A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Woman of the Samoan Islands.
London, Published by H.Bailliere, 1848.
Coloured aquatint, sheet 220 x 140mm. Rust spot upper right.
The Samoan Islands or Samoa Islands (formerly referred to as Navigators' Islands) is an archipelago in the central South Pacific, forming part of the Polynesia region. Whatman Turkey Mill watermark. From 'Dr.Prichard's Natural History of Man'.
[Ref: 7439] £45.00 (£54.00 incl.VAT)
London, Published by H.Bailliere, 1848.
Coloured aquatint, sheet 220 x 140mm. Rust spot upper right.
The Samoan Islands or Samoa Islands (formerly referred to as Navigators' Islands) is an archipelago in the central South Pacific, forming part of the Polynesia region. Whatman Turkey Mill watermark. From 'Dr.Prichard's Natural History of Man'.
[Ref: 7439] £45.00 (£54.00 incl.VAT)
Carte de L'Ile de Samos.
Redigé par F. Kauffer. Gravé par J. Perrier.
[Paris, 1782.]
Engraved map with hand colour. 185 x 250mm (7¼ x 9¾"). Trimmed into plate at bottom.
A map of the Ægean island of Samos prepared by Jean-Denis Barbié du Bocage for Marie-Gabriel-Florent-Auguste Choiseul-Gouffier's 'Voyage Pittoresque de la Grèce'.
[Ref: 43999] £140.00
Redigé par F. Kauffer. Gravé par J. Perrier.
[Paris, 1782.]
Engraved map with hand colour. 185 x 250mm (7¼ x 9¾"). Trimmed into plate at bottom.
A map of the Ægean island of Samos prepared by Jean-Denis Barbié du Bocage for Marie-Gabriel-Florent-Auguste Choiseul-Gouffier's 'Voyage Pittoresque de la Grèce'.
[Ref: 43999] £140.00
Samos. Acts. 20. 15.
[J. Clarked after Luigi Mayer; published by Robert Bowyer, c.1830]
Aquatint with hand-colouring, platemark 195 x 260mm (7¾ x 10¼"). Small margins.
The western harbour on the Greek island of Samos, in the Aegean Sea. Plate from 'A Series of Twenty-Four Views illustrative of The Holy Scriptures, Selected from Sir Robert Ainslie's celebrated Collection of Drawings'. Ainslie (1729/30-1812) was a diplomat and numismatist who was in Constantinople from 1776-94 and amassed a collection of antiquities and drawings, many commissioned from Luigi Mayer (d.1803). After a drawing by Mayer which had already been reproduced in a previous volume of drawings from Ainslie's collection, 'Views in the Ottoman Dominions' (1810).
Abbey 382.17 (cp. Abbey 371.60)
[Ref: 41693] £140.00 (£168.00 incl.VAT)
[J. Clarked after Luigi Mayer; published by Robert Bowyer, c.1830]
Aquatint with hand-colouring, platemark 195 x 260mm (7¾ x 10¼"). Small margins.
The western harbour on the Greek island of Samos, in the Aegean Sea. Plate from 'A Series of Twenty-Four Views illustrative of The Holy Scriptures, Selected from Sir Robert Ainslie's celebrated Collection of Drawings'. Ainslie (1729/30-1812) was a diplomat and numismatist who was in Constantinople from 1776-94 and amassed a collection of antiquities and drawings, many commissioned from Luigi Mayer (d.1803). After a drawing by Mayer which had already been reproduced in a previous volume of drawings from Ainslie's collection, 'Views in the Ottoman Dominions' (1810).
Abbey 382.17 (cp. Abbey 371.60)
[Ref: 41693] £140.00 (£168.00 incl.VAT)
![[Samos] Camos=nel Arcipelago.](jpegs/64426.jpg)
[Samos] Camos=nel Arcipelago.
[n.d., c.1670.]
Etching. 175 x 270mm (7 x 10½"), with large margins. Fold, stain in sky.
A view of Samos, depicted as a rocky island with ships in a rough sea. A copy of a plate from 'Diverse Viste delli Dardanelli', a series of nine view of the Dardanelles and the Aegean after Romeyn de Hooghe and others, published by Jan Peeters c.1664.
[Ref: 64426] £240.00 (£288.00 incl.VAT)
[n.d., c.1670.]
Etching. 175 x 270mm (7 x 10½"), with large margins. Fold, stain in sky.
A view of Samos, depicted as a rocky island with ships in a rough sea. A copy of a plate from 'Diverse Viste delli Dardanelli', a series of nine view of the Dardanelles and the Aegean after Romeyn de Hooghe and others, published by Jan Peeters c.1664.
[Ref: 64426] £240.00 (£288.00 incl.VAT)
Castro auf Samothrake.
[n.d. c.1850.]
Etching, with large margins, rare. Plate 216 x 280mm. 8½ x 11".
A view from the rugged hillside of Samothrace, the Greek island in the northern Aegean Sea.
[Ref: 25644] £160.00 (£192.00 incl.VAT)
[n.d. c.1850.]
Etching, with large margins, rare. Plate 216 x 280mm. 8½ x 11".
A view from the rugged hillside of Samothrace, the Greek island in the northern Aegean Sea.
[Ref: 25644] £160.00 (£192.00 incl.VAT)
Un Samojeed.
[n.d., c.1790.]
Engraving. Plate: 190 x 170mm (7½ x 6¾''), very large margins.
A portrait of a Samoyed man from Siberia.
[Ref: 48572] £50.00 (£60.00 incl.VAT)
[n.d., c.1790.]
Engraving. Plate: 190 x 170mm (7½ x 6¾''), very large margins.
A portrait of a Samoyed man from Siberia.
[Ref: 48572] £50.00 (£60.00 incl.VAT)
Samojedes.
J. Ibbetson del. B. Reading sculp.t.
Published as the Act directs by Dr. J. Trusler, March. 1789.
Engraving. 190 x 130mm (7½ x 5"). Trimmed to platemark.
Depiction of the Samojedes or Samoyedic peoples of Northern Russia. Figures hold bows, arrows and fish. In the distance two figures pull a sledge accompanied by dogs.
[Ref: 32100] £120.00 (£144.00 incl.VAT)
J. Ibbetson del. B. Reading sculp.t.
Published as the Act directs by Dr. J. Trusler, March. 1789.
Engraving. 190 x 130mm (7½ x 5"). Trimmed to platemark.
Depiction of the Samojedes or Samoyedic peoples of Northern Russia. Figures hold bows, arrows and fish. In the distance two figures pull a sledge accompanied by dogs.
[Ref: 32100] £120.00 (£144.00 incl.VAT)
![[Sampson Breaking his Bands.]](jpegs/46915.jpg)
[Sampson Breaking his Bands.]
Painted by F. Rigaud R.A. Engraved by F. Bartolozzi R.A.
[London Published as the Act directs Jan.y 1.st 1799 by F. Rigaud R.A.]
Engraving, proof before title. Sheet: 255 x 405mm (10 x 16") Trimmed within plate.
A biblical scene showing the Old Testament figure of Samson lying on a bed straining at his bonds while Delilah enters the tent in which he lies.
De Vesme 69.
[Ref: 46915] £240.00 (£288.00 incl.VAT)
Painted by F. Rigaud R.A. Engraved by F. Bartolozzi R.A.
[London Published as the Act directs Jan.y 1.st 1799 by F. Rigaud R.A.]
Engraving, proof before title. Sheet: 255 x 405mm (10 x 16") Trimmed within plate.
A biblical scene showing the Old Testament figure of Samson lying on a bed straining at his bonds while Delilah enters the tent in which he lies.
De Vesme 69.
[Ref: 46915] £240.00 (£288.00 incl.VAT)
Samson Carrying Off the Gates of Gaza.
Designed and Engraved by Jas. G. S. Lucas
[probably published by J. Mc. Cormick, 62, Gracechurch Street, c.1830]
Rare mezzotint, sheet 235 x 285mm (9¼ x 11¼"). Trimmed around image and title, losing text; glued to backing sheet.
Samson carries the gates to the city of Gaza up to 'the hill that is in front of Hebron', after escaping from a planned ambush (see Judges 16:1-3). Engraving by James G. S. Lucas (1831-4, fl.), mezzotinter who usually engraved after John Martin, and artist whose influence is evident in this print by Lucas. No other artist is mentioned, but as Richard A. Burnett noted, 'Lucas rarely acknowledged the artsts whose work he had so shamelessly plagiarised, as is the case with his copies of Martin's 'Illustrations to the Bible'.
Campbell, 'John Martin: Visionary Printmaker', p.196.
[Ref: 39583] £320.00
Designed and Engraved by Jas. G. S. Lucas
[probably published by J. Mc. Cormick, 62, Gracechurch Street, c.1830]
Rare mezzotint, sheet 235 x 285mm (9¼ x 11¼"). Trimmed around image and title, losing text; glued to backing sheet.
Samson carries the gates to the city of Gaza up to 'the hill that is in front of Hebron', after escaping from a planned ambush (see Judges 16:1-3). Engraving by James G. S. Lucas (1831-4, fl.), mezzotinter who usually engraved after John Martin, and artist whose influence is evident in this print by Lucas. No other artist is mentioned, but as Richard A. Burnett noted, 'Lucas rarely acknowledged the artsts whose work he had so shamelessly plagiarised, as is the case with his copies of Martin's 'Illustrations to the Bible'.
Campbell, 'John Martin: Visionary Printmaker', p.196.
[Ref: 39583] £320.00
![[The Infant Samuel.]](jpegs/54186.jpg)
[The Infant Samuel.]
[after Sir Joshua Reynolds.]
[London: Samuel Knight? c.1823.]
Stipple. Proof before all letters. 160 x 120mm (6¼ x 4¾"). Thread margins.
An oval depicting the prophet Samuel as a boy, wearing a shift, kneeling as he says his prayers, beams of light landing on his face. The BM has a larger plate, engraved by George Maile and published by Knight, which they title 'Hallowed be thy Name'. The original oil, painted c.1776, is in the Tate Gallery.
Tate Gallery N00162.
[Ref: 54186] £160.00 (£192.00 incl.VAT)
[after Sir Joshua Reynolds.]
[London: Samuel Knight? c.1823.]
Stipple. Proof before all letters. 160 x 120mm (6¼ x 4¾"). Thread margins.
An oval depicting the prophet Samuel as a boy, wearing a shift, kneeling as he says his prayers, beams of light landing on his face. The BM has a larger plate, engraved by George Maile and published by Knight, which they title 'Hallowed be thy Name'. The original oil, painted c.1776, is in the Tate Gallery.
Tate Gallery N00162.
[Ref: 54186] £160.00 (£192.00 incl.VAT)
Neue Strassen durch Graübunden über den Splügenberg und den St. Bernhardin 1825.
[1825.]
Scarce engraved map with fin hand colour. Plate: 380 x 210mm (15 x 8¼''). Cockling and central crease.
A map of a pass through the Alps on the border between Switzerland and Italy, the map also shows ruins, churches and baths.
[Ref: 50476] £180.00
[1825.]
Scarce engraved map with fin hand colour. Plate: 380 x 210mm (15 x 8¼''). Cockling and central crease.
A map of a pass through the Alps on the border between Switzerland and Italy, the map also shows ruins, churches and baths.
[Ref: 50476] £180.00
San Diego from the Old Fort.
C.B. Graham Lith.rs.
[n.d., c.1850.]
Lithograph. Sheet: 135 x 220mm (5½ x 8¾''). Foxing.
An early view of San Diego, California from William Hemsley Emory's 'Notes from Military Reconnoissance from Fort Leavenworth in Missouri to San Diego in California'.
[Ref: 49084] £140.00 (£168.00 incl.VAT)
C.B. Graham Lith.rs.
[n.d., c.1850.]
Lithograph. Sheet: 135 x 220mm (5½ x 8¾''). Foxing.
An early view of San Diego, California from William Hemsley Emory's 'Notes from Military Reconnoissance from Fort Leavenworth in Missouri to San Diego in California'.
[Ref: 49084] £140.00 (£168.00 incl.VAT)
Admiral, Sir J. T. Duckworth's Victory over, and Signal Defeat, of the French Fleet, in the Bay of St. Domingo. London Gazette Extraordinary, Admiralty-Office, March 23, 1806.
J. Clark del. Pickett sculp.
Published & Sold April 20. 1806. by Edw.d Orme Bond Street, the corner of Brook Street, London. [Engraving.] Printed for Edward Orme, Engraver, Printseller to the King and Royal Family, 59, New Bond-Street, London: by J Nichols, Earl's Court, Newport-street Soho, and Sold by all the Booksellers and Printsellers. [Letterpress.]
Scarce engraving with letterpress, bottom right tax stamp, watermark 1804, sheet 560 x 430mm (22 x 17"). Tears and creases on edges, some stains and surface dirt.
A broadsheet on the Battle of San Domingo (6 February 1806), and the victory of the Royal Navy under the command of Admiral Duckworth over the French fleet. At the top, a coloured aquatint shows a naval battle scene: French battleships are under attack, with one damaged and one sinking on the right. At the right bottom of the print is an engraving with a coat-of-arms and the motto 'Veni, Vidi, Vici'. With engraved inscription, motto, and letterpress title, there is one paragraph of text in one column, and below more text in four columns, including extracts from official statements and from dispatches and letters by Duckworth, as well as statistics on the British and French fleets.
[Ref: 59066] £950.00
J. Clark del. Pickett sculp.
Published & Sold April 20. 1806. by Edw.d Orme Bond Street, the corner of Brook Street, London. [Engraving.] Printed for Edward Orme, Engraver, Printseller to the King and Royal Family, 59, New Bond-Street, London: by J Nichols, Earl's Court, Newport-street Soho, and Sold by all the Booksellers and Printsellers. [Letterpress.]
Scarce engraving with letterpress, bottom right tax stamp, watermark 1804, sheet 560 x 430mm (22 x 17"). Tears and creases on edges, some stains and surface dirt.
A broadsheet on the Battle of San Domingo (6 February 1806), and the victory of the Royal Navy under the command of Admiral Duckworth over the French fleet. At the top, a coloured aquatint shows a naval battle scene: French battleships are under attack, with one damaged and one sinking on the right. At the right bottom of the print is an engraving with a coat-of-arms and the motto 'Veni, Vidi, Vici'. With engraved inscription, motto, and letterpress title, there is one paragraph of text in one column, and below more text in four columns, including extracts from official statements and from dispatches and letters by Duckworth, as well as statistics on the British and French fleets.
[Ref: 59066] £950.00
![[San Franciso] Hallidie's patent Cable Tramway System, Worked without Horses or Locomotives.](jpegs/57099.jpg)
[San Franciso] Hallidie's patent Cable Tramway System, Worked without Horses or Locomotives.
[n.d., c.1883.]
Wood engraving. Sheet 285 x 420mm (11¼ x 16½"). Some creasing. Bit dusty.
A view of the trams on the Clay Street Hill Railroad in San Francisco, the world's first practical cable car system, promoted by Andrew Smith Hallidie (1836-1900).
Wellcome: 36611i.
[Ref: 57099] £160.00 (£192.00 incl.VAT)
[n.d., c.1883.]
Wood engraving. Sheet 285 x 420mm (11¼ x 16½"). Some creasing. Bit dusty.
A view of the trams on the Clay Street Hill Railroad in San Francisco, the world's first practical cable car system, promoted by Andrew Smith Hallidie (1836-1900).
Wellcome: 36611i.
[Ref: 57099] £160.00 (£192.00 incl.VAT)
![[Six Japanese-language San Francisco Newspapers, 1893-5]](jpegs/41223.jpg)
[Six Japanese-language San Francisco Newspapers, 1893-5]
Six newspapers, each 4pp, pages each approx 410 x 280mm (16 x 11"). Folded.
Includes copies of 'The San Francisco' and 'The New World', as well as articles, the newspapers contain cartoons and adverts. Following the 1868 Meiji Restoration in Japan small numbers of Japanese immigrants started journeying to the west coast of the USA in hopes of a better life, however, it wasn't until 1885 that Japanese immigrants started arriving in large numbers. The immigration of the Japanese was encouraged by the 1882 Chinese Exclusion Act which barred new Chinese immigrants from entering the country which forced large business owners to look to Japan for cheap labour. Large port towns such as San Francisco attracted the highest numbers of immigrants. Newspapers and magazines such as these contained information from both Japan and the rest of the USA and were distributed around California.
[Ref: 41223] £2,500.00
Six newspapers, each 4pp, pages each approx 410 x 280mm (16 x 11"). Folded.
Includes copies of 'The San Francisco' and 'The New World', as well as articles, the newspapers contain cartoons and adverts. Following the 1868 Meiji Restoration in Japan small numbers of Japanese immigrants started journeying to the west coast of the USA in hopes of a better life, however, it wasn't until 1885 that Japanese immigrants started arriving in large numbers. The immigration of the Japanese was encouraged by the 1882 Chinese Exclusion Act which barred new Chinese immigrants from entering the country which forced large business owners to look to Japan for cheap labour. Large port towns such as San Francisco attracted the highest numbers of immigrants. Newspapers and magazines such as these contained information from both Japan and the rest of the USA and were distributed around California.
[Ref: 41223] £2,500.00
Bataille de St Georges.
F. Grenier del. Lith: de C. Motte rue des marais.
[n.d. c.1826.]
Lithograph with very large margins. Printed area 310 x 370mm (12¼ x 14½").
The Battle of San Giorgio (14-15 September 1796), in a suburb of Mantua, an Austrian-held city under siege by the French. An Austrian relief army under Wurmser rushed to the city and set up defensive positions at San Giorgio, but Masséna drove them into the city, adding to the strain on the garrison's resources. 4,000 Austrians died of wounds or disease in the next six weeks. The figure saluting General Bonaparte is probably the conte di Miollis, Brigadier General of the Army of Italy, made governor of the city when Mantua fell to the French in 1797. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 35929] £160.00 (£192.00 incl.VAT)
F. Grenier del. Lith: de C. Motte rue des marais.
[n.d. c.1826.]
Lithograph with very large margins. Printed area 310 x 370mm (12¼ x 14½").
The Battle of San Giorgio (14-15 September 1796), in a suburb of Mantua, an Austrian-held city under siege by the French. An Austrian relief army under Wurmser rushed to the city and set up defensive positions at San Giorgio, but Masséna drove them into the city, adding to the strain on the garrison's resources. 4,000 Austrians died of wounds or disease in the next six weeks. The figure saluting General Bonaparte is probably the conte di Miollis, Brigadier General of the Army of Italy, made governor of the city when Mantua fell to the French in 1797. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 35929] £160.00 (£192.00 incl.VAT)
![[San Giorgio] Napoleon & Augereau, in the Heat of the Tremendous Battle of St George.](jpegs/53344.jpg)
[San Giorgio] Napoleon & Augereau, in the Heat of the Tremendous Battle of St George.
Engraved by Mr George Cruikshank from the original design of C. Vernet, executed at Paris by L. Duplessi Bertaux.
Published June 2, 1823 by John Cumberland, No 19, Ludgate Hill.
Coloured aquatint, watermark 1820's?. Sheet 215 x 275mm (8½ x 10¾"). Folded twice as issued, split taped, creasing, album paper stuck over left edge.
The Battle of San Giorgio, fought 14-15th September 1796, at which Napoleon Bonaparte defeated the Austrian army commanded by Field Marshal Würmser, who was trying to raise the Seige of Mantova. The remnants of Würmser's army had to seek safety in Mantova, putting pressure on the city's supplies. From W.H. Ireland's 'Life of Napoleon Bonaparte', 1828.
Tooley 278.
[Ref: 53344] £95.00 (£114.00 incl.VAT)
Engraved by Mr George Cruikshank from the original design of C. Vernet, executed at Paris by L. Duplessi Bertaux.
Published June 2, 1823 by John Cumberland, No 19, Ludgate Hill.
Coloured aquatint, watermark 1820's?. Sheet 215 x 275mm (8½ x 10¾"). Folded twice as issued, split taped, creasing, album paper stuck over left edge.
The Battle of San Giorgio, fought 14-15th September 1796, at which Napoleon Bonaparte defeated the Austrian army commanded by Field Marshal Würmser, who was trying to raise the Seige of Mantova. The remnants of Würmser's army had to seek safety in Mantova, putting pressure on the city's supplies. From W.H. Ireland's 'Life of Napoleon Bonaparte', 1828.
Tooley 278.
[Ref: 53344] £95.00 (£114.00 incl.VAT)
A View of the Rayas Mine, shewing the wall of Stone constructed for the purpose of placing additional whims at the Great Shaft. 31st December 1827
Baynes & Harris Lithog 31 Gracechurch St
Lithograph, sheet 280 x 390mm (11 x 15¼"). Tear lower right; surface loss on right. Very scarce.
San Juan de Rayas mine in the state of Guanajuato, Mexico still in operation.
[Ref: 46944] £360.00
Baynes & Harris Lithog 31 Gracechurch St
Lithograph, sheet 280 x 390mm (11 x 15¼"). Tear lower right; surface loss on right. Very scarce.
San Juan de Rayas mine in the state of Guanajuato, Mexico still in operation.
[Ref: 46944] £360.00
![Vista del Patio de los Evangelistas, en el centro del claustro principal del R.l Monasterio de Sn. Lorenzo del Escorial, por la parte del Norte. [&] Vista de la Tachada principal del Real Monasterio de San Lorenzo del Escorial por la parte de Poniente.](jpegs/19740.jpg)
Vista del Patio de los Evangelistas, en el centro del claustro principal del R.l Monasterio de Sn. Lorenzo del Escorial, por la parte del Norte. [&] Vista de la Tachada principal del Real Monasterio de San Lorenzo del Escorial por la parte de Poniente. [&] Vista del Real Monasterio de San Lorenzo del Escorial desde la entrada del Sitio por la parte de Oriente. [&] Vista del Real Monasterio de San Lorenzo del Escorial desde el alto del Romeral entre Poniente y Norte.
[1] José Gomez de Navia delineó. Manuel Alegre lo grabó. [2] José Gomez de Navia lo delineó. Manuel Alegre lo grabó. [3] Josef Gomez de Navia del.t Tomas Lopez Enguidanos lo Gravó. [4] Josef Gomez de Navia lo delineó. Tomas Lopez Enguidanos lo grabó.
Se halla en la Real Caleografía. [n.d. c.1830.]
A set of four engravings. Watermarked: JQAN. [1] 402 x 648mm. 15¾ x 25½". [2] 362 x 542mm. 14¼ x 21¼". [3] 412 x 553mm. 16¼ x 21¾". [4] 415 x 552mm. 16¼ 21¾". [1 & 2] Crease into upper centre. [3] Crease lower right, crease into upper centre. [4] Repaired tear into top right hand corner.
El Escorial in Madrid, the historial royal residence of the King of Spain, in particular Philip II. It served as a monastery, royal palace and tomb. It was King Philip's reaction to the Protestant Reformation, providing lodgings for the Hieronymite monks. Its structure is based on descriptions of Solomon's temple. Philip's most important contribution to the building was the donation of his personal collection of documents providing material for what was to become one of Europe's finest libraries.
[Ref: 19740] £2,000.00 view all images for this item
[1] José Gomez de Navia delineó. Manuel Alegre lo grabó. [2] José Gomez de Navia lo delineó. Manuel Alegre lo grabó. [3] Josef Gomez de Navia del.t Tomas Lopez Enguidanos lo Gravó. [4] Josef Gomez de Navia lo delineó. Tomas Lopez Enguidanos lo grabó.
Se halla en la Real Caleografía. [n.d. c.1830.]
A set of four engravings. Watermarked: JQAN. [1] 402 x 648mm. 15¾ x 25½". [2] 362 x 542mm. 14¼ x 21¼". [3] 412 x 553mm. 16¼ x 21¾". [4] 415 x 552mm. 16¼ 21¾". [1 & 2] Crease into upper centre. [3] Crease lower right, crease into upper centre. [4] Repaired tear into top right hand corner.
El Escorial in Madrid, the historial royal residence of the King of Spain, in particular Philip II. It served as a monastery, royal palace and tomb. It was King Philip's reaction to the Protestant Reformation, providing lodgings for the Hieronymite monks. Its structure is based on descriptions of Solomon's temple. Philip's most important contribution to the building was the donation of his personal collection of documents providing material for what was to become one of Europe's finest libraries.
[Ref: 19740] £2,000.00 view all images for this item
Alliance avec la republique de St. Marin.
Boulanger d'apres Aubry. Litho de C. Motte rue de marais.
[n.d. c.1826.]
Lithograph. Sheet 444 x 596mm (17½ x 23½").
When Napoleon I had completed his conquest of Northern Italy and began to push his armies towards the edges of the norther territories of the Papal State, San Marino found itself forced to choose between maintaining the alliance with the Papal State or creating a new one with France. One of the Regents, Antonio Onofri, managed to gain the respect and friendship of Napoleon, and so Napoleon issued orders that exempted San Marino's citizens from any type of taxation and gifted them 1,000 quintals of wheat and four cannons. The state was recognised by Napoleon by the Treaty of Tolentino, 1797 and by the Congress of Vienna in 1815. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 30817] £240.00 (£288.00 incl.VAT)
Boulanger d'apres Aubry. Litho de C. Motte rue de marais.
[n.d. c.1826.]
Lithograph. Sheet 444 x 596mm (17½ x 23½").
When Napoleon I had completed his conquest of Northern Italy and began to push his armies towards the edges of the norther territories of the Papal State, San Marino found itself forced to choose between maintaining the alliance with the Papal State or creating a new one with France. One of the Regents, Antonio Onofri, managed to gain the respect and friendship of Napoleon, and so Napoleon issued orders that exempted San Marino's citizens from any type of taxation and gifted them 1,000 quintals of wheat and four cannons. The state was recognised by Napoleon by the Treaty of Tolentino, 1797 and by the Congress of Vienna in 1815. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 30817] £240.00 (£288.00 incl.VAT)
Torre de S. Roque chamada vulgarmente Torre do Patriarcha. Tour de S. Roch nommee vulgairement Tour du Patriarche.
[Engraved by by Jacques Philippe Le Bas.]
Avec privilège du Roy. [Published by Le Bas, Jacques François Blondel, and Veuve Chéreau, Paris, 1757.]
Etching, image 253 x 360mm. Trimmed within plate.
The tower of San Roque in Lisbon after its destruction in the Lisbon earthquake of 1755. The Great Lisbon Earthquake took place on November 1, 1755 at around 9:40 in the morning. The earthquake was followed by a tsunami and fire, which caused near-total destruction of the city and adjoining areas. Estimates place the death toll between 60,000 to 100,000 people, making it one of the most destructive earthquakes in history. The earthquake accentuated political tensions in Portugal and profoundly disrupted the country's eighteenth century colonial ambitions. The event was widely discussed and dwelt upon by European Enlightenment philosophers, and inspired major developments in theodicy and in the philosophy of the sublime. As the first earthquake studied scientifically for its effects over a large area, it led to the birth of modern seismology. Plate 1 from a series consisting of a titleplate and six views, 'Recueil des plus belles ruines de Lisbonne causées par le tremblement et par le feu du premier Novembre 1755'. The artists, MM. Paris and Pedegache were probably amateur local artists. The series was advertised by Le Bas in the 'Mercure de France' in March 1758 at the price of 12 livres on grand papier de chapelet, and 10 livres on grand raisin. A set of six piracies of the views was published by Robert Sayer in London (see 7971).
[Ref: 7972] £130.00 (£156.00 incl.VAT)
[Engraved by by Jacques Philippe Le Bas.]
Avec privilège du Roy. [Published by Le Bas, Jacques François Blondel, and Veuve Chéreau, Paris, 1757.]
Etching, image 253 x 360mm. Trimmed within plate.
The tower of San Roque in Lisbon after its destruction in the Lisbon earthquake of 1755. The Great Lisbon Earthquake took place on November 1, 1755 at around 9:40 in the morning. The earthquake was followed by a tsunami and fire, which caused near-total destruction of the city and adjoining areas. Estimates place the death toll between 60,000 to 100,000 people, making it one of the most destructive earthquakes in history. The earthquake accentuated political tensions in Portugal and profoundly disrupted the country's eighteenth century colonial ambitions. The event was widely discussed and dwelt upon by European Enlightenment philosophers, and inspired major developments in theodicy and in the philosophy of the sublime. As the first earthquake studied scientifically for its effects over a large area, it led to the birth of modern seismology. Plate 1 from a series consisting of a titleplate and six views, 'Recueil des plus belles ruines de Lisbonne causées par le tremblement et par le feu du premier Novembre 1755'. The artists, MM. Paris and Pedegache were probably amateur local artists. The series was advertised by Le Bas in the 'Mercure de France' in March 1758 at the price of 12 livres on grand papier de chapelet, and 10 livres on grand raisin. A set of six piracies of the views was published by Robert Sayer in London (see 7971).
[Ref: 7972] £130.00 (£156.00 incl.VAT)
San Sebastian.
W.P. delt. Baily sculpt.
Published May 31. 1814. by Joyce Gold, Naval Chronicle Office 103, Shoe Lane London.
Sepia aquatint, 150 x 230mm. 9" x 6". Title slightly cut away.
Illustration of the Siege of San Sebastián (7 July - 8 September 1813), when Allied forces from the army of General Arthur Wellesley, 1st Duke of Wellington captured the city in northern Spain from its French garrison under Brigadier-General Louis Rey. Strategic targets, troop positions and heavy siege guns numbered in image (lacking key). The attack resulted in the ransacking and devastation of the town by the assaulting troops. For the 'Naval Chronicle' periodical.
[Ref: 19952] £70.00 (£84.00 incl.VAT)
W.P. delt. Baily sculpt.
Published May 31. 1814. by Joyce Gold, Naval Chronicle Office 103, Shoe Lane London.
Sepia aquatint, 150 x 230mm. 9" x 6". Title slightly cut away.
Illustration of the Siege of San Sebastián (7 July - 8 September 1813), when Allied forces from the army of General Arthur Wellesley, 1st Duke of Wellington captured the city in northern Spain from its French garrison under Brigadier-General Louis Rey. Strategic targets, troop positions and heavy siege guns numbered in image (lacking key). The attack resulted in the ransacking and devastation of the town by the assaulting troops. For the 'Naval Chronicle' periodical.
[Ref: 19952] £70.00 (£84.00 incl.VAT)
![[San Souci.]](jpegs/16314.jpg)
[San Souci.]
Wilfred Huggins [signed inside plate in pencil.] W.H.
[Printed at the Oldfield House Studios and Published by W.R. Howell & Co. The Gallery Bedfore Row Chambers. 42, Theobald's Road, London, W.C.1.] [n.d. c.1920.]
Etching printed in colour. Limited edition 27/200. 456 x 565mm. 18 x 22½".
From: "Four New Original Etchings (Florentine Idylls) by Wilfrid Huggins Printed in Old Time Style of Colour Printing and Limited to Two Hundred Signed Artist's Proofs, Numbered. The Plates Will Then Be Destroyed.
[Ref: 16314] £250.00 (£300.00 incl.VAT)
Wilfred Huggins [signed inside plate in pencil.] W.H.
[Printed at the Oldfield House Studios and Published by W.R. Howell & Co. The Gallery Bedfore Row Chambers. 42, Theobald's Road, London, W.C.1.] [n.d. c.1920.]
Etching printed in colour. Limited edition 27/200. 456 x 565mm. 18 x 22½".
From: "Four New Original Etchings (Florentine Idylls) by Wilfrid Huggins Printed in Old Time Style of Colour Printing and Limited to Two Hundred Signed Artist's Proofs, Numbered. The Plates Will Then Be Destroyed.
[Ref: 16314] £250.00 (£300.00 incl.VAT)
Noel Etienne Sanadon de la Comp.e de Jesus. Né à Rouen, le 16 Février 1676. Mort à Paris, le 22 Octobre 1733.
L. Cars del. G.F. Schmidt sculp.
AParis chez Odieuvewm M.d d'Estampes, quai de l'Ecole, vis-a-vis la Samarit.e à la belle Image. C.P.R. [n.d., c.1760.]
Engraving. 150 x 105mm (6 x 4¼") very large margins.
Noël-Étienne Sanadon (1676-1733), Jesuit priest and author, who published a translation of Horace in 1727 and was a regular contributor to 'Mémoires pour l'Histoire des Sciences & des beaux-Arts' (Journal de Trévoux).
[Ref: 53050] £45.00 (£54.00 incl.VAT)
L. Cars del. G.F. Schmidt sculp.
AParis chez Odieuvewm M.d d'Estampes, quai de l'Ecole, vis-a-vis la Samarit.e à la belle Image. C.P.R. [n.d., c.1760.]
Engraving. 150 x 105mm (6 x 4¼") very large margins.
Noël-Étienne Sanadon (1676-1733), Jesuit priest and author, who published a translation of Horace in 1727 and was a regular contributor to 'Mémoires pour l'Histoire des Sciences & des beaux-Arts' (Journal de Trévoux).
[Ref: 53050] £45.00 (£54.00 incl.VAT)
![[William Sancroft] Reverendissimus in Christo Pater D. D. Gulielmus Sancroft Providentetia Divina Archepis copus Cantuariensus,](jpegs/53776.jpg)
[William Sancroft] Reverendissimus in Christo Pater D. D. Gulielmus Sancroft Providentetia Divina Archepis copus Cantuariensus, Totius Anglice Primas &c.
R. White Sculp.
[n.d., 1690.]
Engraving. Sheet 195 x 140mm (7¾ x 5½"), Trimmed to image and laid on album paper. Toning and foxing along the left margin. Stain in the title area.
Head and shoulders portrait in oval of non-juror William Sancroft (1677-1693), 79th Archbishop of Canterbury (1677-1690). Despite being one of the Seven Bishops imprisoned in 1688 for seditious libel against James II, he also refused to swear allegiance to William and Mary, for which he lost his office. The frontispiece to 'Overall's Convocation Book'.
Sharp 627.
[Ref: 53776] £65.00 (£78.00 incl.VAT)
R. White Sculp.
[n.d., 1690.]
Engraving. Sheet 195 x 140mm (7¾ x 5½"), Trimmed to image and laid on album paper. Toning and foxing along the left margin. Stain in the title area.
Head and shoulders portrait in oval of non-juror William Sancroft (1677-1693), 79th Archbishop of Canterbury (1677-1690). Despite being one of the Seven Bishops imprisoned in 1688 for seditious libel against James II, he also refused to swear allegiance to William and Mary, for which he lost his office. The frontispiece to 'Overall's Convocation Book'.
Sharp 627.
[Ref: 53776] £65.00 (£78.00 incl.VAT)
George Sand.
A. Charpentier del. H. Robinson sc.
a Paris chez Aubert et Cie. [n.d., c.1830.]
Engraving. Sheet: 220 x 145mm (9 x 6").
A portrait of Amantine Lucile Aurore Dupin (1804-1876), French novelist more commonly known by her pen name George Sand.
[Ref: 45806] £65.00 (£78.00 incl.VAT)
A. Charpentier del. H. Robinson sc.
a Paris chez Aubert et Cie. [n.d., c.1830.]
Engraving. Sheet: 220 x 145mm (9 x 6").
A portrait of Amantine Lucile Aurore Dupin (1804-1876), French novelist more commonly known by her pen name George Sand.
[Ref: 45806] £65.00 (£78.00 incl.VAT)
George Sand. From Ths Medallion By David.
March 6, 1847.
Lithograph, sheet 245 x 165mm. 9½ x 6½".
George Sand (Amandine-Aurore-Lucile Dupin, later Baroness Dudevant) (1804 - 1876), novelist and feminist. From 'The People's Journal' [inscribed above portrait], numbered 'No.62' lower left.
[Ref: 8867] £30.00 (£36.00 incl.VAT)
March 6, 1847.
Lithograph, sheet 245 x 165mm. 9½ x 6½".
George Sand (Amandine-Aurore-Lucile Dupin, later Baroness Dudevant) (1804 - 1876), novelist and feminist. From 'The People's Journal' [inscribed above portrait], numbered 'No.62' lower left.
[Ref: 8867] £30.00 (£36.00 incl.VAT)
George Sand. (Salon de 1839.)
Peint par A. Charpentier. Grave par N. Desmadryl.
Paris, chez Picot, Rue de Coq. St. Honore, 2 [n.d., c.1840].
Mezzotint. 268 x 190mm. 10½ x 7½"
George Sand (Amandine-Aurore-Lucile Dupin, later Baroness Dudevant) (1804 - 1876), novelist and feminist. George Sand was an amazing author, personality, and all-around woman. She earned as much notoriety for her Bohemian lifestyle as for her written work. Born Aurore Dupin, she was the most famous woman writer in 19th-century France. A prolific and iconoclastic author of novels, stories, plays, essays, and memoirs, she represented the epitome of French romantic idealism. She demanded for women the freedom in living that was a matter of course to the men of her day. George's first independent novel, Indiana, the story of an unhappy wife who struggles to free herself from the imprisonment of marriage (explicitly called a form of slavery), made her an overnight celebrity. Subsequent novels, such as Valentine and Lélia, astounded readers with their frank exploration of women's sexual feelings and their passionate call for women's freedom to find emotional satisfaction. In the eyes of many critics, George's masterpiece is her autobiography. Though she was a brilliant writer, she was perhaps most famous for her personality and lifestyle.
[Ref: 14268] £140.00 (£168.00 incl.VAT)
Peint par A. Charpentier. Grave par N. Desmadryl.
Paris, chez Picot, Rue de Coq. St. Honore, 2 [n.d., c.1840].
Mezzotint. 268 x 190mm. 10½ x 7½"
George Sand (Amandine-Aurore-Lucile Dupin, later Baroness Dudevant) (1804 - 1876), novelist and feminist. George Sand was an amazing author, personality, and all-around woman. She earned as much notoriety for her Bohemian lifestyle as for her written work. Born Aurore Dupin, she was the most famous woman writer in 19th-century France. A prolific and iconoclastic author of novels, stories, plays, essays, and memoirs, she represented the epitome of French romantic idealism. She demanded for women the freedom in living that was a matter of course to the men of her day. George's first independent novel, Indiana, the story of an unhappy wife who struggles to free herself from the imprisonment of marriage (explicitly called a form of slavery), made her an overnight celebrity. Subsequent novels, such as Valentine and Lélia, astounded readers with their frank exploration of women's sexual feelings and their passionate call for women's freedom to find emotional satisfaction. In the eyes of many critics, George's masterpiece is her autobiography. Though she was a brilliant writer, she was perhaps most famous for her personality and lifestyle.
[Ref: 14268] £140.00 (£168.00 incl.VAT)
Georges Sand. Galerie de la Presse, de la literature et des Beaux Arts.
7. Chez Aubert gal. Véro-Dodat. Imp. Aubert et C.ie.
[n.d., c.1840.]
Lithograph with large margins. Printed area 210 x 145mm (8¼ x 5¾"). Blind stamp of the Galerie de la Presse.
Portrait of the prolific French novelist Amantine Lucile Aurore Dupin (1804-76), better known as George Sand. Her lovers included Chopin and Alfred de Musset.
[Ref: 31884] £120.00 (£144.00 incl.VAT)
7. Chez Aubert gal. Véro-Dodat. Imp. Aubert et C.ie.
[n.d., c.1840.]
Lithograph with large margins. Printed area 210 x 145mm (8¼ x 5¾"). Blind stamp of the Galerie de la Presse.
Portrait of the prolific French novelist Amantine Lucile Aurore Dupin (1804-76), better known as George Sand. Her lovers included Chopin and Alfred de Musset.
[Ref: 31884] £120.00 (£144.00 incl.VAT)
![[Untitled landscape with a gatehouse.]](jpegs/55977.jpg)
[Untitled landscape with a gatehouse.]
P: Sandby R.A. delin.t. Engraved by V.Green & F. Jukes.
Publish'd 16th Oct.r 1778, by V. Green, Engraver to his Majesty, &c. No 29, Newman Street Oxford Street, & at No 52 Strand. Se vend à Londres, chez les Freres Torre, Marchand d'Estampes.
Fine & scarce aquatint with etching, printed in sepia. 265 x 300mm (10½ x 11¾"), very large margins.
A harvestman and his dog walking towards a building with an arched gateway. Probably from Sandby's 'A New Drawing Book'. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55977] £260.00 (£312.00 incl.VAT)
P: Sandby R.A. delin.t. Engraved by V.Green & F. Jukes.
Publish'd 16th Oct.r 1778, by V. Green, Engraver to his Majesty, &c. No 29, Newman Street Oxford Street, & at No 52 Strand. Se vend à Londres, chez les Freres Torre, Marchand d'Estampes.
Fine & scarce aquatint with etching, printed in sepia. 265 x 300mm (10½ x 11¾"), very large margins.
A harvestman and his dog walking towards a building with an arched gateway. Probably from Sandby's 'A New Drawing Book'. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55977] £260.00 (£312.00 incl.VAT)
![[Untitled landscape with a fortified bridge.] D.B. No 1. Pl III.](jpegs/55978.jpg)
[Untitled landscape with a fortified bridge.] D.B. No 1. Pl III.
Drawn by P: Sandby R.A. Engraved by V.Green & F. Jukes.
Publish'd Oct.r 16th 1779, by V. Green, Mezzotinto Engraver to his Majesty, & to the Elector Palatine, No 29, Newman Street Oxford Street.
Scarce aquatint with etching, printed in sepia. 220 x 280mm (8¾ x 11") Small margins.
A fortified gatehouse on a bridge, a cart with horses on a quayside. From Sandby's 'A New Drawing Book'. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55978] £120.00 (£144.00 incl.VAT)
Drawn by P: Sandby R.A. Engraved by V.Green & F. Jukes.
Publish'd Oct.r 16th 1779, by V. Green, Mezzotinto Engraver to his Majesty, & to the Elector Palatine, No 29, Newman Street Oxford Street.
Scarce aquatint with etching, printed in sepia. 220 x 280mm (8¾ x 11") Small margins.
A fortified gatehouse on a bridge, a cart with horses on a quayside. From Sandby's 'A New Drawing Book'. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55978] £120.00 (£144.00 incl.VAT)
![[Untitled landscape] No. 5.](jpegs/55979.jpg)
[Untitled landscape] No. 5.
P. Sandby Fecit.
Publish'd according to Act of Parliament by P. Sandby St. Georges Row Jan.y 1st 1777.
Aquatint with etching, printed in sepia, pencil drawing verso 18th century watermark; 225 x 305mm (8¾ x 12!"). Trimmed to plate.
A fortified town by a small waterfall, a peak behind.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55979] £260.00 (£312.00 incl.VAT)
P. Sandby Fecit.
Publish'd according to Act of Parliament by P. Sandby St. Georges Row Jan.y 1st 1777.
Aquatint with etching, printed in sepia, pencil drawing verso 18th century watermark; 225 x 305mm (8¾ x 12!"). Trimmed to plate.
A fortified town by a small waterfall, a peak behind.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55979] £260.00 (£312.00 incl.VAT)
![[Untitled landscape a ruined abbey.] D.B. No 1. Pl II.](jpegs/55980.jpg)
[Untitled landscape a ruined abbey.] D.B. No 1. Pl II.
Drawn by P: Sandby R.A. Engraved by V.Green & F. Jukes.
Publish'd Oct.r 16th 1779, by V. Green, Mezzotinto Engraver to his Majesty, & to the Elector Palatine, No 29, Newman Street Oxford Street.
Scarce aquatint with etching, printed in sepia. 220 x 280mm (8¾ x 11") Small margins.
From Sandby's 'A New Drawing Book'. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55980] £180.00 (£216.00 incl.VAT)
Drawn by P: Sandby R.A. Engraved by V.Green & F. Jukes.
Publish'd Oct.r 16th 1779, by V. Green, Mezzotinto Engraver to his Majesty, & to the Elector Palatine, No 29, Newman Street Oxford Street.
Scarce aquatint with etching, printed in sepia. 220 x 280mm (8¾ x 11") Small margins.
From Sandby's 'A New Drawing Book'. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
Ex Collection of Sarah Baynton-Williams.
[Ref: 55980] £180.00 (£216.00 incl.VAT)
![[Landscape.]](jpegs/30945.jpg)
[Landscape.]
Newnham sculp after P Sandby [lettered within image.]
[n.d. c.1764.]
Etching with very large margins, printed on 18th century watermarked paper. Plate 202 x 267mm (8 x 10½").
Landscape with tree in foreground, to left of which a figure on horseback beside a man on foot head towards a bridge in centre crossing the river at right, cliffs at right and mountain in distance. By George Simon, 2nd Earl Harcourt, after Paul Sandby.
Ex Collection: the Late Honourable Christopher Lennox-Boyd.
[Ref: 30945] £220.00 (£264.00 incl.VAT)
Newnham sculp after P Sandby [lettered within image.]
[n.d. c.1764.]
Etching with very large margins, printed on 18th century watermarked paper. Plate 202 x 267mm (8 x 10½").
Landscape with tree in foreground, to left of which a figure on horseback beside a man on foot head towards a bridge in centre crossing the river at right, cliffs at right and mountain in distance. By George Simon, 2nd Earl Harcourt, after Paul Sandby.
Ex Collection: the Late Honourable Christopher Lennox-Boyd.
[Ref: 30945] £220.00 (£264.00 incl.VAT)
![[Untitled landscape with the round tower of a castle by a crag, with water mill.]](jpegs/52210.jpg)
[Untitled landscape with the round tower of a castle by a crag, with water mill.]
P. Sandby P.t. Jukes fecit.
Publish's as the Act directs, Jan.y 25 1790. by J. Ryall, Lombard Street, London.
Scarce aquatint with etching, 18th century watermark. Sheet 270 x 360mm (10½ x 14¼"). Trimmed within the plate, hole in printed border on left.
A scarce later printing of a plate from c.1776. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
See BM 1854,0812.236 for the original issue.
[Ref: 52210] £190.00 (£228.00 incl.VAT)
P. Sandby P.t. Jukes fecit.
Publish's as the Act directs, Jan.y 25 1790. by J. Ryall, Lombard Street, London.
Scarce aquatint with etching, 18th century watermark. Sheet 270 x 360mm (10½ x 14¼"). Trimmed within the plate, hole in printed border on left.
A scarce later printing of a plate from c.1776. The engraver, Francis Jukes, learned the art of aquatinting from Sandby.
See BM 1854,0812.236 for the original issue.
[Ref: 52210] £190.00 (£228.00 incl.VAT)
![[Landscape.]](jpegs/53214.jpg)
[Landscape.]
Newnham after P Sandby.
[n.d. c.1764.]
Etching. 200 x 270mm (8 x 10¾"). Thread margins on three sides.
Landscape with lake, two classical figures standing at right beside tree in foreground, building with tower in the centre middle distance, a small triangular building and two more towers on distant shore at left, mountains in background. By George Simon, Viscount Newnham and 2nd Earl Harcourt, after Paul Sandby.
Ex Collection: the Late Honourable Christopher Lennox-Boyd.
[Ref: 53214] £180.00 (£216.00 incl.VAT)
Newnham after P Sandby.
[n.d. c.1764.]
Etching. 200 x 270mm (8 x 10¾"). Thread margins on three sides.
Landscape with lake, two classical figures standing at right beside tree in foreground, building with tower in the centre middle distance, a small triangular building and two more towers on distant shore at left, mountains in background. By George Simon, Viscount Newnham and 2nd Earl Harcourt, after Paul Sandby.
Ex Collection: the Late Honourable Christopher Lennox-Boyd.
[Ref: 53214] £180.00 (£216.00 incl.VAT)
A Collection of Landscapes and Figures, Beautifully Etched, by the Late Paul Sandby, Esq. and M. Chatelain.
London: Published by R.H. Laurie, No 53, Fleet Street. [n.d., c.1810]
4to, disbound, blue paper front wrapper with printed title label, with 16 (of 29?) etchings, each c. 145 x 180mm (5¾ x 7"), large margins Lacking back wrapper.
A collection of etchings after Paul Sandby (1731-1809) and Jean Baptiste Chatelain (1710-58), published after Sandby's death. Six landscapes and a full-length portrait of a woman have no inscriptions; the other nine plates signed by Chatelain, suggesting the unsigned ones are after Sandby. The Chatelain plates include a pair 'Calm' and 'Storm', with the publication details of Robert Sayer, suggesting Richard Holmes Laurie was republishing plates dating back to c.1750.
[Ref: 68298] £320.00 view all images for this item
London: Published by R.H. Laurie, No 53, Fleet Street. [n.d., c.1810]
4to, disbound, blue paper front wrapper with printed title label, with 16 (of 29?) etchings, each c. 145 x 180mm (5¾ x 7"), large margins Lacking back wrapper.
A collection of etchings after Paul Sandby (1731-1809) and Jean Baptiste Chatelain (1710-58), published after Sandby's death. Six landscapes and a full-length portrait of a woman have no inscriptions; the other nine plates signed by Chatelain, suggesting the unsigned ones are after Sandby. The Chatelain plates include a pair 'Calm' and 'Storm', with the publication details of Robert Sayer, suggesting Richard Holmes Laurie was republishing plates dating back to c.1750.
[Ref: 68298] £320.00 view all images for this item
![[Riverside view at sunset with boats and man carrying barrel]](jpegs/47985.jpg)
[Riverside view at sunset with boats and man carrying barrel] Four Landskips by Paul Sandby, Sold by Vivares.
P Sandby Inv Sculp [c.1750]
Etching, platemark 190 x 270mm (7½ x 10½"), with large margins. J. Whatman watermark.
One of a set of four landscapes from late 1750s by Paul Sandby (1725 - 1809), watercolourist and printmaker. Born in Nottingham, he came to London in 1745 where he joined his brother Thomas at the Board of Ordnance. Sandby is best remembered for his watercolours and as a pioneer of the aquatint technique, although he also made a number of biting satires, targeting William Hogarth in particular.
[Ref: 47985] £95.00 (£114.00 incl.VAT)
P Sandby Inv Sculp [c.1750]
Etching, platemark 190 x 270mm (7½ x 10½"), with large margins. J. Whatman watermark.
One of a set of four landscapes from late 1750s by Paul Sandby (1725 - 1809), watercolourist and printmaker. Born in Nottingham, he came to London in 1745 where he joined his brother Thomas at the Board of Ordnance. Sandby is best remembered for his watercolours and as a pioneer of the aquatint technique, although he also made a number of biting satires, targeting William Hogarth in particular.
[Ref: 47985] £95.00 (£114.00 incl.VAT)
![[Landscape.]](jpegs/30947.jpg)
[Landscape.]
[Newnham after P Sandby.]
[n.d. c.1760; later.]
Etching. Plate 202 x 267mm (8 x 10½").
Landscape with classical buildings and two figures, one gesturing towards the other who sits against a piece of fallen masonry; with trees, water falling under a small arch on the left, a volcano and a hill-top town in the distance. By George Simon, 2nd Earl Harcourt, after Paul Sandby.
Ex Collection: the Late Honourable Christopher Lennox-Boyd.
[Ref: 30947] £170.00 (£204.00 incl.VAT)
[Newnham after P Sandby.]
[n.d. c.1760; later.]
Etching. Plate 202 x 267mm (8 x 10½").
Landscape with classical buildings and two figures, one gesturing towards the other who sits against a piece of fallen masonry; with trees, water falling under a small arch on the left, a volcano and a hill-top town in the distance. By George Simon, 2nd Earl Harcourt, after Paul Sandby.
Ex Collection: the Late Honourable Christopher Lennox-Boyd.
[Ref: 30947] £170.00 (£204.00 incl.VAT)
![[Landscape.]](jpegs/30950.jpg)
[Landscape.]
[Newnham after P Sandby.]
[n.d. c.1764.]
Etching. Plate 202 x 271mm (8 x 10¾").
An Italianate landscape, with a bridge, tower and buildings to the right; shepherd herding cattle on the bank to the left. By George Simon, 2nd Earl Harcourt, after Paul Sandby.
Ex Collection: the Late Honourable Christopher Lennox-Boyd.
[Ref: 30950] £220.00 (£264.00 incl.VAT)
[Newnham after P Sandby.]
[n.d. c.1764.]
Etching. Plate 202 x 271mm (8 x 10¾").
An Italianate landscape, with a bridge, tower and buildings to the right; shepherd herding cattle on the bank to the left. By George Simon, 2nd Earl Harcourt, after Paul Sandby.
Ex Collection: the Late Honourable Christopher Lennox-Boyd.
[Ref: 30950] £220.00 (£264.00 incl.VAT)
North & South of Great Britain.
Will.m Hogarth delin [but Paul Sandby]. F.B_ Sculp.
Published June the 11th, 1781 at the Ancient & Modern Print Warehouse No. 28 in the Hay Market by A. Torre and J. Thane.
Etching, proof? 150 x 185mm (6 x 7¼"); in ink verso "It is almost certain that this is an Imposition"; very large margins. Some soiling.
A satire on the perennial north-south divide, comparing an emaciated Scot dressed in rags in front of Edinburgh Castle with a portly Londoner with St Paul's Cathedral behind. A later state, with the same publication date but with added aquatint, has Paul Sandby's name instead of Hogarth's. This is the more likely attribution: certainly this print is not listed in Paulson's bibliography of Hogarth. The BM posits that the engraver might be Francesco Bartolozzi, but it most likely to be the work of Sandby as well. Anthony Torre and John Thane worked together only 1781-82, before handing over their business at the Ancient and Modern Print Warehouse to Paul Colnaghi.
See BM Satires 3799 for a state with Hogarth's name but without the engraver's initials, and the same number for the finished version.
[Ref: 40349] £220.00 (£264.00 incl.VAT)
Will.m Hogarth delin [but Paul Sandby]. F.B_ Sculp.
Published June the 11th, 1781 at the Ancient & Modern Print Warehouse No. 28 in the Hay Market by A. Torre and J. Thane.
Etching, proof? 150 x 185mm (6 x 7¼"); in ink verso "It is almost certain that this is an Imposition"; very large margins. Some soiling.
A satire on the perennial north-south divide, comparing an emaciated Scot dressed in rags in front of Edinburgh Castle with a portly Londoner with St Paul's Cathedral behind. A later state, with the same publication date but with added aquatint, has Paul Sandby's name instead of Hogarth's. This is the more likely attribution: certainly this print is not listed in Paulson's bibliography of Hogarth. The BM posits that the engraver might be Francesco Bartolozzi, but it most likely to be the work of Sandby as well. Anthony Torre and John Thane worked together only 1781-82, before handing over their business at the Ancient and Modern Print Warehouse to Paul Colnaghi.
See BM Satires 3799 for a state with Hogarth's name but without the engraver's initials, and the same number for the finished version.
[Ref: 40349] £220.00 (£264.00 incl.VAT)
XII Views in North Wales Being Part of a Tour through that Fertile and Romantick Country. under the Patronage of the Honourable Sir Watkin Williams Wynn Bart. to whom they are most Humbly Inscribed by his most Obedient and most Humble Servant Paul Sandby R.A. MDCCLXXV No 2.
P. Sandby Fecit.
Publish'd according to Act of Parliament by P. Sandby St Georges Row Oxford Turnpike Sep.r 1st 1776
Aquatint with large margins, platemark 240 x 315mm (9½ x 12½"). Excellent condition
Title page to the set of views in north Wales published in 1776 by Paul Sandby (bap. 1731, d. 1809). Sandby, one of the foremost landscape artists of his generation, had published a similar set of views in south Wales the previous year, having collected material during sketching tours in 1771 and 1773 with Sir Watkin Williams Wynn, Charles Greville, and Joseph Banks, the dedicatees of the two sets. Over the coming decades Wales became highly popular amongst tourists searching for romantic and picturesque landscapes, due in no small part to Sandby's popular depictions.
Abbey 511; For a view from the series see ref. 8376.
[Ref: 33693] £260.00 (£312.00 incl.VAT)
P. Sandby Fecit.
Publish'd according to Act of Parliament by P. Sandby St Georges Row Oxford Turnpike Sep.r 1st 1776
Aquatint with large margins, platemark 240 x 315mm (9½ x 12½"). Excellent condition
Title page to the set of views in north Wales published in 1776 by Paul Sandby (bap. 1731, d. 1809). Sandby, one of the foremost landscape artists of his generation, had published a similar set of views in south Wales the previous year, having collected material during sketching tours in 1771 and 1773 with Sir Watkin Williams Wynn, Charles Greville, and Joseph Banks, the dedicatees of the two sets. Over the coming decades Wales became highly popular amongst tourists searching for romantic and picturesque landscapes, due in no small part to Sandby's popular depictions.
Abbey 511; For a view from the series see ref. 8376.
[Ref: 33693] £260.00 (£312.00 incl.VAT)
![Six Landscapes by P[aul] Sandby 1758](jpegs/41052.jpg)
Six Landscapes by P[aul] Sandby 1758
P Sandby Inv sculp (Bit later)
Six etchings, 'J Whatman Turkey Mill' watermark 1822; each platemark approx 100 x 135mm (4 x 5¼") very large margins.
Complete set of landscapes etched by Paul Sandby (bap. 1731-d.1809), influential landscape painter and printmaker.
[Ref: 41052] £300.00 view all images for this item
P Sandby Inv sculp (Bit later)
Six etchings, 'J Whatman Turkey Mill' watermark 1822; each platemark approx 100 x 135mm (4 x 5¼") very large margins.
Complete set of landscapes etched by Paul Sandby (bap. 1731-d.1809), influential landscape painter and printmaker.
[Ref: 41052] £300.00 view all images for this item
![[Paul Sandby] P. Sanby, Rurum Delineator.](jpegs/67863.jpg)
[Paul Sandby] P. Sanby, Rurum Delineator.
P. Falconet del 1769. D. Pariset sculp.
Sold by P. Falconet Broad Street Carnaby Market, & Ryland & BryerCornhill. Pr. 2s.
Stipple. 210 x 145mm (8¼ x 5¾"). Small margins.
A bust profile portrait in oval of artist Paul Sandby (1731-1809), from a series of portrait of the members of the Royal Academy.
[Ref: 67863] £140.00 (£168.00 incl.VAT)
P. Falconet del 1769. D. Pariset sculp.
Sold by P. Falconet Broad Street Carnaby Market, & Ryland & BryerCornhill. Pr. 2s.
Stipple. 210 x 145mm (8¼ x 5¾"). Small margins.
A bust profile portrait in oval of artist Paul Sandby (1731-1809), from a series of portrait of the members of the Royal Academy.
[Ref: 67863] £140.00 (£168.00 incl.VAT)
Nicolaus Sandersonus. A.M. Matheseos Professor Cantabrigiae & R.S.S. Obÿt 1739. Ætat: 57.
J. Vanderbanck pinx. An.o 1719 pro Martino Folkes. Arm.o Cui Tabulam humillime D. D. Johannes Faber.
Prince 2 Shill. Sold by Faber at the Golden Head in Bloomsbury Square [n.d, c.1740].
Mezzotint. 350 x 250mm (13¾ x 9¾"), with very large margins
A portrait of Nicholas Saunderson (1682-1739) holding an armillery sphere. Despite being blind because of smallpox, Saunderson was the Lucasian Professor of Mathematics at Cambridge, and was a close friend of Isaac Newton's, who had held the same post at Cambridge. He is credited by some historians as the earliest discoverer of Bayes' Theorem.
CS: 316.
[Ref: 67371] £320.00
J. Vanderbanck pinx. An.o 1719 pro Martino Folkes. Arm.o Cui Tabulam humillime D. D. Johannes Faber.
Prince 2 Shill. Sold by Faber at the Golden Head in Bloomsbury Square [n.d, c.1740].
Mezzotint. 350 x 250mm (13¾ x 9¾"), with very large margins
A portrait of Nicholas Saunderson (1682-1739) holding an armillery sphere. Despite being blind because of smallpox, Saunderson was the Lucasian Professor of Mathematics at Cambridge, and was a close friend of Isaac Newton's, who had held the same post at Cambridge. He is credited by some historians as the earliest discoverer of Bayes' Theorem.
CS: 316.
[Ref: 67371] £320.00
Nicolaus Sandersonus. A.M. Matheseos Professor Cantabrigiae & R.S.S.
J. Vanderbanck pinx. An.o 1719 pro Martino Folkes. Arm.o Cui Tabulam humillime D. D. G. White.
Mezzotint. 360 x 245mm (14 x 9½"). Trimmed and laid on album paper.
A portrait of Nicholas Saunderson (1682-1739) holding an armillery sphere. Despite being blind, Saunderson was the Lucasian Professor of Mathematics at Cambridge, and was a close friend of Isaac Newton's, who had held the same post at Cambridge. He is credited by some historians as the earliest discoverer of Bayes' Theorem.
CS: 41 i of ii.
[Ref: 57215] £590.00
J. Vanderbanck pinx. An.o 1719 pro Martino Folkes. Arm.o Cui Tabulam humillime D. D. G. White.
Mezzotint. 360 x 245mm (14 x 9½"). Trimmed and laid on album paper.
A portrait of Nicholas Saunderson (1682-1739) holding an armillery sphere. Despite being blind, Saunderson was the Lucasian Professor of Mathematics at Cambridge, and was a close friend of Isaac Newton's, who had held the same post at Cambridge. He is credited by some historians as the earliest discoverer of Bayes' Theorem.
CS: 41 i of ii.
[Ref: 57215] £590.00
![[Landscape with sheep in the vicinity of Sandhurst?]](jpegs/47787.jpg)
[Landscape with sheep in the vicinity of Sandhurst?]
Wm Delamotte del.t et fec.t
Published by W.m Delamotte Sandhurst near Bagshot 1817.
Etching, platemark 220 x 165mm (8½ x 6½"). Small margins.
Etching showing driving sheep by William Delamotte (1775-1863), landscape artist. Delamotte lived in Oxford from 1798 working as a drawing master, and most of his works from this period were made in the vicinity. He later became a drawing master at the Royal Military College in Sandhurst, where he published this print.
For sets of Delamotte's Sandhurst etchings see refs.35676 and 35677.
[Ref: 47787] £60.00 (£72.00 incl.VAT)
Wm Delamotte del.t et fec.t
Published by W.m Delamotte Sandhurst near Bagshot 1817.
Etching, platemark 220 x 165mm (8½ x 6½"). Small margins.
Etching showing driving sheep by William Delamotte (1775-1863), landscape artist. Delamotte lived in Oxford from 1798 working as a drawing master, and most of his works from this period were made in the vicinity. He later became a drawing master at the Royal Military College in Sandhurst, where he published this print.
For sets of Delamotte's Sandhurst etchings see refs.35676 and 35677.
[Ref: 47787] £60.00 (£72.00 incl.VAT)
Scene near Sandhurst, Berkshire.
Willm, DelaMotte invt, et fecit, aqua fortis.
Published by W. DelaMotte, Sandhurst, Berks, Jany, 1, 1818.
Etching on india laid paper, 280 x 330mm. 11 x 13". Spotting to margins.
A man with four lurchers or greyhounds sits beneath a tree in a wooded landscape. A dead hare lies beside them. William Delamotte (1775 - 1863) was a draughtsman on wood and watercolourist. He entered the Royal Academy Schools in 1794 and trained under Benjamin West.
[Ref: 9714] £130.00 (£156.00 incl.VAT)
Willm, DelaMotte invt, et fecit, aqua fortis.
Published by W. DelaMotte, Sandhurst, Berks, Jany, 1, 1818.
Etching on india laid paper, 280 x 330mm. 11 x 13". Spotting to margins.
A man with four lurchers or greyhounds sits beneath a tree in a wooded landscape. A dead hare lies beside them. William Delamotte (1775 - 1863) was a draughtsman on wood and watercolourist. He entered the Royal Academy Schools in 1794 and trained under Benjamin West.
[Ref: 9714] £130.00 (£156.00 incl.VAT)
The Cadets' Races; Royal Military College, Sandhurst.
T.J. Rawlins, Lith. From a Sketch by Lieut. Petley.
Printed by C. Moody, 257, Holborn. [n.d., c.1840.]
Sepia tinted lithograph, sheet 440 x 600mm. 17¼ x 23½". Very scarce. Vertical crease through image.
A steeple chase involving officer cadets in the grounds of Royal Military Academy Sandhurst is watched by a large crowd; the college in the background. Lt R. Petley (1830 - 1860; fl.) of the 92nd Highlanders Regiment, amateur draughtsman.
Provenance: Pemberton family of Trumpington Hall.
[Ref: 13031] £390.00
T.J. Rawlins, Lith. From a Sketch by Lieut. Petley.
Printed by C. Moody, 257, Holborn. [n.d., c.1840.]
Sepia tinted lithograph, sheet 440 x 600mm. 17¼ x 23½". Very scarce. Vertical crease through image.
A steeple chase involving officer cadets in the grounds of Royal Military Academy Sandhurst is watched by a large crowd; the college in the background. Lt R. Petley (1830 - 1860; fl.) of the 92nd Highlanders Regiment, amateur draughtsman.
Provenance: Pemberton family of Trumpington Hall.
[Ref: 13031] £390.00
Capt.n Huxley Sandon.
Engraved by Hopwood from a sketch by Rowlandson.
Published by J. Stratford, n2, Holborn Hill, March 2.nd 1809.
Etching. Sheet size: 170 x 95mm. (6¾ x 3¾"). Trimmed inside platemark. Slight creasing.
A portrait of Captain Huxley Sandon, at a desk, looking out of a window. Sandon was a captain of the marines and most well known as being a witness at the Duke of York's trial in 1809.
[Ref: 31664] £60.00 (£72.00 incl.VAT)
Engraved by Hopwood from a sketch by Rowlandson.
Published by J. Stratford, n2, Holborn Hill, March 2.nd 1809.
Etching. Sheet size: 170 x 95mm. (6¾ x 3¾"). Trimmed inside platemark. Slight creasing.
A portrait of Captain Huxley Sandon, at a desk, looking out of a window. Sandon was a captain of the marines and most well known as being a witness at the Duke of York's trial in 1809.
[Ref: 31664] £60.00 (£72.00 incl.VAT)