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A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Charles Aux Thuilleries le Ir. Decembre M.DCCLXXXIII. Jusqu'alors sans egal, Le Monarque des Aira y suivit son Rival.
Gravé par S.C. Miger Graveur du Roi.
A Paris chez Miger, la grande Maison neuve. Place de l'Estrapade.
A fine engraving. Plate 250 x 190mm. 9¾ x 7½". Some minor creasing in image. Full margins.
Jacques Alexandre César Charles, French physicist [1746 - 1823]. He confirmed Benjamin Franklin's electrical experiments, became interested in aeronautics, and was the first to use hydrogen gas in balloons. In this type of balloon, known as the Charlière, he made an ascent in 1783 of almost 2 miles.
[Ref: 19477] £350.00
Gravé par S.C. Miger Graveur du Roi.
A Paris chez Miger, la grande Maison neuve. Place de l'Estrapade.
A fine engraving. Plate 250 x 190mm. 9¾ x 7½". Some minor creasing in image. Full margins.
Jacques Alexandre César Charles, French physicist [1746 - 1823]. He confirmed Benjamin Franklin's electrical experiments, became interested in aeronautics, and was the first to use hydrogen gas in balloons. In this type of balloon, known as the Charlière, he made an ascent in 1783 of almost 2 miles.
[Ref: 19477] £350.00
M. Charles
[n.d., c. 1823.]
Copper engraving, 145 x 90mm. Trimmed close.
Jacques Alexander Cesar Charles (1746-1823) launched the first hydrogen balloon flight, which flew to an altitude of three kilometres in 1783. Charles himself subsequently took part in the first manned hydrogen balloon flight later that year.
[Ref: 8255] £45.00 (£54.00 incl.VAT)
[n.d., c. 1823.]
Copper engraving, 145 x 90mm. Trimmed close.
Jacques Alexander Cesar Charles (1746-1823) launched the first hydrogen balloon flight, which flew to an altitude of three kilometres in 1783. Charles himself subsequently took part in the first manned hydrogen balloon flight later that year.
[Ref: 8255] £45.00 (£54.00 incl.VAT)
![[Charles, Landgrave of Hesse-Kassel]](jpegs/42394.jpg)
[Charles, Landgrave of Hesse-Kassel] Carolus D.G. Landgravius Hassiae Princeps Hersfeldiae &c.
J. Gole fecit.
Nicolaus Visscher Ex cum Privil. Ordin. General Belaii Federati Ao 1696
Mezzotint, sheet 470 x 360mm (18½ x 14¼"). Trimmed to image; crease through centre not visible from front.
A large impressive portrait of Charles, Landgrave of Hesse-Kassel (1654-1730), who governed Hesse-Kassel during the Thirty Years' War and War of the Spanish Succession.
[Ref: 42394] £320.00
J. Gole fecit.
Nicolaus Visscher Ex cum Privil. Ordin. General Belaii Federati Ao 1696
Mezzotint, sheet 470 x 360mm (18½ x 14¼"). Trimmed to image; crease through centre not visible from front.
A large impressive portrait of Charles, Landgrave of Hesse-Kassel (1654-1730), who governed Hesse-Kassel during the Thirty Years' War and War of the Spanish Succession.
[Ref: 42394] £320.00
Charleston, South Carolina.
W.H. Brooke, F.S.A. T.A. Prior.
[n.d. c.1860.]
Engraving. Plate: 230 x 150mm, (9 x 6"). Small margins.
A view of Charleston, South Carolina, with various ships and paddle steamer seen in the harbour; St Michael's and St Philip's church spires can be seen behind. Engraved around the time of the American Civil War, in which the city played an important role.
[Ref: 39918] £75.00 (£90.00 incl.VAT)
W.H. Brooke, F.S.A. T.A. Prior.
[n.d. c.1860.]
Engraving. Plate: 230 x 150mm, (9 x 6"). Small margins.
A view of Charleston, South Carolina, with various ships and paddle steamer seen in the harbour; St Michael's and St Philip's church spires can be seen behind. Engraved around the time of the American Civil War, in which the city played an important role.
[Ref: 39918] £75.00 (£90.00 incl.VAT)
![[Walter Charleton.] Gualteri Charletoni, Med. Doct, & Coll. Med. Lond. Soch. Anno Christ. M.D.C.LXXVIII.](jpegs/67753.jpg)
[Walter Charleton.] Gualteri Charletoni, Med. Doct, & Coll. Med. Lond. Soch. Anno Christ. M.D.C.LXXVIII.
D.Loggan as Vivum delin et sculp.
1679.
Engraving. Sheet 185 x 135mm (7¼ x 5¼"). Trimmed and backed onto album paper at edges
Portrait of Walter Charleton (1619 - 1707), natural philosopher and English writer. Frontis to his work 'Inquiries into Human Nature', 1680.
W587-3
[Ref: 67753] £130.00 (£156.00 incl.VAT)
D.Loggan as Vivum delin et sculp.
1679.
Engraving. Sheet 185 x 135mm (7¼ x 5¼"). Trimmed and backed onto album paper at edges
Portrait of Walter Charleton (1619 - 1707), natural philosopher and English writer. Frontis to his work 'Inquiries into Human Nature', 1680.
W587-3
[Ref: 67753] £130.00 (£156.00 incl.VAT)
Peeling a Charley.
William Heath.
Pub Sep 29th 1829 by T. McLean 26 Haymarket - Sole Publisher of W Heaths etchings.
Fine hand-coloured etching. Sheet 240 x 355mm (9½ x 14"). Trimmed to printed border.
Robert Peel pulls the overcoat off a nightwatchman to throw onto a burning watch box, as the watchman begs for mercy. Another watchman hangs from a tree, still holding his lamp and rattle. An arm also holding a rattle sticks up out of a lake. A satire on the replacement of the district watch system with Peel's new police force, and the phasing out of the watch boxes which the watchmen often lived in. By William Heath (1794/5 - 1840), ex-Captain of Dragoons. From 1827-9 he used the pseudonym Paul Pry (from the name of a character in a comedy of 1825 by John Poole; however the monogram was soon copied by other caricaturists (eg Sharpshooter), so Heath reverted to using his own name.
BM Satires: 15862.
[Ref: 51588] £260.00 (£312.00 incl.VAT)
William Heath.
Pub Sep 29th 1829 by T. McLean 26 Haymarket - Sole Publisher of W Heaths etchings.
Fine hand-coloured etching. Sheet 240 x 355mm (9½ x 14"). Trimmed to printed border.
Robert Peel pulls the overcoat off a nightwatchman to throw onto a burning watch box, as the watchman begs for mercy. Another watchman hangs from a tree, still holding his lamp and rattle. An arm also holding a rattle sticks up out of a lake. A satire on the replacement of the district watch system with Peel's new police force, and the phasing out of the watch boxes which the watchmen often lived in. By William Heath (1794/5 - 1840), ex-Captain of Dragoons. From 1827-9 he used the pseudonym Paul Pry (from the name of a character in a comedy of 1825 by John Poole; however the monogram was soon copied by other caricaturists (eg Sharpshooter), so Heath reverted to using his own name.
BM Satires: 15862.
[Ref: 51588] £260.00 (£312.00 incl.VAT)
![[Her Most Gracious Majesty Queen Charlotte.]](jpegs/12140.jpg)
[Her Most Gracious Majesty Queen Charlotte.]
[Painted by H. Edridge 1814 . Engraved by S.W. Reynolds.]
[Published by the Engraver Bayswater 1819.]
Mezzotint with etching, proof before letters. 380 x 275mm (15 x 10¾").
Queen Charlotte (1744 - 1818), queen consort of George III, mother of George IV and grandmother of Queen Victoria. She sits in an ornate chair looking at the viewer, hands held together in lap, wearing a dark dress, shawl, frilled collar, cap and earring. After Henry Edridge (1768-1821).
Whitman 53. Collector's stamps of Alfred Morrison (1821 - 1897) and John Young to verso.
[Ref: 12140] £230.00 (£276.00 incl.VAT)
[Painted by H. Edridge 1814 . Engraved by S.W. Reynolds.]
[Published by the Engraver Bayswater 1819.]
Mezzotint with etching, proof before letters. 380 x 275mm (15 x 10¾").
Queen Charlotte (1744 - 1818), queen consort of George III, mother of George IV and grandmother of Queen Victoria. She sits in an ornate chair looking at the viewer, hands held together in lap, wearing a dark dress, shawl, frilled collar, cap and earring. After Henry Edridge (1768-1821).
Whitman 53. Collector's stamps of Alfred Morrison (1821 - 1897) and John Young to verso.
[Ref: 12140] £230.00 (£276.00 incl.VAT)
Charlotte Queen of Great Britain.
Sold in May's Building's Covent Garden [n.d., c.1765.]
Etching, 420 x 320mm. 16½ x 12½". Trimmed to plate; soiled. Small tear lower right.
A rare portrait of Charlotte Sophia of Mecklenburg-Strelitz (1744-1818), Queen consort of George III. She married to George in 1761 and bore him 15 children. This could be the work of George Bickham the Younger (c.1706 - 1771) who had premises in May's Buildings, Covent Garden from c.1745. He was the son of George Bickham the Elder and collaborated with his father, and their prints have not been properly identified; when there is any doubt, prints have been attributed to George Bickham the Younger. Probably issued originally as a companion to a plate of George III, this is one of several printed adaptations of the portrait of the Queen in profile attributed by Goodwin to Jeremiah Meyer (735 - 1789), enamel, and later minature, painter.
Not in BM. See Goodwin: 84.
[Ref: 9064] £330.00
Sold in May's Building's Covent Garden [n.d., c.1765.]
Etching, 420 x 320mm. 16½ x 12½". Trimmed to plate; soiled. Small tear lower right.
A rare portrait of Charlotte Sophia of Mecklenburg-Strelitz (1744-1818), Queen consort of George III. She married to George in 1761 and bore him 15 children. This could be the work of George Bickham the Younger (c.1706 - 1771) who had premises in May's Buildings, Covent Garden from c.1745. He was the son of George Bickham the Elder and collaborated with his father, and their prints have not been properly identified; when there is any doubt, prints have been attributed to George Bickham the Younger. Probably issued originally as a companion to a plate of George III, this is one of several printed adaptations of the portrait of the Queen in profile attributed by Goodwin to Jeremiah Meyer (735 - 1789), enamel, and later minature, painter.
Not in BM. See Goodwin: 84.
[Ref: 9064] £330.00
Her Most Excellent Majesty Charlotte, Queen of Great Britain, &c.&c. 324.
Printed for & Sold by Carington Bowles, No.69 in St. Pauls Church Yard, London. Published as the Act directs, 4 June 1783.
Mezzotint, with large margins. Plate 355 x 254mm. 14 x 10". Crease through upper image area.
Portrait, whole-length directed to right, looking ahead of her, right hand at her side, left hand on her crown which rests on a cushion next to crossed sceptres on a table to right, wearing coronation robes, with frills of lace at the elbows and neck, a rope of pearls around her waist, ermine lined cloak, which is spread over her throne behind her, hair dressed up with pearls. Crown decorated with fleurs-de-lis. Charlotte of Mecklenberg-Strelitz (1744-1818) was the Queen consort of the United Kingdom as the wife of King George III. She was also the electress consort of Hanover in the Holy Roman Empire until her husband was made King of Hanover.
[Ref: 24003] £250.00 (£300.00 incl.VAT)
Printed for & Sold by Carington Bowles, No.69 in St. Pauls Church Yard, London. Published as the Act directs, 4 June 1783.
Mezzotint, with large margins. Plate 355 x 254mm. 14 x 10". Crease through upper image area.
Portrait, whole-length directed to right, looking ahead of her, right hand at her side, left hand on her crown which rests on a cushion next to crossed sceptres on a table to right, wearing coronation robes, with frills of lace at the elbows and neck, a rope of pearls around her waist, ermine lined cloak, which is spread over her throne behind her, hair dressed up with pearls. Crown decorated with fleurs-de-lis. Charlotte of Mecklenberg-Strelitz (1744-1818) was the Queen consort of the United Kingdom as the wife of King George III. She was also the electress consort of Hanover in the Holy Roman Empire until her husband was made King of Hanover.
[Ref: 24003] £250.00 (£300.00 incl.VAT)
Her Most Excellent Majesty Charlotte, Queen of Great Britain, &c. 2.
Printed for & Sold by Carington Bowles, at his Map & Printseller, N.o 69 in S.t Pauls Church Yard, London. Published as the Act directs, 3 Aug, 1775
Very fine mezzotint, 355 x 255mm (14 x 10"), with large margins. Repaired tear on right margin.
Portrait, whole-length directed to right, looking ahead of her, right hand at her side, left hand on her crown which rests on a cushion next to crossed sceptres on a table to right, wearing coronation robes, with frills of lace at the elbows and neck, a rope of pearls around her waist, ermine lined cloak, which is spread over her throne behind her, hair dressed up with pearls. Crown decorated with fleurs-de-lis. Charlotte of Mecklenberg-Strelitz (1744-1818) was the Queen consort of the United Kingdom as the wife of King George III. She was also the electress consort of Hanover in the Holy Roman Empire until her husband was made King of Hanover.
See also [Ref: 24003].
[Ref: 66884] £280.00 (£336.00 incl.VAT)
Printed for & Sold by Carington Bowles, at his Map & Printseller, N.o 69 in S.t Pauls Church Yard, London. Published as the Act directs, 3 Aug, 1775
Very fine mezzotint, 355 x 255mm (14 x 10"), with large margins. Repaired tear on right margin.
Portrait, whole-length directed to right, looking ahead of her, right hand at her side, left hand on her crown which rests on a cushion next to crossed sceptres on a table to right, wearing coronation robes, with frills of lace at the elbows and neck, a rope of pearls around her waist, ermine lined cloak, which is spread over her throne behind her, hair dressed up with pearls. Crown decorated with fleurs-de-lis. Charlotte of Mecklenberg-Strelitz (1744-1818) was the Queen consort of the United Kingdom as the wife of King George III. She was also the electress consort of Hanover in the Holy Roman Empire until her husband was made King of Hanover.
See also [Ref: 24003].
[Ref: 66884] £280.00 (£336.00 incl.VAT)
Charlotte Queen of Great Britain.
Done & Publish'd as the Act directs, Nov.r 25.th 1761, by J.s McArdell.
Mezzotint. 505 x 360mm (19¾ x 14¼"). Trimmed to plate, some staining backed with paper. Bit messy.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III, after Jeremiah Meyer.
CS 41, ii of iii. Goodwin 84, iii of iv. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68372] £280.00 (£336.00 incl.VAT)
Done & Publish'd as the Act directs, Nov.r 25.th 1761, by J.s McArdell.
Mezzotint. 505 x 360mm (19¾ x 14¼"). Trimmed to plate, some staining backed with paper. Bit messy.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III, after Jeremiah Meyer.
CS 41, ii of iii. Goodwin 84, iii of iv. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68372] £280.00 (£336.00 incl.VAT)
Her Most Gracious Majesty Queen Charlotte. Dedicated by Permission To his Royal Highness Prince George of Wales Regent, of the United Kingdom of Great Britain & Ireland, by His Royal Highnesses devoted Servant, S.W. Reynolds. Proof.
Painted by H. Edridge 1814. Engraved by S.W. Reynolds.
Published by the Engraver Bayswater 1819.
Proof mezzotint with etching. 380 x 275mm (15 x 10¾"). A strong, well inked impression, with surface texture. Some staining in borders.
Queen Charlotte (1744 - 1818), queen consort of George III, mother of George IV and grandmother of Queen Victoria. She sits in an ornate chair looking at the viewer, hands held together in lap, wearing a dark dress, shawl, frilled collar, cap and earring. After Henry Edridge (1768-1821).
Whitman 53. See Ref: 12140
[Ref: 61633] £230.00 (£276.00 incl.VAT)
Painted by H. Edridge 1814. Engraved by S.W. Reynolds.
Published by the Engraver Bayswater 1819.
Proof mezzotint with etching. 380 x 275mm (15 x 10¾"). A strong, well inked impression, with surface texture. Some staining in borders.
Queen Charlotte (1744 - 1818), queen consort of George III, mother of George IV and grandmother of Queen Victoria. She sits in an ornate chair looking at the viewer, hands held together in lap, wearing a dark dress, shawl, frilled collar, cap and earring. After Henry Edridge (1768-1821).
Whitman 53. See Ref: 12140
[Ref: 61633] £230.00 (£276.00 incl.VAT)
Charlotte, Queen of Great Britain. Born May 19 1744.
L.C.D.S.A.L.
[n.d., c.1818.]
Lithograph with large margins, very rare & early lithograph; printed area 320 x 245mm (12½ x 9½").
A memento mori of Queen Charlotte of Mecklenburg-Strelitz (1744-1818), the Queen consort of King George III. Although her death is not mentioned on this amateur lithograph, the iconography clearly indicates it was published after her death. After the portrait by William Beechey.
[Ref: 35242] £220.00 (£264.00 incl.VAT)
L.C.D.S.A.L.
[n.d., c.1818.]
Lithograph with large margins, very rare & early lithograph; printed area 320 x 245mm (12½ x 9½").
A memento mori of Queen Charlotte of Mecklenburg-Strelitz (1744-1818), the Queen consort of King George III. Although her death is not mentioned on this amateur lithograph, the iconography clearly indicates it was published after her death. After the portrait by William Beechey.
[Ref: 35242] £220.00 (£264.00 incl.VAT)
Her Most Gracious Majesty Queen Charlotte.
S.r W.m Beechey del. M.A. Bourlier, Scu.
London, Published by E. Harding 19 May 1806.
Stipple. 280 x 218mm (11 x 8½"). Slight foxing.
Queen Charlotte of Mecklenburg-Strelitz (1744-1818), Queen consort of King George III. Published be Edward Harding (1755-1840), who was an engraver, publisher and librarian to Queen Charlotte from 1803 to 1818.
[Ref: 22654] £75.00 (£90.00 incl.VAT)
S.r W.m Beechey del. M.A. Bourlier, Scu.
London, Published by E. Harding 19 May 1806.
Stipple. 280 x 218mm (11 x 8½"). Slight foxing.
Queen Charlotte of Mecklenburg-Strelitz (1744-1818), Queen consort of King George III. Published be Edward Harding (1755-1840), who was an engraver, publisher and librarian to Queen Charlotte from 1803 to 1818.
[Ref: 22654] £75.00 (£90.00 incl.VAT)
Charlotte.
Hancock sc.t.
Publish'd April 9th 96 by J. Hancock Congreve St. Birm.m.
Stipple. Plate: 160 x 110mm (6¼ x 4¼''). Trimmed to plate.
A portrait of a young woman with a muff. Thomas Hancock was an engraver and printseller of Congreve Street, Birmingham.
[Ref: 48079] £130.00 (£156.00 incl.VAT)
Hancock sc.t.
Publish'd April 9th 96 by J. Hancock Congreve St. Birm.m.
Stipple. Plate: 160 x 110mm (6¼ x 4¼''). Trimmed to plate.
A portrait of a young woman with a muff. Thomas Hancock was an engraver and printseller of Congreve Street, Birmingham.
[Ref: 48079] £130.00 (£156.00 incl.VAT)
Charlotte Queen of Great Britain.
J. M:cArdell del:t & fec:t.
Publish'd as the Act directs, & Sold by J. M.cArdell in Covent Garden, J. Bowles & Son, at the Black Horse in Cornhill, & R. Sayer in Fleet Street, Feb, 10th. 1762.
Fine mezzotint, 18th century watermark; 505 x 360mm (19¾ x 14¼"). Trimmed into plate at bottom. Small margins on 3 sides.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III. after Jeremiah Meyer.
CS 41, iii of iii. Goodwin 84, iv of iv.
[Ref: 68317] £450.00
J. M:cArdell del:t & fec:t.
Publish'd as the Act directs, & Sold by J. M.cArdell in Covent Garden, J. Bowles & Son, at the Black Horse in Cornhill, & R. Sayer in Fleet Street, Feb, 10th. 1762.
Fine mezzotint, 18th century watermark; 505 x 360mm (19¾ x 14¼"). Trimmed into plate at bottom. Small margins on 3 sides.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III. after Jeremiah Meyer.
CS 41, iii of iii. Goodwin 84, iv of iv.
[Ref: 68317] £450.00
![[Queen Charlotte] A New Mode, of Presenting Two Addresses at once.](jpegs/63576.jpg)
[Queen Charlotte] A New Mode, of Presenting Two Addresses at once. When Scenes of Affliction, of Sorrow and Pain, Affect our dear Relatives, Neighbours, or Friends [...]
[by Charles Williams.]
Pub.d Feb.y 1818 by S.W. Fores No 50 Piccadilly.
Etching with hand-colour. 250 x 350mm (9¾ x 13¾"). Mounted in album paper at edges.
Satire on Queen Charlotte's response to the death of Princess Charlotte Augusta of Wales in 1817. Queen Charlotte (right) was in Bath at the time and received the address of the Bath Corporation (to which she attends here with avid attention) at almost the same time as news of Princess Charlotte's death. A messenger (centre) delivers both pieces of news, Queen Charlotte taking the former and Princess Charlotte's husband Leopold I of Belgium responding to the latter.
BM Satires 12984.
[Ref: 63576] £280.00 (£336.00 incl.VAT)
[by Charles Williams.]
Pub.d Feb.y 1818 by S.W. Fores No 50 Piccadilly.
Etching with hand-colour. 250 x 350mm (9¾ x 13¾"). Mounted in album paper at edges.
Satire on Queen Charlotte's response to the death of Princess Charlotte Augusta of Wales in 1817. Queen Charlotte (right) was in Bath at the time and received the address of the Bath Corporation (to which she attends here with avid attention) at almost the same time as news of Princess Charlotte's death. A messenger (centre) delivers both pieces of news, Queen Charlotte taking the former and Princess Charlotte's husband Leopold I of Belgium responding to the latter.
BM Satires 12984.
[Ref: 63576] £280.00 (£336.00 incl.VAT)
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To their Graces the Duke and Dutchess of Ancaster This Representation of the Embarkation Of her Majesty Queen Charlotte at Stade; With a View of the Royal Yatchs, &c. &c. is humbly Inscribed By their Graces' Most Devoted & Obliged Servant. Thomas Allen. [&] ... This View of Harwich, and the Yatchs going out, With Lord Anson returning the Salute from Landguard Fort is most humbly Inscribed ...
T. Allen pinx. P.C. Canot sculp.
Printed for Jn.o Bowles at the Black Horse in Cornhill; & Carington Bowles, next the Chapter House in St Paul's Church Yard [n.d., c.1765).
A pair of very scarce engravings. Each c. 425 x 605mm (!6¾ x 23¾"), with large margins Repaired tear in margin of first plate.
A pair of maritime scenes depicting the passage to England of Charlotte of Mecklenburg-Strelitz for her marriage to George III in 1761. The first shows her departure from Stade in Lower Saxony on 28 August 1761, the second her arrival at Harwich on the 6th September, after a 10-day voyage hampered by three severe storms.
[Ref: 55681] £1,600.00 view all images for this item
T. Allen pinx. P.C. Canot sculp.
Printed for Jn.o Bowles at the Black Horse in Cornhill; & Carington Bowles, next the Chapter House in St Paul's Church Yard [n.d., c.1765).
A pair of very scarce engravings. Each c. 425 x 605mm (!6¾ x 23¾"), with large margins Repaired tear in margin of first plate.
A pair of maritime scenes depicting the passage to England of Charlotte of Mecklenburg-Strelitz for her marriage to George III in 1761. The first shows her departure from Stade in Lower Saxony on 28 August 1761, the second her arrival at Harwich on the 6th September, after a 10-day voyage hampered by three severe storms.
[Ref: 55681] £1,600.00 view all images for this item
Charlotte Queen of Great Britain.
Done & Publish'd as the Act directs, Nov.r 25.th 1761 by J.s M.cArdell.
Mezzotint, 505 x 360mm (19¾ x 14¼"), uncut with large margins. On 18th century watermarked paper. Slight mount burn, tear in right margin taped.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III, after Jeremiah Meyer.
CS 41, ii of iii. Goodwin 84, ii of iv. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68462] £590.00
Done & Publish'd as the Act directs, Nov.r 25.th 1761 by J.s M.cArdell.
Mezzotint, 505 x 360mm (19¾ x 14¼"), uncut with large margins. On 18th century watermarked paper. Slight mount burn, tear in right margin taped.
A profile portrait of Queen Charlotte, published as a pair to one of her husband, George III, after Jeremiah Meyer.
CS 41, ii of iii. Goodwin 84, ii of iv. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68462] £590.00
Ode by Henry James Pye Esq. P. L. Performed at St. James's, January 18 1806 on the Anniversary of Her Majesty's Birth Day. [&] Lines, by H. Tresham, Esq. R.A. Which Were Embellished with an Elegant Portrait and Given in St. Paul's Cathedral at the Time of the Interment.
Swaine sc.
Pub.d. Jan.y. 18 1806. by Edw.d Orme 59 Bond Street. Nichols, Printer, Earl's Court, Newport-street Soho.
2 letterpress sheets. Plate: 270 x 450mm (10½ x 17¾"). Central crease as issued, slight staining.
Two poems published in 1806. The first is a poem by James Pye (1745-1813), published to celebrate the birthday of Queen Charlotte in 1806. James Pye, who had served as M.P. for Berkshire between 1784 and 1790, had supported Pitt the Younger and has been said that it was through this alliance that Pye was elected Poet Laureate in 1790, a post he held until his death in 1813. Each year on both the King and Queen's birthday Pye would publish a strongly patriotic ode in celebration. Surrounding the text, flags of various nations are illustrated including America with 13 stars. The second poem was written to commemorate the funeral of Lord Nelson in St Pauls. A plate from 'Orme's Graphic History of the Life, Exploits, and Death of Horation Nelson', published only three days after the funeral.
[Ref: 50899] £280.00 (£336.00 incl.VAT)
Swaine sc.
Pub.d. Jan.y. 18 1806. by Edw.d Orme 59 Bond Street. Nichols, Printer, Earl's Court, Newport-street Soho.
2 letterpress sheets. Plate: 270 x 450mm (10½ x 17¾"). Central crease as issued, slight staining.
Two poems published in 1806. The first is a poem by James Pye (1745-1813), published to celebrate the birthday of Queen Charlotte in 1806. James Pye, who had served as M.P. for Berkshire between 1784 and 1790, had supported Pitt the Younger and has been said that it was through this alliance that Pye was elected Poet Laureate in 1790, a post he held until his death in 1813. Each year on both the King and Queen's birthday Pye would publish a strongly patriotic ode in celebration. Surrounding the text, flags of various nations are illustrated including America with 13 stars. The second poem was written to commemorate the funeral of Lord Nelson in St Pauls. A plate from 'Orme's Graphic History of the Life, Exploits, and Death of Horation Nelson', published only three days after the funeral.
[Ref: 50899] £280.00 (£336.00 incl.VAT)
Charlotte Queen of Great Britain
London Published Jan.y 18 1783 by J. Birchall No. 473 Strand.
Stipple. 125 x 180mm (5 x 7"). Trimmed into plate at sides.
Oval portrait of the young Charlotte of Mecklenburg-Strelitz (1744-1818), wife of George III.
[Ref: 58664] £95.00 (£114.00 incl.VAT)
London Published Jan.y 18 1783 by J. Birchall No. 473 Strand.
Stipple. 125 x 180mm (5 x 7"). Trimmed into plate at sides.
Oval portrait of the young Charlotte of Mecklenburg-Strelitz (1744-1818), wife of George III.
[Ref: 58664] £95.00 (£114.00 incl.VAT)
Her Most Excellent Majesty, Charlotte Queen of Great Britain &c &c.
Painted by J. Russell R.A. Crayon Painter to His Majesty, & H.R.H. the Prince of Wales. Engraved by Joseph Collyer, A.
Published as the Act directs, 4 June 1791, & Sold by W. Faden, Charling Cross, M. Ryland, Bond Street, & J. Collyer, Dorrington Street, Cold Bath Field.
Stipple with etching and engraving. 330 x 250mm (13 x 9¾"), with large margins.
Charlotte of Mecklenburg-Strelitz (1744-1818), the Queen Consort of the United Kingdom as wife of King George III.
[Ref: 56396] £260.00 (£312.00 incl.VAT)
Painted by J. Russell R.A. Crayon Painter to His Majesty, & H.R.H. the Prince of Wales. Engraved by Joseph Collyer, A.
Published as the Act directs, 4 June 1791, & Sold by W. Faden, Charling Cross, M. Ryland, Bond Street, & J. Collyer, Dorrington Street, Cold Bath Field.
Stipple with etching and engraving. 330 x 250mm (13 x 9¾"), with large margins.
Charlotte of Mecklenburg-Strelitz (1744-1818), the Queen Consort of the United Kingdom as wife of King George III.
[Ref: 56396] £260.00 (£312.00 incl.VAT)
![[Princess Charlotte Augusta of Wales.]](jpegs/31888.jpg)
[Princess Charlotte Augusta of Wales.]
[n.d., c.1815.]
Stipple with small margins, proof before all letters. 210 x 135mm (8¼ x 5¼").
Female portrait claimed by manuscript notes from the previous owner to depict Princess Charlotte Augusta of Wales (1796-1817), daughter of George IV and Caroline. Married to Prince Leopold of Saxe-Coburg in 1816, she died in childbirth the following year. She is dressed in warm outdoor wear.
[Ref: 31888] £130.00 (£156.00 incl.VAT)
[n.d., c.1815.]
Stipple with small margins, proof before all letters. 210 x 135mm (8¼ x 5¼").
Female portrait claimed by manuscript notes from the previous owner to depict Princess Charlotte Augusta of Wales (1796-1817), daughter of George IV and Caroline. Married to Prince Leopold of Saxe-Coburg in 1816, she died in childbirth the following year. She is dressed in warm outdoor wear.
[Ref: 31888] £130.00 (£156.00 incl.VAT)
![[Their Royal Highnesses the Princess of Wales and the Princess Charlotte.]](jpegs/67108.jpg)
[Their Royal Highnesses the Princess of Wales and the Princess Charlotte.]
Maria Cosway pinx.t. S.W.Reynolds sculp.t.
[n.d., c.1800.]
Very rare, fine and printed in colour mezzotint. Sheet 585 x 475mm (23 x 18¾"), large margins on 3 sides. Trimmed into lower plate.
Portrait of Caroline of Brunswick (1768 - 1821), and Princess Charlotte of Wales (1796 - 1817). Fine & decorative view of London in background. Caroline of Brunswick-Wolfenbüttel, Queen of the United Kingdom of Great Britain and Ireland and Queen of Hanover from 29 January 1820 until her death in 1821 as the estranged wife of King George IV. Princess Charlotte of Wales, was the only child of George, Prince of Wales (later George IV), and Caroline of Brunswick. She was expected to ascend the British throne after the deaths of her grandfather, George III, and her father, but died in childbirth at the age of 21, predeceasing them both.
Whitman 49.
[Ref: 67108] £580.00
Maria Cosway pinx.t. S.W.Reynolds sculp.t.
[n.d., c.1800.]
Very rare, fine and printed in colour mezzotint. Sheet 585 x 475mm (23 x 18¾"), large margins on 3 sides. Trimmed into lower plate.
Portrait of Caroline of Brunswick (1768 - 1821), and Princess Charlotte of Wales (1796 - 1817). Fine & decorative view of London in background. Caroline of Brunswick-Wolfenbüttel, Queen of the United Kingdom of Great Britain and Ireland and Queen of Hanover from 29 January 1820 until her death in 1821 as the estranged wife of King George IV. Princess Charlotte of Wales, was the only child of George, Prince of Wales (later George IV), and Caroline of Brunswick. She was expected to ascend the British throne after the deaths of her grandfather, George III, and her father, but died in childbirth at the age of 21, predeceasing them both.
Whitman 49.
[Ref: 67108] £580.00
Apotheosis of Her Royal Highness The Princess Charlotte Augusta of Wales. To Perpetuate the Memory of this Amiable Princess, so justly beloved and regretted By the British Nation, This tribute of Respect is most humbly Dedicated to her afflicted Consort His Royal Highness Prince Leopold of Saxe Coburg, by Lieut.t R.P. Read. Proof.
Lieut.t Read Inv.t E. Burney Del.t Fry & Wright Sculp.
London Published June, 4.th 1818, for the Proprietor by J. Rippin, No.21. Theobalds Road.
Stipple. 470 x 325mm (18½ x 12¾"). Trimmed to plate.
A tribute to Princess Charlotte of Wales (1796-1817) who tragically died following childbirth aged 21. The Princess raised to heaven, people around the tomb weepeing, including Britannia to the left; Windsor Castle seen to left background, where a monument was erected at her tomb in St George's Chapel.
NPG: D33524.
[Ref: 53629] £260.00 (£312.00 incl.VAT)
Lieut.t Read Inv.t E. Burney Del.t Fry & Wright Sculp.
London Published June, 4.th 1818, for the Proprietor by J. Rippin, No.21. Theobalds Road.
Stipple. 470 x 325mm (18½ x 12¾"). Trimmed to plate.
A tribute to Princess Charlotte of Wales (1796-1817) who tragically died following childbirth aged 21. The Princess raised to heaven, people around the tomb weepeing, including Britannia to the left; Windsor Castle seen to left background, where a monument was erected at her tomb in St George's Chapel.
NPG: D33524.
[Ref: 53629] £260.00 (£312.00 incl.VAT)
![[Princess Charlotte.]](jpegs/26156.jpg)
[Princess Charlotte.] She was a nation's hope_a nation's pride; With her that pride has fled_those hopes have died!
Corbould delint. Kinnersley sculpt.
[n.d. c.1817.]
Stipple on india, with large margins. Plate 178 x 114mm. 7 x 4½". Some foxing.
Corbould's engraving features a disconsolate Britannia weeping over Charlotte's tomb and funerary urn, surrounded by suggestive iconographic details that include her shield and helmet and a lily, while above her hovers a rose-garlanded bust-portrait of Charlotte, surmounted with a halo-like ring of stars from which light radiates downwards. Princess Charlotte of Wales (1796-1817), the only child of George IV and Caroline Brunswick, who tragically died following childbirth aged only 21.
[Ref: 26156] £110.00 (£132.00 incl.VAT)
Corbould delint. Kinnersley sculpt.
[n.d. c.1817.]
Stipple on india, with large margins. Plate 178 x 114mm. 7 x 4½". Some foxing.
Corbould's engraving features a disconsolate Britannia weeping over Charlotte's tomb and funerary urn, surrounded by suggestive iconographic details that include her shield and helmet and a lily, while above her hovers a rose-garlanded bust-portrait of Charlotte, surmounted with a halo-like ring of stars from which light radiates downwards. Princess Charlotte of Wales (1796-1817), the only child of George IV and Caroline Brunswick, who tragically died following childbirth aged only 21.
[Ref: 26156] £110.00 (£132.00 incl.VAT)
Her Royal Highness Charlotte, Augusta, Matilda Princess Royal.
F. Hamilton Pinxit: A. Albanesi Sculpxit.
London Published Septem:e 5.1785 by A. Albanesi and Sold by J: Cary No.188: Strand.
Very rare stipple. 172 x 132mm. 6¾ x 5¼". Trimmed and glued to album sheet.
The Princess Charlotte, Princess Royal (1766-1828) who was the eldest daughter of George III. She was later Queen Consort of Frederick of Wurttemberg.
[Ref: 26946] £110.00 (£132.00 incl.VAT)
F. Hamilton Pinxit: A. Albanesi Sculpxit.
London Published Septem:e 5.1785 by A. Albanesi and Sold by J: Cary No.188: Strand.
Very rare stipple. 172 x 132mm. 6¾ x 5¼". Trimmed and glued to album sheet.
The Princess Charlotte, Princess Royal (1766-1828) who was the eldest daughter of George III. She was later Queen Consort of Frederick of Wurttemberg.
[Ref: 26946] £110.00 (£132.00 incl.VAT)
Her Royal Highness The Princess Charlotte of Wales. Dedicated by Permission To his Royal Highness George Prince of Wales, Regent, of the United Kingdom of Great Britain and Ireland; by His Royal Highness's, most devoted Servant, Charlotte Jones.
Charlotte Jones pinx.t I.S. Agar sculp.t
London Published March 21st. 1814, (for the Proprietor,) by Colnaghi & Co, 23 Cockspur Street Charing Cross.
Fine stipple. 470 x 375mm (18½ x 14¾"). Trimmed to plate.
Princess Charlotte Augusta of Wales (1796-1817) was the only child of George, Prince of Wales, later King George IV, and Caroline of Brunswick. She married Prince Leopold of Saxe-Coburg in 1816, and enjoyed only a few months of happiness before she died in childbirth the following year.
NPG: D8141.
[Ref: 24791] £160.00 (£192.00 incl.VAT)
Charlotte Jones pinx.t I.S. Agar sculp.t
London Published March 21st. 1814, (for the Proprietor,) by Colnaghi & Co, 23 Cockspur Street Charing Cross.
Fine stipple. 470 x 375mm (18½ x 14¾"). Trimmed to plate.
Princess Charlotte Augusta of Wales (1796-1817) was the only child of George, Prince of Wales, later King George IV, and Caroline of Brunswick. She married Prince Leopold of Saxe-Coburg in 1816, and enjoyed only a few months of happiness before she died in childbirth the following year.
NPG: D8141.
[Ref: 24791] £160.00 (£192.00 incl.VAT)
![[Charlotte, Princess Royal] Her Royal Highness the Duchess of Wirtemberg.](jpegs/22659.jpg)
[Charlotte, Princess Royal] Her Royal Highness the Duchess of Wirtemberg.
S.r W.m. Beechey del. Cheeseman Scu.
London Published by E. Harding 19 May 1806.
Stipple. Plate 279 x 217mm. 11 x 8½".
The daughter of George III, half-length wearing a a large oval miniature case (which almost certainly contained a portrait of the Prince of Würtemberg, whom she married in 1797). Charlotte, Princess Royal (later Queen of Würtemberg) (1766-1828).
[Ref: 22659] £60.00 (£72.00 incl.VAT)
S.r W.m. Beechey del. Cheeseman Scu.
London Published by E. Harding 19 May 1806.
Stipple. Plate 279 x 217mm. 11 x 8½".
The daughter of George III, half-length wearing a a large oval miniature case (which almost certainly contained a portrait of the Prince of Würtemberg, whom she married in 1797). Charlotte, Princess Royal (later Queen of Würtemberg) (1766-1828).
[Ref: 22659] £60.00 (£72.00 incl.VAT)
![La Charmante Catin. [The Charming Doll.]](jpegs/22946.jpg)
La Charmante Catin. [The Charming Doll.]
[Anon.]
[Paris, n.d., c.1775.]
Etching printed in red, laid paper, very scarce, 170 x 120mm. 6¾ x 4¾".
Four lines of verse below title; numbered '29' upper right. After Edme Bouchardon (1698-1762) famous series "Etudes dans le bas peuple prises ou les cris de Paris" Bouchardon executed drawings of Paris street merchants, Cris de Paris, that were widely distributed as engravings; some figures were reproduced in porcelain by the Meissen porcelain manufactory.
[Ref: 22946] £160.00 (£192.00 incl.VAT)
[Anon.]
[Paris, n.d., c.1775.]
Etching printed in red, laid paper, very scarce, 170 x 120mm. 6¾ x 4¾".
Four lines of verse below title; numbered '29' upper right. After Edme Bouchardon (1698-1762) famous series "Etudes dans le bas peuple prises ou les cris de Paris" Bouchardon executed drawings of Paris street merchants, Cris de Paris, that were widely distributed as engravings; some figures were reproduced in porcelain by the Meissen porcelain manufactory.
[Ref: 22946] £160.00 (£192.00 incl.VAT)
My Charming Boy! 431
Dighton del.
London printed for Bowles & Carver, No. 69 St Paul's Church Yard. Published 5 March 1795.
Mezzotint. 150 x 110mm (6 x 4¼"), with large margins. Small stain in title area.
A woman shown three-quarters length to right, smiling towards the viewer and holding a little boy in skirts, while he plays with her hair; in an oval.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32845] £120.00 (£144.00 incl.VAT)
Dighton del.
London printed for Bowles & Carver, No. 69 St Paul's Church Yard. Published 5 March 1795.
Mezzotint. 150 x 110mm (6 x 4¼"), with large margins. Small stain in title area.
A woman shown three-quarters length to right, smiling towards the viewer and holding a little boy in skirts, while he plays with her hair; in an oval.
Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32845] £120.00 (£144.00 incl.VAT)
My Charming Boy! 431
Dighton del.
London printed for Bowles & Carver, No. 69 St Paul's Church Yard.
Hand coloured mezzotint with very large margins Platemark: 150 x 110mm (6 x4¼"). Small puncture mark in top margin outside platemark. Light creasing to sheet. Small tear to lower left platemark.
A woman shown three-quarters length to right, smiling towards the viewer and holding a little boy in skirts, while he plays with her hair; in an oval.
CLB i/iii. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32844] £120.00 (£144.00 incl.VAT)
Dighton del.
London printed for Bowles & Carver, No. 69 St Paul's Church Yard.
Hand coloured mezzotint with very large margins Platemark: 150 x 110mm (6 x4¼"). Small puncture mark in top margin outside platemark. Light creasing to sheet. Small tear to lower left platemark.
A woman shown three-quarters length to right, smiling towards the viewer and holding a little boy in skirts, while he plays with her hair; in an oval.
CLB i/iii. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 32844] £120.00 (£144.00 incl.VAT)
Charmante brune au regarde tendre, Je devine votre secret Et vois le sort que doit attendre Un amant fidele et discret.
Van loo pinx. Fabre sc.
A Paris, chés Fabre, rue du Petit Pont, à la Tête Noire. [n.d. c.1790.]
A fine engraving. Plate 210 x 155mm. 8¼ x 6". Crease upper left-hand margin corner. Uncut.
A young girl looking back at the viewer holding a secret correspondence.
[Ref: 19749] £130.00 (£156.00 incl.VAT)
Van loo pinx. Fabre sc.
A Paris, chés Fabre, rue du Petit Pont, à la Tête Noire. [n.d. c.1790.]
A fine engraving. Plate 210 x 155mm. 8¼ x 6". Crease upper left-hand margin corner. Uncut.
A young girl looking back at the viewer holding a secret correspondence.
[Ref: 19749] £130.00 (£156.00 incl.VAT)
A Little pritty, witty, Charming She.
E. Martin inv. J.F. Martin sculp.t.
Publish'd as the Act directs 1778 No.8 Leicester Street Leicst Fields.
Stipple, printed in sanguine. Plate: 225 x 165mm (9 x 6½'') large margins. Publication line and inscriptions are faint. Creasing.
A portrait of a young woman sitting on a chair near a pianoforte while a puppy paws at her.
[Ref: 48754] £140.00 (£168.00 incl.VAT)
E. Martin inv. J.F. Martin sculp.t.
Publish'd as the Act directs 1778 No.8 Leicester Street Leicst Fields.
Stipple, printed in sanguine. Plate: 225 x 165mm (9 x 6½'') large margins. Publication line and inscriptions are faint. Creasing.
A portrait of a young woman sitting on a chair near a pianoforte while a puppy paws at her.
[Ref: 48754] £140.00 (£168.00 incl.VAT)
The Charms of Déshabille, or New Tunbridge Wells at Islington. The Words by Mr Lockman, Written in 1733. To ye Tune of ye Black Joke.
G. Bickham jun.r Sculp.t.
[London, 1738.]
Engraved music sheet. 325 x 200mm (12¾ x 8"), with very large margins.
A music and lyrics to a song, illustrated by a scene at Islington Spa. From Bickham's 'Musical Entertainer'.
[Ref: 53384] £140.00 (£168.00 incl.VAT)
G. Bickham jun.r Sculp.t.
[London, 1738.]
Engraved music sheet. 325 x 200mm (12¾ x 8"), with very large margins.
A music and lyrics to a song, illustrated by a scene at Islington Spa. From Bickham's 'Musical Entertainer'.
[Ref: 53384] £140.00 (£168.00 incl.VAT)
The Effigies Of the late Learned Divine Stephen Charnock. B.D.
R. White Sculp.
Sold by Tho. Cockerill att the 3 Leggs in ye Poultry. [n.d. c.1690.]
Engraving. Plate 292 x 184mm. 11½ x 7¼". Trimmed.
Portrait of Stephen Charnock, bust in an ornamental oval frame on a pedestal, long hair, wearing bands and gown; frontispiece to his 'Discourses' (1684). Stephen Charnock (1628-1680) was a Puritan divine, and English Puritan Presbytarian clergyman and theologian. In 1656 he left Southwark, where he served as a minister of the faith, converting individuals to Christianity, to Ireland, where he became a chaplain to Henry Cromwell. At the Restoration of Charles II in 1660, Charnock was legally prevented from practicing public ministry. He retuned to England where hs continued to study and minister in non-public ways.
Ex Collection: R. Hobson of Hove.
[Ref: 25393] £60.00 (£72.00 incl.VAT)
R. White Sculp.
Sold by Tho. Cockerill att the 3 Leggs in ye Poultry. [n.d. c.1690.]
Engraving. Plate 292 x 184mm. 11½ x 7¼". Trimmed.
Portrait of Stephen Charnock, bust in an ornamental oval frame on a pedestal, long hair, wearing bands and gown; frontispiece to his 'Discourses' (1684). Stephen Charnock (1628-1680) was a Puritan divine, and English Puritan Presbytarian clergyman and theologian. In 1656 he left Southwark, where he served as a minister of the faith, converting individuals to Christianity, to Ireland, where he became a chaplain to Henry Cromwell. At the Restoration of Charles II in 1660, Charnock was legally prevented from practicing public ministry. He retuned to England where hs continued to study and minister in non-public ways.
Ex Collection: R. Hobson of Hove.
[Ref: 25393] £60.00 (£72.00 incl.VAT)
Le Charriot. Le Bon Génie, Journal des Enfans, 3e année. No.4. Lith. No.1.
Marlet. Lith. de Marlet.
[n.d. c.1830.]
Lithograph, rare. 165 x 210mm (6½ x 8¼"). Creasing, cut.
Parents pull along a small cradle on wheels; a boy pushes from behind. In the cradle sits a small baby girl holding a whip, and perched on the front is a lion dog barking. One of a series published in a children's magazine.
[Ref: 29682] £60.00 (£72.00 incl.VAT)
Marlet. Lith. de Marlet.
[n.d. c.1830.]
Lithograph, rare. 165 x 210mm (6½ x 8¼"). Creasing, cut.
Parents pull along a small cradle on wheels; a boy pushes from behind. In the cradle sits a small baby girl holding a whip, and perched on the front is a lion dog barking. One of a series published in a children's magazine.
[Ref: 29682] £60.00 (£72.00 incl.VAT)
Charron, ne en 1541, mort en 1603.
JCF[rançois] C.P.R.
[Paris: Brunet, c.1760.]
Crayon manner printed in reddish-brown ink, printed area 270 x 185mm. 10½ x 7¼".
Portrait of Pierre Charron (1541 – 1603) was a French 16th-century Catholic theologian and philosopher. By Jean Charles François (1717 - 1769), inventor the crayon manner technique of etching in 1757. For Alexandre Savérien's 'Histoire des Philosophes modernes', published in eight 4to volumes from 1760-1767. 79 plates (and eight frontispieces) were engraved for the book.
[Ref: 22203] £180.00 (£216.00 incl.VAT)
JCF[rançois] C.P.R.
[Paris: Brunet, c.1760.]
Crayon manner printed in reddish-brown ink, printed area 270 x 185mm. 10½ x 7¼".
Portrait of Pierre Charron (1541 – 1603) was a French 16th-century Catholic theologian and philosopher. By Jean Charles François (1717 - 1769), inventor the crayon manner technique of etching in 1757. For Alexandre Savérien's 'Histoire des Philosophes modernes', published in eight 4to volumes from 1760-1767. 79 plates (and eight frontispieces) were engraved for the book.
[Ref: 22203] £180.00 (£216.00 incl.VAT)
A Chart of the Sands and Channels from the Nore to Margate Road.
London: Printed for Robert Sayer and John Bennett, Chart-Sellers, No 53, Fleet Street, as the Act Directs 14th May 1781.
Coloured engraved chart. 470 x 630mm (18½ x 24¾"), with very large margins, 18th century watermark. Tears in margins.
A chart of the Kent coast from Margate to the east end of the Isle of Sheppey and the 'The Nore' (the infamous sand bank that was such a hazard at the very start of the Thames), marking the warning buoys.
[Ref: 48520] £160.00
London: Printed for Robert Sayer and John Bennett, Chart-Sellers, No 53, Fleet Street, as the Act Directs 14th May 1781.
Coloured engraved chart. 470 x 630mm (18½ x 24¾"), with very large margins, 18th century watermark. Tears in margins.
A chart of the Kent coast from Margate to the east end of the Isle of Sheppey and the 'The Nore' (the infamous sand bank that was such a hazard at the very start of the Thames), marking the warning buoys.
[Ref: 48520] £160.00
Chart of the Heavens, for the Latitude of Great Britain. Shewing The Stars Visible On Any Night Throughout The Year.
London: Published By James Reynolds, 174, Strand. [n.d., c.1850]
Hand tinted engraving, sheet 230 x 285mm (9 x 11¼"). Ink stamp on the back 'St Thomas's Schools Mount Vernon.'
One of a set of 12 hand-tinted astronomical prints with explanatory text from the series 'Astronomical Diagrams'. Several of the images were drawn and engraved by John Emslie, who also collaborated with Reynolds on the set of diagrams, 'Popular Diagrams of Natural Philosophy'. A celestial tranformation map with calendar scale round the outside; holes where the stars are so when held up to the light they "shine".
[Ref: 56836] £360.00 view all images for this item
London: Published By James Reynolds, 174, Strand. [n.d., c.1850]
Hand tinted engraving, sheet 230 x 285mm (9 x 11¼"). Ink stamp on the back 'St Thomas's Schools Mount Vernon.'
One of a set of 12 hand-tinted astronomical prints with explanatory text from the series 'Astronomical Diagrams'. Several of the images were drawn and engraved by John Emslie, who also collaborated with Reynolds on the set of diagrams, 'Popular Diagrams of Natural Philosophy'. A celestial tranformation map with calendar scale round the outside; holes where the stars are so when held up to the light they "shine".
[Ref: 56836] £360.00 view all images for this item
Hall of Charter House.
A.Pugin del.t. D.Havell sculp.t.
London Pub. Aug.t 1 1816, at 101 Strand for R. Ackermann's History of Charter House.
Fine hand coloured aquatint, plate 300 x 250mm (12 x 10"), large margins on 3 sides.
A view of the London Charterhouse Hall, the former Carthusian monastary located between Smithfield and Barbican. From Ackermann's 'History of the Charter House.'
[Ref: 62908] £90.00 (£108.00 incl.VAT)
A.Pugin del.t. D.Havell sculp.t.
London Pub. Aug.t 1 1816, at 101 Strand for R. Ackermann's History of Charter House.
Fine hand coloured aquatint, plate 300 x 250mm (12 x 10"), large margins on 3 sides.
A view of the London Charterhouse Hall, the former Carthusian monastary located between Smithfield and Barbican. From Ackermann's 'History of the Charter House.'
[Ref: 62908] £90.00 (£108.00 incl.VAT)
Dr. Fisher's Apartments. Charter House.
A.Pugin del.t. J.Stadler sculp.t.
London Pub.d July 1 1816, at 101 Strand, for R. Ackermann's History of Charter House.
Very fine hand coloured aquatint, plate 300 x 250mm (12 x 10"), large margins on 3 sides. Trimmed to plate at bottom.
A view of Dr. Fisher's Apartments, Charterhouse with figures sat in the background viewing papers. From Ackermann's 'History of the Charter House.'
[Ref: 62909] £80.00 (£96.00 incl.VAT)
A.Pugin del.t. J.Stadler sculp.t.
London Pub.d July 1 1816, at 101 Strand, for R. Ackermann's History of Charter House.
Very fine hand coloured aquatint, plate 300 x 250mm (12 x 10"), large margins on 3 sides. Trimmed to plate at bottom.
A view of Dr. Fisher's Apartments, Charterhouse with figures sat in the background viewing papers. From Ackermann's 'History of the Charter House.'
[Ref: 62909] £80.00 (£96.00 incl.VAT)
Charter House. From the Square.
W.Westall del.t. J.C.Stadler sculp.t.
London Pub.d. July 1 1816, at 101 Strand for R. Ackermann's History of Charter House.
Fine hand coloured aquatint, plate 300 x 250mm (12 x 10"), large margins.
A view of The Charter House from the square in London, women and children walk and sit in the square. The school moved to new buildings in the parish of Godalming, Surrey in 1872. From Ackermann's 'History of Charter House School'.
[Ref: 62906] £160.00 (£192.00 incl.VAT)
W.Westall del.t. J.C.Stadler sculp.t.
London Pub.d. July 1 1816, at 101 Strand for R. Ackermann's History of Charter House.
Fine hand coloured aquatint, plate 300 x 250mm (12 x 10"), large margins.
A view of The Charter House from the square in London, women and children walk and sit in the square. The school moved to new buildings in the parish of Godalming, Surrey in 1872. From Ackermann's 'History of Charter House School'.
[Ref: 62906] £160.00 (£192.00 incl.VAT)
Charter of Liberties. Cardinal Langton, Archbishop of Canterbury, producing to the Barons and the rest of the Assembly at S.t Edmund's Bury, the Charter granted by Henry the 1st, in which that Monarch pledged himself to abolish the arbitrary Laws of the Normans then in force... Engraved from the Original Picture in the Gallery of the University of Oxford.
Painted by W. Martin. Engraved by W. Ward.
London. Pub.d Dec.r 16, 1795 by W.Martin, Hamilton Street, Piccadilly.
Mezzotint. 580 x 650mm (22¾ x 25½"). Repaired tears, crack in platemark at bottom.
Cardinal Stephen Langton standing behind the altar in Bury St Edmund's in 1213, pointing to the charter of liberties, the barons of England raising their hands in agreement. The Charter of Liberties was issued by Henry I upon his ascension to the throne in 1100, addressing abuses of royal power, such as over-taxation of the barons, the abuse of vacant sees, and the practices of simony and pluralism. It was generally ignored by monarchs until 1213, when Langton, the Archbishop of Canterbury, reminded the nobles that their liberties had been guaranteed a century before. In the face of such unified opposition King John opened negotiations and the Magna Carta was signed two years later.
Frankau 55, state ii of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4110] £980.00
Painted by W. Martin. Engraved by W. Ward.
London. Pub.d Dec.r 16, 1795 by W.Martin, Hamilton Street, Piccadilly.
Mezzotint. 580 x 650mm (22¾ x 25½"). Repaired tears, crack in platemark at bottom.
Cardinal Stephen Langton standing behind the altar in Bury St Edmund's in 1213, pointing to the charter of liberties, the barons of England raising their hands in agreement. The Charter of Liberties was issued by Henry I upon his ascension to the throne in 1100, addressing abuses of royal power, such as over-taxation of the barons, the abuse of vacant sees, and the practices of simony and pluralism. It was generally ignored by monarchs until 1213, when Langton, the Archbishop of Canterbury, reminded the nobles that their liberties had been guaranteed a century before. In the face of such unified opposition King John opened negotiations and the Magna Carta was signed two years later.
Frankau 55, state ii of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 4110] £980.00
Charter of Liberties. [Cardinal Langton, Archbishop of Canterbury, producing to the Barons and the rest of the Assembly at S.t Edmund's Bury, the Charter granted by Henry the 1st, in which that Monarch pledged himself to abolish the arbitrary Laws of the Normans then in force... Engraved from the Original Picture in the Gallery of the University of Oxford.]
Painted by W. Martin. Engraved by W. Ward.
[London. Pub.d Dec.r 16, 1795 by W.Martin, Hamilton Street, Piccadilly.]
Mezzotint, printed in colours and hand-finished. Sheet 515 x 610mm (20¼ x 24"). Trimmed within plate, losing explanatory text, multiple repaired tears.
Cardinal Stephen Langton standing behind the altar in Bury St Edmund's in 1213, pointing to the Charter of Liberties, the barons of England raising their hands in agreement. The Charter of Liberties was issued by Henry I upon his ascension to the throne in 1100, addressing abuses of royal power, such as over-taxation of the barons, the abuse of vacant sees, and the practices of simony and pluralism. It was generally ignored by monarchs until 1213, when Langton, the Archbishop of Canterbury, reminded the nobles that their liberties had been guaranteed a century before. In the face of such unified opposition King John opened negotiations and the Magna Carta was signed two years later. The quality of the colour printing is particularly good.
Frankau 55.
[Ref: 55215] £180.00 (£216.00 incl.VAT)
Painted by W. Martin. Engraved by W. Ward.
[London. Pub.d Dec.r 16, 1795 by W.Martin, Hamilton Street, Piccadilly.]
Mezzotint, printed in colours and hand-finished. Sheet 515 x 610mm (20¼ x 24"). Trimmed within plate, losing explanatory text, multiple repaired tears.
Cardinal Stephen Langton standing behind the altar in Bury St Edmund's in 1213, pointing to the Charter of Liberties, the barons of England raising their hands in agreement. The Charter of Liberties was issued by Henry I upon his ascension to the throne in 1100, addressing abuses of royal power, such as over-taxation of the barons, the abuse of vacant sees, and the practices of simony and pluralism. It was generally ignored by monarchs until 1213, when Langton, the Archbishop of Canterbury, reminded the nobles that their liberties had been guaranteed a century before. In the face of such unified opposition King John opened negotiations and the Magna Carta was signed two years later. The quality of the colour printing is particularly good.
Frankau 55.
[Ref: 55215] £180.00 (£216.00 incl.VAT)
Charter of Liberties. Cardinal Langton, Archbishop of Canterbury, producing to the Barons and the rest of the Assembly at S.t Edmund's Bury, the Charter granted by Henry the 1st, in which that Monarch pledged himself to abolish the arbitrary Laws of the Normans then in force... Engraved from the Original Picture in the Gallery of the University of Oxford.
Painted by W. Martin. Engraved by W. Ward.
London. Pub.d Dec.r 16, 1795 by W. Martin, Hamilton Street, Piccadilly.]
Mezzotint, printed in colours and hand-finished. Sheet 560 x 620mm (22 x 26"). Trimmed within plate, repaired tears and cracks, creased, backed with paper.
Cardinal Stephen Langton standing behind the altar in Bury St Edmund's in 1213, pointing to the Charter of Liberties, the barons of England raising their hands in agreement. The Charter of Liberties was issued by Henry I upon his ascension to the throne in 1100, addressing abuses of royal power, such as over-taxation of the barons, the abuse of vacant sees, and the practices of simony and pluralism. It was generally ignored by monarchs until 1213, when Langton, the Archbishop of Canterbury, reminded the nobles that their liberties had been guaranteed a century before. In the face of such unified opposition King John opened negotiations and the Magna Carta was signed two years later. The quality of the colour printing is particularly good.
Frankau 55, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67816] £1,250.00
Painted by W. Martin. Engraved by W. Ward.
London. Pub.d Dec.r 16, 1795 by W. Martin, Hamilton Street, Piccadilly.]
Mezzotint, printed in colours and hand-finished. Sheet 560 x 620mm (22 x 26"). Trimmed within plate, repaired tears and cracks, creased, backed with paper.
Cardinal Stephen Langton standing behind the altar in Bury St Edmund's in 1213, pointing to the Charter of Liberties, the barons of England raising their hands in agreement. The Charter of Liberties was issued by Henry I upon his ascension to the throne in 1100, addressing abuses of royal power, such as over-taxation of the barons, the abuse of vacant sees, and the practices of simony and pluralism. It was generally ignored by monarchs until 1213, when Langton, the Archbishop of Canterbury, reminded the nobles that their liberties had been guaranteed a century before. In the face of such unified opposition King John opened negotiations and the Magna Carta was signed two years later. The quality of the colour printing is particularly good.
Frankau 55, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67816] £1,250.00
Originall Charter of the Lands of Powmode in the year 1057. I, Malcolm: Kaninore King; the first of my reign, give to thee Barron Hunter, uper & nether Powmode; with all the bounds within the flood, with the Hoop and Hooptown; and all the bouwds up & down; above the Earth to Heaven. & all below the Earth to Hell, as free to thee & thine, as Ever God gave to me and mine; and that for a bow and a broad arrow when I come to hunt upon Yarrow. And for the mair faith of this, I bite this white wax with my ain teeth, before Margaret my wife and Mall my Nurse. Sic Subacribitur, MALCOLM: KANMORE, King. MARGRATT, Witness. MALL Witness.
[Anon., British, n.d., c.1820s.]
Lithographic copy of a charter granted by King Malcolm III of Scotland; broadside, hand colouring to crest, sheet 370 x 265mm. 14½ x 10½". Handling creases; bodycolour a little smudged. Glued onto a scrap album page, with tissue guard.
The single page grant of land to one of his Barons by the king of Scotland was apparently discovered c.1799 in an old oak chest in the church at Dumbarton, central Scotland. A very unusual piece of Scottish historical ephemera. Macbeth (immortalised by Shakespeare) murdered Duncan to claim the Scottish throne for himself. Malcolm eldest son of Duncan was installed as ruler of Perth and Fife by a combined army of English, Norse and lowland Scots. In 1057 Macbeth was killed by Malcolm in battle at Lumphanan in Mar, Aberdeenshire. This tale was reported in "the Mirror" of literature, amusement, and instruction, in 1839.
[Ref: 23934] £230.00 (£276.00 incl.VAT)
[Anon., British, n.d., c.1820s.]
Lithographic copy of a charter granted by King Malcolm III of Scotland; broadside, hand colouring to crest, sheet 370 x 265mm. 14½ x 10½". Handling creases; bodycolour a little smudged. Glued onto a scrap album page, with tissue guard.
The single page grant of land to one of his Barons by the king of Scotland was apparently discovered c.1799 in an old oak chest in the church at Dumbarton, central Scotland. A very unusual piece of Scottish historical ephemera. Macbeth (immortalised by Shakespeare) murdered Duncan to claim the Scottish throne for himself. Malcolm eldest son of Duncan was installed as ruler of Perth and Fife by a combined army of English, Norse and lowland Scots. In 1057 Macbeth was killed by Malcolm in battle at Lumphanan in Mar, Aberdeenshire. This tale was reported in "the Mirror" of literature, amusement, and instruction, in 1839.
[Ref: 23934] £230.00 (£276.00 incl.VAT)
![[Charter segment from the reign of William & Mary.] [Gui]limus et Maria Dei gratia [...]](jpegs/27838.jpg)
[Charter segment from the reign of William & Mary.] [Gui]limus et Maria Dei gratia [...]
[n.d., c.1690.]
Engraving on vellum with rubrication. Sheet 170 x 545mm, 6¾ x 21½". Excised from a larger sheet.
The decorative engraving from the top of a charter, with two crowned lions, a unicorn with a crown collar, half an eagle and another bird within acanthus and vine scrolls. William and Mary reigned as coregents from 1689 until Mary's death in 1694.
[Ref: 27838] £350.00
[n.d., c.1690.]
Engraving on vellum with rubrication. Sheet 170 x 545mm, 6¾ x 21½". Excised from a larger sheet.
The decorative engraving from the top of a charter, with two crowned lions, a unicorn with a crown collar, half an eagle and another bird within acanthus and vine scrolls. William and Mary reigned as coregents from 1689 until Mary's death in 1694.
[Ref: 27838] £350.00
Memorials of Charterhouse.
A Series of Original Views Taken and Drawn on Stone by C.W. Radclyffe, Esq.re
London: Published by James Moore, Carthusian Street, Charterhouse Square. MDCCCXLIV. [1844]
A series of fourteen lithographs including title-page. Gilt stamped half-morocco binding. Folio. Scuffed and binding scratched at corners. Some spotting.
Ink inscription inside front cover: Rev. John G. [Blazey] 1847-49. A collection of illustrations from the Old Charterhouse School.
[Ref: 21972] £380.00 view all images for this item
A Series of Original Views Taken and Drawn on Stone by C.W. Radclyffe, Esq.re
London: Published by James Moore, Carthusian Street, Charterhouse Square. MDCCCXLIV. [1844]
A series of fourteen lithographs including title-page. Gilt stamped half-morocco binding. Folio. Scuffed and binding scratched at corners. Some spotting.
Ink inscription inside front cover: Rev. John G. [Blazey] 1847-49. A collection of illustrations from the Old Charterhouse School.
[Ref: 21972] £380.00 view all images for this item
Charterhouse Schools. Godalming.
[D.Y Cameron.]
[London: John C. Nimmo, 1895.]
Etching. 140 x 90mm (5½ x 3½").
Etching by Sir David Young Cameron (1865-1945) for 'Charterhouse Old and New' by E.P. Eardley Wilmot and E.C. Streatfield. Cameron trained at the Glasgow School of Art and the Edinburgh School of Art in 1885. A leading force in the Scottish Etching Revival, he became an R.A. in 1920, was knighted in 1924 and was appointed King's Painter and Limner in Scotland in 1933.
[Ref: 56373] £130.00 (£156.00 incl.VAT)
[D.Y Cameron.]
[London: John C. Nimmo, 1895.]
Etching. 140 x 90mm (5½ x 3½").
Etching by Sir David Young Cameron (1865-1945) for 'Charterhouse Old and New' by E.P. Eardley Wilmot and E.C. Streatfield. Cameron trained at the Glasgow School of Art and the Edinburgh School of Art in 1885. A leading force in the Scottish Etching Revival, he became an R.A. in 1920, was knighted in 1924 and was appointed King's Painter and Limner in Scotland in 1933.
[Ref: 56373] £130.00 (£156.00 incl.VAT)