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Richardus Cooper Pictor.
Richardus Cooper Pictor.
[G.] Schroider Pinx.
[n.d., c.1750.]
Scarce mezzotint. Sheet 305 x 230mm (12 x 9"). Trimmed, losing c.3cm at top and the 'G' of the artist's name.
Richard Cooper the elder (c.1705-64), leading engraver of Edinburgh, left to study painting in Rome but returned in 1735. It is possible he engraved this portrait himself.
CS: Not ascertained 23.
[Ref: 43550]   £180.00   (£216.00 incl.VAT)
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Robert Bransby Cooper, Esq.r.
Robert Bransby Cooper, Esq.r. Vice President of the Gloucester General Infirmary.
Standidge & C.o Litho. London.
Lithograph, printed on india. Printed area: 240 x 170mm (9½ x 6¾").
A half-length seated portrait of politician Robert Bransby Cooper (1762-1845).
W: 669 - not in.
[Ref: 46465]   £65.00   (£78.00 incl.VAT)
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Samuel Cooper and His Contemporaries.
Samuel Cooper and His Contemporaries.
Daphne Foskett.
National Portrait Gallery. London Her Majesty's Stationery Office 1974.
4to, illustrated soft covers; pp. xxxiv + 140, profusely illustrated. Slightly scuffed cover and distressed binding.
An catalogue published to accompany an exhibition of works of Samuel Cooper (1609-1672), held at the National Portrait Gallery in 1974.
[Ref: 59940]   £15.00  
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[Coopers.]
[Coopers.]
G. Lewis pinx.t. F.C. Lewis sculp.t.
[n.d., c.1820.]
Mezzotint. Sheet 115 x 140mm (4½ x 5½"). Trimmed within plate, laid on album paper.
The interior of a cooper's workshop, with men making a barrel. The chiarioscuro lighting of the scene is inspired by the works of Joseph Wright of Derby.
[Ref: 56478]   £130.00   (£156.00 incl.VAT)
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Mr. Cope commonly call'd The Green Man.
Mr. Cope commonly call'd The Green Man.
Pub. Oct.r 25th 1806 by E. Scott Brighton
Etching with hand-colouring, very rare; sheet 265 x 180mm (10½ x 7"). Trimmed inside platemark. Slightly time stained.
Henry Cope of Brighton was known as the 'Green Man' for always dressing in green and owning green possessions. He committed suicide in Brighton in 1806.
[Ref: 35612]   £190.00   (£228.00 incl.VAT)
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Thomas P.Cope, Esq.
Thomas P.Cope, Esq. President of the Mercantile Library Co. Philadelphia.
[En]graved by Jn.o Sartain after the original portrait painted by J.Neagle in 1848, for the Comp[...].
[c.1848.]
Mezzotint. Sheet 170 x 100mm. Trimmed within plate, laid on board.
Thomas P. Cope (1768-1854), a Quaker originally from Lancaster, was the son of Caleb Cope. He was apprenticed to a dry goods merchant in Philadelphia at the age of 17. He became one of Philadelphia's wealthiest citizens as a merchant, politician, and active philanthropist.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4387]   £180.00   (£216.00 incl.VAT)
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Vue d'un Superbe Treillage et des Jets d'Eau dans le Jardin du Roi de Dannemarck.
Vue d'un Superbe Treillage et des Jets d'Eau dans le Jardin du Roi de Dannemarck.
AParis chez Bassett rue S. Jacques a S.t Genevieve [n.d., c.1780].
Etching with hand colour. 275 x 410mm (10¾ x 16"). Stained.
A vue-d'optique of promenaders walking amongst elaborate ornamental trellises in the Rosenborg Castle Gardens. As the plate was designed to be viewed through a zograscope, an optical viewer that reversed the image, the title is repeated in reverse about the scene.
[Ref: 66209]   £140.00   (£168.00 incl.VAT)
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Kiobehavn.
Kiobehavn.
[n.d., c.1760.]
Scarce engraving. Sheet 175 x 465mm (7 x 18¼"). Trimmed to printed border, repaired tears, creases, mounted on album paper.
A prospect of the Danish capital from inland.
[Ref: 66464]   £180.00   (£216.00 incl.VAT)
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South East View of Copenhagen House. 6.
South East View of Copenhagen House. 6.
[after Jefferyes Hamett O'Neale]
[n.d. c.1800].
Coloured mezzotint. 255 x 350mm (10 x 13¾"). Paper edges tatty, browned, foxing spots outside image.
A group of figures outside the house is engaged in a game of skittles. From a series of views first published by R. Sayer and J. Bennett in 1783. Faint traces underneath title where original publication line has been erased. Jefferyes Hamett O'Neale (1750-1801) was a leading porcelain painter, working at the Chelsea Porcelain Factory c. 1755 before moving to Worcester c.1767. He returned to London in 1770, after which he exhibited miniatures at the Society of Artists and produced illustrations for books and magazines.
[Ref: 166]   £180.00   (£216.00 incl.VAT)
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South East View of Copenhagen House.
South East View of Copenhagen House.
[after Jefferyes Hamett O'Neale]
London: Printed for R. Sayer and J. Bennett, Map and Printsellers, No 53 Fleet Street; as the Act directs, 20 March 1783.
Coloured mezzotint. 250 x 360mm (9¾ x 14¼"). Thread margins on three sides.
A group of figures outside the house is engaged in a game of skittles. Jefferyes Hamett O'Neale (1750-1801) was a leading porcelain painter, working at the Chelsea Porcelain Factory c. 1755 before moving to Worcester c.1767. He returned to London in 1770, after which he exhibited miniatures at the Society of Artists and produced illustrations for books and magazines.
[Ref: 51646]   £280.00   (£336.00 incl.VAT)
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Nicholas Copernicus.
Nicholas Copernicus. Engraved for the Select Portrait Gallery in the Guide to Knowledge.
[c.1824].
Engraving with large margins. Plate 215 x 140mm. 8½ x 5½". Uncut.
Nicolaus Copernicus (1473-1543) was a Renaissance astronomer and the first to formulate a comprehensive heliocentric cosmology. Here holding papers over table on which are his Jagiellonian globe & instruments.
Wellcome: Not in.
[Ref: 28728]   £95.00   (£114.00 incl.VAT)
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Nicolaus Copernicus.
Nicolaus Copernicus. Geb.d.19.Feb.1743.gest.d.24.Mai.1543.
[n.d. c.1780.]
Stipple. 158 x 102mm (6¼ x 4").
German-published portrait of Nicolaus Copernicus (1473-1543), Renaissance mathematician and astronomer who formulated a comprehensive heliocentric model, which placed the Sun, rather than the Earth, at the centre of the universe.
[Ref: 28627]   £60.00   (£72.00 incl.VAT)
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Nicolas Copernic.
Nicolas Copernic. Dedie a Monsieur De Sartine...
Dessine et Grave par N. Dandeleau.
Se Vend a Paris Chez Mr. Fallery Horloger... Et Chez l'Auteur Rue du Four, pres de la Croix Rouge, Chez un Boulanger No.73 [n.d., c.1790].
Very rare engraving. 285 x 220mm (11¼ x 8¾"). Some time staining.
Oval bust portrait of Nicolaus Copernicus (1473 - 1543), mathematician and the first astronomer to formulate a comprehensive heliocentric cosmology. By Nicolas Dandeleau (b.1749); from the portrait which is part of the collection held in the Museum of Thorn, Poland.
Not in Wellcome.
[Ref: 62427]   £450.00  
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Nicolaus Copernicus. Geb. zu Thorn d.19 Febr. 1743. Gestorb. in Ermeland d.24 May. 1543.
Nicolaus Copernicus. Geb. zu Thorn d.19 Febr. 1743. Gestorb. in Ermeland d.24 May. 1543.
CWestermayr f.
[German.] [n.d. c.1810.]
Stipple. Plate 140 x 89mm (5½ x 3½"). Cut to plate on right.
Nicolaus Copernicus (1473-1543), the mathematician and first astronomer to formulate a comprehensive heliocentric cosmology, which displaced the Earth from the centre of the universe. Prior to the work of Copernicus, the Earth was considered to be the stationary centre of the universe, a notion first advocated by the Egyptian astronomer Ptolemy (c 90-168 AD). Copernicus's pioneering work 'The Revolutions of Celestial Spheres' (1543) describes his idea of a Sun-centred universe, in which the Earth is merely one of the planets revolving around the Sun and rotating on its axis. From "Allgemeine Geographische Ephemeriden".
[Ref: 29535]   £140.00   (£168.00 incl.VAT)
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N. Copernicus.
N. Copernicus.
J. Chapman sculpsit.
London Publish'd as the Act directs April 10. 1802 by J. Wilkes.
Stipple in sepia ink, 165 x 115mm. 6½ x 4½".
Nicolaus Copernicus (1473 - 1543), mathematician and the first astronomer to formulate a comprehensive heliocentric cosmology, which displaced the Earth from the centre of the universe. Oval portrait with diagram of the solar system below.
Wellcome: 673-10.
[Ref: 13598]   £120.00   (£144.00 incl.VAT)
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[Rococo frames]
[Rococo frames]
H. Copland Fecit 16 Ap: 1746.
Scarce etching with engraving. Sheet 110 x 145mm (4¼ x 5¾"). Trimmed within plate, corners snipped.
A rococo design from 'A New Book of Ornaments' by Matthew Lock and Henry Copland.
[Ref: 58222]   £160.00   (£192.00 incl.VAT)
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[John Copley, Baron Lyndhurst] Dressing for the House on the __ March 1829.
[John Copley, Baron Lyndhurst] Dressing for the House on the __ March 1829.
[Monogram of Paul Pry, pseudonym of William Heath] Esq.
Pub March 2d. 1829 by T McLean 26 Haymarket -
Coloured etching. Sheet 255 x 350mm (10 x 13¾"). Trimmed within plate, mounted in album paper at edges.
Baron Lyndhurst being dressed by a liveried footman. To the right are his mace, Purse of the Great Seal, and the Chancellor's gown. Their conversation turns to his wife's notorious affair with the Earl of Dudley (here called 'Doodle').
BM Satires: 15705.
[Ref: 63385]   £260.00   (£312.00 incl.VAT)
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[John Copley, Baron Lyndhurst] Dressing for the House on the __ March 1829.
[John Copley, Baron Lyndhurst] Dressing for the House on the __ March 1829.
[Monogram of Paul Pry, pseudonym of William Heath] Esq.
Pub March 24. 1829 by T Mc Fal 26 Straw Market.
Coloured etching. Sheet 250 x 340mm (9¾ x 13¼"). Trimmed to printed border.
Baron Lyndhurst being dressed by a liveried footman. To the right are his mace, Purse of the Great Seal, and the Chancellor's gown. Their conversation turns to his wife's notorious affair with the Earl of Dudley (here called 'Doodle'). A copy of a Heath caricature published by Thomas McLean, with his address parodied.
See BM Satires 15705 for Heath's original.
[Ref: 66577]   £190.00   (£228.00 incl.VAT)
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[John Singleton Copley] Dressing for the House on the __ March 1829.
[John Singleton Copley] Dressing for the House on the __ March 1829.
[Paul Pry] Esq.
Pub March 2d. 1829 by T McLean 26 Haymarket -
Etching with fine hand colour. 260 x 362mm (10¼ x 14¼"). Some surface dirt particularily in the right corner, thread margins.
Satire on Baron Lyndhurst's wavering stance over Catholic Emancipation, and his wife's notorious affair with the Earl of Dudley. Lyndhurst, Chancellor under three successive Prime Ministers, had spoken against Emancipation in 1827 but was speaking in favour of it in 1829. Here it suggested he buy a new coat- 'you know you turnd it only last year & it has been turned before that. so I much doubt if it will bear turning any more [..]' Lyndhurst receives his advice from 'Doodle' (Dudley), who suggests Lyndhurst could afford to buy a new coat as 'her Ladyship earns her own expenses. Doodle pays all her bills and gives her every thing she can wish for'. Lady Lyndhurst was involved in several affairs with the wealthy and powerful.
BM Satires: 15705.
[Ref: 52759]   £120.00   (£144.00 incl.VAT)
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[John Singleton Copley.] The R.t Hon.ble Lord Lyndhurst.
[John Singleton Copley.] The R.t Hon.ble Lord Lyndhurst.
A.E. Chalon R.A. R.J. Lane A.R.A.
London. Published March 30th 1836, by John Mitchell, Library, 33, Old Bond Street.
Lithograph, proof. Sheet 430 x 275mm (17 x 10¾"). Trimmed to image.
A full-length portrait of John Singleton Copley (1772-1863), 1st Baron Lyndhurst, in his baronial gown. He was born in Boston, Massachusetts, the son of the American painter of the same name.
[Ref: 60372]   £180.00   (£216.00 incl.VAT)
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[John Singleton Copley.] A Sketch. Taken in the House of Lords.
[John Singleton Copley.] A Sketch. Taken in the House of Lords.
Printed by C. Hullmandel.
Published by J. Dickinson, 114, New Bond Street. [n.d., c.1840.]
Tinted lithograph on chine. 235 x 140mm (9¼ x 5½").
A full-length portrait of John Singleton Copley (1772-1863), 1st Baron Lyndhurst, in his Lord Chancellor's wig and gown. He was born in Boston, Massachusetts, the son of the American painter of the same name.
[Ref: 35320]   £65.00   (£78.00 incl.VAT)
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Sir J.S. Copley. His Majesty's Solicitor General.
Sir J.S. Copley. His Majesty's Solicitor General.
Sketched by A. Wivell in the House of Lords. T. Wright Sculp.
London, Published by Tho.s Kelly, 17, Paternoster Row, Dec.r 9, 1820.
Stipple and etching with large margins, fine. 175 x 125mm (6¾ x 5"). Uncut.
John Singleton Copley (1772-1863), 1st Baron Lyndhurst. This portrait is from a series of made of the legal teams representing George IV and Queen Caroline during the House of Lords' debates of the 'Pains and Penalties Bill' in 1820, by which George sought a divorce.
[Ref: 35327]   £95.00   (£114.00 incl.VAT)
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Copper Your Honour?
Copper Your Honour?
11 & 12 Northampton Square. Printed in Oil Colours by Baxter the Inventor and Patentee.
Published Augst. 10th. 1853 by George Baxter, Proprietor & Patentee London.
Baxter print. 224 x 163mm.
A begger boy holding out his hat for spare change, in scruffy clothes, no shoes, with a broom under his left arm and an innocent smile.
Baxter: 350.
[Ref: 12524]   £120.00   (£144.00 incl.VAT)
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Le Chaudronier
Le Chaudronier Avec sa voix de loup garou, Et son siflet rude à l'Oreille; Chacun dit qu'il scait à merueille Mettre la piece aupres du trou.
J. Bonnart fecit.
Chez H. Bonnart, rue S.t Iacques vis a vis le Mathurins avec privil. [n.d. c.1675-1700]
Etching, 17th century watermark. 270 x 190mm (10½ x 7½") very large margins.
A coppersmith selling his wares; he holds a whistle to his mouth. Engraved by Jean-Baptiste Bonnart and published by Henri Bonnart II from a series of 215 prints of figures in a wide variety of contemporary French costume and fashion.
[Ref: 54881]   £130.00   (£156.00 incl.VAT)
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Le Chaudronier.
Le Chaudronier.
C. Hüet inv. J. Guélard sculp. C.P.R.
A Paris chez Charpentier rue S.t Jacques au Coq avec privilege du Roy. [n.d., c.1760.]
Etching. Plate: 345 x 240mm (13½ x 9½''). Thread margins.
A scene showing three figures, including a coppersmith about to castrate a cat.
[Ref: 51139]   £180.00   (£216.00 incl.VAT)
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Copt-Hall in the County of Essex
Copt-Hall in the County of Essex The Seat of Sr Thomas Webster Bart.
J. Mynde Sc.
[London, 1735.]
Copper engraving, sheet 480 x 570mm, 19 x 22½". Trimmed to plate; fold as normal, with creases.
Bird's eye view over Copped Hall or Copthall close to Epping in Essex; forecourt with circular enclosure leading up to entrance to hall, which is built around a central courtyard; formal gardens behind. A wooden fence surrounds the grounds; countryside with hills beyond. From John Farmer's 'The history of the ancient town and once famous Abbey of Waltham'
[Ref: 22384]   £260.00   (£312.00 incl.VAT)
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The Coquettes. (A Scene in Paris).
The Coquettes. (A Scene in Paris).
Publish'd Feb.y. 21. 1803. by Laurie & Whittle, 53 Fleet Street, London.
Hand-coloured etching. Sheet: 200 x 245mm (8 x 9¼"). Trimmed.
A young woman sits on a chair while a young man stands beside her, in a scene to the right the woman receives a letter from a messanger.
[Ref: 43967]   £120.00   (£144.00 incl.VAT)
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Captain Thomas Coram.
Captain Thomas Coram. Upon whose Petition and Sollicitation The Royal Charter for ye Foundling Hospital was Granted by his Majesty King George ye Second, 17 of October 1739.
Will.m Hogarth Pinxt. Ja.s McArdell Fecit. 1749 [year in scratch letters.]
Published 12th May, 1794, by Laurie & Whittle, 53 Fleet Street, London.
Mezzotint. Sheet 355 x 255mm (14 x 10"), large margins. Later.
The philanthropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in Guildford Street, London. It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The artist William Hogarth was a friend of Coram's and later a governor of the institution. Handel donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000.
CS: 45 iii of iii; Goodwin: 8 v of v.
[Ref: 52536]   £120.00   (£144.00 incl.VAT)
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Captain Thomas Coram.
Captain Thomas Coram. Upon whose Petition and Sollicitation The Royal Charter for ye Foundling Hospital was Granted by his Majesty King George ye Second, [17 of October 1739].
Will.m Hogarth Pinxt. Ja.s McArdell Fecit. 1749 [year in scratch letters.]
Mezzotint. Sheet 350 x 260mm (13¾ x 10¼"). Trimmed within plate at bottom, losing end of title, small tear.
The philanthropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in Guildford Street, London. It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The artist William Hogarth was a friend of Coram's and later a governor of the institution. Handel donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000.
CS: 45 I of III; Goodwin: 8 II of V.
[Ref: 34357]   £280.00   (£336.00 incl.VAT)
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Capt.n Tho.s Coram
Capt.n Tho.s Coram who after 17 Years unwearied application, obtained the Charter of the Foundling Hospital, To the Governors & Guardians of the Hospital, this Print is humbly dedicated by their obedient humble Servt. R. Cribb.
W. Hogarth Pinx.t. W. Nutter sculpt..
London, Published Dec. 1. 1796, by R. Cribb, No.288 Holborn.
Stipple, title in open letters. 580 x 405mm (22¾ x 16"), very large margins. Some foxing, very fine impression.
The philanthropic sea captain Thomas Coram (c.1668 - 1751), who in 1742 founded the Foundling Hospital in Guildford Street, London. It was a children's home established for the 'education and maintenance of exposed and deserted young children.' The artist William Hogarth was a friend of Coram's and later a governor of the institution. Handel donated an organ to the chapel and gave performances of the 'Messiah' on it, raising £7,000. Coram sits surrounded by emblems representing his mercantilist and philanthropic activities, including a scroll lettered "The Royal Charter" for the hospital. The charter was signed in 1739, and the hospital started receiving children at the end of 1745. After William Hogarth (1697 - 1764).
[Ref: 56430]   £380.00  
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Prise de Corbeil.
Prise de Corbeil.
R. de Hooghe fec. El Cap.n Ing.o Ledesma Disp.
[n.d., c.1670-1699.]
Rare engraving. Plate: 265 x 325mm (10½ x 12¾"). Thread margins.
A battle scene showing the battle at Corbeil in 1590 in which Alessandro Farnese, Duke of Parma and governor of the Spanish Netherlands, fought on the side of the Catholics during the French Wars of Religion 1562-1598. The scene shows a vicious battle on the bridge into Corbeil, Farnese is shown mounted in full armour leading a charge. An illustration from 'Histoire de la Guerre de Flandre' by Famianus Strada, written with the help of Farnese which discussed the beginning of the Eighty Years War which led up to the Dutch Revolt.
Rijksmuseum: BI-1929-10-28.
[Ref: 43020]   £260.00   (£312.00 incl.VAT)
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M.rs. Corbyn.
M.rs. Corbyn.
[n.d., c.1780]
Stipple. Sheet: 120 x 160mm (4¾ x 6¼"). Trimmed.
Half-length portrait in an oval of Mrs Corbyn. A trade card (BM Heal, 132.26) from the 1780s describes a Mrs Corbyn who was celebrated for answering astrological questions 'in a most suprising manner' at The Golden Ball, Stanhope St., London.
[Ref: 34503]   £140.00   (£168.00 incl.VAT)
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The Red Barn at Polstead
The Red Barn at Polstead An accurate View of the Interior, showing the hole from which the Body of Maria Marten was taken. A correct View of the Exterior.
W. Panormo del et sculp
London, Published by T. Kelly, Paternoster Row, Aug.t 2. 1828.
Engraving, sheet 210 x 120mm (8¼ x 4¾"). Glued to backing sheet at top corners.
The notorious 'Red Barn' in Polstead, Suffolk, the scene of an infamous murder committed by William Corder in 1827. Corder (1803-28), a fraudster and ladies' man, made a rendezvous with his girlfriend Maria Marten at the barn on the pretext of eloping. Instead he killed her, stuffed her body in a sack and buried her. Corder disappeared and wrote home pretending the two were together, but Marten's body was discovered and a hunt for Corder started. He was, arrested, tried, and sentenced to be hung and dissected. The hanging attracted a huge crowd; the dissection was performed before an audience of Cambridge students. A battery was connected to his limbs to demonstrate muscle contraction; Corder's skin was tanned by the surgeon George Creed and used to bind an account of the murder; and his skeleton was put on display in the Hunterian Museum in the Royal College of Surgeons.
[Ref: 39214]   £90.00   (£108.00 incl.VAT)
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A Correct Likeness of William Corder,
A Correct Likeness of William Corder, Taken in Bury Gaol, previous to his Trial for the Murder of Maria Marten, in the Red Barn.
Published Aug.t 4, 1828, by John Fairburn, Broadway, Ludgate Hill.
Scarce etching with hand colour, plate 230 x 150mm (9 x 6"), large margins. Some very light foxing and surface dirt.
William Corder (1803-28), the Red Barn murderer. Corder, a fraudster and ladies' man, made a rendezvous with his girlfriend Maria Marten at the barn (which is shown here below the portrait) on the pretext of eloping. Instead he killed her, stuffed her body in a sack and buried her. Corder disappeared and wrote home pretending the two were together, but Marten's body was discovered and a hunt for Corder started. He was, arrested, tried, and sentenced to be hung and dissected. The hanging attracted a huge crowd; the dissection was performed before an audience of Cambridge students. A battery was connected to his limbs to demonstrate muscle contraction; Corder's skin was tanned by the surgeon George Creed and used to bind an account of the murder; and his skeleton was put on display in the Hunterian Museum in the Royal College of Surgeons.
[Ref: 58993]   £260.00   (£312.00 incl.VAT)
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William Corder.
William Corder. From a Drawing Made at the Time of his Trial.
M. Gauci lithog. Rackstraw del.t.
Bury: Published Aug. 16, 1828, by T.C. Newby, & R. Ackermann, 96 Strand, London.
Rare lithograph. Sheet 150 x 135mm (6 x 5¼"). Slight time staining.
William Corder (1803-28), convicted for the 'Red Barn Murder' of 1827. Corder, a fraudster and ladies' man, made a rendezvous with his girlfriend Maria Marten at the barn on the pretext of eloping. Instead he killed her, stuffed her body in a sack and buried her. Corder disappeared but wrote home pretending the two were together, but her body was discovered and a hunt for Corder started. He was discovered, arrested, tried and convicted, and sentenced to be hung and dissected. The hanging attracted a huge crowd; the dissection was performed before an audience of Cambridge students. A battery was connected to his limbs to demostrate muscle contraction; Corder's skin was tanned by the surgeon George Creed and used to bind an account of the murder; and his skeleton was put on display in the Hunterian Museum in the Royal College of Surgeons.
[Ref: 62411]   £130.00   (£156.00 incl.VAT)
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W.m Corder [facsimile signature]. Red Barn.
W.m Corder [facsimile signature]. Red Barn.
[n.d., c.1828.]
Wood engraving. Sheet 170 x 110mm (6¾ x 4¼").
William Corder (1803-28), convicted for the 'Red Barn Murder' of 1827. Corder, a fraudster and ladies' man, made a rendezvous with his girlfriend Maria Marten at the barn on the pretext of eloping. Instead he killed her, stuffed her body in a sack and buried her. Corder disappeared but wrote home pretending the two were together, but her body was discovered and a hunt for Corder started. He was discovered, arrested, tried and convicted, and sentenced to be hung and dissected. The hanging attracted a huge crowd; the dissection was performed before an audience of Cambridge students. A battery was connected to his limbs to demostrate muscle contraction; Corder's skin was tanned by the surgeon George Creed and used to bind an account of the murder; and his skeleton was put on display in the Hunterian Museum in the Royal College of Surgeons
[Ref: 58776]   £85.00   (£102.00 incl.VAT)
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P.re L.s Ant.ne Cordier. (Géologiste),
P.re L.s Ant.ne Cordier. (Géologiste), Membre de l'Académie des Sciences, Professeur de Géologie au Jardin-du-Roi, Inspecteaur divisionnaire des Mines &a. Né à Abbeville (Dep.t de la Somme) le 31 Mars 1777.
Dessiné d'après nature en 1825, et Gravé par Ambroise Tardieu.
[n.d., c.1825.]
Stipple. Plate: 200 x 130mm (8 x 5"). Trimmed to plate and mounted into album sheet.
A portrait of French geologist Pierre Cordier (1777-1862).
[Ref: 46828]   £65.00   (£78.00 incl.VAT)
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P.re L.s Ant.ne Cordier (Géologiste),
P.re L.s Ant.ne Cordier (Géologiste), Membre de l’Académie des Sciences, Professeur de Géologie au Jardin-du-Roi, Inspecteur divsionnaire des Mines &a. Né à Abbeville (Dép.t de la Somme) le 31 Mars 1777.
Dessiné d’après Nature en 1825, et Gravé par Ambroise Tardieu.
[n.d. c.1830.]
Stipple with small margins. 210 x 145mm (8¼ x 5¾").
Pierre Louis Antoine Cordier (1777-1861) the French geologist and mineralogist, and a founder of the French Geological Society. He was professor of Geology at the Museum National d'Histoire Naturelle in Paris from 1819 until his death. He served as a scientist on Napoleon's expedition to Egypt from 1798 to 1799. Cordierite, a magnesium iron aluminium cycloscilicate, is named after him.
W: 677.
[Ref: 29589]   £80.00   (£96.00 incl.VAT)
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Remains of a Roman Bridge on the Guadalquivir, Cordoba.
Remains of a Roman Bridge on the Guadalquivir, Cordoba.
[Lithographed by Thomas Shotter Boys after David Roberts.]
[London Published Nov.r 1st 1836 by Hodgson & Graves, 6, Pall Mall.]
Colour tinted lithograph. Sheet size: 280 x 450mm (11 x 16"). Trimmed into image, laid on card as usual
A view of Cordoba, published in David Roberts's 'Picturesque Sketches in Spain', his first publication. Although the lithography is credited to Boys, it is known that Roberts worked on every stone. The success of this work enabled Roberts to finance his important excursion to Egypt and the Holy Land.
Abbey Travel 152.
[Ref: 55048]   £260.00   (£312.00 incl.VAT)
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Album Del Ferro-Carril Mexicano.
Album Del Ferro-Carril Mexicano. Cordoba (Tomado desde el camino de Coscomatepec.)
C. Castro pino. Chromolitogo. por. A. Sigogne. Propiedad de Victor Debray, editor e impresor.
[n.d., c.1880.]
Chromolithograph, image 240 x 355mm. 9½ x 14".
A prospect of Cordoba, the Mexican state of Veracruz. Plate to the 'Album del ferrocarril mexicano' [Album of the Mexican Railroad], which celebrated the landscape of Mexico as the country was being transformed by the advent of rail transportation. Casimiro Castro (1826 - 1889) was a Mexican lithographer, draftsman and painter, considered one of the great Mexican lithographers and landscape artists of the 19th century. His works hold both historic and artistic value in Mexico today, and are in the collections of Mexican museums. The versatile artist also created designs for facades and shop interiors, posters, landscapes and even fashion designs. Numbered 'Lama. X.' upper right.
[Ref: 9766]   £350.00  
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Arcangelus Corellius.
Arcangelus Corellius.
J. Cole Sc. [after Hugh Howard]
[n.d. c.1740.]
Copper engraving, fine dark image. 255 x 191mm. 10 x 7½". Repaired tears.
Arcangelo Corelli (1653-1713) was an Italian violinist and composer of Baroque music. Corelli began in Paris from where he went on to travel and accepted many invitations from nobility, including his stay at the palace of Cardinal Ottoboni. He is remembered for his precision and stylistic playing which he passed onto his pupils. His compositions for the instrument mark and epoch in the history of chamber music, influencing Johann Sebastian Bach. One of several engravings based on the famous portrait of Corelli by Hugh Howard (Oxford, Music Faculty collection).
From the Collection of J.S. Bumpus.
[Ref: 17217]   £140.00   (£168.00 incl.VAT)
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Arcange Corelli
Arcange Corelli Né à Fusignari dans le Boulonnois, Mort à Rome le 19 Jan. 1713. Agé près de 60 ans.
H. Howard pinx. Mathey Sculpsit.
A Paris chez Odieuvre M.d d'Est, rue d'Anjou la dern. P. Cochere à gauche entrant par la rue Dauphine. CPR [n.d., c.1720].
Engraving. 155 x 110mm (6 x 4¼"), with large margins.
A portrait of Arcangelo Corelli (1653-1713), Italian violinist and composer who was a major influence on the work of Bach, based on the famous portrait by Hugh Howard (now in the Music Faculty collection of Oxford University).
[Ref: 56654]   £130.00   (£156.00 incl.VAT)
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Corfe Castle.
Corfe Castle.
J. C. Robinson.
1878.
Etching. Platemark: 155 x 280mm.
An atmostpheric scene depicting Corfe Castle and the surrounding area. A flock of sheep can be seen in the foreground, with a small thatched building to the left and the ruins of the Castle at the top of the hill to the right. Corfe Castle is a fortification standing above the village of the same name, on the Isle of Purbeck in the English county of Dorset.
[Ref: 31807]   £120.00   (£144.00 incl.VAT)
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Ch. Platitera.
Ch. Platitera.
[n.d. c.1860.]
Lithograph, very scarce. 222 x 292mm. 8¾ x 11½".
The Monastery of Platitera, Corfu; was built in 1743. After its part destruction during the French Russian-Turkish War of 1798, restoration began. The building is a mix of Bizantine and post-Bizantine architecture.
[Ref: 18378]   £230.00   (£276.00 incl.VAT)
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Corfu.
Corfu.
Drawn by T. Allom. Engraved by W. Floyd.
[n.d. c.1836.]
Engraving. Plate 178 x 248mm. 7 x 9¾". Some nicking along lower edge.
Corfu, with a view towards the old citadel and the fortress; boats in the bay of the Ionian Sea.
[Ref: 20836]   £60.00   (£72.00 incl.VAT)
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Corfu.
Corfu.
[Unsigned, n.d., c.1820s.]
Brown watercolour and wash over pencil, c.165 x 235mm. 6½ x 9¼".
Two fishing boats off the island of Corfu, a Greek island in the Ionian Sea. A drawing from life by a skilful amateur artist from a sketch book of scenes on a voyage of the ship 'Elphinstone'. She was a sloop in the service of the Honourable East India Company launched c.1824 which travelled to the Mediterranean, around the southern tip of Africa and on to the East Indies and Australia. The identity of the artist who travelled on board the Elphinstone drawing the different landscapes and scenes he saw is not ascertained. The sketch book is inscribed in ink with the initials 'W.B.' on the front endpaper.
[Ref: 9400]   £230.00   (£276.00 incl.VAT)
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[Corfu. A fishing boat, a ship and town beyond.]
[Corfu. A fishing boat, a ship and town beyond.]
[Unsigned, n.d., c.1820s.]
Watercolour, c.165 x 235mm. 6½ x 9¼".
A drawing from life by a skilful amateur artist from a sketch book of scenes on a voyage of the ship 'Elphinstone'. She was a sloop in the service of the Honourable East India Company launched c.1824 which travelled to the Mediterranean, around the southern tip of Africa and on to the East Indies and Australia. The identity of the artist who travelled on board the Elphinstone drawing the different landscapes and scenes he saw is not ascertained. The sketch book is inscribed in ink with the initials 'W.B.' on the front endpaper.
[Ref: 9417]   £360.00  
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Corfu & Manduchio, from Mount Olivet. Ionian Isles.
Corfu & Manduchio, from Mount Olivet. Ionian Isles. Corfu et Manduchio dal Monte di Olivet.
C. Bentley. Drawn from Nature by Lieu.t H.E. Allen R.l Eng.rs. J. Sands.
Fisher, Son & Co. London & Paris. [n.d. c.1840.]
Steel engraving. 208 x 279mm. 8¼ x 11".
Corfu , Greek Island, in the Ionian Sea, the second largest of the Ionian Islands , separated by a narrow channel from the Albanian and Greek coasts; seen on the other side of the bay is the Citadel.
[Ref: 20167]   £60.00   (£72.00 incl.VAT)
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Explanation of a View of the Island and City of Corfu, exhibiting in the Panorama, Strand.
Explanation of a View of the Island and City of Corfu, exhibiting in the Panorama, Strand.
Engraved J. Lea
[n.d., c.1820.]
Engraving. Sheet: 270 x 430mm (10½ x 17"). Trimmed and laid on an album sheet. Creasing.
A keyplate to a panorama showing the island of Corfu shown at the panorama on the Strand owned by Henry Aston Barker.
[Ref: 46206]   £260.00   (£312.00 incl.VAT)
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Arrête du Commissaire Général du Directoire.
Arrête du Commissaire Général du Directoire.
Fait à Corfou, le 13 Thermindor, an 6 de la République Français, une & in divisble. De l'Imprimerie Nationale de Corcyre. [August, 1798.]
Letterpress broadsheet in French and Greek. Sheet 520 x 370mm (20½ x14½"). Some foxing and staining.
A very scarce broadsheet printed in Corfu, disseminating a proclaimation by Pierre-Jacques Bonhomme de Comeyras (d.1798), the Commissioner in charge of Corfu during the French occupation of the former Venetian island in the Ægean 1797-1799. Comeyras died in Ancona, Italy, a few months later; a Russian & Turkish fleet expelled the French in 1799.
[Ref: 32210]   £580.00  
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