A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Krone, Scepter und Reichsapfel der Konigin Victoria.
[Signed in plate.] Stdr: v.A. Kneisel.
Zu Euopa's Salon. Leipzig, E. Guntz. [n.d., c.1838.]
Hand coloured lithograph, sheet 320 x 260mm. 12½ x 10¼".
The regalia of Queen Victoria. For a series of German prints of the regalia of European monarchs titled 'Europa's Salon'. Fine colour.
[Ref: 11909] £160.00 (£192.00 incl.VAT)
[Signed in plate.] Stdr: v.A. Kneisel.
Zu Euopa's Salon. Leipzig, E. Guntz. [n.d., c.1838.]
Hand coloured lithograph, sheet 320 x 260mm. 12½ x 10¼".
The regalia of Queen Victoria. For a series of German prints of the regalia of European monarchs titled 'Europa's Salon'. Fine colour.
[Ref: 11909] £160.00 (£192.00 incl.VAT)
The Imperial Crown of State.
Drawn by Edwd. Orme. Engd. by J. Swaine.
Publish'd & Sold Jany. 1st. 1807, by Edwd. Orme, 59, Bond Stt. Corner of Brook Stt. London.
Rare transparency, hand coloured stipple and etching, with varnish and watercolour to verso. Sheet 300 x 235mm, 11¾ x 9¼". Tatty margins, one tear into plate at left.
From 'An Essay on Transparent Prints and Transparencies in General by Edward Orme' 1807, with instructive text in French and English and sixteen plates including engraved title-page; seven are hand-coloured transparency prints. After Edward Orme (1775 - 1848).
[Ref: 12585] £230.00 (£276.00 incl.VAT)
Drawn by Edwd. Orme. Engd. by J. Swaine.
Publish'd & Sold Jany. 1st. 1807, by Edwd. Orme, 59, Bond Stt. Corner of Brook Stt. London.
Rare transparency, hand coloured stipple and etching, with varnish and watercolour to verso. Sheet 300 x 235mm, 11¾ x 9¼". Tatty margins, one tear into plate at left.
From 'An Essay on Transparent Prints and Transparencies in General by Edward Orme' 1807, with instructive text in French and English and sixteen plates including engraved title-page; seven are hand-coloured transparency prints. After Edward Orme (1775 - 1848).
[Ref: 12585] £230.00 (£276.00 incl.VAT)
The Grand Coronation Banquet, In Westminster Hall, July 19th 1821. [&] The New Imperial Crown to be worn by His Majesty George the Fourth at his Coronation. [&] Coronation of His Majesty George the Fourth. July 1821.
W.Read Fecit.
Drawn & Engraved for La Belle Assemblee N.o 150 July 1.st 1821.
Three fine hand coloured engravings on one sheet. Sheet 240 x 380mm (9½ x 15"). Trimmed within plate and glued to album paper at corners.
La Belle Assemblée (in full La Belle Assemblée or, Bell's Court and Fashionable Magazine Addressed Particularly to the Ladies) was a British women's magazine published from 1806 to 1837, founded by John Bell (1745–1831).
[Ref: 60461] £240.00 (£288.00 incl.VAT)
W.Read Fecit.
Drawn & Engraved for La Belle Assemblee N.o 150 July 1.st 1821.
Three fine hand coloured engravings on one sheet. Sheet 240 x 380mm (9½ x 15"). Trimmed within plate and glued to album paper at corners.
La Belle Assemblée (in full La Belle Assemblée or, Bell's Court and Fashionable Magazine Addressed Particularly to the Ladies) was a British women's magazine published from 1806 to 1837, founded by John Bell (1745–1831).
[Ref: 60461] £240.00 (£288.00 incl.VAT)
![[The Gold State Coach.] His Majesty King George the Third's New State Coach.](jpegs/57831.jpg)
[The Gold State Coach.] His Majesty King George the Third's New State Coach. For the London Magazine.
[n.d., c.1762.]
Engraving, 18th century watermark. Sheet 285 x 445mm (11¼ x 17¼"). Bindings folds as normal, tears taped.
The Gold State Coach, used at the coronation of every British monarch since George IV, commissioned by George III in 1760 and completed in 1762. Weighing in at four tons, it is decorated with tritons and cherubs, with side panels painted by Giovanni Battista Cipriani (not shown here). Quotes from its passengers include: 'tossing in a rough sea' (William IV); 'distressing oscillation' (Victoria); 'one of the most uncomfortable rides I have ever had in my life' (George VI) 'horrible' and 'not very comfortable' (Elizabeth II). For Elizabeth's Diamond Jubilee a new state coach was built.
[Ref: 57831] £160.00 (£192.00 incl.VAT)
[n.d., c.1762.]
Engraving, 18th century watermark. Sheet 285 x 445mm (11¼ x 17¼"). Bindings folds as normal, tears taped.
The Gold State Coach, used at the coronation of every British monarch since George IV, commissioned by George III in 1760 and completed in 1762. Weighing in at four tons, it is decorated with tritons and cherubs, with side panels painted by Giovanni Battista Cipriani (not shown here). Quotes from its passengers include: 'tossing in a rough sea' (William IV); 'distressing oscillation' (Victoria); 'one of the most uncomfortable rides I have ever had in my life' (George VI) 'horrible' and 'not very comfortable' (Elizabeth II). For Elizabeth's Diamond Jubilee a new state coach was built.
[Ref: 57831] £160.00 (£192.00 incl.VAT)
![[William IV.]](jpegs/55721.jpg)
[William IV.] Presented Gratis with the Atlas Newspaper.
[by James Whiting.]
[n.d., c.1830.]
Engraving on embossed card. Sheet 135 x 165mm (5¼ x 6½").
A cameo portrait of William IV within an embossed design including the Royal Arms. The Atlas Newspaper ran from 1826 - 1869. The firm of Dobbs & Co. were the major popularisers of paper embossing in the 19th century, while
Whiting & Branston developed compound-plate printing. This portrait was presented to subscribers of The Atlas. Examples of this giveaway are scarce.
[Ref: 55721] £160.00 (£192.00 incl.VAT)
[by James Whiting.]
[n.d., c.1830.]
Engraving on embossed card. Sheet 135 x 165mm (5¼ x 6½").
A cameo portrait of William IV within an embossed design including the Royal Arms. The Atlas Newspaper ran from 1826 - 1869. The firm of Dobbs & Co. were the major popularisers of paper embossing in the 19th century, while
Whiting & Branston developed compound-plate printing. This portrait was presented to subscribers of The Atlas. Examples of this giveaway are scarce.
[Ref: 55721] £160.00 (£192.00 incl.VAT)