A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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To Henry Howard Esq.r M.P. [This Distant View of Chepstow, with the Confluence of the Rivers Wye and Severn is with the greatest Respect inscribed by his most obedient h.ble Servant F. Jukes. Plate 16th.]
Drawn by E. Dayes. Engraved by F. Jukes.
[London Pub.d Oct 1 1802 by F. Jukes No 57 John St, Fitzroy Square.]
Rare coloured aquatint. Sheet 340 x 455mm (13½ x 18"). Trimmed within plate, losing half of title and all the publication line, surface scratches,tear in top edge, two worm holes in sky.
The last plate of 'View of the River Wye', published 1797-1802.
Abbey: 545.
[Ref: 37046] £240.00 (£288.00 incl.VAT)
Drawn by E. Dayes. Engraved by F. Jukes.
[London Pub.d Oct 1 1802 by F. Jukes No 57 John St, Fitzroy Square.]
Rare coloured aquatint. Sheet 340 x 455mm (13½ x 18"). Trimmed within plate, losing half of title and all the publication line, surface scratches,tear in top edge, two worm holes in sky.
The last plate of 'View of the River Wye', published 1797-1802.
Abbey: 545.
[Ref: 37046] £240.00 (£288.00 incl.VAT)
No 4. The Wye at Chepstow.
Edw. Burrow Sc 1896.
Etching. 255 x 300mm (9¾ x 11¾").
[Ref: 12048] £120.00 (£144.00 incl.VAT)
Edw. Burrow Sc 1896.
Etching. 255 x 300mm (9¾ x 11¾").
[Ref: 12048] £120.00 (£144.00 incl.VAT)
![[Chepstow Castle.] 75.](jpegs/14647.jpg)
[Chepstow Castle.] 75. Chepstow, which lies on the right bank of the River Wye, has been the scene of important events in English history. The old town was defended by a wall on the south and west sides, by the river on the east and on the north side of the Castle. This is of Norman and English construction, and was begun by one of the followers of William the Conquerer. The Castle is divided into four courts, with the encircling walls protected by a number of round towers, and with a deep ditch on the land side. On the left of the gateway is a large round tower, known as Marten's Tower, because for twenty years after the restoration of the monarchy it was the prison of Sir Henry Marten, one of the signatories to the death warrant of Charles I. In another part of the tower, Jeremy Taylor, the author of "Holy Living and Holy Dying," was detained as a political prisoner. The Castle to-day is largely in ruins.]
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 260 x 284mm. 10¼ x 11¼".
[Ref: 14647] £35.00 (£42.00 incl.VAT)
Arthur Spencer [pencil signature to the bottom left-hand side outside the image]
[n.d. c.1920.] Copyright. F. & M. Ltd., Bedford, Eng.
Etching. 260 x 284mm. 10¼ x 11¼".
[Ref: 14647] £35.00 (£42.00 incl.VAT)
Chepstow Castle in Monmouthshire. To the Right Hon.ble the Marquis of Worcester [...]
Drawn by G. Robertson J. Fittler Pinx.t
Engraved from the Original Drawing in the Possession of James Moore Esq.r. London Publish'd as the Act direct Feb.y 28 1803 by Anth.y Molteno No.29 Pall Mall.
Engraving, platemark 340 x 440mm (13½ x 17¼"), with very large margins.
[Ref: 45171] £280.00 (£336.00 incl.VAT)
Drawn by G. Robertson J. Fittler Pinx.t
Engraved from the Original Drawing in the Possession of James Moore Esq.r. London Publish'd as the Act direct Feb.y 28 1803 by Anth.y Molteno No.29 Pall Mall.
Engraving, platemark 340 x 440mm (13½ x 17¼"), with very large margins.
[Ref: 45171] £280.00 (£336.00 incl.VAT)
Chepstow Castle in Monmouthshire.
P. Sandby Fecit.
Published Sepr. 1st 1775. by J. Boydell Cheapside
Aquatint 315 x 240mm. number 'I' above the image. Closed letters on aquatint ground.
Views in Wales: First set: In 1771 the topographical artist Paul Sandby set off with a wealthy patron [Sir Joseph Banks] for a tour of Wales, sketching the magnificent scenery, coming into fashion with the beginning of the Romantic movement. His "Twelve Views of south Wales" were some of the first aquatints published in England.
[Ref: 8375] £280.00 (£336.00 incl.VAT)
P. Sandby Fecit.
Published Sepr. 1st 1775. by J. Boydell Cheapside
Aquatint 315 x 240mm. number 'I' above the image. Closed letters on aquatint ground.
Views in Wales: First set: In 1771 the topographical artist Paul Sandby set off with a wealthy patron [Sir Joseph Banks] for a tour of Wales, sketching the magnificent scenery, coming into fashion with the beginning of the Romantic movement. His "Twelve Views of south Wales" were some of the first aquatints published in England.
[Ref: 8375] £280.00 (£336.00 incl.VAT)
Chepstow Castle in Monmouthshire. To the Right Hon.ble the Marquis of Worcester ~ this Plate is (by Permisson) respectfully Inscribed, by his Lordship's most obedient humble Servant, James Fittler.
Drawn by G. Robertson. J. Fittler Dirext.
Engraved from the Original Drawing in the Possession of James Moore Esqr. London Publish'd as the Act directs Feby. 28, 1803, by Anthy. Molteno, No.29 Pall Mall.
Copper engraving, 340 x 445mm. 13½ x 17½". A fine impression with full margins.
Figures loading a wagon to right, in front of the ruins of Chepstow Castle, south Wales. A large paper issue of the engraving by Fittler by Molteno who had just his partnership with Paul Colnaghi. Molteno had been Anthony Torre's first partner and the printselling busines that went on to be owned by Colnaghi.
See 16352 for the 1787 impression.
[Ref: 16353] £230.00 (£276.00 incl.VAT)
Drawn by G. Robertson. J. Fittler Dirext.
Engraved from the Original Drawing in the Possession of James Moore Esqr. London Publish'd as the Act directs Feby. 28, 1803, by Anthy. Molteno, No.29 Pall Mall.
Copper engraving, 340 x 445mm. 13½ x 17½". A fine impression with full margins.
Figures loading a wagon to right, in front of the ruins of Chepstow Castle, south Wales. A large paper issue of the engraving by Fittler by Molteno who had just his partnership with Paul Colnaghi. Molteno had been Anthony Torre's first partner and the printselling busines that went on to be owned by Colnaghi.
See 16352 for the 1787 impression.
[Ref: 16353] £230.00 (£276.00 incl.VAT)
Chepstow Castle in Monmouthshire. To the Right Hon.ble the Marquis of Worcester ~ this Plate is (by Permisson) respectfully Inscribed, by his Lordship's most obedient humble Servant, James Fittler.
Drawn by G. Robertson. J. Fittler Dirext.
Engraved from the Original Drawing in the Possession of James Moore Esqr. London Publish'd as the Act directs Jany. 6th. 1787, by J. Fittler, No. 62 Upper Charlotte Street, Rathbone Place.
Copper engraving, 340 x 445mm. 13½ x 17½". A strong impression.
Figures loading a wagon to right, in front of the ruins of Chepstow Castle, south Wales.
[Ref: 16352] £260.00 (£312.00 incl.VAT)
Drawn by G. Robertson. J. Fittler Dirext.
Engraved from the Original Drawing in the Possession of James Moore Esqr. London Publish'd as the Act directs Jany. 6th. 1787, by J. Fittler, No. 62 Upper Charlotte Street, Rathbone Place.
Copper engraving, 340 x 445mm. 13½ x 17½". A strong impression.
Figures loading a wagon to right, in front of the ruins of Chepstow Castle, south Wales.
[Ref: 16352] £260.00 (£312.00 incl.VAT)
Chepstow Castle in Monmouthshire. To his Grace the Duke of Beaufort, this Plate is (by Permission) respectfully Inscribed by his Grace's most obedient humble Servant, James Fittler.
Drawn by G. Robertson. Engraved by J. Fittler.
Engraved from an Original Drawing in the Possession of James Moore Esq.r London, Publish'd as the Act directs Feb.y 28.th 18103, by Anth.y Molteno, No.29, Pall Mall.
Copper engraving. Plate 336 x 438mm. 13¼ x 17¼. One repair.
View of ruined castle at left with outbuildings at right, horses in the centre, a family with dog at left and an old man standing under an arch of the ruin at left. Chepstow Castle, Monmouthshire in Wales.
[Ref: 22967] £190.00 (£228.00 incl.VAT)
Drawn by G. Robertson. Engraved by J. Fittler.
Engraved from an Original Drawing in the Possession of James Moore Esq.r London, Publish'd as the Act directs Feb.y 28.th 18103, by Anth.y Molteno, No.29, Pall Mall.
Copper engraving. Plate 336 x 438mm. 13¼ x 17¼. One repair.
View of ruined castle at left with outbuildings at right, horses in the centre, a family with dog at left and an old man standing under an arch of the ruin at left. Chepstow Castle, Monmouthshire in Wales.
[Ref: 22967] £190.00 (£228.00 incl.VAT)
Chepstow Castle & Bridge, n the Wye from Tuts-Hill, Monmouthshire. Sun-set.
J.H. Robinson del.t G. Childs lith. Engelmann, Graf, Coindet & Co Lith.rs to the King.
London, Published May 1831 by Engelmann, Graf, Coindet & Co. 14 Newman Street.
Lithograph, printed area 200 x 250mm (8 x 9¾")/ Slight paper tone to india; glued to backing sheet.
Picturesque view of Chepstow with three figures admiring the view from Tuts-Hill.
[Ref: 25503] £140.00 (£168.00 incl.VAT)
J.H. Robinson del.t G. Childs lith. Engelmann, Graf, Coindet & Co Lith.rs to the King.
London, Published May 1831 by Engelmann, Graf, Coindet & Co. 14 Newman Street.
Lithograph, printed area 200 x 250mm (8 x 9¾")/ Slight paper tone to india; glued to backing sheet.
Picturesque view of Chepstow with three figures admiring the view from Tuts-Hill.
[Ref: 25503] £140.00 (£168.00 incl.VAT)
Inside of Chepstow Castle.
P. Sandby Fecit.
Published by T. Palser Surry fide Westminster Bridge 1812.
Coloured aquatint, sheet 210 x 285mm (8¼ x 11¼). Trimmed within plate.
A views of the ruins of Chepstow Castle in Monmouthshire Wales. It is the oldest surviving post-Roman stone fortification in Britain with its construction beginning in 1067 under the instruction of the Norman Lord William FitzOsbern (1020 – 1071). Sandby toured North Wales with Sir Watkin Williams-Wynn around 1771.
[Ref: 56168] £140.00 (£168.00 incl.VAT)
P. Sandby Fecit.
Published by T. Palser Surry fide Westminster Bridge 1812.
Coloured aquatint, sheet 210 x 285mm (8¼ x 11¼). Trimmed within plate.
A views of the ruins of Chepstow Castle in Monmouthshire Wales. It is the oldest surviving post-Roman stone fortification in Britain with its construction beginning in 1067 under the instruction of the Norman Lord William FitzOsbern (1020 – 1071). Sandby toured North Wales with Sir Watkin Williams-Wynn around 1771.
[Ref: 56168] £140.00 (£168.00 incl.VAT)
Chequers Court, Bucks. Restored.
E.B.Lamb, Arch.t del. E.Bedford, Litho.
Published by John Weale, 59, High Holborn, London, 1846.
Tinted lithograph. Sheet 370 x 255mm (14½ x 10").
A view of Chequers House, Buckinghamshire. The house, originally built in the mid-16th century, was Gothicised in the early 19th century before being restored to its Elizabethan appearance between 1892 and 1901. Chequers House has served as the country home for the serving Prime Minister of the United Kingdom, since 1921. The estate was given to the nation by Arthur Lee, 1st Viscount Lee of Fareham, by a Deed of Settlement, given full effect in the Chequers Estate Act 1917.
[Ref: 66524] £95.00 (£114.00 incl.VAT)
E.B.Lamb, Arch.t del. E.Bedford, Litho.
Published by John Weale, 59, High Holborn, London, 1846.
Tinted lithograph. Sheet 370 x 255mm (14½ x 10").
A view of Chequers House, Buckinghamshire. The house, originally built in the mid-16th century, was Gothicised in the early 19th century before being restored to its Elizabethan appearance between 1892 and 1901. Chequers House has served as the country home for the serving Prime Minister of the United Kingdom, since 1921. The estate was given to the nation by Arthur Lee, 1st Viscount Lee of Fareham, by a Deed of Settlement, given full effect in the Chequers Estate Act 1917.
[Ref: 66524] £95.00 (£114.00 incl.VAT)
Chequers Court, Bucks. Restored.
E.B.Lamb, Arch.t del. E.Bedford, Litho.
Published by John Weale, 59, High Holborn, London, 1846.
Lithograph. Sheet 370 x 255mm (14½ x 10").
A view of Chequers House, Buckinghamshire. The house, originally built in the mid-16th century, was Gothicised in the early 19th century before being restored to its Elizabethan appearance between 1892 and 1901. Chequers House has served as the country home for the serving Prime Minister of the United Kingdom, since 1921. The estate was given to the nation by Arthur Lee, 1st Viscount Lee of Fareham, by a Deed of Settlement, given full effect in the Chequers Estate Act 1917.
[Ref: 67678] £140.00 (£168.00 incl.VAT)
E.B.Lamb, Arch.t del. E.Bedford, Litho.
Published by John Weale, 59, High Holborn, London, 1846.
Lithograph. Sheet 370 x 255mm (14½ x 10").
A view of Chequers House, Buckinghamshire. The house, originally built in the mid-16th century, was Gothicised in the early 19th century before being restored to its Elizabethan appearance between 1892 and 1901. Chequers House has served as the country home for the serving Prime Minister of the United Kingdom, since 1921. The estate was given to the nation by Arthur Lee, 1st Viscount Lee of Fareham, by a Deed of Settlement, given full effect in the Chequers Estate Act 1917.
[Ref: 67678] £140.00 (£168.00 incl.VAT)
Cherbourg. Vue générale de la Ville et des Ports, prise de la Montagne du Roule.
Félix Benoist del. Sabatier lith. Fig. par Bayot.
Nantes, lith. Charpentier Edit. Paris, quai des Augustins, 55. [n..d., c.1860.]
Tinted lithograph. Sheet: 325 x 490mm (13 x 19¼'') with 000000000000very large margins. Foxing at bottom
A view of the port town of Cherbourg in the north of France.
[Ref: 50907] £90.00 (£108.00 incl.VAT)
Félix Benoist del. Sabatier lith. Fig. par Bayot.
Nantes, lith. Charpentier Edit. Paris, quai des Augustins, 55. [n..d., c.1860.]
Tinted lithograph. Sheet: 325 x 490mm (13 x 19¼'') with 000000000000very large margins. Foxing at bottom
A view of the port town of Cherbourg in the north of France.
[Ref: 50907] £90.00 (£108.00 incl.VAT)
Immersion d'une Caisse Conique faite en l'année 1785 sur la Rade de Cherbourg.
Gravée d'apres les Dessins Originaux de P. Freret Peintre.
A Paris chez Tilliard Graveur Quay des Augustines près la rue Pavée No. 42.
Engraving. 320 x 505mm. Trimmed to platemark on three sides, small tear in title area.
A pre-fabricated seafort being positioned and sunk into place.
[Ref: 2574] £260.00 (£312.00 incl.VAT)
Gravée d'apres les Dessins Originaux de P. Freret Peintre.
A Paris chez Tilliard Graveur Quay des Augustines près la rue Pavée No. 42.
Engraving. 320 x 505mm. Trimmed to platemark on three sides, small tear in title area.
A pre-fabricated seafort being positioned and sunk into place.
[Ref: 2574] £260.00 (£312.00 incl.VAT)
Ma Chere Amie.
L.E. Regaud inv.t. I.M. Delattre Sculpt.
Pub.d by Pollard Spa Fields London.
Stipple. Plate: 130 x 160mm (5¼ x 6¼"), very large margins.
A scene showing two friends in an embrace.
[Ref: 42500] £180.00 (£216.00 incl.VAT)
L.E. Regaud inv.t. I.M. Delattre Sculpt.
Pub.d by Pollard Spa Fields London.
Stipple. Plate: 130 x 160mm (5¼ x 6¼"), very large margins.
A scene showing two friends in an embrace.
[Ref: 42500] £180.00 (£216.00 incl.VAT)
The Cherry Girl. 362.
[n.d. c.1790.]
Coloured mezzotint. Fantastically bright 18th century colour. 293 x 247mm. 11½ x 9¾". Trimmed to the image top and sides, and to just below the title at bottom, some text missing. Creasing.
A women holding a pair of balancing scales in her hand, one side full of cherries. Attached to her waist is the rope tied round her donkey. Another woman passes by with her small daughter, and all three are greeted by a beggar boy pointing into his empty hat.
[Ref: 16342] £250.00 (£300.00 incl.VAT)
[n.d. c.1790.]
Coloured mezzotint. Fantastically bright 18th century colour. 293 x 247mm. 11½ x 9¾". Trimmed to the image top and sides, and to just below the title at bottom, some text missing. Creasing.
A women holding a pair of balancing scales in her hand, one side full of cherries. Attached to her waist is the rope tied round her donkey. Another woman passes by with her small daughter, and all three are greeted by a beggar boy pointing into his empty hat.
[Ref: 16342] £250.00 (£300.00 incl.VAT)
![[The Cherry Season.]](jpegs/16155.jpg)
[The Cherry Season.]
Schütter ft.
[n.d. c.1840.]
Lithograph. 170 x 217mm. 6¾ x 8½".
A scene in the country. Gentlemen stand around a stall where two women are selling freshly picked fruit, in particular cherries.
[Ref: 16155] £75.00 (£90.00 incl.VAT)
Schütter ft.
[n.d. c.1840.]
Lithograph. 170 x 217mm. 6¾ x 8½".
A scene in the country. Gentlemen stand around a stall where two women are selling freshly picked fruit, in particular cherries.
[Ref: 16155] £75.00 (£90.00 incl.VAT)
Crieur de Cerise. Venez Janneton, et Cattin, Acheter des bonnes griottes; Je suis ma foy un bon calin, J'ay des gobets de bonne sortes.
J. Bonnart f.
Chez N. Bonnart, rue S.t Jacques a l'aigle avec privil. [n.d. c.1675-1700].
Etching and engraving. 265 x 185mm (10½ x 7¼"). Taped tear in bottom margin. . Very small stain in image.
A street vendor selling cherries from the baskets on his donkey; he carries scales over his shoulder. Engraved by Jean-Baptiste Bonnart and published by Nicolas Bonnart, known for the breadth of their work on contemporary French costume and fashion.
[Ref: 54883] £130.00 (£156.00 incl.VAT)
J. Bonnart f.
Chez N. Bonnart, rue S.t Jacques a l'aigle avec privil. [n.d. c.1675-1700].
Etching and engraving. 265 x 185mm (10½ x 7¼"). Taped tear in bottom margin. . Very small stain in image.
A street vendor selling cherries from the baskets on his donkey; he carries scales over his shoulder. Engraved by Jean-Baptiste Bonnart and published by Nicolas Bonnart, known for the breadth of their work on contemporary French costume and fashion.
[Ref: 54883] £130.00 (£156.00 incl.VAT)
Stone Coffins, as found on Excavations upon the site of Chertsey Abbey.
From a photograph by Captain Oakes. J.H. Le Keux sc.
[n.d., c.1905.]
Rare engraving. Sheet size: 125 x 170mm (5 x 6¾"). Trimmed inside platemark.
A plate from 'Chertsey Abbey: an existence of the past', written by Lucy Wheeler, published in 1905. In the mid-19th century the site of the abbey was excavated under the supervision of the architect and archaeologist Samuel Angell, who published an account of the investigations, accompanied by a ground plan of the abbey church, in 1862.
[Ref: 37298] £60.00 (£72.00 incl.VAT)
From a photograph by Captain Oakes. J.H. Le Keux sc.
[n.d., c.1905.]
Rare engraving. Sheet size: 125 x 170mm (5 x 6¾"). Trimmed inside platemark.
A plate from 'Chertsey Abbey: an existence of the past', written by Lucy Wheeler, published in 1905. In the mid-19th century the site of the abbey was excavated under the supervision of the architect and archaeologist Samuel Angell, who published an account of the investigations, accompanied by a ground plan of the abbey church, in 1862.
[Ref: 37298] £60.00 (£72.00 incl.VAT)
View of Chertsey Bridge from Wooburn Farm.
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1793, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Sepia aquatint. 320 x 220mm.
From the 'History of the River Thames'.
Abbey: 432.
[Ref: 2402] £160.00 (£192.00 incl.VAT)
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1793, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Sepia aquatint. 320 x 220mm.
From the 'History of the River Thames'.
Abbey: 432.
[Ref: 2402] £160.00 (£192.00 incl.VAT)
![[A cherub blowing bubbles.]](jpegs/49629.jpg)
[A cherub blowing bubbles.] [Engrav'd from a Painting by Rubens.]
[Engraved by Captain William Baillie after Peter Paul Rubens.]
[n.d., c.1770.]
Etching, proof before letters. 155 x 115mm (6 x 4½"). Wear in bottom margin.
Etched by Captain William Baillie (1723-1810). Having retired from the army in 1761 he devoted himself to printmaking and dealing, specialising in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of the Hon. Christopher Lennox Boyd.
[Ref: 49629] £140.00 (£168.00 incl.VAT)
[Engraved by Captain William Baillie after Peter Paul Rubens.]
[n.d., c.1770.]
Etching, proof before letters. 155 x 115mm (6 x 4½"). Wear in bottom margin.
Etched by Captain William Baillie (1723-1810). Having retired from the army in 1761 he devoted himself to printmaking and dealing, specialising in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of the Hon. Christopher Lennox Boyd.
[Ref: 49629] £140.00 (£168.00 incl.VAT)
Marchande de Cupidons.
F. Bartolozzi pinx. J. Ogbourne sculp.
Pub. May 1 1783 by J. Thane, Rupoert Street, Hay Market.
Oval stipple, printed in dark sanguine. 200 x 225mm (8 x 9"). Top left corner restored. Slight damage below image.
A woman in classical dress holds a winged cherub on her lap as a another looks admiringly over her shoulder. A third woman grasps another cherub by the base of his wings to lift him out of a basket in which a third cherub sits.
[Ref: 54755] £280.00 (£336.00 incl.VAT)
F. Bartolozzi pinx. J. Ogbourne sculp.
Pub. May 1 1783 by J. Thane, Rupoert Street, Hay Market.
Oval stipple, printed in dark sanguine. 200 x 225mm (8 x 9"). Top left corner restored. Slight damage below image.
A woman in classical dress holds a winged cherub on her lap as a another looks admiringly over her shoulder. A third woman grasps another cherub by the base of his wings to lift him out of a basket in which a third cherub sits.
[Ref: 54755] £280.00 (£336.00 incl.VAT)
![[Cherubim's Head.]](jpegs/33038.jpg)
[Cherubim's Head.]
[by Thomas Worlidge]
Etching, platemark 35 x 35mm (1¼ x 1¼"). Large margins; good impression on laid paper.
Study of a cherub by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '119' added to correspond with the catalogue of his prints she produced.
W119; D45; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 33038] £60.00 (£72.00 incl.VAT)
[by Thomas Worlidge]
Etching, platemark 35 x 35mm (1¼ x 1¼"). Large margins; good impression on laid paper.
Study of a cherub by Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married. Posthumous impression after Worlidge's widow Mary issued new impressions in 1767 with the number '119' added to correspond with the catalogue of his prints she produced.
W119; D45; Ex collection of the Late Hon. C. Lennox-Boyd.
[Ref: 33038] £60.00 (£72.00 incl.VAT)
![[Maria Luigi Carlo Zenobio Salvatore Cherubini.] L. Cherubini.](jpegs/63315.jpg)
[Maria Luigi Carlo Zenobio Salvatore Cherubini.] L. Cherubini.
Se vend chez Quenedey rue Neuve-des-Petits-Champs No15 à Paris / Dép. à la Bib. Imp.
Dess: au Physionotrace et Gravé par Quenedey rue neuve des petits champs No15 à Paris 1809.
Aquatint. Sheet 240 x 155mm (9½ x 6"). Trimmed slightly into plate.
Portrait of Maria Luigi Carlo Zenobio Salvatore Cherubini (1760 -1842), Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest living composer of his era. Cherubini's operas were heavily praised and interpreted by Rossini.
[Ref: 63315] £160.00 (£192.00 incl.VAT)
Se vend chez Quenedey rue Neuve-des-Petits-Champs No15 à Paris / Dép. à la Bib. Imp.
Dess: au Physionotrace et Gravé par Quenedey rue neuve des petits champs No15 à Paris 1809.
Aquatint. Sheet 240 x 155mm (9½ x 6"). Trimmed slightly into plate.
Portrait of Maria Luigi Carlo Zenobio Salvatore Cherubini (1760 -1842), Italian Classical and Romantic composer. His most significant compositions are operas and sacred music. Beethoven regarded Cherubini as the greatest living composer of his era. Cherubini's operas were heavily praised and interpreted by Rossini.
[Ref: 63315] £160.00 (£192.00 incl.VAT)
The Confluence of the Cherwell and Isis. Brasen Nose Boat Coming In.
Drawn and Etch'd by JWhessell.
Saint Aldates Oxford Feby. 1824.
Etching, 260 x 315mm. 10¼ x 12½". Closed tears to margins, and into sky area. Extremities chipped. Damaged.
View from the riverbank of a crew of eight (plus cox) rowing past some Oxford landmarks on the far bank; the race watched by three students in foreground to left. Numbered 'Pl. 39', with dimensions of the boat recorded (lower right). By and after John Whessell (c.1760 - 1824 or after).
[Ref: 19515] £220.00 (£264.00 incl.VAT)
Drawn and Etch'd by JWhessell.
Saint Aldates Oxford Feby. 1824.
Etching, 260 x 315mm. 10¼ x 12½". Closed tears to margins, and into sky area. Extremities chipped. Damaged.
View from the riverbank of a crew of eight (plus cox) rowing past some Oxford landmarks on the far bank; the race watched by three students in foreground to left. Numbered 'Pl. 39', with dimensions of the boat recorded (lower right). By and after John Whessell (c.1760 - 1824 or after).
[Ref: 19515] £220.00 (£264.00 incl.VAT)
The Cheseld Solider Return'd to Buisness or the Newgate Str_t Butcher.
Pub. Accor. to Act Oct. 5 1780 by T: Colley, No.288 Strand.
Rare engraving. Sheet: 240 x 170mm (9½ x 6¾''). Trimmed.
A caricature portrait of a butcher, shown holding a pig's head, his hat and rifle hang against the wall.
[Ref: 50762] £130.00 (£156.00 incl.VAT)
Pub. Accor. to Act Oct. 5 1780 by T: Colley, No.288 Strand.
Rare engraving. Sheet: 240 x 170mm (9½ x 6¾''). Trimmed.
A caricature portrait of a butcher, shown holding a pig's head, his hat and rifle hang against the wall.
[Ref: 50762] £130.00 (£156.00 incl.VAT)
William Cheselden Esqr. Surgeon to her late Majesty Queen Caroline Surgeon to St. Thomas's Hospital, & to the Royal-College at Chelsea. Fellow of the Royal Society And Member of the Royal Academy of Surgery at Paris.
I. Richardson pinxt. I. Faber fecit 1753.
Price 2s. 6d. Sold at the Golden Head near the Church Bloomsbury Square.
Mezzotint. 330 x 225mm (13 x 9"). Narrow margins. Surface a little scuffed; generally a good impression.
Portrait of William Cheselden (1688-1752), surgeon and anatomist, wearing a plain double-breasted jacket, open at the collar, and round hat. Cheselden was surgeon to Queen Caroline, to St Thomas' Hospital and the Royal College at Chelsea, and member of the Royal Academy of Surgery at Paris. John Faber Jr after Jonathan Richardson Snr (1667 - 1745).
Chaloner Smith 79, I of II. Wellcome 594-2.
[Ref: 26118] £220.00 (£264.00 incl.VAT)
I. Richardson pinxt. I. Faber fecit 1753.
Price 2s. 6d. Sold at the Golden Head near the Church Bloomsbury Square.
Mezzotint. 330 x 225mm (13 x 9"). Narrow margins. Surface a little scuffed; generally a good impression.
Portrait of William Cheselden (1688-1752), surgeon and anatomist, wearing a plain double-breasted jacket, open at the collar, and round hat. Cheselden was surgeon to Queen Caroline, to St Thomas' Hospital and the Royal College at Chelsea, and member of the Royal Academy of Surgery at Paris. John Faber Jr after Jonathan Richardson Snr (1667 - 1745).
Chaloner Smith 79, I of II. Wellcome 594-2.
[Ref: 26118] £220.00 (£264.00 incl.VAT)
William Cheselden Esq, Surgeon to her late Majesty Queen Caroline; Surgeon to her late Majesty Queen Caroline Surgeon to St. Thomas's Hospital, & to the Royal-College at Chelsea. Fellow of the Royal Society And Member of the Royal Academy of Surgery at Paris.
I. Richardson pinxt; I. Faber fecit 1753.
Price 2s.6d. Sold at the Golden Head near the Church Bloomsbury Square.
Mezzotint. 330 x 220mm (13 x 8¾"). Horizontal centre crease.
William Cheselden (1688 - 1752), surgeon and anatomist.
Chaloner Smith: 79, I. Wellcome: 594-2. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10573] £140.00 (£168.00 incl.VAT)
I. Richardson pinxt; I. Faber fecit 1753.
Price 2s.6d. Sold at the Golden Head near the Church Bloomsbury Square.
Mezzotint. 330 x 220mm (13 x 8¾"). Horizontal centre crease.
William Cheselden (1688 - 1752), surgeon and anatomist.
Chaloner Smith: 79, I. Wellcome: 594-2. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 10573] £140.00 (£168.00 incl.VAT)
Cheshire.
[n.d. c.1830.]
Lithograph with hand colour. 170 x 130mm (6¾ x 5¼"). Some offsetting.
A scene representing Cheshire, with two women shaping cheese with a press and wooden boards.
[Ref: 24172] £120.00 (£144.00 incl.VAT)
[n.d. c.1830.]
Lithograph with hand colour. 170 x 130mm (6¾ x 5¼"). Some offsetting.
A scene representing Cheshire, with two women shaping cheese with a press and wooden boards.
[Ref: 24172] £120.00 (£144.00 incl.VAT)
The Railway at Cheshunt in Hertfordshire; Invented by Henry R. Palmer, Civil-Engineer.
Ingrey & Madeley, Lithog. 310 Strand.
[n.d., c.1825.]
Coloured lithograph on chine collé. 130 x 285mm (5 x 11¼"). Margins messy.
A view of the world's first passenger monorail, designed by Henry Robinson Palmer (1795-1844) and opened in 1825. Robinson patented his design in 1821 (unaware of a monorail built near Moscow by Ivan Elmanov in 1820, with wheels on the beam rather than the carriage) and built his first in Deptford Dockyard in 1824, which was the first elevated railway. The Cheshunt monorail was the world's third monorail and the first to carry passengers, with horses pulling carriages along the mile-long track. Robinson also invented corrugated iron, designed and executed the Eastern Dock in London, and was instrumental in the founding of the Institution of Civil Engineeers.
[Ref: 56964] £360.00
Ingrey & Madeley, Lithog. 310 Strand.
[n.d., c.1825.]
Coloured lithograph on chine collé. 130 x 285mm (5 x 11¼"). Margins messy.
A view of the world's first passenger monorail, designed by Henry Robinson Palmer (1795-1844) and opened in 1825. Robinson patented his design in 1821 (unaware of a monorail built near Moscow by Ivan Elmanov in 1820, with wheels on the beam rather than the carriage) and built his first in Deptford Dockyard in 1824, which was the first elevated railway. The Cheshunt monorail was the world's third monorail and the first to carry passengers, with horses pulling carriages along the mile-long track. Robinson also invented corrugated iron, designed and executed the Eastern Dock in London, and was instrumental in the founding of the Institution of Civil Engineeers.
[Ref: 56964] £360.00
![Game of Chess. [&] Check Mate.](jpegs/66909.jpg)
Game of Chess. [&] Check Mate.
Etched by G.Cruikshank.
Pub.d by Thos. McLean, 26 Haymarket, Aug.t 1st 1835.
Etching. Top 165 x 120mm (6½ x 4¾"). Bottom 165 x 125mm (6½ x 5"). Trimmed and backed onto album paper.
A pair of etchings. One titled 'Game of Chess', which depicts two elderly men sat at a table playing a game of chess, as one makes their move, the other looks very concerned. Behind each man stands a spectator also watching with great interest. The second etching titles 'Check Mate' depicts a woman standing in a doorway with a shocked expression as she discovers her husband with a house-maid.
[Ref: 66909] £160.00 (£192.00 incl.VAT)
Etched by G.Cruikshank.
Pub.d by Thos. McLean, 26 Haymarket, Aug.t 1st 1835.
Etching. Top 165 x 120mm (6½ x 4¾"). Bottom 165 x 125mm (6½ x 5"). Trimmed and backed onto album paper.
A pair of etchings. One titled 'Game of Chess', which depicts two elderly men sat at a table playing a game of chess, as one makes their move, the other looks very concerned. Behind each man stands a spectator also watching with great interest. The second etching titles 'Check Mate' depicts a woman standing in a doorway with a shocked expression as she discovers her husband with a house-maid.
[Ref: 66909] £160.00 (£192.00 incl.VAT)
![[A Game at Chess.]](jpegs/66072.jpg)
[A Game at Chess.]
[Painted by T. Phillips, A. Engraved by S. W. Reynolds.]
[London, Published by T. Phillips, George Street, Hanover Square, March 1st. 1808, and Sold by A. Molteno, Pall Mall.]
Extremely rare mezzotint, unfinished proof before letters. 380 x 440mm (15 x 17¼"). Trimmed to plate top and bottom, some scuffing in borders.
An interior scene with an elderly couple, the Rev. and Mrs. Debary, seated in a room at a table, playing chess. After Thomas Phillips (1770 - 1845).
Whitman 424.
[Ref: 66072] £580.00
[Painted by T. Phillips, A. Engraved by S. W. Reynolds.]
[London, Published by T. Phillips, George Street, Hanover Square, March 1st. 1808, and Sold by A. Molteno, Pall Mall.]
Extremely rare mezzotint, unfinished proof before letters. 380 x 440mm (15 x 17¼"). Trimmed to plate top and bottom, some scuffing in borders.
An interior scene with an elderly couple, the Rev. and Mrs. Debary, seated in a room at a table, playing chess. After Thomas Phillips (1770 - 1845).
Whitman 424.
[Ref: 66072] £580.00
![[A Game at Chess.]](jpegs/66073.jpg)
[A Game at Chess.]
[Painted by T. Phillips, A. Engraved by S. W. Reynolds.]
[London, Published by T. Phillips, George Street, Hanover Square, March 1st. 1808, and Sold by A. Molteno, Pall Mall.]
Extremely rare mezzotint, unfinished proof before letters. 380 x 440mm (15 x 17¼"). Trimmed to plate top and bottom.
An interior scene with an elderly couple, the Rev. and Mrs. Debary, seated in a room at a table, playing chess. After Thomas Phillips (1770 - 1845).
Whitman 424.
[Ref: 66073] £680.00
[Painted by T. Phillips, A. Engraved by S. W. Reynolds.]
[London, Published by T. Phillips, George Street, Hanover Square, March 1st. 1808, and Sold by A. Molteno, Pall Mall.]
Extremely rare mezzotint, unfinished proof before letters. 380 x 440mm (15 x 17¼"). Trimmed to plate top and bottom.
An interior scene with an elderly couple, the Rev. and Mrs. Debary, seated in a room at a table, playing chess. After Thomas Phillips (1770 - 1845).
Whitman 424.
[Ref: 66073] £680.00
![[Chess Match.]](jpegs/48235.jpg)
[Chess Match.]
C.W. Ross 1848. [Paul Gauci.]
Scarce lithograph. Sheet: 305 x 400mm (12 x 15¾''). Trimmed and creasing. Diagonal crease across top right corner.
A double portrait of George Spencer, 6th Duke of Marlborough (1793-1857) and Sir John Scott Burdon Sanderson (1828-1905) shown playing chess.
[Ref: 48235] £190.00 (£228.00 incl.VAT)
C.W. Ross 1848. [Paul Gauci.]
Scarce lithograph. Sheet: 305 x 400mm (12 x 15¾''). Trimmed and creasing. Diagonal crease across top right corner.
A double portrait of George Spencer, 6th Duke of Marlborough (1793-1857) and Sir John Scott Burdon Sanderson (1828-1905) shown playing chess.
[Ref: 48235] £190.00 (£228.00 incl.VAT)
![[The Game of Chess.]](jpegs/48618.jpg)
[The Game of Chess.]
[James Bretherton after Henry William Bunbury.]
[n.d., c.1780.]
Etching, scarce; 18th century watermark; Sheet: 315 x 365mm (12¼ x 14¼''). Trimmed.
A scene showing three women in large headresses playing a game of chess.
[Ref: 48618] £360.00
[James Bretherton after Henry William Bunbury.]
[n.d., c.1780.]
Etching, scarce; 18th century watermark; Sheet: 315 x 365mm (12¼ x 14¼''). Trimmed.
A scene showing three women in large headresses playing a game of chess.
[Ref: 48618] £360.00
![[Chess] The Approaching Check Mate. Retaliation.](jpegs/57984.jpg)
[Chess] The Approaching Check Mate. Retaliation. From the Original Pictures in the possession of Edward Burgess Esq.r to whom this Print is dedicated by His Obed.t H.ble Serv.t H. Meyer.
Painted by A.E. chalon, Esq.r R.A. Engraved by Henry Meyer, 3 Red Lion Square, Bloomsbury.
London, Published for the Proprietor, April 12th 1819: by H. Meyer, 2, Red Lion Square, Bloomsbury.
Scarce stipple on chine collé. 265 x 530mm (10½ x 20¾"). Folded at centre, some surface soiling.
A pair of chess scenes, unusually printed side-by-side, featuring a couple in Van Dyck dress. On the left the woman smiles as the cavalier ponders his next move, with another man watching, amused. On the right the cavalier avoids defeat by leaning across the table to kiss the giggling woman, knocking the pieces flying, much to the other man's disgust.
[Ref: 57984] £290.00 (£348.00 incl.VAT)
Painted by A.E. chalon, Esq.r R.A. Engraved by Henry Meyer, 3 Red Lion Square, Bloomsbury.
London, Published for the Proprietor, April 12th 1819: by H. Meyer, 2, Red Lion Square, Bloomsbury.
Scarce stipple on chine collé. 265 x 530mm (10½ x 20¾"). Folded at centre, some surface soiling.
A pair of chess scenes, unusually printed side-by-side, featuring a couple in Van Dyck dress. On the left the woman smiles as the cavalier ponders his next move, with another man watching, amused. On the right the cavalier avoids defeat by leaning across the table to kiss the giggling woman, knocking the pieces flying, much to the other man's disgust.
[Ref: 57984] £290.00 (£348.00 incl.VAT)
![[Chess Pieces.]](jpegs/18445.jpg)
[Chess Pieces.]
[Sebastian Münster.]
[Petri. c.1550.]
Letterpress. 310 x 210mm. 12¼ x 8¼".
Published in Münster's "Cosmographia". Two chess pieces, the Queen & Bishop, surrounded by a German text describing the Pillars of Hercules.
[Ref: 18445] £65.00 (£78.00 incl.VAT)
[Sebastian Münster.]
[Petri. c.1550.]
Letterpress. 310 x 210mm. 12¼ x 8¼".
Published in Münster's "Cosmographia". Two chess pieces, the Queen & Bishop, surrounded by a German text describing the Pillars of Hercules.
[Ref: 18445] £65.00 (£78.00 incl.VAT)
Chess Match, at Parsloe's Feb.y 23.d 1794, in presence of the Turkish Ambassador.
Cook sculp.
Published april 1.st 1794. by J. Wheble, Warwick Swuare London.
Etching with engraving. 110 x 160mm (4¼ x 6¼"), with 4pp. letterpress stapled on. Trimmed close to plate at bottom.
A depiction of a chess match between François-André Danican Philidor (1726-95) and German diplomat Hans Moritz von Brühl (1736-1809) in 1783, in which Philador played blindfolded. The letterpress, from the Sporting Magazine for March 1794, describes the print but not the event, as well as a part description of another event at which Philador played three blindfolded matches. Parsloe's was a chess club in St James's Street. Depictions of an 18th century Chess match are very scarce.
[Ref: 61771] £220.00 (£264.00 incl.VAT)
Cook sculp.
Published april 1.st 1794. by J. Wheble, Warwick Swuare London.
Etching with engraving. 110 x 160mm (4¼ x 6¼"), with 4pp. letterpress stapled on. Trimmed close to plate at bottom.
A depiction of a chess match between François-André Danican Philidor (1726-95) and German diplomat Hans Moritz von Brühl (1736-1809) in 1783, in which Philador played blindfolded. The letterpress, from the Sporting Magazine for March 1794, describes the print but not the event, as well as a part description of another event at which Philador played three blindfolded matches. Parsloe's was a chess club in St James's Street. Depictions of an 18th century Chess match are very scarce.
[Ref: 61771] £220.00 (£264.00 incl.VAT)
The Game of Chess.
Royce sculp.
Published by Alex.r Hogg, No 16 Paternoster Row, May 31, 1787.
Rare engraving. Sheet 190 x 125mm (7½ x 5"). Trimmed into plate at top, some wear.
A standing woman plays chess with a seated man with three onlookers, all in 17th century dress
[Ref: 45251] £220.00 (£264.00 incl.VAT)
Royce sculp.
Published by Alex.r Hogg, No 16 Paternoster Row, May 31, 1787.
Rare engraving. Sheet 190 x 125mm (7½ x 5"). Trimmed into plate at top, some wear.
A standing woman plays chess with a seated man with three onlookers, all in 17th century dress
[Ref: 45251] £220.00 (£264.00 incl.VAT)
A Game at Chaess as it was Acted mine days to gether at the Globe. The Black - House. The White - House. To face Title to Vol.4.
Eng'd by F.W. Fairholt.
[1625 but later reprint c. 1800]
Etching. Plate 216 x 160mm. 8½ x 6¼". Crease, scuffing.
Title-page to Thomas Middleton, "A Game at Chaess" London, 1625. Upper section depicts people sitting around a table playing chess. The lower section has three figures representing "the Fatte Bishop," "the Black Knight," "the White Knight."
[Ref: 15785] £160.00 (£192.00 incl.VAT)
Eng'd by F.W. Fairholt.
[1625 but later reprint c. 1800]
Etching. Plate 216 x 160mm. 8½ x 6¼". Crease, scuffing.
Title-page to Thomas Middleton, "A Game at Chaess" London, 1625. Upper section depicts people sitting around a table playing chess. The lower section has three figures representing "the Fatte Bishop," "the Black Knight," "the White Knight."
[Ref: 15785] £160.00 (£192.00 incl.VAT)
Die Schachspieler. Les jouers d'echecs. The Chess-Players. A Drawing by Moritz Retzsch, explained, according to hints from himself, by C. Borr. von Miltitz.
MRetzsch 1831 [in plate, lower right].
Verlag des Herausgebers. Druck der Teubner'schen Officin in Dresden. [German, n.d., c.1840.]
Outline etching, Satan playing chess with Man for his Soul; together with three letterpress explanation leaves in German, English and French (as called for), in original printed paper wrappers. Oblong folio, 260 x 340mm, 10¼ x 13½". Very rare in this the original presentation. Wrappers soiled and tatty; trace of vertical crease. Damage to right corner of front two pages and back.
The fantastic allegorical composition shows a winged angel watching the game with sorrowful expression; the gaming board rests upon an elaborately carved table placed underneath a gothic arch carved with animal, lion and skull motifs. Designed and engraved by Moritz Retzsch (German, 1779 - 1857).
[Ref: 19553] £290.00 view all images for this item
MRetzsch 1831 [in plate, lower right].
Verlag des Herausgebers. Druck der Teubner'schen Officin in Dresden. [German, n.d., c.1840.]
Outline etching, Satan playing chess with Man for his Soul; together with three letterpress explanation leaves in German, English and French (as called for), in original printed paper wrappers. Oblong folio, 260 x 340mm, 10¼ x 13½". Very rare in this the original presentation. Wrappers soiled and tatty; trace of vertical crease. Damage to right corner of front two pages and back.
The fantastic allegorical composition shows a winged angel watching the game with sorrowful expression; the gaming board rests upon an elaborately carved table placed underneath a gothic arch carved with animal, lion and skull motifs. Designed and engraved by Moritz Retzsch (German, 1779 - 1857).
[Ref: 19553] £290.00 view all images for this item
![[Prospect of Chester.] Invidia Sibi Ipsi Nocens. Chester in Engelland.](jpegs/19230.jpg)
[Prospect of Chester.] Invidia Sibi Ipsi Nocens. Chester in Engelland. Tantum sibi non caeteris Livor nocet, Namass Invidus sua mandit interanea. Du mißgönst jederman sein glückh, Kanst es doch nicht treiben zu rückh. Neÿdhart sich selß am meisten plagt, Der ihm sein eigen hertz abnagt.
[Daniel Meisner.]
[n.d. c.1620.]
Copper Engraving. Plate 95 x 152mm. 3¾ x 6".
An unusual prosepct view of Chester; this view of the city was published in the 'Libellus Novus Politicus Emblematicus Civitatum'. The figure is a supposed to be a symbolic personification of envy; snakes instead of hair and biting into a human heart. The German text, a translation of the Latin, relates to this figure: "Thou enviest every man his happiness and yet thou canst not prevent it. The envious man torments himself the most, by perpetually gnawing his own heart".
[Ref: 19230] £140.00 (£168.00 incl.VAT)
[Daniel Meisner.]
[n.d. c.1620.]
Copper Engraving. Plate 95 x 152mm. 3¾ x 6".
An unusual prosepct view of Chester; this view of the city was published in the 'Libellus Novus Politicus Emblematicus Civitatum'. The figure is a supposed to be a symbolic personification of envy; snakes instead of hair and biting into a human heart. The German text, a translation of the Latin, relates to this figure: "Thou enviest every man his happiness and yet thou canst not prevent it. The envious man torments himself the most, by perpetually gnawing his own heart".
[Ref: 19230] £140.00 (£168.00 incl.VAT)
The South-West Prospect of the City of Chester.
S. & N. Buck delin. et Sculp.t.
1728.
Engraving. Sheet 250 x 690mm (9¾ x 27¼"). Trimmed within plate, two horizontal folds, one with extensive split, folded onto album sheet.
A detailed view of Chester, with a descriptive text below and a key to the right, indicating various landmarks and buildings. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', before the addition of a plate number top right.
[Ref: 42263] £180.00 (£216.00 incl.VAT)
S. & N. Buck delin. et Sculp.t.
1728.
Engraving. Sheet 250 x 690mm (9¾ x 27¼"). Trimmed within plate, two horizontal folds, one with extensive split, folded onto album sheet.
A detailed view of Chester, with a descriptive text below and a key to the right, indicating various landmarks and buildings. From the series 'Buck's Perspective Views of Cities and Chief Towns in England and Wales', before the addition of a plate number top right.
[Ref: 42263] £180.00 (£216.00 incl.VAT)
Northgate St. Chester.
Drawn by W. Tasker, & on Stone by T. Picken. Day & Haghe, Lithrs. to the Queen.
Pubd. by Evans & Ducker, Eastgate Row, Chester.
Lithograph, sheet 280 x 380mm. 11 x 15". Sheet corners chipped; trace of crease through lower margin.
Attractive locally-published view of cattle being driven down Northgate Street, Chester, Cheshire.
Not in Abbey Scenery.
[Ref: 19565] £140.00 (£168.00 incl.VAT)
Drawn by W. Tasker, & on Stone by T. Picken. Day & Haghe, Lithrs. to the Queen.
Pubd. by Evans & Ducker, Eastgate Row, Chester.
Lithograph, sheet 280 x 380mm. 11 x 15". Sheet corners chipped; trace of crease through lower margin.
Attractive locally-published view of cattle being driven down Northgate Street, Chester, Cheshire.
Not in Abbey Scenery.
[Ref: 19565] £140.00 (£168.00 incl.VAT)
A South Prospect of the City of Chester. [67 in ink]
J. Boydell Delin. et Sculp.
Publish'd according to Act of Parliament by J. Boydell, at the Globe near Durham Yard in the Strand, 1749. Price 1.s.
Engraving, paper watermarked with very large margins. Plate 300 x 450mm (11¾ x 17¾").
A fine view of the City of Chester, seen from across the River Dee, with the Castle to the left, and Handbridge to the right; ships and other boats seen on the river. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
[Ref: 29394] £300.00
J. Boydell Delin. et Sculp.
Publish'd according to Act of Parliament by J. Boydell, at the Globe near Durham Yard in the Strand, 1749. Price 1.s.
Engraving, paper watermarked with very large margins. Plate 300 x 450mm (11¾ x 17¾").
A fine view of the City of Chester, seen from across the River Dee, with the Castle to the left, and Handbridge to the right; ships and other boats seen on the river. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
[Ref: 29394] £300.00
A South Prospect of the City of Chester.
J. Boydell Delin. et Sculp.
Publish'd according to Act of Parliament by J. Boydell, at the Globe near Durham Yard in the Strand, 1749. Price 1.s.
Engraving, very large margins. Plate 300 x 450mm (11¾ x 17¾").
A fine view of the City of Chester, seen from across the River Dee, with the Castle to the left, and Handbridge to the right; ships and other boats seen on the river.
[Ref: 32458] £320.00
J. Boydell Delin. et Sculp.
Publish'd according to Act of Parliament by J. Boydell, at the Globe near Durham Yard in the Strand, 1749. Price 1.s.
Engraving, very large margins. Plate 300 x 450mm (11¾ x 17¾").
A fine view of the City of Chester, seen from across the River Dee, with the Castle to the left, and Handbridge to the right; ships and other boats seen on the river.
[Ref: 32458] £320.00
View of the R:t: Hon:ble the Earl of Chesterfield's House, near Hyde Park, taken from ye Park Wall, is Humbly Dedicated to his Lordship by his L.ps Most Obedient Servant Ed:d J:n: Eyre.
E.J. Eyre del: J.S. Müller sculpt.
Publish'd Acc.g to Act of Par:t Dec: 18 1750.
Rare etching. Sheet 175 x 315mm (7 x 12½"). Trimmed within plate.
Chesterfield House, Mayfair, London, the residence of Philip Dormer Stanhope, 4th Earl of Chesterfield (1694 - 1773). He succeeded his father as Earl of Chesterfield in 1726 and was sent to The Hague as ambassador in 1728, and subsequently rewarded with the Order of the Garter, and the position of Lord Steward. Lord Lieutenant of Ireland in 1745 and Secretary of State in 1755. A rare etching.
[Ref: 63965] £180.00 (£216.00 incl.VAT)
E.J. Eyre del: J.S. Müller sculpt.
Publish'd Acc.g to Act of Par:t Dec: 18 1750.
Rare etching. Sheet 175 x 315mm (7 x 12½"). Trimmed within plate.
Chesterfield House, Mayfair, London, the residence of Philip Dormer Stanhope, 4th Earl of Chesterfield (1694 - 1773). He succeeded his father as Earl of Chesterfield in 1726 and was sent to The Hague as ambassador in 1728, and subsequently rewarded with the Order of the Garter, and the position of Lord Steward. Lord Lieutenant of Ireland in 1745 and Secretary of State in 1755. A rare etching.
[Ref: 63965] £180.00 (£216.00 incl.VAT)
View of the R:t: Hon:ble the Earl of Chesterfield's House, near Hyde Park, taken from ye Park Wall, is Humbly Dedicated to his Lordship by his L.ps Most Obedient Servant Ed:d J:n: Eyre.
E.J. Eyre del: J.S. Müller sculpt.
Publish'd Acc.g to Act of Par:t Dec: 18 1750.
Rare etching, image 160 x 305mm (6¼ x 12"). Trimmed within plate and tipped into album page.
Chesterfield House, Mayfair, London, the residence of Philip Dormer Stanhope, 4th Earl of Chesterfield (1694 - 1773). He succeeded his father as Earl of Chesterfield in 1726 and was sent to The Hague as ambassador in 1728, and subsequently rewarded with the Order of the Garter, and the position of Lord Steward. Lord Lieutenant of Ireland in 1745 and Secretary of State in 1755. A rare etching.
[Ref: 9547] £160.00 (£192.00 incl.VAT)
E.J. Eyre del: J.S. Müller sculpt.
Publish'd Acc.g to Act of Par:t Dec: 18 1750.
Rare etching, image 160 x 305mm (6¼ x 12"). Trimmed within plate and tipped into album page.
Chesterfield House, Mayfair, London, the residence of Philip Dormer Stanhope, 4th Earl of Chesterfield (1694 - 1773). He succeeded his father as Earl of Chesterfield in 1726 and was sent to The Hague as ambassador in 1728, and subsequently rewarded with the Order of the Garter, and the position of Lord Steward. Lord Lieutenant of Ireland in 1745 and Secretary of State in 1755. A rare etching.
[Ref: 9547] £160.00 (£192.00 incl.VAT)
![[Philip, Earl of Chesterfield].](jpegs/31705.jpg)
[Philip, Earl of Chesterfield].
[n.d., c.1730].
Mezzotint. Proof before letters. Platemark: 337 x 240mm. (13¼ x 9½"). Large margins on 3 sides, cut at bottom.
Portrait of of Philip, Earl of Chesterfield (1634 - 1714), three-quarter length seated three-quarter to left, pointing with right hand to a paper on a table next to him, left hand on hip. To the left, a window with a view of a landscape with trees. Proof before letters. Philip Stanhope, 2nd Earl of Chesterfield was a peer in the peerage of England. He was the son of Henry Stanhope and Katherine Wotton. He inherited the title of Earl of Chesterfield on the death of his grandfather in 1656. Stanhope was educated by Poliander, Professor of Divinity at Leyden (1640) and at the Prince of Orange's College at Breda. He received a DCL in 1669 from Oxford University.
CS: 16. p.1682.
[Ref: 31705] £260.00 (£312.00 incl.VAT)
[n.d., c.1730].
Mezzotint. Proof before letters. Platemark: 337 x 240mm. (13¼ x 9½"). Large margins on 3 sides, cut at bottom.
Portrait of of Philip, Earl of Chesterfield (1634 - 1714), three-quarter length seated three-quarter to left, pointing with right hand to a paper on a table next to him, left hand on hip. To the left, a window with a view of a landscape with trees. Proof before letters. Philip Stanhope, 2nd Earl of Chesterfield was a peer in the peerage of England. He was the son of Henry Stanhope and Katherine Wotton. He inherited the title of Earl of Chesterfield on the death of his grandfather in 1656. Stanhope was educated by Poliander, Professor of Divinity at Leyden (1640) and at the Prince of Orange's College at Breda. He received a DCL in 1669 from Oxford University.
CS: 16. p.1682.
[Ref: 31705] £260.00 (£312.00 incl.VAT)
Gilbert Keith Chesterton. Supplement to the New Statesman, May 29, 1926 (16).
Low.
Photo-lithograph. Sheet size: 230 x 330mm (9 x 13").
A portrait of Gilbert Keith Chesterton, (1874- 1936) better known as G. K. Chesterton, English writer, theologian, poet, philosopher, dramatist, journalist, orator, literary and art critic. By New Zealand born artist, Sir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934.
[Ref: 37141] £75.00 (£90.00 incl.VAT)
Low.
Photo-lithograph. Sheet size: 230 x 330mm (9 x 13").
A portrait of Gilbert Keith Chesterton, (1874- 1936) better known as G. K. Chesterton, English writer, theologian, poet, philosopher, dramatist, journalist, orator, literary and art critic. By New Zealand born artist, Sir David Low (1891 - 1963). Unhappy with the political leadership of the British establishment David Low created his cartoon character, Colonel Blimp in 1934.
[Ref: 37141] £75.00 (£90.00 incl.VAT)