The pretended Prince of Walles born, June 10 1688 [parallel text in Dutch] [with letterpress Stuart poem]
[Anon., image c.1690, letterpress c.1750]
Letterpress and etching, 160 x 185mm (6¼ x 7¼"), etching, and 145 x 135mm (5¾ x 5¼"), letterpress. Both trimmed and glued to album sheet; other prints verso.
Dutch scene of the birth of James Francis Stuart, the Old Pretender (1688-1766), Jacobite claimant to the thrones of England, Scotland and Ireland. James was born at St James's Palace in 1688. With Jacobite verses above (which were published, for instance, accompanying portraits of James' eldest son Charles Edward Stuart).
[Ref: 37636] £85.00
(£102.00 incl.VAT)
[James Francis Edward Stuart] The Prince of Wales.
[engraved by William Vincent.]
[London: John Boydell, c.1800.]
Mezzotint. 210 x 160mm (8¼ x 5½"), on wove paper, large margins on 3 sides. Trimmed to plate at bottom.
A portrait of James Francis Edward Stuart as an infant, being crowned by two angels. First published c.1688. CS 11, state iii of iii, without Vincent's name. Sharpe 75.
[Ref: 65619] £320.00
[James Francis Edward Stuart] Dat vorstlyk Kind., dat nu int hof syn hondtje queldt; Eerlang syn vyand sardt int bloedig oorlog sveldt.
G.Kneller Eques advirum Pinxit. P. Schenk fec: et exc, cum Privil. Amstelod.
[Amsterdam, n.d. c.1700.]
Mezzotint. 245 x 180mm.
The Old Pretender, pictured as an infant.
[Ref: 3602] £350.00
James Francis Edward Prince of Wales & Prince and Great Steward of Scotl &c.
Largillierre pinxit.
Se vend Chez Gantrel rue St Jacque a limage St. Maur.
Engraving. Framed, visible area 190 x 130mm (7½ x 5"). Unexamined out of frame.
A portrait of James Francis Edward Stuart (1688-1766) as a young boy, in a dress. The son of James II, he earned the nickname of the 'Old Pretender' but styling himself James III. Sharp: 92, state ii of ii.
[Ref: 57230] £160.00
(£192.00 incl.VAT)
De Prins van Wales...
G. Kneller ad vivum. P. Schenck Fe: et Exc: Cum Privil:
[n.d. 1690.]
Mezzotint, 250 x 185mm. Trimmed close to plate top and bottom.
Portrait of James Francis Edward Stuart (1688-1766) as a child, when he was Prince of Wales. When his father James II died in 1701 he declared himself king of England, Scotland and Ireland but failed to secure the throne. His eldest son Charles continued to claim the throne, which also failed bitterly. Sharp 72.
[Ref: 8199] £330.00
Iacques Francois Edouard Prince De Galle;
A Paris Chez N. de L'Armessin, Rue St. Iacques ala Pome dOr. Avec Privil du Roy. [n.d., c.1700.]
Engraving, sheet 245 x 170mm. 9¾ x 6¾". Trimmed to plate; a strong impression.
James Francis Edward Stuart, 'The Old Pretender' (1688 - 1766), was the son of the deposed James II of England (James VII of Scotland). As such, he claimed the English, Scottish and Irish thrones (as James III of England and Ireland and James VIII of Scotland) from the death of his father in 1701, when he was proclaimed king of England, Scotland and Ireland by his cousin Louis XIV of France. Following his death in 1766 he was succeeded by his son Charles Edward Stuart in the Jacobite Succession. In oval frame in armour, coat of arms in the lower part.; biographical text below title. Engraved and published by Nicolas de Larmessin I (1632 - 1694), from a large series of (at least) 240 portraits. Sharp: 81.II. Blaikie Collection.
[Ref: 13628] £260.00
(£312.00 incl.VAT)
[The unpopularity of Lord Bute] The Pillars of the State.
Design'd & Engrav'd for the Political Register.
[n.d., 1768].
Etching with engraving. 180 x 120mm (7 x 4¾"). Trimmed into plate on right.
Two anti-Bute satires. Above is a ship running onto rocks, with a sailing damning 'that Scottish Pilot'. Below Lord Mayor Thomas Harley and Samuel Gillam, J.P., hold up a beam with a noose, on which is written 'English or Irish here shall freely swing, No Scot while Sawney rules, shall grace ye String'. Behind them is a scene of soldiers firing on a crowd at St George’s Fields, 10th May 1768, a protest against the imprisonment of the radical Member of Parliament John Wilkes. BM Satires 4235.
[Ref: 54364] £95.00
(£114.00 incl.VAT)
Lord Bute] The Laird of the Posts or the Bonnett's Exalted.
Hogarth, Inv.t.
Printed for I. Baldwin London. [n.d., c.1762.]
Coloured etching. 140 x 280mm (5½ x 11"). Folded as issued.
Prime Minister John Stuart, Lord Bute, balances on posts lettered with numbers alluding to annual salaries and calls to fellow Scots saying ''I'll provide for ye all''. An Englishman and an Irishman stand looking on remarking that "There will be no chance for us". A satire on Bute's favouritism of Scots, copied from BM 3862, but with a lion blindfolded with a tartan cloth rather than a pit (Pitt) in the foreground.
[Ref: 54398] £260.00
(£312.00 incl.VAT)
Bob Cherry or Argumentum ad Hominem.
[Dublin: Gentleman's & London Magazine, 1764.]
Etching. 115 x 175mm (4½ x 6¾"). Creasing as normal, toning and stains.
After his resignation in April 1763, Lord Bute dangles a cherry before George Grenville and Charles Wyndham, Earl of Egremont, as Britannia exclaims' 'Oh! My foolish children. Henry Fox syas 'Give me Holland'. See BMM Satires 4032 for a version published by John Williams.
[Ref: 54400] £160.00
(£192.00 incl.VAT)
The Cat's Paw. Plate 1.
[n.d., 1766.]
Rair pair of etchings, each c.250 x 345mm.
William Pitt the Elder as a cat, being persuaded by monkey John Stuart, Earl of Bute, to take a chestnut from a fire. Pitt urinates in fear. A satire of the return of Pitt to office, suggesting he is being manipulated by Bute. In the second plate, 'The Monkey's Downfall or Cat's-Paw Rescu'd' (not present), Bute is on his back, attacked by dogs with Cabinet members' names on their collars, while Chatham looks on supported by crutches. It is Bute's turn to defaecate in fear. BM Satires: 4148.
[Ref: 54423] £420.00
[John Stuart, 3rd Earl of Bute] The Cat's Paw.
[n.d., c.1766.]
Etching. 250 x 355mm (9¾ x 14"). Small margins.
A satire on William Pitt's return to office in 1766: The Earl of Bute, depicted as a monkey, uses the paw of the Earl of Chatham (a cat) to extract chestnuts from a fire, with Chatham urinating in fear. Their respective supporters stand under paintings 'A View of Chatham' and 'A View of the Isle of Bute'. John Stuart, 3rd Earl of Bute (1713 - 1792), was a Scottish nobleman who served as Prime Minister under George III, and was arguably the last important favourite in British politics. Bute was initially a favourite of the king, but George turned against him after being criticised for an official speech which the press recognised as Bute's own work. This print satirises Bute's political relationship with William Pitt, 1st Earl of Chatham (1708 - 1778). BM Satires: 4148.
[Ref: 60483] £380.00
The Right Hon.ble John Earl of Bute &c.
Ramsay pinx.t. Graham sculp.t.
[n.d., c.1790.]
Mezzotint. Plate: 150 x 110mm (6 x 4¼''), with large margins.
A half-length portrait of John Stuart, 3rd Earl of Bute (1713-1792) who served and Prime Minister from 1762-3.
[Ref: 48676] £140.00
(£168.00 incl.VAT)
Lord Mountstuart.
Painted by Mr. Hone, and Engrav'd by Capt. Bailiie.
Oct.r the 20th 1779.
A very fine stipple, printed in sanguine. Plate: 280 x 190mm (11 x 7½''). Thread margins. Mould on top of 18th century album sheet.
Portrait of John Stuart, 1st Marquess of Bute (1744-1814) after the painting by Nathaniel Hone. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and thereafter devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. See ref: 12267 for a later issue printed in black ink.
[Ref: 48789] £260.00
(£312.00 incl.VAT)
John Earl of Bute I.st: Lord of the Treasury. Knight of the Most Noble Order of the Garter & c.
Ramsay Pinxt. Richard Purcell Fecit 1763.
Fine mezzotint, 350 x 250mm (13¾ x 9¾"), large margins. Slight rubbing at top.
Three-quarter portrait of John Stuart (1713-92), 3rd Earl of Bute, Prime Minister 1762-3) in ermine-trimmed ceremonial robes, wearing the Order of the Thistle, from which he resigned in 1762 when he joined the Order of the Garter. CS 11.
[Ref: 63781] £240.00
(£288.00 incl.VAT)
[Satire of the Earl of Bute] [Sawney ganging back again being turned out of place.]
[Engraved by Francesco Bartolozzi after George Townshend.]
[Pub.d 14th June 1782 by Kearsley Fleet Street.]
Etching, 18th century watermark. Sheet 300 x 215mm (11¾ x 8½"). Trimmed, losing title, publication line and letterpress lyrics.
The illustration to a satirical songsheet, showing Sawney (Bute) in Highland dress looking over his shoulder at a barking mastiff, as he leaves the 'Crown Inn' with the goods he has plundered from his former employers. George III can be seen looking up as Charles James Fox tries to pull the inn's sign back into place. The facade of the inn is kept up with beams marked 'Paper Credit' and 'Liberty of the Press'. BM Satires 6005, with the original lyrics reproduced; De Vesme 2239 for attribution to Bartolozzi.
[Ref: 60752] £280.00
(£336.00 incl.VAT)
John Stuart, Lord Mountstuart, Baron Cardiff.
G. Romney pinx.t. F. Bartolozzi R.A. sculp.t.
Published as the Act directs Nov.r 17th 1790.
Stipple. 315 x 220mm (12½ x 8¾"), with large margins. Uncut. Slight crease in centre.
John Stuart (1713-92), 3rd Earl of Bute, as a young man, wearing ceremonial robes. He served as Prime Minister of Great Britain (1762-3), when he negoatiated the end of thre Seven Years' War. De Vesme: 876.
[Ref: 45368] £240.00
(£288.00 incl.VAT)
[Lord Bute] The Pillars of the State. Design'd & Engrav'd for the Political Register.
[1768.]
Etching. Sheet 185 x 100mm (7½ x 4"). Trimmed within plate on three sides, laid on album paper, ink date added on surtitle.
A satire on the continued influence of Lord Bute. Lord Mayor Thomas Harley and Samuel Gillam, J.P., stand on pedestals holding up a beam with a hangman's noose. Above is a scene of a ship crashing onto rocks, on which a figures shouts 'Oh D_n that Scottish Pilot!' He has run us on Rocks & is now fled to ye Enemy. Behind is another scene, of soldiers firing on a crowd at St George’s Fields on 10th May. BM Satires 4235.
[Ref: 58649] £180.00
(£216.00 incl.VAT)
[The unpopularity of Lord Bute] The Waistcoat. Yet be not sad, good Brothers, / For, to Speak the Truth, it very well becomes you.
[n.d., 1768].
Etching with engraving. 190 x 120mm (7½ x 4¾"). Trimmed into plate at sides.
John Stuart, 3rd Earl of Bute, stands on a stage, holding a birch rod and trampling on the fallen figure of Britannia, and pulling a child's toy truck on which stand a group of diminutive members of the administration encased in a large tartan coat. On the wall behind is a portrait of Edward Bright (1721-50), the grocer known as the ''fat man of Maldon''. A satire on the alleged continuing dominance of Lord Bute five years after his resignation from office. It suggests that William Pitt, Fletcher Norton Lord Mansfield, Duke of Grafton et all, are sheltering in Bute's outsize waistcoat. Published in the Political Register, February 1768. BM Satires 4181.
[Ref: 54365] £95.00
(£114.00 incl.VAT)
The Right Hob.ble John Lord Viscount Mountstuart. Lord Lieut. & Custos Rotulorum of the County of Glamorgan.
Painted by Liotard. Engraved by J.R.Smith.
Publish'd 30th May 1774 by J.R.Smith, N°4 Exeter Court Strand.
Mezzotint, very fine impression. Sheet 500 x 350mm (19¾ x 13¾"). Collector's stamp 'E.M.H.' on reverse. Trimmed, rare but cut.
Portrait of John Stuart, 1st Marquess of Bute (1744 - 1814), styled Lord Mount Stuart until 1792, nobleman, coalfield owner, diplomat and politician who sat in the House of Commons from 1766 to 1776. In the background stands a very large Chinese screen. CS118. Ex: collection of the Late Hon. C. Lennox-Boyd.
[Ref: 67489] £450.00
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[The unpopularity of Lord Bute] The Flight from Dover. The Arrival at Calais.
Design'd & Engrav'd for the Political Register.
[n.d., c.1768].
Etching with engraving. 180 x 120mm (7 x 4¾"). With narrow margins.
Two scenes satirising the unpopularity of John Stuart, 3rd Earl of Bute. Above he is hitching a ride away from Dover on a witch's broomstick laden with money bags; below he lands in Calais to be greeted by Bonnie Prince Charlie. BM Satires 4211.
[Ref: 54363] £180.00
(£216.00 incl.VAT)
The Lord Iohn and ye Lord Bernard Stuart ye youngest sons of Esme Duke of Lenox.
Ant Van Dyck Eques pinxit. Collection Earle of Kent. R. Tomspon exc.t
[n.d. c.1688.]
Mezzotint. 450 x 267mm (17¾ x 10½"). Creases.
Portrait of the two sons of Esmé Stuart, 3rd Duke of Lennox, who both fought for the Royalist cause in the Civil War; the elder, Lord John Stuart (1621-1644), was killed at the Battle of Cheriton; the younger, Lord Bernard Stuart, Earl of Lichfield (1622-1645), died at the Battle of Rowton Heath. The original painting by Van Dyck in the National Gallery. Ex Collection: The Late Honourable Christopher Lennox-Boyd. CS: 46.
[Ref: 29026] £230.00
(£276.00 incl.VAT)
Lord John & Lord Bernard Stuart Sons of Esme Duke of Lenox. Done from the Original in the Collection of the Right Hon.ble Lord Royston and the Marchioness Grey.
Vandyke pinx.t. J.s McArdell fecit.
[n.d. c.1760.]
Mezzotint. 500 x 350mm (19¾ x 13¾"). Thread margins, crease, laid on board.
Portrait of the two sons of Esmé Stuart, 3rd Duke of Lennox, who both fought for the Royalist cause in the Civil War; the elder, Lord John Stuart (1621-1644), was killed at the Battle of Cheriton; the younger, Lord Bernard Stuart, Earl of Lichfield (1622-1645), died at the Battle of Rowton Heath. The original painting by Van Dyck in the National Gallery. CS: 174. Goodwin: 122. Russell: 174. See Ref: 29026 for an earlier reversed version published by Tompson.
[Ref: 30888] £280.00
(£336.00 incl.VAT)
Lord John & Lord Bernard Stuart Sons of Esme Duke of Lenox. Done from the Original in the Collection of the Right Hon.ble Lord Royston and the Marchioness Grey.
Vandyke pinx.t. J.s McArdell fecit.
[n.d. c.1760.]
Mezzotint. 500 x 350mm (19¾ x 13¾"). Small tear in bottom margin. Time stained.
Portrait of the two sons of Esmé Stuart, 3rd Duke of Lennox, who both fought for the Royalist cause in the Civil War: the elder, Lord John Stuart (1621-1644), was killed at the Battle of Cheriton; the younger, Lord Bernard Stuart, Earl of Lichfield (1622-1645), died at the Battle of Rowton Heath. The original painting by Van Dyck in the National Gallery. CS: 174. Goodwin: 122. Russell: 174. See Ref: 29026 for an earlier reversed version published by Tompson.
[Ref: 43451] £360.00
Louise Marie Stuart Princesse d'Angleterre Filles du Roy Iacque et de Marie Eleonor d'Éste Neé le 28 Iuin 1692.
Larfilliere P. Gravé par E. Desrochers et se vend chez luy rue S.t Jacques au Mecenas a Paris.
[n.d., c.1710.]
Rare & fine engraving. Plate: 150 x 110mm (6 x 4¼"), with very large margins.
A half-length portrait of Louisa Maria Stuart (1692-1712) the last child of James II and Mary of Modena. Louisa Maria was born and brought up in France and known as the 'Princess Royal' by Jacobites.
[Ref: 46675] £240.00
(£288.00 incl.VAT)
C Stuart-Wortley [facsimile signature].
A d'Orsay fecit 24 Mai 1840 [signed in plate.]
London, Published by J. Mitchell, Royal Library, 33, Old Bond Street. J. Graf, Printer to Her Majesty.
Lithograph on india paper, india 210 x 165mm. 8¼ x 6½". Creases. Messy.
Portrait of Charles Stuart-Wortley (1802 - 1844), son of James Archibald Stuart-Wortley-Mackenzie, first Baron Wharncliffe, statesman. From a series of portraits by Count Alfred Guillaume Gabriel d'Orsay (1801 - 1852), Paris-born artist and gentleman of fashion. His profile sketches of his contemporaries, to the number of 125, include among them nearly all the literary, artistic, and fashionable celebrities of that time. O'Donoghue p.214.
[Ref: 21867] £45.00
(£54.00 incl.VAT)
The Engraved Work of George Stubbs 1724-1806. An Exhibition curated by The British Sporting Art Trust at Bonhams...
[Compiled by Nicholas Price et al.]
[Newmarket.] The British Sporting Art Trust, 2005.
4to, illustrated wrappers; pp. 82, illustrated in colour & b/w.
An exhibition of over 90 engravings by Stubbs.
[Ref: 45206] £50.00
G. Stubbs, Animalium Pictor.
From an Original Drawing by P. Falconet. B. Reading Sc,,t.
Pub.d. by E. Jeffery, Pall Mall, 1792.
Stipple. 180 x 130mm (7 x 5"). Trimmed into plate, laid on album paper at edges.
George Stubbs (1724-1806), the British painter of portraits, animal pictures, heroic animal histories and poetical scenes of rural life. He is known primarily for his images of horses and in 1758 he began his dissections of horses, which lead to the engraved work 'The Anatomy of the Horse' in 1766. Ref: Christopher Lennox-Boyd pg. 379 ii of ii.
[Ref: 63198] £160.00
(£192.00 incl.VAT)
Stubbs' Dogs. The Hounds and Domestic Dogs of the Eighteenth Century as seen through the Paintings of George Stubbs.
Robert Fountain & Alfred Gates.
Published by Ackermann. 3 Old Bond Street, London, W1.
Book: Quarto. pp.117.Colour illustrated wrapper. Illustrated, containing in colour and in monochrome eighty-eight subjects.
In this fascinating work the authors have recorded the paintings by Stubbs that portray dogs either as individuals or as part of a larger composition. At the same time the history and development of the breeds is given , with details about the paintings themselves and about those for whom they were painted. The catalogue is of particular value in that it lists all known paintings by Stubbs that contain canine studies. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28075] £60.00
George Stubbs and the Wedgwood Connection.
Ruth Vincent-Kemp.
Printed and produced in Great Britain by Rushton and Turner., Hanley, Stoke-on-Trent, Staffordshire. First edition limited to 2000 copies.
Book: Octavo. pp.64. Colour illustrated wrapper. Illustrated throughout.
An account of the important episodes of both George Stubbs' and Josiah Wedgwoods' lives. The author Dr. Ruth Vincent-Kemp, also comments on other great figures of that period, mainly from the medical profession, such as Erasmus darwin and John Hunter. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28081] £45.00
George Stubbs.
Martin Myrone.
First published by order of the tate Trustees by Tate Publishing, a division of Tate Enterprises Ltd. Millbank, London SW1P. 4RG.
Book: Octavo. Colour illustrated wrapper. Illustrated with 50 colour and 11 black and white images. pp.80.
In this highly original study, Martin Myrone presents a less familiar account of George Stubbs. From his earliest anatomical studies through to his depictions of exotic animals and experiments with the industrialist Josiah Wedgwood, Stubbs is shown to have been dynamically engaged with the science, technology and popular culture of his day. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28082] £30.00
(£36.00 incl.VAT)
George Stubbs. Walker Art Gallery.
Published for the Libraries, Museums and Arts Committee of the Corporation of Liverpool. 1951.
Book: Octavo. pp.26. Illustrated wrapper. Containing 8 monochrome illustrations.
A catalogue for an exhibition held from 13th July to 25th August at the Walker Art Gallery, 1951. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28087] £45.00
Stubbs & Wedgwood. Unique alliance between Artist and Potter.
Bruce Tattershall.
Published by the Tate Gallery Publications Department, Millbank, London, SW1P 4RG.
Book: Quarto. Illustrated coloured wrapper. pp. 119. Extensively illustrated in both monochrome and colour throughout.
Published by order of the Trustees for the exhibition of 19th June - 18th August 1974, Stubbs & Wedgwood. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28110] £60.00
The Prints of George Stubbs.
Basil Taylor.
Published in Great Britain by The Paul Melon Foundation for British Arts. 38, Bury Street, London, SW1.
Book. Oblong quarto. pp. 60. Illustrated wrappers. Extensively illustrated in monochrome throughout.
A book published by The Paul Mellon Foundation for British Art, including descriptions and analysis of the prints of George Stubbs. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28112] £45.00
George Stubbs. 1724 - 1806. Science into Art.
Herbert W. Rott.
Published by Prestel Publishing Ltd. 4 Bloomsbury Place, London, WC1A 2QA.
Book: D/W. Quarto. pp. 240. Illustrated colour wrappers. Profusely illustrated in both colour and monochrome throughout.
Although George Stubbs is best known for his images of hounds and horses charging round the British countryside, the painter was also an avid student of the broader animal world. This volume features gorgeous colour reproductions of paintings that highlight the painter's genius for combining realism and lyricism. It includes numerous drawings and prints - among them the exceptional studies for his 'The Anatomy of the Horse' series. Informative essays discuss Stubbs' superb aesthetic sensibility, his far-reaching scientific studies, and his place in the pantheon of eighteenth-century European painters. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28113] £120.00
The Art of George Stubbs.
Venetia Morrison.
Published in Great Britain in 1989 by Headline Book Publishing PLC.
Book: D/W. Quarto. pp. 191. Colour illustrated wrappers. Heavilly illustrated in both monochrome and colour throughout.
This book presents Stubbs' celebrated horse images and explores his fascination with anatomy and dissection, as well as his erratic relationship with the establishment. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28114] £60.00
George Stubbs. 1724 - 1806. Whitechapel Art Gallery. February - April, 1957.
Printed in England by the Chaseton Press of H. Williams and Son Ltd.
Book: Quarto. pp. 28. Illustrated wrappers. Containing 22 monochrome illustrations.
Catalogue of an exhibition of paintings, drawings and engravings held at the Whitechapel Art Gallery, London, from 27th February - 7th April, 1957. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28119] £40.00
George Stubbs. Rediscovered Anotomical Drawings from the free Public Library Worcester, Massachusetts.
Published by The Arts Council of Great Britain, 1958.
Book: Octavo. pp. 32. Illustrated wrappers. Containing four monochrome illustrations.
Includes an essay by Basil Taylor, a 63 item catalogue and four black and white illustrations. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28123] £45.00
Stubbs in the 1760s. November 3rd - December 5th. A Loan Exhibition of Paintings in aid of the Westminster Division of the British red Cross Society to celebrate their centenary in 1970.
Published by Thomas Agnew & Sons Ltd., 43 old Bond Street, W. 1.
Book: Oblong quarto. pp. 41. Colour illustrated wrappers. Including 17 monochrome illustrations.
A catalogue for the exhibition, 'Stubbs in the 1760s', including an introductory essay by Basil Taylor and 17 monochrome illustrations. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28124] £45.00
Stubbs & the Horse.
Malcolm Warner.
Published by Yale University Press, New Haven. 2005.
Book: D/W. Quarto. pp.227. Colour illustrated wrappers. Extensively illustrated throughout with 110 colour images and 131 black and white.
The catalogue of an exhibition at the Kimbell Art Museum, Fort Worth, Nov. 14, 2004-Feb. 6, 2005; the Walters Art Museum, Baltimore, Mar. 13-May 29, 2005; and the National Gallery, London, June 29-Sept. 25, 2005. This book presents a wide range of Stubbs' imagery, from refined portraits of racehorses to violent scenes of horses attacked by lions in the wild. With an essay by Lance Mayer and Gay Myers. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28126] £60.00
George Stubbs: A Celebration.
First published 2006 by order of the Tate Trustees by Tate Publishing, a division of Tate Enterprises Ltd, Millbank, London SW14 4RG.
Book: Quarto. pp. 15. Colour illustrated wrappers. Illustrated in colour throughout.
An exhibition catalogue published on the occasion of the exhibition, George Stubbs: A Celebration, at the Walker Art Galler, Liverpool: 7 April - 30 July 2006, Tate Britain, London: 21 August 2006 - 1st January 2007, The Frick Collection, New York: 21 February - 27 May 2007. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28986] £20.00
George Stubbs. Anatomist and Animal Painter.
Judy Egerton.
Published by the Tate Gallery Publications Department, Millbank, London, SW1P 4RG. 1976.
Book: Quarto. pp. 64. Illustrated wrappers. Containing monochrome illustrations; four exhibition photographs. Damaged. Lightly annotated.
An exhibition catalogue published by the order of the Trustees to accompany the exhibition of 25th August - 3rd October 1976, 'George Stubbs; anatomist and animal painter', at the Tate Gallery. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28990] £45.00
Stubbs.
Basil Taylor.
Phaidon Press Limited. 5, Cromwell Place, London, SW7. Second edition 1975.
Book: Quarto. pp.220. Colour illustrated wrapper. 157 illustrations, including 16 in colour. Slightly messy wrapper.
A critical account of the work of George Stubbs by Basil Taylor. Taylor's text summerizes the main findings of a quarter of a century's study. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 59750] £60.00
G. Stubbs, Animalium Pictor.
P. Falconet del. 1769. D.P.Pariset Sculp.
Stipple. 178 x 127mm (7 x 5"). Cut.
George Stubbs (1724-1806), the British painter of portraits, animal pictures, heroic animal histories and poetical scenes of rural life. He is known primarily for his images of horses and in 1758 he began his dissections of horses, which lead to the engraved work 'The Anatomy of the Horse' in 1766.
[Ref: 34761] £160.00
(£192.00 incl.VAT)
Mr Stubbs the Horse Painter.
Constance-Anne Parker.
Published in 1971 by J. Allen & Co. Ltd. 1 Lower Grosvenor Place, London SW1.
4to, original cloth gilt; pp. 203, profusely illustrated. Slightly damaged binding.
A comprehensive study of the life and work of the English artist, George Stubbs. Including chapters entitled; Liverpool, Early Life. York and the Midwifery Book. Rome. The Anatomy of the Horse. London - Goodwood - Eaton Hall. The Society of Artists. The Somerset Street House. The Mares and Foals Series. The Lion and Horse Series. Wild Animals. Enamel Painting. The Royal Academy. The Turf Gallery. Exhibitions and Technique. History and Conversation Pieces. The Comparative Anatomy.
[Ref: 59934] £45.00
George Stubbs. The Complete Engraved Works.
Christopher Lennox-Boyd. Rob Dixon. Tim Clayton.
Stipple Publishing Limited 1989.
Book: 4to (321 x 237mm). Title stamped on spine in gilt. pp. xvii + 411. Profusely illustrated, some in colour. Dust jacket a little creased along edges, but otherwise in very fine condition.
A very comprehensive, concise and coherent illustrated complete one volume narrative of the life and the entire engraved works of George Stubbs.
[Ref: 10097] £160.00
George Stubbs. Atonomist and Animal Painter.
Judy Egerton.
Published by the Tate Gallery Publications Department, Millbank, London, SW1P 4RG. 1976.
Book: Quarto. pp. 64. Illustrated wrappers. Containing monochrome illustrations. Damaged.
An exhibition catalogue published by the order of the Trustees to accompany the exhibition of 25th August - 3rd October 1976, 'George Stubbs; anatomist and animal painter', at the Tate Gallery. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 59751] £30.00
Stubbs. Portraits in Detail.
Judy Edgerton.
Published by Tate Gallery Publications, Millbank, London, SW1P 4RG.
Book: Oblong quarto. pp. 46. Illustrated colour wrappers. Heavily illustrated throughout with colour images.
Published by order of the Trustees for the exhibition, 18th October 1984 - 6th January 1985, Stubbs: Portraits in Detail. Selected and introduced by Judy Egerton. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28111] £30.00
Fearful Symmetry. George Stubbs. Painter of the English Enlightenment.
Ncholas J. Hall.
Published by Hall & Knight Ltd. 2000.
Book: Quarto. pp.213. Colour illustrated wrappers. Profusely illustrated with both black and white and colour images throughout.
This catalogue accompanied an exhibition from January 21st - February 28th 2000 in New York; 21 East 67th Street, New York, NY, 10021. Includes essays by Nicholas H. J. Hall, Malcolm Cormack, Judy Egerton and Richard Godfrey. Ex Collection of Judy Egerton, author and former curator at the Tate Britain.
[Ref: 28128] £45.00
Stuck in the Mud.
[London: J.L. Marks, c.1833.]
Hand coloured woodcut and letterpress, sheet 160 x 190mm. 6¼ x 7½". Trimmed to printed border and around title.
Social satire; a farmer enjoys a joke at the expense of a man from the city, who sinks into the mud clutching his umbrella. From the series 'Marks's New Caricaturist' by J Lewis Marks (1814 - 1848; fl.).
[Ref: 17339] £60.00
(£72.00 incl.VAT)
[Broadside.] To be Sold by Auction, by Mr. Reform Burgess, This Day, Monday, Nov. 2nd 1840 in the Area of the Exchange, Liverpool, all the Valuable Stud of Horses.
[1840.]
Broadside. Sheet: 455 x 285mm (18 x 11¼''). Creasing, staining and laid on album sheet.
An advert for a stud sale in Liverpool, a satire on the Irish Reform Bill of 1840.
[Ref: 48375] £160.00
(£192.00 incl.VAT)