A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Cocker Spaniels.][Merry Cockers.]](jpegs/47911.jpg)
[Cocker Spaniels.][Merry Cockers.]
Henry Wilkinson.
Etching signed by the artist. 240 x 345mm (9½ x 13½"). Limited edition: 76/150.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47911] £170.00 (£204.00 incl.VAT)
Henry Wilkinson.
Etching signed by the artist. 240 x 345mm (9½ x 13½"). Limited edition: 76/150.
An etching by artist Henry Wilkinson (1921-2011) who specialised in sporting dogs and scenes.
[Ref: 47911] £170.00 (£204.00 incl.VAT)
![[October - A Busy Team.]](jpegs/13131.jpg)
[October - A Busy Team.]
Maud Earl. [Signed in plate and in pencil.]
Copyright, 1906, Photographische Gesellschaft. Published by the Berlin Photographic Company, Berlin - London W. 133 New Bond Street - New-York 14 East 23rd Street.
Colour photogravure, Limited to 100 signed proofs, image 210 x 355mm. 8¼ x 14". Sheet trimmed and laid to card.
Cocker Spaniels. Maud Alice Earl (1864 - 1943) was an eminent British-American canine painter. Her works are much enjoyed by dog enthusiasts and also accurately record many breeds. Earl was the born in London, the daughter of artist George Earl and his first wife Alice Beaumont Rawlins. Maud's profession was the continuation of a family tradition. George Earl, an avid sportsman and noted sporting painter, was his daughter's first teacher and had his daughter study the anatomy of her subjects, drawing dog, horse and human skeletons to improve her skill. She later said that her father's instruction had given her ability that set her apart from other dog painters. After her father's tutelage Maud went on to study at Royal Female School of Art (later incorporated into the Central School of Art). Earl became famous during the Victorian Era, a time when women were not expected to make their living at painting. Nevertheless, she developed a select clientele, including Royals amongst her patrons such as Queen Victoria and Queen Alexandra. Although evidently extremely successful in England, Earl felt that the world she knew had been destroyed by World War I and she emigrated to New York City in 1916. By this time her work had received wide international recognition and her popular images were published in a number of books and in print form. The Sportsman's Year featured twelve of Earl's works as engravings. Maud Earl died in New York in 1943 and is buried at Sleepy Hollow Cemetery in Sleepy Hollow, New York. For the 'Sportsman's Year'. Berlin Photographic Company blindstamp lower left.
[Ref: 13131] £270.00 (£324.00 incl.VAT)
Maud Earl. [Signed in plate and in pencil.]
Copyright, 1906, Photographische Gesellschaft. Published by the Berlin Photographic Company, Berlin - London W. 133 New Bond Street - New-York 14 East 23rd Street.
Colour photogravure, Limited to 100 signed proofs, image 210 x 355mm. 8¼ x 14". Sheet trimmed and laid to card.
Cocker Spaniels. Maud Alice Earl (1864 - 1943) was an eminent British-American canine painter. Her works are much enjoyed by dog enthusiasts and also accurately record many breeds. Earl was the born in London, the daughter of artist George Earl and his first wife Alice Beaumont Rawlins. Maud's profession was the continuation of a family tradition. George Earl, an avid sportsman and noted sporting painter, was his daughter's first teacher and had his daughter study the anatomy of her subjects, drawing dog, horse and human skeletons to improve her skill. She later said that her father's instruction had given her ability that set her apart from other dog painters. After her father's tutelage Maud went on to study at Royal Female School of Art (later incorporated into the Central School of Art). Earl became famous during the Victorian Era, a time when women were not expected to make their living at painting. Nevertheless, she developed a select clientele, including Royals amongst her patrons such as Queen Victoria and Queen Alexandra. Although evidently extremely successful in England, Earl felt that the world she knew had been destroyed by World War I and she emigrated to New York City in 1916. By this time her work had received wide international recognition and her popular images were published in a number of books and in print form. The Sportsman's Year featured twelve of Earl's works as engravings. Maud Earl died in New York in 1943 and is buried at Sleepy Hollow Cemetery in Sleepy Hollow, New York. For the 'Sportsman's Year'. Berlin Photographic Company blindstamp lower left.
[Ref: 13131] £270.00 (£324.00 incl.VAT)
![[October - A Busy Team.]](jpegs/2240.jpg)
[October - A Busy Team.]
Maud Earl.
Copyright 1906. Published by the Berlin Photographic Company Berlin - London W. 133 New Bond Street.
Colour photogravure. 220 x 350mm.
Cocker Spaniels. Maud Alice Earl (1864-1943) was an eminent British-American canine painter. Her works are much enjoyed by dog enthusiasts and also accurately record many breeds. Earl was the born in London, the daughter of artist George Earl and his first wife Alice Beaumont Rawlins. Maud's profession was the continuation of a family tradition. George Earl, an avid sportsman and noted sporting painter, was his daughter's first teacher and had his daughter study the anatomy of her subjects, drawing dog, horse and human skeletons to improve her skill. She later said that her father's instruction had given her ability that set her apart from other dog painters. After her father's tutelage Maud went on to study at Royal Female School of Art (later incorporated into the Central School of Art). Earl became famous during the Victorian Era, a time when women were not expected to make their living at painting. Nevertheless, she developed a select clientele, including Royals amongst her patrons such as Queen Victoria and Queen Alexandra. Although evidently extremely successful in England, Earl felt that the world she knew had been destroyed by World War I and she emigrated to New York City in 1916. By this time her work had received wide international recognition and her popular images were published in a number of books and in print form. The Sportsman's Year featured twelve of Earl's works as engravings. Maud Earl died in New York in 1943 and is buried at Sleepy Hollow Cemetery in Sleepy Hollow, New York.
[Ref: 2240] £380.00
Maud Earl.
Copyright 1906. Published by the Berlin Photographic Company Berlin - London W. 133 New Bond Street.
Colour photogravure. 220 x 350mm.
Cocker Spaniels. Maud Alice Earl (1864-1943) was an eminent British-American canine painter. Her works are much enjoyed by dog enthusiasts and also accurately record many breeds. Earl was the born in London, the daughter of artist George Earl and his first wife Alice Beaumont Rawlins. Maud's profession was the continuation of a family tradition. George Earl, an avid sportsman and noted sporting painter, was his daughter's first teacher and had his daughter study the anatomy of her subjects, drawing dog, horse and human skeletons to improve her skill. She later said that her father's instruction had given her ability that set her apart from other dog painters. After her father's tutelage Maud went on to study at Royal Female School of Art (later incorporated into the Central School of Art). Earl became famous during the Victorian Era, a time when women were not expected to make their living at painting. Nevertheless, she developed a select clientele, including Royals amongst her patrons such as Queen Victoria and Queen Alexandra. Although evidently extremely successful in England, Earl felt that the world she knew had been destroyed by World War I and she emigrated to New York City in 1916. By this time her work had received wide international recognition and her popular images were published in a number of books and in print form. The Sportsman's Year featured twelve of Earl's works as engravings. Maud Earl died in New York in 1943 and is buried at Sleepy Hollow Cemetery in Sleepy Hollow, New York.
[Ref: 2240] £380.00
Ingenious Cocker. (Now to Rest thou'rt Gone Noe Art can Show the fully but thine own. They rare Arithmetick alone can Show The vast Sums of Thanks wee for they Laboure owe.)
[n.d. c.1847.]
Engraving. 121 x 78mm.
Edward Cocker (1631-1676) was an English engraver who also taught writing and arithmetic. Cocker was the reputed author of the famous Arithmetick, the popularity of which has added a phrase ("according to Cocker") to the list of English proverbialisms. He is credited with the authorship and execution of some fourteen sets of copy slips, one of which, Daniel's Copy-Book, ingraven by Edward Cocker, Philomath (1664), is preserved in the British Museum. Samuel Pepys, in his Diary, makes very favourable mention of Cocker, who appears to have displayed great skill in his art. Cocker's Arithmetick, the fifty-second edition of which appeared in 1748, and which passed through over 100 editions in all, was not published during the lifetime of its reputed author, the first impression being dated 1678. Augustus de Morgan in his Arithmetical Books (1847) argues that the work was a forgery of the editor and publisher, John Hawkins. Ruth Wallis, in 1997, wrote an article in Annals of Science, claiming DeMorgan's analysis was flawed and Cocker was the real author.
[Ref: 12647] £120.00 (£144.00 incl.VAT)
[n.d. c.1847.]
Engraving. 121 x 78mm.
Edward Cocker (1631-1676) was an English engraver who also taught writing and arithmetic. Cocker was the reputed author of the famous Arithmetick, the popularity of which has added a phrase ("according to Cocker") to the list of English proverbialisms. He is credited with the authorship and execution of some fourteen sets of copy slips, one of which, Daniel's Copy-Book, ingraven by Edward Cocker, Philomath (1664), is preserved in the British Museum. Samuel Pepys, in his Diary, makes very favourable mention of Cocker, who appears to have displayed great skill in his art. Cocker's Arithmetick, the fifty-second edition of which appeared in 1748, and which passed through over 100 editions in all, was not published during the lifetime of its reputed author, the first impression being dated 1678. Augustus de Morgan in his Arithmetical Books (1847) argues that the work was a forgery of the editor and publisher, John Hawkins. Ruth Wallis, in 1997, wrote an article in Annals of Science, claiming DeMorgan's analysis was flawed and Cocker was the real author.
[Ref: 12647] £120.00 (£144.00 incl.VAT)
![Behold rare Cocker's Life-resembling Shade: [...].](jpegs/54125.jpg)
Behold rare Cocker's Life-resembling Shade: [...].
R. Gaywood. fec[?].
[n.d. 1657]
Rare etching. 135 x 160mm (5¼ x 6"). Vertical creasing affecting the title area. Small perforation near lower left corner. ,Foxing.
A decorated portrait of Edward Cocker (1631-1676) and frontispiece to 'Arts glory; or the pen mans treasury'. Edward Cocker was an English engraver as well as a notable teacher of arithmetic, on which he also wrote several books.
[Ref: 54125] £160.00 (£192.00 incl.VAT)
R. Gaywood. fec[?].
[n.d. 1657]
Rare etching. 135 x 160mm (5¼ x 6"). Vertical creasing affecting the title area. Small perforation near lower left corner. ,Foxing.
A decorated portrait of Edward Cocker (1631-1676) and frontispiece to 'Arts glory; or the pen mans treasury'. Edward Cocker was an English engraver as well as a notable teacher of arithmetic, on which he also wrote several books.
[Ref: 54125] £160.00 (£192.00 incl.VAT)
Ingenious Cocker! (Now to Rest thou'rt Gone Now Art can Show the fully but thine own. The rare Arithmetick alone can Show Th' vast Sums of Thanks wee for thy Laboure owe.
[n.d. c.1660.]
Engraving. 127 x 82mm. 5 x 3¼". Slightly rubbed text, creasing.
Edward Cocker (1631-1676) was an English engraver, who also taught writing and arithmetic. Cocker was the reputed author of the famous Arithmetick, the popularity of which has added a phrase ("according to Cocker") to the list of English proverbialisms. He is credited with the authorship and execution of some fourteen sets of copy slips, one of which, Daniel's Copy-Book, engraved by Edward Cocker, Philomath (1664), is preserved in the British Museum. Samuel Pepys, in his Diary, makes very favourable mention of Cocker, who appears to have displayed great skill in his art. Cocker's Arithmetick, the fifty-second edition of which appeared in 1748, and which passed through over 100 editions in all, was not published during the lifetime of its reputed author, the first impression being dated 1678. Augustus de Morgan in his Arithmetical Books (1847) argues that the work was a forgery of the editor and publisher, John Hawkins. Ruth Wallis, in 1997, wrote an article in Annals of Science, claiming DeMorgan's analysis was flawed and Cocker was the real author.
NPG: D29155. See Ref: 12647 and 24625 for different impressions.
[Ref: 24623] £120.00 (£144.00 incl.VAT)
[n.d. c.1660.]
Engraving. 127 x 82mm. 5 x 3¼". Slightly rubbed text, creasing.
Edward Cocker (1631-1676) was an English engraver, who also taught writing and arithmetic. Cocker was the reputed author of the famous Arithmetick, the popularity of which has added a phrase ("according to Cocker") to the list of English proverbialisms. He is credited with the authorship and execution of some fourteen sets of copy slips, one of which, Daniel's Copy-Book, engraved by Edward Cocker, Philomath (1664), is preserved in the British Museum. Samuel Pepys, in his Diary, makes very favourable mention of Cocker, who appears to have displayed great skill in his art. Cocker's Arithmetick, the fifty-second edition of which appeared in 1748, and which passed through over 100 editions in all, was not published during the lifetime of its reputed author, the first impression being dated 1678. Augustus de Morgan in his Arithmetical Books (1847) argues that the work was a forgery of the editor and publisher, John Hawkins. Ruth Wallis, in 1997, wrote an article in Annals of Science, claiming DeMorgan's analysis was flawed and Cocker was the real author.
NPG: D29155. See Ref: 12647 and 24625 for different impressions.
[Ref: 24623] £120.00 (£144.00 incl.VAT)
Ingenious Cocker! (Now to Rest thou'rt Gone Now Art can Show the fully but thine own. The rare Arithmetick alone can Show Th' vast Sums of Thanks wee for thy Laboure owe.
[n.d. c.1660.]
Engraving. 120 x 82mm. 4¾ x 3¼". Crease through centre.
Edward Cocker (1631-1676) was an English engraver, who also taught writing and arithmetic. Cocker was the reputed author of the famous Arithmetick, the popularity of which has added a phrase ("according to Cocker") to the list of English proverbialisms. He is credited with the authorship and execution of some fourteen sets of copy slips, one of which, Daniel's Copy-Book, ingraven by Edward Cocker, Philomath (1664), is preserved in the British Museum. Samuel Pepys, in his Diary, makes very favourable mention of Cocker, who appears to have displayed great skill in his art. Cocker's Arithmetick, the fifty-second edition of which appeared in 1748, and which passed through over 100 editions in all, was not published during the lifetime of its reputed author, the first impression being dated 1678. Augustus de Morgan in his Arithmetical Books (1847) argues that the work was a forgery of the editor and publisher, John Hawkins. Ruth Wallis, in 1997, wrote an article in Annals of Science, claiming DeMorgan's analysis was flawed and Cocker was the real author.
NPG: D29155. See Ref: 12647 and 24623 for different impressions.
[Ref: 24625] £120.00 (£144.00 incl.VAT)
[n.d. c.1660.]
Engraving. 120 x 82mm. 4¾ x 3¼". Crease through centre.
Edward Cocker (1631-1676) was an English engraver, who also taught writing and arithmetic. Cocker was the reputed author of the famous Arithmetick, the popularity of which has added a phrase ("according to Cocker") to the list of English proverbialisms. He is credited with the authorship and execution of some fourteen sets of copy slips, one of which, Daniel's Copy-Book, ingraven by Edward Cocker, Philomath (1664), is preserved in the British Museum. Samuel Pepys, in his Diary, makes very favourable mention of Cocker, who appears to have displayed great skill in his art. Cocker's Arithmetick, the fifty-second edition of which appeared in 1748, and which passed through over 100 editions in all, was not published during the lifetime of its reputed author, the first impression being dated 1678. Augustus de Morgan in his Arithmetical Books (1847) argues that the work was a forgery of the editor and publisher, John Hawkins. Ruth Wallis, in 1997, wrote an article in Annals of Science, claiming DeMorgan's analysis was flawed and Cocker was the real author.
NPG: D29155. See Ref: 12647 and 24623 for different impressions.
[Ref: 24625] £120.00 (£144.00 incl.VAT)
The Portraiture of Edward Cocker.
[Anon, 1664]
Engraving, in ink bottom right 2:6; 200 x 300mm (8 x 11¾"). Trimmed inside platemark and glued to backing sheet.
Edward Cocker (1631-1676), calligrapher and mathematician. Cocker was the reputed author of the famous Arithmetick, the popularity of which has added a phrase ("according to Cocker") to the list of English proverbialisms. He is credited with the authorship and execution of some fourteen sets of copy slips, one of which, Daniel's Copy-Book, ingraven by Edward Cocker, Philomath (1664), is preserved in the British Museum. Samuel Pepys, in his Diary, makes very favourable mention of Cocker, who appears to have displayed great skill in his art. Cocker's Arithmetick, the fifty-second edition of which appeared in 1748, and which passed through over 100 editions in all, was not published during the lifetime of its reputed author, the first impression being dated 1678. Augustus de Morgan in his Arithmetical Books (1847) argues that the work was a forgery of the editor and publisher, John Hawkins. Ruth Wallis, in 1997, wrote an article in Annals of Science, claiming DeMorgan's analysis was flawed and Cocker was the real author. Portrait in laurel oval with calligraphic figures presumably of Cocker's own design. Frontispiece to his 'Guide to Penmanship', one of more than two dozen books which he engraved.
O'D 4; Ex: The Hon. Christopher Lennox-Boyd Collection.
[Ref: 38877] £220.00 (£264.00 incl.VAT)
[Anon, 1664]
Engraving, in ink bottom right 2:6; 200 x 300mm (8 x 11¾"). Trimmed inside platemark and glued to backing sheet.
Edward Cocker (1631-1676), calligrapher and mathematician. Cocker was the reputed author of the famous Arithmetick, the popularity of which has added a phrase ("according to Cocker") to the list of English proverbialisms. He is credited with the authorship and execution of some fourteen sets of copy slips, one of which, Daniel's Copy-Book, ingraven by Edward Cocker, Philomath (1664), is preserved in the British Museum. Samuel Pepys, in his Diary, makes very favourable mention of Cocker, who appears to have displayed great skill in his art. Cocker's Arithmetick, the fifty-second edition of which appeared in 1748, and which passed through over 100 editions in all, was not published during the lifetime of its reputed author, the first impression being dated 1678. Augustus de Morgan in his Arithmetical Books (1847) argues that the work was a forgery of the editor and publisher, John Hawkins. Ruth Wallis, in 1997, wrote an article in Annals of Science, claiming DeMorgan's analysis was flawed and Cocker was the real author. Portrait in laurel oval with calligraphic figures presumably of Cocker's own design. Frontispiece to his 'Guide to Penmanship', one of more than two dozen books which he engraved.
O'D 4; Ex: The Hon. Christopher Lennox-Boyd Collection.
[Ref: 38877] £220.00 (£264.00 incl.VAT)
Innocent Amusements. Coo'Biddy Coo'Biddy Coo'Biddy! Cock a doodle Doo!!
Ego. Del.t
Hand coloured etching sheet 275 x 185mm (10¾ x 7¼). Cut and tipped into backing sheet. Slightly time stained.
A woman incites a man to crow while holding onto some grapes. The man has bird like features and stands on his tiptoes on a chair, his hands reach behind his back puffing out the tails of his coat to look like plumage and crows like a cockerel for the woman. Ego is the pseudonym of amateur M Egerton (1821 - 1827; fl.) based on a pun of his initialls M.E.
[Ref: 56545] £85.00 (£102.00 incl.VAT)
Ego. Del.t
Hand coloured etching sheet 275 x 185mm (10¾ x 7¼). Cut and tipped into backing sheet. Slightly time stained.
A woman incites a man to crow while holding onto some grapes. The man has bird like features and stands on his tiptoes on a chair, his hands reach behind his back puffing out the tails of his coat to look like plumage and crows like a cockerel for the woman. Ego is the pseudonym of amateur M Egerton (1821 - 1827; fl.) based on a pun of his initialls M.E.
[Ref: 56545] £85.00 (£102.00 incl.VAT)
Cocking the Greeks.
Pub.d May 16th 1796 by S.W.Fores, No 50 the Corner of Sackville Street. NB Folios of caractures lent for the Evening.
Fine hand-coloured etching. Sheet: 385 x 290mm (15¼ x 11½"). Trimmed within plate. Taped tear top left in sky.
Lady Archer and Lady Buckinghamshire in the pillory, Lady Buckinghamshire standing on her Faro bank box with her breasts bare. Lord Kenyon stands beneath, ringing a bell and declaiming against illegal gambling. Aristocratic women were unable to gamble in public houses so often set up their own private tables, however, following the start of the French Revolution any behaviour by the aristocratic classes which might cause the working and middle to react was stongly clamped down on. Chief Justaice Lord Kenyon, while judging a case about gambling debts, suggested the pillory as punishment for gamblers, 'whatever may be their rank. or station in the country'. The ladies here ran a notorious faro-bank.
BM 8878.
[Ref: 61897] £280.00 (£336.00 incl.VAT)
Pub.d May 16th 1796 by S.W.Fores, No 50 the Corner of Sackville Street. NB Folios of caractures lent for the Evening.
Fine hand-coloured etching. Sheet: 385 x 290mm (15¼ x 11½"). Trimmed within plate. Taped tear top left in sky.
Lady Archer and Lady Buckinghamshire in the pillory, Lady Buckinghamshire standing on her Faro bank box with her breasts bare. Lord Kenyon stands beneath, ringing a bell and declaiming against illegal gambling. Aristocratic women were unable to gamble in public houses so often set up their own private tables, however, following the start of the French Revolution any behaviour by the aristocratic classes which might cause the working and middle to react was stongly clamped down on. Chief Justaice Lord Kenyon, while judging a case about gambling debts, suggested the pillory as punishment for gamblers, 'whatever may be their rank. or station in the country'. The ladies here ran a notorious faro-bank.
BM 8878.
[Ref: 61897] £280.00 (£336.00 incl.VAT)
Robert Cocking. The Ascent of the Royal Nassau Balloon, with the Parachute attached. 24.th July 1837. This Sketch exhibits the Parachute with Mr. Cocking, in the three stages of the descent.
[n.d., c.1837.]
Lithograph. Sheet: 230 x 355mm (9 x 14''). Trimmed and creased in centre.
A portrait of Robert Cocking (1776-1837) flanked by two scene showing events before his death. Robert Cocking devised a parachute which was attached to the balloon operated by Edward Spencer (1799-1849) and his partner Charles Green (1785-1870) and let loose. Unfortunately, the parachute was poorly designed and too heavy so broke and Cocking was killed on impact.
[Ref: 48937] £260.00 (£312.00 incl.VAT)
[n.d., c.1837.]
Lithograph. Sheet: 230 x 355mm (9 x 14''). Trimmed and creased in centre.
A portrait of Robert Cocking (1776-1837) flanked by two scene showing events before his death. Robert Cocking devised a parachute which was attached to the balloon operated by Edward Spencer (1799-1849) and his partner Charles Green (1785-1870) and let loose. Unfortunately, the parachute was poorly designed and too heavy so broke and Cocking was killed on impact.
[Ref: 48937] £260.00 (£312.00 incl.VAT)
A Cockney & his Wife going to Wycombe. Vednesday was a veek, my Vife & I vent to Vest-Vycombe, vhether it vas the Vind, or vhether it vas the Veather, - or Vat it vas! - ve vhip'd & vhip'd - & vhip'd! - & could not get off a Valk!
[James Gillray]
Published June 10th 1805 by H. Humphrey, 27 St James's Street London.
Coloured etching with aquatint. 260 x 370mm (10¼ x 14½"), very large margins; watermarked 'J Whatman 1808 W Balston'. Colour slightly faded, stain in top margin.
A smartly dress couple in a gig drawn by a horse so emaciated and decrepit that it attracts carrion crows.
BM Satires 10471
[Ref: 56152] £480.00
[James Gillray]
Published June 10th 1805 by H. Humphrey, 27 St James's Street London.
Coloured etching with aquatint. 260 x 370mm (10¼ x 14½"), very large margins; watermarked 'J Whatman 1808 W Balston'. Colour slightly faded, stain in top margin.
A smartly dress couple in a gig drawn by a horse so emaciated and decrepit that it attracts carrion crows.
BM Satires 10471
[Ref: 56152] £480.00
''A Cockney'' being John Minsheu's Definition from his Guide into the Tongues as published in London, 1627. 2631. A Cockney, applied only to one borne within the sound of Bow-Bell, i. within the City of London, which terme came first out of this tale:...
Cha. Sigrist '48. [in pencil.]
Engraved in the style of the original by Charles Sigrist in London, 1948,- an edition of 70 copies only for sale; and published by B.F. Stevens & Brown, L.td in the same city;-No. [27].
Etching. Plate: 210 x 175mm (8¼ x 7''), with large margins. Surface dirt.
A letterpress definition of a 'cockney', with illustrations of a cockrell crowing, a young boy with a catapult and the belfrey of St. Mary-le-Bow in Cheapside.
[Ref: 50391] £180.00 (£216.00 incl.VAT)
Cha. Sigrist '48. [in pencil.]
Engraved in the style of the original by Charles Sigrist in London, 1948,- an edition of 70 copies only for sale; and published by B.F. Stevens & Brown, L.td in the same city;-No. [27].
Etching. Plate: 210 x 175mm (8¼ x 7''), with large margins. Surface dirt.
A letterpress definition of a 'cockney', with illustrations of a cockrell crowing, a young boy with a catapult and the belfrey of St. Mary-le-Bow in Cheapside.
[Ref: 50391] £180.00 (£216.00 incl.VAT)
"A Cockney" being John Minsheu's Definition from his Guide into the Tongues as published in London, 1627 [....]
Engraved in the style of the original by Charles Sigrist in London, 1948- an edition of 70 copies only for sale; and published by B.F. Stevens & Brown Ltd in the same city
Engraving, rare; platemark 210 x 175mm (8¼ x 7"), very large margins. Signed by the artist with verses to the dedicatee Raymond Smith.
The definition of a cockney: modern engraving of the definition from the lexicographer John Minsheu's magnum opus, the etymological dictionary 'Ductor in linguas: the Guide into Tongues'.
Private Collection.
[Ref: 43364] £140.00 (£168.00 incl.VAT)
Engraved in the style of the original by Charles Sigrist in London, 1948- an edition of 70 copies only for sale; and published by B.F. Stevens & Brown Ltd in the same city
Engraving, rare; platemark 210 x 175mm (8¼ x 7"), very large margins. Signed by the artist with verses to the dedicatee Raymond Smith.
The definition of a cockney: modern engraving of the definition from the lexicographer John Minsheu's magnum opus, the etymological dictionary 'Ductor in linguas: the Guide into Tongues'.
Private Collection.
[Ref: 43364] £140.00 (£168.00 incl.VAT)
Cockney Sports on Kennington Common.
[n.d., c.1810.]
Engraving. Sheet: 120 x 175mm (4¾ x 7"). Trimmed.
A shooting scene showing a group of men shooting on Kennington Common.
[Ref: 47941] £60.00 (£72.00 incl.VAT)
[n.d., c.1810.]
Engraving. Sheet: 120 x 175mm (4¾ x 7"). Trimmed.
A shooting scene showing a group of men shooting on Kennington Common.
[Ref: 47941] £60.00 (£72.00 incl.VAT)
Cockney Sports No 2. Where can I get a Pull at something old fellow there's devilish few Birds on this Road? Why Zur I dun know, but if you like to take a Pull at theis ere Pig, you be Welcome, vor I be plaguy tired of un.
[n.d., c.1830.]
Coloured lithograph. Sheet 285 x 220mm (11¼ x 8¾"). A few stains.
A cockney in conversation with a yokel.
[Ref: 58286] £85.00 (£102.00 incl.VAT)
[n.d., c.1830.]
Coloured lithograph. Sheet 285 x 220mm (11¼ x 8¾"). A few stains.
A cockney in conversation with a yokel.
[Ref: 58286] £85.00 (£102.00 incl.VAT)
Cockney-Sportsmen marking Game. Pl.1.
[After James Gillray.]
[n.d., c.1800.]
Hand-coloured etching. Sheet: 225 x 330mm (9 x 13''), on Whatman paper. Trimmed, some damage in top right corner.
A hunting scene showing two London 'cits' out shooting, the figure at the front holds his gun facing backwards and it has gone off causing his companion to fall backwards over a fence. The sign between them points toward Hornsey Wood and the dome of St Paul's Cathedral can be seen in the background. From a series of shooting scenes showing the cockney sportsmen.
BM Satire 9596.
[Ref: 50780] £260.00 (£312.00 incl.VAT)
[After James Gillray.]
[n.d., c.1800.]
Hand-coloured etching. Sheet: 225 x 330mm (9 x 13''), on Whatman paper. Trimmed, some damage in top right corner.
A hunting scene showing two London 'cits' out shooting, the figure at the front holds his gun facing backwards and it has gone off causing his companion to fall backwards over a fence. The sign between them points toward Hornsey Wood and the dome of St Paul's Cathedral can be seen in the background. From a series of shooting scenes showing the cockney sportsmen.
BM Satire 9596.
[Ref: 50780] £260.00 (£312.00 incl.VAT)
Plate 1st. Cockney-Sportsmen marking Game. [&] Plate 2.d. Cockney-Sportsmen Shooting Flying. [&] Plate 3.d. Cockney-Sportsmen Re-Charging. [&] Plate 4.th. Cockney-Sportsmen finding a Hare.
I.C. [Issac Cruikshank?] Esq.r del.t. J.s. G.y fec.t. [Etched by Gillray].
London Publish'd November 12th. 1800. by H. Humphrey, 27 St James's Street.
Set of four etchings with very fine hand colour. Sheets: 240 x 350mm (9½ x 13¾''). Trimmed to printed borders.
Four hunting scenes showing two London 'cits' out shooting near Hornsey, showing their incompetence. A fashionably dress young man is accompanied by a poodle; the older and fatter John Bull-type has a bulldog.
BM Satire 9596-9599.
[Ref: 61805] £1,500.00 view all images for this item
I.C. [Issac Cruikshank?] Esq.r del.t. J.s. G.y fec.t. [Etched by Gillray].
London Publish'd November 12th. 1800. by H. Humphrey, 27 St James's Street.
Set of four etchings with very fine hand colour. Sheets: 240 x 350mm (9½ x 13¾''). Trimmed to printed borders.
Four hunting scenes showing two London 'cits' out shooting near Hornsey, showing their incompetence. A fashionably dress young man is accompanied by a poodle; the older and fatter John Bull-type has a bulldog.
BM Satire 9596-9599.
[Ref: 61805] £1,500.00 view all images for this item
The Cockney Sportsmen, or First of September. Three citizens, well arm'd they say [...]
Harrild, Printer, 20 Great East[cheap]. [n.d., c.1820.]
Coloured etching with letterpress. Sheet 260 x 195mm (10¼ x 7¾"). Tear through text taped, surface abrasions affecting end of text. Very damaged.
A satirical verse about incompetent hunters.
[Ref: 61002] £130.00 (£156.00 incl.VAT)
Harrild, Printer, 20 Great East[cheap]. [n.d., c.1820.]
Coloured etching with letterpress. Sheet 260 x 195mm (10¼ x 7¾"). Tear through text taped, surface abrasions affecting end of text. Very damaged.
A satirical verse about incompetent hunters.
[Ref: 61002] £130.00 (£156.00 incl.VAT)
Cockney Sportsmen Finding, Pl 1. Morning.
[Etched by Charles Williams.]
Pubd Decr 8th 1800 by S W Fores Piccadilly, Folios of Caracatures lent out for the Evening
Coloured etching with grey wash border, 253 x 355mm. Repaired tears into image, two from above and two from below.
Plate 1 of a set of four by the same artist, imitations of a set by James Gillray (see 7773), but with the addition of a third man, who wears fashionable London dress, and has a blunderbuss and a small mongrel. The fat city sportsman has a bulldog with a spiked collar. They find a hare, crouching by a tree. Lettered below image with speech of characters; fat man says 'you may as well let me try', the next man raises his blunderbuss to smite, saying, 'No No I'm sure I can knock him down with the butt end'. The third man (to right) says to the dogs: 'hey at him there.' By Charles Williams (1797 - 1830). He was a prolific etcher of satires of his own or others' designs (especially Woodward). Almost all his plates are anonymous and their identification needs much more work: many of the attributions to him by Dorothy George need to be revisited. 'S.W.F[ores]' blindstamp lower right corner of plate.
See BM Satires: 9596 - 99.
[Ref: 7772] £170.00 (£204.00 incl.VAT)
[Etched by Charles Williams.]
Pubd Decr 8th 1800 by S W Fores Piccadilly, Folios of Caracatures lent out for the Evening
Coloured etching with grey wash border, 253 x 355mm. Repaired tears into image, two from above and two from below.
Plate 1 of a set of four by the same artist, imitations of a set by James Gillray (see 7773), but with the addition of a third man, who wears fashionable London dress, and has a blunderbuss and a small mongrel. The fat city sportsman has a bulldog with a spiked collar. They find a hare, crouching by a tree. Lettered below image with speech of characters; fat man says 'you may as well let me try', the next man raises his blunderbuss to smite, saying, 'No No I'm sure I can knock him down with the butt end'. The third man (to right) says to the dogs: 'hey at him there.' By Charles Williams (1797 - 1830). He was a prolific etcher of satires of his own or others' designs (especially Woodward). Almost all his plates are anonymous and their identification needs much more work: many of the attributions to him by Dorothy George need to be revisited. 'S.W.F[ores]' blindstamp lower right corner of plate.
See BM Satires: 9596 - 99.
[Ref: 7772] £170.00 (£204.00 incl.VAT)
Cockspur Street.
Publish'd March 18.th 1797 by T. Malton.
Coloured aquatint, sheet 310 x 415mm (12¼ x 16¼"). Some foxing, slight marks outside image. Trimmed to platemark.
A view on Cockspur Street (in the City of Westminster) with the Phoenix Fire Engine Station on the right, a horse-drawn carriage travels down the centre of street and elegantly dressed pedestrians roam the pavements. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Crace 1878 XI.130. Adams 1983 72.20. Abbey Scenery 204.20.
[Ref: 58332] £220.00 (£264.00 incl.VAT)
Publish'd March 18.th 1797 by T. Malton.
Coloured aquatint, sheet 310 x 415mm (12¼ x 16¼"). Some foxing, slight marks outside image. Trimmed to platemark.
A view on Cockspur Street (in the City of Westminster) with the Phoenix Fire Engine Station on the right, a horse-drawn carriage travels down the centre of street and elegantly dressed pedestrians roam the pavements. Plate to 'A Picturesque Tour Through the Cities of London and Westminster, illustrated With the most interesting Views, accurately delineated And executed in Aquatinta by Thomas Malton', 1792 - 1801.
Crace 1878 XI.130. Adams 1983 72.20. Abbey Scenery 204.20.
[Ref: 58332] £220.00 (£264.00 incl.VAT)
Co-Co-Pas.
A. Schott del.. Lith. of Sarony & Co. New York.
[Washington: Department of the Interior, 1857.]
Hand-coloured lithograph. Image 230 x 140mm (9 x 5½").
Three Cocopah, Arizona. Arthur Carl Victor Schott (1814-1875), a Stuttgart-born artist, topographical engineer and cartographer, joined the 'The United States and Mexican Boundary Survey' which was determining the border after the Mexican–American War (1846-8). His sketches, including this one, appeared in William H. Emory's 'Report on the United States and Mexican boundary survey'. They were reproduced in the 'Illustrated London News' in 1858.
[Ref: 43342] £95.00 (£114.00 incl.VAT)
A. Schott del.. Lith. of Sarony & Co. New York.
[Washington: Department of the Interior, 1857.]
Hand-coloured lithograph. Image 230 x 140mm (9 x 5½").
Three Cocopah, Arizona. Arthur Carl Victor Schott (1814-1875), a Stuttgart-born artist, topographical engineer and cartographer, joined the 'The United States and Mexican Boundary Survey' which was determining the border after the Mexican–American War (1846-8). His sketches, including this one, appeared in William H. Emory's 'Report on the United States and Mexican boundary survey'. They were reproduced in the 'Illustrated London News' in 1858.
[Ref: 43342] £95.00 (£114.00 incl.VAT)
Rev.d John Codman. D.D. Dorchester. Massachusetts.
Wildman del. Roffe sc.
Pub. Feb.y 1827, by Westley & Davis, Stationers Court.
Stipple. 215 x 120mm (8½ x 4¾").
Rev. John Codman (1782-1848). Dr. Codman graduated at Harvard College in 1802, studied for the ministry under the Rev. Henry Ware, then of Hingham, and in 1805 embarked for Europe, to finish his theological studies there, before returning to the United States.
[Ref: 28556] £40.00 (£48.00 incl.VAT)
Wildman del. Roffe sc.
Pub. Feb.y 1827, by Westley & Davis, Stationers Court.
Stipple. 215 x 120mm (8½ x 4¾").
Rev. John Codman (1782-1848). Dr. Codman graduated at Harvard College in 1802, studied for the ministry under the Rev. Henry Ware, then of Hingham, and in 1805 embarked for Europe, to finish his theological studies there, before returning to the United States.
[Ref: 28556] £40.00 (£48.00 incl.VAT)
Cadamosto Re Dell'Etiopia. Dell' etiope adusto il freno resse [/] Questi signoreggiando a gente fiera [/] Fu di natura generosa altera, E le uie dell'honor con l'armi impresse.
[n.d., c.1700.]
Engraving. Plate: 255 x 180mm (10 x 7'') very large margins. Marking.
A portrait of Alvise Codomosto (1432-1488) a Venetian slave trader and explorer who was hired by Prince Henry the Navigator of Portugal to explore Africa.
[Ref: 49443] £180.00 (£216.00 incl.VAT)
[n.d., c.1700.]
Engraving. Plate: 255 x 180mm (10 x 7'') very large margins. Marking.
A portrait of Alvise Codomosto (1432-1488) a Venetian slave trader and explorer who was hired by Prince Henry the Navigator of Portugal to explore Africa.
[Ref: 49443] £180.00 (£216.00 incl.VAT)
"Vanity Fair" Supplement Men of the Day No. 1303. "All British" (M.r S F. Cody)
Alick. P.F. Ritchie. Vincent Brooks, Day & Son Lt.d lith.
[n.d., 1 Nov 1911]
Chromolithograph with supplementary text, sheet 380 x 260mm (15 x 10¼"), large margins. Crease top right corner.
Full length portrait of Samuel Franklin Cowdery (1867 – 1913), known as Samuel Franklin Cody, USA born Wild West showman, early pioneer of manned flight and inventor of the Cody kite used by the British military. He was also the first man to fly an aeroplane built in Britain. His flight of 16 October 1908 is recognised as the first official flight of a piloted heavier-than-air machine in Great Britain. He set various British flight distance and endurance records and won prizes in flight competitions such as the Michelin Cup in 1911.
[Ref: 56968] £110.00 (£132.00 incl.VAT)
Alick. P.F. Ritchie. Vincent Brooks, Day & Son Lt.d lith.
[n.d., 1 Nov 1911]
Chromolithograph with supplementary text, sheet 380 x 260mm (15 x 10¼"), large margins. Crease top right corner.
Full length portrait of Samuel Franklin Cowdery (1867 – 1913), known as Samuel Franklin Cody, USA born Wild West showman, early pioneer of manned flight and inventor of the Cody kite used by the British military. He was also the first man to fly an aeroplane built in Britain. His flight of 16 October 1908 is recognised as the first official flight of a piloted heavier-than-air machine in Great Britain. He set various British flight distance and endurance records and won prizes in flight competitions such as the Michelin Cup in 1911.
[Ref: 56968] £110.00 (£132.00 incl.VAT)
Ludovicus Marcellus de Coetlogon Episcopus Briocensis Regi Ab Omnibus Consilis. Offrebat Petrus Canonicus Bonaventura Matais Briocensis.
[Gerard Edelinck.]
[c.1685]
Engraving. Sheet: 435 x 340mm (17 x 13¼''). Trimmed. Creased.
A portrait of Louis-Marcel de Coëtlogon (1648-1767).
R.D. 170
[Ref: 49930] £130.00 (£156.00 incl.VAT)
[Gerard Edelinck.]
[c.1685]
Engraving. Sheet: 435 x 340mm (17 x 13¼''). Trimmed. Creased.
A portrait of Louis-Marcel de Coëtlogon (1648-1767).
R.D. 170
[Ref: 49930] £130.00 (£156.00 incl.VAT)
Marchande de Café. café au lait tour chaud. No. 60.
Carle Vernet. S. lith de Delpech.
[Paris, n.d., c.1820.]
Coloured lithograph with very large margins. Printed area 300 x 140mm (11¾ x 5½").
A woman at a table pouring coffee from an urn. One of a series, 'Cris de Paris', depicting Parisian street vendors, lithographed by François Séraphin Delpech (1778-1825) after Antoine Charles Horace (Carle) Vernet (1758-1836).
[Ref: 33233] £120.00 (£144.00 incl.VAT)
Carle Vernet. S. lith de Delpech.
[Paris, n.d., c.1820.]
Coloured lithograph with very large margins. Printed area 300 x 140mm (11¾ x 5½").
A woman at a table pouring coffee from an urn. One of a series, 'Cris de Paris', depicting Parisian street vendors, lithographed by François Séraphin Delpech (1778-1825) after Antoine Charles Horace (Carle) Vernet (1758-1836).
[Ref: 33233] £120.00 (£144.00 incl.VAT)
![[Itinerant coffee seller]](jpegs/46955.jpg)
[Itinerant coffee seller] Vendeur de Caffé par les rues.
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint, platemark 360 x 250mm (13¾ x 9¾") very large margins.
A coffee boy from the Levant; as Joseph A. Boone notes in 'The Homoerotics of Orientalism', these boys were often assumed to be sexually available for payment. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
Joseph A. Boone, 'The Homoerotics of Orientalism', p.102.
[Ref: 46955] £320.00
JB. G. Scotin maj. sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving, mint, platemark 360 x 250mm (13¾ x 9¾") very large margins.
A coffee boy from the Levant; as Joseph A. Boone notes in 'The Homoerotics of Orientalism', these boys were often assumed to be sexually available for payment. Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis de Ferriol. After Jean-Baptiste van Mour (1671-1737), the Flemish-French painter, remembered for his his detailed portrayal of life in the Ottoman Empire during the Tulip Era and the rule of Sultan Ahmed III.
Joseph A. Boone, 'The Homoerotics of Orientalism', p.102.
[Ref: 46955] £320.00
Carolus Coffin Aniquus Universitatis Parisiensis Rector, et Collegii Dormano-Bellovaci Gymnasiarcha. Natus die 4. Octobris 1676 Obut die 20 Junii 1749.
Peint par Fontaine 1742. Gravé par Daulle graveur du Roy 1749
Engraving, sheet 480 x 340mm (19 x 13½"). Trimmed inside platemark; false margins added. Slightly time stained.
Charles Coffin (1676-1749), Rector of the College of Beauvais at the University of Paris who also published poems and hymns. This portrait of him in an elaborate trompe l'oeil frame was published shortly after his death.
[Ref: 31971] £240.00 (£288.00 incl.VAT)
Peint par Fontaine 1742. Gravé par Daulle graveur du Roy 1749
Engraving, sheet 480 x 340mm (19 x 13½"). Trimmed inside platemark; false margins added. Slightly time stained.
Charles Coffin (1676-1749), Rector of the College of Beauvais at the University of Paris who also published poems and hymns. This portrait of him in an elaborate trompe l'oeil frame was published shortly after his death.
[Ref: 31971] £240.00 (£288.00 incl.VAT)
Thomas Cogan, M.D. Living Founder of the Royal Humane Society.
E.Gerard pinx.t. J.s Basire sculp.
Published by J.Nichols, Son & Bentley March 1, 1814.
Engraving. Sheet 215 x 125mm (8½ x 5").
Portrait of Thomas Cogan (1736 -1818), English Nonconformist physician, a founder of the Royal Humane Society and philosophical writer.
W 638-2
[Ref: 68303] £60.00 (£72.00 incl.VAT)
E.Gerard pinx.t. J.s Basire sculp.
Published by J.Nichols, Son & Bentley March 1, 1814.
Engraving. Sheet 215 x 125mm (8½ x 5").
Portrait of Thomas Cogan (1736 -1818), English Nonconformist physician, a founder of the Royal Humane Society and philosophical writer.
W 638-2
[Ref: 68303] £60.00 (£72.00 incl.VAT)
Thomas Cogan, M.D. Living Founder of the Royal Humane Society.
E. Gerard pinx.t. J.s Basire sculp.t.
Published by J. Nichols, Son & Bentley March 1. 1814.
Engraving. Sheet: 220 x 140mm (8¾ x 5½"). Trimmed.
A half-length portrait of Thomas Cogan (1736-1818) a nonconformist physician and founder of the Royal Humane Society.
W. 638.
[Ref: 46464] £45.00 (£54.00 incl.VAT)
E. Gerard pinx.t. J.s Basire sculp.t.
Published by J. Nichols, Son & Bentley March 1. 1814.
Engraving. Sheet: 220 x 140mm (8¾ x 5½"). Trimmed.
A half-length portrait of Thomas Cogan (1736-1818) a nonconformist physician and founder of the Royal Humane Society.
W. 638.
[Ref: 46464] £45.00 (£54.00 incl.VAT)
Coeffure Louis XV et XVI.
M...
Aubeut R du Chateau d'Eau [c.1870]
Etching printed in sepia, sheet 290 x 205mm (11½ x 8"). Trimmed; fold through centre.
Historic French womens' hairstyles.
Ex: Norman Blackburn Collection.
[Ref: 43941] £130.00 (£156.00 incl.VAT)
M...
Aubeut R du Chateau d'Eau [c.1870]
Etching printed in sepia, sheet 290 x 205mm (11½ x 8"). Trimmed; fold through centre.
Historic French womens' hairstyles.
Ex: Norman Blackburn Collection.
[Ref: 43941] £130.00 (£156.00 incl.VAT)
The Art of Coining.
Engrav'd for the Universal Magazine 1750 for J.Hinton at the King's Arms in St Paul's Church-Yard, London.
Engraving. 105 x 205mm. Trimmed at bottom.
[Ref: 6978] £60.00 (£72.00 incl.VAT)
Engrav'd for the Universal Magazine 1750 for J.Hinton at the King's Arms in St Paul's Church-Yard, London.
Engraving. 105 x 205mm. Trimmed at bottom.
[Ref: 6978] £60.00 (£72.00 incl.VAT)
![[The Coke children?]](jpegs/65342.jpg)
[The Coke children?]
Huysman pinx. [engraved by William Vincent]
Sold by J. Smith at the Lyon & Crown in Russell Street [n.d., c.1685].
Mezzotint, 17th century watermark. 305 x 235mm (12 x 9¼"). Trimmed to plate.
A group of young children in an ornamental garden, with a girl dressed as a classical sheperdess, with two smaller children feeding a lamb. Two other children have wings, suggesting siblings who had died young. Challoner Smith identifies these as the Coke family, based on the similarity with another plate after Huysman (Van Somer 2).
CS 4, state ii of ii. Ink collector's stamp not in Lugt.
[Ref: 65342] £480.00
Huysman pinx. [engraved by William Vincent]
Sold by J. Smith at the Lyon & Crown in Russell Street [n.d., c.1685].
Mezzotint, 17th century watermark. 305 x 235mm (12 x 9¼"). Trimmed to plate.
A group of young children in an ornamental garden, with a girl dressed as a classical sheperdess, with two smaller children feeding a lamb. Two other children have wings, suggesting siblings who had died young. Challoner Smith identifies these as the Coke family, based on the similarity with another plate after Huysman (Van Somer 2).
CS 4, state ii of ii. Ink collector's stamp not in Lugt.
[Ref: 65342] £480.00
The Right Honourable Sr. Edw.d Coke Knight. Lord Chief Justice of England, in ye Reign of K.James ye First. Obyt 1634. Ætat 83.
J.Cooper Exc.
[n.d., c.1700.]
Mezzotint. 355 x 250mm (14 x 9¾"). Trimmed and backed onto album paper at corners. Tear on right.
Portrait of Sir Edward Coke (1552 - 1634), English barrister, judge, and politician. He is often considered the greatest jurist of the Elizabethan and Jacobean eras.
Cs 2 ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65515] £140.00 (£168.00 incl.VAT)
J.Cooper Exc.
[n.d., c.1700.]
Mezzotint. 355 x 250mm (14 x 9¾"). Trimmed and backed onto album paper at corners. Tear on right.
Portrait of Sir Edward Coke (1552 - 1634), English barrister, judge, and politician. He is often considered the greatest jurist of the Elizabethan and Jacobean eras.
Cs 2 ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65515] £140.00 (£168.00 incl.VAT)
Prudens qui Patiens. Anno 1629. [In ink below image:] Sir Edward Coke.
I Payne fecit.
[n.d. c.1629.]
Engraving, printed on 17th century watermarked paper. verso in ink "Francis Raynorford 1712" Plate: 130 x 195mm (5 x 7¾") large margins.
Sir Edward Coke (1551-1634) was an English barrister, judge, writer and politician. He was considered to be the greatest jurist of the Elizabethan and Jacobean eras. His most famous work is his 'Institutes of the Lawes of England'.
NPG: D26081.
[Ref: 39927] £140.00 (£168.00 incl.VAT)
I Payne fecit.
[n.d. c.1629.]
Engraving, printed on 17th century watermarked paper. verso in ink "Francis Raynorford 1712" Plate: 130 x 195mm (5 x 7¾") large margins.
Sir Edward Coke (1551-1634) was an English barrister, judge, writer and politician. He was considered to be the greatest jurist of the Elizabethan and Jacobean eras. His most famous work is his 'Institutes of the Lawes of England'.
NPG: D26081.
[Ref: 39927] £140.00 (£168.00 incl.VAT)
Edouard Coke Ancien Justicier d'Angleterre. d'Apres Langgan.
Touze d. Fine. Duflos.S.
A Paris chez Duflos le Jeune. [n.d. c.1780.]
Engraving with hand colour. 276 x 166mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 1971] £70.00 (£84.00 incl.VAT)
Touze d. Fine. Duflos.S.
A Paris chez Duflos le Jeune. [n.d. c.1780.]
Engraving with hand colour. 276 x 166mm.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 1971] £70.00 (£84.00 incl.VAT)
The Right Honourable Sr. John Coke K.t Secretary of State to King Charles the first.
G. White fec. 1724
Mezzotint, sheet 345 x 235mm (13½ x 9¼"). Trimmed; tipped into album sheet. Loss at top right & left.
Sir John Coke (1563-1644), politician. Coke played a major role in Charles I's ministry who has been criticized as 'humdrum' and servile, but his work was a function of his conservative nature and his need for survival at court.
[Ref: 43033] £180.00 (£216.00 incl.VAT)
G. White fec. 1724
Mezzotint, sheet 345 x 235mm (13½ x 9¼"). Trimmed; tipped into album sheet. Loss at top right & left.
Sir John Coke (1563-1644), politician. Coke played a major role in Charles I's ministry who has been criticized as 'humdrum' and servile, but his work was a function of his conservative nature and his need for survival at court.
[Ref: 43033] £180.00 (£216.00 incl.VAT)
![[Miss Coke of Norfolk]](jpegs/34264.jpg)
[Miss Coke of Norfolk]
[n.d., c.1680.]
Mezzotint with large margins. 180 x 140mm (7 x 5¼"). Mounted on album paper.
Probably by W. Vincent a young girl dressed as a shepherdess, with crook and lamb. Behind is an ornamental fountain. A pencil annotation on the album paper reads 'Miss Cook of Norfolk'; this is probably a reference to a child of Wenman Coke, who inherited the Coke family seat of Holkham Hall, Norfolk, in 1759.
Ex collection of the Hon Christopher Lennox-Boyd. CS: 5.
[Ref: 34264] £230.00 (£276.00 incl.VAT)
[n.d., c.1680.]
Mezzotint with large margins. 180 x 140mm (7 x 5¼"). Mounted on album paper.
Probably by W. Vincent a young girl dressed as a shepherdess, with crook and lamb. Behind is an ornamental fountain. A pencil annotation on the album paper reads 'Miss Cook of Norfolk'; this is probably a reference to a child of Wenman Coke, who inherited the Coke family seat of Holkham Hall, Norfolk, in 1759.
Ex collection of the Hon Christopher Lennox-Boyd. CS: 5.
[Ref: 34264] £230.00 (£276.00 incl.VAT)
![[Miss Coke of Norfolk]](jpegs/34265.jpg)
[Miss Coke of Norfolk]
[n.d., c.1680.]
Mezzotint, fine impression. 180 x 140mm (7 x 5¼"). Trimmed to plate. Loss bottom right corner.
Probably by W. Vincent, a young girl dressed as a shepherdess, with crook and lamb. Behind is an ornamental fountain. A pencil annotation on the album paper reads 'Miss Cook of Norfolk'; this is probably a reference to a child of Wenman Coke, who inherited the Coke family seat of Holkham Hall, Norfolk, in 1759.
Ex: Collection of The Hon. C. Lennox-Boyd. CS: 5.
[Ref: 34265] £190.00 (£228.00 incl.VAT)
[n.d., c.1680.]
Mezzotint, fine impression. 180 x 140mm (7 x 5¼"). Trimmed to plate. Loss bottom right corner.
Probably by W. Vincent, a young girl dressed as a shepherdess, with crook and lamb. Behind is an ornamental fountain. A pencil annotation on the album paper reads 'Miss Cook of Norfolk'; this is probably a reference to a child of Wenman Coke, who inherited the Coke family seat of Holkham Hall, Norfolk, in 1759.
Ex: Collection of The Hon. C. Lennox-Boyd. CS: 5.
[Ref: 34265] £190.00 (£228.00 incl.VAT)
Tho.s W.m Coke, Esq.r M.P. Dedicated (by permission) to the Holkham grand Annual Sheep Shearing Meeting: Andto the Agriculturists of the United Kingdom, by their Most Ob.dt humble Servant, R.R. Reinagle.
Painted by R.R. Reinagle A.R.A. Engraved by E. Scriven, Historical Engraver to H.R.H the Prince Regent.
[n.d., c.1815.]
Engraving. Sheet: 525 x 350mm (20¾ x 13¾"). Trimmed to printed border.
A portrait of member of parliament and agricultural reformer Thomas William Coke (1754-1842) with his pointer.
[Ref: 47482] £180.00 (£216.00 incl.VAT)
Painted by R.R. Reinagle A.R.A. Engraved by E. Scriven, Historical Engraver to H.R.H the Prince Regent.
[n.d., c.1815.]
Engraving. Sheet: 525 x 350mm (20¾ x 13¾"). Trimmed to printed border.
A portrait of member of parliament and agricultural reformer Thomas William Coke (1754-1842) with his pointer.
[Ref: 47482] £180.00 (£216.00 incl.VAT)
![[Thomas William Coke] Hannibal.](jpegs/67968.jpg)
[Thomas William Coke] Hannibal.
Painted by Sir Joshua Reynolds. Engraved by C. Townley. Engraver to his Majesty the King of Prussia & Member of the Academies of Berlin & Florence.
Published July 31st 1792, by W. Richardson, Castle Street, Leicester Fields.
Mezzotint. 330 x 230 (13 x 9"). Narrow margins.
A half-length portrait of a young child in Roman costume, with his right hand upon a sword and his left on his hip. Thomas William Coke, 1st Earl of Leicester (1754-1842), painted c.1759, when he was five years old.
Ex Collection of Christopher Lennox-Boyd. Hamilton: Pg 18; Not in CS.
[Ref: 67968] £280.00 (£336.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by C. Townley. Engraver to his Majesty the King of Prussia & Member of the Academies of Berlin & Florence.
Published July 31st 1792, by W. Richardson, Castle Street, Leicester Fields.
Mezzotint. 330 x 230 (13 x 9"). Narrow margins.
A half-length portrait of a young child in Roman costume, with his right hand upon a sword and his left on his hip. Thomas William Coke, 1st Earl of Leicester (1754-1842), painted c.1759, when he was five years old.
Ex Collection of Christopher Lennox-Boyd. Hamilton: Pg 18; Not in CS.
[Ref: 67968] £280.00 (£336.00 incl.VAT)
Tho.s Will.m Coke Esq.r M.P. for Norfolk. This plate is with permission respectfully dedicated to the R.t Hon.ble Viscountess Anson by her Ladyship's most ob.t & hum. Serv.t C.Turner.
Painted by Sir Tho.s Lawrence R.A. Principal Painter in Ordinary to His Majesty, Member of the Roman Academy of St Luke and of the American Academy of the Fine Arts. Engraved by Charles Turner, Warren Street, Fitzroy Square.
London Published 14th July 1819.
Mezzotint. 475 x 355mm, 19¾ x 14".
Thomas William Coke (1754-1842), MP and agricultural reformer. His use of advanced methods of animal husbandry at his estate at Holkham in Norfolk put him at the forefrond of the British Agricultural Revolution. He was created Earl of Leicester in 1837.
Ex: Collection of The Hon. C. Lennox-Boyd. Whitman 131.
[Ref: 15359] £240.00 (£288.00 incl.VAT)
Painted by Sir Tho.s Lawrence R.A. Principal Painter in Ordinary to His Majesty, Member of the Roman Academy of St Luke and of the American Academy of the Fine Arts. Engraved by Charles Turner, Warren Street, Fitzroy Square.
London Published 14th July 1819.
Mezzotint. 475 x 355mm, 19¾ x 14".
Thomas William Coke (1754-1842), MP and agricultural reformer. His use of advanced methods of animal husbandry at his estate at Holkham in Norfolk put him at the forefrond of the British Agricultural Revolution. He was created Earl of Leicester in 1837.
Ex: Collection of The Hon. C. Lennox-Boyd. Whitman 131.
[Ref: 15359] £240.00 (£288.00 incl.VAT)
![Tho.s Will.m Coke Leicester [facsimile signature.]](jpegs/26712.jpg)
Tho.s Will.m Coke Leicester [facsimile signature.]
Sir Tho.s Lawrence P.R.A. pinxit. Edw. Smith sculpsit.
Published by Charles Muskett, Norwich, 1843.
Engraving on india paper, india 355 x 245mm. 14 x 9¾". Lacking margins.
Thomas William Coke (1754-1842), MP and agricultural reformer. His use of advanced methods of animal husbandry at his estate at Holkham in Norfolk put him at the forefront of the British Agricultural Revolution. He was created Earl of Leicester in 1837. After Sir Thomas Lawrence (1769-1830).
for a larger engraving from the same Lawrence portrait of Coke, see ref. 15359
[Ref: 26712] £85.00 (£102.00 incl.VAT)
Sir Tho.s Lawrence P.R.A. pinxit. Edw. Smith sculpsit.
Published by Charles Muskett, Norwich, 1843.
Engraving on india paper, india 355 x 245mm. 14 x 9¾". Lacking margins.
Thomas William Coke (1754-1842), MP and agricultural reformer. His use of advanced methods of animal husbandry at his estate at Holkham in Norfolk put him at the forefront of the British Agricultural Revolution. He was created Earl of Leicester in 1837. After Sir Thomas Lawrence (1769-1830).
for a larger engraving from the same Lawrence portrait of Coke, see ref. 15359
[Ref: 26712] £85.00 (£102.00 incl.VAT)
![[Thomas William Coke] Hannibal.](jpegs/36473.jpg)
[Thomas William Coke] Hannibal.
Painted by Sir Joshua Reynolds. Engraved by C. Townley. Engraver to his Majesty the King of Prussia & Member of the Academies of Berlin & Florence.
Published as the Act directs, April 20th, 1792, by Charles Townley, Greek Street, Soho.
Mezzotint. 330 x 230 (13 x 9"). Narrow margins.
A half-length portrait of a young child in Roman costume, with his right hand upon a sword and his left on his hip. Thomas William Coke, 1st Earl of Leicester (1754-1842), painted c.1759, when he was five years old.
Ex Collection of Christopher Lennox-Boyd. Hamilton: Pg 18; CS: Not in.
[Ref: 36473] £240.00 (£288.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by C. Townley. Engraver to his Majesty the King of Prussia & Member of the Academies of Berlin & Florence.
Published as the Act directs, April 20th, 1792, by Charles Townley, Greek Street, Soho.
Mezzotint. 330 x 230 (13 x 9"). Narrow margins.
A half-length portrait of a young child in Roman costume, with his right hand upon a sword and his left on his hip. Thomas William Coke, 1st Earl of Leicester (1754-1842), painted c.1759, when he was five years old.
Ex Collection of Christopher Lennox-Boyd. Hamilton: Pg 18; CS: Not in.
[Ref: 36473] £240.00 (£288.00 incl.VAT)
Tho.s Will.m Coke Esq.r M.P. for Norfolk. This Plate is with permission respectfully dedicated to the R.t Hon.ble Viscountess Anson by her Ladyship's most ob.t & hum. Serv.t C. Turner.
Painted by Sir Tho.s Lawrence R.A. Principal Painter in Ordinary to His Majesty, Member of the Roman Academy of S.t Luke & of the American Academy of the Fine Arts. Engraved by Charles Turner, Warren Street, Fitzroy Square.
London Published 14 July 1819, by the Engraver, 50 Warren St. Fitzroy Square.
Mezzotint. Plate: 485 x 355mm (19 x 14"), with large margins.
A half-length portrait of member of Parliament and agricultural reformer Thomas Coke, 1st Earl of Leicester (1754-1842).
Whitman: 130
[Ref: 46893] £260.00 (£312.00 incl.VAT)
Painted by Sir Tho.s Lawrence R.A. Principal Painter in Ordinary to His Majesty, Member of the Roman Academy of S.t Luke & of the American Academy of the Fine Arts. Engraved by Charles Turner, Warren Street, Fitzroy Square.
London Published 14 July 1819, by the Engraver, 50 Warren St. Fitzroy Square.
Mezzotint. Plate: 485 x 355mm (19 x 14"), with large margins.
A half-length portrait of member of Parliament and agricultural reformer Thomas Coke, 1st Earl of Leicester (1754-1842).
Whitman: 130
[Ref: 46893] £260.00 (£312.00 incl.VAT)
Tho.s William Coke Esq.r M.P. for Norfolk. To the R.t Hon.ble The Earl of Albermarle, This Plate, from a Portrait in the possession of Martin Folkes Rishton Esq.r Is inscribed by his Lordship's most obed.t & humble Serv.t T. Barber.
Painted by T. Barber, Nottingham. Engraved by C. Turner, London.
Nottingham, Published June 24.th 1816, by T. Barber, & by C. Turner, 50, Warren S.t Fitzroy Square, London.
Mezzotint. Plate: 505 x 350mm (20 x 13¾"). Trimmed to plate.
A half-length portrait of member of Parliament and agricultural reformer Thomas Coke, 1st Earl of Leicester (1754-1842).
Whitman: 129 II.
[Ref: 46892] £180.00 (£216.00 incl.VAT)
Painted by T. Barber, Nottingham. Engraved by C. Turner, London.
Nottingham, Published June 24.th 1816, by T. Barber, & by C. Turner, 50, Warren S.t Fitzroy Square, London.
Mezzotint. Plate: 505 x 350mm (20 x 13¾"). Trimmed to plate.
A half-length portrait of member of Parliament and agricultural reformer Thomas Coke, 1st Earl of Leicester (1754-1842).
Whitman: 129 II.
[Ref: 46892] £180.00 (£216.00 incl.VAT)
Ioannes Baptista Michael Colbert Archiepiscopus Tolosanus Regia Secretoribus Consilius.
De Largillierre pinxit. G. Edelinck sculp 1693.
Engraving. Sheet: 400 x 315mm (15¾ x 12½''). Trimmed and creasing.
A portrait of Jean Baptiste Colbert.
[Ref: 49931] £130.00 (£156.00 incl.VAT)
De Largillierre pinxit. G. Edelinck sculp 1693.
Engraving. Sheet: 400 x 315mm (15¾ x 12½''). Trimmed and creasing.
A portrait of Jean Baptiste Colbert.
[Ref: 49931] £130.00 (£156.00 incl.VAT)
Jean Baptiste Colbert Secretaire et Ministre d'Etat
Jac. Lubin Sculp.
[n.d., c.1696]
Engraving, platemark 250 x 200mm (9¾ x 7¾"). Trimmed close to plate; fine impression.
Portrait of Jean Baptiste Colbert (1619-83), finance minister to Louis XIV from 1665. Colbert instigated significant ecnonomic reforms and encouraged French manufacture. Possibly derived from Robert Nanteuil's portrait of Colbert 'from the life' of 1670. Originally issued in Perrault's 'Les Hommes illustres', a series of biographies written by Perrault with portraits engraved by Edelinck, Jacques Lubin, Louis Simonneau and Van Schuppen.
Collector's Mark: Lugt 2900 F. Baumgartner.
[Ref: 31847] £160.00 (£192.00 incl.VAT)
Jac. Lubin Sculp.
[n.d., c.1696]
Engraving, platemark 250 x 200mm (9¾ x 7¾"). Trimmed close to plate; fine impression.
Portrait of Jean Baptiste Colbert (1619-83), finance minister to Louis XIV from 1665. Colbert instigated significant ecnonomic reforms and encouraged French manufacture. Possibly derived from Robert Nanteuil's portrait of Colbert 'from the life' of 1670. Originally issued in Perrault's 'Les Hommes illustres', a series of biographies written by Perrault with portraits engraved by Edelinck, Jacques Lubin, Louis Simonneau and Van Schuppen.
Collector's Mark: Lugt 2900 F. Baumgartner.
[Ref: 31847] £160.00 (£192.00 incl.VAT)
[Field Marshal Lord Seaton, G.C.M.G., K.M.T., K.T.S. K.S.t G. Colonel of the 2.nd Life Guards _ Colonel in Chief of the Rifle Brigade, Governor General and Commander of the Forces in British North America, Lord High Commissioner of the Ionian Islands, and Commander of the Forces in Ireland.]
[Painted by G.W. Fisher. Engraved by James Scott.]
London, Published April 11th. 1864, by Henry Graves & Co. the Proprietors, Publishers to the Queen _ 6 Pall Mall.
Mezzotint, proof before title, printed in chine collé. 725 x 450mm (28½ x 17¾"), with large margins. Printseller's Association blindstamp, limited edition of 125 in proof state.
Full-length portrait of John Colborne (1778-1863), in dress uniform. He saw service in the Helder campaign (1799), Egypt (1801), Peninsular War (1808-14) and Waterloo (1815). He was Lieutenant Governor of Guernsey (1825), Lieutenant Governor of Upper Canada (1828-36), and Commander-in-Chief of the forces in Ireland.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65935] £280.00 (£336.00 incl.VAT)
[Painted by G.W. Fisher. Engraved by James Scott.]
London, Published April 11th. 1864, by Henry Graves & Co. the Proprietors, Publishers to the Queen _ 6 Pall Mall.
Mezzotint, proof before title, printed in chine collé. 725 x 450mm (28½ x 17¾"), with large margins. Printseller's Association blindstamp, limited edition of 125 in proof state.
Full-length portrait of John Colborne (1778-1863), in dress uniform. He saw service in the Helder campaign (1799), Egypt (1801), Peninsular War (1808-14) and Waterloo (1815). He was Lieutenant Governor of Guernsey (1825), Lieutenant Governor of Upper Canada (1828-36), and Commander-in-Chief of the forces in Ireland.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65935] £280.00 (£336.00 incl.VAT)