A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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The Portraiture of the fine Chestnut Arabian.
T. Spencer delin. R. Houston fecit.
Publish'd 26th April 1756 as the Act directs.
Scarce early issue & rare mezzotint with engraved rococo border. 305 x 355mm (12 x 14"), with large margins. Uncut. Repaired tears in the top margin.
A famous stud horse, also known as ' Wilson's Arabian', probably from near Aleppo in Syria; after being purchased by George Hay, 7th Earl of Kinnoul, for £200 while Hay was ambassador to the court of Constantinople, he was brought to England by a Mr. Fitzhugh, and sold to Charles Wilson, who stood him at Oran, near Catterick in Yorkshire. Amongst others he sired the "famous" chestnut mare Primrose (1754), the racehorse Narcissus (1756), Miss Teasdale (1755) and Negro (1758). Published in "12 Portraits of Racehorses", engraved by Richard Houston after Thomas Spencer and James Seymour.
Siltzer p.389.
[Ref: 52180] £680.00
T. Spencer delin. R. Houston fecit.
Publish'd 26th April 1756 as the Act directs.
Scarce early issue & rare mezzotint with engraved rococo border. 305 x 355mm (12 x 14"), with large margins. Uncut. Repaired tears in the top margin.
A famous stud horse, also known as ' Wilson's Arabian', probably from near Aleppo in Syria; after being purchased by George Hay, 7th Earl of Kinnoul, for £200 while Hay was ambassador to the court of Constantinople, he was brought to England by a Mr. Fitzhugh, and sold to Charles Wilson, who stood him at Oran, near Catterick in Yorkshire. Amongst others he sired the "famous" chestnut mare Primrose (1754), the racehorse Narcissus (1756), Miss Teasdale (1755) and Negro (1758). Published in "12 Portraits of Racehorses", engraved by Richard Houston after Thomas Spencer and James Seymour.
Siltzer p.389.
[Ref: 52180] £680.00
La Crieuse de Chataigne. Cette vendeuse de Chataigne, Fait un mediocre profit; Et si l'on croit ce qu'on en dit Elle boit bein ce qu'elle gaigne.
J. Bonnart f.
Chez N. Bonnart, rue S.t Jacques a l'aigle avec privilege du Roy. 115 [n.d. c.1680-1700].
Etching with engraving. 265 x 185mm (10½ x 7¼"). Trimmed. Laid on Album paper. Stain in publication line.
A street vendor selling chestnuts from a basket on her arm. From the lines of verse we learn she is a hearty drinker. Engraved by Jean-Baptiste Bonnart and published by Nicolas Bonnart, known for the breadth of their works of contemporary French costume and fashion.
[Ref: 54885] £130.00 (£156.00 incl.VAT)
J. Bonnart f.
Chez N. Bonnart, rue S.t Jacques a l'aigle avec privilege du Roy. 115 [n.d. c.1680-1700].
Etching with engraving. 265 x 185mm (10½ x 7¼"). Trimmed. Laid on Album paper. Stain in publication line.
A street vendor selling chestnuts from a basket on her arm. From the lines of verse we learn she is a hearty drinker. Engraved by Jean-Baptiste Bonnart and published by Nicolas Bonnart, known for the breadth of their works of contemporary French costume and fashion.
[Ref: 54885] £130.00 (£156.00 incl.VAT)
The Right Hon.ble Lord Vis.c.t Chetwynd, Colonel of the Duke of the Duke of Gloucesters Loyal Volunteers, Dedicated to the the Commissioned & non Commissiond Officers & Privates of the Corps, by their much Obliged & Respetfull Servant Anthony Fogg. Proof A. Fogg.
Paintd by Sir William Beechey, R.A. Portrait Painter to her Majesty. Engraved by Anthony Fogg, Engraver to His R.H. Price Will.m Frederic.
Pub'd as the Act directs by A. Fogg, No. 16, Warwick Street, May 10th 1804.
Proof stipple engraving, with large margins, Prof A. Fogg on left, 375 x 290mm, 14¾ x 11½".
Richard Chetwynd (1757-1821), 5th Viscount Chetwynd, in uniform. He was born at Haywood park, Little Haywood and his family seat was Ingestre Hall.
[Ref: 24570] £220.00 (£264.00 incl.VAT)
Paintd by Sir William Beechey, R.A. Portrait Painter to her Majesty. Engraved by Anthony Fogg, Engraver to His R.H. Price Will.m Frederic.
Pub'd as the Act directs by A. Fogg, No. 16, Warwick Street, May 10th 1804.
Proof stipple engraving, with large margins, Prof A. Fogg on left, 375 x 290mm, 14¾ x 11½".
Richard Chetwynd (1757-1821), 5th Viscount Chetwynd, in uniform. He was born at Haywood park, Little Haywood and his family seat was Ingestre Hall.
[Ref: 24570] £220.00 (£264.00 incl.VAT)
Cheval Préparé pour la Chasse.
Dessiné par Carle Vernet. Gravé par L.P. Debucour.
A Paris chez Rolland, Place des Victoires, No.8.
Mezzotint. Plate 510 x 622mm. 20 x 24½". Large margins. Fine impression, slight stain in title.
An elegant white stallion stands outside the stables, startled by the barking of the dog as the master holds his reins waiting to join the hunt.
Dayot 6: 3rd state [but without 'Depose a la Bibliotheque Imperiale'.]
[Ref: 16718] £520.00
Dessiné par Carle Vernet. Gravé par L.P. Debucour.
A Paris chez Rolland, Place des Victoires, No.8.
Mezzotint. Plate 510 x 622mm. 20 x 24½". Large margins. Fine impression, slight stain in title.
An elegant white stallion stands outside the stables, startled by the barking of the dog as the master holds his reins waiting to join the hunt.
Dayot 6: 3rd state [but without 'Depose a la Bibliotheque Imperiale'.]
[Ref: 16718] £520.00
![[Femme coiffée d’une grecque se promenant en compagnie d’un homme s’appuyant sur une canne.]](jpegs/67390.jpg)
[Femme coiffée d’une grecque se promenant en compagnie d’un homme s’appuyant sur une canne.]
j.A. Chevalier. inv. sculp. 1770.
Rare etching, 75 x 90mm (3 x 3¾), with very large margins.
Woman wearing a Greek hairstyle walking with a man leaning on a cane, she carries one dog whilst another pees on her dress. Various traders in the background.
[Ref: 67390] £140.00 (£168.00 incl.VAT)
j.A. Chevalier. inv. sculp. 1770.
Rare etching, 75 x 90mm (3 x 3¾), with very large margins.
Woman wearing a Greek hairstyle walking with a man leaning on a cane, she carries one dog whilst another pees on her dress. Various traders in the background.
[Ref: 67390] £140.00 (£168.00 incl.VAT)
![[Louise Chevalier] M.dme Chevalier in the Character of Virginia giving water to the Negro.](jpegs/65710.jpg)
[Louise Chevalier] M.dme Chevalier in the Character of Virginia giving water to the Negro. Opera of Paul & Virginia.
Charles Henard delineavit. James Ward Sculpsit.
London, Published Aug.t 1799, & Sold by the Author, N.º 14 Hanover Street, Hanover Square.
Mezzotint. Sheet 495 x 365mm (19½ x 14½"). Trimmed within plate, creasing. Repairs.
A scene from the opera 'Paul et Virginie', probably the one by composed by Jean-François Le Sueur, and first performed 1794. Here Virginie, played by French actress and singer Louise Chevalier (c.1770-after 1801), brings water to a native in her cupped hands. Chevalier travelled to Russia to perform in 1797, when she became a mistress of Tsar Paul I. After his assassination she was asked to leave Russia by Alexander I, after which there were rumours of her being a courtesan and spy in Paris, Germany and Poland. Jacques-Henri Bernardin de Saint-Pierre's 1788 novel, set on Mauritius, is a parable of the social divisions in French society on the eve of the Revolution.
Frankau 14, state ii of ii; CS 9, state ii of ii.
[Ref: 65710] £490.00
Charles Henard delineavit. James Ward Sculpsit.
London, Published Aug.t 1799, & Sold by the Author, N.º 14 Hanover Street, Hanover Square.
Mezzotint. Sheet 495 x 365mm (19½ x 14½"). Trimmed within plate, creasing. Repairs.
A scene from the opera 'Paul et Virginie', probably the one by composed by Jean-François Le Sueur, and first performed 1794. Here Virginie, played by French actress and singer Louise Chevalier (c.1770-after 1801), brings water to a native in her cupped hands. Chevalier travelled to Russia to perform in 1797, when she became a mistress of Tsar Paul I. After his assassination she was asked to leave Russia by Alexander I, after which there were rumours of her being a courtesan and spy in Paris, Germany and Poland. Jacques-Henri Bernardin de Saint-Pierre's 1788 novel, set on Mauritius, is a parable of the social divisions in French society on the eve of the Revolution.
Frankau 14, state ii of ii; CS 9, state ii of ii.
[Ref: 65710] £490.00
Michel Eugène Chevreul (Chimiste) Né à Angers (Dép.t de Maine-et-Loire) le 31 Aout 1786.
Dessiné d’après Nature en 1825, et Gravé par Ambroise Tardieu.
[n.d. c.1830.]
Stipple. 210 x 145mm (8¼ x 5¾"). Slight foxing. Cut to platemark.
Michel Eugène Chevreul (1786-1889), French chemist whose work with fatty acids led to uses in the arts and sciences. He is known for his discovery of margaric acid and his design of an early form of soap made from animal fats and salt. He lived to 102 and was pioneer in the field of gerontology.
W: 597-1.
[Ref: 29588] £65.00 (£78.00 incl.VAT)
Dessiné d’après Nature en 1825, et Gravé par Ambroise Tardieu.
[n.d. c.1830.]
Stipple. 210 x 145mm (8¼ x 5¾"). Slight foxing. Cut to platemark.
Michel Eugène Chevreul (1786-1889), French chemist whose work with fatty acids led to uses in the arts and sciences. He is known for his discovery of margaric acid and his design of an early form of soap made from animal fats and salt. He lived to 102 and was pioneer in the field of gerontology.
W: 597-1.
[Ref: 29588] £65.00 (£78.00 incl.VAT)
To the most noble the Marquis of Stafford This Plate of Chevy Chase is with permission inscribed by his obliged and devoted Servant, John Young.
Painted by Edward Bird A.R.A. Historical Painter to H.R.H. the Princess Charlotte. Engraved by Jn.o Young, Engraver in Mezzotinto to H.R.H. the Prince Regent.
London, May 2.d 1814 by the Engraver, No.65 Upper Charlotte Street Fitzroy Square.
Mezzotint. 571 x 744mm (22½ x 29¼").
The end of the battle of Chevy Chase, with mourning men and women, and priests surrounding the dying, Earl Douglas lying on the left and Hotspur on the right, while weeping soldiers march away behind, bearing a pennon, one raising his sword in a sad cheer. The Battle of Otterburn (1388) saw a Scottish victory led by James Douglas over the English under Henry "Hotspur" Percy.
Ex Collection: The Late Honourable Christopher Lennox-Boyd. CS: undescribed.
[Ref: 29030] £480.00
Painted by Edward Bird A.R.A. Historical Painter to H.R.H. the Princess Charlotte. Engraved by Jn.o Young, Engraver in Mezzotinto to H.R.H. the Prince Regent.
London, May 2.d 1814 by the Engraver, No.65 Upper Charlotte Street Fitzroy Square.
Mezzotint. 571 x 744mm (22½ x 29¼").
The end of the battle of Chevy Chase, with mourning men and women, and priests surrounding the dying, Earl Douglas lying on the left and Hotspur on the right, while weeping soldiers march away behind, bearing a pennon, one raising his sword in a sad cheer. The Battle of Otterburn (1388) saw a Scottish victory led by James Douglas over the English under Henry "Hotspur" Percy.
Ex Collection: The Late Honourable Christopher Lennox-Boyd. CS: undescribed.
[Ref: 29030] £480.00
![[Cheyne Walk]](jpegs/36778.jpg)
[Cheyne Walk]
C.E. Holloway '81 [in image lower right].
Etching with very large margins, Pencil inscription 'CE Holloway to David Law' lower left; platemark 275 x 450mm (10¾ x 17¾"). Uncut.
Cheyne Walk in Chelsea, London. This historic street, whose 19th century residents included Rossetti, Swinburne, Whistler and Turner, was a favoured subject for many printmakers of the Victorian period. By Charles Edward Holloway (1838-97), painter and printmaker specialising in marine and landscape subjects. His work is held in several national collections, including the Tate. This impression was a gift from Holloway to his contemporary, painter and printmaker David Law (1831-1901).
[Ref: 36778] £320.00
C.E. Holloway '81 [in image lower right].
Etching with very large margins, Pencil inscription 'CE Holloway to David Law' lower left; platemark 275 x 450mm (10¾ x 17¾"). Uncut.
Cheyne Walk in Chelsea, London. This historic street, whose 19th century residents included Rossetti, Swinburne, Whistler and Turner, was a favoured subject for many printmakers of the Victorian period. By Charles Edward Holloway (1838-97), painter and printmaker specialising in marine and landscape subjects. His work is held in several national collections, including the Tate. This impression was a gift from Holloway to his contemporary, painter and printmaker David Law (1831-1901).
[Ref: 36778] £320.00
![[Chelsea Old Church, Cheyne Walk.]](jpegs/41371.jpg)
[Chelsea Old Church, Cheyne Walk.]
[William Walter Burgess aquaf.t
[n.d, c.1895.]
Etching. Plate: 325 x 265mm (12½ x 10½").
A view along Cheyne Walk looking west towards Chelsea Old Church and Battersea Bridge. Two figures walk sit by the river, a milk maid carries her buckets and several carriages and carts are driven along the dirt road. The costume of the figures is of a more Regency style rather than Victorian, looking back at the area before the embankment was built.
Longford by Walter Burgess: 571
[Ref: 41371] £420.00
[William Walter Burgess aquaf.t
[n.d, c.1895.]
Etching. Plate: 325 x 265mm (12½ x 10½").
A view along Cheyne Walk looking west towards Chelsea Old Church and Battersea Bridge. Two figures walk sit by the river, a milk maid carries her buckets and several carriages and carts are driven along the dirt road. The costume of the figures is of a more Regency style rather than Victorian, looking back at the area before the embankment was built.
Longford by Walter Burgess: 571
[Ref: 41371] £420.00
George Cheyne M.D.
Van Diest, pinx: Tookey, sculp:
Published by W. Bent, London. 1787.
Engraving. 184 x 114mm. 7¼ x 4½". Trimmed.
George Cheyne (1671-1743) was a pioneering physician, proto-psychologist, philosopher and mathematician. He opened a medical practice in Bath in 1702 and is best known for his contribution to vegetarianism.
W: 598-2.
[Ref: 24580] £50.00 (£60.00 incl.VAT)
Van Diest, pinx: Tookey, sculp:
Published by W. Bent, London. 1787.
Engraving. 184 x 114mm. 7¼ x 4½". Trimmed.
George Cheyne (1671-1743) was a pioneering physician, proto-psychologist, philosopher and mathematician. He opened a medical practice in Bath in 1702 and is best known for his contribution to vegetarianism.
W: 598-2.
[Ref: 24580] £50.00 (£60.00 incl.VAT)
Part the First, Containing Ten Prints Engraved in Chiaro Oscuro, after Original Drawings Of the following Masters: In the Collection of John Skippe, Esq; Parmegiano, Raphael, Andrea Mantegna, M. Angelo, Rubens, Pierino del Vaga.
[London: Torre & Co., c.1782.]
Letterpress title and six woodcuts (of ten], scarce but incomplete. Each plate 540 x 380mm (21¼ x 15"). Edges ragged.
A collection of plates after old master drawings, printed from multiple woodblocks to mimic the toning of the originals. The plates are: a male term after a drawing attributed to Raphael now in the British Museum (BM 1923,1015.19); a man standing (reading or drawing?) after Mantegna (See BM 1853,0611.7 for more detailed version); a group of monks after Rubens (BM 1891,0414.698); a seated youth after Michelangelo (variant of BM 1927,0614.315); a bearded saint after Parmigianino (variant of BM 1952,0117.5); and a man with arms tied, sitting on a rock, having a cloak thrown over his shoulders by another man, after Baccio Bandinelli (NM 1878,0713.2552).
[Ref: 60909] £1,200.00 view all images for this item
[London: Torre & Co., c.1782.]
Letterpress title and six woodcuts (of ten], scarce but incomplete. Each plate 540 x 380mm (21¼ x 15"). Edges ragged.
A collection of plates after old master drawings, printed from multiple woodblocks to mimic the toning of the originals. The plates are: a male term after a drawing attributed to Raphael now in the British Museum (BM 1923,1015.19); a man standing (reading or drawing?) after Mantegna (See BM 1853,0611.7 for more detailed version); a group of monks after Rubens (BM 1891,0414.698); a seated youth after Michelangelo (variant of BM 1927,0614.315); a bearded saint after Parmigianino (variant of BM 1952,0117.5); and a man with arms tied, sitting on a rock, having a cloak thrown over his shoulders by another man, after Baccio Bandinelli (NM 1878,0713.2552).
[Ref: 60909] £1,200.00 view all images for this item
Chiaroscuro. Chiaroscuro Woodcuts from the Frits Lugt Collection in Paris.
The National Museum of Western Art, Tokyo. 2005.
8vo, illustrated soft covers; pp. 94.
An catalogue published to accompany an exhibition of chiaroscuro woodcuts from the Frits Lugt Collection in Paris, held at the National Museum of Western Art, Tokyo, in 2005.
[Ref: 59943] £15.00
The National Museum of Western Art, Tokyo. 2005.
8vo, illustrated soft covers; pp. 94.
An catalogue published to accompany an exhibition of chiaroscuro woodcuts from the Frits Lugt Collection in Paris, held at the National Museum of Western Art, Tokyo, in 2005.
[Ref: 59943] £15.00
Chiaus Bashi. Chamberlain of the Ottoman Court. Engrav'd from the Collection of the Rt. Honble. Lord Baltimore.
Franco Smith pinx. M. Liart sculp.
Publd. accg. to Act of Parlt. Jany. 31. 1769.
Engraving, 265 x 190mm. 10½ x 7½". Trimmed to plate. Some glue stains from verso.
After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731 - 1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits, numbered 'Tav. XI' upper right.
for a better impression of this print see ref. 30114
[Ref: 11701] £140.00 (£168.00 incl.VAT)
Franco Smith pinx. M. Liart sculp.
Publd. accg. to Act of Parlt. Jany. 31. 1769.
Engraving, 265 x 190mm. 10½ x 7½". Trimmed to plate. Some glue stains from verso.
After Francis Smith (fl.1760s) painter, apparently born in Naples, where he painted topographical views for the tourist trade. He accompanied Frederick Calvert, 6th Baron Baltimore (1731 - 1771, named in inscription) to the Levant 1763-4, then exhibited in London 1768-73. From a series of Ottoman costume plates and portraits, numbered 'Tav. XI' upper right.
for a better impression of this print see ref. 30114
[Ref: 11701] £140.00 (£168.00 incl.VAT)
Le Chibouk.
Bouvier del. Régnier et Bettannier lith.
Imp. par Lemercier a Paris. [n.d. c.1845.]
Very fine & rare coloured lithograph. Sheet 375 x 272mm. 14¾ x 10¾". Cut and laid on album sheet.
Two young ladies seated relaxing by a chibouk, the long-stemmed Turkish tobacco pipe with an ornamental metal bell.
See ref:23965 for a companion print.
[Ref: 23964] £140.00 (£168.00 incl.VAT)
Bouvier del. Régnier et Bettannier lith.
Imp. par Lemercier a Paris. [n.d. c.1845.]
Very fine & rare coloured lithograph. Sheet 375 x 272mm. 14¾ x 10¾". Cut and laid on album sheet.
Two young ladies seated relaxing by a chibouk, the long-stemmed Turkish tobacco pipe with an ornamental metal bell.
See ref:23965 for a companion print.
[Ref: 23964] £140.00 (£168.00 incl.VAT)
Sketch of Monroe Harbor Showing the Extent of Repairs made in 1853 & 1854 and the Condition of the Harbor on the 30th Sept 1854. Under the Direction of Captain Howard Stansbury Corps of Topog.l Eng.rs General Superint.dt.
D. Chillas, Lith, 50 S. 3d St Phil.a.
[n.d., c.1854.]
Lithographic map. Printed area 400 x 560mm, 15¾ x 22". Trimmed lower left for binding, splits at folds. Blind stamp of the 'Mancheste Free Library' in title.
Monroe Harbor in Chicago, with docks and the Southern Michigan & Northern Indiana Rail Road, with their freight and passenger houses, a turn table and engine house. Prepared for the 33rd Congess of the United States, who would have been funding the repair work, with a facsimile signature of Howard Stansbury, best-known for his survey of the Great Salt Lake in Utah in 1849.
[Ref: 26826] £150.00
D. Chillas, Lith, 50 S. 3d St Phil.a.
[n.d., c.1854.]
Lithographic map. Printed area 400 x 560mm, 15¾ x 22". Trimmed lower left for binding, splits at folds. Blind stamp of the 'Mancheste Free Library' in title.
Monroe Harbor in Chicago, with docks and the Southern Michigan & Northern Indiana Rail Road, with their freight and passenger houses, a turn table and engine house. Prepared for the 33rd Congess of the United States, who would have been funding the repair work, with a facsimile signature of Howard Stansbury, best-known for his survey of the Great Salt Lake in Utah in 1849.
[Ref: 26826] £150.00
![Stock Yards Chicago [pencil on reverse.]](jpegs/37807.jpg)
Stock Yards Chicago [pencil on reverse.]
[n.d., c.1900.]
A Holmes-type stereoscope card. 100 x 180mm (4 x 7").
Two photographs of a cattle stock yard, mounted on card for use in a stereoscope. American interest.
[Ref: 37807] £65.00 (£78.00 incl.VAT)
[n.d., c.1900.]
A Holmes-type stereoscope card. 100 x 180mm (4 x 7").
Two photographs of a cattle stock yard, mounted on card for use in a stereoscope. American interest.
[Ref: 37807] £65.00 (£78.00 incl.VAT)
![[Henry Chichely] Henricus Chichley Archiep Cant:](jpegs/51980.jpg)
[Henry Chichely] Henricus Chichley Archiep Cant: Fund:r Coll: Omn: Animarum Aº Dº 1437.
[after Wilhelm Sonmans.]
Summ: cum Humil: & Observ.tia D.D.D. J. Faber. [n.d., c.1715.]
Mezzotint. 260 x 205mm (10¼ x 8"), with large margins. Creased on left.
Henry Chichele (or Chichely, c.1364-1443), Archbishop of Canterbury (1414-43) and founded All Souls College, Oxford. One of a set of portraits of founders of Oxford Colleges after portraits by Wilhelm Sonmans (d.1708), now in the Bodleian Library
CS 34.
[Ref: 51980] £70.00 (£84.00 incl.VAT)
[after Wilhelm Sonmans.]
Summ: cum Humil: & Observ.tia D.D.D. J. Faber. [n.d., c.1715.]
Mezzotint. 260 x 205mm (10¼ x 8"), with large margins. Creased on left.
Henry Chichele (or Chichely, c.1364-1443), Archbishop of Canterbury (1414-43) and founded All Souls College, Oxford. One of a set of portraits of founders of Oxford Colleges after portraits by Wilhelm Sonmans (d.1708), now in the Bodleian Library
CS 34.
[Ref: 51980] £70.00 (£84.00 incl.VAT)
![[Two portraits of Henry Chichele]](jpegs/44073.jpg)
[Two portraits of Henry Chichele]
Two engravings and letterpress, trimmed and pasted to album sheet covering area 470 x 200mm (18½ x 8"). Trimmed to image and pasted to album sheet.
Two portraits of Henry Chichele (c.1362-1443), administrator and archbishop of Canterbury. Chichele was also involved with the foundation of Alls Souls College, Oxford, although he took care to associate Henry VI with the college as nominal founder.
[Ref: 44073] £140.00 (£168.00 incl.VAT)
Two engravings and letterpress, trimmed and pasted to album sheet covering area 470 x 200mm (18½ x 8"). Trimmed to image and pasted to album sheet.
Two portraits of Henry Chichele (c.1362-1443), administrator and archbishop of Canterbury. Chichele was also involved with the foundation of Alls Souls College, Oxford, although he took care to associate Henry VI with the college as nominal founder.
[Ref: 44073] £140.00 (£168.00 incl.VAT)
Henri: Chichele Fundator
Drawn by John Taylor 1771 from an ancient Window in All Souls College. Engraved by F. Bartolozzi 1772
Engraving, sheet 445 x 245mm (17½ x 9½"). Trimmed to image and pasted to album sheet.
Henry Chichele (c.1362-1443), administrator and archbishop of Canterbury. Chichele was also involved with the foundation of Alls Souls College, Oxford, although he took care to associate Henry VI with the college as nominal founder.
[Ref: 44071] £110.00 (£132.00 incl.VAT)
Drawn by John Taylor 1771 from an ancient Window in All Souls College. Engraved by F. Bartolozzi 1772
Engraving, sheet 445 x 245mm (17½ x 9½"). Trimmed to image and pasted to album sheet.
Henry Chichele (c.1362-1443), administrator and archbishop of Canterbury. Chichele was also involved with the foundation of Alls Souls College, Oxford, although he took care to associate Henry VI with the college as nominal founder.
[Ref: 44071] £110.00 (£132.00 incl.VAT)
Henricus Chichtey. Archiep: Cant: Fundr:Coll:Omn:animarum A.D.1437. Rev.d Viro Bern.d Gardiner L.L.Dri Voll: Omm: an: & archiv:Un:Custodi nec non academiæ Vice Cancellario.
Summ: cum Humis: & obserotia D.D.D. J.Faber.
[n.d., c.1712.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet London.
Mezzotint. 260 x 200mm (10¼ x 8"). Trimmed and backed onto album paper at corners. Small scuff on upper left of image.
Portrait of Henry Chichele (c. 136 - 1443), Archbishop of Canterbury (1414-1443) and founder of All Souls College, Oxford.
CS34: III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64903] £160.00 (£192.00 incl.VAT)
Summ: cum Humis: & obserotia D.D.D. J.Faber.
[n.d., c.1712.] Printed and Sold by Tho.s Bakewell next door to the Horn Tavern in Fleetstreet London.
Mezzotint. 260 x 200mm (10¼ x 8"). Trimmed and backed onto album paper at corners. Small scuff on upper left of image.
Portrait of Henry Chichele (c. 136 - 1443), Archbishop of Canterbury (1414-1443) and founder of All Souls College, Oxford.
CS34: III of IV. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64903] £160.00 (£192.00 incl.VAT)
The Market-Cross at Chichester. Inscribed to his Grace Charles Duke of Richmond, Lenox and Aubigny & c. High-Steward of the City of Chichester, and Knight of the most Noble Order of the Garter &c.
Willm. Ride Delin. Ao. 1749. G. Vertue Sculpsit Lond.n.
Fine engraving. 470 x 595mm (18½ x 23½"), with large margins. Uncut.
Chichester Cross, a market cross at the centre of the city, is believed to have been built by the Bishop of Chicheter 14-77-1503. This engraving was probably inspired by its restoration by Charles Lennox, 2nd Duke of Richmond, in 1746. One of only two surviving medieval covered English market crosses, it is now a Grade I listed building.
See Ref: 6324 for duplicate.
[Ref: 59322] £420.00
Willm. Ride Delin. Ao. 1749. G. Vertue Sculpsit Lond.n.
Fine engraving. 470 x 595mm (18½ x 23½"), with large margins. Uncut.
Chichester Cross, a market cross at the centre of the city, is believed to have been built by the Bishop of Chicheter 14-77-1503. This engraving was probably inspired by its restoration by Charles Lennox, 2nd Duke of Richmond, in 1746. One of only two surviving medieval covered English market crosses, it is now a Grade I listed building.
See Ref: 6324 for duplicate.
[Ref: 59322] £420.00
The South-West Prospect of the City of Chichester.
Sam.l & Nath.l Buck delin. et sculp.t According to Act of Parliament 1738.
Engraving. Plate: 305 x 800mm (12 x 31½"). Central fold as issued, old ink mss. plate number. Slight offsetting in top title.
A detailed prospect of Chichester, with a descriptive text below and a key to the right. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales'; an early printing, before the addition of a plate number top right.
[Ref: 46973] £380.00
Sam.l & Nath.l Buck delin. et sculp.t According to Act of Parliament 1738.
Engraving. Plate: 305 x 800mm (12 x 31½"). Central fold as issued, old ink mss. plate number. Slight offsetting in top title.
A detailed prospect of Chichester, with a descriptive text below and a key to the right. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales'; an early printing, before the addition of a plate number top right.
[Ref: 46973] £380.00
The South-West Prospect of the City of Chichester.
Sam.l and Nath.l Buck delin. et Sculp.
According to Act of Parliament. 1738.
Engraving. Sheet 310 x 780mm (12¼ x 30¾"), with large margins. Central vertical fold as normal.
A detailed view of Chichester, with a descriptive text below and a key to the right, indicating various landmarks and buildings. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', before the addition of a plate number top right.
[Ref: 42781] £350.00
Sam.l and Nath.l Buck delin. et Sculp.
According to Act of Parliament. 1738.
Engraving. Sheet 310 x 780mm (12¼ x 30¾"), with large margins. Central vertical fold as normal.
A detailed view of Chichester, with a descriptive text below and a key to the right, indicating various landmarks and buildings. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', before the addition of a plate number top right.
[Ref: 42781] £350.00
The Market-Cross at Chichester. Inscribed to his Grace Charles Duke of Richmond, Lenox and Aubigny & c. High-Steward of the City of Chichester, and Knight of the most Noble Order of the Garter &c.
Willm. Ride Delin. Ao. 1749. G. Vertue Sculpsit Londn.
Engraving. 470 x 595mm (18½ x 23½"). Central crease as is normal for this engraving.
Chichester Cross, a market cross at the centre of the city, is believed to have been built by the Bishop of Chicheter 14-77-1503. This engraving was probably inspired by its restoration by Charles Lennox, 2nd Duke of Richmond, in 1746. One of only two surviving medieval covered English market crosses, it is now a Grade I listed building.
[Ref: 6324] £240.00 (£288.00 incl.VAT)
Willm. Ride Delin. Ao. 1749. G. Vertue Sculpsit Londn.
Engraving. 470 x 595mm (18½ x 23½"). Central crease as is normal for this engraving.
Chichester Cross, a market cross at the centre of the city, is believed to have been built by the Bishop of Chicheter 14-77-1503. This engraving was probably inspired by its restoration by Charles Lennox, 2nd Duke of Richmond, in 1746. One of only two surviving medieval covered English market crosses, it is now a Grade I listed building.
[Ref: 6324] £240.00 (£288.00 incl.VAT)
To His Grace Charles Duke Of Richmond, Lenox & Aubigny, Earl Of March And Darnley, Knight Companion of the Most Noble Order of the Garter, Lieutenant General of His Majesty's Forces, High Steward of the City of Chichester, F.R.S. &c. &c. This Plate representing one of the most interesting Views in Chichester, is with permission, humbly inscribed, by His Graces very faithful and obedient Servant Joseph Francis Gilbert.
Painted by I.F. Gilbert. Engraved by M. Dubourg.
Published June, 1814, by I.F. Gilbert, High Street, Portsmouth, and may be had of E.A. Gilbert, East Street, Chichester.
Stipple engraving with etching and aquatint. 500 x 674mm. Trimmed to plate on all sides, platemark mostly just visible. Three small repaired tears into paper edge, largest lower right c.15mm into plate.
Fine impression of this splendid view of a sheep and livestock market in the West Sussex town of Chichester, printed on paper watermarked 'J. Whatman'. The famous Chichester Cross, built by the local bishop in the late 15th century, is clearly visible in the centre background of the composition. The armorial in the centre of the letterpress is that of Charles Lennox, 4th Duke of Richmond and Lennox [1764 - 1819], to whom the print is dedicated. By Joseph Francis Gilbert [1792 - 1855], painter who in 1813 was residing at High Street, Portsmouth, and exhibited at the Royal Academy a ‘Landscape and Figures.' In 1814 he sent ‘The Rustic Traveller crossing the Style,' and occasionally exhibited in the following years. Subsequently he removed to Sussex, and resided for many years at Chichester. He continued to exhibit at the British Institution, Suffolk Street, Royal Manchester Institution, and other exhibitions, principally views in Sussex.
[Ref: 2692] £1,250.00
Painted by I.F. Gilbert. Engraved by M. Dubourg.
Published June, 1814, by I.F. Gilbert, High Street, Portsmouth, and may be had of E.A. Gilbert, East Street, Chichester.
Stipple engraving with etching and aquatint. 500 x 674mm. Trimmed to plate on all sides, platemark mostly just visible. Three small repaired tears into paper edge, largest lower right c.15mm into plate.
Fine impression of this splendid view of a sheep and livestock market in the West Sussex town of Chichester, printed on paper watermarked 'J. Whatman'. The famous Chichester Cross, built by the local bishop in the late 15th century, is clearly visible in the centre background of the composition. The armorial in the centre of the letterpress is that of Charles Lennox, 4th Duke of Richmond and Lennox [1764 - 1819], to whom the print is dedicated. By Joseph Francis Gilbert [1792 - 1855], painter who in 1813 was residing at High Street, Portsmouth, and exhibited at the Royal Academy a ‘Landscape and Figures.' In 1814 he sent ‘The Rustic Traveller crossing the Style,' and occasionally exhibited in the following years. Subsequently he removed to Sussex, and resided for many years at Chichester. He continued to exhibit at the British Institution, Suffolk Street, Royal Manchester Institution, and other exhibitions, principally views in Sussex.
[Ref: 2692] £1,250.00
Girl and Chickens. From the Original Picture Painted by Amoroso in the Collection of his Grace the Duke of Devonshire. Vol II No. 34.
Amoroso pinx.t. W.m Walker Sculp.t.
Published Jan.y 1.st 1769, by J. Boydell, Engraver in Cheapside, London.
Engraving. Platemark: 400 x 295mm (15¾ x 11½"). Very large margins.
A girl sitting in a garden, watering a chicken and its chicks with a bowl from a fountain on the right. A coat-of-arms with stag charges is below within the title area, flanked by cherubs and stags, with the motto 'Cavendo Tutus'. After Amorosi's painting, then in the collection of Duke of Devonshire (1748 - 1811). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38247] £260.00 (£312.00 incl.VAT)
Amoroso pinx.t. W.m Walker Sculp.t.
Published Jan.y 1.st 1769, by J. Boydell, Engraver in Cheapside, London.
Engraving. Platemark: 400 x 295mm (15¾ x 11½"). Very large margins.
A girl sitting in a garden, watering a chicken and its chicks with a bowl from a fountain on the right. A coat-of-arms with stag charges is below within the title area, flanked by cherubs and stags, with the motto 'Cavendo Tutus'. After Amorosi's painting, then in the collection of Duke of Devonshire (1748 - 1811). From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38247] £260.00 (£312.00 incl.VAT)
![[The Cock.]](jpegs/63602.jpg)
[The Cock.]
F. Barlow pinxit. W. Hollar sculp.
[n.d., c.1660.]
Etching, 17th century watermark. 135 x 195mm (5¼ x 7¾"), with large margins. Stitch holes in left margin.
An untitled plate from the series 'Diversae avium species', showing a cock standing on one leg, two hens and six chicks.
Pennington 2128, only state.
[Ref: 63602] £320.00
F. Barlow pinxit. W. Hollar sculp.
[n.d., c.1660.]
Etching, 17th century watermark. 135 x 195mm (5¼ x 7¾"), with large margins. Stitch holes in left margin.
An untitled plate from the series 'Diversae avium species', showing a cock standing on one leg, two hens and six chicks.
Pennington 2128, only state.
[Ref: 63602] £320.00
![[Hens attacked by an eagle.]](jpegs/44091.jpg)
[Hens attacked by an eagle.]
Fra; Barlow delin. Fra: Place fecit.
P.Tempest Excud. [n.d., engraved c.1680 but 18th century impression.]
Etching. 140 x 185mm (5½ x 7¼"), 18th century watermark very large margins. Paper lightly toned.
An eagle swooping down into a farmyard. The print was orginally published in Francis Barlow's ''Multae et diversae avium species variis formis et pernaturalibus figuris per Fra. Barlow Anglum''. This later state has the pagination '5.c.' bottom left.
BM 1835,0711.2.
[Ref: 44091] £140.00 (£168.00 incl.VAT)
Fra; Barlow delin. Fra: Place fecit.
P.Tempest Excud. [n.d., engraved c.1680 but 18th century impression.]
Etching. 140 x 185mm (5½ x 7¼"), 18th century watermark very large margins. Paper lightly toned.
An eagle swooping down into a farmyard. The print was orginally published in Francis Barlow's ''Multae et diversae avium species variis formis et pernaturalibus figuris per Fra. Barlow Anglum''. This later state has the pagination '5.c.' bottom left.
BM 1835,0711.2.
[Ref: 44091] £140.00 (£168.00 incl.VAT)
![[A farmyard with chickens and pig.]](jpegs/44166.jpg)
[A farmyard with chickens and pig.]
Fra: Barlow delin. Fra: Place fecit.
P.Tempest Excud. [n.d., engraved c.1680 but 18th century impression.]
Etching. 135 x 180mm (5¼ x 7"), very large margins. Paper lightly toned.
A cockeral, hens & chickens, a pig's head poking out from a sty. The print was orginally published in Francis Barlow's ''Multae et diversae avium species variis formis et pernaturalibus figuris per Fra. Barlow Anglum''. This later state has the pagination '4.c.' bottom left.
[Ref: 44166] £70.00 (£84.00 incl.VAT)
Fra: Barlow delin. Fra: Place fecit.
P.Tempest Excud. [n.d., engraved c.1680 but 18th century impression.]
Etching. 135 x 180mm (5¼ x 7"), very large margins. Paper lightly toned.
A cockeral, hens & chickens, a pig's head poking out from a sty. The print was orginally published in Francis Barlow's ''Multae et diversae avium species variis formis et pernaturalibus figuris per Fra. Barlow Anglum''. This later state has the pagination '4.c.' bottom left.
[Ref: 44166] £70.00 (£84.00 incl.VAT)
![[A Pair of Chicks.]](jpegs/49378.jpg)
[A Pair of Chicks.]
Dehme. [signed in pencil].
Hand-coloured etching. Plate: 145 x 190mm (5¾ x 7½'') very large margins.
An etching of two young chicks. Chicks have long been a symbol of Easter, representing new life, renewal, and the arrival of spring.
[Ref: 49378] £130.00 (£156.00 incl.VAT)
Dehme. [signed in pencil].
Hand-coloured etching. Plate: 145 x 190mm (5¾ x 7½'') very large margins.
An etching of two young chicks. Chicks have long been a symbol of Easter, representing new life, renewal, and the arrival of spring.
[Ref: 49378] £130.00 (£156.00 incl.VAT)
Chicksands Priorg Maison de Chevalier George Osbourn sans le Province de Bedford. No. 5 des Jardine Anglois.
W. Watts del. Guyot sculp.
à Paris chez Guyot Graveur et M.d d’Estampes, rue St. Jacques au Grand Gessner No.9. [n.d. c.1790.]
Coloured aquatint and with etched outline. 200 x 235mm, 8 x 9¼". Framed. Unexamined out of frame, slight crease on left.
Chicksands, a Gilbertine priory founded c.1150. Bought by the Osborn family in 1576, it was remodelled by Isaac ware in the 1740s, and remained in the family until 1936 when it was sold to the Crown Commissioners. It is now a Grade 1 listed building. Published in a series of views of important English gardens.
[Ref: 25762] £360.00
W. Watts del. Guyot sculp.
à Paris chez Guyot Graveur et M.d d’Estampes, rue St. Jacques au Grand Gessner No.9. [n.d. c.1790.]
Coloured aquatint and with etched outline. 200 x 235mm, 8 x 9¼". Framed. Unexamined out of frame, slight crease on left.
Chicksands, a Gilbertine priory founded c.1150. Bought by the Osborn family in 1576, it was remodelled by Isaac ware in the 1740s, and remained in the family until 1936 when it was sold to the Crown Commissioners. It is now a Grade 1 listed building. Published in a series of views of important English gardens.
[Ref: 25762] £360.00
![Chiddingstone [scratched in plate lower right.]](jpegs/12779.jpg)
Chiddingstone [scratched in plate lower right.]
Albany E. Howarth [signed in pencil.]
A.E. Howarth 1919 [scratched in plate lower right.]
Drypoint etching, 280 x 370mm. 11 x 14½".
The High Street, Chiddingstone, a village in the Sevenoaks area of Kent. Chiddingstone is unique in that, apart from the church and the Castle, the entire village is owned by the National Trust. It is described as being " the most perfect surviving example of a Tudor village in the county". Blindstamps lower left. By Albany E. Howarth ARE (1872 - 1936).
[Ref: 12779] £130.00 (£156.00 incl.VAT)
Albany E. Howarth [signed in pencil.]
A.E. Howarth 1919 [scratched in plate lower right.]
Drypoint etching, 280 x 370mm. 11 x 14½".
The High Street, Chiddingstone, a village in the Sevenoaks area of Kent. Chiddingstone is unique in that, apart from the church and the Castle, the entire village is owned by the National Trust. It is described as being " the most perfect surviving example of a Tudor village in the county". Blindstamps lower left. By Albany E. Howarth ARE (1872 - 1936).
[Ref: 12779] £130.00 (£156.00 incl.VAT)
Habit of the chief of the Black Eunuchs in 1749. Chef des Eunuques Noirs. 13.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins. Small foxing in upper left corner of plate.
Portrait of a slave, whole-length standing, facing the viewer. He is wearing a plumed turban with pearls, a fur-trimmed cape falling behind him and on the floor to the right. He holds a pipe in his left hand, his right hand open. Plate 13 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62875] £160.00 (£192.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins. Small foxing in upper left corner of plate.
Portrait of a slave, whole-length standing, facing the viewer. He is wearing a plumed turban with pearls, a fur-trimmed cape falling behind him and on the floor to the right. He holds a pipe in his left hand, his right hand open. Plate 13 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62875] £160.00 (£192.00 incl.VAT)
Habit of the Chief of the Black Eunuchs in 1749. Chef des EunuquesNoirs. 14.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
Portrait of a slave, whole-length standing, looking to the left. He is wearing a turban with a feather at the front, a fur-trimmed cape and a robe with fur cuffs. Plate 14 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62878] £220.00 (£264.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
Portrait of a slave, whole-length standing, looking to the left. He is wearing a turban with a feather at the front, a fur-trimmed cape and a robe with fur cuffs. Plate 14 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62878] £220.00 (£264.00 incl.VAT)
Le Chien du Prisonnier.
J.Stevens pinx. V.Loutrel lith.
Bruxelles, J.Géruzet, Editeur.
Lithograph, printed area 580 x 510mm. Publisher's blindstamp in title area.
[Ref: 5719] £260.00 (£312.00 incl.VAT)
J.Stevens pinx. V.Loutrel lith.
Bruxelles, J.Géruzet, Editeur.
Lithograph, printed area 580 x 510mm. Publisher's blindstamp in title area.
[Ref: 5719] £260.00 (£312.00 incl.VAT)
Chiens de Chasse.
Decamps del. Jules Collignon sc.
Au Bureau de l'Artiste, Rue des Filles St.Thomas, 9 Place de la Bourse [n.d., c.1850.].
Mezzotint, with a blindstamp of Goupil & Co. 305 x 340mm (12 x 13½"), with large margins.
Three hounds lying a wooded setting, a huntsman's bag and gun hanging behind.
[Ref: 47821] £230.00 (£276.00 incl.VAT)
Decamps del. Jules Collignon sc.
Au Bureau de l'Artiste, Rue des Filles St.Thomas, 9 Place de la Bourse [n.d., c.1850.].
Mezzotint, with a blindstamp of Goupil & Co. 305 x 340mm (12 x 13½"), with large margins.
Three hounds lying a wooded setting, a huntsman's bag and gun hanging behind.
[Ref: 47821] £230.00 (£276.00 incl.VAT)
![[Liberti] [Chihuahua and Two Chow Chow Puppies.]](jpegs/2320.jpg)
[Liberti] [Chihuahua and Two Chow Chow Puppies.]
Etching signed Efremoff. Ltd. 23/380.
n.d. c.1960. Paris.
Etching 270 x 210mm.
A proud Chihuahua sits facing forward while two Chow Chow puppies rest with their paws over a ledge.
[Ref: 2320] £230.00 (£276.00 incl.VAT)
Etching signed Efremoff. Ltd. 23/380.
n.d. c.1960. Paris.
Etching 270 x 210mm.
A proud Chihuahua sits facing forward while two Chow Chow puppies rest with their paws over a ledge.
[Ref: 2320] £230.00 (£276.00 incl.VAT)
J. Chilcott P.M. 671. The Toast Master, Beaufort Arms, Monmouth.
Lavars litho: Bristol.
[n.d., c.1840.]
Scarce lithograph. Sheet 280 x 235mm, 11 x 9¼". Laid on album sheet, glue stains in corners.
Three-quarter portrait of a Toast Master, standing before a sideboard on which stands a decanter and a corkscrew. On either side are images of a masonic altar.
[Ref: 19722] £230.00 (£276.00 incl.VAT)
Lavars litho: Bristol.
[n.d., c.1840.]
Scarce lithograph. Sheet 280 x 235mm, 11 x 9¼". Laid on album sheet, glue stains in corners.
Three-quarter portrait of a Toast Master, standing before a sideboard on which stands a decanter and a corkscrew. On either side are images of a masonic altar.
[Ref: 19722] £230.00 (£276.00 incl.VAT)
Come child of misfortune-come hither. Moore.
[n.d., c.1830.]
Etching. Sheet: 150 x 120mm (6 x 4¾"). Trimmed and laid on an album sheet.
A comic scene in which a wild looking child covers from a schoolmaster who is going to beat him. The title comes from Thomas Moore's poem 'Has Sorrow Thy Young Days Shaded'
[Ref: 44688] £60.00 (£72.00 incl.VAT)
[n.d., c.1830.]
Etching. Sheet: 150 x 120mm (6 x 4¾"). Trimmed and laid on an album sheet.
A comic scene in which a wild looking child covers from a schoolmaster who is going to beat him. The title comes from Thomas Moore's poem 'Has Sorrow Thy Young Days Shaded'
[Ref: 44688] £60.00 (£72.00 incl.VAT)
![[Child of Romany].](jpegs/6733.jpg)
[Child of Romany].
Percy J. Wright signed in pencil.
Lithograph 285 x 365mm
Member of Society des Artistes Lithographie Francais. Half length character study.
[Ref: 6733] £320.00
Percy J. Wright signed in pencil.
Lithograph 285 x 365mm
Member of Society des Artistes Lithographie Francais. Half length character study.
[Ref: 6733] £320.00
![[Child with Apple]](jpegs/36803.jpg)
[Child with Apple]
A Geddes ft [lower left]
Etching with very large margins, platemark 160 x 140mm (6¼ x 5½").
Portrait of the artist's niece, Agnes Paul. Etched by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching''.
CD 18.v; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36803] £140.00 (£168.00 incl.VAT)
A Geddes ft [lower left]
Etching with very large margins, platemark 160 x 140mm (6¼ x 5½").
Portrait of the artist's niece, Agnes Paul. Etched by the Scottish painter and etcher Andrew Geddes (1783-1844). The Oxford DNB states that 'as an etcher Geddes ranks higher than as a painter; his plates may be regarded as among the very earliest examples in modern British art of the brilliancy, concentration, and spirited selection of line proper to a ‘painter's-etching''.
CD 18.v; Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 36803] £140.00 (£168.00 incl.VAT)
![[Young child with dog.]](jpegs/22241.jpg)
[Young child with dog.]
15 June 1794.
Aquatint, printed in sepia. 315 x 250mm, 12¼ x 9¾". Paper watermarked 'J Whatman 1794'. Very large margins.
A young child stroking a dog, within a frame-line aquatint border.
[Ref: 22241] £140.00 (£168.00 incl.VAT)
15 June 1794.
Aquatint, printed in sepia. 315 x 250mm, 12¼ x 9¾". Paper watermarked 'J Whatman 1794'. Very large margins.
A young child stroking a dog, within a frame-line aquatint border.
[Ref: 22241] £140.00 (£168.00 incl.VAT)
![[Childe-Harold et Ines.]](jpegs/24832.jpg)
[Childe-Harold et Ines.]
Peint par De Juinne, 1829. Lith par Aubry Lecomte, 1830.
Lith. de Lemercier, rue du Four S.t G.ain No.55. Publié chez Noël aîné et Fils Editeurs, rue N.ve des Petits-Champs No.6 Esc.r A C.ie Colbert. [n.d. c.1840.]
Lithograph rare on chine collé. 495 x 533mm. 19½ x 21". Damage to face of male; some scuffing and marking.
Illustration depicting Childe Harold's Pilgrimage, the lengthy narrative poem by Lord Byron. It describes the travels and reflections of a world-weary young man who, disillusioned with a life of pleasure and revelry, looks for distractions in foreign lands, dancing and merrymaking in background.
[Ref: 24832] £260.00 (£312.00 incl.VAT)
Peint par De Juinne, 1829. Lith par Aubry Lecomte, 1830.
Lith. de Lemercier, rue du Four S.t G.ain No.55. Publié chez Noël aîné et Fils Editeurs, rue N.ve des Petits-Champs No.6 Esc.r A C.ie Colbert. [n.d. c.1840.]
Lithograph rare on chine collé. 495 x 533mm. 19½ x 21". Damage to face of male; some scuffing and marking.
Illustration depicting Childe Harold's Pilgrimage, the lengthy narrative poem by Lord Byron. It describes the travels and reflections of a world-weary young man who, disillusioned with a life of pleasure and revelry, looks for distractions in foreign lands, dancing and merrymaking in background.
[Ref: 24832] £260.00 (£312.00 incl.VAT)
Femme de l'Orient. Childe Harold (Lord Byron).
Pickersgill R.A. de Londres. Freeman Lith. Lith. Roder & C.ie 1.e Richer.
[n.d., c.1837.]
Lithograph. Sheet 365 x 260mm (14¼ x 10¼"). Trimmed.
A Greek woman with two children. A scene from Lord Byron's 'Childe Harold's Pilgrimage', published in the 'Album Cosmopolite, ou Choix des Collectionss de M. Alexandre Vattemare, compose de sujets historiques et religieux, paysages, marines'.
[Ref: 57320] £140.00 (£168.00 incl.VAT)
Pickersgill R.A. de Londres. Freeman Lith. Lith. Roder & C.ie 1.e Richer.
[n.d., c.1837.]
Lithograph. Sheet 365 x 260mm (14¼ x 10¼"). Trimmed.
A Greek woman with two children. A scene from Lord Byron's 'Childe Harold's Pilgrimage', published in the 'Album Cosmopolite, ou Choix des Collectionss de M. Alexandre Vattemare, compose de sujets historiques et religieux, paysages, marines'.
[Ref: 57320] £140.00 (£168.00 incl.VAT)
Enfance de Napoleon. Napoleon naguit à Ajaccio le 15 Août 1769...
Lith. de Jobert [after Horace Vernet].
[n.d., c.1825.]
Lithograph. Printed area 185 x 200mm (7¼ x 8"). Foxing.
Napoleon Bonaparte marshalling a snowball battle at his school.
[Ref: 55796] £95.00 (£114.00 incl.VAT)
Lith. de Jobert [after Horace Vernet].
[n.d., c.1825.]
Lithograph. Printed area 185 x 200mm (7¼ x 8"). Foxing.
Napoleon Bonaparte marshalling a snowball battle at his school.
[Ref: 55796] £95.00 (£114.00 incl.VAT)
Childish Amusement.
Painted by G. Moreland. W. Dickinson Execudit.
London, Published June 10:th 1789 by W. Dickinson, Engraver, Bond Street.
Mezzotint. 510 x 350mm (16 x 13¾"), with large margins. Paper lightly toned.
A rustic man in rustic dress asleep on a bench outside an inn with a tankard beside him. As he sleeps, three children amuse themselves by placing their hat on his head, tying his ankles together and tickling his nose with a piece of straw. A sign reads 'Burton Ale'.
[Ref: 60969] £320.00
Painted by G. Moreland. W. Dickinson Execudit.
London, Published June 10:th 1789 by W. Dickinson, Engraver, Bond Street.
Mezzotint. 510 x 350mm (16 x 13¾"), with large margins. Paper lightly toned.
A rustic man in rustic dress asleep on a bench outside an inn with a tankard beside him. As he sleeps, three children amuse themselves by placing their hat on his head, tying his ankles together and tickling his nose with a piece of straw. A sign reads 'Burton Ale'.
[Ref: 60969] £320.00
![[Childish malice]](jpegs/44954.jpg)
[Childish malice] La Malice enfantine, Dédiée à Monsieur Farrenc, Par son Ami et Serviteur Buldet.
F. Eisen Pere Pinx. N. Dupuis Sculp.
A Paris chés Buldet, rue de Gevres au grand Coeur [c.1762]
Engraving, platemark 430 x 305mm (17 x 12"). Trimmed to platemark; glued to album sheet at corners.
Scene in trompe l'oeil border with a boy interrupting games by squirting water over a girl. Engraved after François Eisen (c.1695-1778), painter who specialised in such genre pictures in a light-hearted Flemish manner. Eisen's son Charles was also a notable artist, hence the need to identify Eisen as 'Pere' [father] on this print.
[Ref: 44954] £520.00
F. Eisen Pere Pinx. N. Dupuis Sculp.
A Paris chés Buldet, rue de Gevres au grand Coeur [c.1762]
Engraving, platemark 430 x 305mm (17 x 12"). Trimmed to platemark; glued to album sheet at corners.
Scene in trompe l'oeil border with a boy interrupting games by squirting water over a girl. Engraved after François Eisen (c.1695-1778), painter who specialised in such genre pictures in a light-hearted Flemish manner. Eisen's son Charles was also a notable artist, hence the need to identify Eisen as 'Pere' [father] on this print.
[Ref: 44954] £520.00
The Dancing Children. From the Original Picture of the same size Painted by Le Nain, In the Collection of Sr. James Lowther Esq.r. Vol II No. 18.
Le Nain Pinxit. Alex'r Bannerman Sculp.
J.no Boydell excudit London 1767.
Engraving. Platemark: 355 x 400mm (14 x 16"). Very large margins.
A rustic interior scene with six children dancing in front of a fireplace, while on the right a young man plays the flageolet. An old peasant woman is standing by the fireplace in the background. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38271] £260.00 (£312.00 incl.VAT)
Le Nain Pinxit. Alex'r Bannerman Sculp.
J.no Boydell excudit London 1767.
Engraving. Platemark: 355 x 400mm (14 x 16"). Very large margins.
A rustic interior scene with six children dancing in front of a fireplace, while on the right a young man plays the flageolet. An old peasant woman is standing by the fireplace in the background. From the series 'The Most Capital Paintings in England', Boydell's first major initiative as a pioneering publisher of fine engravings.
Ex Collection Duke of Westminster.
[Ref: 38271] £260.00 (£312.00 incl.VAT)
![[Children in an interior.]](jpegs/58249.jpg)
[Children in an interior.]
Drawn & Engraved by Maria Spilsbury, Court Painter to George III [old ink mss.].
[n.d., c.1810.]
Rare lithograph. Sheet 280 x 370mm (11 x 14½"). Very small tear in top edge repaired. Crease bottom right.
A group of children listening to a standing girl. A rare print by painter Maria Spilsbury (1776-1820)
[Ref: 58249] £110.00 (£132.00 incl.VAT)
Drawn & Engraved by Maria Spilsbury, Court Painter to George III [old ink mss.].
[n.d., c.1810.]
Rare lithograph. Sheet 280 x 370mm (11 x 14½"). Very small tear in top edge repaired. Crease bottom right.
A group of children listening to a standing girl. A rare print by painter Maria Spilsbury (1776-1820)
[Ref: 58249] £110.00 (£132.00 incl.VAT)