Grosvenor Prints

[Ducks on a pond.]
D. Teniers Pinx.t. H. Houston fecit.
Printed for Jn.o Bowles and Son at the Black Horse in Cornhill. [n.d., c.1765.]
Fine & rare mezzotint. 355 x 250mm (14 x 9¾") with narrow margins.
A rustic scene, with ducks and ducklings, a kingfisher, with rabbits on the bank. It was engraved by Richard Houston after David Teniers the Younger. Houston absconded for debt in 1762; perhaps the 'H' in the inscription is to disguise the attribution.
[Ref: 53083] £380.00

Arthur Pond Painter.
Seipse fe 1787.
[n.d., c.1820.]
Etching. 180 x 125mm (7 x 5") very large margins. Faint spotting.
A postumous re-issue of the half-length self-portrait by Arthur Pond (c.1705-58),
[Ref: 41247] £60.00 (£72.00 incl.VAT)

Mr: Pond.
Thos. Parkinson pinxt. Benjm. Smith sculpt.
Pub: April 10 1787, by Benjm. Smith No.27, Great Pultney Street.
Stipple engraving with aquatint in sepia, sheet 225 x 175mm. Trimmed to plate and glued at corners onto a backing sheet for album. Stain lower left corner.
John Pond, son of John Pond of Newmarket and nephew of the painter and engraver Arthur Pond (1701 - 1758). A fine impression.
NPG: D8563. BM. Vol III, pg.486.
[Ref: 7376] £120.00 (£144.00 incl.VAT)

Bramin's Tomb, near the Road to Pondicherry.
J. Wathen del.t. J. Clark direx.t.
London Published by Black, Parry & Co, and Nichols & Co, 1814.
Hand coloured aquatint, image 140 x 215mm. 5½ x 8½".
From James Wathen's 'Journal of a voyage, in 1811 and 1812, to Madras and China, returning by the Cape of Good Hope and St. Helena' 1814.
Abbey Travel 517.
[Ref: 38993] £80.00 (£96.00 incl.VAT)

Pondicherry attack'd by the British Fleet under Admiral Boscowen.
[n.d., c.1750.]
Engraving. Plate: 225 x 370mm (9 x 14½''). Thread margins.
A battle scene showing Admiral Boscowen's attack and seige of the French settlement at Pondicherry during the Anglo-French Wars.
[Ref: 50891] £260.00 (£312.00 incl.VAT)

Une Mosquée aux Environs de Pondichéry. (Inde).
Dessiné par Lauvergne. Imp. Lemercier, Bernadet et C.ie. Lith. par Tudot.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins. Foxing in margins.
A view of a mosque in the area in India called Pondicherry. Plate 97 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47162] £160.00 (£192.00 incl.VAT)

Les Chars Sacrés a Pondichéry. Inde.
Lauvergne del. Imp. par Lemercier. Tirpenne lith.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins. Foxing in margins.
A view of sacred constructions in Pondicherry. Plate 96 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47163] £140.00 (£168.00 incl.VAT)

Vue de Pondichéry.
Dessiné par Lauvergne. Imp. Lemercier. Lith. par Tirpenne et Lauvergne.
Arthus Bertrand éditeur. London. Ackermann et C.o 96 Strand. [n.d., c.1840.]
Lithograph, printed on chine collé. Printed area: 230 x 345mm (9 x 13½"), with very large margins. Foxing in margins.
A view of Pondicherry from the sea. Plate 95 from Auguste Nicholas Vaillant's 'Voyage autour du Monde [...] 1836 et 1837[...] sur la Bonite' published in Paris and London between 1840-52’, after an original drawing by B. Lauvergne.
[Ref: 47164] £230.00 (£276.00 incl.VAT)

Bulletin Commercial et Prix-Courant.
Publiés par la Chambre de Commerse de Pondichéry (Quatrième année. - No 91. - 5 aout 1868).
4pp. letterpress. 350 x 220mm, 13¾ x 8¾". Some wear.
A trade newspaper, listing the prices of commodities, published in the Indian city of Pondicherry, then a French colony. The city remained French until 1954, seven years after Indian indpependence from Britain.
[Ref: 19596] £160.00 (£192.00 incl.VAT) view all images for this item

[Pongok Island] Fort Maxwell.
J. McLeod delin. J. Clark Sculp.
Published by J. Murray, London, 1818.
Coloured aquatint. Sheet 135 x 190mm (5¼ x 7½"). Trimmed within plate.
A stockade set up by British sailors marooned on Pongok Island, named after the ship's captain. From 'Voyage of His Majesty's late ship Alceste', an account of Lord Amherst's diplomatic mission to China in 1817. On the return journey the Alceste hit a reef in the Java Sea and was wrecked, after which the crew had to cope with Malay Dyak pirates who burned the ship and surrounded their camp. This plate did not appear in the first edition of 1817.
Abbey Travel 559.
[Ref: 55495] £120.00 (£144.00 incl.VAT)

Joseph Poniatowski. Général en chef des troupes polonaises dans les Terres Russiennes [...] (De la Coll.on de L. Chodzko)
Antoine Brodowski pinx. James Hopwood sc.
P. Dien impr. [Paris, n.d., c. 1840.]
Stipple engraving on steel. Sheet 270 x 185mm, 10½ x 7¼".
Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski, a general who became one of Napoleon's marshals, killed at the Battle of Leipzig. A portrait from the collection of Leonard Chodzko (1800-71), a Polish historian active in the November Uprising of 1830 and the Great Emigration that followed it.
[Ref: 21249] £70.00 (£84.00 incl.VAT)

[Josef] Poniatowski.
JH [?].
[n.d., c. 1840.]
Rare lithograph on chine collé. 120 x 100mm (4¾ x 4"), very large margins. Spotting on backing paper, ink collector's stamp on reverse.
Head and shoulders portrait of Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski. After the Partitions of Poland he fought for Napoleon, who he considered most likely to reunite his country. As one of Napoleon's marshals, he died at the Battle of Leipzig.
[Ref: 57743] £95.00 (£114.00 incl.VAT)

Poniatowski (Joseph Antoine, Prince). 16 Octobre 1813 Marechal de France † 1813.
Peint par Vachelet. Grave par Contenau.
[Paris, c.1840.]
Steel engraving. Sheet 260 x 175mm (10¼ x 7"). Trimmed, glue stains on left edge.
Full length portrait in uniform of Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski. After the Partitions of Poland he fought for Napoleon, who he considered most likely to reunite his country. During the four-day Battle of Leipzig he was promoted to Marshal of the French Army, but was killed covering the French retreat. From the 'Gallerie Historique de Versailles'.
[Ref: 57744] £50.00 (£60.00 incl.VAT)

Fürst Poniatowsky Kais: Franz: Reichs = Marschall sucht nach der Schlacht bey Leipzig den 19t Oct: 1813 mit 3 Wunden durch ineri kühnen Sprung in die Elster such zu retten und findet seinen Tod.
C. Seipp f.
[German, c.1820.]
Etching. Sheet 195 x 275mm (7¼ x 10¾"). Trimmed within plate, stitch holes in left edge.
The death of Prince Josef Poniatowski (1763-1813), drowned in the Elster river covering the French retreat at the end of the Battle of Leipzig. The nephew of the last king of Poland, Poniatowski fought for Napoleon, who he considered most likely to reunite his country after the imfamous Partitions. Earlier in the four-day Battle of Leipzig he had been promoted to Marshal of the French Army.
[Ref: 57746] £130.00 (£156.00 incl.VAT)

Joseph Fürst von Poniatowsky.
Berlin. Stahlstich v. L. Linsen. 1840.
Steel engraving. Sheet 200 x 115mm (8 x 4½"). Trimmed within plate.
Half length portrait in uniform of Prince Josef Poniatowski (1763-1813), nephew of the last king of Poland, Stanislaw August Poniatowski. After the Partitions of Poland he fought for Napoleon, who he considered most likely to reunite his country. During the four-day Battle of Leipzig he was promoted to Marshal of the French Army, but was killed covering the French retreat.
[Ref: 57747] £50.00 (£60.00 incl.VAT)

[Stanislaus Augustus Poniatowski. King of Poland.]
Le Brun pinx.t D. Orme sc.t.
[n.d., c.1792.]
Stipple, rare. Sheet size: 127 x 100mm (5 x 4"). Trimmed inside platemark. Laid on backing sheet.
A half length portrait of Stanislaus August Poniatowski (1732 - 1798), inclined slightly to left, with powdered hair, fur coat with a star of the White Eagle, and a white ruffle. In an oval. Poniatowski was the last King and Grand Duke of the Polish–Lithuanian Commonwealth (1764–95) and was recognised as a great patron of the arts and sciences and a supporter of progressive reforms. Arriving at the Russian imperial court in Saint Petersburg in 1755, he became romantically involved with the twenty-six-year-old Catherine Alexeievna (the future Empress Catherine the Great). With her support, in 1764 he was elected king of Poland. Against expectations, he attempted to reform and strengthen the ailing Commonwealth. His efforts were met with external opposition from Prussia, Russia and Austria, all interested in keeping the Commonwealth weak. The reforms were overthrown following a succession of wars which led to the Partitions of Poland, marking the end of the Commonwealth. Stripped of all meaningful power, Poniatowski abdicated in November 1795 and spent the last years of his life in semi-captivity in Saint Petersburg.
[Ref: 34388] £120.00 (£144.00 incl.VAT)

Stanislaus Poniatovski. Palatinus Masoviae.
Sysang sc:
[n.d. c.1740.]
Engraving. Owl collectors mark on verso; unidentified. Plate 151 x 95mm. 6 x 3¾". Paper loss top left-hand corner. Cut to image down right-hand edge, paper added to make up margin.
Count Stanislaw Poniatowski (1676-1762) was a Polish-Lithuanian noble, and Knight of the Order of the White Eagle from 1726. Amongst military titles including Grand Treasurer of the Lithuanian Army, he was in 1731 made viovode of the Masovian Voivodeship. He was father to the future King Stanislaw August Poniatowski (1732-1798), the last King and Grand Duke of the Polish-Lithuanian Commonwealth.
[Ref: 17760] £95.00 (£114.00 incl.VAT)

Stanislas Poniatowski. Colonel des gardes du Roi Stanislas 1er Leszczynski; Général des armées Suedoises; Palatin de Mazovic et Castellan de Krakovie [...] (De la Coll.on de L. Chodzko)
Joseph Peska del. James Hopwood sc.
P. Dien impr. [Paris, n.d., c. 1840.]
Stipple engraving on steel. Sheet 270 x 185mm, 10½ x 7¼".
Count Stanislaw Poniatowski (1676-1762), a general in both the Swedish and Lithuanian armies, father of the last king of Poland. A portrait from the collection of Leonard Chodzko (1800-71), a Polish historian active in the November Uprising of 1830 and the Great Emigration that followed it.
[Ref: 21246] £65.00 (£78.00 incl.VAT)

Welsh Moutain Ponies.
J. Trasott, Nelson Sq.e
A very rare etching. 260 x 382mm. 10¼ x 15".
Welsh mountain ponies are known for their good nature; their movement is bold and free, and often characteristically fast, especially at the trot. The Welsh Pony is reputed to be trustworthy and to have a good disposition, but is also spirited and enduring. They are known for their stamina and soundness; they generally have even temperaments and friendly personalities. They are usually easily trained, in part due to their high level of intelligence.
[Ref: 20237] £120.00 (£144.00 incl.VAT)

Viscount Duncannon.
Painted by Sir Jos.a Reynolds. Engraved by Jos.h Grozer.
Published as the Act directs March 31st 1786 by W.m Austin Draw.g Master & Print Merchant at his Patriotic Print Rooms, No.41 St James's Street.
Fine mezzotint, scratched letter proof, 395 x 280mm (15½ x 11"), on 18th century watermarked paper, with large margins.
Half-length portrait of Frederick Ponsonby (1758-1844), later the 3rd Earl of Bessborough and father of Lady Caroline Lamb.
CS 9, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67621] £380.00

[John William Ponsonby. Lord Duncannon] All That Remains of The Late Woods & Forests or A Man Wot Has Seen Better Days. HB Sketches No.744.
HB [John Doyle.] Printed at 70 St Martins Lane.
Published by T. McLean, 26 Haymaret, Novr. 1842.
Fine coloured lithograph. 405 x 265mm (15¾ x 10½"). Some foxing. Stain top right.
Portrait of Lord Duncannon, wearing a top hat, tailcoat and gloves, standing next to a bollard under a street sign lettered with 'Downing Street', holding a broom. This sketch presents an exceedingly good portrait of the Earl of Besborough, (then Lord Duncannon) who held the office of Chief Commissioner of the Woods and Forests under the administration of Lord Melbourne.
BM Satires: undescribed.
[Ref: 52763] £120.00 (£144.00 incl.VAT)

Pont Aber Glaslyn, Merionethshire.
J. Warren Esq.r del.t Merke sculp.t
London, Published 14 May 1814, by T. Macdonald, Poets Gallery, 39 Fleet Street.
Coloured aquatint, very rare with large margins, J. Whatman 1826 watermarked paper; platemark 450 x 600mm (17¾ x 23½").
Pont Aberglaslyn, a bridge linking Caernarvonshire and Merionethshire in Wales and a popular location in the age of picturesque tourism. Here one group of figures cross the bridge while two more on the right gather around a fire. A wonderful example of a large coloured aquatint.
[Ref: 29858] £490.00

Pont Cysyllte Aqueduct, in the Vale of Llangollen, County of Denbigh.
Drawn on Stone by George Nicholson, Liverpool, from a Drawing by H. Billings, Wrexham, 1827.
Broadside. Lithograph, sheet 260 x 375mm (10½ x 14¾"), with letterpress description of the aqueduct, sheet 160 x 115mm (6¼ x 4½). Lithograph trimmed to printed border, some creasing.
The Pontcysyllte Aqueduct, built by Thomas Telford & William Jessop, opened 1805 and still navigable today.
[Ref: 31709] £240.00 (£288.00 incl.VAT) view all images for this item

Pont d'Arcole. d'aprés un Croquis fait pendant la Bataille par BD.
Bacler d'Albe ft. Lith de G Engelmann.
[n.d.,.1820-2.]
Lithograph. 275 x 362mm (10¾ x 14¼").
The Battle of the Bridge of Arcole was a strategic battle led by Napoleon Bonaparte against the Austrian army in the November of 1796. The aim was to cut the Austrian's line of retreat, a battle that was won by Napoleon. From 'Souvenirs pittoresques du Général Bacler d'Albe. Tome II, Campagne d'Espagne', a collection of landscapes by Louis Albert Guislain Bacler d'Albe (1761-1824) drawn during the Napoleonic Wars. A soldier, cartographer and painter, Bacler d'Albe was a close companion of Napoléon Bonaparte from Toulon in 1793 until 1815. Napoleon's will tasked him with the education of his son Napoleon II.
[Ref: 17318] £35.00 (£42.00 incl.VAT)

Le Petit Pont de pierre. Gravé par C. Norton d'aprés le Dessin original de même grandeur inventé et dessiné par Jean Pillement.
C. Norton.
London Publish'd according to Act of Parliament Dec. ye. 26th 1759.
Etching, 18th century watermark. Sheet 335 x 375mm (13¼ x 14¾"). Trimmed within plate.
A view of a ramshackle three-arched bridge in a rural landscape, with a ferryman taking a couple across the river by boat. From a series of three plates, with 'La Petite Montagne' and 'Le Petit Pont de pierre.'.
Gordon Smith p.80, plate 70. From the Airlie collection, Cortachy Castle.
[Ref: 57493] £260.00 (£312.00 incl.VAT)

L’Aubreuvoir Paris au Pont Mariey.
Aepere [August-Louis Lepere]
1902.
Etching, 195 x 265mm (7¾ x 10½"), with small margins.
A view of Pont Marie bridge which crosses the Seine in Paris, France.
[Ref: 62601] £90.00 (£108.00 incl.VAT)

No. 12. Pont y Pair over the River Conway above Llanrwst in the County of Denbigh.
P. Sandby Fecit.
Publish'd according to Act of Parliament by P. Sandby St. Georges Row, Sep.r 1st 1776.
Aquatint with etching, printed in brown. Sheet 240 x 315mm (9½ x 12½"). Trimmed to plate.
A view of Pont-y-Pair Bridge over the River Llugwy, published in Part II of Sandby's 'Views in Wales', the first series of aquatints published in Britain.
Abbey Scenery: 511.
[Ref: 31557] £220.00 (£264.00 incl.VAT)

Miscellaneous British Scenery. No 2nd Plate 1st. [Pont y- Glen near Corwen North Wales.]
Walmesley Pinx.t. R. & D. Havell Sculp.t.
[London: Published April 16 1810 by James Daniell Engraver 480 Strand.]
Rare aquatint, printed in colours and hand-finished. Sheet 455 x 610mm (18 x 24"). Trimmed within plate top and bottom, losing part of title and publication line, some creasing.
An old stone bridge over the cataract of Afon Ceirw, Merionethshire. The bridge was famous, also painted by J.M.W. Turner.
[Ref: 52190] £380.00

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To Robert Watkin Wynne Esq.r M. P. This View of Pont-Newydd over the Ceirw near Corwen. Is with the greatest respect Inscribed by his obedient & obliged Servant. Edw.d Pugh.
From a Drawing by E. Pugh [...] W. Ellis Aquatinta
Published July 20 1794 by E. Pugh 13 Bedford Street Covent Garden
Aquatint, sheet 300 x 355mm (11¾x 14"). Trimmed to platemark.
A fine Welsh landscape with anglers after the miniature painter and topographer Edward Pugh (c.1761-1813).
[Ref: 47630] £190.00 (£228.00 incl.VAT)

Blockhaus construit par les Français sur le haut d'une lour pour défendre le passage de Ponte-Duero.
Bacler d'Albe ft. Lith de G Engelmann.
[Paris, 1820-22.]
Lithograph. 265 x 367mm. 10½ x 14½".
The Duero Bridge in Valladolid. A strategic fort was built by Napoleon in 1812 during the French Revolutionary Wars to defend the passage across the River Duero. Gun fire can be seen from the tower and the opposite side of the bridge, as the French army fight to hold their ground and defend the bridge and passageway. A boat in the foreground has had little success in crossing, with bodies lying on the shoreline. From 'Souvenirs pittoresques du Général Bacler d'Albe. Tome II, Campagne d'Espagne', a collection of landscapes by Louis Albert Guislain Bacler d'Albe (1761-1824) drawn during the Napoleonic Wars. A soldier, cartographer and painter, Bacler d'Albe was a close companion of Napoléon Bonaparte from Toulon in 1793 until 1815. Napoleon's will tasked him with the education of his son Napoleon II.
[Ref: 17319] £60.00 (£72.00 incl.VAT)

Plan and Survey of Pontefract Race Course in the County of York; including the Rises and Falls: with Notes Referring to an appendix, by Wm. Kemp. To Christopher Wilson Esq.r This Plate being No.3 of a Series of Surveys of the Principal Race Courses in England, is most Respectfully Dedicated by His most obedient and very humble Servant [facsimile signature:] Wm Kemp.
Davies sc. 34 Compton Str. Bruns.k Squ.
London, Published by Sherwood, Jones & Co. Paternoster Row. [n.d. c.1825.]
Hand-coloured engraving, 210 x 280mm ( 8½ x 10¾".). Two vertical folds as published. Trimmed within plate top and bottom.
Pontefract Racecourse, the thoroughbred horse racing venue in West Yorkshire; notable races held here include the Silver Tankard Stakes and the Pontefract Castle Stakes.
See Ref: 41083
[Ref: 58322] £75.00 (£90.00 incl.VAT)

Paulus du Pont. Graveur admirable en taille douce, natif d'Anvers l'an 1603, il a faict son aprentisage chez Lucas Vostermans, et at demeure au pres Mons.r Rubens, ou il a faict quantite de chefs d'oeuvres: aussi pour Mons.r van Dyck, comme on voit par ses oeuvres.
I. Livens pinxit. P. de Iode sculpsit.
I Meyssens exc. [n.d. c.1622.]
Engraving. Plate 162 x 114mm. 6½ x 4½". Glued to backing sheet.
Paulus Pontius (1603-1658) was a well known Flemish engraver. From Cornelis de Bie's "Het gulden cabinet vande edel vry schilder const".
[Ref: 24526] £70.00 (£84.00 incl.VAT)

[Paulus Pontius.]
Ant van Dyck pinx.t. Ja.s Watson fecit.
[Publish'd by Ja.s Watson, N. 16, Craven Buildings, Drury Lane; & Hen.y Parker opposite Birchin Lane, Cornhill.] [n.d., c.1770.]
Mezzotint, scratch letter proof before publisher's line. Sheet 355 x 250mm (14 x 9¾"). Crease across image.
Paulus Pontius (1603-58), Flemish engraver who worked with Rubens and van Dyck in Antwerp.
Ex: The collection of the Hon. C. Lennox-Boyd. CS 119, state i of iii. Goodwin: 47 i of iii.
[Ref: 36397] £160.00 (£192.00 incl.VAT)

[Paulus Pontius.]
Ant van Dyck pinx.t. Ja.s Watson fecit.
[Publish'd by Ja.s Watson, N. 16, Craven Buildings, Drury Lane; & Hen.y Parker opposite Birchin Lane, Cornhill.] [n.d., c.1770.]
Mezzotint, scratch letter rare proof before publication line, inscription area not wholly cleaned. 355 x 255mm (14 x 10"). Slight creasing on bottom left.
Paulus Pontius (1603-58), Flemish engraver who worked with Rubens and van Dyck in Antwerp.
CS 119, state i of iii. Goodwin: 47 i of iii. Ex: The collection of the Hon. C. Lennox-Boyd.
[Ref: 65860] £280.00 (£336.00 incl.VAT)

Pontnewydd, near Corwen, Merionethshire.
J. Warren Esq.r del.t Merke sculp.t
London, Publish'd 14 May 1814, by T. Macdonald, Poets Gallery, 39 Fleet Street.
Coloured aquatint, very rare with large margins, J. Whatman watermarked paper; platemark 460 x 605mm (18 x 23¾").
A wonderful example of a large coloured aquatint.
[Ref: 29855] £490.00

[Pontypridd Old Bridge] [The Great Bridge of the Taaffe in South Wales.]
[Richard Wilson Pinx.t. P.C. Canot Sculp.t.]
[Published July 17th 1775 by John Boydell Engraver in Cheapside London.]
Scarce engraving, proof before all letters. 400 x 540mm (15¾ x 21¼"), with large margins. Uncut.
Pontypridd's 'Old Bridge', built 1756 by William Edwards, at the time the longest single-span bridge in Britain. Still in use as a footbridge, it is Grade I listed. This bridge was Edwards' fourth attempt: the first (1746) had three arches but was swept away by a flood after two years; the second (1748) collapsed during construction; the third fell after only six weeks. The expence of the successive rebuildings left Edwards out-of-pocket, and a subscription was raised to pay his debts. Richard Wilson (1 August 1714 - 15 May 1782) was a Welsh landscape painter, and one of the founder members of the Royal Academy in 1768. The son of a clergyman, Wilson was born in Penegoes, Montgomeryshire. In 1729 he went to London where he began as a portrait painter. From 1750 to 1757 he was in Italy and adopted landscape on the advice of Francesco Zuccarelli. Painting in Italy and afterwards in England, he was the first major British painter to primarily concentrate on landscape. He composed well, but saw and rendered only the general effects of nature thereby creating a personal, ideal style influenced by Claude Lorrain and the Dutch landscape tradition. According to John Ruskin, he 'paints in a manly way,'. His landscapes were acknowledged as influential and many were engraved by the most accomplished artists and engravers. Wilson died in Colomendy, Denbighshire. This very fine proof engraving of Pontypridd Bridge is Wales was engraved by Canot. Canot, Peter Charles 1710-1777, engraver, was a native of France, who came to England in 1740, and remained here till he died. He was a member of the Incorporated Society of Artists in 1766, and was elected an associate engraver of the Royal Academy in 1770, when that degree was first instituted. He exhibited at the Society of Artists, the Free Society, and the Royal Academy.
[Ref: 56688] £580.00

[Poodle] Barbet. Pudel. Uszkàr. 73.
[n.d. c.1847.]
Lithograph, rare with large margins. 240 x 368mm (9½ x 14½").
A small poodle tied to a post by a stream. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29487] £140.00 (£168.00 incl.VAT)

Sit up Papagèno.
Engraved from a Drawing by H. Singleton, in the possession of Sir Tho.s Duke Acland, Bar.t M.P. and most respectfully dedicated to Lady Acland, By her Ladyship's greatly obliged and most obedient humble Servant, J.S.Agar.
London. Published Feb 21st 1825 by I.S.Agar, 59 Stafford Place, Pimlico.
Stipple engraving with roulette. 350 x 385mm. Trimmed to platemark at top and bottom.
Two young children training a poodle to beg. Alarmingly one has a whip.
[Ref: 5544] £220.00 (£264.00 incl.VAT)

Kleiner Pudel. Griffon. Uszkár.
[n.d., c.1830.]
Lithograph. Sheet: 240 x 395mm (9½ x 15½"), with very large margins.
A portrait of a small poodle retrieving.
[Ref: 47738] £80.00 (£96.00 incl.VAT)

[Pair of pencil sketches of a poodle acrobat, acorns and other emblems]
[Dobbs]
[n.d., c.1830's]
Pair of pencil sketches on card with embossed borders. Sheets 110 x 155mm (4¼ x 6") & 90 x 130mm (7½ x 5¼"). Mounted together on album paper.
Two scenes of the same poodle, with shaved rear half, jumping through a hoop and carrying a cane.
[Ref: 60842] £260.00 (£312.00 incl.VAT)

The Pool from London Bridge, Morning.
W. Parrott del et lith.
Published by Henry Brooks, 919, Regent Street, Portland Place, and 87, New Bond Street, April 15.th. 1841. Printed by C. Hullmandel.
Lithograph with very large margins. Sheet: 545 x 365mm, (21½ x 14½").
A view of the Thames crowded with steam ships loaded with people, the sun rises in the East. From 'London from the Thames' by William Parrott, one of the most important series of London views of the period.
[Ref: 36746] £480.00

The Pool of Bethesda. Engraved from the Original Picture; Painted by William Hogarth Esqr. on the Stair Case in St. Bartholomew's Hospital. Size of the picture, 13F, 8I bu 20F, 3I in Length. Vol II No.57. St. John Chap: V.
Willm. Hogarth pinxit. John Boydell excudit. Ravenet & Picot sculpserant.
Published Feby. 24th. 1772 by John Boydell Engraver in Cheapside London.
Engraving, paper watermarked. Image plate: 425 x 564mm (16¾ x 22¼"); Publication plate: 58 x 564mm (2¼ x 22¼"); Sheet: 501 x 660mm (19¾ x 26"). Large margins on 3 sides; top margin cut to platemark.
Christ at the pool of Bethesdar healing the lame; an angel descends over the waters.
Ex Collection Duke of Westminster. Paulson: not in.
[Ref: 38193] £220.00 (£264.00 incl.VAT)

View of the Independent Chapel, Poole. This print is most respectfully dedicated to the Ministers and Congregationm by their obliged and humble servant, J.R. Justican.
Drawn by Henry Burn. Day & Hague, Lith.rs to the Queen.
[n.d., c.1840.]
Lithograph on chine, very scarce. Printed area 280 x 375mm (11 x 14¾")
Now the Skinner Street United Reformed Church, Minister Rev.d Tim Meachin.
Not in Abbey Scenery.
[Ref: 30906] £260.00 (£312.00 incl.VAT)

To the Merchants Shipowners, and Inhabitants of Poole, This View of the Harbour, is most Respectfully inscribed by their obedient Servant, Rich.d And.w Grove.
On Stone by L. Haghe. J.M. Gilbert del.t. Day & Haghe Lith.rs to the King, Gate St. Linc. Inn F.ds.
Pub.d by R.A. Grove, Lymington, Hants May 1833.
Lithograph on india with hand colour, very scarce. India 385 x 545mm (15¼ x 21½"). Laid on new paper.
A superb view of the working boats in Poole Harbour, including a rowing boat with lobster pots.
Not in Abbey Scenery.
[Ref: 30909] £950.00

Poole, Dorsetshire.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Cleveland Street, Fitzroy Square, London, Aug.t 1, 1823.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"), with large margins.
A view of Poole in Dorset. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47158] £230.00 (£276.00 incl.VAT)

South East View of Brownsea Castle & Island, the Summer Sea of H. Sturt Esq. Built and planted by the present Possessor consisting of about one thosand Acres. 1774
[n.d., c.1796.]
Engraving. 225 x 375mm (8¾ x 14¾"), with large margins. Some staining on right.
View of Brownsea Island in Poole Harbour. Inheriting the castle in 1765, Sir Humphrey Sturt extended the 16th century blockhouse castle to form a Palladian styled, four-storey tower with battlements, and landscaped the island, importing manure to improve the soil. From The History and Antiquities of the County of Dorset' by Hutchins.
[Ref: 58765] £160.00 (£192.00 incl.VAT)

[Brownsea Castle] View of Branksea Castle & Island, with the Town & Harbour of Poole. (Taken from Parkestone.)
Clay Litho.
[n.d., c.1850.]
Very scarce tinted lithograph. Sheet 275 x 360mm (10¾ x 14¼"). Faint soiling, backed with waxy paper.
View of Brownsea Island in Poole Harbour from Parkstone, from the ridge to the north-east of Poole, looking towards Purbeck.
Not in Abbey Scenery.
[Ref: 30901] £420.00

Robertus Poole, Doctor Medicinae AEtatis suae 35 An.o Dom: 1743
Aug.s Armstrong pinx. J. Faber fecit.
Mezzotint with large margins, platemark 165 x 100mm (6½ x 4"). Paper tone; crease top right.
Robert Poole (1707/8-52), physician and theological writer. As a physician's pupil at St Thomas's Hospital he published (under a pseudonym) a meticulous description of the hospital, 'A Physical Vade Mecum [...]' (1741). He later travelled widely, studying in France and visiting Gibraltar and the West Indies. This portrait was included in his 'Journal from London to France and Holland, or, the Traveller's Useful Vade Mecum'. Only likeness.
Ex: collection of the late Hon. C. Lennox-Boyd; CS 292 (only state). Wellcome Library no. 7916i.
[Ref: 34108] £260.00 (£312.00 incl.VAT)

A Perspective View of the Poor House of Edinburgh as it now Stands unfinished.
The Hon.ble John Elphinstone Esq.r Engineer delin.t Parr Sculp.
[n.d. c.1740.]
Engraving, paper watermarked. Plate 210 x 330mm (8¼ x 13").
The Edinburgh Charity Poorhouse in Port Bristo was built in 1739-1743 by Samuel Neilson, mason, and William McVey and James Heriot. It was financed by voluntary subscriptions. Funds for its operation were raised by a variety of means such as a tax on the valued rents of the city, collections at church doors, charitable donations and other contributions including and annual benefit play at one of the city’s theatres. It was a substantial establishment that, in 1777-8, could accommodate 484 adults and 180 children.
[Ref: 30776] £120.00 (£144.00 incl.VAT)

The Cryer of Poor Jack.
[after Marcellus Laroon II]
Pub.d Sep.t 16 1813. by R.S. Kirby. 11 London House Yard.
Etching, 200 x 130mm (8 x 5), with margins.
A later version of a print from the 1688, 'The Cryes of the City of London Drawne after the Life.' A street vendor walks to the left, balancing a basket of goods on his head and holding a stick in his right hand. To the right, a woman follows behind, using two walking sticks for support.
[Ref: 65992] £60.00 (£72.00 incl.VAT)

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