A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
19. Chiswick.
[Samuel Leigh No.18, Strand, near Charing Cross, London] [n.d.c.1829]
Etching with beautiful hand colouring. Plate 205 x 430 (8 x 17"), with large margins. Taped into mount at top. Some light time staining and very light creasing.
A panoramic view along the Thames depicting the houses and buildings on each bank, with the names of the householders or businesses; Whittingham's Printing Office, Marine Store House, Malt House, Hammersmith Terrace, Towing Path. From Samuel Leigh's 'The Panorama of the Thames from London to Richmond, Exhibiting every Object on both Banks of the River, with a concise description of the most remarkable places and A General View of London.'
See Ref: 61077 & 61075
[Ref: 61078] £180.00 (£216.00 incl.VAT)
[Samuel Leigh No.18, Strand, near Charing Cross, London] [n.d.c.1829]
Etching with beautiful hand colouring. Plate 205 x 430 (8 x 17"), with large margins. Taped into mount at top. Some light time staining and very light creasing.
A panoramic view along the Thames depicting the houses and buildings on each bank, with the names of the householders or businesses; Whittingham's Printing Office, Marine Store House, Malt House, Hammersmith Terrace, Towing Path. From Samuel Leigh's 'The Panorama of the Thames from London to Richmond, Exhibiting every Object on both Banks of the River, with a concise description of the most remarkable places and A General View of London.'
See Ref: 61077 & 61075
[Ref: 61078] £180.00 (£216.00 incl.VAT)
A View of the Serpentine River, Chiswick Gardens.
Pub.d April 1. 1802 by G. Thompson No.43 Long Lane, West Smithfield.
A very rare engraving. Plate 242 x 305mm. 9½ x 12". Some creasing.
View of the Cassina, the back of Chiswick House, with surrounding gardens and part of the Serpentine river, with a bridge crossing the water and figures in the foreground.
[Ref: 23281] £190.00 (£228.00 incl.VAT)
Pub.d April 1. 1802 by G. Thompson No.43 Long Lane, West Smithfield.
A very rare engraving. Plate 242 x 305mm. 9½ x 12". Some creasing.
View of the Cassina, the back of Chiswick House, with surrounding gardens and part of the Serpentine river, with a bridge crossing the water and figures in the foreground.
[Ref: 23281] £190.00 (£228.00 incl.VAT)
![[Chiswick Mall.]](jpegs/29229.jpg)
[Chiswick Mall.]
[Martyn Lack.]
[n.d., 1933.]
Etching. Platemark: 110 x 140mm. (4½ x 5½"). Wide margins. Light foxing in margins.
Chiswick Mall from the banks of the Thames at low tide, looking towards Hammersmith.
[Ref: 29229] £85.00 (£102.00 incl.VAT)
[Martyn Lack.]
[n.d., 1933.]
Etching. Platemark: 110 x 140mm. (4½ x 5½"). Wide margins. Light foxing in margins.
Chiswick Mall from the banks of the Thames at low tide, looking towards Hammersmith.
[Ref: 29229] £85.00 (£102.00 incl.VAT)
Veduta della Città di Chiusi.
Ant. Terreni dis. e inc.
Aquatint. Plate: 360 x 255mm (14 x 10"), with very large margins.
A view of the town of Chiusi in Seina, Tuscany.
[Ref: 42504] £230.00 (£276.00 incl.VAT)
Ant. Terreni dis. e inc.
Aquatint. Plate: 360 x 255mm (14 x 10"), with very large margins.
A view of the town of Chiusi in Seina, Tuscany.
[Ref: 42504] £230.00 (£276.00 incl.VAT)
Chlopicki. Revue des Armees. Journal. No.8.
Julien [facsimile.]
Imp. Aubert et C.ie. [n.d. c.1820.]
Rare lithograph. 246 x 159mm (9¾ x 6¼"). Small crease.
Josef Chlopicki (1771-1854) the Polish general who was involved in fighting in Europe at the time of Napoleon and later. He was present at all engagements fought during 1792-1794 and was publicly complimented by General Nicolas Oudinot for his extraordinary valour. He distinguished himself at the battles of Modena, Busano, Casablanca and Ponto. In 1814, Tsar Alexander I made him a General in the new Polish army with the rank of a general officer.
[Ref: 29923] £140.00 (£168.00 incl.VAT)
Julien [facsimile.]
Imp. Aubert et C.ie. [n.d. c.1820.]
Rare lithograph. 246 x 159mm (9¾ x 6¼"). Small crease.
Josef Chlopicki (1771-1854) the Polish general who was involved in fighting in Europe at the time of Napoleon and later. He was present at all engagements fought during 1792-1794 and was publicly complimented by General Nicolas Oudinot for his extraordinary valour. He distinguished himself at the battles of Modena, Busano, Casablanca and Ponto. In 1814, Tsar Alexander I made him a General in the new Polish army with the rank of a general officer.
[Ref: 29923] £140.00 (£168.00 incl.VAT)
The Camp at Chobham, Taken Immediately after the Arrival of the Troops, June 14th. 1853.
Augustus Butler, Del.t & Lith. Stannard & Dixon, 7, Poland St.
London, Printed & Pub.d.. June 17th 1853 by Stannard & Dixon, 7, Poland St.
Fine hand coloured lithograph, sheet 365 x 520mm. 14½ x 20½". Closed tears, one into image upper left; crease through lower left corner. Tears in publication line repaired.
Queen Victoria and the royal family survey troops parading for inspection between lines of tents from high ground in this dramatic composition. From 14 June to 25 August 10,000 men, 1,500 horses and 24 guns mustered on Chobham Common in Surrey for drill, field operations and parades, under the command of Lieutenant-General (later Field Marshal) John Colborne, First Baron Seaton (1778 - 1863). Known as the 'Great Camp', Chobham was the scene of the first large-scale manoeuvres in Britain since the Napoleonic Wars. The object of the encampment was to improve the efficiency and discipline of the British Army, which had not seen active service in Europe in nearly forty years. These preparations proved invaluable in the Crimean War of 1854-1856.
Ogliby: 152, 1.
[Ref: 19704] £240.00 (£288.00 incl.VAT)
Augustus Butler, Del.t & Lith. Stannard & Dixon, 7, Poland St.
London, Printed & Pub.d.. June 17th 1853 by Stannard & Dixon, 7, Poland St.
Fine hand coloured lithograph, sheet 365 x 520mm. 14½ x 20½". Closed tears, one into image upper left; crease through lower left corner. Tears in publication line repaired.
Queen Victoria and the royal family survey troops parading for inspection between lines of tents from high ground in this dramatic composition. From 14 June to 25 August 10,000 men, 1,500 horses and 24 guns mustered on Chobham Common in Surrey for drill, field operations and parades, under the command of Lieutenant-General (later Field Marshal) John Colborne, First Baron Seaton (1778 - 1863). Known as the 'Great Camp', Chobham was the scene of the first large-scale manoeuvres in Britain since the Napoleonic Wars. The object of the encampment was to improve the efficiency and discipline of the British Army, which had not seen active service in Europe in nearly forty years. These preparations proved invaluable in the Crimean War of 1854-1856.
Ogliby: 152, 1.
[Ref: 19704] £240.00 (£288.00 incl.VAT)
Amérique Septentionale. Coutume funèbre des Chactas de la Louisiane
[n.d., c.1800.]
Coloured engraving. Sheet 185 x 125mm (7¼ x 5"). Trimmed within plate.
A Choctaw 'burial scaffold', a funerary platform supported by four posts. This was the first step in a burial process. After several months later, bone pickers stripped the flesh from the bones, which were cleaned and placed in an ossuary.
[Ref: 56216] £70.00 (£84.00 incl.VAT)
[n.d., c.1800.]
Coloured engraving. Sheet 185 x 125mm (7¼ x 5"). Trimmed within plate.
A Choctaw 'burial scaffold', a funerary platform supported by four posts. This was the first step in a burial process. After several months later, bone pickers stripped the flesh from the bones, which were cleaned and placed in an ossuary.
[Ref: 56216] £70.00 (£84.00 incl.VAT)
![[The Choice] By Pray'r but more by Gold, the Miser Swain](jpegs/67363.jpg)
[The Choice] By Pray'r but more by Gold, the Miser Swain / would tempt ye Nymph to Love, but rempts in vain...
P. Mercier Pictor Principis pinx 1739. J. Faber fecit.
Sold by J. Faber at the Golden Head in Bloomsury Square.
Fine mezzotint, 255 x 355mm (10 x 14"), on 18th century watermarked paper. Thread margins.
A young woman pushes away a rich old man who points at coins on the table as a younger man shows off his muscles.
CS 412. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67363] £320.00
P. Mercier Pictor Principis pinx 1739. J. Faber fecit.
Sold by J. Faber at the Golden Head in Bloomsury Square.
Fine mezzotint, 255 x 355mm (10 x 14"), on 18th century watermarked paper. Thread margins.
A young woman pushes away a rich old man who points at coins on the table as a younger man shows off his muscles.
CS 412. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67363] £320.00
The Choice. Well Malony! What will you have, Some Whisky_ or Rum_ or Brandy? Och Plaise y'ur honor_ and I'll take a little Whisky now_ and a little Rum while the Brandy's getting ready.
M.E. Eng.d by Geo. Hunt.
Pub.d by G Hunt, 18, Tavistock St.t Covent Garden. [n.d. c.1827].
Etching hand coloured with aquatint. On paper watermarked 'J Whatman Torkey Mill 1824'. Plate 280 x 210mm (11 x 8¼"), with large margins. Holes in top left, right and bottom centre margins where previously pinned. A tiny bit of creasing.
A man in a chair offers a Scotsman who's just come back from a hunt a drink giving three choices. The Scottsman takes all three choices.
Hickman page 64: I of II.
[Ref: 58421] £130.00 (£156.00 incl.VAT)
M.E. Eng.d by Geo. Hunt.
Pub.d by G Hunt, 18, Tavistock St.t Covent Garden. [n.d. c.1827].
Etching hand coloured with aquatint. On paper watermarked 'J Whatman Torkey Mill 1824'. Plate 280 x 210mm (11 x 8¼"), with large margins. Holes in top left, right and bottom centre margins where previously pinned. A tiny bit of creasing.
A man in a chair offers a Scotsman who's just come back from a hunt a drink giving three choices. The Scottsman takes all three choices.
Hickman page 64: I of II.
[Ref: 58421] £130.00 (£156.00 incl.VAT)
The Choice. In the choice of a Husband I'll tell you my plan...
Painted by W. Ward. Engraved by W. Ward.
London, Publish'd July 25.th 1787 by W. Dickinson Engraved Bond Street.
Stipple with hand-colour. Sheet: 240 x 200mm (9½ x 8''). Trimmed. Slight crease.
A portrait of a young woman in a large hat shown sitting at a desk and reading a letter.
[Ref: 48176] £220.00 (£264.00 incl.VAT)
Painted by W. Ward. Engraved by W. Ward.
London, Publish'd July 25.th 1787 by W. Dickinson Engraved Bond Street.
Stipple with hand-colour. Sheet: 240 x 200mm (9½ x 8''). Trimmed. Slight crease.
A portrait of a young woman in a large hat shown sitting at a desk and reading a letter.
[Ref: 48176] £220.00 (£264.00 incl.VAT)
The Choice of a Wife.
Drawn by M.E[gerton]. Esqr. Engraved by G. Hunt.
Pubd. by Pyall & Hunt, 18, Tavistock Street, Covent Garden. [n.d., c.1825.]
Very fine hand coloured etching with aquatint.. 340 x 255mm, 13½ x 10". A fine impression, with margins, uncut.
Social satire: two rakish bachelors, 'Charles' and 'Tom', sit together discussing their ideal wife over a punch-bowl in 'the Hummums' hotel'. In a mirror to right are reflected a yawning waiter, a hanging candelabra, and a wall-clock pointing to 12.15. After M Egerton (1821 - 1827; fl.), humorous designer and social satirist; apparently an amateur since he often signs as 'Esq'. Issued as a pair with 'The Choice of a Husband', featuring two young women in conversation.
BM Satires 15007. Hickman: p.48.
[Ref: 19576] £230.00 (£276.00 incl.VAT)
Drawn by M.E[gerton]. Esqr. Engraved by G. Hunt.
Pubd. by Pyall & Hunt, 18, Tavistock Street, Covent Garden. [n.d., c.1825.]
Very fine hand coloured etching with aquatint.. 340 x 255mm, 13½ x 10". A fine impression, with margins, uncut.
Social satire: two rakish bachelors, 'Charles' and 'Tom', sit together discussing their ideal wife over a punch-bowl in 'the Hummums' hotel'. In a mirror to right are reflected a yawning waiter, a hanging candelabra, and a wall-clock pointing to 12.15. After M Egerton (1821 - 1827; fl.), humorous designer and social satirist; apparently an amateur since he often signs as 'Esq'. Issued as a pair with 'The Choice of a Husband', featuring two young women in conversation.
BM Satires 15007. Hickman: p.48.
[Ref: 19576] £230.00 (£276.00 incl.VAT)
Etienne François Duc de Choiseul. Exilè le 24 Decembre 1770. La France le Regard.....
L.M. Vanloo pinxit. Rob.t Lowery fecit.
Imp: à Londres chez Rob.t Sayer, Fleet Street, No 55. Publié selon l'Acte du Parlement le Mai 1771.
Fine mezzotint. 505 x 360mm, 20 x 14¼". Trimmed close to plate.
Étienne-François, comte de Stainville, duc de Choiseul (1719-85). Until 1770 he was Foreign Minister of France, but his intent to side with Spain in the Falkland Crisis led to his dismissal by Louis XV, and exile to his estate at Chanteloup. Because of his popularity many people came out to bid him farewell as he left Paris. Engraved by Robert Laurie after Louis-Michel Van Loo.
CS: Laurie 12.
[Ref: 16986] £330.00
L.M. Vanloo pinxit. Rob.t Lowery fecit.
Imp: à Londres chez Rob.t Sayer, Fleet Street, No 55. Publié selon l'Acte du Parlement le Mai 1771.
Fine mezzotint. 505 x 360mm, 20 x 14¼". Trimmed close to plate.
Étienne-François, comte de Stainville, duc de Choiseul (1719-85). Until 1770 he was Foreign Minister of France, but his intent to side with Spain in the Falkland Crisis led to his dismissal by Louis XV, and exile to his estate at Chanteloup. Because of his popularity many people came out to bid him farewell as he left Paris. Engraved by Robert Laurie after Louis-Michel Van Loo.
CS: Laurie 12.
[Ref: 16986] £330.00
Vue du Chateau de Choisy le Roy du côté du Jardin.
[n.d., c.1780.]
Engraving with original hand colour. Sheet 255 x 430mm (10 x 17"), prepared as a transparency. Trimmed to plate, edges blacked, colour smears a little surface wear.
A view of the royal residence, the Château de Choisy, prepared as a transparency, with pinholes with coloured tissue on the reverse so that when it is held up to a light the windows of the buildings are lit.
[Ref: 54799] £160.00 (£192.00 incl.VAT)
[n.d., c.1780.]
Engraving with original hand colour. Sheet 255 x 430mm (10 x 17"), prepared as a transparency. Trimmed to plate, edges blacked, colour smears a little surface wear.
A view of the royal residence, the Château de Choisy, prepared as a transparency, with pinholes with coloured tissue on the reverse so that when it is held up to a light the windows of the buildings are lit.
[Ref: 54799] £160.00 (£192.00 incl.VAT)
Dédié a sa Majesté la Reine des Francais, La Comtesse De L. M... Dame de Charité soignant les Cholériques à l'hôpital temporaire de la réserve Grenier d'Abondance, Juin 1832.
Lith. de Benard, rue de l'Abbaye no.4.
Very scarce. Lithograph, 635 x 485mm. 25 x 19". Foxing, creases and tears outside of printed area.
A French countess visiting cholera sufferers. She hands a drink to a patient in the foreground, while in the background a patient receives the anointing of the sick.
[Ref: 8616] £340.00
Lith. de Benard, rue de l'Abbaye no.4.
Very scarce. Lithograph, 635 x 485mm. 25 x 19". Foxing, creases and tears outside of printed area.
A French countess visiting cholera sufferers. She hands a drink to a patient in the foreground, while in the background a patient receives the anointing of the sick.
[Ref: 8616] £340.00
Le Cholera. Pardon, mon Capitaine. Ma[...] crois bien que c’est en donnant une poignée de mans au camarade [...]ntre, que j’aurai attrapé la pidérnie regnante......vu que’il sori de l’hopital y a huit jours.
H.te Bellangé 1832. I.Lith. de Gihaut frères éditeurs.
Boulevard des Italiens No.5.
Lithograph. 228 x 183mm. 9 x 7¼". Stain in the title area. Some text missing.
Cholera didn't reach France until the second pandemic between 1829 and 1831, at which point 20,000 succumbed in Paris and 100,000 deaths in all of France. Here a scene of soldiers and their captain drinking away their pains and sorrows at a local street-side bar. One soldier is particularly drunk, hardly holding himself up against a senior officer.
[Ref: 16816] £60.00 (£72.00 incl.VAT)
H.te Bellangé 1832. I.Lith. de Gihaut frères éditeurs.
Boulevard des Italiens No.5.
Lithograph. 228 x 183mm. 9 x 7¼". Stain in the title area. Some text missing.
Cholera didn't reach France until the second pandemic between 1829 and 1831, at which point 20,000 succumbed in Paris and 100,000 deaths in all of France. Here a scene of soldiers and their captain drinking away their pains and sorrows at a local street-side bar. One soldier is particularly drunk, hardly holding himself up against a senior officer.
[Ref: 16816] £60.00 (£72.00 incl.VAT)
![[The Honourable Miss Cholmondeley.]](jpegs/46864.jpg)
[The Honourable Miss Cholmondeley.]
J. Reynolds pin.t. Gio. Marchi Sc.t
[Sold by Ryland, Bryer & Co. in Cornhill, c.1780.]
Mezzotint, platemark 505 x 360mm (19¾ x 14"), with large margins. Some repairs on left, but a very fine early impression.
Lady Hester Frances Bellingham (1763 - 1844), daughter of Robert Cholmondeley, carrying a shagggy toy terrier across a stream. She married Sir William Bellingham, baronet, in 1783. The plate has been re-worked.
CS 3 (undescribed state); Hamilton: p.90 ii/iii; for later states see refs. 4838 and 9619.
[Ref: 46864] £580.00
J. Reynolds pin.t. Gio. Marchi Sc.t
[Sold by Ryland, Bryer & Co. in Cornhill, c.1780.]
Mezzotint, platemark 505 x 360mm (19¾ x 14"), with large margins. Some repairs on left, but a very fine early impression.
Lady Hester Frances Bellingham (1763 - 1844), daughter of Robert Cholmondeley, carrying a shagggy toy terrier across a stream. She married Sir William Bellingham, baronet, in 1783. The plate has been re-worked.
CS 3 (undescribed state); Hamilton: p.90 ii/iii; for later states see refs. 4838 and 9619.
[Ref: 46864] £580.00
![[The Honourable Miss Cholmondeley.]](jpegs/51168.jpg)
[The Honourable Miss Cholmondeley.]
Reynolds pinx.t. Marchi fecit.
Sold by Ryland, Bryer & Co. in Cornhill [n.d., c.1783].
Mezzotint, 500 x 355mm (19¾ x 14"). Some foxing in title. Small margins.
Lady Hester Frances Cholmondeley (1763 - 1844) as a child, wading across a stream in bare feet, carrying a shaggy white dog. The daughter of Robert Cholmondeley and granddaughter of George, 3rd Earl of Cholmondeley, she married Sir William Bellingham in 1783. First published in 1768, the plate has been re-worked for this issue, which was probably to celebrate her marriage.
Chaloner Smith: 3, undescribed state. Hamilton: pg.90, undescribed state.
[Ref: 51168] £280.00 (£336.00 incl.VAT)
Reynolds pinx.t. Marchi fecit.
Sold by Ryland, Bryer & Co. in Cornhill [n.d., c.1783].
Mezzotint, 500 x 355mm (19¾ x 14"). Some foxing in title. Small margins.
Lady Hester Frances Cholmondeley (1763 - 1844) as a child, wading across a stream in bare feet, carrying a shaggy white dog. The daughter of Robert Cholmondeley and granddaughter of George, 3rd Earl of Cholmondeley, she married Sir William Bellingham in 1783. First published in 1768, the plate has been re-worked for this issue, which was probably to celebrate her marriage.
Chaloner Smith: 3, undescribed state. Hamilton: pg.90, undescribed state.
[Ref: 51168] £280.00 (£336.00 incl.VAT)
![[The Honourable Miss Cholmondeley.]](jpegs/62771.jpg)
[The Honourable Miss Cholmondeley.]
Reynolds pinx.t. Marchi fecit.
Sold by Ryland, Bryer & Co. in Cornhill] [n.d., c.1763].
Mezzotint. 510 x 355mm (20 x 14"). Thread margins. Small repaired tear in bottom left margin. Very small hole nearby in publication line on left.
Lady Hester Frances Cholmondeley (1763 - 1844) as a child, wading across a stream in bare feet, carrying a shaggy white dog. The daughter of Robert Cholmondeley and granddaughter of George, 3rd Earl of Cholmondeley, she married Sir William Bellingham in 1783.
Chaloner Smith, between states i of ii. Hamilton ii of iii.
[Ref: 62771] £380.00
Reynolds pinx.t. Marchi fecit.
Sold by Ryland, Bryer & Co. in Cornhill] [n.d., c.1763].
Mezzotint. 510 x 355mm (20 x 14"). Thread margins. Small repaired tear in bottom left margin. Very small hole nearby in publication line on left.
Lady Hester Frances Cholmondeley (1763 - 1844) as a child, wading across a stream in bare feet, carrying a shaggy white dog. The daughter of Robert Cholmondeley and granddaughter of George, 3rd Earl of Cholmondeley, she married Sir William Bellingham in 1783.
Chaloner Smith, between states i of ii. Hamilton ii of iii.
[Ref: 62771] £380.00
![[The Honourable Miss Cholmondeley.]](jpegs/61485.jpg)
[The Honourable Miss Cholmondeley.]
[Reynolds pinx.t. Marchi fecit.]
[Sold by Ryland, Bryer & Co. in Cornhill] [n.d., c.1763].
Mezzotint, proof before letters. 510 x 355mm (20 x 14"), with very large margins. Repaired tear bottom left.
Lady Hester Frances Cholmondeley (1763 - 1844) as a child, wading across a stream in bare feet, carrying a shaggy white dog. The daughter of Robert Cholmondeley and granddaughter of George, 3rd Earl of Cholmondeley, she married Sir William Bellingham in 1783.
Chaloner Smith I of II. Hamilton I of III.
[Ref: 61485] £480.00
[Reynolds pinx.t. Marchi fecit.]
[Sold by Ryland, Bryer & Co. in Cornhill] [n.d., c.1763].
Mezzotint, proof before letters. 510 x 355mm (20 x 14"), with very large margins. Repaired tear bottom left.
Lady Hester Frances Cholmondeley (1763 - 1844) as a child, wading across a stream in bare feet, carrying a shaggy white dog. The daughter of Robert Cholmondeley and granddaughter of George, 3rd Earl of Cholmondeley, she married Sir William Bellingham in 1783.
Chaloner Smith I of II. Hamilton I of III.
[Ref: 61485] £480.00
The Honourable Miss Cholmondeley.
J. Reynolds Pinx.t. Gi.i.Marchi sculp.
Publish'd According to Act of Parliament August ye 22. 1768 by Ryland, Bryer & Co. in Cornhill.
Mezzotint. 505 x 305mm (19¾ x 12"). Some toning of paper, title marked.
CS: 3.
[Ref: 4838] £420.00
J. Reynolds Pinx.t. Gi.i.Marchi sculp.
Publish'd According to Act of Parliament August ye 22. 1768 by Ryland, Bryer & Co. in Cornhill.
Mezzotint. 505 x 305mm (19¾ x 12"). Some toning of paper, title marked.
CS: 3.
[Ref: 4838] £420.00
The Geometrical Plan of the House, Gardens and adjacent Parts of Cholmondley in Cheshire, the Seat of the Right Honourable Earl of Cholmondley. Plan Geometrical de la Maison, Jardins etc part contigu de Cholmondley dans Cheshire Maison de Earl de Cholmondley. p: 29. Vol: 3.d. p:30
Ca: Campbell delin: H: Hulsbergh Sculp:
[n.d. c.1731.]
Copper Engraving. Plate 355 x 502mm. 14 x 19¾". Vertical fold through centre.
Garden plan from Henry Hulsberg's "Vitruvius Brittanicus" series. Cholmondeley Castle is a mansion house in Cheshire. In the 18th Century, Hugh Cholmondeley, 1st Earl of Cholmondeley had created gardens around the house, both kitchen gardens and orchards to provide food for the household, and also pleasure gardens. They would have been formal in style as they were laid out by George London.
[Ref: 18019] £260.00 (£312.00 incl.VAT)
Ca: Campbell delin: H: Hulsbergh Sculp:
[n.d. c.1731.]
Copper Engraving. Plate 355 x 502mm. 14 x 19¾". Vertical fold through centre.
Garden plan from Henry Hulsberg's "Vitruvius Brittanicus" series. Cholmondeley Castle is a mansion house in Cheshire. In the 18th Century, Hugh Cholmondeley, 1st Earl of Cholmondeley had created gardens around the house, both kitchen gardens and orchards to provide food for the household, and also pleasure gardens. They would have been formal in style as they were laid out by George London.
[Ref: 18019] £260.00 (£312.00 incl.VAT)
Nocturne.
L. Balestrieri Pinx & Sculps.
Imp. Eug. Delatre, Paris. Copyright 1904 by L. Balestrieri, Paris.
Etching. Pt stamp verso H. Levasseur. 410 x 700mm (16 x 27½").
A dark scene with Frédéric Chopin playing the piano. Drawn and engraved by Lionello Balestrieri (1872-1958), an artist who moved in musical circles, coming to know Puccini, Giordano and Cilea.
[Ref: 53097] £460.00
L. Balestrieri Pinx & Sculps.
Imp. Eug. Delatre, Paris. Copyright 1904 by L. Balestrieri, Paris.
Etching. Pt stamp verso H. Levasseur. 410 x 700mm (16 x 27½").
A dark scene with Frédéric Chopin playing the piano. Drawn and engraved by Lionello Balestrieri (1872-1958), an artist who moved in musical circles, coming to know Puccini, Giordano and Cilea.
[Ref: 53097] £460.00
A Chorale, by The Poet Laureate; the Music by Dr. Sterndale Bennett. Uplift a thousand voices full and sweet [...]
International Exhibition, 1862. From Messrs. F.E. Morrish & Co. Refreshment Department, Western Area. Thomas Brettell, Rupert Street
Broadside printed in violet ink, 255 x 185mm. 10 x 7¼". Stained.
Alfred Lord Tennyson's 'Ode Sung at the Opening of the International Exhibition', written in the post of poet laureate. The poem was set to music by William Sterndale Bennett as his opus 40.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester.
[Ref: 16756] £65.00 (£78.00 incl.VAT)
International Exhibition, 1862. From Messrs. F.E. Morrish & Co. Refreshment Department, Western Area. Thomas Brettell, Rupert Street
Broadside printed in violet ink, 255 x 185mm. 10 x 7¼". Stained.
Alfred Lord Tennyson's 'Ode Sung at the Opening of the International Exhibition', written in the post of poet laureate. The poem was set to music by William Sterndale Bennett as his opus 40.
Provenance: from a scrap album compiled c.1840 - 1880 by Alfred Towgood of Riverside, a paper mill owner at St. Neots, Huntingdon. He was also a Lieutenant in the Duke of Manchester.
[Ref: 16756] £65.00 (£78.00 incl.VAT)
La Chose Impossible. Que ne peut point sur nous l’attrayante Beauté; Puisque pour contenter un amour qui l’accable, Et de la jeune Iris vaincre la Cruauté, Lisandre est assez fou pour se donner au Diable. De ce séxe enchanteur qui trouble la raison, Que ne peut point aussi l’ingénieuse adressé, Puisq’Iris a bien seu d’un seul trait de finesse. Et sauber son amant et duper le Demon. Moraine.
Lorrain inv. D. Sornique Sculp.
AParis chez Buldet rue de Gêvres. Avec privilege du Roi. [n.d. c.1760.]
Engraving. Plate 318 x 362mm (12½ x 14¼). Crease not visible from front. Faint time stain. Very fine impression.
A young man attempts to court Lisandre, with the help of the Devil who sits floating on a dark cloud beside them.
From the Oettingen-Wallerstein Collection.
[Ref: 28359] £290.00 (£348.00 incl.VAT)
Lorrain inv. D. Sornique Sculp.
AParis chez Buldet rue de Gêvres. Avec privilege du Roi. [n.d. c.1760.]
Engraving. Plate 318 x 362mm (12½ x 14¼). Crease not visible from front. Faint time stain. Very fine impression.
A young man attempts to court Lisandre, with the help of the Devil who sits floating on a dark cloud beside them.
From the Oettingen-Wallerstein Collection.
[Ref: 28359] £290.00 (£348.00 incl.VAT)
![[The Chosen Five.]](jpegs/14092.jpg)
[The Chosen Five.]
[Painted by Edwin Long R.A. Engraved by G. H. Every.]
London, January 2nd, 1890, Published by Fairless & Beeforth, 126 New Bond Street W. Copyright Registered. Entered according to Act of Congress in the Year 1890 by Frank Hunter Potter, in the Office of the Librarian of Congress at Washington U.S.A.
Fine mezzotint on india paper with engraver's signature in pencil. 585 x 857mm (23 x 33¾"). Uncut. Mint.
This is also known as Zeuxis at Crotona. The ancient Greek painter Zeuxis, who in an attempt to portray the perfect beauty of Helen of Troy, invited the most beautiful women in the city of Croton to model for him. From these he selected five, taking from each their best physical features to make a composite ideal. Long's pendant to the present picture was a 'prequel' entitled The Search for Beauty, See ref:14093, in which the artist takes his pick of the available women on offer. The Painting hangs in the Russell Cotes Art Gallery And Museum Bournemouth England. For Companion see "Search for Beauty" ref:14093
[Ref: 14092] £420.00
[Painted by Edwin Long R.A. Engraved by G. H. Every.]
London, January 2nd, 1890, Published by Fairless & Beeforth, 126 New Bond Street W. Copyright Registered. Entered according to Act of Congress in the Year 1890 by Frank Hunter Potter, in the Office of the Librarian of Congress at Washington U.S.A.
Fine mezzotint on india paper with engraver's signature in pencil. 585 x 857mm (23 x 33¾"). Uncut. Mint.
This is also known as Zeuxis at Crotona. The ancient Greek painter Zeuxis, who in an attempt to portray the perfect beauty of Helen of Troy, invited the most beautiful women in the city of Croton to model for him. From these he selected five, taking from each their best physical features to make a composite ideal. Long's pendant to the present picture was a 'prequel' entitled The Search for Beauty, See ref:14093, in which the artist takes his pick of the available women on offer. The Painting hangs in the Russell Cotes Art Gallery And Museum Bournemouth England. For Companion see "Search for Beauty" ref:14093
[Ref: 14092] £420.00
The Chosen Five.
Painted by Edwin Long R.A. Engraved by G. H. Every.
London, January 2nd, 1890, Published by Fairless & Beeforth, 126 New Bond Street W. Copyright Registered. Entered according to Act of Congress in the Year 1890 by Frank Hunter Potter, in the Office of the Librarian of Congress at Washington U.S.A.
Fine mezzotint on india paper with open letters. 585 x 857mm. 23 x 33¾". Uncut. Mint.
Companion to Search for Beauty in same state: see Ref. 14089.
'The Search for Beauty' ref:14089
[Ref: 14077] £350.00
Painted by Edwin Long R.A. Engraved by G. H. Every.
London, January 2nd, 1890, Published by Fairless & Beeforth, 126 New Bond Street W. Copyright Registered. Entered according to Act of Congress in the Year 1890 by Frank Hunter Potter, in the Office of the Librarian of Congress at Washington U.S.A.
Fine mezzotint on india paper with open letters. 585 x 857mm. 23 x 33¾". Uncut. Mint.
Companion to Search for Beauty in same state: see Ref. 14089.
'The Search for Beauty' ref:14089
[Ref: 14077] £350.00
Chourchid Pacha. Seraskire of Rhumeli, late commander of the Blockade of Missolonghi. This print forms one of the Series of Greek Portraits (3.d. part) now in course of Publication in London & Paris, 1827 by A. Friedel, & sold by the Principal Book and Printsellers in Town & Country.
Bouvier Lithog.
[London & Paris: A. Friedel, 1827-29.]
Lithograph with original hand colour. Sheet 360 x 265mm (14¼ x 10½"). Right edge chipped.
Fine profile portrait of Chourchid Pasha, one of the ablest generals to be employed against the Greek rebels by the Ottoman Sultan during the Greek War of Independence, defeating the Greeks at Corinth. Adam Friedel was a Danish-born painter and lithographic printer, publisher of a series of coloured lithographs of the Greek Revolution under the title 'Twenty-Four Portraits of the principal leaders and personages who have made themselves most conspicuous in the Greek Revolution'.
[Ref: 41849] £230.00 (£276.00 incl.VAT)
Bouvier Lithog.
[London & Paris: A. Friedel, 1827-29.]
Lithograph with original hand colour. Sheet 360 x 265mm (14¼ x 10½"). Right edge chipped.
Fine profile portrait of Chourchid Pasha, one of the ablest generals to be employed against the Greek rebels by the Ottoman Sultan during the Greek War of Independence, defeating the Greeks at Corinth. Adam Friedel was a Danish-born painter and lithographic printer, publisher of a series of coloured lithographs of the Greek Revolution under the title 'Twenty-Four Portraits of the principal leaders and personages who have made themselves most conspicuous in the Greek Revolution'.
[Ref: 41849] £230.00 (£276.00 incl.VAT)
![[Chow Chow.]](jpegs/4410.jpg)
[Chow Chow.]
John Nicolson, signed in pencil.
[n.d. 1920.]
Etching. 260 x 200mm (10¼ x 8")..
[Ref: 4410] £150.00 (£180.00 incl.VAT)
John Nicolson, signed in pencil.
[n.d. 1920.]
Etching. 260 x 200mm (10¼ x 8")..
[Ref: 4410] £150.00 (£180.00 incl.VAT)
Ind. Ch. Chounam Brilliantine.
[Unidentified signature, pencil lower right.] Pestlo'hb_ [C.E. Collett.]
[American?, n.d., c.1925.]
Etching printed in colours, private plate?, 200 x 250mm. 8 x 9¾". Filled holes to lower left margin, one or two in plate.
A portrait of the world's most expensive dog, the Chow Chow named 'Ch. Choonam Brilliantine'. As reported in The Kennel Gazette, September 1925: '...bred by Mrs Mannooch and was born in March 1924, sired by Akbar out of Ashvale Chop Chop. At his first appearance in the show ring at Cruft's show this year he was most signally successful and took his first Challenge Certificate at the age of eleven months... at eight Championship shows in succession he was a sterling winner, and at seven consecutive championship fixtures he was awarded the Grand Challenge Prize for best dog in the show, which is probably a record in any breed. The whole of his winning career in this country occupied less than five months and was actually completed before he was sixteen months old. Needless to say Mrs Mannooch received many offers for him and indeed was offered a three figure price the very first day he was exhibited at Crufts and on July 17th this year Ch. Choonam Brilliantine sailed for America, having been sold to Mrs Earl Hoover for £1,800 a price which is, in all probability, the highest ever paid for any dog.' Dorothy May White (1891 - c.1975) was married to the multimillionaire Howard Earl Hoover of Chicago, chairman of the Hoover Co., the vacuum cleaner empire; her father was President of the Chicago Board of Trade. Perhaps she commissioned this endearing etching of her beloved pooch. A Chow Chow, a breed of dog first developed in mongolia, and is often referred to in China as the 'Songshi Quan', the puffy-lion dog. It was in the 1800s that clippers ships between China and England brought cargo back and forth of miscellaneous objects, referred to as chow chow. The first chow chow dog appeared in England in the 1830s and retained the name chow chow after been transported in one of those clippers ships during one of the cargo voyages.
[Ref: 17221] £360.00
[Unidentified signature, pencil lower right.] Pestlo'hb_ [C.E. Collett.]
[American?, n.d., c.1925.]
Etching printed in colours, private plate?, 200 x 250mm. 8 x 9¾". Filled holes to lower left margin, one or two in plate.
A portrait of the world's most expensive dog, the Chow Chow named 'Ch. Choonam Brilliantine'. As reported in The Kennel Gazette, September 1925: '...bred by Mrs Mannooch and was born in March 1924, sired by Akbar out of Ashvale Chop Chop. At his first appearance in the show ring at Cruft's show this year he was most signally successful and took his first Challenge Certificate at the age of eleven months... at eight Championship shows in succession he was a sterling winner, and at seven consecutive championship fixtures he was awarded the Grand Challenge Prize for best dog in the show, which is probably a record in any breed. The whole of his winning career in this country occupied less than five months and was actually completed before he was sixteen months old. Needless to say Mrs Mannooch received many offers for him and indeed was offered a three figure price the very first day he was exhibited at Crufts and on July 17th this year Ch. Choonam Brilliantine sailed for America, having been sold to Mrs Earl Hoover for £1,800 a price which is, in all probability, the highest ever paid for any dog.' Dorothy May White (1891 - c.1975) was married to the multimillionaire Howard Earl Hoover of Chicago, chairman of the Hoover Co., the vacuum cleaner empire; her father was President of the Chicago Board of Trade. Perhaps she commissioned this endearing etching of her beloved pooch. A Chow Chow, a breed of dog first developed in mongolia, and is often referred to in China as the 'Songshi Quan', the puffy-lion dog. It was in the 1800s that clippers ships between China and England brought cargo back and forth of miscellaneous objects, referred to as chow chow. The first chow chow dog appeared in England in the 1830s and retained the name chow chow after been transported in one of those clippers ships during one of the cargo voyages.
[Ref: 17221] £360.00
![Chow Time [in pencil.]](jpegs/17481.jpg)
Chow Time [in pencil.]
E.J. Story [pencil signature.]
[n.d. c.1910.]
Etching. 300 x 228mm. 11¾ x 9".
A scene on the back of junk ship with the sailors and the captain standing and perching for chow.
[Ref: 17481] £130.00 (£156.00 incl.VAT)
E.J. Story [pencil signature.]
[n.d. c.1910.]
Etching. 300 x 228mm. 11¾ x 9".
A scene on the back of junk ship with the sailors and the captain standing and perching for chow.
[Ref: 17481] £130.00 (£156.00 incl.VAT)
Ego Dormio et Cor Meum Vigilat. Ricavato dal quadro originale esistnet nella Galleria di S.E. Milord Clive in Londra.
Pet. Paulus Rubens pinx.t Raph.el Morghen sculp.t Romae.
Petrus Angeletti del.t [n.d. c.1790.]
Engraving. Plate 526 x 342mm. 20¾ x 13½". Small scratch to right foot of child. Laid on canvas.
The Virgin sitting holding the baby Jesus whilst pulling back the blanket to return the child to the basket; Joseph stands behind.
In the Biblioteca Nacional de Portugal.
[Ref: 27977] £140.00 (£168.00 incl.VAT)
Pet. Paulus Rubens pinx.t Raph.el Morghen sculp.t Romae.
Petrus Angeletti del.t [n.d. c.1790.]
Engraving. Plate 526 x 342mm. 20¾ x 13½". Small scratch to right foot of child. Laid on canvas.
The Virgin sitting holding the baby Jesus whilst pulling back the blanket to return the child to the basket; Joseph stands behind.
In the Biblioteca Nacional de Portugal.
[Ref: 27977] £140.00 (£168.00 incl.VAT)
Christ's Charge to Peter. [parallel text in Latin]
Raphael d'Urbin pinx.t
London. Printed for John Bowles in Cornhil, & Carington Bowles in St Pauls Church Yard.
Mezzotint with very large margins, platemark approx 260 x 350mm (10¼ x 13¾").
One from a set of seven mezzotints reproducing Raphael's cartoons, commissioned by Pope Leo X as designs for a set of large designs for tapestries to cover the lower walls of the Sistine Chapel. In 1623 the seven cartoons, depicting the Acts of St Peter and St Paul, were brought to England by Charles I. They were long displayed at Hampton Court and various engravings such as these in the 18th century reinforced the reputation of the cartoons as some of the most significant artworks in the country. Since 1865 they have been on loan from the Royal Collection to London's Victoria & Albert Museum, where they are permanently displayed together.
For the full set of seven, see ref. 34028. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 34029] £120.00 (£144.00 incl.VAT)
Raphael d'Urbin pinx.t
London. Printed for John Bowles in Cornhil, & Carington Bowles in St Pauls Church Yard.
Mezzotint with very large margins, platemark approx 260 x 350mm (10¼ x 13¾").
One from a set of seven mezzotints reproducing Raphael's cartoons, commissioned by Pope Leo X as designs for a set of large designs for tapestries to cover the lower walls of the Sistine Chapel. In 1623 the seven cartoons, depicting the Acts of St Peter and St Paul, were brought to England by Charles I. They were long displayed at Hampton Court and various engravings such as these in the 18th century reinforced the reputation of the cartoons as some of the most significant artworks in the country. Since 1865 they have been on loan from the Royal Collection to London's Victoria & Albert Museum, where they are permanently displayed together.
For the full set of seven, see ref. 34028. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 34029] £120.00 (£144.00 incl.VAT)
![[Salvator Mundi (Christ as a child).]](jpegs/21165.jpg)
[Salvator Mundi (Christ as a child).]
C. Le Brun pinxit. F. Bartolozzi sculpsit.
Pub: March 10 1775, by V.M. Picot No.16 Strand.
Stipple engraving printed in sanguine, proof before title with scratched publication line. 185 x 145mm, 7¼ x 5¾". A fine impression, with full margins, slight stain top right just inside platemark.
Child Christ, in a roundel, leaning on a table, holding an inscribed parchment and looking upwards. After Charles Le Brun (French, 1619 - 1690).
De Vesme 304, I of II.
[Ref: 21165] £220.00 (£264.00 incl.VAT)
C. Le Brun pinxit. F. Bartolozzi sculpsit.
Pub: March 10 1775, by V.M. Picot No.16 Strand.
Stipple engraving printed in sanguine, proof before title with scratched publication line. 185 x 145mm, 7¼ x 5¾". A fine impression, with full margins, slight stain top right just inside platemark.
Child Christ, in a roundel, leaning on a table, holding an inscribed parchment and looking upwards. After Charles Le Brun (French, 1619 - 1690).
De Vesme 304, I of II.
[Ref: 21165] £220.00 (£264.00 incl.VAT)
Presentatio B.M.V. ad Templum.
Piazzetta inv. F. Bartolozzi sc.
Ap. T.Viero Ven.us. [n.d. c.1760.]
Etching and engraving. Plate 140 x 94mm. 5½ x 3¾". Trimmed very close to the plate.
The presentation in the temple. At the altar the new-born Christ is presented to the priest.
De Vesme: 36; ii/ii.
[Ref: 21221] £75.00 (£90.00 incl.VAT)
Piazzetta inv. F. Bartolozzi sc.
Ap. T.Viero Ven.us. [n.d. c.1760.]
Etching and engraving. Plate 140 x 94mm. 5½ x 3¾". Trimmed very close to the plate.
The presentation in the temple. At the altar the new-born Christ is presented to the priest.
De Vesme: 36; ii/ii.
[Ref: 21221] £75.00 (£90.00 incl.VAT)
E Tabula Bartolomei Murillo, in Pinacotheca quondam Gulielmu Hunter MD, asservatur. L [marked to right.]
B. Murillo Pinxit. R. Strange Eques Del.t et Sculp.t
[n.d. c.1791.]
Etching and engraving, with large margins. Plate 355 x 401mm. 14 x 15¾". Crease.
The infant Jesus plaiting a crown of thorns, wearing a garment trimmed with wool, looking up to right, with sheep around Him and a crook on the ground beside Him, with rocks behind to the right. The painting, formerly in the collection of William Hunter, is now in the Hunterian Museum and Art Gallery, University of Glasgow and is attributed to a follower of Murillo.
[Ref: 23724] £180.00 (£216.00 incl.VAT)
B. Murillo Pinxit. R. Strange Eques Del.t et Sculp.t
[n.d. c.1791.]
Etching and engraving, with large margins. Plate 355 x 401mm. 14 x 15¾". Crease.
The infant Jesus plaiting a crown of thorns, wearing a garment trimmed with wool, looking up to right, with sheep around Him and a crook on the ground beside Him, with rocks behind to the right. The painting, formerly in the collection of William Hunter, is now in the Hunterian Museum and Art Gallery, University of Glasgow and is attributed to a follower of Murillo.
[Ref: 23724] £180.00 (£216.00 incl.VAT)
The Mocking our Blessed Lord and Saviour Jesus Christ. And when they had platted a Crown of Thorns, they put it upon his head, and a Reed in his right hand [...]
Published 16 June 1795 by Haines & Son, 19 Rolls Buildings, Fetter Lane, London
Rare mezzotint, platemark 350 x 250mm (13¾ x 9¾").
Christ taunted by soldiers placing crown of thorns on his head and offering him a reed. Mezzotint droll after the painting by Anthony van Dyck formerly in the Kaiser-Friedrich-Museum (but destroyed); another version with a dog is in the Museo del Prado, Madrid. William Faithorne also engraved two plates after the composition.
[Ref: 43152] £160.00 (£192.00 incl.VAT)
Published 16 June 1795 by Haines & Son, 19 Rolls Buildings, Fetter Lane, London
Rare mezzotint, platemark 350 x 250mm (13¾ x 9¾").
Christ taunted by soldiers placing crown of thorns on his head and offering him a reed. Mezzotint droll after the painting by Anthony van Dyck formerly in the Kaiser-Friedrich-Museum (but destroyed); another version with a dog is in the Museo del Prado, Madrid. William Faithorne also engraved two plates after the composition.
[Ref: 43152] £160.00 (£192.00 incl.VAT)
![[The Christ child]](jpegs/12223.jpg)
[The Christ child]
Engraved by Cap.t Baillie from a Drawing by Romanelli.
June ye. 5 1778
Stipple engraving, 255 x 200mm. 10 x 8". Later issue c.1800.
Decorative scene after Giovanni Francesco Romanelli (1610-62). Engraved by William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Timothy Clayton and Anita McConnell, ‘Baillie, William (1723–1810)’, Oxford Dictionary of National Biography
[Ref: 12223] £160.00 (£192.00 incl.VAT)
Engraved by Cap.t Baillie from a Drawing by Romanelli.
June ye. 5 1778
Stipple engraving, 255 x 200mm. 10 x 8". Later issue c.1800.
Decorative scene after Giovanni Francesco Romanelli (1610-62). Engraved by William Baillie (1723-1810). Baillie retired from the army in 1761 with the rank of Captain and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Timothy Clayton and Anita McConnell, ‘Baillie, William (1723–1810)’, Oxford Dictionary of National Biography
[Ref: 12223] £160.00 (£192.00 incl.VAT)
Jesus Christ dormant entre les bras de la Vierge, vulgaireement apellé, le Silence du Carrache. Gravû d'apres le tableau d'Annibal Carrache, qui est de cette mesme grandeur, dans le Cabinet du Roy.
Annibal Carracci pinxit. Steph. Picart Rom.us sculps. 1681.
Engraving. 425 x 480mm (16¾ x 19"). Tears in inscription area taped, creasing. Time staining in margins.
Christ sleeps in the arms of the Virgin Mary, who raises her finger to her lips to prevent the young St John waking the baby. This gesture has given the picture the nickname of 'The Silence'. In 1671 the painting copied by Etienne Picart was acquired for Louis XIV as the work of Annibale Carracci. Now in the Louvre (Louvre Inv.195), it has been reattributed to Domenichino, c.1605, as a contemporary copy of Carracci's original, once in the Farnese Collection but bought by George III in 1766 and now in the Royal Collection Trust.
[Ref: 57932] £140.00 (£168.00 incl.VAT)
Annibal Carracci pinxit. Steph. Picart Rom.us sculps. 1681.
Engraving. 425 x 480mm (16¾ x 19"). Tears in inscription area taped, creasing. Time staining in margins.
Christ sleeps in the arms of the Virgin Mary, who raises her finger to her lips to prevent the young St John waking the baby. This gesture has given the picture the nickname of 'The Silence'. In 1671 the painting copied by Etienne Picart was acquired for Louis XIV as the work of Annibale Carracci. Now in the Louvre (Louvre Inv.195), it has been reattributed to Domenichino, c.1605, as a contemporary copy of Carracci's original, once in the Farnese Collection but bought by George III in 1766 and now in the Royal Collection Trust.
[Ref: 57932] £140.00 (£168.00 incl.VAT)
Our Saviour In The Garden. In the Cabinet at Houghton. Picture the size of the Print.
Filippo Lawri Pinxit. Peter Simon sculpsit.
Published Sepr. 1st. 1787, by John & Josiah Boydell, No.90, Cheapside, London.
Stipple with etching, 260 x 200mm. 10¼ x 8". Horizontal centre crease. A fine impression on a full sheet.
Christ in the Garden of Gethsamene, with putti over his shoulder. After Filippo Lauri (1623 - 1694).
[Ref: 12362] £80.00 (£96.00 incl.VAT)
Filippo Lawri Pinxit. Peter Simon sculpsit.
Published Sepr. 1st. 1787, by John & Josiah Boydell, No.90, Cheapside, London.
Stipple with etching, 260 x 200mm. 10¼ x 8". Horizontal centre crease. A fine impression on a full sheet.
Christ in the Garden of Gethsamene, with putti over his shoulder. After Filippo Lauri (1623 - 1694).
[Ref: 12362] £80.00 (£96.00 incl.VAT)
Siquis est Parwlus Veniat ad Me. Prov. 9.V.4.
S. Françoys Turonen inve. et pinx. N. Pitau sculp. cum privil. Regis.
[n.d., c.1680.]
Engraving. 495 x 350mm (19½ x 13¾"), very large margins. Damp stain on outside of right margin, pin-sized worm hole on plate mark.
'Whosoever is a little one, let him come to me'. The Christ child sitting on a globe, surrounded by angels and cherubim, arms stretched out in welcome. After Simon François de Tours (1606-1671).
[Ref: 39717] £360.00
S. Françoys Turonen inve. et pinx. N. Pitau sculp. cum privil. Regis.
[n.d., c.1680.]
Engraving. 495 x 350mm (19½ x 13¾"), very large margins. Damp stain on outside of right margin, pin-sized worm hole on plate mark.
'Whosoever is a little one, let him come to me'. The Christ child sitting on a globe, surrounded by angels and cherubim, arms stretched out in welcome. After Simon François de Tours (1606-1671).
[Ref: 39717] £360.00
Christ appearing to the Apostles.
Greg. Huret inv. 1664.
Drawn, Printed & Published Sept.r 183.r [c.1836], at A. Friedel's Lithographic Establishment, 252, Tottenham Court Road, London.
Lithograph. Printed area 390 x 270mm (15½ x 10½"). Margins with wear and tears.
A ghost-like Jesus appearing to the Apostles in an ornate room. After an engraving by Grégoire Huret (1606-70). Adam Friedel (1780- death date unknown) was a Danish artist, printmaker and publisher who, after serving in the Napoleonic wars, voluntarily joined the Greek army at the start of the Greek War of Independence, fashioning himself as Danish nobility. He was exposed by a real noble who proved his backstory to be a lie. After spending a year in Egypt he took refuge in London in 1824 where he opened a lithographer's shop. Between 1825 and 1826 Friedel printed and published, both in Paris and London, twenty-four lithographs with portraits of politicians and prominent military figures of the Greek War of Independence. He had drawn the portraits himself, in most cases from nature, while J. Bouvier coloured and lithographed these images. The series was a success and he was awarded for his contributions to the Greek Struggle for Independence with two decorations. For health reasons he travelled around a lot. He travelled to Smyrna and taught at a Greek school. He stayed at the Ottoman Capital during the Crimean War and painted several portraits of various politicians. In 1865 he asked for a pension for his services to Greece however little is known about what happened to him after that and his place and date of death is unknown.
[Ref: 52147] £140.00 (£168.00 incl.VAT)
Greg. Huret inv. 1664.
Drawn, Printed & Published Sept.r 183.r [c.1836], at A. Friedel's Lithographic Establishment, 252, Tottenham Court Road, London.
Lithograph. Printed area 390 x 270mm (15½ x 10½"). Margins with wear and tears.
A ghost-like Jesus appearing to the Apostles in an ornate room. After an engraving by Grégoire Huret (1606-70). Adam Friedel (1780- death date unknown) was a Danish artist, printmaker and publisher who, after serving in the Napoleonic wars, voluntarily joined the Greek army at the start of the Greek War of Independence, fashioning himself as Danish nobility. He was exposed by a real noble who proved his backstory to be a lie. After spending a year in Egypt he took refuge in London in 1824 where he opened a lithographer's shop. Between 1825 and 1826 Friedel printed and published, both in Paris and London, twenty-four lithographs with portraits of politicians and prominent military figures of the Greek War of Independence. He had drawn the portraits himself, in most cases from nature, while J. Bouvier coloured and lithographed these images. The series was a success and he was awarded for his contributions to the Greek Struggle for Independence with two decorations. For health reasons he travelled around a lot. He travelled to Smyrna and taught at a Greek school. He stayed at the Ottoman Capital during the Crimean War and painted several portraits of various politicians. In 1865 he asked for a pension for his services to Greece however little is known about what happened to him after that and his place and date of death is unknown.
[Ref: 52147] £140.00 (£168.00 incl.VAT)
![[Christ as the Man of Sorrows]](jpegs/43534.jpg)
[Christ as the Man of Sorrows]
H. Memmlink pinx: Nep: Strixner del. 1818
Lithograph and tintstone, sheet 630 x 450mm (23¾ x 17¾"). Slight foxing.
Large lithograph by Johann Neopomuk Strixner after Quinten Metsys (although formerly attributed to Hans Memling) from the series 'Königlich Baierischer Gemälde-Saal zu München und Schleissheim in Steindruck'.
[Ref: 43534] £160.00 (£192.00 incl.VAT)
H. Memmlink pinx: Nep: Strixner del. 1818
Lithograph and tintstone, sheet 630 x 450mm (23¾ x 17¾"). Slight foxing.
Large lithograph by Johann Neopomuk Strixner after Quinten Metsys (although formerly attributed to Hans Memling) from the series 'Königlich Baierischer Gemälde-Saal zu München und Schleissheim in Steindruck'.
[Ref: 43534] £160.00 (£192.00 incl.VAT)
![[The Infant Jesus plaiting a crown of thorns]](jpegs/46925.jpg)
[The Infant Jesus plaiting a crown of thorns] [E Tabula Bartolomei Murillo, in Pinacotheca quondam Gulielmu Hunter MD, asservatur.]
[B. Murillo Pinxit. R. Strange Eques Del.t et Sculp.t]
[c.1791.]
Etching and engraving, platemark 355 x 401mm (14 x 15¾"), with very large margins.
Proof impression of a print whose lettered state identifies it as by Sir Robert Strange after a painting in the collection of William Hunter. The painting is now in the Hunterian Museum and Art Gallery, University of Glasgow and is attributed to a follower of Murillo (rather than by Murillo himself, as Strange believed). Published as a pendant to a print of the infant John the Baptist (ref. 46923).
For lettered state see ref. 23724.
[Ref: 46925] £240.00 (£288.00 incl.VAT)
[B. Murillo Pinxit. R. Strange Eques Del.t et Sculp.t]
[c.1791.]
Etching and engraving, platemark 355 x 401mm (14 x 15¾"), with very large margins.
Proof impression of a print whose lettered state identifies it as by Sir Robert Strange after a painting in the collection of William Hunter. The painting is now in the Hunterian Museum and Art Gallery, University of Glasgow and is attributed to a follower of Murillo (rather than by Murillo himself, as Strange believed). Published as a pendant to a print of the infant John the Baptist (ref. 46923).
For lettered state see ref. 23724.
[Ref: 46925] £240.00 (£288.00 incl.VAT)
The Woman taken in Adultery, brought before Christ. They say unto him, Master, this woman was taken in adultery, in the very act. John c8, v4. / From an original Painting in His Majesty's Collection, at Hampton Court Palace
Sebastianus Ricci, pinxt. J.M. Loitard, sculpt.
London, Published by Freeman & Co No. 95, corner of Beaufort Buildings, Strand, Ap.l 1 1792
Rare engraving, sheet 530 x 425mm (21 x 16¾"). Trimmed to platemark.
Reissue of a plate first published c.1735-43, as part of a set of eight engraving after Sebastiano Ricci (1659-1734) in the collection of Joseph Smith., English collector and patron based in Venice who also had a long association with Canaletto. By the time this plate was published in 1792 the painting was already in the Royal Collection, where it remains to this day (although it currently hangs at Osterley). One of few prints after Ricci, an itinerant Italian artist whose career took him all over Europe, including time spent in England.
[Ref: 38591] £230.00 (£276.00 incl.VAT)
Sebastianus Ricci, pinxt. J.M. Loitard, sculpt.
London, Published by Freeman & Co No. 95, corner of Beaufort Buildings, Strand, Ap.l 1 1792
Rare engraving, sheet 530 x 425mm (21 x 16¾"). Trimmed to platemark.
Reissue of a plate first published c.1735-43, as part of a set of eight engraving after Sebastiano Ricci (1659-1734) in the collection of Joseph Smith., English collector and patron based in Venice who also had a long association with Canaletto. By the time this plate was published in 1792 the painting was already in the Royal Collection, where it remains to this day (although it currently hangs at Osterley). One of few prints after Ricci, an itinerant Italian artist whose career took him all over Europe, including time spent in England.
[Ref: 38591] £230.00 (£276.00 incl.VAT)
![[Child Christ defeating the demon.]](jpegs/33781.jpg)
[Child Christ defeating the demon.] Per mortem destrucit eum qui babebat mortis imperium, id est, diabolum. Hebr. 2.
D. Hallé pinxit. G.E. delinck Sculp.
a Paris chez P. Drevet rue St jâque à l'Annonciation.
Engraving. Sheet 435 x 530mm (17¼ x 20¾"). Trimmed within platemark, horizontal centre fold. Occasional foxing.
Christ stabbing the dragon-devil with the heel of his crozier, his right hand raised in the sign of the benediction. Around them are the heads and wings of the cherubim. The print was engraved by Gérard Edelinck after Daniel Hallé and published by Pierre Drevet. Pencil mss. on the reverse notes this as a frontispiece to the Bible's Epistles to the Hebrews: the quote comes from Hebrews 2 and means 'through death he might destroy him that had the power of death, that is, the devil'.
BM: X,6.4. Robert Dumesnil VII 186-16 Undescribed State.
[Ref: 33781] £240.00 (£288.00 incl.VAT)
D. Hallé pinxit. G.E. delinck Sculp.
a Paris chez P. Drevet rue St jâque à l'Annonciation.
Engraving. Sheet 435 x 530mm (17¼ x 20¾"). Trimmed within platemark, horizontal centre fold. Occasional foxing.
Christ stabbing the dragon-devil with the heel of his crozier, his right hand raised in the sign of the benediction. Around them are the heads and wings of the cherubim. The print was engraved by Gérard Edelinck after Daniel Hallé and published by Pierre Drevet. Pencil mss. on the reverse notes this as a frontispiece to the Bible's Epistles to the Hebrews: the quote comes from Hebrews 2 and means 'through death he might destroy him that had the power of death, that is, the devil'.
BM: X,6.4. Robert Dumesnil VII 186-16 Undescribed State.
[Ref: 33781] £240.00 (£288.00 incl.VAT)
The Birth of Christ. And again when he bringeth in the first begotten into the Worl he saith & let all the Angels of God worship him. / Heb. Ch. I. ver. 6.
London, printed for Rob.t Sayer ap & Printseller No.53 in Fleet Street. [n.d., c.1770.]
Mezzotint with etching and small margins. Platemark: 345 x 245mm (13½ x 9½").
A nativity scene. The Virgin Mary, sitting on straw by the manger, lifts a cloth around the infant Jesus who is lying in front of her.Two angels kneel to the right, while St Joseph stands watching on the left, one arm on a ledge, the other at his chest. An ox and ass can be seen on the left and three cherubs appear in clouds in upper right.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 32127] £180.00 (£216.00 incl.VAT)
London, printed for Rob.t Sayer ap & Printseller No.53 in Fleet Street. [n.d., c.1770.]
Mezzotint with etching and small margins. Platemark: 345 x 245mm (13½ x 9½").
A nativity scene. The Virgin Mary, sitting on straw by the manger, lifts a cloth around the infant Jesus who is lying in front of her.Two angels kneel to the right, while St Joseph stands watching on the left, one arm on a ledge, the other at his chest. An ox and ass can be seen on the left and three cherubs appear in clouds in upper right.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 32127] £180.00 (£216.00 incl.VAT)
Jesus Disputing in the Temple. And all that heard him were astonished at this Understanding and Answers. / Luke II. ver. 47.
London printed for R. Sayer & J. Bennett, Map & Printsellers, No. 53 Fleet Street, as the Act directs, 8 June 1775.
Mezzotint and etching with small margins. Platemark: 345 x 245mm (13½ x 9½").
Christ, as a young boy standing on a dais, pointing upwards and gesturing as he speaks to the Jewish elders in the synagogue, while they sit rapt with attention all around. The Virgin and St Joseph appear in the background to right.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 32129] £140.00 (£168.00 incl.VAT)
London printed for R. Sayer & J. Bennett, Map & Printsellers, No. 53 Fleet Street, as the Act directs, 8 June 1775.
Mezzotint and etching with small margins. Platemark: 345 x 245mm (13½ x 9½").
Christ, as a young boy standing on a dais, pointing upwards and gesturing as he speaks to the Jewish elders in the synagogue, while they sit rapt with attention all around. The Virgin and St Joseph appear in the background to right.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 32129] £140.00 (£168.00 incl.VAT)
![[Christ standing on a plinth, lion at his feet.]](jpegs/35556.jpg)
[Christ standing on a plinth, lion at his feet.]
[n.d., c.1820.]
Watercolour. Sheet 290 x 230mm (11½ x 9"). Pinholes in top corners.
A watercolour prepared as a transparency, with extra colour and gun arabic added on the reverse, similar to Orme's Transparencies. Christ's gloriole, beard and hat all glow when held up to the light.
Ex: Collections of the Hon. Christopher Lennox-Boyd & Spencer sisters.
[Ref: 35556] £320.00 view all images for this item
[n.d., c.1820.]
Watercolour. Sheet 290 x 230mm (11½ x 9"). Pinholes in top corners.
A watercolour prepared as a transparency, with extra colour and gun arabic added on the reverse, similar to Orme's Transparencies. Christ's gloriole, beard and hat all glow when held up to the light.
Ex: Collections of the Hon. Christopher Lennox-Boyd & Spencer sisters.
[Ref: 35556] £320.00 view all images for this item
![[Jesus Christ] This Present Figure Is The Similitude of Our Lord IHV](jpegs/36591.jpg)
[Jesus Christ] This Present Figure Is The Similitude of Our Lord IHV Oure Savior Imprinted In Amirauld By The Predesessors Of The Greate Turke And Sent To The Pope Innosent The VIII At The Cost Of The Grete Turke For AS Token For This Cawse To Dedeme His Brother That Was Takyn Preso/nor.
Pub.d August 1780 by Richard Godfrey N. 120 Long Acre.
Stipple and etching with large margins. 240 x 200mm (9½ x 8").
A rendering of an ‘Emerald Icon’, with the portrait painted on a gold-leaf background. These were copied from a gift sent to Pope Innocent VIII in the 1490s by the ‘Great Turk’, Bajazet, Sultan of the Ottoman Empire. Although the describes it as part of a ransom, Innocent was holding Bajazet’s brother and rival Prince Dschem captive in Rome at the request of the Sultan. Six English Emerald Icons are known to exist, including one dating c.1500 in the National Portrait Gallery. The others are later, made for secret Catholic masses after relic worship was banned after Henry VIII's break from Rome.
[Ref: 36591] £75.00 (£90.00 incl.VAT)
Pub.d August 1780 by Richard Godfrey N. 120 Long Acre.
Stipple and etching with large margins. 240 x 200mm (9½ x 8").
A rendering of an ‘Emerald Icon’, with the portrait painted on a gold-leaf background. These were copied from a gift sent to Pope Innocent VIII in the 1490s by the ‘Great Turk’, Bajazet, Sultan of the Ottoman Empire. Although the describes it as part of a ransom, Innocent was holding Bajazet’s brother and rival Prince Dschem captive in Rome at the request of the Sultan. Six English Emerald Icons are known to exist, including one dating c.1500 in the National Portrait Gallery. The others are later, made for secret Catholic masses after relic worship was banned after Henry VIII's break from Rome.
[Ref: 36591] £75.00 (£90.00 incl.VAT)
Ecce Homo.
[Engraved by Jean Baptiste Poilly?]
A Paris, chex Jean, rue St Jean de Beauvais, No 10 [n.d., c.1800].
Engraving. 430 x 350mm (17 x 13¾"), with large margins. Surface soiling, tear in edge of right margin.
A scene in oval of Christ carrying the cross, wearing the crown of thorns, with Mary Magdalene helping him bear the weight of the cross. A pencil note suggests Poilly as the engraver.
[Ref: 57862] £140.00 (£168.00 incl.VAT)
[Engraved by Jean Baptiste Poilly?]
A Paris, chex Jean, rue St Jean de Beauvais, No 10 [n.d., c.1800].
Engraving. 430 x 350mm (17 x 13¾"), with large margins. Surface soiling, tear in edge of right margin.
A scene in oval of Christ carrying the cross, wearing the crown of thorns, with Mary Magdalene helping him bear the weight of the cross. A pencil note suggests Poilly as the engraver.
[Ref: 57862] £140.00 (£168.00 incl.VAT)