A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[The Gate of Honour, Caius College, Cambridge.]](jpegs/57995.jpg)
[The Gate of Honour, Caius College, Cambridge.]
Sydney R. Jones.
[c.1920.]
Drypoint etching, signed by the artist in pencil. 345 x 215mm (13½ x 8½"), with large margins.
The Gate of Honour, only used to allow the graduating students of Caius College to pass to receive their degrees at the Senate House. Sydney Robert Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57995] £220.00 (£264.00 incl.VAT)
Sydney R. Jones.
[c.1920.]
Drypoint etching, signed by the artist in pencil. 345 x 215mm (13½ x 8½"), with large margins.
The Gate of Honour, only used to allow the graduating students of Caius College to pass to receive their degrees at the Senate House. Sydney Robert Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57995] £220.00 (£264.00 incl.VAT)
![[Great Court, Trinity College, Cambridge.]](jpegs/57992.jpg)
[Great Court, Trinity College, Cambridge.]
Sydney R. Jones.
[c.1920.]
Drypoint etching, signed by the artist in pencil. 170 x 225mm (6¾ x 8¾"), with wide margins. Slight mount burn.
The Great Court of Trinity College Cambridge, with the magnificent gateway and fountain. Sydney Robert Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57992] £240.00 (£288.00 incl.VAT)
Sydney R. Jones.
[c.1920.]
Drypoint etching, signed by the artist in pencil. 170 x 225mm (6¾ x 8¾"), with wide margins. Slight mount burn.
The Great Court of Trinity College Cambridge, with the magnificent gateway and fountain. Sydney Robert Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57992] £240.00 (£288.00 incl.VAT)
Clifden Spring and Woods, near Maidenhead.
Drawn by W.m Havell. Engraved by R.t Havell.
London, Published August 1, 1818 by Thomas McLean.
Aquatint, printed in colours and hand-finished. Framed, visible area 395 x 510mm (15½ x 20"). Small stain in sky. Unexamined out of frame.
A view of Cliveden Spring as it emerges from the chalk cliffs and pours into the Thames, before the building of the famous Spring Cottage. From 'A Series of Picturesque Views of the River Thames', first published by Robert Havell in 1812.
Abbey: Scenery of Great Britain 433, first issue mentioned but not described.
[Ref: 57898] £280.00 (£336.00 incl.VAT)
Drawn by W.m Havell. Engraved by R.t Havell.
London, Published August 1, 1818 by Thomas McLean.
Aquatint, printed in colours and hand-finished. Framed, visible area 395 x 510mm (15½ x 20"). Small stain in sky. Unexamined out of frame.
A view of Cliveden Spring as it emerges from the chalk cliffs and pours into the Thames, before the building of the famous Spring Cottage. From 'A Series of Picturesque Views of the River Thames', first published by Robert Havell in 1812.
Abbey: Scenery of Great Britain 433, first issue mentioned but not described.
[Ref: 57898] £280.00 (£336.00 incl.VAT)
An oblique View of the East front of Hampton Court, with part of the Garden.
Highmore delin. J.Tinney sculp.
Printed for Rob.t Sayer at the Golden Buck in Fleet Street, & John Bowles & Son at the Black Horse in Cornhill London [n..d., c.1760).
Very fine engraving. 340 x 495mm (13½ x 19½"), with large margins.
A view looking down the East Front of Hampton Court, designed by Christopher Wren. Among the figures are a boy with a dancing dog and a gardener with a watering can.
[Ref: 57962] £420.00
Highmore delin. J.Tinney sculp.
Printed for Rob.t Sayer at the Golden Buck in Fleet Street, & John Bowles & Son at the Black Horse in Cornhill London [n..d., c.1760).
Very fine engraving. 340 x 495mm (13½ x 19½"), with large margins.
A view looking down the East Front of Hampton Court, designed by Christopher Wren. Among the figures are a boy with a dancing dog and a gardener with a watering can.
[Ref: 57962] £420.00
An Elevated View of the New Docks & Warehouses now constructing on the Isle of Dogs near Limehouse for the Reception of Shipping in the West India Trade.
Drawn and Engraved by W.m Daniell, & Published by him, at No. 9 Cleveland Street, Fitzroy Square, London, Oct.r 15, 1802.
Aquatint, printed in colours and hand-finished. 480 x 800mm (19 x 31½"). Trimmed to plate, some restoration in sky, toning in edges.
A wonderful bird's-eye view, looking across West India Docks towards London. William Daniell RA (1769-1837) was one of the few artists of the period who was as skilled as an aquatinter as he was a painter.
[Ref: 57967] £1,250.00
Drawn and Engraved by W.m Daniell, & Published by him, at No. 9 Cleveland Street, Fitzroy Square, London, Oct.r 15, 1802.
Aquatint, printed in colours and hand-finished. 480 x 800mm (19 x 31½"). Trimmed to plate, some restoration in sky, toning in edges.
A wonderful bird's-eye view, looking across West India Docks towards London. William Daniell RA (1769-1837) was one of the few artists of the period who was as skilled as an aquatinter as he was a painter.
[Ref: 57967] £1,250.00
Lyme Regis and Harbour from the Sea.
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with hand colour. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57823] £140.00 (£168.00 incl.VAT)
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with hand colour. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57823] £140.00 (£168.00 incl.VAT)
Lyme Regis and Harbour from the Sea.
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57824] £95.00 (£114.00 incl.VAT)
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 185 x 270mm (7¼ x 10½"), with large margins.
A view of Lyme Regis from outside the Cobb. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57824] £95.00 (£114.00 incl.VAT)
Lyme Regis, from the Cobb.
G. Hawkins, Lith.
Published by D. Dunster, Library, Broad St. Lyme Regis [n.d., c.1840].
Lithograph. Printed area 170 x 230mm (6¾ x 9"), with large margins.
A view of Lyme Regis with boats at the quay in the foreground. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57825] £95.00 (£114.00 incl.VAT)
G. Hawkins, Lith.
Published by D. Dunster, Library, Broad St. Lyme Regis [n.d., c.1840].
Lithograph. Printed area 170 x 230mm (6¾ x 9"), with large margins.
A view of Lyme Regis with boats at the quay in the foreground. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57825] £95.00 (£114.00 incl.VAT)
Lyme Regis from the Charmouth Road.
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the east, with the Landslip. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57826] £95.00 (£114.00 incl.VAT)
Lithographed by Newman & Co, 48 Watling St. London.
Published by Daniel Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the east, with the Landslip. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57826] £95.00 (£114.00 incl.VAT)
Lyme Regis, from Holm Bush Hill.
On Stone by G. Hawkins from a sketch by George Willis. Day & Son, Lith.rs to the Queen.
Published by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the west, with the Cobb, looking towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57827] £140.00 (£168.00 incl.VAT)
On Stone by G. Hawkins from a sketch by George Willis. Day & Son, Lith.rs to the Queen.
Published by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph. Printed area 190 x 265mm (7½ x 10½"), with large margins.
A view of Lyme Regis from the west, with the Cobb, looking towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57827] £140.00 (£168.00 incl.VAT)
Lyme Regis. From a Drawing in the Possession of the Rev. Dr. Hodges.
G. Hawkins, Jun.r lith. Day & Haghe Lith.rs to the Queen.
Published & Sold by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with fine hand colour. Printed area 150 x 220mm (6 x 8¾), with large margins.
A view of Lyme Regis from the west, looking along the cliffs towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57828] £140.00 (£168.00 incl.VAT)
G. Hawkins, Jun.r lith. Day & Haghe Lith.rs to the Queen.
Published & Sold by D. Dunster, Lyme Regis [n.d., c.1840].
Tinted lithograph with fine hand colour. Printed area 150 x 220mm (6 x 8¾), with large margins.
A view of Lyme Regis from the west, looking along the cliffs towards Golden Cap. Daniel Dunster also published 'An Account of and Guide to the Mighty Landslip of Dowlands and Bindon, near Lyme Regis', with plans and views, regarded as an important record of the nearby cliff collapse of 1839.
Not in Abbey.
[Ref: 57828] £140.00 (£168.00 incl.VAT)
Select Views in the Isle of Wight, & its Environs. Plate 2nd, View of Mirables with Mr Arnold's Cottage, at the back of the Island.
Walmsley pinx.t. Hassell sculp.t.
London, Published June 24th, 1801 by James Daniell & C.o, No 480 Strand.
Aquatint, printed in colours and hand-finished, J. Whatman 1801 watermark. 550 x 715mm (21¾ x 28¼"). Trimmed to plate, repairs to edges.
A large view of Mirables, a Grade II listed house on the Undercliff at Niton, Isle of Wight, before it was enlarged in the 1860s.
[Ref: 57966] £450.00
Walmsley pinx.t. Hassell sculp.t.
London, Published June 24th, 1801 by James Daniell & C.o, No 480 Strand.
Aquatint, printed in colours and hand-finished, J. Whatman 1801 watermark. 550 x 715mm (21¾ x 28¼"). Trimmed to plate, repairs to edges.
A large view of Mirables, a Grade II listed house on the Undercliff at Niton, Isle of Wight, before it was enlarged in the 1860s.
[Ref: 57966] £450.00
Select Views in the Isle of Wight, & its Environs. Plate 4th, View of St Catherine's Head from Freshwater Bay.
Walmsley pinx.t. Chesham sculp.t.
London, Published March 25th, 1802 by James Daniell & C.o, No 480 Strand.
Aquatint, printed in colours and hand-finished. 550 x 715mm (21¾ x 28¼"). Trimmed to plate, repairs to edges.
A large view looking east from stacks in Freshwater Bay to St Catherine's Point, with St Catherine's Oratory, Britain's only surviving medieval lighthouse, on the top of St Catherine's Down. To the left fishermen are caulking the bottom of their boat.
[Ref: 57965] £450.00
Walmsley pinx.t. Chesham sculp.t.
London, Published March 25th, 1802 by James Daniell & C.o, No 480 Strand.
Aquatint, printed in colours and hand-finished. 550 x 715mm (21¾ x 28¼"). Trimmed to plate, repairs to edges.
A large view looking east from stacks in Freshwater Bay to St Catherine's Point, with St Catherine's Oratory, Britain's only surviving medieval lighthouse, on the top of St Catherine's Down. To the left fishermen are caulking the bottom of their boat.
[Ref: 57965] £450.00
The South East Prospect of the Cathedral Church of St Paul's, London.
B. Lens delineavit. J. Harris Sculpsit.
[London: John Smith, c.1724.]
Engraving on two sheets conjoined, total. 450 x 660mm (17¾ x 26"). Folds and splits as normal. Cut to small margins. Loss on right centre margin.
An elevation of St Paul's Cathedral shown from the churchyard. The statue of Queen Anne can be seen on the far left.
[Ref: 57894] £220.00 (£264.00 incl.VAT)
B. Lens delineavit. J. Harris Sculpsit.
[London: John Smith, c.1724.]
Engraving on two sheets conjoined, total. 450 x 660mm (17¾ x 26"). Folds and splits as normal. Cut to small margins. Loss on right centre margin.
An elevation of St Paul's Cathedral shown from the churchyard. The statue of Queen Anne can be seen on the far left.
[Ref: 57894] £220.00 (£264.00 incl.VAT)
The Anniversary Meeting of the Charity Children in the Cathedral Church of St Paul, Dedicated with permission to His Royal Highness the Duke of Gloucester, President, The Vice Presidents & Treasurers of the Society of Patrons, (And Published in Aid of the Funds of the Female Charity School of St Pancras) by their obedient humble Servant, Robert Havell Jun.r. Proof.
Drawn & Engraved by Rob.t. Havell, Jun.r.
London Published as the Act directs June 1826 by Havell & Son, 79, Newman St.t Oxford St.t.
Very rare coloured aquatint. Sheet 475 x 335mm (18¾ x 13¼"). Trimmed within plate, tears taped, colour slightly faded.
An annual benefit concert with a choir of Charity Children, held from 1704 to 1877, at St Paul's Cathedral from 1782. One concert, held as part of the National Thanksgiving for George III's recovery in 1789, had a choir of 6,000.
[Ref: 57895] £280.00 (£336.00 incl.VAT)
Drawn & Engraved by Rob.t. Havell, Jun.r.
London Published as the Act directs June 1826 by Havell & Son, 79, Newman St.t Oxford St.t.
Very rare coloured aquatint. Sheet 475 x 335mm (18¾ x 13¼"). Trimmed within plate, tears taped, colour slightly faded.
An annual benefit concert with a choir of Charity Children, held from 1704 to 1877, at St Paul's Cathedral from 1782. One concert, held as part of the National Thanksgiving for George III's recovery in 1789, had a choir of 6,000.
[Ref: 57895] £280.00 (£336.00 incl.VAT)
A north West View of St Pauls Cathedral London. Vue Perspective de la Cathedrale de St Paul a Londre. [also in Italian & German]
Cum Gratia et Privelio Sac: Cæs: Majestatis. Georg Balthasar Probst. excudit A.V. [n.d., c.1760.]
Engraving with hand colour. Sheet 310 x 410mm (12¼ x 16"). Laid on card. Crease in centre.
A vuë-d'optique of St Paul's Cathedral, designed to be viewed through an optical viewer, so engraved in reverse, with a sub-title above.
[Ref: 57906] £260.00
Cum Gratia et Privelio Sac: Cæs: Majestatis. Georg Balthasar Probst. excudit A.V. [n.d., c.1760.]
Engraving with hand colour. Sheet 310 x 410mm (12¼ x 16"). Laid on card. Crease in centre.
A vuë-d'optique of St Paul's Cathedral, designed to be viewed through an optical viewer, so engraved in reverse, with a sub-title above.
[Ref: 57906] £260.00
S.t Pauls Cathedral. [Plate 53.]
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint. Sheet 285 x 405mm (11¼ x 16"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 57900] £140.00 (£168.00 incl.VAT)
[by Thomas Malton]
[Published May 22nd 1797 by T. Malton.]
Aquatint. Sheet 285 x 405mm (11¼ x 16"). Trimmed within plate, losing publication line.
A view of the interior of St Paul's Cathedral, taken from under the cupola. Plate 53 of Malton's 'Picturesque Tour'.
[Ref: 57900] £140.00 (£168.00 incl.VAT)
A view of the Isle at the Entrance of the North Portico of the Cathedral Church of S.t Paul.
Permissu Domini Chrostophori Wren Equitis delineavit Robertus Trevitt.
[n.d., c.1707.] [but later]
Engraving. Sheet 375 x 305mm (14¾ x 12"). Trimmed within plate,tears.
One of a series of prints of the Cathedral by Roger Trevett, commemorating the service of thanksgiving for military successes in 1706, held in the presence of Queen Anne and both Houses of Parliament.
[Ref: 57901] £130.00 (£156.00 incl.VAT)
Permissu Domini Chrostophori Wren Equitis delineavit Robertus Trevitt.
[n.d., c.1707.] [but later]
Engraving. Sheet 375 x 305mm (14¾ x 12"). Trimmed within plate,tears.
One of a series of prints of the Cathedral by Roger Trevett, commemorating the service of thanksgiving for military successes in 1706, held in the presence of Queen Anne and both Houses of Parliament.
[Ref: 57901] £130.00 (£156.00 incl.VAT)
Transept of S.t Paul's from the North Entrance. Plate 54,
[by Thomas Malton]
Published Sep.r 29th 1797 by T. Malton.
Aquatint. Sheet 400 x 270mm (15¾ x 10½"). Trimmed within plate.
A view of the interior of St Paul's Cathedral, looking towards the interior of the cupola. Plate 54 of Malton's 'Picturesque Tour'.
[Ref: 57902] £95.00 (£114.00 incl.VAT)
[by Thomas Malton]
Published Sep.r 29th 1797 by T. Malton.
Aquatint. Sheet 400 x 270mm (15¾ x 10½"). Trimmed within plate.
A view of the interior of St Paul's Cathedral, looking towards the interior of the cupola. Plate 54 of Malton's 'Picturesque Tour'.
[Ref: 57902] £95.00 (£114.00 incl.VAT)
![[St James's Palace.]](jpegs/57542.jpg)
[St James's Palace.]
Sydney R. Jones [signed in plate and in pencil.]
[1928.]
Drypoint etching, signed by the artist in pencil. 245 x 310mm (9¾ x 12¼"), with very large margins
A view of the North Gate of St. James's Palace from St James's Street. Sydney Robert Jones (1881 - 1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57542] £320.00
Sydney R. Jones [signed in plate and in pencil.]
[1928.]
Drypoint etching, signed by the artist in pencil. 245 x 310mm (9¾ x 12¼"), with very large margins
A view of the North Gate of St. James's Palace from St James's Street. Sydney Robert Jones (1881 - 1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57542] £320.00
![[Staple Inn, Holborn.]](jpegs/57991.jpg)
[Staple Inn, Holborn.]
Sydney R. Jones.
[1926.]
Drypoint etching, signed by the artist in pencil. 310 x 125mm (12¼ x 5"), with large margins.
Staple Inn, on the south side of High Holborn, is the London office of the Institute of Actuaries and is the last surviving Inn of Chancery. Sydney Robert Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57991] £190.00 (£228.00 incl.VAT)
Sydney R. Jones.
[1926.]
Drypoint etching, signed by the artist in pencil. 310 x 125mm (12¼ x 5"), with large margins.
Staple Inn, on the south side of High Holborn, is the London office of the Institute of Actuaries and is the last surviving Inn of Chancery. Sydney Robert Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views, he also wrote several books on the English countryside. Studied at the Birmingham School of Fine Art.
[Ref: 57991] £190.00 (£228.00 incl.VAT)
South East View of the Commoners Court, Winchester College.
Drawn on Stone Sep.r 6,th 1838. Rich.d Baigent del,t.
Hand-coloured lithograph, print on chine collé. 205 x 270mm (8 x 10¾"). Some creasing, backing sheet dusty.
A view of one of the depicting the Old Commoner buildings shortly before they were demolished. Richard Baigent (1799-1881) was an drawing master at Winchester College for fifty years, before emigrating to Canada in mid 1862, where he was appointed drawing master at Upper Canada College. He was elected a founding member of the Ontario Society of Artists in 1872 and was named an Associate of the Royal Canadian Academy in 1880.
[Ref: 57969] £130.00 (£156.00 incl.VAT)
Drawn on Stone Sep.r 6,th 1838. Rich.d Baigent del,t.
Hand-coloured lithograph, print on chine collé. 205 x 270mm (8 x 10¾"). Some creasing, backing sheet dusty.
A view of one of the depicting the Old Commoner buildings shortly before they were demolished. Richard Baigent (1799-1881) was an drawing master at Winchester College for fifty years, before emigrating to Canada in mid 1862, where he was appointed drawing master at Upper Canada College. He was elected a founding member of the Ontario Society of Artists in 1872 and was named an Associate of the Royal Canadian Academy in 1880.
[Ref: 57969] £130.00 (£156.00 incl.VAT)