air balloonist, touring Europe with his flying circus. He made an ascent from St George's Fields in 1785, which ended in disaster after it got caught on some railings. In 1778 he wrote 'The Merchants and Owners Friend: Or, Seamens Preserver, Etc.'. In 1800 his sea chart 'The Lewis and West Coast of Scotland' was published in London by D. & E. Steel; in 1803 a French edition of his chart of Ireland was published by the Depot de la Marine. The British Museum have incorrectly identified the sitter as the military commander and famous traitor Benedict Arnold (1741-1801).
O'Donoghue 1908-25 undescribed. BM website 1920,1211.147. See also reference 56930.
[Ref: 60800] £160.00 (£192.00 incl.VAT)
![[Thomas Arnold.]](jpegs/48541.jpg)
[Thomas Arnold.] Most sincerely & affect.ly yours, T. Arnold.
Tho.s Phillips, R.A. B. Holl.
Published May, 1844 by B. Fellowes, Ludgate Street, London.
Engraving. Plate: 230 x 150mm (9¼ x 6''), with large margins. Laid on album sheet.
A half length portrait of Dr Thomas Arnold (1795-1842) who was Headmaster of Rugby School from 1828 and 1841.
Ex: Collection of Hon. Christopher Lennox-Boyd.
[Ref: 48541] £65.00 (£78.00 incl.VAT)
Tho.s Phillips, R.A. B. Holl.
Published May, 1844 by B. Fellowes, Ludgate Street, London.
Engraving. Plate: 230 x 150mm (9¼ x 6''), with large margins. Laid on album sheet.
A half length portrait of Dr Thomas Arnold (1795-1842) who was Headmaster of Rugby School from 1828 and 1841.
Ex: Collection of Hon. Christopher Lennox-Boyd.
[Ref: 48541] £65.00 (£78.00 incl.VAT)
![[T. Arnold, D.D. Head Master of Rugby School &c. &c.]](jpegs/48540.jpg)
[T. Arnold, D.D. Head Master of Rugby School &c. &c.]
Painted by Thos. Phillips, R.A. Engraved by Henry Cousins.
Published by J. Ryman, Oxford, May 29th. 1840.
Mezzotint. Plate: 500 x 375mm (19¾ x 15'') very large margins.
A three-quarter length portrait of Dr Thomas Arnold (1795-1842) who was Headmaster of Rugby School from 1828 and 1841.
Ex: Collection of Hon. Christopher Lennox-Boyd.
[Ref: 48540] £160.00 (£192.00 incl.VAT)
Painted by Thos. Phillips, R.A. Engraved by Henry Cousins.
Published by J. Ryman, Oxford, May 29th. 1840.
Mezzotint. Plate: 500 x 375mm (19¾ x 15'') very large margins.
A three-quarter length portrait of Dr Thomas Arnold (1795-1842) who was Headmaster of Rugby School from 1828 and 1841.
Ex: Collection of Hon. Christopher Lennox-Boyd.
[Ref: 48540] £160.00 (£192.00 incl.VAT)
![James M. Arnott [signature facsimile]. Surgeon to the Middlesex Hospital, Professor of Surgery in King's College, London.](jpegs/929.jpg)
James M. Arnott [signature facsimile]. Surgeon to the Middlesex Hospital, Professor of Surgery in King's College, London.
Drawn by T. Bridgford, A.R.H.A. 24, Charlotte St. Fitzroy Sqe.
M, & N, Hanhart, lith Printers [n.d. c.1835].
Lithograph. 195 x 245mm. Printed on india paper. One prominent stain in image.
James Moncrieff Arnott, surgeon, b.1794.
[Ref: 929] £65.00 (£78.00 incl.VAT)
Drawn by T. Bridgford, A.R.H.A. 24, Charlotte St. Fitzroy Sqe.
M, & N, Hanhart, lith Printers [n.d. c.1835].
Lithograph. 195 x 245mm. Printed on india paper. One prominent stain in image.
James Moncrieff Arnott, surgeon, b.1794.
[Ref: 929] £65.00 (£78.00 incl.VAT)
La Statue du St: Charles Boromée pres d'Arona au lac Majeur.
à Basle chez Birmann & Huber. [n.d. c.17936.]
Fine coloured aquatint. Plate 205 x 230mm. 8 x 9". Slight creases in the margins.
Saint Charles Borromeo (1538-1584) was a saint and Cardinal. This giant statue was commissioned by Cardinal Federico Borromeo and was completed in 1698, and looks over the Lake Maggiore from Arona, Italy.
[Ref: 17397] £120.00 (£144.00 incl.VAT)
à Basle chez Birmann & Huber. [n.d. c.17936.]
Fine coloured aquatint. Plate 205 x 230mm. 8 x 9". Slight creases in the margins.
Saint Charles Borromeo (1538-1584) was a saint and Cardinal. This giant statue was commissioned by Cardinal Federico Borromeo and was completed in 1698, and looks over the Lake Maggiore from Arona, Italy.
[Ref: 17397] £120.00 (£144.00 incl.VAT)
Castle of Arques from the Village.
ET aquat fort fecit [...] J.S. Cotman del. [1820]
Etching on india paper, platemark 135 x 230mm (5¼ x 9"). India paper lifting.
View from the east of the castle of Arques la Bataille, near Dieppe, France. Etching by Mary Ann Turner after John Sell Cotman published in Dawson Turner, 'A Tour in Normandy' (1820). The etching derives from two 1819 drawings by Cotman now in the Norwich Castle Museum.
[Ref: 47801] £65.00 (£78.00 incl.VAT)
ET aquat fort fecit [...] J.S. Cotman del. [1820]
Etching on india paper, platemark 135 x 230mm (5¼ x 9"). India paper lifting.
View from the east of the castle of Arques la Bataille, near Dieppe, France. Etching by Mary Ann Turner after John Sell Cotman published in Dawson Turner, 'A Tour in Normandy' (1820). The etching derives from two 1819 drawings by Cotman now in the Norwich Castle Museum.
[Ref: 47801] £65.00 (£78.00 incl.VAT)
[Defence of the Arrah House. Against three Mutinous Regiments and a large body of Insurgents. Under Koer Singh - Dedicated to K. V. Boyle, Esquire, C. E. To whose skill and forethought the safety of the Garisson is principally to be attributed by, W. Tayler. B. C. S.]
Maclure & Co Chromo - lith London.
[n.d., c.1857].
Scarce chromolithograph. Framed, sight size 325 x 490mm (12¾ x 19¼"). Unexamined out of frame.
A depiction of the defence of the Arrah House against Koer Singh during the Indian Mutiny of 1857. Soldiers can be seen storming the regency gardens, some firing from behind plants and trees, whilst others lay dead, with their weapons, on the ground; two cannons are fired in the centre of the image as a building, to the left, burns. The artist, William Tayler (1808-1892), was Commissioner of the Province of Patna
[Ref: 61572] £790.00
Maclure & Co Chromo - lith London.
[n.d., c.1857].
Scarce chromolithograph. Framed, sight size 325 x 490mm (12¾ x 19¼"). Unexamined out of frame.
A depiction of the defence of the Arrah House against Koer Singh during the Indian Mutiny of 1857. Soldiers can be seen storming the regency gardens, some firing from behind plants and trees, whilst others lay dead, with their weapons, on the ground; two cannons are fired in the centre of the image as a building, to the left, burns. The artist, William Tayler (1808-1892), was Commissioner of the Province of Patna
[Ref: 61572] £790.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
The Isle of Arran, taken near Ardrossan.
Drawn & Engraved by Will.m Daniell.
Published by Messrs. Longman & Co., Paternoster Row & W. Daniell, 9 Cleveland Street, Fitzroy Square, London, Jan.y 1, 1817.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
Arran from the mainland in Ayrshire, dominated by Goat Fell. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36285] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Messrs. Longman & Co., Paternoster Row & W. Daniell, 9 Cleveland Street, Fitzroy Square, London, Jan.y 1, 1817.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
Arran from the mainland in Ayrshire, dominated by Goat Fell. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36285] £160.00 (£192.00 incl.VAT)
The Arrest.
Printed & sold by R. Harrild, 20 Great Eastcheap. [n.d., c.1810.]
Coloured etching with letterpress underneath. Sheet 245 x 190mm (9¾ 7½"). Some wear. Bit messy.
A song sheet telling the story of a wily bailiff pretending to be a barrel organist to serve a writ on a debt-dodger in Dublin. Robert Harrild established his printing and publishing firm c.1801; his family kept the business going for over a century.
[Ref: 41580] £180.00 (£216.00 incl.VAT)
Printed & sold by R. Harrild, 20 Great Eastcheap. [n.d., c.1810.]
Coloured etching with letterpress underneath. Sheet 245 x 190mm (9¾ 7½"). Some wear. Bit messy.
A song sheet telling the story of a wily bailiff pretending to be a barrel organist to serve a writ on a debt-dodger in Dublin. Robert Harrild established his printing and publishing firm c.1801; his family kept the business going for over a century.
[Ref: 41580] £180.00 (£216.00 incl.VAT)
Sketch of the Disposition of the Allies under the Command of Lieu.t Gen.l Hill, to surprise the Enemy in Arroyo Molinos on the morning of 20th Oct.r 1811.
[Published by W. Faden, Geographer to the King, Charing Cross January 1st. 1812.]
Engraved map with partial hand colour, rare. Sheet 290 x 200mm (11½ x 8"). Trimmed to image.
A plan of the terrain through which an allied force under General Rowland Hill launched a surprise attack on a French army under General Jean-Baptiste Girard. The French were crushed, with over 1,000 dead or wounded & 1,400 captured out of a force of 6,000, compared with only 80 Allied casualties. The loss of a whole French infantry division and a brigade of cavalry led Napoleon to sack Girard. Hill was made a Knight of the Bath.
From a scrapbook compiled by Rev. Willaim Bradford (1780-1857), Chaplain and war artist during the Peninsula Wars.
[Ref: 33252] £240.00
[Published by W. Faden, Geographer to the King, Charing Cross January 1st. 1812.]
Engraved map with partial hand colour, rare. Sheet 290 x 200mm (11½ x 8"). Trimmed to image.
A plan of the terrain through which an allied force under General Rowland Hill launched a surprise attack on a French army under General Jean-Baptiste Girard. The French were crushed, with over 1,000 dead or wounded & 1,400 captured out of a force of 6,000, compared with only 80 Allied casualties. The loss of a whole French infantry division and a brigade of cavalry led Napoleon to sack Girard. Hill was made a Knight of the Bath.
From a scrapbook compiled by Rev. Willaim Bradford (1780-1857), Chaplain and war artist during the Peninsula Wars.
[Ref: 33252] £240.00
Unfortunately this item is either sold or reserved. If you are interested in similar items and cannot find what you're looking for on our website, please consider filling in our interests form. If you register, we can also send you items that match your interests when the website is updated.
Ars-musica.
[After Brownlow North.] [By James Gillray.]
[n.d. c.1800.]
Rare hand-coloured etching with aquatint. 180 x 238mm (7 x 9½"). Damaged. Trimmed. Small hole left, right & centre.
Ars-Musica; a grinning woman playing a square piano, at her feet is a dog, two men on either side playing a violin and cello respectively.
BM Satires: 9586.
[Ref: 52244] £240.00 (£288.00 incl.VAT)
[After Brownlow North.] [By James Gillray.]
[n.d. c.1800.]
Rare hand-coloured etching with aquatint. 180 x 238mm (7 x 9½"). Damaged. Trimmed. Small hole left, right & centre.
Ars-Musica; a grinning woman playing a square piano, at her feet is a dog, two men on either side playing a violin and cello respectively.
BM Satires: 9586.
[Ref: 52244] £240.00 (£288.00 incl.VAT)
La Battaille d'Arsan.
Sebiastian le Clerk del. Johana Sibilla Kräusin fecit.
Jeremias Wolff excud. Aug. Vind. [n.d., c.1720.]
Engraving. Sheet 220 x 170mm, 8¾ x 6¾". Trimmed and laid on album sheet.
A battle scene and several town plans within a military-themed, frame-line border, relating to the military adventures of Charles of Lorraine during the Turkish invasion of Austria in 1683.
[Ref: 14067] £65.00 (£78.00 incl.VAT)
Sebiastian le Clerk del. Johana Sibilla Kräusin fecit.
Jeremias Wolff excud. Aug. Vind. [n.d., c.1720.]
Engraving. Sheet 220 x 170mm, 8¾ x 6¾". Trimmed and laid on album sheet.
A battle scene and several town plans within a military-themed, frame-line border, relating to the military adventures of Charles of Lorraine during the Turkish invasion of Austria in 1683.
[Ref: 14067] £65.00 (£78.00 incl.VAT)
Arshi, Cook of the Seraglio. Engrav'd from the Collection of the Rt. Honble. Lord Baltimore.
Franco. Smith pinx. G. Vitalba sculp.
Publd. accordg. to Act of Parlt. Jany. 30, 1769.
Engraving, 270 x 195mm. 10½ x 7¾". Trimmed to plate. Stain spots.
A cook to the Turkish Sultan. A seraglio (also serraglio) is the sequestered living quarters used by wives and concubines in a Turkish household. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731 - 1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits, numbered 'Tav. XII' upper right.
for a better impression of this print see ref. 30111
[Ref: 11696] £160.00 (£192.00 incl.VAT)
Franco. Smith pinx. G. Vitalba sculp.
Publd. accordg. to Act of Parlt. Jany. 30, 1769.
Engraving, 270 x 195mm. 10½ x 7¾". Trimmed to plate. Stain spots.
A cook to the Turkish Sultan. A seraglio (also serraglio) is the sequestered living quarters used by wives and concubines in a Turkish household. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731 - 1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits, numbered 'Tav. XII' upper right.
for a better impression of this print see ref. 30111
[Ref: 11696] £160.00 (£192.00 incl.VAT)
Arshi Usta, Officer & Cook, of the Janissaries. Engraved from the Collection of the Rt. Honble. Lord Baltimore.
Franco. Smith pinx. M. Liart sculp.
Publd. accordg. to Act of Parlt. July 25, 1768.
Engraving, 260 x 185mm. 10¼ x 7¼". Trimmed to plate. A couple of stains.
The Janissaries comprised infantry units that formed the Turkish Sultan's household troops and bodyguards. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731 - 1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits, numbered 'Tav. XIV' upper right.
for a better impression of this print see ref. 30134
[Ref: 11698] £140.00 (£168.00 incl.VAT)
Franco. Smith pinx. M. Liart sculp.
Publd. accordg. to Act of Parlt. July 25, 1768.
Engraving, 260 x 185mm. 10¼ x 7¼". Trimmed to plate. A couple of stains.
The Janissaries comprised infantry units that formed the Turkish Sultan's household troops and bodyguards. After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731 - 1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits, numbered 'Tav. XIV' upper right.
for a better impression of this print see ref. 30134
[Ref: 11698] £140.00 (£168.00 incl.VAT)
![[Time uncovering painting]](jpegs/44927.jpg)
[Time uncovering painting] Le Tems decouvre la peinture.
Eisen inv.
A Paris chez Basan [c.1760]
Engraving, sheet 130 x 80mm (5 x 3¼"). Trimmed along platemark top and bottom; glued to album sheet at corners; ms inscription bottom right.
Allegorical scene showing the virtues of painting revealed over time. Book illustration after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established.
[Ref: 44927] £140.00 (£168.00 incl.VAT)
Eisen inv.
A Paris chez Basan [c.1760]
Engraving, sheet 130 x 80mm (5 x 3¼"). Trimmed along platemark top and bottom; glued to album sheet at corners; ms inscription bottom right.
Allegorical scene showing the virtues of painting revealed over time. Book illustration after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established.
[Ref: 44927] £140.00 (£168.00 incl.VAT)
Drawing for the Million_No.1. My Father Draws such Prime Things, "What, Landscape? No, Better than that, "Portraits, Then? Better Than That. "Not History? No, When there is a large dinner, He Draws the Corks out of the Vine Bottles.
Dean & Co. Threadneedle St. [n.d. c.1840.]
Fine coloured lithograph, rare. 280 x 222mm. 11 x 8¾".
Satire; a young man up-turns the paint pot, as the artist looks upon shocked, holding a palette in his left hand and a brush in his right; a canvas in front, a bust sculpture on a pedastal behind.
[Ref: 23957] £160.00 (£192.00 incl.VAT)
Dean & Co. Threadneedle St. [n.d. c.1840.]
Fine coloured lithograph, rare. 280 x 222mm. 11 x 8¾".
Satire; a young man up-turns the paint pot, as the artist looks upon shocked, holding a palette in his left hand and a brush in his right; a canvas in front, a bust sculpture on a pedastal behind.
[Ref: 23957] £160.00 (£192.00 incl.VAT)
![Nero depositing the Ashes of Britannicus. [& Printsellers Label on Verso] A. Beugo. Picture & Printseller.](jpegs/37269.jpg)
Nero depositing the Ashes of Britannicus. [& Printsellers Label on Verso] A. Beugo. Picture & Printseller. No.29 Greek St. Soho. NB a low price on each print. [Written in ink.]
Le Sueur Pinx.t. E. Edwards delin.t. J. S. Mullar Sculpsit.
[Publish'd according to Act of Parliam.t. By J. Boydell, Engraver in Cheapside London May 1st 1765.][Label n.d., c.1820.]
Engraving. Sheet: 360 x480mm (14 x 19"). Label printed on tissue paper, laid on reverse of print. Engraving trimmed within plate and title area. Creasing. General paper tone. Messy.
The intrigues of Agrippa to displace Nero and to elevate Britannicus, the son of Claudius, led to Nero's first domestic tragedy—the poisoning of Britannicus. The painting hangs at Windsor Castle with the title Caligula depositing the ashes of his mother and brother in the tomb of his ancestors. "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title .Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints. On verso for Alexander Beugo (1801-1827), print publisher and seller. For a portrait of Beugo, see item ref: 33957.
[Ref: 37269] £160.00 (£192.00 incl.VAT) view all images for this item
Le Sueur Pinx.t. E. Edwards delin.t. J. S. Mullar Sculpsit.
[Publish'd according to Act of Parliam.t. By J. Boydell, Engraver in Cheapside London May 1st 1765.][Label n.d., c.1820.]
Engraving. Sheet: 360 x480mm (14 x 19"). Label printed on tissue paper, laid on reverse of print. Engraving trimmed within plate and title area. Creasing. General paper tone. Messy.
The intrigues of Agrippa to displace Nero and to elevate Britannicus, the son of Claudius, led to Nero's first domestic tragedy—the poisoning of Britannicus. The painting hangs at Windsor Castle with the title Caligula depositing the ashes of his mother and brother in the tomb of his ancestors. "The Most Capital Paintings in England" series of engravings in five volumes, late 1760s-1786, the first three (1769 to 1773) originally published under the title .Sculptura Britannica. These were a critical and financial success for the publisher John Boydell who promoted the interests of both artists, engravers and Patrons establishing a tradition in Britain for collecting prints. On verso for Alexander Beugo (1801-1827), print publisher and seller. For a portrait of Beugo, see item ref: 33957.
[Ref: 37269] £160.00 (£192.00 incl.VAT) view all images for this item
The Art of Tormenting. "This will habituate them them to that true badness of heart: which is the foundation of our Science!" Suppose you stock of Children too large, and that by your care for their support you should be abridged of some of your own luxuries and pleasures, Then suffer them to climb without contradiction to heights from whenc' they may break their Neck's!!
H. Heath Delt.
Published by Charles Tilt 86 Fleet Street, Apl. 1830.
Hand-coloured etching. 247 x 203mm. 9¾ x 8". Fine colour. Cut and laid on scrap sheet.
Not in BM.
[Ref: 14481] £65.00 (£78.00 incl.VAT)
H. Heath Delt.
Published by Charles Tilt 86 Fleet Street, Apl. 1830.
Hand-coloured etching. 247 x 203mm. 9¾ x 8". Fine colour. Cut and laid on scrap sheet.
Not in BM.
[Ref: 14481] £65.00 (£78.00 incl.VAT)
![[Art studying Nature.]](jpegs/17348.jpg)
[Art studying Nature.]
G.B. Cipriani Invt. Richd Earlom Sculpsit.
Publish'd Sepr. 1st. 1786 by John & Josiah Boydell, No 90, Cheapside.
Etching and aquatint, oval in frame numbered '2' from 'A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista', sheet 245 x 220mm. 9½ x 8½". Trimmed to plate.
Allegory: a female figure seated at left, paper in her right hand, holding up a glass and scrutinising the figure of Nature who stands by a tree at right; two winged putti attempting to lift her veil.
[Ref: 17348] £130.00 (£156.00 incl.VAT)
G.B. Cipriani Invt. Richd Earlom Sculpsit.
Publish'd Sepr. 1st. 1786 by John & Josiah Boydell, No 90, Cheapside.
Etching and aquatint, oval in frame numbered '2' from 'A collection of prints, after the sketches and drawings of the late celebrated Giovanni Battista', sheet 245 x 220mm. 9½ x 8½". Trimmed to plate.
Allegory: a female figure seated at left, paper in her right hand, holding up a glass and scrutinising the figure of Nature who stands by a tree at right; two winged putti attempting to lift her veil.
[Ref: 17348] £130.00 (£156.00 incl.VAT)
Leonhart Artbaur war geboren zu Dalmesing Anno 1650. Alles mit Gott, und nichts ohn Ihn.
[n.d. c.1780.]
Very fine engraving. Plate 255 x 180mm. 10 x 7".
An oval portrait within an eleborate border containing an owl, four monkeys with human-like bodies blowing bubbles and a view of a small village.
[Ref: 15550] £95.00 (£114.00 incl.VAT)
[n.d. c.1780.]
Very fine engraving. Plate 255 x 180mm. 10 x 7".
An oval portrait within an eleborate border containing an owl, four monkeys with human-like bodies blowing bubbles and a view of a small village.
[Ref: 15550] £95.00 (£114.00 incl.VAT)
Arte Misia. Wenzel Anton, des H:R:R: Fürsten von Kaunitz, Grafen von Rittberg Ihrer K: und K: K: A: M: M: Obrist Hof=und Staats=Kanzler, Protector der K: K: Zeichnung un Kupferstecherakademie.
Gemalt von der Frau Iherbouche. Geschaben von Joh: Veit Kauperz in Gratz 1771.
Für seinem Aufnahm in die K: K: Zeichnung und Kuppstecherakademie in Wien. Das Urbild befindet sich in dem Bildersaale Schon erwehnter K: K: Akademie, hat in der höche 2. und in der Breite 3. Schuch. Gewidmet von seinem unterthänigst=gehorsamsten Diener Joh: Veit Kauperz Mitgliede der Königl: Akademis der Schönen Künste in Florenz.
Very fine mezzotint. Plate 372 x 437mm (14¾ x 17¼").
A naked woman reclining on a couch, being attended to by her bare-breasted servant maid. Artemisia holds a chalice into which are poured the ashes of her husband Mausolus. Artemisia II of Caria (d.350BC).
In the Herzog Anton Ulrich Museum.
[Ref: 27961] £420.00
Gemalt von der Frau Iherbouche. Geschaben von Joh: Veit Kauperz in Gratz 1771.
Für seinem Aufnahm in die K: K: Zeichnung und Kuppstecherakademie in Wien. Das Urbild befindet sich in dem Bildersaale Schon erwehnter K: K: Akademie, hat in der höche 2. und in der Breite 3. Schuch. Gewidmet von seinem unterthänigst=gehorsamsten Diener Joh: Veit Kauperz Mitgliede der Königl: Akademis der Schönen Künste in Florenz.
Very fine mezzotint. Plate 372 x 437mm (14¾ x 17¼").
A naked woman reclining on a couch, being attended to by her bare-breasted servant maid. Artemisia holds a chalice into which are poured the ashes of her husband Mausolus. Artemisia II of Caria (d.350BC).
In the Herzog Anton Ulrich Museum.
[Ref: 27961] £420.00
Artemise aprez avoir épuisé la Nature et lassé les Arts, pour eterniser son deuil et la memoire de mausolea, aval eses cendres et luy fait un second Monument de son corps. Strabo lib. 14.
Vignon inuent.
Mariette excud. cum priuil. Regis. [n.d. c.1647.]
Etching and engraving, plate 340 x 220mm (13½ x 9¾"). Some nicks and tears on left margin slightly going into plate.
Full-length portrait of Artemisia, wearing mourning clothes and drinking Mausolus’ ashes from a cup. The Mausoleum of Halicarnassus she built for her late brother and husband is visible in the background. The illustration was included in ‘La Gallerie des femmes fortes’ by Le Moyne.
Meyer: 340. Blum: 1500. Duplessis: 1494. Lothe: 1444.
[Ref: 58973] £180.00 (£216.00 incl.VAT)
Vignon inuent.
Mariette excud. cum priuil. Regis. [n.d. c.1647.]
Etching and engraving, plate 340 x 220mm (13½ x 9¾"). Some nicks and tears on left margin slightly going into plate.
Full-length portrait of Artemisia, wearing mourning clothes and drinking Mausolus’ ashes from a cup. The Mausoleum of Halicarnassus she built for her late brother and husband is visible in the background. The illustration was included in ‘La Gallerie des femmes fortes’ by Le Moyne.
Meyer: 340. Blum: 1500. Duplessis: 1494. Lothe: 1444.
[Ref: 58973] £180.00 (£216.00 incl.VAT)
![[Artemisia of Caria.]](jpegs/60955.jpg)
[Artemisia of Caria.]
Heinrich van Bles pinxt: F:Piloty delin.
[Munich: J. Stuntz, 1811-1816.]
Tinted lithograph. Sheet 485 x 380mm (19 x 15"), large margins.
An early lithograph, depicting Artemisia II of Caria (d.351 BC) in Renaissance dress, holding a goblet in which her husband Mausolus's ashes are mixed with drink. She built the Mausoleum at Halicarnassus, one of the Seven Wonders of the Ancient World, in his memory. From 'Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière.'
[Ref: 60955] £130.00 (£156.00 incl.VAT)
Heinrich van Bles pinxt: F:Piloty delin.
[Munich: J. Stuntz, 1811-1816.]
Tinted lithograph. Sheet 485 x 380mm (19 x 15"), large margins.
An early lithograph, depicting Artemisia II of Caria (d.351 BC) in Renaissance dress, holding a goblet in which her husband Mausolus's ashes are mixed with drink. She built the Mausoleum at Halicarnassus, one of the Seven Wonders of the Ancient World, in his memory. From 'Les Oeuvres lithographiques. Contenant un choix de dessins d'après les grands maîtres de toutes les écoles, tiré des Musées de sa Majesté le Roi de Bavière.'
[Ref: 60955] £130.00 (£156.00 incl.VAT)
To Her Most Gracious Majesty the Queen, This Plate of Their Royal Highnesses The Prince Arthur, The Prince Leopold, & The Princess Louise Is Most respectfully dedicated by Her Majesty's devoted Subjects and Servants, Paul & Dominic Colnaghi & C.º.
F. Winterhalter, Pinx.t. G. Zobel, Sculp.t.
London: Published Sept.r 16.th 1857, by P. & D. Colnaghi & C.º, 13 & 14 Pall Mall East. _ Publishers to Her Majesty.
Scarce mixed method mezzotint. 550 x 405mm (21¾ x 16"), large margins Repaired tears in margins.
A group portrait of three of Queen Victoria's four youngest children, under a tree: Prince Arthur (1850-1942), Leopold (1853-84) & Louise (1848-1939).
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68210] £360.00
F. Winterhalter, Pinx.t. G. Zobel, Sculp.t.
London: Published Sept.r 16.th 1857, by P. & D. Colnaghi & C.º, 13 & 14 Pall Mall East. _ Publishers to Her Majesty.
Scarce mixed method mezzotint. 550 x 405mm (21¾ x 16"), large margins Repaired tears in margins.
A group portrait of three of Queen Victoria's four youngest children, under a tree: Prince Arthur (1850-1942), Leopold (1853-84) & Louise (1848-1939).
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68210] £360.00
The Artificial Sphere. Sacred to the Memory of Cap.t Cook.
Robertson f.
[n.d., c.1785.]
Engraving. Sheet 215 x 160mm (8½ x 6¼"). Trimmed within plate, creased.
An illustration of an armillary sphere, with a plinth dedicated to Cook and a sailor holding a chart of Hawaii.
[Ref: 51299] £80.00 (£96.00 incl.VAT)
Robertson f.
[n.d., c.1785.]
Engraving. Sheet 215 x 160mm (8½ x 6¼"). Trimmed within plate, creased.
An illustration of an armillary sphere, with a plinth dedicated to Cook and a sailor holding a chart of Hawaii.
[Ref: 51299] £80.00 (£96.00 incl.VAT)
![[Artillery movements] No 17. Pl IVter.](jpegs/55887.jpg)
[Artillery movements] No 17. Pl IVter. 5½. 30. 4.
Mareschal 1823. Lith de G. Engelmann.
[c.1823.]
Lithograph. 320 x 395mm (12½ x 15½"), with large margins. Foxing
A gunner ramming either the power or the wad down the muzzel of a cannon.
[Ref: 55887] £230.00 (£276.00 incl.VAT)
Mareschal 1823. Lith de G. Engelmann.
[c.1823.]
Lithograph. 320 x 395mm (12½ x 15½"), with large margins. Foxing
A gunner ramming either the power or the wad down the muzzel of a cannon.
[Ref: 55887] £230.00 (£276.00 incl.VAT)
![[Artillery movements] No 6. Pl II bis.](jpegs/55888.jpg)
[Artillery movements] No 6. Pl II bis. 4½. 19. 3.
Mareschal 1823. Lith de G. Engelmann.
[c.1823.]
Lithograph. 320 x 395mm (12½ x 15½"), with large margins. Foxing.
A gunner wearing a bearskin, holding a rammer horizontally above the barrel of a cannon.
[Ref: 55888] £230.00 (£276.00 incl.VAT)
Mareschal 1823. Lith de G. Engelmann.
[c.1823.]
Lithograph. 320 x 395mm (12½ x 15½"), with large margins. Foxing.
A gunner wearing a bearskin, holding a rammer horizontally above the barrel of a cannon.
[Ref: 55888] £230.00 (£276.00 incl.VAT)
![[Artillery movements] No 9. Pl VI bis.](jpegs/55889.jpg)
[Artillery movements] No 9. Pl VI bis. 5, 20, 0,
Mareschal 1823. Lithog. de Langlumé.
[c.1823.]
Lithograph. 320 x 395mm (12½ x 15½"), with large margins. Foxing, tears in edges.
A pair of gunners loading a shell into a cannon.
[Ref: 55889] £230.00 (£276.00 incl.VAT)
Mareschal 1823. Lithog. de Langlumé.
[c.1823.]
Lithograph. 320 x 395mm (12½ x 15½"), with large margins. Foxing, tears in edges.
A pair of gunners loading a shell into a cannon.
[Ref: 55889] £230.00 (£276.00 incl.VAT)
The Artillery Driver. 'I once was a Waggoner sly and dry, As e'er joggd over the Downs, . . . But hating a tiresome, lazy life, And fearless of wounds and death, I set out on a tramp, to follow the Camp, And drive, to the jig of a drum and a fife, King's cattle on Bagshot heath...'
[Robert Dighton.]
Printed for & Sold by Carington Bowles, No.69 St. Pauls Church Yard, London.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Surface dirt, crease in upper right,
A camp scene. In the foreground (right) stands a yokel in a smock-frock, his hair falling on his shoulders but wearing a military hat. He holds a long whip and points with his right forefinger as if addressing an audience. Beneath the title are the words of his song (39 lines) beginning: 'I once was a Waggoner sly and dry, As e'er joggd over the Downs... But hating a tiresome, lazy life, And fearless of wounds and death, I set out on a tramp, to follow the Camp, And drive, to the jig of a drum and a fife, King's cattle on Bagshot heath.' Behind are tents and cannon in a landscape with small figures: sentries, officers, and ladies. The nearest tent (right) has the Prince of Wales's feathers and the word 'Demezy'.
[Ref: 7249] £260.00 (£312.00 incl.VAT)
[Robert Dighton.]
Printed for & Sold by Carington Bowles, No.69 St. Pauls Church Yard, London.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Surface dirt, crease in upper right,
A camp scene. In the foreground (right) stands a yokel in a smock-frock, his hair falling on his shoulders but wearing a military hat. He holds a long whip and points with his right forefinger as if addressing an audience. Beneath the title are the words of his song (39 lines) beginning: 'I once was a Waggoner sly and dry, As e'er joggd over the Downs... But hating a tiresome, lazy life, And fearless of wounds and death, I set out on a tramp, to follow the Camp, And drive, to the jig of a drum and a fife, King's cattle on Bagshot heath.' Behind are tents and cannon in a landscape with small figures: sentries, officers, and ladies. The nearest tent (right) has the Prince of Wales's feathers and the word 'Demezy'.
[Ref: 7249] £260.00 (£312.00 incl.VAT)
Artillery Duty.
[after Matthew Darly.]
Printed for Robert Sayer, No 53, Fleet Steet [n.d., c.1775].
Coloured etching. 250 x 175mm (9¾ x 7"). Paper loss lower left margin.
Two military macaronis in uniform; a very tall soldier holds a huge umbrella or parasol over the head of a diminutive officer. A re-issue of Matthew Darly's plate of 1773.
See BM Satires 4646 for the original issue.
[Ref: 60981] £180.00 (£216.00 incl.VAT)
[after Matthew Darly.]
Printed for Robert Sayer, No 53, Fleet Steet [n.d., c.1775].
Coloured etching. 250 x 175mm (9¾ x 7"). Paper loss lower left margin.
Two military macaronis in uniform; a very tall soldier holds a huge umbrella or parasol over the head of a diminutive officer. A re-issue of Matthew Darly's plate of 1773.
See BM Satires 4646 for the original issue.
[Ref: 60981] £180.00 (£216.00 incl.VAT)
![[An Artillery Emplacement during the Boer War 1900.]](jpegs/25808.jpg)
[An Artillery Emplacement during the Boer War 1900.]
H.C. Seppings-Wright, Pinxt. Art Repro. Co. Sculpt.
Published by Sands & Co. London.
Photogravure, india laid. Plate 497 x 641mm. 19½ x 25¼". Very rare.
Soldiers next to a battery firing. The Second Anglo-Boer War (1899-1902) involved a large number of British troops converting Boer republics into British colonies, which then formed part of the Union of South Africa. Despite a British victory, their losses were high due to both disease and long and bitter open warfare.
[Ref: 25808] £280.00 (£336.00 incl.VAT)
H.C. Seppings-Wright, Pinxt. Art Repro. Co. Sculpt.
Published by Sands & Co. London.
Photogravure, india laid. Plate 497 x 641mm. 19½ x 25¼". Very rare.
Soldiers next to a battery firing. The Second Anglo-Boer War (1899-1902) involved a large number of British troops converting Boer republics into British colonies, which then formed part of the Union of South Africa. Despite a British victory, their losses were high due to both disease and long and bitter open warfare.
[Ref: 25808] £280.00 (£336.00 incl.VAT)
Royal Artillery Repository Exercises, 1844. And Monument to the Memory of the late Major General Sir Alexander Dickson, G.C.B.
Drawn & Engraved by John Grant. Illustrations of the Army & Navy Register and Woolwich Gazette.
Coloured aquatint in frame. 280 x 389mm. 11 x 15¼".
From the "Illustrations of the Army and Navy Register and Woolwich Gazette. No.2."
From the Collection of Major J.B. Talbot M.C. R.A. Ogilby:484.
[Ref: 13000] £280.00 (£336.00 incl.VAT)
Drawn & Engraved by John Grant. Illustrations of the Army & Navy Register and Woolwich Gazette.
Coloured aquatint in frame. 280 x 389mm. 11 x 15¼".
From the "Illustrations of the Army and Navy Register and Woolwich Gazette. No.2."
From the Collection of Major J.B. Talbot M.C. R.A. Ogilby:484.
[Ref: 13000] £280.00 (£336.00 incl.VAT)
Le Modeleur. 2.
à Augsbourg chez J.J.Haid et fils.
A rare mezzotint. Sheet 410 x 305mm. 16¼ x 12". Trimmed to plate, laid on archival tissue.
A draughtsman with his hat on, sat at his raised drawing table looking away, possibly towards his subject matter; a candlelit-lamp attached to the desk at top left. His hand poised over the table and paper ready to draw. To his left: tools and various stones. The early stages of copying. Johann-Jakob Haid (1704-1767), pupil of Reidinger, belonged to a famous German family of portraitists and engravers based in Augsburg.
Rijksmuseum: RP-P-2005-101.
[Ref: 21732] £450.00
à Augsbourg chez J.J.Haid et fils.
A rare mezzotint. Sheet 410 x 305mm. 16¼ x 12". Trimmed to plate, laid on archival tissue.
A draughtsman with his hat on, sat at his raised drawing table looking away, possibly towards his subject matter; a candlelit-lamp attached to the desk at top left. His hand poised over the table and paper ready to draw. To his left: tools and various stones. The early stages of copying. Johann-Jakob Haid (1704-1767), pupil of Reidinger, belonged to a famous German family of portraitists and engravers based in Augsburg.
Rijksmuseum: RP-P-2005-101.
[Ref: 21732] £450.00
An Artiste!!! My First Subject!! dont you think it is well Got Up! Tregears Flights of Humour No.36.
London Pubd by GS Tregear 123 Cheapside. [n.d. c.1835.]
Hand-coloured lithograph. 375 x 279mm. 14¾ x 11".
A man standing in a churchyard with a pickaxe and shovel over one shoulder, and a sack slung over the other.
[Ref: 18399] £140.00 (£168.00 incl.VAT)
London Pubd by GS Tregear 123 Cheapside. [n.d. c.1835.]
Hand-coloured lithograph. 375 x 279mm. 14¾ x 11".
A man standing in a churchyard with a pickaxe and shovel over one shoulder, and a sack slung over the other.
[Ref: 18399] £140.00 (£168.00 incl.VAT)
Commemorative Diploma of the British Arts & Crafts Exhibition at the Pavillion de Marsan Palais du Louvre Paris 1914 Issued by the Board of Trade.
Isidore Speilman invt. Hugh Thomson del. Emery Walker, engr.
[1914.]
Broadside. Scarce. Sheet: 530 x 730mm (21 x 28¾"). Paper tone, some staining, creasing and tears.
A commemorative diploma for the exhibition of Arts & Crafts at the Louvre in 1914. Designed by the exhibition's director Sir Isidore Speilman (1854-1925) it was drawn by illustrator Hugh Thomson (1860-1920) and engraved by artist and friend of William Morris, Emery Walker (1851-1933). The text is decorated by a border of oak leaves in which are small vignettes showing craftsmen at their various trades including printing, pottery, casting, embroidery, weaving and spinning.
[Ref: 42765] £480.00
Isidore Speilman invt. Hugh Thomson del. Emery Walker, engr.
[1914.]
Broadside. Scarce. Sheet: 530 x 730mm (21 x 28¾"). Paper tone, some staining, creasing and tears.
A commemorative diploma for the exhibition of Arts & Crafts at the Louvre in 1914. Designed by the exhibition's director Sir Isidore Speilman (1854-1925) it was drawn by illustrator Hugh Thomson (1860-1920) and engraved by artist and friend of William Morris, Emery Walker (1851-1933). The text is decorated by a border of oak leaves in which are small vignettes showing craftsmen at their various trades including printing, pottery, casting, embroidery, weaving and spinning.
[Ref: 42765] £480.00
Arts & Sciences. Plate III.
[Robert Seymour]
London. Published by Thomas M.cLean. 26. Haymarket. July 1.st 1829.
Fine hand-coloured etching, 250 x 350mm (10 x 13¾"), with large margins. Holes in left margin where previously bound.
A series of comic scenes shows Pickle’s brief and disastrous experiments with various fashionable pursuits. First, he becomes an antiquary, seated in a mock-Gothic room cluttered with worthless trinkets. Wearing a dressing gown, he admires a broken medallion portrait offered by a slick salesman who insists he’s giving Pickle a bargain for ''one little dirty pound.'' Next, Pickle takes up music. Relaxing by the fire in his dressing gown, he enthusiastically blows a French horn, unaware of the furious neighbour in a nightshirt standing at the door. The man complains that his entire household has been kept awake for hours by the dreadful noise. Trying something new, Pickle experiments with ballooning, only to fall from the sky into the Thames. A boatman catches hold of the rope dangling from the balloon, while a rustic on the riverbank waits with a pitchfork to assist the unlucky aeronaut. He then turns to painting, depicting a woman who soon recognizes herself in an unflattering caricature. Enraged, she overturns his easel, scatters his paints, and jabs her umbrella into the portrait, shouting that she’ll teach him not to make a joke of her. Next, Pickle tries his hand at poetry. In nightcap and dressing gown, he sits at his desk muttering helplessly over a rhyme for ''azure,'' finally giving up in exasperation. Finally, his attempt at chemistry ends in chaos. An experiment bursts into flames, setting the room and the cat’s tail on fire. As smoke and sparks fill the air, Pickle runs about shouting for help.
Bm Satires 15988.
[Ref: 67477] £240.00 (£288.00 incl.VAT)
[Robert Seymour]
London. Published by Thomas M.cLean. 26. Haymarket. July 1.st 1829.
Fine hand-coloured etching, 250 x 350mm (10 x 13¾"), with large margins. Holes in left margin where previously bound.
A series of comic scenes shows Pickle’s brief and disastrous experiments with various fashionable pursuits. First, he becomes an antiquary, seated in a mock-Gothic room cluttered with worthless trinkets. Wearing a dressing gown, he admires a broken medallion portrait offered by a slick salesman who insists he’s giving Pickle a bargain for ''one little dirty pound.'' Next, Pickle takes up music. Relaxing by the fire in his dressing gown, he enthusiastically blows a French horn, unaware of the furious neighbour in a nightshirt standing at the door. The man complains that his entire household has been kept awake for hours by the dreadful noise. Trying something new, Pickle experiments with ballooning, only to fall from the sky into the Thames. A boatman catches hold of the rope dangling from the balloon, while a rustic on the riverbank waits with a pitchfork to assist the unlucky aeronaut. He then turns to painting, depicting a woman who soon recognizes herself in an unflattering caricature. Enraged, she overturns his easel, scatters his paints, and jabs her umbrella into the portrait, shouting that she’ll teach him not to make a joke of her. Next, Pickle tries his hand at poetry. In nightcap and dressing gown, he sits at his desk muttering helplessly over a rhyme for ''azure,'' finally giving up in exasperation. Finally, his attempt at chemistry ends in chaos. An experiment bursts into flames, setting the room and the cat’s tail on fire. As smoke and sparks fill the air, Pickle runs about shouting for help.
Bm Satires 15988.
[Ref: 67477] £240.00 (£288.00 incl.VAT)
Artulley Bridge between Kenmare and Killarney.
T. Walmsley Pinx.t. S. Alken fecit.
Published as the Act directs, by T. Walmsley, N.º 5 Rathbone Place, April 10, 1798.
Rare aquatint. 355 x 460mm (14 x 18"). Narrow margins, staining on edge of plate.
A stone bridge in a mountainous landscape, with men fishing in Roughty river underneath. According to a limestone plaque on the extant but disused bridge: 'This Bridge was Built by Richard/Orpen Esq. at His Own Expence in the Year 1786'.
[Ref: 62670] £260.00 (£312.00 incl.VAT)
T. Walmsley Pinx.t. S. Alken fecit.
Published as the Act directs, by T. Walmsley, N.º 5 Rathbone Place, April 10, 1798.
Rare aquatint. 355 x 460mm (14 x 18"). Narrow margins, staining on edge of plate.
A stone bridge in a mountainous landscape, with men fishing in Roughty river underneath. According to a limestone plaque on the extant but disused bridge: 'This Bridge was Built by Richard/Orpen Esq. at His Own Expence in the Year 1786'.
[Ref: 62670] £260.00 (£312.00 incl.VAT)
Arundel Castle.
B. Ralph del. I. Ryland sculp.
Engraving. Sheet size: 135 x 175mm (5¼ x 6¾"). Trimmed. Hinged to backing sheet.
A view of Arundel Castle, Sussex, first published in 1764. Originally produced for 'England Illustrated, or, a Compendium of the Natural History, Geography, Topography, and Antiquities Ecclesiastical and Civil, of England and Wales'.
See 37684 for drawing.
[Ref: 37639] £50.00 (£60.00 incl.VAT)
B. Ralph del. I. Ryland sculp.
Engraving. Sheet size: 135 x 175mm (5¼ x 6¾"). Trimmed. Hinged to backing sheet.
A view of Arundel Castle, Sussex, first published in 1764. Originally produced for 'England Illustrated, or, a Compendium of the Natural History, Geography, Topography, and Antiquities Ecclesiastical and Civil, of England and Wales'.
See 37684 for drawing.
[Ref: 37639] £50.00 (£60.00 incl.VAT)
Arundel Castle.
[B. Ralph del. I. Ryland sculp.]
Pen and ink drawing. Sheet size: 175 x 215mm (6¾ x 8½"). Large margins; hinged to backing sheet.
A view of Arundel Castle, Sussex, within a circle. A pen and ink drawing, possibly by Benjamin Ralph. The image was reproduced as an engraving, first published in 1764. Originally produced for 'England Illustrated, or, a Compendium of the Natural History, Geography, Topography, and Antiquities Ecclesiastical and Civil, of England and Wales'.
See 37629 for engraving.
[Ref: 37684] £220.00 (£264.00 incl.VAT)
[B. Ralph del. I. Ryland sculp.]
Pen and ink drawing. Sheet size: 175 x 215mm (6¾ x 8½"). Large margins; hinged to backing sheet.
A view of Arundel Castle, Sussex, within a circle. A pen and ink drawing, possibly by Benjamin Ralph. The image was reproduced as an engraving, first published in 1764. Originally produced for 'England Illustrated, or, a Compendium of the Natural History, Geography, Topography, and Antiquities Ecclesiastical and Civil, of England and Wales'.
See 37629 for engraving.
[Ref: 37684] £220.00 (£264.00 incl.VAT)
Source de l'Arveiron. Chamonix.
S. Morel M.d d'estampes à Genève.
Imp. Lemercier, Paris [c.1850]
Tinted lithograph, printed area 105 x 120mm (4 x 4¾").
The source of the Arveiron at Montanvert, near Chamonix. It was visited by the Shelleys and Samuel Taylor Coleridge. Probably published in 'Chamonix et Ses Environs', one of Morel's 'Souvenirs de la Suisse' series, which contained 23 tinted lithographic views by Morel, Mottu, Linck and others.
[Ref: 46115] £70.00 (£84.00 incl.VAT)
S. Morel M.d d'estampes à Genève.
Imp. Lemercier, Paris [c.1850]
Tinted lithograph, printed area 105 x 120mm (4 x 4¾").
The source of the Arveiron at Montanvert, near Chamonix. It was visited by the Shelleys and Samuel Taylor Coleridge. Probably published in 'Chamonix et Ses Environs', one of Morel's 'Souvenirs de la Suisse' series, which contained 23 tinted lithographic views by Morel, Mottu, Linck and others.
[Ref: 46115] £70.00 (£84.00 incl.VAT)
Largs.
Tom Maxwell [signed in pencil and etched in the plate.]
[n.d. c.1920.]
Etching. 301 x 470mm. 11¾ x 18½".
A view from the pier of St Colombia's and the attractive seaside town of Largs, Ayrshire, Scotland. Tom Maxwell (d.1937).
[Ref: 20053] £140.00 (£168.00 incl.VAT)
Tom Maxwell [signed in pencil and etched in the plate.]
[n.d. c.1920.]
Etching. 301 x 470mm. 11¾ x 18½".
A view from the pier of St Colombia's and the attractive seaside town of Largs, Ayrshire, Scotland. Tom Maxwell (d.1937).
[Ref: 20053] £140.00 (£168.00 incl.VAT)
![Shakespeare. As you like it. Act II. Scene VII. The Seven Ages. First Age. Jaq. At first the Infant Mewling & puking in the nurse's arms. [&] Second Age. Jaq. And then, the whining school-boy, with his satchel, And shining morning face, Creeping like](jpegs/25290.jpg)
Shakespeare. As you like it. Act II. Scene VII. The Seven Ages. First Age. Jaq. At first the Infant Mewling & puking in the nurse's arms. [&] Second Age. Jaq. And then, the whining school-boy, with his satchel, And shining morning face, Creeping like snail unwillingly to school. [&] Third Age. Jaq.___And then, the lover; Sighin like furnace, with a woeful ballad Made to his mistress' eye-brow. [&] Fourth Age. Jaq.___Then a Soldier; Full of strange oaths, and bearded like the pard, Jealous in honour, sudden and quick in quarrel: Seeking the bubble reputation Even in the cannons mouth. [&] Fifth Age. Jaq.___And then, the justice In fair round belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances, And so he plays his part. [&] Sixth Age. Jaq.___The sixth age shifts Into the lean and slipper'd pantaloo; With spectacles on nose, and pouch on side; His youthful hose well sav'd, a world too wide For his shrunk shank; and his big manly voice Turning again toward childish treble, pipes and Whistles in his sound: [&] Seventh Age. Jaq.___Las scene of all, That ends this strange eventful history. Is second childishness, and mere oblivion; Sans teeth, sans eyes, sans taste, sans everything.
Painted by R. Smirke, R.A. Engraved by P.W. Tomkins. Hist.l Engraver to Her Majesty. [&] by I. Ogborn. [&] by R. Thew, Hist.l Engraver to H.R.H. the Prince of Wales. [&] by J. Ogborn. [&] by I.P. Simon. [&] by W. Leney. [&] by I.P. Simon.
Pubd. June 4, 1801, by J & J Boydell, at the Shakespeare Gallery, Pall Mall; &No. 90, Cheapside, London.
A set of seven stipples. Plate 457 x 541mm (18 x 21¼").
Seven plates illustrating the famous soliloquy by Jaques in Shakespeare's 'As You Like it', in which he described the Seven Ages of Man, from infancy to old age.
[Ref: 25290] £950.00 view all images for this item
Painted by R. Smirke, R.A. Engraved by P.W. Tomkins. Hist.l Engraver to Her Majesty. [&] by I. Ogborn. [&] by R. Thew, Hist.l Engraver to H.R.H. the Prince of Wales. [&] by J. Ogborn. [&] by I.P. Simon. [&] by W. Leney. [&] by I.P. Simon.
Pubd. June 4, 1801, by J & J Boydell, at the Shakespeare Gallery, Pall Mall; &No. 90, Cheapside, London.
A set of seven stipples. Plate 457 x 541mm (18 x 21¼").
Seven plates illustrating the famous soliloquy by Jaques in Shakespeare's 'As You Like it', in which he described the Seven Ages of Man, from infancy to old age.
[Ref: 25290] £950.00 view all images for this item