Grosvenor Prints

Catharina D.G. Magnae Britanniae Franciae et Hiberniae Regina. Filia Ioannis IIII Reg. Portug etc.
P. Lely pinx. A. Blooteling fec.
[n.d., c.1680.]
Mezzotint. Plate: 295 x 215mm (11½ x 8½"). Some nicks in bottom left corner. Thread margins.
A portrait of Catherine de Braganza (1638-1705), the Portugese wife of Charles II, shown seated in an ornate chair with a crown on a table to the left.
CS: f, ii of ii.
[Ref: 45526] £380.00

Catharina D.G. Magnae Britanniae Franciae et Hiberniae Regina. Filia Joannis iiii Reg. Portug etc.
P. Lely Pinxit. A. Blooteling fe.
Jo: Lloyd ex [n.d., c.1680]. Bit later
Mezzotint. Sheet 120 x 80mm (4¾ x 3¼"). Trimmed within plate, mounted in album paper..
A head and shoulders portrait in oval of Catherine de Braganza (1638-1705), the Portugese wife of Charles II.
CS: e. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64804] £160.00 (£192.00 incl.VAT)

Catharina D.G. Magnae Britanniae Franciae et Hiberniae Regina. Filia Joannis iiii Reg. Portug etc.
P. Lely Pinxit. A. Blooteling fe.
Jo: Lloyd ex [n.d., c.1680]. Bit later.
Fine mezzotint. 125 x 95mm (5 x 3¾"). Narrow margins.
A head and shoulders portrait in oval of Catherine de Braganza (1638-1705), the Portugese wife of Charles II.
CS: e. Ex: Collection of The Hon. Christopher Lennox-Boyd & Lady Lucas of Crudwell.
[Ref: 64802] £160.00 (£192.00 incl.VAT)

Catharina D.G. Magnae Britanniae Franciae et Hiberniae Regina. Filia Joannis iiii Reg. Portug etc.
P. Lely Pinxit. A. Blooteling fe.
Jo: Lloyd ex [n.d., c.1680]. Bit later.
Mezzotint. Sheet 125 x 85mm (5 x 3¼"). Trimmed within plate.
A head and shoulders portrait in oval of Catherine de Braganza (1638-1705), the Portugese wife of Charles II.
CS: e. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64803] £140.00 (£168.00 incl.VAT)

[Katherine Queen of Great Brittain France & Ireland]
[Iacobus Haysmans pinxit] [R Tompson excudit]
[n.d., c.1690.]
Rare mezzotint, sheet 425 x 320mm (16¾ x 12¾"). Trimmed losing title area and tipped into album sheet.
Catherine of Braganza, Queen of Charles II (1638-1705) depicted as St. Catherine, holding a martyr’s palm and a broken wheel.
CS7. Blackett-Ord T22. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65052] £240.00 (£288.00 incl.VAT)

Catharina D:G: Mag: Brit: Fra: et. Hib: Regina Filia Joannis IIII Reg: Portug: &c.
I. Haysmans pinx: I. Smith ex
[n.d. c.1811.]
Mezzotint with very large margins. Plate 342 x 253mm (13½ x 10"). Late.
Catherine of Braganza, Queen of Charles II (1638-1705), Infanta of Portugal and daughter of Joao V. In 1662 she married Charles II.
CS: 14 (page. 1651) IV of IV. See Ref: 12821 for earlier impression.
[Ref: 30915] £170.00 (£204.00 incl.VAT)

[Catherine of Braganza] Katherine Queen Dowager.
[Engraved by Isaac Beckett.]
J.Smith excudit. [n.d., c.1700.]
Mezzotint. 200 x 145mm (8 x 5½"). 'dec 1705' in ink under title. Trimmed to plate. Some time staining.
Catherine of Braganza. Originally published by Beckett.
CS: Beckett 13, state ii of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 53658] £190.00 (£228.00 incl.VAT)

[Catherine of Braganza] Catharina D.G. Magnae Britan. Franc. et Hiberniae Regina Filia Ioannis IV.R R. Portug etc.
P. Lely pinxit A. Blooteling fecit et ex 1680.
Very fine mezzotint. Sheet 335 x 240mm (13¼ x 9½"). Trimmed; glued to backing sheet at edges.
A portrait in an oval of Catherine of Braganza (1638-1705), wife of Charles II. A detail from a seated portrait by Sir Peter Lely.
CS: d, iii of iii.
[Ref: 42889] £340.00

Catharina D.G. Magnae Britanniae Franciae et Hiberiae Regina. Filia Ioannis IIII Reg. Portug etc.
P. Lely pinx. A. Blooteling fec.
[n.d., c.1680.]
Scarce mezzotint. Sheet: 295 x 220mm (11½ x 8¾"). Trimmed and laid in an album sheet at edges.
A portrait of Catherine of Braganza (1638-1705), wife of Charles II, shown sitting on a chair, facing left.
CS f, ii of ii.
[Ref: 43055] £320.00

Catharina D.G. Magnae Britanniae Franciae et Hiberniae Regina. Filia Ioannis IIII Reg. Portug etc.
P. Lely pinx. A. Blooteling fec.
[n.d., c.1680.]
Mezzotint, proof before letters. Collection Lady Lucas of Crudwell. Sheet 290 x 215mm (11¼ x 8½"). Trimmed to plate.
A portrait of Catherine de Braganza (1638-1705), the Portugese wife of Charles II, shown seated in an ornate chair with a crown on a table to the left.
CS: f. ii of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd. See 64774 for PBL. Griffith's Stuart Britain 154.
[Ref: 64785] £320.00

[Catherine Queen of Charles 2d.]
[Engraved by Dunkerton from a rare print by Faithorne.]
n.d., c.1815.]
Mezzotint, proof before letters. Sheet: 330 x 230mm (13 x 9"). Trimmed and laid on album sheet.
A portrait of Catherine of Braganza (1638-1705) after Dirk Stoop's 1661 portrait of her before her wedding to Charles II in 1662.
[Ref: 43162] £450.00

[Catherine of Braganza] Catharina D.G. Magnae Britan. Franc. et Hiberniae Regina Filia Ioannis IV.R R. Portug etc.
P. Lely pinxit A. Blooteling fecit et ex 1680.
Very fine mezzotint, 17th century watermark. 345 x 250mm (13½ x 9¾"). Trimmed within plate, to oval at sides. Collector's stamp on reverse, 'E.M.H'.
A portrait in an oval of Catherine of Braganza (1638-1705), wife of Charles II. A detail from a seated portrait by Sir Peter Lely.
CS: d, iii of iii. Ex: Collections of The Hon. Christopher Lennox-Boyd and Lady Lucas of Crudwell.
[Ref: 64798] £320.00

Catharina D: G: Mag: Brit: Fra: et Hib: Regina Filia Joannis IIII Reg: Portuga: &c.
T. Haysmans pinx: I. Smith ex:
Sold at the corner of Hemmings Row, in St. Martins Lane, London. [separate strip stuck onto the bottom of the image.] [n.d. c.1680.]
Mezzotint. Mounted on an album page. Image 338 x 252mm. 13¼ x 10". Cut and laid on sheet.
Catherine of Braganza (1638-1705), Portuguese Infanta and the queen consort of Charles II.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12821] £290.00 (£348.00 incl.VAT)

[Catharina D.G. Magnae Britanniae Franciae et Hiberniae Regina. Filia Ioannis IIII Reg. Portug etc.]
[P. Lely pinx. A. Blooteling fec.]
[n.d., c.1680.]
Scarce & fine mezzotint, proof before letters. Sheet 290 x 215mm (11¼ x 8½"). Trimmed just into image left and right.
A portrait of Catherine de Braganza (1638-1705), the Portugese wife of Charles II, shown seated in an ornate chair with a crown on a table to the left.
CS: f. i of ii. Ex: Collection of The Hon. Christopher Lennox-Boyd. Griffiths "Stuart Britain" 154, Hollstein 172i see Ref: 64785 for lettered impression.
[Ref: 64774] £390.00

S. Catharina Senensis.
A. Costa Sc. F. Vanni Pi: [c.1700]
Engraving, watermark L.L.; platemark 205 x 150mm (8 x 6") large margins. Later printing on 19th century paper.
Saint Catherine of Siena (1347-80) meditating on a skull, with other objects including a carving of Christ on the cross. After Francesco Vanni (1563-1610), Sienese artist who was the leading figure in the city's artistic life from the 1590s onwards, and who received several commissions for the city's churches.
[Ref: 40558] £95.00 (£114.00 incl.VAT)

The Oldenburg Procession Through Oxford. May 1814.
J.H. del.t & sculp.t 1816.
Engraving. 180 x 330mm (7 x 13"). Slight foxing.
Satire on the visit of Grand Duchess Catherine Pavlovna of Russia (1788 - 1819), daughter of Tsar Paul I of Russia, widow of Peter Friedrich Georg I, Duke of Oldenburg and from 1816 Queen of Württemberg. During her visit, degrees were presented to the Allied sovereigns. She wears an 'Oldenburgh Bonnet', and is followed by two squat women, named underneath as Madams Aladensky & Volchousky, and Prince Gagarin.
BM: 12820, "evidently by an amateur".
[Ref: 32475] £160.00 (£192.00 incl.VAT)

Map Shewing the situation of each Roman Catholic Chapel, College & Seminary Throughout England, Scotland, And Wales. March, 1859
L. Schönberg. lith. 108 Hatton Garden.
Published for Fraser's Magazine, at 215 Regent Street, London,
Lithograph, 260 x 165mm. Extremely rare. Horizontl fold; laid on album sheet.
A map showing the locations of Roman Catholic institutions in England, Scotland and Wales.
[Ref: 11126] £220.00

The M.P. Marching at the Head of his 300 Jontlemen!!!
[Paul Pry] Esq.
Pub by T McLean 26 Haymarket where Polticial and other Caricatures are daily Pub. [n.d. c.May 1829]
Fine hand-coloured etching. 240 x 355mm (9½ x 14). Trimmed past platemark.. Very small tear in right edge.
Satire published in the wake of Catholic Emancipation. An unrecognizable O'Connell marches jauntily to a door on the extreme right, over which is a board inscribed 'St Ste[phens] To Trespassers Men-Traps—Constantly Set—Beware'. He is followed by a jubilant Irish mob, yelling and flourishing shillelaghs- one holds a placard reading 'Unconditional Emancipation For Ever'. The crowd are evidently from St. Giles and similar Irish slums in London; two carry hods, emblem of the Irish builder's labourer or hodman.
BM Satires: 15763.
[Ref: 52758] £220.00 (£264.00 incl.VAT)

The Mountain in Labour_or Much ado about nothing.
[Robert Seymour?]
Pub.d by Tho.s McLean, 26 Haymarket, March 2 1829.
Rare fine hand-coloured etching, sheet 230 x 320mm (9¼ x 12½"). On paper watermarked 'J. Whatman Turkey Mill 1828'. Trimmed to image on 3 sides. Paper toned.
Satire on the imminent 'birth' of the Catholic Emancipation Bill, published just days before the Bill was introduced/delivered. At the centre of the image are Wellington (holding 'Ministerial Forceps'), Peel (with a bottle of medicine), and an old woman, as doctor-accoucheur, apothecary, and nurse. The nurse sits with a copy of The Times, which had urged concessions to the Catholics and was styled 'the hireling of Popery' by opponents of the Bill. Three winds of 'Faction' blow from above, issuing from the heads of Eldon (chief opponent of Emancipation), Winchelsea (included in reference to his extravagant speches) and a third. Figures around the edges include two frenzied bishops, two non-Anglican ministers (of which one is evidently Irving), O'Connell in wig and gown stood addressing a band of his followers, and Cumberland top right, in hussar uniform.
BM Satires 15677.
[Ref: 62867] £160.00 (£192.00 incl.VAT)

[March of the Catholic League] Procession de la Fameuse Ligue Contre Henri IV, en 1593.
[after François Bunel.]
[n.d., c 1800.]
Scarce etching with engraving. 360 x 490mm (14¼ x 19¼"). Narrow margins.
The French Catholic League marching around Notre Dame in Paris, protesting against the Calvinist Henri IV (Henri of Navarre) during the Wars of Religion (1562-98). Eventually Henri converted to Catholicism and was accepted as the rightful king of France. A reversed copy of an engraving by Pieter van den Keere, published by Cornelis Danckerts c.1625, after François Bunel le Jeune (1522-99), a painter in the service of Henri IV.
[Ref: 59370] £480.00

[Nine Catholic martyrs.] Pro Lege Dei Certaverunt Usque Ad Mortem.
C. Carbonnier del: Printed by C. Hullmandel.
London Pubd. 15. Sepr. 1823 by Keating & Brown 38 Duke Stt. Grosvenor Sqr and 9, Ivy Lane Pater noster Row.
Lithograph on india laid paper, sheet 275 x 215mm. 10¾ x 8½". Margins trimmed.
The bust portraits of nine Catholic martyrs of England, who were all executed in 1679. Their heads are surrounded by clouds and are identified below the image. Catholic Emancipation was a live political issue at the time of publication. A rare print.
[Ref: 14710] £160.00 (£192.00 incl.VAT)

John Bull in Perplexity or Ascendancy versus Union._ His progress they said depended on Ascendancy; and this, they told him was Ascendancy_and consequently the only thing that could do him good. Westminster Review No.19.
[Monogram of Paul Pry, pseudonym of William Heath.]
Pub. by T. McLean 26 Haymarket London [n.d., c.1828].
Rare hand-coloured etching. Framed, sight size 255 x 440mm (10 x 17¼"). Framed over printed border, unexamined out of frame.
A very large satirical scene showing the various politicians involved with the debate regarding Catholic emancipation. On the far left, Wellington and Robert Peel stand on the outskirst of a group of figures including Brougham, with a broom in his pocket, Burdett, Scarlett and Eldon. On the right the Duke of Cumberland dances with the devil and in the distance a waggon labelled 'Common State Waggon John Bull & Co.' rushes towards the scene driven by George IV.
BM Satire 15658.
[Ref: 61230] £280.00 (£336.00 incl.VAT)

[Catholic Relief Bill] Dont you remember the 5th of November.
[Monogram of Paul Pry, pseudonym of William Heath] Esq.
Pub. by T McLean 26 Haymarket Political & other Caricatures pub. Daily [n.d., c.1829].
Hand-coloured etching. Sheet 295 x 390mm (11¾ x 15½"). Trimmed within plate. Glued onto backing sheet at edges.
One of many satires on the authors of the Catholic Relief Bill, which was announced on February 5 1829, playing on the Catholicism of Guy Fawkes and his co-conspirators. Here Wellington and Peel are "guys", tied back to back, bestride a broken chair on which they are being carried to bonfire or gibbet. A bloated bishop in a surplice, probably Howley, walks behind, holding the back chair-legs and saying 'No Popery'. Eldon (who led opposition to the Bill) carries the front of the chair, facing an angry Irishman in tattered clothes protesting against the ceremony, whose barrister's wig identifies him as O'Connell. . In the foreground, on the extreme left, is John Bull, behind him the head of Cumberland.
BM Satires:15664.
[Ref: 61524] £320.00

[Catholic Relief Bill] Protestant Descendency a pull at the Church.
[Monogram of Paul Pry, pseudonym of William Heath] Esq.
Pub March 19 1829 by T. McLean 26 Haymarket where Political & other Cariactures are daily Publishing.
Coloured etching. 255 x 365mm (10 x 14¼") Linen pasted over left platemark, several small pinholes, some cockling of paper. Small margins. Damaged.
A crowd of people gather in a churchyard as a man holds out a 'Petition to Parliament'. They are oblivious to the fact that the ground beneath them has been hollowed out and filled with gunpowder, with a fuse being laid by a priest, and that a crowd including Brougham, Mackintosh, Burdett, Peel and Wellington are pulling down the tower of the church onto their heads. In the background a procession of monks, priests and the Pope walks over a hill towards St Pauls Cathedral, while flames engulf the Monument. A satire on the Catholic Relief Bill.
BM Satire: 15701.
[Ref: 63656] £130.00 (£156.00 incl.VAT)

[Catholic Relief Bill] Protestant Descendency a pull at the Church.
[Monogram of Paul Pry, pseudonym of William Heath] Esq.
Pub March 19 1829 by T. McLean 26 Haymarket where Political & other Cariactures are daily Publishing.
Coloured etching. Sheet 255 x 365mm (10 x 14¼") Trimmed within plate, mounted in album paper at edges.
A crowd of people gather in a churchyard as a man holds out a 'Petition to Parliament'. They are oblivious to the fact that the ground beneath them has been hollowed out and filled with gunpowder, with a fuse being laid by a priest, and that a crowd including Brougham, Mackintosh, Burdett, Peel and Wellington are pulling down the tower of the church onto their heads. In the background a procession of monks, priests and the Pope walks over a hill towards St Pauls Cathedral, while flames engulf the Monument. A satire on the Catholic Relief Bill.
BM Satire: 15701.
[Ref: 63387] £260.00 (£312.00 incl.VAT)

[Catholic Relief Bill] Dont you remember the 5th of November.
[Monogram of Paul Pry, pseudonym of William Heath] Esq.
Pub. by T McLean 26 Haymarket Political & other Caricatures pub. Daily [n.d., c.1829].
Coloured etching. Sheet 260 x 370mm (10¼ x 14½"), paper watermarked 'J Whatman 1828'. Trimmed within plate.
One of many satires on the authors of the Catholic Relief Bill, which was announced on February 5 1829, playing on the Catholicism of Guy Fawkes and his co-conspirators. Here Wellington and Peel are "guys", tied back to back, bestride a broken chair on which they are being carried to bonfire or gibbet. A bloated bishop in a surplice, probably Howley, walks behind, holding the back chair-legs and saying 'No Popery'. Eldon (who led opposition to the Bill) carries the front of the chair, facing an angry Irishman in tattered clothes protesting against the ceremony, whose barrister's wig identifies him as O'Connell. . In the foreground, on the extreme left, is John Bull, behind him the head of Cumberland.
BM Satires:15664.
[Ref: 63390] £180.00 (£216.00 incl.VAT)

[Catholic Relief Bill] How To Keep One's Place. AD. 1833. The public are inform'd that T McLean is the only publisher of P.Prys Caricatures - all those without his publication are Copies.
[Monogram of Paul Pry - William Heath] Esq.
Published March 1829 by T. McLean 26 Haymarket Caricatures daily brought out._
Hand-coloured etching. 265 x 365mm (10½ x 14½"). Narrow margin at top.
The Duke of Clarence kneels before Pope Leo XII proffering a cushion with the royal crown, with Lyndhurst Wellington and Peel also genuflecting. Flanking the Pope are the 'Queen of Heaven' a woman with pinched waist and stomacher, a fat 'St Dominic', 'St Ursula' with her head under her arm and 'St Daniel' (O'Connell), in wig and gown, holding a moneybag inscribed 'Rent' and with a shillelagh against his left shoulder. A satire on the Duke of Clarence's uncompromising speech in favour of Emancipation (February 23 1829). It was expected that Clarence would be king by 1833; he became William IV the next year.
BM Satires: 15689.
[Ref: 56737] £280.00 (£336.00 incl.VAT)

[Catholic Relief Bill] Dont you remember the 5th of November.
[Monogram of Paul Pry, pseudonym of William Heath] Esq.
Pub. by T McLean 26 Haymarket Political & other Caricatures pub. Daily [n.d., c.1829].
Hand-coloured etching. 280 x 375mm (10¼ x 14¾") very large margins.
One of many satires on the authors of the Catholic Relief Bill, which was announced on February 5 1829, playing on the Catholicism of Guy Fawkes and his co-conspirators. Here Wellington and Peel are "guys", tied back to back, bestride a broken chair on which they are being carried to bonfire or gibbet. A bloated bishop in a surplice, probably Howley, walks behind, holding the back chair-legs and saying 'No Popery'. Eldon (who led opposition to the Bill) carries the front of the chair, facing an angry Irishman in tattered clothes protesting against the ceremony, whose barrister's wig identifies him as O'Connell. . In the foreground, on the extreme left, is John Bull, behind him the head of Cumberland.
BM Satires:15664.
[Ref: 52770] £260.00 (£312.00 incl.VAT)

[Catholic Relief Bill] __Finis__.
[Monogram of Paul Pry, pseudonym of William Heath] Esq.
Pub April 1829 by T McLean 26 Haymarket where Caricatures are daily Publishing.
Coloured etching 260 x 375mm (10¼ x 14¾"). Repaired damage inside the plate mark on right. Small margins on 3 sides.
Satire on George IV's eventual assent to the Catholic Relief Bill (to which he was strongly opposed). Te King sits at a round library table and is poised to sign the 'Catholic Rel[ief] Bill', a long document, partly held up by Peel, who kneels. Close behind Peel are Lyndhurst and Wellington; the former uses his mace to block the coronation oath hanging on the wall, while the Duke who screens from the King a portrait of George III on the far wall. George IV's inkstand is supported on an angrily watchful British Lion. In a Gothic fireplace papers are burning: 'Petitions of the People' and 'Vox-Po[puli]'.
BM Satires: 15730.
[Ref: 63725] £160.00 (£192.00 incl.VAT)

Nicolas Catinat, Marechal de France.
D'apres la Statue pedestre Sculptee pour le Roy, Par Mr. de Jou.
A.D.P.R. A Paris chez Duflos rue St Victore. [n.d. c.1780]
Engraving with strong contemporary colour and a gold leaf line border. 278 x 168mm. Some paper toning.
From 'Recueil d'estampes représentant les grades, les rangs et les dignités suivant le costume de toutes les nations existantes' by Pierre Duflos, published 1779-84. The original colour is particularly fine, with gold leaf highlights.
[Ref: 1958] £10.00 (£12.00 incl.VAT)

Madame Catinka de Dietz. Pianiste de L.L.M.M. la Reine de Baviere et la Reine des Francais.
M Alophe [facsimile in image.]
Im. Lemercier a Paris. Journal des Artistes. [n.d. c.1840.]
Lithograph. 305 x 222mm. 12 x 8¾".
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. He career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition.
[Ref: 19949] £95.00 (£114.00 incl.VAT)

Catinka von Dietz. Kammervirtuosin J.M. de Königin von Baiern.
C. Lang [facsimile in image.]
Lith v. Gutsch & Rupp. [n.d. c.1840.]
A rare lithograph. 235 x 164mm. 9¼ s 6½".
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. He career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition. From a portrait by Gustave Staal.
[Ref: 19951] £60.00 (£72.00 incl.VAT)

M.elle Catinka de Dietz. Pianiste de S.M. la Reine de Bavière. L'Artiste.
Staal del et lith.
Lith de Grégoire et Deneux à Paris. [n.d. c.1845.]
Lithograph. Publisher's stamp. 318 x 240mm. 12½ x 9½". Nicks to edges of sheet.
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. Her career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition.
[Ref: 19954] £120.00 (£144.00 incl.VAT)

Cathinka de Dietz. Pianiste de la Reine Bavière. [Facsimile autograph.] Le Ménestrel. Journal de Musique.
J.J. Cutier [facsimile in image.]
Imp. Petit & Bertauts. [n.d. c.1845.]
A rare lithograph. 319 x 241mm. 12½ x 9½".
Madame Catinka de Dietz (1813-1901) made her debut in Paris in 1836 at the Salle Pleyel. He career revolved around placements at different royal courts until in 1840 she became pianist to the queen of Bavaria. The following year she played at the French court and was appointed pianist to the queen of the French in 1845. She composed salon pieces, played regularly for Queen Victoria, and was reported to have written an oratorio for which Queen Victoria accepted the dedication. Her pianistic style was Classical, firmly within the Kalkbrenner tradition.
[Ref: 19955] £95.00 (£114.00 incl.VAT)

[Anne Catley] A Priestess of Bacchus.
Painted by J. Downman. Engraved by J.R. Smith.
Publ. 2d. July 1779, by W. Humphrey, London.
Very rare & scarce mezzotint, proof with stippled title and scratched inscriptions. 530 x 385mm (21 x 15¼"). Restored.
Ann Catley (1745-89), singer and famous courtesan, smiling knowingly over a goblet.
CS 37, this proof state not listed. Frankau 67 i of ii; O' Dench: 137.
[Ref: 56673] £450.00

[Ann Catley & Colonel Kerr] The Fluttering Macaroni. Say little, foolish, fluttering, thing, &c.
Publish'd as the Act directs Nov.r 7. 1772 by MDarly, 39, Strand.
Etching, on 18th century watermarked paper. Sheet 250 x 180mm (9¾ x 7"). Trimmed to plate, mounted in album paper at edges. Very small margins.
The giant figure of Ann Catley (1745-89, a singer, actress and prostitute, later Anne Lacelles) stands with the tiny figure of Colonel William John Kerr (1737-1815, 5th Marquess of Lothian from 1775) balanced on her fingertips. A caricature by the team of Matthew Darly (c.1721-80) & his wife Mary (1736-91).
BM Satires: 4706. See Ref: 63562
[Ref: 63561] £280.00

Cato.
Burney pinx. Bartolozzi Sc.
London Printed for J. Bell, British Library, Strand, July 9, 1791.
Etching with engraving, pt 18th century watermark. 200 x 130mm (8 x 5"). Small margins. Some foxing, mainly in margins.
A warrior and a woman kneeling down over a corpse. One of six frontispieces to 'British Theatre'.
De Vesme 1672, state ii of iii.
[Ref: 55516] £65.00 (£78.00 incl.VAT)

(No. 1) View of Cato Street. Description of the Plate. A. Front view of the Stable in Cato Street [...].
W. H. Harriott delin.t 26 Feb.y 1820. Printed by F. Moser 4 Greenland Place Cromer St. London. Published by J & S Fuller Rathbone Place Feb. 26. 1820.
London, 1820.
Lithograph. 370 x 270mm (14½ x10½"). Laid on album paper. Some light foxing across the print. Horizontal crease across the centre.
A view of the stable on Cato Street where the Cato Street Conspirators assembled, including a key and description. Plate 1 of the 'Cato Street Conspiracy' series. A black and white version of the coloured lithograph.
[Ref: 54124] £65.00 (£78.00 incl.VAT)

Richard Tidd. [&] William Davidson. [&] Thomas Brunt. [&] James Ings. [&] Thomas Hiden. [&] Robert Adams. [&] John Monument. [&] Arthur Thistlewood.
[Engraved by Robert Cooper after Abrham Wivell.
[London, Published by Thos. Kelly, 17 Paternoster Row, May 2 1820.]
Eight stipple-engraved portrait scraps. Largest sheet c. 110 x 85mm (4¼ x 3¼"). Trimmed from larger sheets, mounted on album paper, Thistlewood with old ink mss.
Portraits of the Cato Street Conspirators from a book, 'The Cato Street Conspiracy', published the day after. Thistlewood, Davidson, Ings, Tidd and Brunt were executed at Newgate Prison, 1820.
[Ref: 44441] £160.00 (£192.00 incl.VAT) view all images for this item

[Cato Street Conspiracy] A correct View of the Stable &c. in Cato Street, Marylebone, London. Where Thistlewood & his Party met on the Evening of Tuesday Feb.y 23, 1820, & where taken Prisoners.
Drawn & eng.d by A. Wivell. P.14.
London, Pub. by A. Wivell, 105, Titchfield St.t & Sold at Griffiths 230 Oxford Street. Price 2.s.
Etching. 230 x 350mm (9 x 13¾"). Some creasing, pencil corrections. Working proof.
A plan and exterior view of the house used by the Cato Street Conspiritors. The pencil corrections seem to be the shortening of the title for another version of the plate (BM 1880,1113.4646) , also by Abraham Wivell. However February 23rd was Wednesday, not Tuesday as engraved here.
[Ref: 61253] £180.00 (£216.00 incl.VAT)

Le Chat.
[French, n.d., c.1780.]
Coloured engraving, 18th century watermark. 330 x 205mm (13 x 8"), very large margins.
Four cats on a roof, with an engraved-test description in French. Very fine feline image. From Buc'hoz's Natural History.
[Ref: 63754] £180.00 (£216.00 incl.VAT)

Hazi Matska. Haus-Kaze. Le chat domestique. 102.
[n.d. c.1847.]
Lithograph with large margins, rare. 368 x 240mm (14½ x 9½").
Two cats in the street, one resting in the sun; a can sat in a basket in the garden, with three kittens that peers over the edge. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29489] £120.00 (£144.00 incl.VAT)

Hauskazen. 103.
[n.d. c.1847.]
Lithograph, large margins, rare. 368 x 240mm (14½ x 9½").
Indoors scene of a cat rest and her three kittens playing with a mouse-tail tow; outdoors scene of a cat stanind by her three kittens with play with a ball and string. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29490] £120.00 (£144.00 incl.VAT)

Die Hauskatze. Felis catus domesticus. Le chat domestique. 63.
[n.d. c.1847.]
Lithograph, with small margins, rare. 330 x 228mm (13 x 9").
Cats indoors playing; kittens playing with a homemade mouse tail and a ball and string. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29493] £120.00 (£144.00 incl.VAT)

''So Fond of Listening to Those Dear Little Birds'' [&] ''Coming Out in the World''.
Louisa Corbaux del. et lith. Stannard & Co. Imp.t.
A pair of chromolithographs. Each sheet: 320 x 270mm (12½ x 10½'').
Trimmed.
A pair of portraits of cats by artist and illustrator Louisa Corbaux (1808-1889).
[Ref: 48313] £320.00

[The Wild Cat. Plate XIV. (Felis catus).]
W. Kuhnert [facsimile inside image.]
[London. Frederick Warne & Co. & New York.] [1912.]
Chromolithograph. Plate 241 x 171mm (9½ x 6¾").
A wild cat sitting comfortably on a tree branch. From "Animal Portraiture being Fifty Studies", by Wilhelm Kunhert (text by Richard Lydekker). Friedrich Wilhelm Kuhnert (1865-1926), the German painter, author and illustrator who specialised in animal images.
[Ref: 30184] £70.00 (£84.00 incl.VAT)

La Fin du Banquet.
Peint par Eugenè Lambert. Gravé par Pierre Cottin. Imp. R. Taneur.
[n.d., c.1870.]
Mixed method engraving. 515 x 610mm (20¼ x 24"). Trimmed within plate at sides. Slight foxing in margins.
A cat escapes from her nursing kittens. After Louis Eugène Lambert (1825-1900).
[Ref: 51369] £280.00 (£336.00 incl.VAT)

Cat.
Howitt.
Published Jany. 2. 1809 by Ed. Orme London.
Etching. Plate 165 x 216mm. 6½ x 8½".
A cat lying on its stomach on a window sill or shelf, with head at left but turned to right, and eyes closed. Samuel Howitt (1756-1822) was an English painter, illustrator and etcher of animals, hunting, horse-racing and landscape scenes.
[Ref: 21506] £120.00 (£144.00 incl.VAT)

Gatta e Topo. La Gatta e il Topo sono ivi rappresentati. Sebbene di quella siasi discorso altrovo, Gatto d'angora, credemmo non inopportuna il riprodurre in questio luogo un individuo femmina del Gatto nostrano...Sopporta benissimo l'inverno, e non va soggetto a letargo, come i Ghiri e le Marmotte. Il Gatto è il mezzo più sicuro per allontanare e sperdere questi infesti animali.
[n.d. c.1820.]
Engraving. Plate 361 x 260mm. 14¼ x 10¼".
A print celebrating the beauty of the mouse and its importance as a home animal like the Angora Cat, but that the cat is the only way to rid the house of said mouse.
[Ref: 18806] £170.00 (£204.00 incl.VAT)

[Sleeping cat]
[after Cornelis Visscher.]
[London: Henry Parker, n.d., 1763.]
Engraving. 140 x 205mm (5½ x 8"), with large margins. Stitch holes in top margin.
An adapted copy of Cornelis Visscher's engraving 'The Large Cat', which originally showed a mouse sneaking through the bards of a window behind the cat. From the 'Compleat Drawing Master', 1763.
[Ref: 60964] £160.00 (£192.00 incl.VAT)

Quick Search

Search by Ref. Number

Browse by Subject

Browse by Artist

Browse by Engraver

New - Catalogue 152

Catalogue 151

Catalogue 150

Advanced Search