The Rev.d John Carr, M.A.
Painted by J.Hastings Esq. Engraved by C.Turner A.R.A.
London, Published Sep.tr 1st 1836 for the Proprietor by Mr. C.Turner, Nº50, Warren St. Fitzroy Square.
Mezzotint proof. 305 x 230mm (12 x 9"), with very large margins.
Portrait of Reverend John Carr (1722–1807), late Fellow of Trinity College, Cambridge, Master of the Grammar School Durham, and Professor of Mathematics in the University of Durham. W98. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67223] £260.00
(£312.00 incl.VAT)
The Rev.d John Carr, M.A. late Fellow of Trinity College, Cambridge. Master of the Grammar School Durham, and Professor of Mathematics in the University of Durham. Ob.t 1833. Æt. 47. Proof.
Painted by J. Hastings Esq. Engraved by C. Turner A.R.A.
London. Published Sept.r 1.st 1836 for the Proprietors by Mr. C. Turner, No. 50. Warren St. Fitzroy Square.
Proof mezzotint. 305 x 230mm (12 x 9"), with very large margins. Some foxing, bit dusty.
Portrait of John Carr (1786-1833), dressed in an academic gown over a dark tailcoat, seated in a library with one hand resting on a book. Whitman 98.
[Ref: 55252] £160.00
(£192.00 incl.VAT)
[Robert Carr, Earl of Somerset.]
[J. Houbraken sculps.]
[Impensis J & P Knapton Londini, 1749.]
Engraving, proof before all letters. Plate 369 x 229mm. 14½ x 9".
Portrait of Robert Carr, Earl of Somerset, bust directed to right but looking at the viewer, wearing a ruff and collar of the Order of the Garter; in an architectural oval on a pedestal; armour below. From Thomas Birch's 'The Heads of Illustrious Persons of Great Britain'. Robert Carr, Earl of Somerset (1587-1645) was a politician and favourite of King James I of England.
[Ref: 24712] £230.00
(£276.00 incl.VAT)
James Carr-Lloyd. [ink mss.]
[n.d., c.1820.]
Photographic image 185 x 105mm, 7¼ x 4¼". Laid on album paper.
A boy leaning on a cricket bat.
[Ref: 21636] £260.00
(£312.00 incl.VAT)
[Luigi Carraciolo.]
Cius. Ruo. dis. H.W. Phillips Roma 1851.
Lit. Zezon Porticato S. Francesco di Paola N.XII.
Lithograph. Sheet: 515 x 330mm (20¼ x 13"), with large margins. Repaired tear in right margin.
A portrait of Luigi Carraciolo (1826-1889) Duca de San Teodoro, an Italian politician and aristocrat. From the collection of Lady Elizabeth Fielding (1773-1846) mother of William Henry Fox-Talbot, and her family.
[Ref: 46454] £190.00
(£228.00 incl.VAT)
Four masted barque 'Carradale'. [pencil.]
O.F. Pennington [? pencil signature.]
[n.d., c.1930.]
Etching, titled and signed by the artist with large margins. 200 x 150mm (8 x 6").
The Carradale, built in 1889 by A. Stephen & Sons, Glasgow, was a training ship for young men who wanted to have a sea-faring career, run by The Marine Society.
[Ref: 32829] £160.00
(£192.00 incl.VAT)
[Escorted carriage.]
De Bourin Vialant de St. Morys inv. Bartro Scp.
[n.d. c.1780.]
Copper engraving with large margins. Plate 138 x 208mm. 5½ x 8¼".
A covered carriage with an escort of riders.
[Ref: 15295] £110.00
(£132.00 incl.VAT)
A State Car, made for an Indian Sovereign.
[n.d., c.1778].
Engraving, plate 120 x 200mm (4¾ x 8").
The finished design for a coach for the Nabob (also known as Naboob and Nawab) Provincial Governor of Arcot, made in Covent Garden, London. Muhammad Ali Khan Wallajah (1717 –1795) was the Nawab of Arcot in India and an ally of the British East India Company.
[Ref: 57062] £130.00
(£156.00 incl.VAT)
Russian Droska.
Drawn, Printed and Published at Friedel's Litho. Estab.t 252, Tottenham C.t R.d & an the Polytechnic Institution, 309, Regent Street, London. [n.d., c.1840.]
Scarce tinted lithograph, finished by hand. Printed area 245 x 350mm (9¾ x 13¾"). Large margins. Several small tears, one affecting publication line.
A Russian naval officer being driven across a snowy landscape in an open coach.
[Ref: 37905] £450.00
[Collection of cricket ephemera.] [Carshalton Cricket Club, Beddington.]
[1855, 1858 & 1859.]
Lithographs. Brochure (folded) 225 x 180mm (9 x 7"). Cards 115 x 80mm (4½ x 3¼"). Letters 165 x 115mm (6½ x 4½"). Crease along centre and on right side of invitation.
Four cricket ephemera items for Carshalton Cricket Club, Beddington. Probably a unique collection of cricket ephemera. An invitation published August 28th, 1856, detailing the events of a Harvest Festival to be celebrated on September 2nd, 1858. Starting with a service at the Parish church, 'at half-past two o'clock a dinner will be provided for the labourers and their wives in the National School Room; after which a cricket match will be played in the rectory field'. On the inside right-hand page of the invitation is the Hymn for Harvest. Two 'Carshalton Cricket Club' cards, one showing the matches for the year 1855, and the other for the year 1859. Lastly, two letters, one letter dated August 2nd 1855, from the Hon. Secretary of Carshalton Cricket Club, requesting a cricketer to play at a match commencing at 10:30 o'Clock, on August 8th 1855. The letter attached, is dated May 7th 1855, and informs a player that the club will meet for practice on Wednesday, May 16th, and every Wednesday of the season commencing.
[Ref: 67345] £350.00
view all images for this item
Near Carsleith, Galloway.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & C.o. Paternoster Row & W. Daniell 9 Cleveland S.t. Fitzroy Square, London, Sept.r. 1. 1816.
Coloured aquatint with large margins. Plate: 300 x 225mm (12" x 9").
Cliffs near Carsluith, om the Solway coast of southern Scotland. View across the shoreline looking out to sea, sheep lie in the bottom corner whilst men gather the harvest into bales. Boats sail in the open water in the background and a flock of seagulls fly overhead. Plate 54 from Vol II of 'Voyage Round Great Britain'. Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 33903] £140.00
(£168.00 incl.VAT)
Near Carsleith, Galloway.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Sep.r, 1, 1816.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A coastal view near Carsluith, with surrounding rocky hills. A group of sheep lying on a grassy plateau in foreground, with figures harvesting a crop behind, and others seen near two buildings in the background. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'. Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36115] £190.00
(£228.00 incl.VAT)
Cart Horse, Now in the possession of C. Blake, Esq.r Aged 31 Years.
Painted by S. Alken. Engraved by T. Sutherland.
London, Published Jan.y 1.st 1821 by J. Hudson, 85, Cheapside.
Scarce coloured aquatint with fine hand colour. Sheet 265 x 290mm (10½ x 11½"). Trimmed.
An elderly horse in its tackle, in a stable.
[Ref: 62337] £160.00
(£192.00 incl.VAT)
[Battle of Cartagena] The Monmouth of 64 Guns taking the Foudroyant a French Man of War of 84 Guns, on the 28th of Feb.y 1758 in the Mediterranean. In this Action the English had 30 kill'd (including the Gallant Commander) & 80 wounded, the French 50 kill'd & 150 wounded [...]
F. Swaine pinx. J. Smith sculp.
London, Printed for Rob.t Sayer, Print & Mapseller, No.53 in Fleet Street. [n.d., c.1770]
Engraving with fine hand-colouring, 6 in right top corner; platemark 180 x 280mm (7 x 11"). Laid on card as issued.
The interception of the French flagship Foudroyant by three British ships of the line, the Monmouth (firing at the Foudroyant in the centre), Swiftsure, and Hampton Court (both of which are on the right). The action took place during the Battle of Cartagena during the Seven Years' War in which a British fleet blockaded a French fleet off the Spanish port. Engraved after the painting by Francis Swain in the National Maritime Museum, Greenwich (BHC0383) and one of a series of prints recording celebrated naval battles made from Swain's works recording celebrated naval battles which were probably reduced copies of other engravings issued by the same publisher. Parker 60 (not in, although a larger engraving, probably from the same picture by Swain, is listed and dated to c.1770)
[Ref: 32266] £220.00
(£264.00 incl.VAT)
[Battle of Cartagena] The Monmouth of 64 Guns taking the Foudroyant a French Man of War of 84 Guns, on the 28th of Feb. 1758 in the Mediterranean. In this Action the English had 30 kill'd (including the Gallant Commander) & 80 wounded, the French 50 kill'd & 150 wounded [...]
Francis Swaine Pinx.
Printed for Jn.o Bowles at No. 13 in Cornhill, Carington Bowles No 69, in St Pauls Church Yard, Rob. Sayer at the Golden Buck in Fleet Street, and Hen. Parker opposite Brickin Lane in Cornhill, [n.d., c.1760.]
Engraving. 335 x 470mm (13¼ x 18½"), with large margins. Small tears in bottom margins repaired.
The interception of the French flagship Foudroyant by three British ships of the line, the Monmouth (firing at the Foudroyant in the centre), Swiftsure, and Hampton Court (both of which are on the right). The action took place during the Battle of Cartagena during the Seven Years' War in which a British fleet blockaded a French fleet off the Spanish port. Plate 2 of a series of naval battles by marine painter Francis Swain (c.1719-82). The original painting is in the National Maritime Museum (BHC0383) .
[Ref: 54809] £380.00
Cartagena 1st September 1873. British Squadron under Vice Admiral Sir Hastings R. Yelverton K.C.B., removing revolted Spanish War Ships ''Vitoria'' and ''Almansa'' from Escombrera Bay.
A. Yockney 1 Sep. 73. Vincent Brooks, Day & Son, lith.
[n.d., c.1874.]
Tinted lithograph with hand colour, scarce. Printed area 360 x 560mm (14 x 22"), framed in original maple. Some spotting, unexamined out of frame.
The Royal Navy in action at Cartagena, in Murcia, Spain, helping with the suppression of the Cantonal Revolution, an attempt to break the First Spanish Republic into autonomous regions.
[Ref: 45852] £390.00
West View of the Ruins of Carteia, & it's River with a Prospect of the Rock of Gibraltar; Drawn by Francis Carter in the Year 1771.
P. Mazell sculp.
Publish'd as the Act directs Jan. 1 1777.
Engraving, 18th century watermark. 205 x 370mm (8 x 14½") very large margins.
Carteia, founded by the Phoenicians and captured by the Romans c. 190 BC, re-discovered by John Conduitt of the Gibraltar garrison c.1717. From Francis Carter's two-volume 'A Journey from Gibraltar to Malaga' (1777). Carter (1741?-1783), a traveller and collector of coins, was elected a fellow of the Society of Antiquaries that same year, but died before completing his next work, a study of early Spanish printed books.
[Ref: 53059] £160.00
(£192.00 incl.VAT)
Carter and Fairbairn. [&] Pat in a Difficulty [verso].
Bey.n Bingley Lithographer. 1 Nomalds Row Alban St. Leeds.
[n.d.]
Lithograph. 280 x 360mm (11 x 14"). Some creasing.
Two men box beside a country road while two others consider placing bets. On verso is a satirical scene in which a young peasant man is persuaded to join the navy by a conservative MP. Boxing item.
[Ref: 56588] £140.00
(£168.00 incl.VAT)
The Honourable Sr. Laurence Carter K.t one of the Barons of his Majesties Court of Exchequer.
J. Richardson pinx. G. Vertue Sculp. 1733.
Sold by G. Vertue at his house in Brownlow Street Drury Lane.
Engraving. 380 x 260mm (15 x 10¼"). Trimmed to plate, some spotting.
Sir Laurence Carter (1672-1745) was a judge at Lincoln's Inn, and recorder of Leicester from 1697 to 1729. He was Member of Parliament in 1698, 1701 and 1722; for Beeralston in 1710, 1714 and 1716. He was knighted in 1724 and was Puisne Baron of the Exchequer from 1726 until his death. Alexander: 673.
[Ref: 63532] £160.00
(£192.00 incl.VAT)
The Honourable Sr. Laurence Carter K.t one of the Barons of his Majesties Court of Exchequer.
J. Richardson pinx. G. Vertue Sculp. 1733.
Sold by G. Vertue at his house in Brownlow Street Drury Lane.
Engraving. 380 x 260mm (15 x 10¼"). Trimmed within plate, top right corner rebuilt.
Sir Laurence Carter (1672-1745) was a judge at Lincoln's Inn, and recorder of Leicester from 1697 to 1729. He was Member of Parliament in 1698, 1701 and 1722; for Beeralston in 1710, 1714 and 1716. He was knighted in 1724 and Puisne Baron of the Exchequer from 1726 until his death. Alexander: 673 [first state.]
[Ref: 24804] £150.00
(£180.00 incl.VAT)
Miss Carter.
Painted & Engraved by J. R. Smith.
[n.d., c.1780.]
Mezzotint. 250 x 205mm (9¾ x 8"). Trimmed into plate at bottom affecting title, narrow margins elsewhere.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. Probably a relative of George Carter, who painted a 'Miss Carter' as Maria in Yorick's Sentimental Journey, also engraved by Smith (BM 1981,U.590). CS: 34, iii of iii, with the 1777 publication line cut off. Frankau: 64; O' Dench: 100. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64526] £160.00
(£192.00 incl.VAT)
Miss Carter.
Painted & Engraved by J. R. Smith.
Publishd 24 June, 1777 by J. R. Smith, N.º 10, Batesmans Buildings, Soho Square & W.m Humphrey, Gerrard Street.
Mezzotint, scratched letter proof. 265 x 200mm (10½ x 8"), with large margins.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. Probably a relative of George Carter, who painted a 'Miss Carter' as Maria in Yorick's Sentimental Journey, also engraved by Smith (BM 1981,U.590). CS: 34, ii of ii. Frankau: 64; O' Dench: 100. Ex: Collection of The Hon. C. Lennox-Boyd & Christopher Mendez.
[Ref: 64527] £260.00
(£312.00 incl.VAT)
Miss Carter.
Painted & Engraved by J. R. Smith.
Pub'd 24 June, 1777 by W. Humphrey, Gerrard Street, Soho. & J. R. Smith, N.10, Batesmans Buildings, Soho Square.
Mezzotint. 260 x 200mm (10 x 7"). Cut to platemark.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. CS: 34.II; Frankau: 64; O' Dench: 100
[Ref: 31655] £220.00
(£264.00 incl.VAT)
Frances Lady Carteret Baroness of Hawnes. Wife to John Lord Carteret, Daughter of Sr. Robert Worsley by Frances Lady Worsley only Daughter to Thomas Lord Viscount Weymouth. [Latin text in plinth and below.]
F. Zinke pinx.t. T. Major Sculp.t.
Publish'd as the Act Directs 1755.
Engraving. 322 x 222mm (12¾ x 8¾").
Frances Worsley, Lady Carteret (c.1693-1743) was the first wife of John Carteret, Baron Carteret and later second Earl Granville. Baron Carteret was an influential politician of his time. Highly educated and one of the few able to speak German therefore able to converse with George I who spoke no English. At one time he owned a major swathe of land in North Carolina for which he was handsomely compensated after 1776. NPG: D21456.
[Ref: 17120] £130.00
(£156.00 incl.VAT)
[John Carteret, second Earl Granville]
[George Perfect Harding, c.1801]
Watercolour and wash oval, verso in ink 'From a Portrait in the possession of Ld Carteret'; 165 x 140mm (6½ x 5½"). Tipped into album sheet with hand-drawn border.
John Carteret, second Earl Granville (1690-1763), politician. Carteret was appointed ambassador-extraordinary to Sweden in 1719, a position in which he triumphed by rescuing the Swedes (facing disaster following the death of Charles XII) from domination by Russia. During his absence, however, the rise of Robert Walpole resulted in Carteret's being sidelined through a transfer to the lord lieutenancy of Ireland. Carteret's opposition to Walpole was a leitmotif of his career. Watercolour by George Perfect Harding (1779/80-1853), miniature painter. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42328] £260.00
(£312.00 incl.VAT)
His Excellency John L.d Carteret, Baron of Hawnes, L.d Lieutenant & Gov.r Gen.l of y.e Kingdom of Ireland, &c.
G.Kneller Bar.t pinx. P.Pelham fecit.
London, Sold by J.Bowles. [n.d. c.1725.]
Rare mezzotint, sheet 350 x 250mm (13¾ x 9¾"). Trimmed to plate, glued on album sheet at edges.
Almost half-length portrait of John Carteret, 2nd Earl Granville (1690-1763), in an oval. Looking towards the viewer, wearing robes trimmed with fur, a broad white fur collar, plain white cravat, cape tied to left shoulder with a large bow, and long wig. Below a crest with the motto 'Loyal Devior'. Carteret was appointed ambassador-extraordinary to Sweden in 1719, a position in which he triumphed by rescuing the Swedes (facing disaster following the death of Charles XII) from domination by Russia. During his absence, however, the rise of Robert Walpole resulted in Carteret's being sidelined through a transfer to the lord lieutenancy of Ireland. Carteret's opposition to Walpole was a leitmotif of his career. CS 5.III of IV.
[Ref: 59399] £240.00
(£288.00 incl.VAT)
Sophia Countess Granville Viscountess Carteret, Baroness Carteret of Hawnes. Wife to John Earl Granville...
F. Zinke pinxt. T. Major Sculpt.
Publish'd as the Act Directs 1755.
Engraving. 320 x 215mm (12½ x 8½"). Trimmed to plate. Faint foxing across the sheet
Sophia Carteret (née Fermor), Countess Granville (1721 - 1745), second wife of John Carteret, 1st Earl Granville, Secretary of State. In a decorative oval frame surrounded by roses, on a lettered pedestal. Sophia was described by Lady M. W. Montagu as having ‘few equals in beauty or graces’; died of fever in October 1745 aged 25, a few weeks after the birth of her daughter Sophia. After Christian Friedrich Zincke (1684? - 1767). NPG D21010.
[Ref: 53823] £130.00
(£156.00 incl.VAT)
Gaius Marius mourning over the ruins of Carthage.
Drawn by John Martin. Engraved by W. Wallis.
London, Published by Longman & Co. Paternoster Row. [n.d. c.1840.]
Steel engraving. 145 x 215mm (5¾ x 8½"). Very large margins.
The Roman general Gaius Marius (157-86BC) was called 'the third founder of Rome' for defeating the invading Germanic tribes. However civil war with Sulla in 88BC caused him to flee to Africa, visiting Carthage, here symbolic of a great city now destroyed.
[Ref: 37808] £60.00
(£72.00 incl.VAT)
[Racing carthorses.]
R.C.Peter.
[n.d., c.1930.]
Etching with mezzotint, limited edition of 50, signed by the artist. 240 x 280mm, 9½ x 11".
Robert Charles Peter (b. London 1888), etcher and mezzotinter, whose work was described by Malcolm Salaman as 'sympathetic etchings of life on the farm and in the stable' (introduction to 'Fine Prints', 1924).
[Ref: 12035] £160.00
(£192.00 incl.VAT)
Cartmel Priory. Founded A.D. 1188.
On Stone by Isaac Shaw from a Sketch by C.J. Greenwood. Printed by C. Hullmandel.
London Published by I. Shaw, 81, G.t Portland St. Portland Place. [n.d., c.1845.]
Sepia tinted lithograph, sheet 280 x 380mm (11 x 19"). A few stain spots.
Cartmel Priory, at Cartmel (originally Lancashire, now Cumbria), is a priory founded in 1190 by William Marshal, later 1st Earl of Pembroke for the Augustinian Canons and dedicated to Saint Mary the Virgin and Saint Michael. It was first colonised by a Prior and twelve monks from Bradenstoke Priory in Wiltshire.
[Ref: 12287] £75.00
(£90.00 incl.VAT)
[Allegorical scene with figures studying a map]
Ch. Eisen inv. Aliamet sculp. [c.1760]
Engraving, sheet 220 x 150mm (8½ x 6"). Trimmed along platemark; glued to album sheet at corners.
Allegorical scene after a design by Charles Eisen (1720-78), painter, draughtsman and illustrator. It was through his drawings, engraved to illustrate nearly 400 books, that Eisen's reputation was chiefly established.
[Ref: 44930] £280.00
Cottage at Carton, The Seat of his Grace the Duke of Leinster.
Drawn on Stone by Miss Isabella Renny.
Printed by M.H. & J.W. Allen. [n.d., c.1840.]
Lithograph, printed on chine collé, rare. Sheet: 300 x 410mm (12 x 16¼'') very large margins. Creasing.
A view of a small cottage on the estate of Carton House, the seat of the Duke of Leinster.
[Ref: 48525] £230.00
(£276.00 incl.VAT)
[Louis Dominique Garthausen] Le Veritable Portrait de Cartouche tiré d'aprés Nature étant dans les Cachot.
[n.d., c.1725.]
Rare copper engraving, 255 x 330mm (10 x 13 ") Trimmed to plate on 2 sides. Small margins on left & right.
Louis Dominique Garthausen (1693-1721), better known as Cartouche, shown chained in his cell after an escape attempt. He was the leader of a band of over 2000 brigands (many ex-soldiers) operating in and around Paris during the regency of Philippe d'Orléans. A Robin Hood character, his exploits (including stealing 1.3 million livres of shares in John Law's Mississippi Company) and seductions made him a folk hero. The authorities resorted to torturing known associates for information, eventually getting a member of the band to betray him. Cartouche was arrested, tortured to no avail, then broken on the wheel.
[Ref: 56600] £260.00
(£312.00 incl.VAT)
[Louis Dominique Garthausen] Le Veritable Portrait de Cartouche.
[n.d., c.1721.]
Rare engraving with etching. Sheet 230 x 175mm (9 x 7"). Trimmed into image on three sides and into title at bottom, losing four lines of text.
Louis Dominique Garthausen (1693-1721), better known as Cartouche, shown with his hand on his sword hilt, a deep scar on his left cheek. Cartouche was the leader of a band of over 2000 brigands (many ex-soldiers) operating in and around Paris during the regency of Philippe d'Orléans. A Robin Hood character, his exploits (including stealing 1.3 million livres of shares in John Law's Mississippi Company) and seductions made him a folk hero. The authorities resorted to torturing known associates for information, eventually getting a member of the band to betray him. Cartouche was arrested, tortured to no avail, then broken on the wheel. The original text under this image describes his arrest but not his execution. BM 1877,0811.1011.
[Ref: 56601] £260.00
(£312.00 incl.VAT)
[John Cartwright] The Drum Major of Sedition. All Gentlemen and others Electors for Westminster who are ready and willing to Surrender their rights and those of their Fellow Citizens to Secret Influence and the Lords of the Bedchamber let them repair to the Prerogative Standard lately erected at the Cannon Coffee House where they shall be kindly receiv'd untill their Services are no longer Wanted....
[Thomas Rowlandson]
Pub.d March 29 1784 by Mrs. Dacheray St James's Street.
Coloured etching, 18th century watermark. 350 x 250mm (13¾ x 9¾"). Printer's crease entering image left centre tear in margin taped top centre.
Major John Cartwright stands legs apart, holding a long staff, addressing the populace before the hustings in Covent Garden, being ignored by everyone but Lord Hood in admiral's uniform, sword drawn. Under the title is a lengthy speech. John Cartwright (1740-1824) campaigned for Parliamentary reform, including universal suffrage and secret ballots. His younger brother Edmund Cartwright was the inventor of the power loom. BM Satires 6474; Grego I, 121.
[Ref: 61823] £380.00
[India] Charles Cartwright, Esq. Accountant General to the Hon.ble East India Company. Engraved at the Request of his Official Friends.
Painted by G.F. Joseph, Esq. A.RA. Engraved by T. Hodgetts. Westborne Green, Paddington.
[n.d., c.1825.]
Mezzotint, 510 x 355mm (20 x 14"), with large margins. Damp stains on left and foxing.
A seated portrait of Charles Cartwright (1753-1825), who joined the East India Company in 1773 and was Accountant General from 1798 until he retired in 1822. As Deputy he was the author of "An abstract of the orders and regulations of the Honourable Court of Directors of the East-India Company".
[Ref: 66858] £260.00
(£312.00 incl.VAT)
Charles Cartwright, Esq. Accountant General to the Hon.ble East India Company. Engraved at the Request of his Official Friends.
Painted by G.F. Joseph, Esq. A.RA. Engraved by T. Hodgetts. Westborne Green, Paddington.
[n.d., c.1825.]
Rare & fine mezzotint. 510 x 355mm (20 x 14"), with large margins. Wear in right margin.
A seated portrait of Charles Cartwright (1753-1825), who joined the East India Company in 1773 and was Accountant General from 1798 until he retired in 1822.. As Deputy he was the author of "An abstract of the orders and regulations of the Honourable Court of Directors of the East-India Company". Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66162] £280.00
(£336.00 incl.VAT)
[Charles Cartwright, Esq. Accountant General to the Hon.ble East India Company. Engraved at the Request of his Official Friends.]
[Painted by G.F. Joseph, Esq. A.RA. Engraved by T. Hodgetts. Westborne Green, Paddington.]
[n.d., c.1825.]
Mezzotint, unique early working proof. Sheet 270 x 210mm (10¾ x 8¼"). Wear in right margin.
A very early working proof, with an oval section containing only the head and shoulders of the subject, which eventually became a three-quarter seated portrait. Charles Cartwright (1753-1825) joined the East India Company in 1773 and was Accountant General from 1798 until he retired in 1822. As Deputy he was the author of "An abstract of the orders and regulations of the Honourable Court of Directors of the East-India Company". Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66163] £160.00
(£192.00 incl.VAT)
[George Cartwright] Captain Cartwright visiting his Fox-traps.
W. Hilton Pinx.t. T. Medland scul[p.]
[London: G. G. J. and J. Robinson & John Stockdale, 1792.]
Etching. Sheet 220 x 175mm (8¾ x 7"). Trimmed, into image on right, title excised and pasted under image, losing publication line.
A full-length portrait of George Cartwright (c.1739-1819), wearing furs and snowshoes, leading a blinkered greyhound. In 1768, after serving in the army, Cartwright travelled to Newfoundland and Labrador, attempting to trade with the Inuit for furs. In 1772 he returned to London with five Inuit to exhibit, four of whom died of smallpox. The fifth, a woman called Qavvik, returned home in 1773 taking the disease with her: less than a year later Cartwright noted that ''The Inuit of southern Labrador were almost entirely wiped out by the disease". In 1786 Cartwright returned to England for good and published his diary, 'A Journal of Transactions and Events during a Residence of nearly Sixteen Years on the Coast of Labrador', to which this is an illustration.
[Ref: 61081] £160.00
(£192.00 incl.VAT)
Mr Cartwright Consul at Constantinople and his Albanian.
D Wilkie ft. Constantinople Novr 1st 1840. [Lithographed by Joseph Nash.]
[London: Graves & Warmsley, 1843.]
Tinted lithograph. Sheet 535 x 360mm (21 x 14¼") very large margins.
John Cartwright, consul-general at Constantinople from 1817-44, during which time the Levant Company was wound up, with Cartwright taking on the role formerly played by the Company's representative. Despite being described in the plate as an Albanian, Mustapha, Cartwright's janissary, was Swiss by birth. David Wilkie (1785-1841) set out for the East in 1840 to gather material for a series of biblical illustrations, visiting Constantinople, Beirut, Jerusalem, Cairo, and Alexandria. He died at sea on his return journey, before he could turn his sketches into the intended oils: This plate appeared in his 'Sketches in Turkey, Syria and Egypt' published in 1843. Abbey Travel: 379.
[Ref: 52157] £190.00
(£228.00 incl.VAT)
John Cartwright in his 77th Year. John Cartwright [facsimile signature].
Engraved by Henry Cook from an Original Drawing [by Adam Buck].
[London, c.1790.]
Steel engraving. 215 x 140mm (8½ x 5½"). Surface soiling.
A seated profile portrait of political reformer John Cartwright (1740-1824), supporter of both the American and French revolutions, and prominent campaigner for electoral reform in Britain.
[Ref: 67888] £90.00
(£108.00 incl.VAT)
John Cartwright in his 77th Year. John Cartwright [facsimile signature].
Engraved by Henry Cook from an Original Drawing [by Adam Buck].
[London, c.1790.]
Steel engraving. 215 x 140mm (8½ x 5½"). Creased.
A seated profile portrait of political reformer John Cartwright (1740-1824), supporter of both the American and French revolutions, and prominent campaigner for electoral reform in Britain.
[Ref: 67890] £130.00
(£156.00 incl.VAT)
Capt.n Jonathan Carver. From the Original Picture in the possession of J.C.Lettsom M.D.
Published as the Act directs by R.Stewart, No 287 near G.t Turnstile, Holborn, Nov.r 16, 1780.
Mezzotint. Sheet 125 x 100mm. Trimmed within plate, some creasing.
American explorer (1710-80), whose expedition to find a North West Passage explored much of Minnesota, Iowa and Wisconsin. His 'Travels Through the Interior Parts of North America in the Years 1766, 1767, and 1768', first published in 1778, is the first to mention a large mountain range to the west and to use the name 'Oregon'. This portrait is the frontispiece to the Third, posthumous, edition of the 'Travels'. The owner of the painting, Dr John Coakley Lettsom, was a Quaker physician and philanthropist who founded the Medical Society of London in 1773. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5724] £450.00
Cary's Traveller's Companion, or, A Delineation of the Turnpike Roads of England & Wales [...] [with] Cary's New Itinerary: or, An Accurate Delineation of the Great Roads, Both Direct and Cross, Throughout England and Wales; With many of the principal Roads in Scotland.... Second Edition with Improvements.
London. Printed for John Cary, Engraver, Map & Printseller, Strand. 1st Jan.y 1791. [&] London: Printed for John Cary, No. 181 Strand, 1802 [-3].
Two works in one; 8vo (180 x 120mm, 7 x 4¾"), original full diced calf travelling case with empty pockets front and back. 'Companion': engr. title, pp. (iv)+(6)+(2)(ads); index map, 42 maps printed back to back, 1 folding map. 'Itinerary': engr. title & dedication; pp. (iv)+(1)(ad)+868+(2)(ads). All maps with original hand colour. With the bookplate of Henry Pakenham-Mahon of Strokeston Park. Binding with tear to flap, some wear and fading. Folding map of Yorkshire with tear on fold; two folding maps of 'Itinerary' both trimmed to allow opening of segments, one segment loose, with tears on folds.
An unusual travelling edition of two works by John Cary. The 'Traveller's Companion' has a map of England and Wales, 41 counties and maps of North & South Wales. The 'Itinerary' has two road maps of England & Wales, with extensive indexes of the roads. The adverts list some of Cary's maps, with one page dedicated to his globes. The empty pockets in the covers would most likely contain larger folding maps not called for in either the 'Companion' or 'Itinerary'. Henry Pakenham-Mahon (1851-1922) was an amateur photographer: in 2012, a collection of 324 of his glass plates was uncovered at Strokestown Park including several explicit images of live models. Strokestown (in County Roscommon, Ireland) is now home to the National Irish Famine Museum. Henry's grandfather was Denis Mahon, whose responce to a rent strike by his tenants at Strokestown was to evict them and force them to sail to Quebec in 1847, filling four ships. When news came back to Ireland that nearly half the passengers had died on route (primarily from cholera) Mahon was ambushed and shot dead, to general celebration.
[Ref: 59721] £850.00
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[Henry Cary] Effigies Praenobilis Henrici Baronis Cary Vicecomitus Falklandiae. The Right honorable Henrie lord Carÿe Vicount Falkland Comptroller of his Majesties moost ho.ble houshold, lord Deputie of Ireland and of his Majesties jo.ble privie Counsell in England and Ireland.
Paulus va~ Somer pinx. Joan Barra Sculp.
[n.d., c.1625.]
Engraving. 190 x 135mm (7½ x 5¼"). Small margins, mounted in album paper at edges.
Half-length portrait in an oval frame of Henry Cary (c.1575-1633), first Viscount Falkland, wearing falling ruff and holding a wand.
[Ref: 62069] £130.00
(£156.00 incl.VAT)
[Lord Falkland.]
[George Perfect Harding, after Cornelis Janssens van Ceulen]
Watercolour and wash, on 18th century paper; 245 x 190mm (9¾ x 7½").
A portrait of Lucius Cary, 2nd Viscount Falkland (1610-1643), author and politician who fought for the Royalists during the Civil War and died at the Battle of Newbury. Watercolour by George Perfect Harding (1779/80-1853), miniature painter, probably after an anonymous etching published in 1813. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42343] £360.00
Viri vere Reverendi Josephi Caryl Vera Effigies.
R. White sculpsit.
[n.d. c.1676.]
Engraving. 292 x 190mm. 11½ x 7½". Trimmed.
Joseph Caryl (1602-1673) was an English nonconformist divine who frequently preached before Long Parliament, and was a member of the Westminster Assembly in 1643. In 1650 he was sent to accompany Cromwell to Scotland, however in 1662, following the Restoration, he was ejected from the Church of St Magnus near London Bridge. Portrait of Joseph Caryl, bust in an ornamental oval frame on a pedestal, long hair, wearing skull-cap and bands; curtain in the background with bookshelves to the right. Frontispiece to his 'Commentary on Job' (1676). Ex Collection: R. Hobson of Hove.
[Ref: 25395] £75.00
(£90.00 incl.VAT)
Viri verè Reverendi Josephi Caryl Vera Effigies.
R. White sculpsit.
[n.d., c.1676.]
Engraving, frontispiece to the sitter's 'Commentary on the Book of Job'. Sheet 295 x 185mm, 11½ x 7¼". Closed tear through lower right corner.
Joseph Caryl (1602 - 1673), nonconformist divine and commentator. A rare portrait. Engraved by Robert White (1645 - 1703).
[Ref: 13706] £90.00
(£108.00 incl.VAT)
Ritratto de Bindo Altovitii. M.D XX III
Titianus pinxit, Tho: Neale fecit,
Sold by John Overton at the white horse neere the fountaine tavern without Newgate. [n.d. c.1690]
Very rare etching, sheet 380 x 290mm (15 x 11½"), on 17th century watermarked paper. In ink at bottom "By Thos. Neale, a disciple of Hollar". Trimmed within plate and tipped into album paper. Creased and slightly damaged at corners.
Half-length portrait of a man with moustache and long beard wearing a loose gown, and ring on the ring finger of his left hand, which holds a book closed with two clasps, lying on a parapet. The title suggests this is italian bank Bindo Altoviti (1491-1557) however looks more like a painting formerly attributed to Titian that is now believed to be by Paris Bordone; it appears to be Giovanni della Casa (1503-1556) an Italian poet, diplomat, clergyman and inquisitor, and writer on etiquette and society.
[Ref: 61651] £260.00
(£312.00 incl.VAT)
A View of Casal, a very strong City and Castle in Italy, taken by the Duke of Savoy in Decem.r 1706
I. Basire Sculp.
For Mr Tindal's Continuation of Mr Rapin's History of England. [London, James & Paul Knapton, 1751.]
Engraved map. 390 x 480mm (15¼ x 19"). Very fine impression with original binding folds, trimmed into plate at top, as issued.
Plan of Casale, taken from the French by Victor Amadeus II, Duke of Savoy during the War of the Spanish Succession. Nicholas Tindal (1687-1774), at one time Chaplain to Greenwich Hospital, first published a translation of Frenchman Paul de Rapin's 'History of England' in 1727, running to thirteen volumes; in 1732 it was enlarged with his own notes and maps. This map was published in 'A summary of Mr Rapin de Thoyras's History of England, and Mr Tindal's Continuation, from the Invasion of Julius Caesar, to the End of the Reign of King George I. Illustrated With Medals, Plans of Battles, Towns, and Sieges', 1751.
[Ref: 28275] £230.00