Grosvenor Prints

C.J. Rhodes [signature facsimile.]
W. & D. Downey, Photo. Art Repro. Coy. London, po. sc.
Published by Marion & Co. London, W [n.d., c.1900].
Photogravure, 340 x 240mm. 13¼ x 9½".
Cecil John Rhodes (1853 - 1902), Imperialist and statesman in South Africa. Rhodes shaped the economic and political development of South Africa,and extended British influence into what is now Zimbabwe; compromised by the Jameson Raid in 1895, but remained enormously influential. He endowed the Rhodes scholarships.
[Ref: 8931] £180.00 (£216.00 incl.VAT)

Cecil Rhodes.
William Nicholson.
[London, 1899 by William Heinemann].
Lithographic reproduction of a hand-coloured woodcut. Printed area: 245 x 230mm. (9½ x 9"). Some foxing. Laid on board as issued.
Cecil John Rhodes born in July 1853 (1853 - 1902) was an imperialist and benefactor who shaped the economic and political development of South Africa and extended British influence into what is now Zimbabwe. From the folio of twelve portraits by William Nicholson published in 1899, although the print was first included in the 'New Review' in 1897, shortly after he appeared before a Parliamentary Inquiry for his role in the overthrow of the Boer government in the Transvaal, which was subsequently vindicated by Parliament. The 'decision to include Rhodes' portrait in the 'New Review' (a journal with strong imperialist sympathies) was probably made at the time of Rhodes' exoneration' (Campbell).
Colin Campbell, 'William Nicholson: The Graphic Works': 36B
[Ref: 28327] £95.00 (£114.00 incl.VAT)

W. Rhodes
A. Chevallier Tayler 1905 [facsimile signature.]
Spottiswoode & Co. Ltd. Lith London.
Chromolithograph, 381 x 254mm (15 x 10").
Wilfred Rhodes (1877-1973), first Englishman cricketer to complete the double of 1000 runs and 100 wickets in Test matches. Albert Chevallier Tayler (1862-1925), the English artist who specialised in portrait and genre painting. From 'The Empire's Cricketers'.
[Ref: 27640] £180.00 (£216.00 incl.VAT)

Albina di Rhona.
I.H. Baker, sc.
[n.d., c.1860.]
Etching on steel. Sheet 155 x 110mm (6 x 4¼").
Portrait of Albina di Rhona (b.1837) in costume. A Serbian actress, dancer and singer, she arrived in London in 1860, becoming director of the Soho Theatre, redecorating it and renaming it the New Royalty Theatre. The opening programme featured a 13-year-old Ellen Terry, whose main role was to scream when a large snake appeared..
[Ref: 44470] £95.00 (£114.00 incl.VAT)

Rhossili [in pencil].
A J Lavender [in pencil].
[n.d. c.1930]
Etching with artists signature, 175 x 225mm (7 x 8¾"), with large margins.
A view of Rhossili Bay on the southwestern tip of the Gower Peninsula in Wales.
[Ref: 62611] £65.00 (£78.00 incl.VAT)

A North West View of Rhuddlan Castle, in Flint Shire. Rhuddlan Castle is so call’d from the reddish Banks of the River Cluid on which it stands It is almost decay’d thro’ Age, and was built by a Welsh Prince, Tho. Rhuddlan is now a mean Village, it appears to have once been a considerable Town; from the Footsteps of an Abbey, an Hospital and a Gate half a mile from the Village. Anne Dom 794, a great Battle was fought here, between a King of Mercia, and another of Wales. [71 in ink]
J. Boydell del. et sculp.
Publish'd according to Act of Parliament by J. Boydell 1749. Price 1s.
Engraving with very large margins. Plate 300 x 450mm (11¾ x 17¾"). Small hole in sky; wormhole in top right; repairs to platemark lower left.
A view of Rhuddlan Castle, Denbighshire, Wales. It was built by Edward I in 1277 following the First Welsh War; situated next to the River Clwyd.
[Ref: 32454] £280.00 (£336.00 incl.VAT)

A North West View of Rhuddlan Castle, in Flint Shire. Rhuddlan Castle is so call’d from the reddish Banks of the River Cluid on which it stands It is almost decay’d thro’ Age, and was built by a Welsh Prince, Tho. Rhuddlan is now a mean Village, it appears to have once been a considerable Town; from the Footsteps of an Abbey, an Hospital and a Gate half a mile from the Village. Anne Dom 794, a great Battle was fought here, between a King of Mercia, and another of Wales. [71 in ink]
J. Boydell del. et sculp.
Publish'd according to Act of Parliament by J. Boydell 1749. Price 1s.
Engraving, paper watermarked with very large margins. Plate 300 x 450mm (11¾ x 17¾"). Few very small fox marks.
A view of Rhuddlan Castle, Denbighshire, Wales. It was built by Edward I in 1277 following the First Welsh War; situated next to the River Clwyd. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
[Ref: 29398] £250.00 (£300.00 incl.VAT)

Rythme.
Peint par C.H.Dufau. Photogravure Goupil & C.ie.
Imprimé & Publié par Goupil & C.ie Editeurs, Imprimeurs, Manzi, Joyant & C.ie Imprimeurs, Successors _ Paris _ Londres.
Photogravure, printed in colours and hand-finished. 535 x 735mm, 21 x 29". Some damage at top, entering platemark but not image.
Clementine Helene Dufau (French, 1869-1937).
[Ref: 10050] £420.00

Rhythm [in pencil].
Nat. Long. [in image and signed in pencil]
[n.d., c.1920.]
Very fine etching, titled and signed by the artist. Plate 200 x 265mm (8 x 10½"), with mint, uncut margins.
Two women play on a makeshift seesaw at the beach. Nathaniel Long (1893-1955), book and magazine illustrator and printmaker who specialized in eroticised female etching. In 1948 he illustrated editions of both 'Tom Brown's Schooldays' and 'The Coral Island'.
Provenance: From the Artist's Studio.
[Ref: 62502] £320.00

[Jean Ribault at Charlesfort.]
[from a wall map by Abbé Jean Baptiste Louis Clouet.]
[n.d., c.1785.]
Engraving. Sheet 140 x 150mm (5½ x 6"). Trimmed from a larger sheet, mounted on card.
A vignette scene of Jean Ribault (1520-65) at Charlesfort, the settlement he founded in Florida (but now South Carolina), shown on good terms with the local native Americans. Unfortunately relations were not so good with the Spanish: following the destruction of his fleet by a hurricane Ribault surrendered his destitute army to a Spanish force, who promptly knifed Ribault and his predomininately Huguenot followers. This is one of twenty vignette scenes decorating the borders of Abbé Clouet's wall map of the Americas, 'Carte d'Amerique Divisee en ses Principaux Pays Dressee sur les Memoires les Plus Recents...'.
[Ref: 39090] £450.00

Marchand de Rubans. Bruxelles.
J.J. Eeckhout fc. Déposé. Lith: de Burggraaff.
[n.d. c.1820.]
Hand coloured lithograph. 241 x 190mm. 9½ x 7½". Trimmed and laid on album sheet.
Scene in Brussels: a lady in the market with a make-shift stand to sell her ribbons.
[Ref: 16222] £45.00 (£54.00 incl.VAT)

[Plate nine of a series of 18 landscapes after Ricci dedicated to Joseph Smith.]
Mar. Rizzi inv. Juli. Giampicoli scul.
[Venice: n.d., c.1740.]
Etching with very large margins, printed in sepia. 255 x 360mm (10 x 14¼"). Stitch holes in left margin, damp stains in top margin.
An Italianate landscape by Marco Ricci, one of eighteen dedicated to Joseph Smith (c.1682-1770), his patron. Smith, the British consul at Venice 1744-60, was a patron of artists, most notably Canaletto, and as a collector and connoisseur was a major draw on the British Grand Tour. His collection of drawings were bought for George III and form the nucleus of the Royal Collection of drawings in the Print Room at Windsor Castle.
BM: 1871,0812.3981
[Ref: 31773] £260.00 (£312.00 incl.VAT)

A New Book of Landskips after Marco Ricci Sold by J. Jarvis in Bedford Court Covent Garden. Price 6d.
[Anon, c.1750]
Engraving with central crease and very large margins, scarce, platemark 130 x 170mm (5 x 6¾")
Frontispiece to a volume reproducing landscapes by Marco Ricci (1676-1730). Like his compatriot Canaletto, Ricci spent several years working in England, hence the demand for his works in printed form.
[Ref: 33776] £140.00 (£168.00 incl.VAT)

[Matteo Ricci] Pere Matthew Ricci.
[n.d., c.1700.]
Engraving. Sheet 190 x 105mm (7½ x 4¼"). Trimmed and laid on album paper.
A full-length portrait of Italian Jesuit Matteo Ricci (1552-1610), the first European to enter Beijing's Forbidden City in 1601, where he used his knowlege of astronomy to gain influence in court. He is famed for his world map with Chinese characters, which introduced European cartography to China.
[Ref: 59870] £160.00 (£192.00 incl.VAT)

[Rice cultivation] Reaping.
AH [Augustin Heckel] delin.
[London: John June, n.d., c.1770.]
Etching, 18th century watermark, 205 x 260mm (8 x 10¼"). Paper toned and spotted. Small margins.
Plate 16 of a series about the cultivation of rice in China.
[Ref: 60919] £260.00 (£312.00 incl.VAT)

Jane Rice. The Celebrated Teignmouth Bathing Guide.
On Stone, & Printed by W. Spreat, Exeter. [n.d. c.
Published by E. Croydon, Public Library, Teignmouth. [n.d c.1815.]
Rare lithograph. 380 x 272mm. 15 x 10¾".
At the time in Teignmouth, ladies and gentlemen were separated on the beach by the pier. The bathing machines were moved and tended by bathing attendants; Jane Rice was one such person.
[Ref: 27725] £130.00 (£156.00 incl.VAT)

[The Rt. Honble. Thos. Spring Rice, Chancellor of the Exchequer &c.]
Painted and Engraved by John Linnell.
London Published March 15. 1836 by Frs.Graves & Co late Colnaghi & Co 23 Cockspur St Charing cross & by Mr.J Linnell 38 Porchester Terrace Bayswater.
Mezzotint. 692 x 556mm. proof before letters. Water stain in left margin.
Thomas Spring Rice, 1st Baron Monteagle (1790-7 February 1866), English statesman. John Linnel was an English painter who made a good living as a fashionable portraitist, but preferred to paint landscapes. In 1837, he married the daughter of Samuel Palmer, one of his influences. He gave up portraiture in the 1840's and moved to Redhill to devote his career to his landscapes. These paintings were highly desired and caused Linnel to amass a great deal of wealth. However, he was not favored among his colleagues and was denied membership to the Royal Academy.
[Ref: 3918] £220.00 (£264.00 incl.VAT)

[Miss Rich.]
Sam.l Cousins [pencil signature] [after William Hogarth.]
London Published 1st November 1877, by P. & D. Colnaghi & Co 13 & 14 Pall Mall East.
Mixed-method mezzotint on chine collé, signed artist's proof. 405 x 305mm (15¾ x 12").
A half-length portrait of a little girl, wearing a dress with a frilled trim and bow and a small lace cap also with a bow.
Whitman 136. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67807] £260.00 (£312.00 incl.VAT)

Rich and rare were the gems she wore (T. Moore) Sir Knight I feel not the least alarm; / No son of Erin will offer me harm. / For thoug they love woman and golden store, / Sir Knight they love honour and virtue more. 16.
London: Printed & Published by Engelmann, Graf, Coindet & Co. 14 Newman St, March 1830.
Pen lithograph, printed on J. Whatman 1829 watermarked paper, larger margins; printed area 195 x 140mm (7¾ x 5½").
Illustration to the poem by Thomas Moore (1779-1852), one of his 'Irish Melodies' (1808-34) in which he wrote words for characteristic Irish airs.
[Ref: 32560] £95.00 (£114.00 incl.VAT)

[The Lady Rich.] In His Majesty's Collection.
From an Original Drawing by Hans Holbein. Engraved by F. Bartolozzi, R.A. Historical Engraver to his Majesty.
Published as the Act directs, Jan.y 1 1795, by I. Chamberlaine.
Coloured stipple, J. Whatman 1794 watermark paper. 430 x 330mm (17 x 13"). With separate letterpress description.
Elizabeth Jenks, daughter of a well-to-do London spice merchant, married Richard Rich in 1535, with whom she had fifteen children. Richard served as Solicitor General under Henry VIII, playing a part in Cromwell's fall, and as Edward VI's Lord Chancellor 1547-1552. Elizabeth died in 1588. Their great-grandson was Nathaniel Rich, a colonel in the New Model Army. After Hans Holbein the Younger (1497/8 - 1543), for 'Portraits of Illustrious Personages of the Court of Henry VIII Engraved in imitation of the original drawings of Hans Holbein in the Collection of His Majesty, with biographical and historical memoirs' issued in parts between 1792 and 1800.
[Ref: 33147] £120.00 (£144.00 incl.VAT)

The Lady Rich. In His Majesty's Collection.
From an Original Drawing by Hans Holbein. Engraved by F. Bartolozzi, R.A. Historical Engraver to his Majesty.
Published as the Act directs, Jan.y 1 1795, by I. Chamberlaine.
Coloured stipple on roseate paper. 430 x 330mm (17 x 13"). Tears to edges.
Elizabeth Jenks, daughter of a well-to-do London spice merchant, married Richard Rich in 1535, with whom she had fifteen children. Richard served as Solicitor General under Henry VIII, playing a part in Cromwell's fall, and as Edward VI's Lord Chancellor 1547-1552. Elizabeth died in 1588. Their great-grandson was Nathaniel Rich, a colonel in the New Model Army. After Hans Holbein the Younger (1497/8 - 1543), for 'Portraits of Illustrious Personages of the Court of Henry VIII Engraved in imitation of the original drawings of Hans Holbein in the Collection of His Majesty, with biographical and historical memoirs' issued in parts between 1792 and 1800.
[Ref: 33148] £120.00 (£144.00 incl.VAT)

[Jeremiah Rich.]
[n.d., c.1669.]
Very rare engraving. Sheet 55 x 35mm (2¼ x 1¼"). Trimmed and backed onto album paper at borders
Portrait of Jeremiah Rich (died 1669), leading stenography specialist of the period who perfected the system invented by his uncle, William Cartwright, but without giving him credit, claiming it to be his own invention. Frontis to "The Whole Book of Psalms in Meter", 1669.
[Ref: 68003] £130.00 (£156.00 incl.VAT)

[Jeremiah Rich.]
[n.d., c.1670.]
Engraving. Sheet 110 x 75mm (4¼ x 3"). Trimmed and backed onto album paper at borders
Portrait of Jeremiah Rich (died 1669), leading stenography specialist of the period who perfected the system invented by his uncle, William Cartwright, but without giving him credit, claiming it to be his own invention.
[Ref: 68006] £80.00 (£96.00 incl.VAT)

[Jeremiah Rich.] The Penns Dexterity. By Theife incomparable Contractions by which a Sentence is Writt as soone as a Word Allowed by Authority and past the two Universitys with great aprobation and aplause Invented and taught by Jeremiah Rich 1659.
[n.d., c.1659.]
Engraving. Sheet 150 x 90mm (6 x 3½"). Trimmed and backed onto album paper at borders
Portrait of Jeremiah Rich (died 1669), leading stenography specialist of the period who perfected the system invented by his uncle, William Cartwright, but without giving him credit, claiming it to be his own invention. Frontispiece to "Penns Dexterity", 1659.
[Ref: 68007] £140.00 (£168.00 incl.VAT)

Robert, Earle of Warwicke, and Lord Rich of Leeze, etc.
[engraved by William Faithorne, c.1640-5]
Engraving, 96 x 73mm (3¾ x 2¾"). Laid on backing sheet with surrounding frame added in watercolour.
Robert Rich, 2nd Earl of Warwick (1587-1658), naval officer and colonial promoter mostly associated with the island of Catalina (Providencia) off Nicaragua, where he arrived in 1629 to set up plantations. He was a supporter of Puritan and Parliamentarian causes. Engraved by William Faithorne (c.1620-91), one of the most significant and prolific printmakers in seventeenth-century Britain. This print was originally engraved on the same plate as a portrait of Henry Rich, Earl of Holland
see Fagan p.66, state ii/ii (the plate divided). Ex Collection: R. Hobson of Hove.
[Ref: 25475] £45.00 (£54.00 incl.VAT)

[Richard II.]
[James Bretherton?]
[n.d. c.1780.]
Drypoint etching, very rare, proof. Plate 108 x 82mm. 4¼ x 3¼".
Richard II (1367-c.1400) was King of England, and as a member of the House of Plantagenet.
[Ref: 24856] £180.00 (£216.00 incl.VAT)

Richard III.d Act 5, Scene 3.
Painted by J. Opie R.A. Engraved by W. Sharp.
[Publish'd Aug.t 1. 1794 by Mr. Woodmason, Leadenhall Street, London.]
Etching with engraving. Sheet 300 x 245mm (11¾ x 9¾"). Trimmed, losing publication line at bottom, mounted in album paper.
Richard sleeps restlessly in his tent holding his sword in left hand, dreaming of the ghosts of those he has killed, who appear as menacing figures on the left, one brandishing a dagger. From the series 'Woodmason's Shakespeare Gallery'.
[Ref: 57851] £85.00 (£102.00 incl.VAT)

Richard III. Scene a Tent - ''Give me another ass, bind up my wounds! "Have mercy, there I say, you'll break my bones.'' Duncombe's, Miniature Caricature Magazine. No.9.
Marks fec.t.
London Pub.d by Duncombe, Book & Music Seller, 19, Little Queen Str.t Holborn. [n.d. c.1835.]
Etching with hand colour. 130 x 175mm (5 x 7"), very large margins Tear in margin.
A burlesque scene from Shakespeare's 'Henry III'.
[Ref: 57887] £80.00 (£96.00 incl.VAT)

[Richard III] Smothering the Princes in the Tower.
[n.d., c.1830.]
Mezzotint with fine hand colour. Sheet 225 x 165mm (8¾ x 6½"). Trimmed within plate.
Two men, one holding a lamp, the other dressed in armour, lean towards the sleeping boys with a pillow.
[Ref: 57888] £65.00 (£78.00 incl.VAT)

The Play-house Habit of King Richard the 3.d. Habit de Theatre du Roi Richard III.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving. Sheet size: 270 x 200mm (10¾ x 8"). Fine original colour. Trimmed inside platemark. Very slight staining bottom left.
William Shakespeare's Richard III, in full costume, directed to the left, with his right hand on his hip, holding up a scroll with his left hand. Plate 223 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 34883] £90.00 (£108.00 incl.VAT)

Mr Will: Richards.
G: Kneller Pinx. I: Smith Fec: et ex:
[n.d., c.1688.]
Mezzotint. Plate: 235 x 190mm (9¼ x 7½''), with very large margins.
A portrait of William Richards (1643-1705) non-jurist rector of Helmdon, Northamptonshire and author. His satirical work, ''Wallography or The British Described'', published anonymously, was ascribed to Jonathan Swift.
CS 211, ii of iii. Russell iii of iv.
[Ref: 49187] £160.00 (£192.00 incl.VAT)

Mr. Will: Richards.
G: Kneller Pinx.
I. Smith Fec: et ex: [n.d., c.1688.]
Mezzotint. 235 x 190mm (9¼ x 7½"). Tipped into album page.
A portrait of William Richards (1643-1705) non-jurist rector of Helmdon, Northamptonshire and author. His satirical work, ''Wallography or The British Described'', published anonymously, was ascribed to Jonathan Swift.
CS 211, ii of iii. Russell iii of iv.
[Ref: 11432] £140.00 (£168.00 incl.VAT)

Mr. Will: Richards.
G: Kneller Pinx.
I. Smith Fec: et ex: [n.d., c.1688.]
Fine mezzotint. 235 x 190mm (9¼ x 7½"). Small margins.
Half-length portrait of William Richards (1643-1705), divine and author, engraved and published by the famous early mezzotinter John Smith (1652-1743) after Sir Godfrey Kneller (1646-1723),
CS 211, ii of iii.
[Ref: 49564] £180.00 (£216.00 incl.VAT)

Sr. Henry Blount. Loquendum cum Vulgo Sentiendum cum Sapientibus.
Publish'd Nor.1st.1801, by W.Richardson, York House,31,Strand.
Line engraving. 184 x 126mm.
Sir Henry Blount (1602-1682), Traveller. In 1636, Sir Henry Blount made his way to Turkey to learn all he could about that rival to his country's ambitions.
[Ref: 4881] £45.00 (£54.00 incl.VAT)

[James Richardson.]
[n.d., c.1830.]
A rare mezzotint, proof before letters. Plate: 290 x 210mm (11½ x 8¼''), with very large margins. Creasing.
A half-length portrait of a man looking right. Pencil annotations identify the sitter as James Richardson of Richardson's Hotel in Covent Garden.
[Ref: 50585] £320.00

M.r Richardson reading the Manuscript of Sir Charles Grandison in 1751, to his Friends, in the Grotto of his House at North End, from a drawing made at the time by Miss Highmore.
Stadler sc.
Published May 31-1804, by Richard Phillips, 72, S.t Paul's Church Yard.
Coloured aquatint. Sheet 170 x 205mm (6¾ x 8"). With a wood-engraving on the same album sheet. Trimmed within plate, folds, laid on paper. Top image unstuck.
A view of a plain interior, with Samuel Richardson reading his novel, 'The History of Sir Charles Grandison', (1753), with a key listing his six guests. The wood-engraving depicts the author's house in Fulham.
[Ref: 62002] £190.00 (£228.00 incl.VAT)

[Samuel Richardson.] O Master of the Heart! whose magick skill / The close Recesses of the Soul can find [...]
Jos. Highmore pinx. Ja.s M.cArdell fecit.
[n.d., c.1750.]
Mezzotint. 355 x 250mm (14 x 9¾"). Slight creasing.
Three-quarter length portrait of Samuel Richardson (1689-1761), author best known for his 'Clarissa: Or the History of a Young Lady' (1748), and printer of almost 500 works, including journals and magazines, including 'The Journals of the House' of Commons. The National Portrait Gallery has two portraits of Richardson painted by Joseph Highmore.
CS 152, only state; Goodwin 161, ii of ii.
[Ref: 59082] £280.00 (£336.00 incl.VAT)

Rich-en-Son Grass, or making Hay when the sun Sont shine!! Dedicated to all Cultivators of Fiorin Grass in the United Kingdom.
Pub by McCleary 32 Nassau Street. Dublin.
Fine coloured etching, watermark 1818, 245 x 340mm (9¾ x 13½"). Trimmed to plate.
A satire on William Richardson, D.D., rector of Moy and Clonfele, Co. Antrim, showing him as an elderly but sturdy mower, with bare muscular legs, working a scythe through deep, coarse grass. In the foreground are papers including: 'Hints on draining Lough Neagh'; 'Edinburg Review'; 'To Dr. Richard Clonfeckle London'; 'Denmark Treatise'; 'Giants Causeway'; 'Whin Dyke'; 'Reveuers Reveu'd'; 'Workington Curwen'; 'Letter for the Farmers Journal'. Richardson (1740-1820) was a prolific writer, first on geological subjects, then on agriculture, especially expounding the virtues of Irish fiorin grass as a panacea for national poverty.
BM Satire 11442.
[Ref: 52931] £380.00

[Cardinal Richelieu] Armandus Joannes du Plessis Cardinalis Dux de Richelieu [...]
[after Philippe de Champaigne, 1600]
Engraving with two accompanying letterpress sheets, 17th century watermark; each 470 x 350mm (18½ x 13¾"), very large margins on 3 sides. Time stained. Trimmed nearly to image on left.
Armand Jean du Plessis, Cardinal-Duke of Richelieu and of Frontac (1585-1642), French clergyman, nobleman and statesman. Richelieu became a cardinal in 1622 and Louis XIII's chief minister in 1642. On his death he was succeeded in this position by his protegé, Cardinal Mazarin. A shrewd statesman who played a key role in the transformation of France into a modern centralized state and helped ensure French dominance in the Thirty Years' War (1618-48), Richelieu was also a great patron of the arts, whose achievements in this field included the founding of the Académie Française. From 'Les Portraits des Hommes Illustres Francois qui sont Peints dans la Galerie du Palais Cardinal de Richelieu' (1660). The book reproduces the portraits of great men (and women) hanging in Richelieu's 'Galerie des hommes illustres' by Simon Vouet and Philippe de Champaigne (although only four of the original paintings survive). This portrait, of Richelieu himself, concluded the sequence. Champaigne painted several versions of the portrait, including those in the National Gallery, London, and the Louvre.
[Ref: 40070] £360.00

Jean Armand du Plessis Cardinal Duc de Richelieu.
[after Philippe de Champaigne, c.1700.]
Engraving with very large margins, platemark 275 x 205mm (10¾ x 8"). Crease lower right.
Book page with portrait of Cardinal Richelieu (Armand Jean du Plessis, 1585-1642), clergyman and statesman who became Louis XIV's first chief minister. He was also a famous patron of the arts and author of several books.
[Ref: 34252] £120.00 (£144.00 incl.VAT)

Sketches at Richmond, Surrey.
Printed by W. Day 17 Gate S.t.
Richmond, Pub.d by James Darnill (Public Library & Reading Room) Hill Street [n.d., c.1840].
Rare lithograph. Sheet 210 x 280mm (8¼ x 11").
Four views of the Thames at Richmond on one sheet (clockwise from top left): view near Petersham; the bridge from upstream, Richmond Bank; the Star and Garter from Twickenham Ferry; and the bridge from upstream, Twickenham Bank.
Gascoigne 456-9.
[Ref: 62063] £140.00 (£168.00 incl.VAT)

[Richmond] The Tow Path [pencil].
A Watson Turnbull.
[n.d., c.1930.
Etching, titled and signed by the artist in pencil. 175 x 250mm (7 x 9¾"), with large margins. Uncut.
A view of the Thames from the Surrey side of the river, looking towards Richmond Bridge.
[Ref: 64976] £180.00 (£216.00 incl.VAT)

A View near Richmond.
Drawn & Etched by Rowlandson. Stadler Aquatinta.
[London: Thomas Tegg, n.d., 1822.]
Aquatint and etching. Sheet 135 x 200mm (5¼ x 8"). Trimmed into image, losing inscriptions, mounted in album paper.
A view of the Thames from the Twickenham bank, with Gay's Summer House on the left, looking towards Richmond Hill. From Rowlandson's 'Sketches from Nature': The plate was first published by Rowlandson in a fortnightly series: it was not published in a book until 1822.
Abbey 33; Gascoigne Images of Richmond 782.
[Ref: 63718] £130.00 (£156.00 incl.VAT)

[Richmond Terrace, Surrey.]
[J.T. Willmore after J.M.W. Turner]
[1838.]
Steel engraving on india. 240 x 315mm (9½ x 12¼"), with very large margins. Some foxing..
View from Richmond overlooking the river Thames, with figures engaged in various pastimes in the foreground. Engraving after J.M.W. Turner (whose watercolour of c.1836 is in the Tate collection), engraved for part XXIV of Turner's 'Picturesque Views in England and Wales'.
L.1498; Rawlinson 303 first published state.
[Ref: 64096] £230.00 (£276.00 incl.VAT)

Richmond. Looking towards Isleworth.
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. Aug.t 1822.
Lithograph. Printed area 220 x 310mm (8¾ x 12¼"), with large margins. Small tears in edges, damp stain in bottom margin.
A view of the Thames, with cows grazing. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Not in Gascoigne.
[Ref: 61655] £230.00 (£276.00 incl.VAT)

View from Richmond Hill.
Drawn by C.V. Fielding.
[n.d., c.1820.]
Fine aquatint, printed in colours and hand finished. Sheet 370 x 475mm (14½ x 18¾"). Trimmed within plate.
A large view looking down across Petersham Meadows to the Thames and Twickenham. Extremely fine & scarce.
Gascoigne 494.
[Ref: 61657] £650.00

Richmond. From Petersham Fields.
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. June 1, 1822.
Lithograph on chine collé. Printed area 220 x 310mm (8¾ x 12¼"), with large margins.
A view looking down the Thames towards Richmond Bridge, with a ferryman in the foreground. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Gascoigne 69.
[Ref: 61659] £240.00 (£288.00 incl.VAT)

Richmond. Looking from the Bridge.
Drawn by W. Westall. A.R.A. Printed by C. Hullmandel.
London. Pub by Rodwell and Martin 40 Argyll St. & 46 New Bond St. Aug.t 1. 1822.
Lithograph on chine collé. Printed area 220 x 330mm (8¾ x 13"), large margins.
A view of the Thames from riverside under Richmond Bridge. A plate from 'Thirty five Views on the Thames, at Richmond, Eton, Windsor and Oxford', published December 1823.
Gascoigne 71.
[Ref: 61661] £160.00 (£192.00 incl.VAT)

Richmond.
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint on chine collé. 280 x 350mm (11 x 13¾") large margins.
A view looking along the Thames from near Argyll House towards Richmond Bridge. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 90. See 61666 for coloured version.
[Ref: 61665] £240.00 (£288.00 incl.VAT)

Richmond.
W. Westall. A.R.A. del.t. R.G. Reeve sculp.t.
Published 1828, by R. Ackermanm, 96 Strand, London.
Aquatint with superb hand colour. 280 x 350mm (11 x 13¾"), watermarked 'J Whatman 1827', large margins.
A view looking along the Thames from near Argyll House towards Richmond Bridge. From Westall & Owen's Picturesque Tour of the River Thames.
Abbey Scenery 435; Gascoigne 90. See 61665 for black and white version.
[Ref: 61666] £360.00

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