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A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![Britains Josiah King Charles the 1st who was most unjustly & cruelly put to death by his own People before the Royal Palace Whitehall, Jan. 30th 1648 [ms]](jpegs/42885.jpg)
Britains Josiah King Charles the 1st who was most unjustly & cruelly put to death by his own People before the Royal Palace Whitehall, Jan. 30th 1648 [ms]
[Anon., c.1649]
Rare engraving; sheet 150 x 110mm (6 x 4¼"). Glued to backing sheet at edges.
Allegorical representation of the body of Charles I, with putti holding his crown. In fact, following his execution in 1649, the monarch's corpse was sent to Windsor by water, where it was buried within the closed walls of Windsor castle where no one could come to pray by it.
[Ref: 42885] £320.00
[Anon., c.1649]
Rare engraving; sheet 150 x 110mm (6 x 4¼"). Glued to backing sheet at edges.
Allegorical representation of the body of Charles I, with putti holding his crown. In fact, following his execution in 1649, the monarch's corpse was sent to Windsor by water, where it was buried within the closed walls of Windsor castle where no one could come to pray by it.
[Ref: 42885] £320.00
![[Charles I.]](jpegs/42966.jpg)
[Charles I.] Ce Roy par ses perfections / Faict si bien au vice la Guerre / Quil gaigne les affections / De Tous ses peuples d'Angleterre.
N. Vienot fecit. J'Valet excudit.
Engraving, fine. Sheet: 300 x 425mm (12 x 16¾"). Trimmed. Slight crease not visible from front.
A portrait of Charles I engraved by Nicolas Viennot after Daniel Mijtens, published by Jean Vallet. Mijtens (c.1590-c.1647) became court painter to Charles I in 1628. However Anthony van Dyck arrived in England in 1632 and eclipsed Mijtens, who returned to The Hague in 1634.
[Ref: 42966] £260.00 (£312.00 incl.VAT)
N. Vienot fecit. J'Valet excudit.
Engraving, fine. Sheet: 300 x 425mm (12 x 16¾"). Trimmed. Slight crease not visible from front.
A portrait of Charles I engraved by Nicolas Viennot after Daniel Mijtens, published by Jean Vallet. Mijtens (c.1590-c.1647) became court painter to Charles I in 1628. However Anthony van Dyck arrived in England in 1632 and eclipsed Mijtens, who returned to The Hague in 1634.
[Ref: 42966] £260.00 (£312.00 incl.VAT)
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Charles Prince of Wales, James Duke of York and Princes Mary Children of K. Charles the 1st.
Vandyke del. Purcell fecit.
Printed for Robert Sayer at the Golden Buck Fleet Street. [n.d., c.1750.]
Scarce mezzotint with contemporary hand colour. Sheet: 255 x 350mm (10 x 13¾"). Trimmed to image. Repaired tears.
The three eldest children of Charles I, standing with two spaniels. On the left is Mary (mother of William III) and on the right is Charles II, both dressed as adults. In the centre is James II, still in skirts as was fashion for infant boys. Van Dyck's first version of this painting (probably commission by their mother, Henrietta Maria) showed both boys in skirts, but Charles I thought his heir should be in more respectful adult clothing. In 1819 this version can be seen hanging in the Second Drawing Room at Buckingham Palace in 'Pyne's Royal Residences'; it is now in the Queen's Gallery, Windsor Castle.
CS: 15.
[Ref: 43080] £240.00 (£288.00 incl.VAT)
Vandyke del. Purcell fecit.
Printed for Robert Sayer at the Golden Buck Fleet Street. [n.d., c.1750.]
Scarce mezzotint with contemporary hand colour. Sheet: 255 x 350mm (10 x 13¾"). Trimmed to image. Repaired tears.
The three eldest children of Charles I, standing with two spaniels. On the left is Mary (mother of William III) and on the right is Charles II, both dressed as adults. In the centre is James II, still in skirts as was fashion for infant boys. Van Dyck's first version of this painting (probably commission by their mother, Henrietta Maria) showed both boys in skirts, but Charles I thought his heir should be in more respectful adult clothing. In 1819 this version can be seen hanging in the Second Drawing Room at Buckingham Palace in 'Pyne's Royal Residences'; it is now in the Queen's Gallery, Windsor Castle.
CS: 15.
[Ref: 43080] £240.00 (£288.00 incl.VAT)
His most Sacred Majesty King Charles the first giveing his Royall Orders to his Secretary of War Sr. Edward Walker Kt. concerning ye. great Rebellion.
[Anon., c.1705]
Engraving. Sheet: 285 x 340mm (11½ x 13½"). Trimmed and tipped into album sheet.
King Charles I and Sir Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance, two men stand by a flag and several canon on a hill. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In April 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses' (1705).
[Ref: 43123] £290.00 (£348.00 incl.VAT)
[Anon., c.1705]
Engraving. Sheet: 285 x 340mm (11½ x 13½"). Trimmed and tipped into album sheet.
King Charles I and Sir Edward Walker stand by a large drum serving as a table. Troops, horses and tents in distance, two men stand by a flag and several canon on a hill. By autumn 1642, at the beginning of the English Civil War, Walker (1612-77) was Charles' secretary at war. In April 1644 he was made secretary extraordinary of the privy council. Illustration to Walker's 'Historical Discourses' (1705).
[Ref: 43123] £290.00 (£348.00 incl.VAT)
Corruptibilem pro incorruptibile.
W. Faithorne fec. E. Cooper.
[n.d., c.1695.]
Mezzotint. Sheet: 315 x 200mm (12½ x 8"). Trimmed and laid on card.
A portrait of Charles I shown standing with his hands raised as light eminates from his head, a hand holds a crown from a cloud above Charles's head. Lines of verse below criticise Ludlow and other critics of Charles I.
C S 4
[Ref: 43737] £230.00 (£276.00 incl.VAT)
W. Faithorne fec. E. Cooper.
[n.d., c.1695.]
Mezzotint. Sheet: 315 x 200mm (12½ x 8"). Trimmed and laid on card.
A portrait of Charles I shown standing with his hands raised as light eminates from his head, a hand holds a crown from a cloud above Charles's head. Lines of verse below criticise Ludlow and other critics of Charles I.
C S 4
[Ref: 43737] £230.00 (£276.00 incl.VAT)
Charles the First, King of Great Britain. Ex Museo Sereniss. Domini de Wharton.
A.v. Dyk pinx. 1638. P.v. Gunst Sculps. et exc. Amstelod.
[n.d. c.1713.]
Very fine engraving. 515 x 330mm (20¼ x 13"), with large margins. Paper toned, tears in edges.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right. From Gunst's series of ten plates after van Dyck, made 1713-15, from the Cracherode bequest.
[Ref: 53130] £180.00 (£216.00 incl.VAT)
A.v. Dyk pinx. 1638. P.v. Gunst Sculps. et exc. Amstelod.
[n.d. c.1713.]
Very fine engraving. 515 x 330mm (20¼ x 13"), with large margins. Paper toned, tears in edges.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right. From Gunst's series of ten plates after van Dyck, made 1713-15, from the Cracherode bequest.
[Ref: 53130] £180.00 (£216.00 incl.VAT)
![Basilika [in Greek letters]. The Works of Charles I with his Life and Martyrdome.](jpegs/42295.jpg)
Basilika [in Greek letters]. The Works of Charles I with his Life and Martyrdome.
[engraved by Abraham Hertochs.]
[London: Printed by James Flesher for R. Royston, book-seller to His Most Sacred Majesty. MDCLXII [1662].]
Engraved titlepage with contemporary red ruling. Sheet 280 x 170mm (11 x 6¾"). Trimmed, losing engraver's signature, mounted in album paper.
A medallion portrait of Charles I, part of a monument in a church setting. The title page of the 'Eikon basilike', originally attributed to Charles I, but probably written by John Gauden using some authentic writings of the king. The engraver Abraham Hertochs (fl. 1626-1672) specialised in title-pages and portraits, engraving the frontispiece to Evelyn's Sculptura (1662). The 'Eikon basilike' also contained a frontispiece etched by Hollar.
[Ref: 42295] £260.00 (£312.00 incl.VAT)
[engraved by Abraham Hertochs.]
[London: Printed by James Flesher for R. Royston, book-seller to His Most Sacred Majesty. MDCLXII [1662].]
Engraved titlepage with contemporary red ruling. Sheet 280 x 170mm (11 x 6¾"). Trimmed, losing engraver's signature, mounted in album paper.
A medallion portrait of Charles I, part of a monument in a church setting. The title page of the 'Eikon basilike', originally attributed to Charles I, but probably written by John Gauden using some authentic writings of the king. The engraver Abraham Hertochs (fl. 1626-1672) specialised in title-pages and portraits, engraving the frontispiece to Evelyn's Sculptura (1662). The 'Eikon basilike' also contained a frontispiece etched by Hollar.
[Ref: 42295] £260.00 (£312.00 incl.VAT)
Carolus D. G. Magnæ Britt: Fra: et Hiber: Rex Fidei Defensor. Returne in Peace Great Charles, redress our woes: Forsake at length thyne, and the Kingdomes Foes, Thy Gratious Presence will more comfort bring. Then Phoebus Splendor to a backward Spring.
[Engraved c.1646 but printed later.]
Engraving. Sheet: 160 x 150mm (6¼ x 4½"). Trimmed.
A mounted portrait of Charles I (1600-1649), the city of London can been seen in the distance behind him. The verse suggests the print was published while Charles was on the run after the defeat at Naseby in 1645.
[Ref: 40772] £280.00 (£336.00 incl.VAT)
[Engraved c.1646 but printed later.]
Engraving. Sheet: 160 x 150mm (6¼ x 4½"). Trimmed.
A mounted portrait of Charles I (1600-1649), the city of London can been seen in the distance behind him. The verse suggests the print was published while Charles was on the run after the defeat at Naseby in 1645.
[Ref: 40772] £280.00 (£336.00 incl.VAT)
Charles Ir. Roy d'Angleterre.
Wander Werff pinxt. . Ben.t Audran sculpsit
[Rotterdam, c.1710]
Engraving with very large margins, platemark approx 305 x 190mm (12 x 7½").
Charles I (1600-1649), king of England, Scotland and Ireland. Charles was king during most of the English Civil War (1642-51), towards the end of which he was executed rather than abdicating. Plate from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713), from a design by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, although his reputation declined from the late 18th century onwards.
[Ref: 34243] £120.00 (£144.00 incl.VAT)
Wander Werff pinxt. . Ben.t Audran sculpsit
[Rotterdam, c.1710]
Engraving with very large margins, platemark approx 305 x 190mm (12 x 7½").
Charles I (1600-1649), king of England, Scotland and Ireland. Charles was king during most of the English Civil War (1642-51), towards the end of which he was executed rather than abdicating. Plate from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713), from a design by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, although his reputation declined from the late 18th century onwards.
[Ref: 34243] £120.00 (£144.00 incl.VAT)
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching with very large margins, platemark 242 x 190mm (9½ x 7½"). Later impression; crease lower left.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See ref 19025 for earlier state.
[Ref: 34254] £95.00 (£114.00 incl.VAT)
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching with very large margins, platemark 242 x 190mm (9½ x 7½"). Later impression; crease lower left.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See ref 19025 for earlier state.
[Ref: 34254] £95.00 (£114.00 incl.VAT)
Carolus D: G: Ang: Sco: Fra: et Hib: Rex. from S.r Peter Lely's Copy of the Celebrated Original Picture painted by S.r Anthony Vandyke, which was Destroy'd in the Fire at Whitehall, Anno 1697.
J. Faber fecit. 1738 [after Sir Peter Lely].
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, fine impression. 355 x 250mm (14 x 9¾") Creasing at bottom.
Charles I, arm in a velvet sling, hand on table.
CS: 75, ii of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34267] £180.00 (£216.00 incl.VAT)
J. Faber fecit. 1738 [after Sir Peter Lely].
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, fine impression. 355 x 250mm (14 x 9¾") Creasing at bottom.
Charles I, arm in a velvet sling, hand on table.
CS: 75, ii of iii. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 34267] £180.00 (£216.00 incl.VAT)
![[The Marriage of Charles I and Henrietta Maria.]](jpegs/35031.jpg)
[The Marriage of Charles I and Henrietta Maria.]
[Anon, c.1700]
Engraving, very scarce; sheet 260 x 360mm (10¼ x 14¼"). Trimmed inside platemark; false margins added; folds. Pencil annotations in image and margins.
Unusual amateur representation of the royal wedding in 1625 in Paris.
[Ref: 35031] £260.00 (£312.00 incl.VAT)
[Anon, c.1700]
Engraving, very scarce; sheet 260 x 360mm (10¼ x 14¼"). Trimmed inside platemark; false margins added; folds. Pencil annotations in image and margins.
Unusual amateur representation of the royal wedding in 1625 in Paris.
[Ref: 35031] £260.00 (£312.00 incl.VAT)
Charles par la grace de Dieu Roy d'Angleterre.
[after Anthony van Dyck.]
Balth Moncornet excu. [n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4½") very large margins.
A half-length portrait of Charles I in armour, one of a series of portraits after Anthony van Dyck, via engravings by Pieter de Jode II and others. First state, before decorations in the borders.
[Ref: 56410] £130.00 (£156.00 incl.VAT)
[after Anthony van Dyck.]
Balth Moncornet excu. [n.d., c.1660.]
Engraving. 155 x 115mm (6 x 4½") very large margins.
A half-length portrait of Charles I in armour, one of a series of portraits after Anthony van Dyck, via engravings by Pieter de Jode II and others. First state, before decorations in the borders.
[Ref: 56410] £130.00 (£156.00 incl.VAT)
Carolus Primus D.G. Angliae Scotiae Franciae et Hiberniae Rex &c.
[after William Faithorne.]
[n.d. c.1648.]
Engraving. Sheet 250 x 165mm (9¾ x 6½"). Trimmed just within plate. Ink mark in title.
Oval portrait of Charles I (1600-1649) in armour, the Order of the Garter around his neck, copied from Faithorne's frontispiece for William Sanderson's 'Compleat History of the Life and Raigne of King Charles'. The lettering around the oval has been added for this version.
Fagan: Pg 4 Robert White copied.
[Ref: 36539] £120.00 (£144.00 incl.VAT)
[after William Faithorne.]
[n.d. c.1648.]
Engraving. Sheet 250 x 165mm (9¾ x 6½"). Trimmed just within plate. Ink mark in title.
Oval portrait of Charles I (1600-1649) in armour, the Order of the Garter around his neck, copied from Faithorne's frontispiece for William Sanderson's 'Compleat History of the Life and Raigne of King Charles'. The lettering around the oval has been added for this version.
Fagan: Pg 4 Robert White copied.
[Ref: 36539] £120.00 (£144.00 incl.VAT)
The true Pourtraicture of the Royal Martyr Charles I.st King of England Scotland France and Ireland as he sate in ye pretended High Court of Justice A.o 1648.
[after Edward Bower.] done and sold by I. Faber London.
[n.d., c.1715.]
Mezzotint with small margins. 210 x 155mm (8¼ x 6"). Very scarce, but trimmed into inscription area.
Chaloner Smith lists four plates of this event by John Faber Senior and Junior, none with this exact title or composition. The Fabers attributed the portrait to van Dyke, however the painter died seven years before the trial. It was in fact the work of Edward Bower.
[Ref: 32703] £320.00
[after Edward Bower.] done and sold by I. Faber London.
[n.d., c.1715.]
Mezzotint with small margins. 210 x 155mm (8¼ x 6"). Very scarce, but trimmed into inscription area.
Chaloner Smith lists four plates of this event by John Faber Senior and Junior, none with this exact title or composition. The Fabers attributed the portrait to van Dyke, however the painter died seven years before the trial. It was in fact the work of Edward Bower.
[Ref: 32703] £320.00
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. [Pencilled: Meyssens.] Excudit. [1640.]
[n.d. c.1730.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 for later impression; & Ref: 19026 for 17th century state.
[Ref: 19025] £120.00 (£144.00 incl.VAT)
Antonius Van Dÿck Pinxit. [Pencilled: Meyssens.] Excudit. [1640.]
[n.d. c.1730.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 for later impression; & Ref: 19026 for 17th century state.
[Ref: 19025] £120.00 (£144.00 incl.VAT)
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. Ioan Meyssens [excudit.]
[n.d. c.1640.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate; damage and paper loss lower right.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 & 19025 for later impressions. Ex Collection Norman Blackburn.
[Ref: 19026] £110.00 (£132.00 incl.VAT)
Antonius Van Dÿck Pinxit. Ioan Meyssens [excudit.]
[n.d. c.1640.]
Ethcing. Plate 242 x 190mm. 9½ x 7½". Trimmed to the plate; damage and paper loss lower right.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :18647 & 19025 for later impressions. Ex Collection Norman Blackburn.
[Ref: 19026] £110.00 (£132.00 incl.VAT)
King Charles the First. In the Drawing Room at Houghton. Size of the Picture. 4F, 3I by 7F, 3I high.
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint. Plate 227 x 356mm. 9 x 14". Tear into margin lower left-hand corner.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649.
Ex Collection: Norman Blackburn. CS: 1.
[Ref: 19798] £260.00 (£312.00 incl.VAT)
Van Dyke Pinxit. Josiah_Boydell delt. & Sculpsit.
Published March 2d. 1778 by John Boydell, Engraver in Cheapside London.
Mezzotint. Plate 227 x 356mm. 9 x 14". Tear into margin lower left-hand corner.
King Charles I (1600-1649), King of England, Scotland and Ireland; executed in 1649.
Ex Collection: Norman Blackburn. CS: 1.
[Ref: 19798] £260.00 (£312.00 incl.VAT)
The Apotheosis or Death of the King.
[n.d., c.1670, but 19th century copy]
Engraving. J. Whatman watermark 1813. Plate: 235 x 190mm (9¼ x 7½"), with large margins.
An allegorical scene showing the ascension of Charles I into heaven after his execution at Banqueting Hall as shown in the scene in the background. Charles I is lifted to heaven by angels and cherubs.
[Ref: 42037] £65.00 (£78.00 incl.VAT)
[n.d., c.1670, but 19th century copy]
Engraving. J. Whatman watermark 1813. Plate: 235 x 190mm (9¼ x 7½"), with large margins.
An allegorical scene showing the ascension of Charles I into heaven after his execution at Banqueting Hall as shown in the scene in the background. Charles I is lifted to heaven by angels and cherubs.
[Ref: 42037] £65.00 (£78.00 incl.VAT)
The Kings Declaration to his Gentry & Army Septembr 1642.
[Anon., British, n.d., c.1720s.]
Etching on laid paper, printed on 18th century watermarked paper; 390 x 455mm. 15¼ x 18". Vertical centrefold as normal. Some small filled holes; one tear into edge of plate lower left. Damaged.
Charles I delivering a speech on the march to Shrewsbury during the English Civil War; the king on horseback at centre, holding a paper, with troops surrounding. The town in the distance at right, a tree behind to left and two men in the right foreground talking and gesturing towards the king. After Peter Tillemans (1684 - 1734); a copy in reverse of the engraving by van der Gucht in the BM.
See BM 1872,0113.817.
[Ref: 27992] £260.00 (£312.00 incl.VAT)
[Anon., British, n.d., c.1720s.]
Etching on laid paper, printed on 18th century watermarked paper; 390 x 455mm. 15¼ x 18". Vertical centrefold as normal. Some small filled holes; one tear into edge of plate lower left. Damaged.
Charles I delivering a speech on the march to Shrewsbury during the English Civil War; the king on horseback at centre, holding a paper, with troops surrounding. The town in the distance at right, a tree behind to left and two men in the right foreground talking and gesturing towards the king. After Peter Tillemans (1684 - 1734); a copy in reverse of the engraving by van der Gucht in the BM.
See BM 1872,0113.817.
[Ref: 27992] £260.00 (£312.00 incl.VAT)
Charles the First, King of Great Britain.
A. v. Dyck pinx. 1638. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm (20½ x 13"), with large margins.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right.
[Ref: 21536] £260.00 (£312.00 incl.VAT)
A. v. Dyck pinx. 1638. P. v. Gunst sculps. et exc. Amstelod.
Ex Museo Sereniss. Domini de Wharton. [n.d. c.1715.]
Framed engraving. Plate 520 x 330mm (20½ x 13"), with large margins.
Portrait of Charles I (1600-1649), whole length, standing, wearing armour, holding baton; helmet and crown on table to right.
[Ref: 21536] £260.00 (£312.00 incl.VAT)
![To from the Title } Carolus I. [Greek text.]](jpegs/24134.jpg)
To from the Title } Carolus I. [Greek text.] Ecce Spectaculum dignum ad quod respeciat Deus operi suo intentus, Vir fortus cum mala fortuna compositur Sen: de Provid: c.2.
Phinn Sculp. Edinb. 1766.
{Publish'd by W. Coke Bookseller Leigh.}
Engraving, laid down on Album sheet. Sheet 159 x 197mm. 6¼ x 7¾". Repairs.
Portrait of Charles I, whole-length, wearing robes and chain, kneeling before a table on which there is an open book, one foot on a globe, holding a crown of thorns; crown on floor beside globe; above, cloud and crown of glory with rays directed to the king's eye; pillar in the background. To the right, four heads of wind blow about a ship on a choppy ocean. After Philip Fruytiers (1610-1666).
See NPG: D21547 [Hertocks, after Fruytiers; 1662].
[Ref: 24134] £95.00 (£114.00 incl.VAT)
Phinn Sculp. Edinb. 1766.
{Publish'd by W. Coke Bookseller Leigh.}
Engraving, laid down on Album sheet. Sheet 159 x 197mm. 6¼ x 7¾". Repairs.
Portrait of Charles I, whole-length, wearing robes and chain, kneeling before a table on which there is an open book, one foot on a globe, holding a crown of thorns; crown on floor beside globe; above, cloud and crown of glory with rays directed to the king's eye; pillar in the background. To the right, four heads of wind blow about a ship on a choppy ocean. After Philip Fruytiers (1610-1666).
See NPG: D21547 [Hertocks, after Fruytiers; 1662].
[Ref: 24134] £95.00 (£114.00 incl.VAT)
![[Charles I.]](jpegs/26545.jpg)
[Charles I.] Carolus 1th [Followed by Greek quotation.]
[Engraved by John Smith.]
Sold by J. Smith in Russel Street [n.d., c.1720.]
Mezzotint with small margins, platemark 330 x 230mm (13" x 9".)
Portrait of Charles I, kneeling before table to right on which is an open book. Crown of glory above with rays proceeding towards his eye. Left hand holding crown of thorns. Right foot on globe, beside which lies a crown. Allegorical portraits of Charles I were frequent after his death, often featuring symbolic depictions of a toppled crown or crown of thorns. Inscription Content: Lettered with title, after which, scriptural quotation in Greek from Hebrews 11.38. This portrait derives from the frontispiece to Eikon Basilike, published shortly after his execution.
CS: III; for the Eikon Basilike frontispiece see ref. 24478
[Ref: 26545] £260.00 (£312.00 incl.VAT)
[Engraved by John Smith.]
Sold by J. Smith in Russel Street [n.d., c.1720.]
Mezzotint with small margins, platemark 330 x 230mm (13" x 9".)
Portrait of Charles I, kneeling before table to right on which is an open book. Crown of glory above with rays proceeding towards his eye. Left hand holding crown of thorns. Right foot on globe, beside which lies a crown. Allegorical portraits of Charles I were frequent after his death, often featuring symbolic depictions of a toppled crown or crown of thorns. Inscription Content: Lettered with title, after which, scriptural quotation in Greek from Hebrews 11.38. This portrait derives from the frontispiece to Eikon Basilike, published shortly after his execution.
CS: III; for the Eikon Basilike frontispiece see ref. 24478
[Ref: 26545] £260.00 (£312.00 incl.VAT)
The King's Escape from Hampton Court.
[1738.]
Etching, 245 x 145mm (9½ x 5½"). Trimmed to image; horizontal crease
Charles I, technically a prisoner of Cromwell at Hampton Court, prepares to make his escape. Below is an exterior view of the palace.
[Ref: 14694] £65.00 (£78.00 incl.VAT)
[1738.]
Etching, 245 x 145mm (9½ x 5½"). Trimmed to image; horizontal crease
Charles I, technically a prisoner of Cromwell at Hampton Court, prepares to make his escape. Below is an exterior view of the palace.
[Ref: 14694] £65.00 (£78.00 incl.VAT)
Carolus Primus D.G. Angliae Scotiae Franciae et Hiberniae Rex &c.
[n.d. c.1658.]
Copper engraving, rich impression. 248 x 165mm (9¾ x 6½"). Cut slight loss.
Oval portrait of Charles I (1600-1649) in armour, the Order of the Garter around his neck. Engraved by Faithorne as the frontispiece to William Sanderson's 'Compleat History of the Life and Raigne of King Charles'.
O'Donoghue: 135. Fagan: p.4: ii.
[Ref: 15056] £130.00 (£156.00 incl.VAT)
[n.d. c.1658.]
Copper engraving, rich impression. 248 x 165mm (9¾ x 6½"). Cut slight loss.
Oval portrait of Charles I (1600-1649) in armour, the Order of the Garter around his neck. Engraved by Faithorne as the frontispiece to William Sanderson's 'Compleat History of the Life and Raigne of King Charles'.
O'Donoghue: 135. Fagan: p.4: ii.
[Ref: 15056] £130.00 (£156.00 incl.VAT)
![[King Charles I and his three sons.]](jpegs/14709.jpg)
[King Charles I and his three sons.]
Printed for & Sold by Carington Bowles, No.69 in St. Pauls Church Yard London. [n.d., c.1790.]
Very rare etching. Sheet 265 x 215mm (10½ x 8½"). Trimmed to plate and tipped into album page. Horizontal crease.
Charles I (1600 - 1649) in robe and armour, holding his sceptre wearing a crown on his head, standing in the centre with his three sons. They are the future monarchs Charles II (1630 - 1685) and James II (1633 - 1701, a hawk or falcon on his hand), and Henry, Duke of Gloucester (1640 - 1660). Each portrait is captioned in Latin below. Numbered '46' lower right. An 18th century reissue on laid paper of a very rare 17th century print, published by Carington Bowles (1724 - 1793).
[Ref: 14709] £280.00 (£336.00 incl.VAT)
Printed for & Sold by Carington Bowles, No.69 in St. Pauls Church Yard London. [n.d., c.1790.]
Very rare etching. Sheet 265 x 215mm (10½ x 8½"). Trimmed to plate and tipped into album page. Horizontal crease.
Charles I (1600 - 1649) in robe and armour, holding his sceptre wearing a crown on his head, standing in the centre with his three sons. They are the future monarchs Charles II (1630 - 1685) and James II (1633 - 1701, a hawk or falcon on his hand), and Henry, Duke of Gloucester (1640 - 1660). Each portrait is captioned in Latin below. Numbered '46' lower right. An 18th century reissue on laid paper of a very rare 17th century print, published by Carington Bowles (1724 - 1793).
[Ref: 14709] £280.00 (£336.00 incl.VAT)
Charles Prince of Wales Second Son of James 1st. Afterwards King.
Engraved by Charles Turner from a unique print by Delaram.
London: Published by S.Woodburn, 112 St. Martin's Lane.
Mezzotint on chine collé. 380 x 265mm (15 x 10½"). Marginal foxing.
Charles I, King of England (1600-49), on horseback in a landscape. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470.
[Ref: 13288] £160.00 (£192.00 incl.VAT)
Engraved by Charles Turner from a unique print by Delaram.
London: Published by S.Woodburn, 112 St. Martin's Lane.
Mezzotint on chine collé. 380 x 265mm (15 x 10½"). Marginal foxing.
Charles I, King of England (1600-49), on horseback in a landscape. A copy of the engraving by Francis Delaram (1615 - 1624; active), by Charles Turner (1773 - 1857). From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 470.
[Ref: 13288] £160.00 (£192.00 incl.VAT)
The History of King Charles by H. L. Esq.r.
G. Faithorne. f.
Engraving. 220 x 135mm (8¾ x 5¼"). Undermounted on a album sheet.
Title-page to Hamon L'Estrange, 'The History of King Charles' London, 1655 with inscriptions in Latin and Greek.
Fagan:p.75.
[Ref: 10873] £220.00 (£264.00 incl.VAT)
G. Faithorne. f.
Engraving. 220 x 135mm (8¾ x 5¼"). Undermounted on a album sheet.
Title-page to Hamon L'Estrange, 'The History of King Charles' London, 1655 with inscriptions in Latin and Greek.
Fagan:p.75.
[Ref: 10873] £220.00 (£264.00 incl.VAT)
![[Charles I]](jpegs/42220.jpg)
[Charles I]
WH fec: 1644.
Etching, text verso; sheet 250 x 195mm (9¾ x 7¾"). Foxing,
Charles I (1600-49) in armour, on horseback, with an army behind him and a city (Berwick-on-Tweed?) in the distance. While this state is dated 1644, the print was first published on a broadside issued in 1639 when Charles advanced to Berwick with an army of which Thomas Howard, earl of Arundel, was Commander-in-chief. In this state, the print was the frontispiece to Sir Edward Walker's 'Historical Discourses' (1705), reissued as 'Historical collections' in 1707. Etching by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England after meeting Arundel in Cologne in 1636. Hollar commemorated his patrons role in the campaign against Scotland by etching his portrait on horseback.
Pennington 1686 iii/iii.
[Ref: 42220] £220.00 (£264.00 incl.VAT)
WH fec: 1644.
Etching, text verso; sheet 250 x 195mm (9¾ x 7¾"). Foxing,
Charles I (1600-49) in armour, on horseback, with an army behind him and a city (Berwick-on-Tweed?) in the distance. While this state is dated 1644, the print was first published on a broadside issued in 1639 when Charles advanced to Berwick with an army of which Thomas Howard, earl of Arundel, was Commander-in-chief. In this state, the print was the frontispiece to Sir Edward Walker's 'Historical Discourses' (1705), reissued as 'Historical collections' in 1707. Etching by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England after meeting Arundel in Cologne in 1636. Hollar commemorated his patrons role in the campaign against Scotland by etching his portrait on horseback.
Pennington 1686 iii/iii.
[Ref: 42220] £220.00 (£264.00 incl.VAT)
The King's Declaration to his Gentry and Army in September 1642. His Majesty soon after setting up his Standard....was confident of God's Blessing.
Parr Sculp.
[John Bowles, London, c.1750.]
Engraving, sheet 413 x 445mm. Trimmed within plate, glued to album page.
Charles I assembles his Royalist army outside Shrewsbury (the town is visible in the background) at the onset of the Civil War. Engraved by Nathaniel Parr.
[Ref: 7913] £240.00 (£288.00 incl.VAT)
Parr Sculp.
[John Bowles, London, c.1750.]
Engraving, sheet 413 x 445mm. Trimmed within plate, glued to album page.
Charles I assembles his Royalist army outside Shrewsbury (the town is visible in the background) at the onset of the Civil War. Engraved by Nathaniel Parr.
[Ref: 7913] £240.00 (£288.00 incl.VAT)
The King Siezed By Joyce At Holmby House June 4th. 1647. The Scots haveing deliver'd up the King to the Parliament on Jan. 30th. 1646....detain'd Prisoner at Hampton Court.
[Parr f.]
[John Bowles, London, c.1750.]
Engraving, sheet 410 x 440mm. Trimmed within plate, glued to album page.
After escaping the Siege of Oxford in April 1646, Charles I put himself into the hands of the Scottish Presbyterian army at Newark, and was taken to nearby Southwell while his 'hosts' decided what to do with him. The Presbyterians finally arrived at an agreement with Parliament and delivered Charles to them in 1647. He was imprisoned at Holdenby House in Northamptonshire, until cornet George Joyce took him by force to Newmarket in the name of the New Model Army. At this time, mutual suspicion had developed between the New Model Army and Parliament, and Charles was eager to exploit it. The King was then transferred first to Oatlands and then to Hampton Court, where more involved but fruitless negotiations took place. He was persuaded that it would be in his best interests to escape — perhaps abroad, perhaps to France, or perhaps to the custody of Colonel Robert Hammond, Parliamentary Governor of the Isle of Wight. He decided on the last course, believing Hammond to be sympathetic, and fled on 11 November. Hammond, however, was opposed to Charles, whom he confined in Carisbrooke Castle. Engraved by Nathaniel Parr.
[Ref: 7915] £220.00 (£264.00 incl.VAT)
[Parr f.]
[John Bowles, London, c.1750.]
Engraving, sheet 410 x 440mm. Trimmed within plate, glued to album page.
After escaping the Siege of Oxford in April 1646, Charles I put himself into the hands of the Scottish Presbyterian army at Newark, and was taken to nearby Southwell while his 'hosts' decided what to do with him. The Presbyterians finally arrived at an agreement with Parliament and delivered Charles to them in 1647. He was imprisoned at Holdenby House in Northamptonshire, until cornet George Joyce took him by force to Newmarket in the name of the New Model Army. At this time, mutual suspicion had developed between the New Model Army and Parliament, and Charles was eager to exploit it. The King was then transferred first to Oatlands and then to Hampton Court, where more involved but fruitless negotiations took place. He was persuaded that it would be in his best interests to escape — perhaps abroad, perhaps to France, or perhaps to the custody of Colonel Robert Hammond, Parliamentary Governor of the Isle of Wight. He decided on the last course, believing Hammond to be sympathetic, and fled on 11 November. Hammond, however, was opposed to Charles, whom he confined in Carisbrooke Castle. Engraved by Nathaniel Parr.
[Ref: 7915] £220.00 (£264.00 incl.VAT)
King Charles Takeing Leave Of His Children 29th. Jan. 1648/9. The King was permitted to see his Children whilst Prisoner at Hampton Court...[etc.]
[Parr f.]
[John Bowles, London, c.1750.]
Engraving, sheet 410 x 440mm. Trimmed within plate, glued to album page. Lower right corner extremity missing.
In January 1649, in response to Charles's defiance of Parliament even after defeat, and his encouraging the second Civil War while in captivity, the House of Commons passed an Act of Parliament creating a court for Charles's trial. After the first Civil War, the parliamentarians accepted the premise that the King, although wrong, had been able to justify his fight, and that he would still be entitled to limited powers as King under a new constitutional settlement. It was now felt that by provoking the second Civil War even while defeated and in captivity, Charles showed himself incorrigible, dishonourable, and responsible for unjustifiable bloodshed. The idea of trying a king was a novel one; previous monarchs had been deposed, but had never been brought to trial as monarchs. The High Court of Justice established by the Act consisted of 135 Commissioners but only about half of that number ever sat in judgement (all firm Parliamentarians); the prosecution was led by Solicitor General John Cooke. Engraved by Nathaniel Parr.
[Ref: 7916] £120.00 (£144.00 incl.VAT)
[Parr f.]
[John Bowles, London, c.1750.]
Engraving, sheet 410 x 440mm. Trimmed within plate, glued to album page. Lower right corner extremity missing.
In January 1649, in response to Charles's defiance of Parliament even after defeat, and his encouraging the second Civil War while in captivity, the House of Commons passed an Act of Parliament creating a court for Charles's trial. After the first Civil War, the parliamentarians accepted the premise that the King, although wrong, had been able to justify his fight, and that he would still be entitled to limited powers as King under a new constitutional settlement. It was now felt that by provoking the second Civil War even while defeated and in captivity, Charles showed himself incorrigible, dishonourable, and responsible for unjustifiable bloodshed. The idea of trying a king was a novel one; previous monarchs had been deposed, but had never been brought to trial as monarchs. The High Court of Justice established by the Act consisted of 135 Commissioners but only about half of that number ever sat in judgement (all firm Parliamentarians); the prosecution was led by Solicitor General John Cooke. Engraved by Nathaniel Parr.
[Ref: 7916] £120.00 (£144.00 incl.VAT)
Charles Premier Roy d'Angleterre d'Escosse et d'Irlande.
F. Chauveau Sculpsit.
[n.d. c.1670.]
Engraving. 184 x 127mm. 7¼ x 5".
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
Ex Norman Blackburn Collection.
[Ref: 18713] £70.00 (£84.00 incl.VAT)
F. Chauveau Sculpsit.
[n.d. c.1670.]
Engraving. 184 x 127mm. 7¼ x 5".
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
Ex Norman Blackburn Collection.
[Ref: 18713] £70.00 (£84.00 incl.VAT)
K. Charles I.st
Done after the last Original Medal.
[n.d. c.1770.]
Stipple, 228 x 165mm. 9 x 6½".
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
Ex Norman Blackburn Collection.
[Ref: 18721] £80.00 (£96.00 incl.VAT)
Done after the last Original Medal.
[n.d. c.1770.]
Stipple, 228 x 165mm. 9 x 6½".
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
Ex Norman Blackburn Collection.
[Ref: 18721] £80.00 (£96.00 incl.VAT)
Carolus Dei Gratia Magnae Britanniae Franciae Et Hibern.Rex.
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching. Paper watermarked. Plate 242 x 190mm. 9½ x 7½". Late.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :19025 for earlier state; & Ref: 19026 for 17th century state.
[Ref: 18647] £160.00 (£192.00 incl.VAT)
Antonius Van Dÿck Pinxit. [J. Meyssens.] Excudit.
[n.d. c.1640].
Etching. Paper watermarked. Plate 242 x 190mm. 9½ x 7½". Late.
A portrait of Charles I (1600-1649), King of England, Scotland and Ireland.
See Ref :19025 for earlier state; & Ref: 19026 for 17th century state.
[Ref: 18647] £160.00 (£192.00 incl.VAT)
Charles I.st King of Great Britain &c. 80.
[After Anthony Van Dyck][After Sir Peter Lely]
London, Printed for Robert Sayer, N.o 53, Fleet Street. [n.d. c.1760.]
Mezzotint, plate 350 x 250mm (13¾ x 9¾"). Slightly scuffed. Small margins.
Three-quarter length portrait of Charles I, King of England (1600-1649). Right hand resting on the brim of his tall hat on a table in front of him; left hand, with ring on little finger, holding gloves; wearing a satin doublet and velvet cloak over the left shoulder, with a large star on the sleeve and pointed lace at the cuffs and wide collar. After Lely's copy after Van Dyck.
CS 75.III. See Ref: 34267 for duplicate.
[Ref: 59385] £260.00 (£312.00 incl.VAT)
[After Anthony Van Dyck][After Sir Peter Lely]
London, Printed for Robert Sayer, N.o 53, Fleet Street. [n.d. c.1760.]
Mezzotint, plate 350 x 250mm (13¾ x 9¾"). Slightly scuffed. Small margins.
Three-quarter length portrait of Charles I, King of England (1600-1649). Right hand resting on the brim of his tall hat on a table in front of him; left hand, with ring on little finger, holding gloves; wearing a satin doublet and velvet cloak over the left shoulder, with a large star on the sleeve and pointed lace at the cuffs and wide collar. After Lely's copy after Van Dyck.
CS 75.III. See Ref: 34267 for duplicate.
[Ref: 59385] £260.00 (£312.00 incl.VAT)
Serenissimus Potenissimusq Princeps Carolus DEI gratia Magna Britannia et Hibern. Rex.
Anton. van Dyck pinxit. Petrus de Iode fecit.
[n.d., c.1641.]
Engraving. Plate: 170 x 120mm (6¾ x 4¾'') very large margins.
A portrait of Charles I (1600-1649) after a painting by Anthony van Dyck.
[Ref: 48650] £120.00 (£144.00 incl.VAT)
Anton. van Dyck pinxit. Petrus de Iode fecit.
[n.d., c.1641.]
Engraving. Plate: 170 x 120mm (6¾ x 4¾'') very large margins.
A portrait of Charles I (1600-1649) after a painting by Anthony van Dyck.
[Ref: 48650] £120.00 (£144.00 incl.VAT)
Carolus Stuart, Koningk van Engelandt, Schotlandt, En Irlandt, Gebooren Ao.1600. Binnen Londen onthast, Ao. 1649. in't 24, Iaer zyner Regeeringe.
Ant: van Dyck pinxit. S. Savery fecit.
Joost Hartgers excud [n.d. c.1649].
Etching. Sheet 150 x 195mm (6 x 7¾). Trimmed to plate, mounted in album paper at edges.
A portrait of Charles I (1600-49), wearing a broad rimmed black hat, with Westminster and St James's Palace in the background.
[Ref: 62082] £220.00 (£264.00 incl.VAT)
Ant: van Dyck pinxit. S. Savery fecit.
Joost Hartgers excud [n.d. c.1649].
Etching. Sheet 150 x 195mm (6 x 7¾). Trimmed to plate, mounted in album paper at edges.
A portrait of Charles I (1600-49), wearing a broad rimmed black hat, with Westminster and St James's Palace in the background.
[Ref: 62082] £220.00 (£264.00 incl.VAT)
The last Interview between King Charles the first & his Children (Princess Elizabeth & the Duke of Gloucester) the day before his Martyrdom.
Benazech inv.t. Gaugain sculp.t.
Pub. April 1788, by Jane White, No 38. Tavistock Street, London.
Scarce stipple. 420 x 470mm (16½ x 18½) very large margins. Repaired tears in margins.
Charles I in confinement at St James's Palace, visited by two of his younger children. The account of Elizabeth (1635-50), found among her possessions when she died of pneumonia aged 14 while still Parliament's prisoner, is the main source for Charles's last days. It suggested that Cromwell intended to make Henry (1640-60) a puppet king. Later, having embraced Protestantism, Henry was released in 1652 and went to Paris to live with his mother; he died of small pox mere months after the Restoration. This plate was published as a pair to a plate of Mary Queen of Scots receiving her death warrant. Later the artist, Charles Benazech (c.1767-1794), was in Paris as the French Revolution erupted. This scene was mirrored in his ''La derniere entrevue de Louis XVI avec sa famille la veille de son execution'', one of a set of four plates of the last days of the French king.
[Ref: 52151] £280.00 (£336.00 incl.VAT)
Benazech inv.t. Gaugain sculp.t.
Pub. April 1788, by Jane White, No 38. Tavistock Street, London.
Scarce stipple. 420 x 470mm (16½ x 18½) very large margins. Repaired tears in margins.
Charles I in confinement at St James's Palace, visited by two of his younger children. The account of Elizabeth (1635-50), found among her possessions when she died of pneumonia aged 14 while still Parliament's prisoner, is the main source for Charles's last days. It suggested that Cromwell intended to make Henry (1640-60) a puppet king. Later, having embraced Protestantism, Henry was released in 1652 and went to Paris to live with his mother; he died of small pox mere months after the Restoration. This plate was published as a pair to a plate of Mary Queen of Scots receiving her death warrant. Later the artist, Charles Benazech (c.1767-1794), was in Paris as the French Revolution erupted. This scene was mirrored in his ''La derniere entrevue de Louis XVI avec sa famille la veille de son execution'', one of a set of four plates of the last days of the French king.
[Ref: 52151] £280.00 (£336.00 incl.VAT)
![[Charles I] Illustriss: et Potentiss: Pr. Carolus Magnæ Britan: et Hybern: Princeps, Ebor et Alban: Dux.](jpegs/52550.jpg)
[Charles I] Illustriss: et Potentiss: Pr. Carolus Magnæ Britan: et Hybern: Princeps, Ebor et Alban: Dux. Vraye Eggigie Du tres Illustre et tres noble Prince Charle, Prince de Walles, Duc de Cornewall, Yorck, et Albany, Conte de Chester, et chevalier de l'ord de la Jartiere.
[n.d., c.1620.]
Engraving. Sheet 165 x 105mm (6½ x 4¼"). Trimmed to printed border.
Portrait of Charles I (1600-49) as a young man. The Latin title around the image does not mention the titles he assumed when his older brother Henry died in 1612, although the French title underneath calls him Duke of Cornwall (1612) and Prince of Wales (1616).
[Ref: 52550] £65.00 (£78.00 incl.VAT)
[n.d., c.1620.]
Engraving. Sheet 165 x 105mm (6½ x 4¼"). Trimmed to printed border.
Portrait of Charles I (1600-49) as a young man. The Latin title around the image does not mention the titles he assumed when his older brother Henry died in 1612, although the French title underneath calls him Duke of Cornwall (1612) and Prince of Wales (1616).
[Ref: 52550] £65.00 (£78.00 incl.VAT)
![[Charles I receiving the celesial crown.]](jpegs/66341.jpg)
[Charles I receiving the celesial crown.]
[Etched by Salomon Savery.]
[n.d., c.1649.]
Etching. Sheet 165 x 115mm (6½ x 4½"). Trimmed close to image, laid on album paper.
Charles I, lying on a bier, drops his crown as two cherubs bring his celestial crown.
Scottish National Portrait Gallery SP II 20.70.
[Ref: 66341] £130.00 (£156.00 incl.VAT)
[Etched by Salomon Savery.]
[n.d., c.1649.]
Etching. Sheet 165 x 115mm (6½ x 4½"). Trimmed close to image, laid on album paper.
Charles I, lying on a bier, drops his crown as two cherubs bring his celestial crown.
Scottish National Portrait Gallery SP II 20.70.
[Ref: 66341] £130.00 (£156.00 incl.VAT)
![[Key to Charles I Demanding in the House of Commons the Five Impeached Members]](jpegs/66345.jpg)
[Key to Charles I Demanding in the House of Commons the Five Impeached Members]
[after John Singleton Copley]
[n.d., 1795.]
Rare etched keyplate. Sheet 200 x 240mm (8 x 9¼"). Trimmed within plate, central fold.
The keyplate to John Singleton Copley's painting of Charles I demanding the surrender of five MPs accused of encouraged the Scots to invade England in the recent Bishops' Wars, listing 58 of the figures.
[Ref: 66345] £140.00 (£168.00 incl.VAT)
[after John Singleton Copley]
[n.d., 1795.]
Rare etched keyplate. Sheet 200 x 240mm (8 x 9¼"). Trimmed within plate, central fold.
The keyplate to John Singleton Copley's painting of Charles I demanding the surrender of five MPs accused of encouraged the Scots to invade England in the recent Bishops' Wars, listing 58 of the figures.
[Ref: 66345] £140.00 (£168.00 incl.VAT)
![[T]rue Picture of King Charles.](jpegs/68074.jpg)
[T]rue Picture of King Charles. The first Martyr as he sate in [Wes]tminster Hall for his tryall to be beheaded.
[After Edward Bower]
[n.d., c.1700.]
Engraving. Sheet 170 x 115mm (6¾ x 4½"). Trimmed and backed onto album paper at edges. Some time staining.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68074] £130.00 (£156.00 incl.VAT)
[After Edward Bower]
[n.d., c.1700.]
Engraving. Sheet 170 x 115mm (6¾ x 4½"). Trimmed and backed onto album paper at edges. Some time staining.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68074] £130.00 (£156.00 incl.VAT)
K. Charles I.
H.Hulfbergh Sc.
1625.
Engraving. Sheet 125 x 100mm (5 x 4"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68078] £70.00 (£84.00 incl.VAT)
H.Hulfbergh Sc.
1625.
Engraving. Sheet 125 x 100mm (5 x 4"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68078] £70.00 (£84.00 incl.VAT)
Charles I. King of England. [H]is Sufferings, & his Death with truth proc[...] For He got Glory, but the Nation Shame [...]
[after Anthony Van Dyck]
[n.d., c.1660.]
Engraving. Sheet 135 x 75mm (5¼ x 3"). Trimmed and backed onto album paper at borders
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68079] £80.00 (£96.00 incl.VAT)
[after Anthony Van Dyck]
[n.d., c.1660.]
Engraving. Sheet 135 x 75mm (5¼ x 3"). Trimmed and backed onto album paper at borders
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68079] £80.00 (£96.00 incl.VAT)
King Charles ye 1st. Butchered before his Palace at Whitehall Jan.30.1648.
[n.d., c.1700.]
Rare engraving. Sheet 120 x 85mm (4¾ x 3¼"). Trimmed and backed onto album paper at borders.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68080] £140.00 (£168.00 incl.VAT)
[n.d., c.1700.]
Rare engraving. Sheet 120 x 85mm (4¾ x 3¼"). Trimmed and backed onto album paper at borders.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68080] £140.00 (£168.00 incl.VAT)
![[Charles I.]](jpegs/68085.jpg)
[Charles I.] Fidei Defensor.
Guil. Marshall sculp.
[n.d., c.1649.]
Engraving. Sheet 150 x 85mm (6 x 3¼"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649, writing on a globe.
Wellcome.
[Ref: 68085] £160.00 (£192.00 incl.VAT)
Guil. Marshall sculp.
[n.d., c.1649.]
Engraving. Sheet 150 x 85mm (6 x 3¼"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649, writing on a globe.
Wellcome.
[Ref: 68085] £160.00 (£192.00 incl.VAT)
![[Charles I.]](jpegs/68086.jpg)
[Charles I.] [If Prudence, Temprance , Valor, Patience...]
[after Sir Anthony Van Dyck] [Saloman Savery]
[n.d., c.1650.]
Engraving. Sheet 135 x 110mm (5¼ x 4¼"). Trimmed losing text and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68086] £130.00 (£156.00 incl.VAT)
[after Sir Anthony Van Dyck] [Saloman Savery]
[n.d., c.1650.]
Engraving. Sheet 135 x 110mm (5¼ x 4¼"). Trimmed losing text and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68086] £130.00 (£156.00 incl.VAT)
![[Eikon Basilike.]](jpegs/68087.jpg)
[Eikon Basilike.] [Charles I.]
Guil.Marshall sculpsit.
[n.d., c.1649.]
Engraving. Sheet 125 x 125mm (5 x 5"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68087] £160.00 (£192.00 incl.VAT)
Guil.Marshall sculpsit.
[n.d., c.1649.]
Engraving. Sheet 125 x 125mm (5 x 5"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68087] £160.00 (£192.00 incl.VAT)
![[Eikon Basilike.]](jpegs/68088.jpg)
[Eikon Basilike.] [Charles I.]
[Guil.Marshall sculpsit.]
[n.d., c.1649.]
Engraving. Sheet 125 x 65mm (5 x 2½"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68088] £120.00 (£144.00 incl.VAT)
[Guil.Marshall sculpsit.]
[n.d., c.1649.]
Engraving. Sheet 125 x 65mm (5 x 2½"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68088] £120.00 (£144.00 incl.VAT)