Grosvenor Prints

Will.m Shenston Esq.r From an Original Picture in the possession of W.G. Waldron.
Clamp sculp.t
[n.d. c.1795.]
Stipple, laid on album sheet. 177 x 128mm (7 x 5"). Cut, some slight spotting.
William Shenstone (1714-1763), a seldom read poet from the Midlands. His first poems were published whilst he studied at Oxford, although he left without completing his degree. He retired at the farming estate of Leasowes and continued to write poetry in a pastoral vein. Shenstone coined the term 'landscape gardener', and created one of the earliest and most influential landscape gardens, his ferme ormee. He diverted streams to create waterfalls, and stage-managed the landscape to create views that unfolded from carefully chosen vantage points.
NPG: D19347.
[Ref: 34618] £45.00 (£54.00 incl.VAT)

[Dmitry Dmitrievich Shepelev] [Cyrillic title] Lieutenant General Schepeleff.
Painted by order of the Emperor M. Alexander 1st by G. Dawe Esqr. Member of the Roy.l Ac.dy London, that of St. Petersburg &c: &c. Engraved by Hy Dawe London.
[Russian publisher in Cyrillic] & Messrs. Colnaghi & Co. London, Sep.t 1828.
Rare mezzotint. 340 x 250mm (13½ x 9¾"), with large margins Surface dirt, creasing.
Dmitry Dmitrievich Shepelev (1771-1841). Born into a noble family he enlisted as a sergeant in the Russian Life Guards in 1782. He served in Poland (1794), Persia (1796), Switzerland (1799, under Rimsky-Korsakov) and the Battle of Austerlitz (1805). In 1813 he led an advance guard of Wittgenstein's Corps that captured Koenigsberg. In 1815 he became commander of the 2nd Hussar Division, but had to retire due to ill-health the following year. George Dawe (1781 - 1829) spent from 1819 to 1828 in St Petersburg, invited by Tsar Alexander to paint the portraits of the superior officers who had fought in the Napoleonic Wars. Over 300 of these are in the Hermitage Museum.
[Ref: 59652] £140.00 (£168.00 incl.VAT)

Le Berger Recompensé. Dedié à Madame La Marechale Duchesse de Duras, Dame d'honneur de Mesdames de France. Par son tres humble et tres obeissant Serviteurt Gaillard.
F. Boucher Pixit. R. Gaillard Sculp.
APAris chés l'Auteur rue St Jacques au dessus des Jacobins, entre un Perruquier et une Lingere [n.d., c.1770].
Fine etching with engraving. 500 x 380mm (20 x 15"), with large margins. Uncut.
A shepherd, lying on the ground playing bagpipes, is given a garland by a peasant girl with a basket of produce. Francois Boucher (1703-70), found favour with the mistress of Louis XV, Madame du Pompadour, soon becoming the 'premier peintre' to the king, in which role he rejuvenated the 'pastoral tradition' in French art.
[Ref: 57885] £260.00 (£312.00 incl.VAT)

[Italian Shepherds.]
C.C. In.t et f. Roma 1850.
Etching, scarce. Sheet: 185 x 250mm (7¼ x 9¾"). Trimmed.
A countryside scene showing Italian farmers looking after sheep by a large hut .
[Ref: 47729] £75.00 (£90.00 incl.VAT)

The Shepherd.
T. Worlidge Del.t. J. Spilsbury fec.
Publish'd Dec. 29 1774 by W. Ryland London.
Stipple, printed in sanguine. Plate: 150 x 110mm (6 x 4¼'') very large margins.
A portrait of a shepherd after Thomas Worlidge.
[Ref: 48179] £140.00 (£168.00 incl.VAT)

[The Shepherd] 26
Henry J Townsend.
H J Townsend 1850 [within plate]
Etching on chine collé, plate 120 x 115mm (4¾ x 4½"), with very large margins. Some light foxing in margins.
A shepherd sits within a rocky landscape, staring into space as he tending his flock. Plate 26 from The Etching Club's 'Etchings for the Art-Union of London by the Etching Club.' Henry Townsend (1810-1890) was one of the founding members of the Etching Club and a painter of fairy pictures and historical subjects.
[Ref: 61181] £50.00 (£60.00 incl.VAT)

The Good Shepherd. From the Original in the possession of T. Lister Parker Esq.r
J. Northcote pinx. S.W. Reynolds sculp.t
[c.1810]
Mezzotint with large margins, platemark 570 x 395mm (22½ x 15½"). Fine early impression; crease upper left; glue stain lower right.
The infant Christ as the Good Shepherd, after a painting by James Northcote (1746-1831), painter and author, in the collection of his patron Thomas Lister Parker of Brownsholme. Engraved by Samuel William Reynolds, this print is not in the standard reference book on Reynolds' work.
Ex Collection of the Late Hon. C. Lennox-Boyd; Not in Whitman.
[Ref: 36503] £420.00

[A shepherd in the campagna.]
[Anon, c.1750]
Etching with large margins, 18th century watermark paper; platemark 160 x 205mm (6¼ x 8"). Few slight stains.
A shepherd resting in the Italian countryside.
[Ref: 32552] £80.00 (£96.00 incl.VAT)

[Scottish shepherd] Berger ecossais.
H.ce Vernet del. [...] Belliard fec.
Imp. Lith. de Delpech [c.1820]
Lithograph, printed area 260 x 175mm (10¼ x 6¾"), with large margins. Foxing to margins. Uncut.
Genre scene after a design by Horace Vernet (1789-1863), painter who was part of a distinguished family of artists including his father Carle and grandfather Joseph.
[Ref: 47980] £95.00 (£114.00 incl.VAT)

Shepherd & Jackdaw!! Dedicated (without permission) to the Vicar of Childwell!
Published by the Society for the suppression of Vice!!! [c.1830]
Etching, platemark 215 x 175mm (8½ x 7"). Later restrike.
Educational satire with a shepherd sitting with his snuff (a paper beside him reads 'Chronicle: School Question' while sheep in the field below complain 'Toad! Bully! Drudge! Infidel!'
[Ref: 41076] £130.00 (£156.00 incl.VAT)

[Shepherd and Dog.]
Imp.e Aug Delâtre Rue de la Beaberie 6 Paris.
Ferncon 1850.
Etching. Plate 190 x 235mm. 7½ x 9¼".
A shepherd seated on a grassy verge, his dog lying next to him.
[Ref: 20046] £95.00 (£114.00 incl.VAT)

A Shepherd Boy.
James Ward R.A.Pinx.t et Del.t. Printed by P. Simoneau.
London Published May 1st 182[5?] No 6 Newman S. & R. Ackermann Strand.
Rare lithograph. Sheet 250 x 300mm (9¾ x 11¾"). Trimmed to the image on three sides, publication line weakly inked.
A young shepherd boy, leaning against a gnarled tree. James Ward, an artist famed for his mezzotint animal scenes, also experimented with making his own lithographs.
[Ref: 51475] £240.00 (£288.00 incl.VAT)

The Shepherd Boy. Sir William Jones when a youth.
Painted by S.r Joshua Reynolds. Agar sculp.
[n.d., c.1830.]
Stipple with hand colour. 300 x 250mm (11¾ x 9¾"). Trimmed to plate right and bottom.
[Ref: 57624] £190.00 (£228.00 incl.VAT)

The Calabrian Shepherd Boy.
published by Cha.s Tilt, 86 Fleet Street. A. Ducôtés Lithog.y 70. St. Martins Lane. [n.d., c.1835.]
Lithograph, scarce. Sheet: 190 x 205mm (7½ x 8¼").
A portrait of a young Italian boy sitting in the countryside sitting next to his dog.
[Ref: 47730] £70.00 (£84.00 incl.VAT)

[Shepherd and goats by a stream] From an original Drawing by Claude Lorrain in the Collection of James Harris Esq.r
J. Tobin sc. 1772
Etching. 240 x 265mm (9½ x 10½"), with wide margins. Fold through centre.
Landscape after Claude Lorrain by the little-known etcher J. Tobin (1770s, fl.). As Joseph Strutt writes of him in his biographical dictionary of engravers: 'he was a native of England, and etched several small plates of landscapes from H. Grim. We have also some small tinted plates from him, from Both, Ostade, and other painters'. Probably from a volume of Tobin's etchings, and after a drawing by Claude in the collection of the philosopher and musical patron James Harris (1709-80).
[Ref: 40664] £95.00 (£114.00 incl.VAT)

Shepherds Dog.
Designed, Engraved & Published by Will.m Daniell, No.9 Cleveland Street, Fitzroy Square, London, April 10. 1809.
Aquatint. Plate: 185 x 250mm (7¼ x 9¾"), with very large margins.
A scene showing a sheepdog standing watch over a large flock of sheep while a shepherd watches while sitting on a throne. Behind them is a stone monument similar to Stonehenge. From 'Interesting Selection from Animated Nature'.
[Ref: 47726] £85.00 (£102.00 incl.VAT)

The Shepherd's Dog. Plate. 19.
Painted by W. Barraud. Drawn on Stone & Printed by Fairland.
London, Published by Cha.s Tilt, Fleet Street. [n.d. c.1840.]
Lithograph. 254 x 316mm. 10 x 12½".
A sheepdog sat in a field with landscape behind., Plate 19 upper right.
[Ref: 23959] £160.00 (£192.00 incl.VAT)

Gay's Shepherd's Week. Thursday or the Spell.
Design'd & Engrav'd by J. Peirson.
Pub.d Feb.y 1 1798 by J Le Petit No. 22 Suffolk Street Midd.x Hospital.
Stipple. 240 x 180mm (9½ x 7"), very large margins. Some foxing.
Hobnelia, a young woman, uses the garter of Lubberkin, a shepherd asleep beneath a tree, to cast a love spell. 'Shepherd's Week' was a series of six pastorals by John Gay, published 1714.
[Ref: 59461] £160.00 (£192.00 incl.VAT)

[Shepherdess] [As harmless as a Turtle of the Woods, As opining Flowers untainted yet n.th Winds, Fair as the Summer Beauty of the Field, The Pride of Nature, and the Joy of Sense]
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square. [n.d., c.1740].
Framed mezzotint, plate 355 x 250mm (14 x 9¾"), with margins. Frame 485 x 365mm (19 x 14¼"). Small tear on right near bottom.
Three-quarter length, seated portrait of a young lady (possibly Mrs Flora MacDonald). She holds the end of a garland of flowers up in her right hand, the other end resting under left hand in her lap, a crook across her lap and a lamb at her feet to left. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.), the other known as 'Chloe in the Country'.
Chaloner Smith 417 I of II. Sharpe: Not in.
[Ref: 60984] £280.00 (£336.00 incl.VAT)

Shepherdess. As harmless as a Turtle of the Woods, As opining Flowers untainted yet n.th Winds, Fair as the Summer Beauty of the Field, The Pride of Nature, and the Joy of Sense.
Hen.y Pickering Pinx.t [...] John Faber Fecit [c.1740]
Mezzotint, fine, sheet 350 x 250mm (13¾ x 9¾"). Trimmed;
One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.), the other known as 'Chloe in the Country'.
CS 417; for the pendant see ref.36823.
[Ref: 47651] £240.00 (£288.00 incl.VAT)

Shepherdess. As harmless as a Turtle of the Woods, As opining Flowers untainted yet n.th Winds, Fair as the Summer Beauty of the Field, The Pride of Nature, and the Joy of Sense.
Hen.y Pickering pinx.t. John Faber fecit.
Printed for Rob.t Sayer, at the Golden Buck, opposite Fetter Lane, Fleet Street.
Mezzotint, plate 355 x 250mm (14 x 9¾") Trimmed and pasted to backing sheet.
Three-quarter length, seated portrait of a young lady. She holds the end of a garland of flowers up in her right hand, the other end resting under left hand in her lap, a crook across her lap and a lamb at her feet to left. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.), the other known as 'Chloe in the Country'.
Ex collection of the Hon. Christopher Lennox-Boyd.Chaloner Smith 417a, ii of ii.
[Ref: 66999] £180.00 (£216.00 incl.VAT)

[Shepherdess] [As harmless as a Turtle of the Woods, As opining Flowers untainted yet n.th Winds, Fair as the Summer Beauty of the Field, The Pride of Nature, and the Joy of Sense]
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square. [n.d., c.1740].
Mezzotint, plate 355 x 250mm (14 x 9¾"), with margins. Some creasing in margins. Scored lines visible across the plate visible on the print, even on the unlettered state, suggest that a cancelled plate was re-used.
Three-quarter length, seated portrait of a young lady (possibly Mrs Flora MacDonald). She holds the end of a garland of flowers up in her right hand, the other end resting under left hand in her lap, a crook across her lap and a lamb at her feet to left.
Chaloner Smith 417.aI.
[Ref: 55995] £360.00

[Shepherdess and Cattle.]
Printed & Sold by Thos. Bakewell next the Horn Tavern, Fleet Street [n.d., c.1737-42]
Mezzotint, platemark 175 x 125mm (7 x 5"). Thread margins; small nick inside platemark lower left.
[Ref: 37662] £75.00 (£90.00 incl.VAT)

Scotch Shepherdess.
[n.d., c.1820.]
Rare aquatint with very fine colour. Sheet 265 x 190mm (10½ x 7½"). Trimmed within plate, losing publication line?
A pretty shepherdess, barefoot, carrying a child on her back, lookin up at the clouds.
[Ref: 57575] £190.00 (£228.00 incl.VAT)

Shepherdess. [in pencil.]
Westall. Eng.d J. Grozier [in pencil.]
[n.d., c.1790.]
Mezzotint, Grozer's own unfinished proof, with his pencil writing. 380 x 280mm.
The sitter is noted as 'Miss Smith of Westminster'. A fine mezzotint from the collection of Fritz Reiss, who assembled 'a rich collection of mezzotints, one of the finest of its kind' (Lugt). Pencil annotations in the margin (possibly Reiss's) state 'Grozer's own proof with his writing'.
Ex: Collection of Fritz Reiss (L.2178). Daniell catalogue 1914.
[Ref: 7568] £480.00

[Chloe in the County.]
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint. 355 x 255mm (14 x 9¾"). Small margins.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, i of ii.
[Ref: 67000] £280.00 (£336.00 incl.VAT)

Chloe in the County. From Courts retired to braeth the Vernal Air, / Rural Amusements now engage the Fair...
Hen.y Pickering pinx.t. John Faber fecit.
Printed for Rob.t Sayer, at the Golden Buck, opposite Fetter Lane, Fleet Street [n.d., c.1760].
Mezzotint, 18th entury watermark. 355 x 255mm (14 x 9¾"), with very large margins.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, unlisted state after ii of ii, with title and verse. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67242] £340.00

[Chloe in the County.]
Hen.y Pickering pinx.t. John Faber fecit.
Price 2 Shill.s Sold by Faber at the Golden Head in Bloomsbury Square [n.d., c.1740].
Mezzotint, 18th century watermark. 355 x 255mm (14 x 9¾"). Collector's stamp 'E.M.H.' on reverse.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, i of ii. Ex: collections of Mrs. E.M. Hamilton & The Hon. Christopher Lennox-Boyd.
[Ref: 67243] £280.00 (£336.00 incl.VAT)

[Chloe in the County.]
Hen.y Pickering pinx.t. John Faber fecit.
London Printed for R. Sayer, J. Ryal & R. Withy in Fleet Street. Prince 2s [n.d., c.1755].
Mezzotint, 18th century watermark. 355 x 255mm (14 x 9¾"). Small margins.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67244] £280.00 (£336.00 incl.VAT)

Chloe in the County. From Courts retired to braeth the Vernal Air, / Rural Amusements now engage the Fair...
Hen.y Pickering pinx.t. John Faber fecit.
[Printed for Rob.t Sayer, at the Golden Buck, opposite Fetter Lane, Fleet Street.] [n.d., c.1760.]
Mezzotint. Sheet 345 x 255mm (13½ x 9¾"). Trimmed to image on three sides, losing publication line at bottom, crease.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, unlisted state after ii of ii, with title and verse. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67245] £180.00 (£216.00 incl.VAT)

[Chloe in the County.]
Hen.y Pickering pinx.t. John Faber fecit.
London Printed for R. Sayer, I. Ryal & R. Withy in Fleet Street. [n.d., c.1730.]
Mezzotint. Platemark: 355 x 255mm (14 x 9¾"). Trimmed to plate at lower edge. Light staining in corners where previously mounted.
A portrait of a young woman, seated, three-quarter length, looking away to left. She is wearing loops of pearls with a cloak draped over her left arm which lies on her lap. She holds a shepherd's crook in her right hand. A dog sits at her feet looking up at her. Livestock can be seen in the background to the right. One of a pair of prints of shepherdesses engraved by John Faber the younger after portrait painter Henry Pickering (1700-1720, fl.).
CS: 417b, ii of ii.
[Ref: 36823] £230.00 (£276.00 incl.VAT)

[Lady as Shepherdess.]
[Lely pinx?]
[n.d., c.1690.]
Mezzotint, proof before letters. 350 x 250mm.
Possibly Lady Mary Grey.
CS: Engraver not Ascertained 130.
[Ref: 3833] £240.00 (£288.00 incl.VAT)

Grisalda. [&] The Shepherdess of the Alps. From the Original Picture in the Collection of George Bowles Esq, to whom this Plate is Dedicated by his most Obedient Humble Servant, W.Dickinson.
Painted by Angelica Kauffman. Engraved by F.Bartolozzi.
London, Publish'd Feb.y 20th 1785 by W.Dickinson, Engraver & Printseller, No.158 Bond Street.
Pair of stipples, printed in sepia, scratch-letter proofs. Each 440 x 330mm (17¼ x 13"). Large margins on the Shepherdess; Small margins on Grisalda. Slight repaired hole on right in Grisalda.
A pair of scenes from 'The Shepherdess of the Alps', a play by Charles Dibdin, 1780, based on 'Patient Griselda', one of the stories in Boccaccio's Decameron. In 'Grisalda' (later with the full title 'Gualtherus and Grisalda') Gualtiero, King of Sicily, meets the poor shepherdess, Griselda, who he had married years before but had forced to exile. The story has also been made into an opera by Alessandro Scarlatti (1721) and Antonio Vivaldi (1735).
[Ref: 39240] £490.00 view all images for this item

Al Sig. G. Guillon Le Thiere Pittore celeberrimo e Direttore della Imperiale e Reale Accademia di Francia in Roma. Dal Quadro originale presso il S. Cav. Gio. Gherardo De Rossi. Pietro Parboni D. D. D.
Gasparo Pussino dipinse. Niccola de Antoni impresse. Pietro Parboni disegno e incise.
[Rome, n.d. c.1807-1832]
Etching with engraving. 465 x 610mm (18¼ x 24"), with wide margins. Mint.
A rustic scene of two shepherds quiding their sheep and cattle through a wood. After Gaspard Dughet (1615-1675), a student of Poussin. Dughet's successful career as a landscape artist saw him become one of the best known painters in Rome, alonside Poussin and Claude Lorrain.
From the Berkeley Collection, Spetchley Park.
[Ref: 55091] £350.00

[Shepherd and shepherdess sitting by a fountain.]
W.Vincent fec.
[n.d., c.1680.]
Rare mezzotint. Borders bit messy. 180 x 150mm (7 x 6") Trimmed to plate, mounted on album paper.
A shepherd and shepherdess sitting by a dolphin fountain, the man playing a pipe.
CS 15. BM 1868,1114.495.
[Ref: 32163] £220.00 (£264.00 incl.VAT)

Shepherds in Arcadia.
G.B. Cipriani Inv.t. Kirk Sculpsit.
Published March 25th 1789 by John & Josiah Boydell No.90 Cheapside London.
Stipple. Plate: 275 x 365mm (11 x 14½''). Thread margins.
A classical scene showing a group of shepherds and women coming across a large tomb.
[Ref: 48091] £190.00 (£228.00 incl.VAT)

[Shepherds in a landscape]
H. Voogd pinx. et inc. Romae [c.1800]
Etching, platemark 280 x 385mm (11 x 15"), with very large margins.
Etching by Hendrik Voogd (1768-1839), Amsterdam-born painter and printmaker active in Rome from 1788 onwards.
[Ref: 46761] £260.00 (£312.00 incl.VAT)

The Shepherds Offering. From the Original Picture Painted by Pietro da Cortona, in the Collection of John Barnard Esqr. Size of the Picture 1F. 8½I by 2F. 5I in height. Vol. II. No.29.
Pietro da Cortona Pinxt. Joan: Baptista de Cipriani del: Carlo Fauccij Sculpt.
Published by J. Boydell Engraver in Cheapside London 1768.
Engraving, paper watermarked. Plate 489 x 342mm (19¼ x 13½"). Very large margins.
Shepherds offering a lamb to the Virgin Mary and the Christ child; an angel hovers overhead.
Ex Collection Duke of Westminster.
[Ref: 38252] £260.00 (£312.00 incl.VAT)

A View of Sheperton.~
J. Boydell Del. & Sculp.
Published according to Act of Parliament by J. Boydell Engraver, 1752. Price 1s. ~ & Sold by him at the Unicorn the Corner of Queen Street, Cheapside No.3.
Engraving 425 x 265mm (16¾ x 10½").
View of Sheperton from across the Thames, with various ferries.
[Ref: 855] £320.00

A View of Sheperton. No.3
John Boydell del et sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1752. - & Sold by him at the Unicorn the Corner of Queen Elizabeth street Cheapside.
Very fine hand coloured engraving. Plate 260 x 430mm (10¼ x 17"), with large margins on three sides. Small margin on left.
A view of Shepperton on the River Thames from Boydell's series of plates "Collection of One Hundred Views in England and Wales," published in 1770.
[Ref: 56290] £320.00

A View of Sheperton. No.3.
J. Boydell Del. & Sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver. 1752. Price 1s._& Sold by him at the Unicorn the Corner of Queen Street Cheapside.
Engraving, paper watermarked with very large margins. Plate 260 x 420mm (10¼ x 16½").
A view along the River Thames at Shepperton; smal ferries and other vessels seen on the river; five horses seen on the foreground pulling a merchant vessel to shore. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.3.
[Ref: 29296] £300.00

Shepperton.
Seymour Haden.
1864.
Etching. Plate 140 x 120mm (5½ x 4¾").
A view of Shepperton, in Surrey, England. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
[Ref: 30360] £140.00 (£168.00 incl.VAT)

[BOOKPLATE] Ex. Libri Carolus Guliemuss Sherborn.
[C.W. Sherborn monogram on scroll lower right.]
Ano. Dni. M.D.CCC.LXXVIII. [1878.]
Engraved ex-libris bookplate of Charles William Sherborn (1831 - 1912), engraver, by his own hand. 120 x 80mm, 4¾ x 3¼". A fine impression in near mint condition.
The intricately engraved design, showcasing the engraver's talents, features heraldic elements, a unicorn, a butterfly, a naked woman and child, and a skeleton; all are surrounded by dense foliage. Sherborn's finest achievement is a series of over 350 bookplates which he designed and engraved chiefly between 1881 and 1912. They are mostly of the armorial type, but some are pictorial and a few are portraits. His mastery of fine engraving technique was unrivalled among the working engravers of his time, and came into its own in reproducing these formal and intricate designs. He was a regular exhibitor at the Royal Academy and was elected a foundation member of the Society of Painter-Etchers in 1884.
[Ref: 12331] £75.00 (£90.00 incl.VAT)

[Sherborne. The Great Court. Break.]
F.P. Barraud. William J Allingham [pencil signatures].
London, Published Oct.r 1.st 1890 by Mess.rs Dickinson & Foster Publishers to The Queen, 114, New Bond Street, W. Copyright Registered.
Etching, proof before title, signed in pencil by artist and engraver. 430 x 570mm (17 x 22½"). Some surface rubbing in bottom margin.
A view of the exterior of Sherborne School, Dorset, with pupils wearing boaters.
[Ref: 67206] £280.00 (£336.00 incl.VAT)

North View of Sherborne Castle, the Seat of G.D.W. Digby, Esq.r To whom this plate is respectfully dedicated.
Philip Brannon del. et sculp.
[n.d. c.1830.]
Engraving. Plate 241 x 360mm (9½ x 14¼"). Some toning.
Sherborne Castle, the 16th century Tudor mansion in Dorset. Edward, 6th Lord Digby (1730-1757) inherited the lodge in 1752, and Henry, 7th Lord, Earl Digby, laid out the present gardens, including the 1753 lake designed by Lancelot Brown.
[Ref: 34735] £45.00 (£54.00 incl.VAT)

[Sherborne___"The Inner Court"__from the Bell Building.]
[Pencil signatures:] F.P. Barraud. William J Allingham. [Etched in the image:] F.P. Barraud.
London, Published October 1.st 1890 by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. Proof before title, signed in pencil. Printseller's Association stamp, remarque in the title area. Plate 437 x 571mm. 17¼ x 22½". Remarque faded.
Two gardeners in the Inner Court at Sherborne School. Tbe school was refounded by Edward VI in 1550 following the Dissolution of the Monasteries, as King Edward's School. After Francis Philip Barraud (1824-1900).
PSA: Vol.I. Rem.AP. 60.
[Ref: 22081] £220.00 (£264.00 incl.VAT)

[Sherborne.___"The Library".]
[Pencil signatures:] F.P. Barraud. EW. Evans.
London, Published October 1.st 1890, by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. Proof before title limited to 100, signed in pencil. Printsellers Association stamp. Plate 578 x 425mm. 22¾ x 16¾".
Sherborne School, Dorset, England. After the Dissolution of the monasteries, Edward IV refounded the school in 1550 as King Edward's school, as seen by the charter in the ornately decorated box at the front of the library. After Francis Philip Barraud (1824-1900).
PSA: Vol.I. AP. 100.
[Ref: 22031] £230.00 (£276.00 incl.VAT)

Sherborne.___"The Library".
Painted by F.P. Barraud. Etched by E.W. Evans.
London, Published October 1.st 1890, by Mess.rs Dickinson & Foster, Publishers to The Queen. 114, New Bond Street, W. Copyright Registered.
Etching. 580 x 425mm. 22¾ x 16¾". Some overall toning, slight creasing in lower left corner of margin.
Sherborne School, Dorset, England. After the Dissolution of the monasteries, Edward IV refounded the school in 1550 as King Edward's school, as seen by the charter in the ornately decorated box at the front of the library. After Francis Philip Barraud (1824-1900).
[Ref: 23949] £130.00 (£156.00 incl.VAT)

[Sherbourne School] Scholæ Shirborn:s. Festum Seculare. Anno Salvtus. 1850.
[1850.]
Engraved invitation on card. 90 x 140mm (9½ x 8¼").
An invitation to an event at Sherborne School, Dorset.
[Ref: 64417] £75.00 (£90.00 incl.VAT)

Sherburn Hospital.
J. Lambert del: 1774. JBailey Sculp:
Copper engraving. 102 x127mm. 4 x 5". Cut.
Sherburn is a medieval hospital located in a hamlet to the south-east of Durham. Founded in 1181 by Hugh de Puiset. It survived the Dissolution of the Monasteries and the associated closures of many hospitals and a new constitution was introduced by Act of Parliament in 1585 for the establishment of "The Master and Brethren of Christ's Hospital in Sherbourne near Durham".
[Ref: 15407] £65.00 (£78.00 incl.VAT)

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