A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![HM. [&] HG Ex Libris. [&] Rafael Maria de Aguilar y Santillan.](jpegs/19978.jpg)
HM. [&] HG Ex Libris. [&] Rafael Maria de Aguilar y Santillan.
PP. Choffard fecit 1786. [&] 1880. P: Adolphe, Varin St. [&] PP Choffard fecit Parisus 1789.
Three etchings [one in red ink]. Sheet 330 x 254mm. 13 x 10".
Two ornate classical ex-libris plates with cherubs, flowers, clouds based on the same original image with HM and HG, the royal monogram lettering for the House of Bourbon and King Henri IV of France. [&] Ex-libris plate possibly for Rafael Maria de Aguilar Ponce de Leon y Santillan, who was president, governor and commander general of the Philippines from 1793 to 1806.
[Ref: 19978] £140.00 (£168.00 incl.VAT)
PP. Choffard fecit 1786. [&] 1880. P: Adolphe, Varin St. [&] PP Choffard fecit Parisus 1789.
Three etchings [one in red ink]. Sheet 330 x 254mm. 13 x 10".
Two ornate classical ex-libris plates with cherubs, flowers, clouds based on the same original image with HM and HG, the royal monogram lettering for the House of Bourbon and King Henri IV of France. [&] Ex-libris plate possibly for Rafael Maria de Aguilar Ponce de Leon y Santillan, who was president, governor and commander general of the Philippines from 1793 to 1806.
[Ref: 19978] £140.00 (£168.00 incl.VAT)
Ex Libris Charles .E. Cameron. 1897. Books in the Running Brooks.
J.W. Spenceley. Del, Sc. '97.
Engraving. 108 x 82mm. 4¼ x 3¼". Laid on album scrap.
An American Indian leaning against a large rock is looking down into a brook which gushes from its base. His birch bark canoe is drawn up beside him in the long grass and ferns. Behind the rock grows a pine tree, the lower branch of which frames the top of the picture. The background is a lake fringed with trees and mountains.
In: Special Collections Department, University of Delaware Library.
[Ref: 27960] £65.00 (£78.00 incl.VAT)
J.W. Spenceley. Del, Sc. '97.
Engraving. 108 x 82mm. 4¼ x 3¼". Laid on album scrap.
An American Indian leaning against a large rock is looking down into a brook which gushes from its base. His birch bark canoe is drawn up beside him in the long grass and ferns. Behind the rock grows a pine tree, the lower branch of which frames the top of the picture. The background is a lake fringed with trees and mountains.
In: Special Collections Department, University of Delaware Library.
[Ref: 27960] £65.00 (£78.00 incl.VAT)
Ex-Libris Praehistoriae. George Goury.
U. Wernaers. 29. [etched in the plate.] [Pencil signature:] Urbain Wernaers. VI.
[1929.]
Etching. Plate 159 x 121mm. 6¼ x 4¾"
Urbain Wernaers (1888-1981), Dutch painter, etcher and lithographer of urban views and landscapes. George Goury (1877-1959) was one of the masters of prehistoric France. While very young he became a member of the Archaeological Society of Lorraine and was elected assistant librarian in 1897 and then as librarian in 1900. He participated in several excavations in Lorraine and beyond, which puts him in contact with many French and foreign researchers. He was an avid book collector whose collection of 'ex libris' was most important, not only from the 19th Century ex libris but also those he commissioned himself from some of the most fashionable artists of the early 1900's.
[Ref: 18066] £120.00 (£144.00 incl.VAT)
U. Wernaers. 29. [etched in the plate.] [Pencil signature:] Urbain Wernaers. VI.
[1929.]
Etching. Plate 159 x 121mm. 6¼ x 4¾"
Urbain Wernaers (1888-1981), Dutch painter, etcher and lithographer of urban views and landscapes. George Goury (1877-1959) was one of the masters of prehistoric France. While very young he became a member of the Archaeological Society of Lorraine and was elected assistant librarian in 1897 and then as librarian in 1900. He participated in several excavations in Lorraine and beyond, which puts him in contact with many French and foreign researchers. He was an avid book collector whose collection of 'ex libris' was most important, not only from the 19th Century ex libris but also those he commissioned himself from some of the most fashionable artists of the early 1900's.
[Ref: 18066] £120.00 (£144.00 incl.VAT)
The Exalted Reformer; or The Humours of Birmingham.
[n.d, 1791.]
Engraving. 175 x 110mm (7 x 4½"), large margins on 3 sides.
A scene of a cleric being burnt at the stake in a fire of his books. It was published to accompany a satirical article in ''The Gentleman's and London Magazine: Or Monthly Chronologer'', titled ''Fate of the Un-Priestly Doctor''. It proports to be an event in the Birmingham Riots of 1791, in which the mob targeted religious dissenters, including Joseph Priestly, who was forced to flee his home.
[Ref: 61106] £95.00 (£114.00 incl.VAT)
[n.d, 1791.]
Engraving. 175 x 110mm (7 x 4½"), large margins on 3 sides.
A scene of a cleric being burnt at the stake in a fire of his books. It was published to accompany a satirical article in ''The Gentleman's and London Magazine: Or Monthly Chronologer'', titled ''Fate of the Un-Priestly Doctor''. It proports to be an event in the Birmingham Riots of 1791, in which the mob targeted religious dissenters, including Joseph Priestly, who was forced to flee his home.
[Ref: 61106] £95.00 (£114.00 incl.VAT)
![[Jack Russell] Excelsior!](jpegs/47813.jpg)
[Jack Russell] Excelsior!
Painted by W.m Strutt. Etched by A.W. Strutt.
London, Published Nov.r 1st 1887 by I.P. Mendoza, St James's Gallery, King St, St James's _ Copyright registered.
Etching. 525 x 345mm (20¾ x 13½"), with very large margins.
One Jack Russell terrier puppy wins the race up three steps. William Strutt (1825-1915), son of William Thomas Strutt, travelled to Australia and tried his hand in the Ballarat gold fields. Failing to make his fortune he returned to painting. He travelled to New Zealand 1855-6, and recorded the preparations of the Burke and Wills exploration expedition in 1860-61. He left Australia in 1862, not wanting to bring his children up in such a godless society. Back in England he turned his sketches into full paintings: in 2015 his ''View of Mt Egmont from New Plymouth, with Maori driving off settlers' cattle'' was purchased by the Museum of New Zealand for NZ$1.5 million, becoming the only significant oil painting from the 1850s or 1860s in their collection. The engraver of this plate, Alfred William Strutt, was his son, born in Taranaki, New Zealand in 1856.
[Ref: 47813] £380.00
Painted by W.m Strutt. Etched by A.W. Strutt.
London, Published Nov.r 1st 1887 by I.P. Mendoza, St James's Gallery, King St, St James's _ Copyright registered.
Etching. 525 x 345mm (20¾ x 13½"), with very large margins.
One Jack Russell terrier puppy wins the race up three steps. William Strutt (1825-1915), son of William Thomas Strutt, travelled to Australia and tried his hand in the Ballarat gold fields. Failing to make his fortune he returned to painting. He travelled to New Zealand 1855-6, and recorded the preparations of the Burke and Wills exploration expedition in 1860-61. He left Australia in 1862, not wanting to bring his children up in such a godless society. Back in England he turned his sketches into full paintings: in 2015 his ''View of Mt Egmont from New Plymouth, with Maori driving off settlers' cattle'' was purchased by the Museum of New Zealand for NZ$1.5 million, becoming the only significant oil painting from the 1850s or 1860s in their collection. The engraver of this plate, Alfred William Strutt, was his son, born in Taranaki, New Zealand in 1856.
[Ref: 47813] £380.00
An Exchequer Clerk, drest as the Act directs.
[by Matthew Darly.]
Pub.d as the Act directs July 22d 1773 by MDarly 39 Strand.
Etching, 170 x 120mm (6¾ x 4¾"), large margins. Imprint weak, stain top left on edge of plate.
A man walking with a large pair of scales over his shoulder and a small pair in his hand, a pair of clippers in his belt. The Act' is evidently the Coin Act, which had made scales necessary for all to whom payments were made in gold. The clippers suggest shading deeds continue.
BM Satires: 5158.
[Ref: 55580] £170.00 (£204.00 incl.VAT)
[by Matthew Darly.]
Pub.d as the Act directs July 22d 1773 by MDarly 39 Strand.
Etching, 170 x 120mm (6¾ x 4¾"), large margins. Imprint weak, stain top left on edge of plate.
A man walking with a large pair of scales over his shoulder and a small pair in his hand, a pair of clippers in his belt. The Act' is evidently the Coin Act, which had made scales necessary for all to whom payments were made in gold. The clippers suggest shading deeds continue.
BM Satires: 5158.
[Ref: 55580] £170.00 (£204.00 incl.VAT)
Dedicated by Permission to The Right Hon.ble Sir Robert Peel Bar.t Chancellor of the Exchequer. The Exchequer Tally. Facsimile from an Original [...]
Published by S.S. Folker, 3 Bridge St. Wesminster [sic], April 1835.
Lithograph with letterpress, scarce, sheet 440 x 550mm (17¼ x 21½"). Creases.
The fire which burnt down the Palace of Westminster in 1834 was caused by the burning of tally sticks which had been used in the accounting procedures of the Exchequer. This print, published the year after the fire, depicts these tallies, now objects 'of considerable interest', with an extensive account of their history and usage.
[Ref: 47406] £380.00
Published by S.S. Folker, 3 Bridge St. Wesminster [sic], April 1835.
Lithograph with letterpress, scarce, sheet 440 x 550mm (17¼ x 21½"). Creases.
The fire which burnt down the Palace of Westminster in 1834 was caused by the burning of tally sticks which had been used in the accounting procedures of the Exchequer. This print, published the year after the fire, depicts these tallies, now objects 'of considerable interest', with an extensive account of their history and usage.
[Ref: 47406] £380.00
![[Excise Bill 1733] A Banner displayed To the Immortal Honour of those Worthy Patriots in the House of Commons who opposed and voted against the Excise Scheme April. 11. 1733.](jpegs/66603.jpg)
[Excise Bill 1733] A Banner displayed To the Immortal Honour of those Worthy Patriots in the House of Commons who opposed and voted against the Excise Scheme April. 11. 1733. Exhibiting Each of their Coast-Armour with their Names and Places they Represent in Parliament.
[London, John Barber?, c.1733.]
Engraving. Sheet 650 x 590mm (25½ x 23¼"). Trimmed within plate at sides, small tears.
A broadside illustrating 205 coats of arms in a panel, plus the larger arms of the City of London and of John Barber, Lord Mayor of London 1732-3. The sheet celebrates the defeat of the 1733 Excise Bill, in which Robert Walpole's Whig government attempted to impose excise taxes on a variety of goods (including wine and tobacco) and give excise officers the right to search private dwellings to look for contraband. Despite being at his most powerful, Robert Walpole realised the bill was not going to pass and withdrew it. His reprisals against the rebels in his party led to a number of defections to the opposition.
Provenance: Sandys Family, Ormersley Court, Worcestershire.
[Ref: 66603] £520.00
[London, John Barber?, c.1733.]
Engraving. Sheet 650 x 590mm (25½ x 23¼"). Trimmed within plate at sides, small tears.
A broadside illustrating 205 coats of arms in a panel, plus the larger arms of the City of London and of John Barber, Lord Mayor of London 1732-3. The sheet celebrates the defeat of the 1733 Excise Bill, in which Robert Walpole's Whig government attempted to impose excise taxes on a variety of goods (including wine and tobacco) and give excise officers the right to search private dwellings to look for contraband. Despite being at his most powerful, Robert Walpole realised the bill was not going to pass and withdrew it. His reprisals against the rebels in his party led to a number of defections to the opposition.
Provenance: Sandys Family, Ormersley Court, Worcestershire.
[Ref: 66603] £520.00
Excise Office, Broad Street.
Rowlandson & Pugin del.t. et sculp.t. Sutherland aqua.t.
London. Pub. Feb 1, 1810 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm. 9¾ x 10½". Slight offset from test.
The Excise Office was responsible for collecting taxes on products including alchohol; tea, coffee and chocolate; malt, hops, starch, candles; and paper, vellum and parchment Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 11451] £130.00 (£156.00 incl.VAT)
Rowlandson & Pugin del.t. et sculp.t. Sutherland aqua.t.
London. Pub. Feb 1, 1810 at R. Ackermann’s Repository of Arts 101, Strand.
Coloured aquatint. 225 x 270mm. 9¾ x 10½". Slight offset from test.
The Excise Office was responsible for collecting taxes on products including alchohol; tea, coffee and chocolate; malt, hops, starch, candles; and paper, vellum and parchment Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 11451] £130.00 (£156.00 incl.VAT)
Executie der Conspirateurs Tegens de Persoon des Konings van Engeland.
P. v d B. in fec. [Pieter van den Berge.]
[n.d., c.1700.]
Rare engraving. Sheet 190 x 280mm (7½ x 11"). Binding folds, repaired tear top left.
A scene of the hanging, drawing and quartering of 'conspirators against the person of the king of England', probably the Monmouth rebels of 1685, against James II. From the offset on the reverse, this is likely to have been published in the 'Europische Mercurius', a Dutch newspaper. After the Glorious Revolution of 1688 any adverse view of James was widely disseminated.
[Ref: 53140] £180.00 (£216.00 incl.VAT)
P. v d B. in fec. [Pieter van den Berge.]
[n.d., c.1700.]
Rare engraving. Sheet 190 x 280mm (7½ x 11"). Binding folds, repaired tear top left.
A scene of the hanging, drawing and quartering of 'conspirators against the person of the king of England', probably the Monmouth rebels of 1685, against James II. From the offset on the reverse, this is likely to have been published in the 'Europische Mercurius', a Dutch newspaper. After the Glorious Revolution of 1688 any adverse view of James was widely disseminated.
[Ref: 53140] £180.00 (£216.00 incl.VAT)
Maniere d'etrangler un coupable aux iles Sandwich.
Arago fec. Lith. de Langlamé.
[Paris, n.d., 1822]
Lithograph. Sheet 271 x 357mm (10¾ x 14"). Some toning around the edges; small stain to lower edge.
The Hawaiian method of execution by strangulation. Published in 'Promenade autour du monde (pendant les annees de 1817, 1818, 1819 et 1820, sur les corvettes du Roi l'Uranie et la Physicienne, commandees par M. Freycinet'. Freycinet's ship the 'Uranie', with a crew of 125 men, entered the Pacific from the West to make scientific observations on geography, magnetism, and meteorology. Arago was the artist of the expedition which visited most notably Australia, the Hawaiian Islands, Tonga, and Tierra del Fuego.
[Ref: 442] £140.00 (£168.00 incl.VAT)
Arago fec. Lith. de Langlamé.
[Paris, n.d., 1822]
Lithograph. Sheet 271 x 357mm (10¾ x 14"). Some toning around the edges; small stain to lower edge.
The Hawaiian method of execution by strangulation. Published in 'Promenade autour du monde (pendant les annees de 1817, 1818, 1819 et 1820, sur les corvettes du Roi l'Uranie et la Physicienne, commandees par M. Freycinet'. Freycinet's ship the 'Uranie', with a crew of 125 men, entered the Pacific from the West to make scientific observations on geography, magnetism, and meteorology. Arago was the artist of the expedition which visited most notably Australia, the Hawaiian Islands, Tonga, and Tierra del Fuego.
[Ref: 442] £140.00 (£168.00 incl.VAT)
Adonisedeck Oham Pharam Iaphia Dabir Regem Quinq Eadem Pugna Pr Ostratis Exercitibus Reges Ipsos Patibulis Suspendi Ivbet Iosue. Iosie Cap:10.
[Harman Jansz Muller.]
[Gerard de Jode.][1585.]
Engraving. Plate: 210 x 250mm (8¼ x 9¾''). Trimmed and laid on album sheet on left. Loss central top.
A biblical scene showing Joshua hanging five kings on five trees. Engraved by Dutch printmaker Harman Jansz Muller (1540-1617).
[Ref: 49726] £120.00 (£144.00 incl.VAT)
[Harman Jansz Muller.]
[Gerard de Jode.][1585.]
Engraving. Plate: 210 x 250mm (8¼ x 9¾''). Trimmed and laid on album sheet on left. Loss central top.
A biblical scene showing Joshua hanging five kings on five trees. Engraved by Dutch printmaker Harman Jansz Muller (1540-1617).
[Ref: 49726] £120.00 (£144.00 incl.VAT)
![[The Little Executioner.]](jpegs/53119.jpg)
[The Little Executioner.]
Rp f. [Engraved by Richard Houston.]
[1755.]
Mezzotint. 130 x 160mm (5¼ x 6¼"). Folded twice as issued, folds taped on verso.
A copy of the first mezzotint to be published in England, which had been engraved by Prince Rupert of the Rhine, who introduced the technique to England when he returned with the Restoration in 1660. Rupert demonstrated the process to associates, including John Evelyn, who persuaded Rupert to contribute this portrait to his history of printmaking, 'Sculpura', in 1662. According to Chaloner Smith this version was engraved for the second edition of 'Sculpura'.
CS: 7.ii Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 53119] £330.00
Rp f. [Engraved by Richard Houston.]
[1755.]
Mezzotint. 130 x 160mm (5¼ x 6¼"). Folded twice as issued, folds taped on verso.
A copy of the first mezzotint to be published in England, which had been engraved by Prince Rupert of the Rhine, who introduced the technique to England when he returned with the Restoration in 1660. Rupert demonstrated the process to associates, including John Evelyn, who persuaded Rupert to contribute this portrait to his history of printmaking, 'Sculpura', in 1662. According to Chaloner Smith this version was engraved for the second edition of 'Sculpura'.
CS: 7.ii Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 53119] £330.00
![[Head of the Executioner]](jpegs/3316.jpg)
[Head of the Executioner]
[Engraved by Richard Houston after Prince Rupert.]
[c.1755.]
Mezzotint. Sheet 130 x 160mm (5¼ x 6¼"). Trimmed to platemark, small hole top centre.
Houston's copy of one of the most celebrated of all mezzotints, Prince Rupert's study of the executioner's head from a painting of the executioner with the head of John the Baptist, attributed to a follower of Ribera, in Munich. With Rupert's monogram mezzotinted top right.
[Ref: 3316] £450.00
[Engraved by Richard Houston after Prince Rupert.]
[c.1755.]
Mezzotint. Sheet 130 x 160mm (5¼ x 6¼"). Trimmed to platemark, small hole top centre.
Houston's copy of one of the most celebrated of all mezzotints, Prince Rupert's study of the executioner's head from a painting of the executioner with the head of John the Baptist, attributed to a follower of Ribera, in Munich. With Rupert's monogram mezzotinted top right.
[Ref: 3316] £450.00
Les Exercices.
J. Mich Daenzel inv et delt.
ches Haid. [n.d. c.1780.]
Stipple with etching, printed in brown ink. Plate 185 x 134mm. 7¼ x 5¼". Mint.
Two children play at soldiers, with a girl inspecting the boy standing to attention.
[Ref: 16187] £110.00 (£132.00 incl.VAT)
J. Mich Daenzel inv et delt.
ches Haid. [n.d. c.1780.]
Stipple with etching, printed in brown ink. Plate 185 x 134mm. 7¼ x 5¼". Mint.
Two children play at soldiers, with a girl inspecting the boy standing to attention.
[Ref: 16187] £110.00 (£132.00 incl.VAT)
View Of Exeter From Exwick Hill. Dedicated by permission to The Right Honble. The Earl of Devon by His obliged and obedient Servant J. Aldolph Kiste.
J. Adolphe Kiste Pinxt. _T. S. Boys lith.
Day & Haghe, Lith.rs to the Queen. [n.d. c.1850.]
Lithograph. Image 675 x 475mm.
[Ref: 3585] £800.00
J. Adolphe Kiste Pinxt. _T. S. Boys lith.
Day & Haghe, Lith.rs to the Queen. [n.d. c.1850.]
Lithograph. Image 675 x 475mm.
[Ref: 3585] £800.00
Views of Exeter.
Published by Rock & Co. London. [c.1865.]
Attractive souvenir booklet of six steel engraved views, oblong 12mo, stitched into original printed card wrappers; embossed upper cover. Binding scuffed and rubbed, upper cover with large chip.
No text save captions; all plates numbered and dated.
[Ref: 18573] £60.00 view all images for this item
Published by Rock & Co. London. [c.1865.]
Attractive souvenir booklet of six steel engraved views, oblong 12mo, stitched into original printed card wrappers; embossed upper cover. Binding scuffed and rubbed, upper cover with large chip.
No text save captions; all plates numbered and dated.
[Ref: 18573] £60.00 view all images for this item
The Duke of B_d's Reception at Exeter.
Murgo-resky Fuergrock inv. delin sc.
[1769.]
Engraving. Plate: 120 x 180mm (4¾ x 7''). Damage along lower edge.
A satirical scene showing the Duke of Bedford passing the doors of Exeter Cathedral followed by a shouting mob of inhabitants of the city. Some of crowd seem to be holding cricket bats.
BM Satire 4302.
[Ref: 50374] £120.00 (£144.00 incl.VAT)
Murgo-resky Fuergrock inv. delin sc.
[1769.]
Engraving. Plate: 120 x 180mm (4¾ x 7''). Damage along lower edge.
A satirical scene showing the Duke of Bedford passing the doors of Exeter Cathedral followed by a shouting mob of inhabitants of the city. Some of crowd seem to be holding cricket bats.
BM Satire 4302.
[Ref: 50374] £120.00 (£144.00 incl.VAT)
Exeter, from the Haven Banks.
Drawn from Nature by C.F. Williams [...] On Stone by W. Gauci
Lithograph and tintstone, printed area 210 x 305mm (8¼ x 12"), with very large margins. Tears to margins.
View of Exeter from Haven Banks, on the banks of the river Exe. Exeter cathedral is clearly visible in the distance. William Gauci, Maltese artist.
[Ref: 47299] £140.00 (£168.00 incl.VAT)
Drawn from Nature by C.F. Williams [...] On Stone by W. Gauci
Lithograph and tintstone, printed area 210 x 305mm (8¼ x 12"), with very large margins. Tears to margins.
View of Exeter from Haven Banks, on the banks of the river Exe. Exeter cathedral is clearly visible in the distance. William Gauci, Maltese artist.
[Ref: 47299] £140.00 (£168.00 incl.VAT)
Exonia. Excester.
[after John Hooker.]
[Leiden: Pieter van der Aa, c.1717.]
Engraved map. 125 x 130mm (5 x 5¼"), with very large margins. Old ink mss and spotting in margins.
The first town plan of Exeter, drawn by John Hooker in 1587 and often copied, including by John Speed and Braun & Hogenberg. This version, published in the 'Delices de Grande Btetagne', is derived from a version by Rutger Hermannides published in Amsterdam in 1661.
[Ref: 51569] £70.00
[after John Hooker.]
[Leiden: Pieter van der Aa, c.1717.]
Engraved map. 125 x 130mm (5 x 5¼"), with very large margins. Old ink mss and spotting in margins.
The first town plan of Exeter, drawn by John Hooker in 1587 and often copied, including by John Speed and Braun & Hogenberg. This version, published in the 'Delices de Grande Btetagne', is derived from a version by Rutger Hermannides published in Amsterdam in 1661.
[Ref: 51569] £70.00
![[Exeter Cathedral, West Front.]](jpegs/11898.jpg)
[Exeter Cathedral, West Front.]
Hanslip Fletcher [pencil signature.]
[n.d., c.1920.]
Aquatint, signed by the artist, authenticity blind stamps bottom left. 290 x 340mm, 11½ x 13½".
Hanslip Fletcher (1874-1955). Painter in water-colour and etcher of architectural subjects. He published 'Changing London' in 1933.
[Ref: 11898] £95.00 (£114.00 incl.VAT)
Hanslip Fletcher [pencil signature.]
[n.d., c.1920.]
Aquatint, signed by the artist, authenticity blind stamps bottom left. 290 x 340mm, 11½ x 13½".
Hanslip Fletcher (1874-1955). Painter in water-colour and etcher of architectural subjects. He published 'Changing London' in 1933.
[Ref: 11898] £95.00 (£114.00 incl.VAT)
Hall of Exeter College.
J. Bluck del.t. A. Pugin sculp.
London Pub.d March 1st 1814 at 101 Strand for R. Ackermann's History of Oxford.
Coloured aquatint, 1812 watermark. 250 x 300mm (9¾ x 11¾"). Trimmed slightly into the plate on the lower right. Tiny tear upper left margin.
Interior view of the Hall of Exeter College.
[Ref: 62954] £130.00 (£156.00 incl.VAT)
J. Bluck del.t. A. Pugin sculp.
London Pub.d March 1st 1814 at 101 Strand for R. Ackermann's History of Oxford.
Coloured aquatint, 1812 watermark. 250 x 300mm (9¾ x 11¾"). Trimmed slightly into the plate on the lower right. Tiny tear upper left margin.
Interior view of the Hall of Exeter College.
[Ref: 62954] £130.00 (£156.00 incl.VAT)
Exeter Election, 1868.
['GP' artist's monogram in most images.]
The Devon And Somerset Steam Printing Company (Limited), 3, Waterbeer St., Exeter [1868].
Seven lithographic broadsides with letterpress, some numbered, , sheets c.550 x 435mm. Extremities tatty, with some tears into image, foxing.
Satirical takes on the issues surrounding the 1868 general election for the City of Exeter, Devon. They are presented in the form of scenes from famous Shakespeare plays adapted to incorporate political figures and campaigning issues of the day. All are from a locally-published 'Shakspere Illustrated' series. The Liberals John Coleridge and Edgar Alfred Bowring were returned for Exeter that year, as part of the general success of the Liberal Party led by William Gladstone, which increased its large majority over Benjamin Disraeli's Conservatives. The 1868 general election was the first after passage of the Reform Act of 1867, which enfranchised many male householders, thus greatly increasing the size of the electorate. It was the first election held in the United Kingdom in which more than a million votes were cast; nearly triple the number of votes were cast compared to the previous election. The Illustrated London News for its November 28th 1868 edition carried 'The General Election: The Nomination at Exeter, For the City'. Some sheets from this series missing.
[Ref: 7754] £490.00
['GP' artist's monogram in most images.]
The Devon And Somerset Steam Printing Company (Limited), 3, Waterbeer St., Exeter [1868].
Seven lithographic broadsides with letterpress, some numbered, , sheets c.550 x 435mm. Extremities tatty, with some tears into image, foxing.
Satirical takes on the issues surrounding the 1868 general election for the City of Exeter, Devon. They are presented in the form of scenes from famous Shakespeare plays adapted to incorporate political figures and campaigning issues of the day. All are from a locally-published 'Shakspere Illustrated' series. The Liberals John Coleridge and Edgar Alfred Bowring were returned for Exeter that year, as part of the general success of the Liberal Party led by William Gladstone, which increased its large majority over Benjamin Disraeli's Conservatives. The 1868 general election was the first after passage of the Reform Act of 1867, which enfranchised many male householders, thus greatly increasing the size of the electorate. It was the first election held in the United Kingdom in which more than a million votes were cast; nearly triple the number of votes were cast compared to the previous election. The Illustrated London News for its November 28th 1868 edition carried 'The General Election: The Nomination at Exeter, For the City'. Some sheets from this series missing.
[Ref: 7754] £490.00
Leggatt, Hayward and Leggatt's New City Gallery, Principal Entrance, 22, Cornhill, Opposite the Royal Exchange. London.
[n.d., c.1840.]
Aquatint advertising card. 105 x 140mm, 4¼ x 5½".
A view of the interior of a leading Vivtorian picture dealer's establishment. At various times Leggatt, Hayward and Leggatt exhibited paintings by Landseer, Cooper, Eastlake and Ward, as well as W. P. Frith's famous picture 'The Derby Day'.
[Ref: 9216] £120.00 (£144.00 incl.VAT)
[n.d., c.1840.]
Aquatint advertising card. 105 x 140mm, 4¼ x 5½".
A view of the interior of a leading Vivtorian picture dealer's establishment. At various times Leggatt, Hayward and Leggatt exhibited paintings by Landseer, Cooper, Eastlake and Ward, as well as W. P. Frith's famous picture 'The Derby Day'.
[Ref: 9216] £120.00 (£144.00 incl.VAT)
''We have the exhibition to examine"
[William Heath.]
Pub. by T. McLean 26 Haymarket London.
Hand-coloured etching. Sheet 255 x 355mm (10 x 14''). Cut to borders. Some repaired nicks to edges.
A scene in an exhibition salon in which specatators struggle to see the paintings through the large crowd and enormous hats. One disgruntled man wipes his head in exasperation after his daughter tries to disuade him from leaving.
[Ref: 56453] £320.00
[William Heath.]
Pub. by T. McLean 26 Haymarket London.
Hand-coloured etching. Sheet 255 x 355mm (10 x 14''). Cut to borders. Some repaired nicks to edges.
A scene in an exhibition salon in which specatators struggle to see the paintings through the large crowd and enormous hats. One disgruntled man wipes his head in exasperation after his daughter tries to disuade him from leaving.
[Ref: 56453] £320.00
![[Keyplate for two paintings responding to the French Revolution]](jpegs/41531.jpg)
[Keyplate for two paintings responding to the French Revolution] Exhibition, 97, Pall-Mall, (late the Star & Garter Tavern). (No. 1.) In this Picture, Robespierre, with his infurate Gang, takes Possession of the Infernal Regions [...]
J. Barfield, Printer, Wardour-Street, Soho [c.1800]
Etching and letterpress, sheet 400 x 275mm (15¾ x 10¾"). Damage to edges; small holes.
Keyplate for two paintings of revolutionary subjects, to accompany an exhibition in London. The first painting is almost certainly 'Triumph of the Guillotine' by Nicolas-Antoine Taunay (1795?), now in the State Hermitage Museum, St Petersburg. The second, showing the family of Louis XVI and other victims of the Terror in Elysium, has not been identified.
[Ref: 41531] £230.00 (£276.00 incl.VAT)
J. Barfield, Printer, Wardour-Street, Soho [c.1800]
Etching and letterpress, sheet 400 x 275mm (15¾ x 10¾"). Damage to edges; small holes.
Keyplate for two paintings of revolutionary subjects, to accompany an exhibition in London. The first painting is almost certainly 'Triumph of the Guillotine' by Nicolas-Antoine Taunay (1795?), now in the State Hermitage Museum, St Petersburg. The second, showing the family of Louis XVI and other victims of the Terror in Elysium, has not been identified.
[Ref: 41531] £230.00 (£276.00 incl.VAT)
Exhibition Room, Somerset House. Plate 2.
Rowlandson & Pugin del.t et sculp.t. Hill Aquatin.
London Pub, 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Fine hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
Interior view of the exhibition room at Somerset House, London. An extremely crowded exhibition with paintings from floor to ceiling and a large number of viewers. The Royal Academy was founded in 1768 with the backing of George III and twelve years later moved into the newly completed Strand block of Somerset House. Here the Academy held its annual exhibitions until 1836. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62783] £240.00 (£288.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. Hill Aquatin.
London Pub, 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Fine hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
Interior view of the exhibition room at Somerset House, London. An extremely crowded exhibition with paintings from floor to ceiling and a large number of viewers. The Royal Academy was founded in 1768 with the backing of George III and twelve years later moved into the newly completed Strand block of Somerset House. Here the Academy held its annual exhibitions until 1836. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62783] £240.00 (£288.00 incl.VAT)
Exhibition Room, Somerset House. Plate 2.
Rowlandson & Pugin del.t et sculp.t. Hill Aquatin.
London Pub, 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Fine hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼"). Paper toned.
Interior view of the exhibition room at Somerset House, London. An extremely crowded exhibition with paintings from floor to ceiling and a large number of viewers. The Royal Academy was founded in 1768 with the backing of George III and twelve years later moved into the newly completed Strand block of Somerset House. Here the Academy held its annual exhibitions until 1836. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61928] £180.00 (£216.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. Hill Aquatin.
London Pub, 1. Jan.y 1808, at R. Ackermann's Repository of Arts on the Strand.
Fine hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼"). Paper toned.
Interior view of the exhibition room at Somerset House, London. An extremely crowded exhibition with paintings from floor to ceiling and a large number of viewers. The Royal Academy was founded in 1768 with the backing of George III and twelve years later moved into the newly completed Strand block of Somerset House. Here the Academy held its annual exhibitions until 1836. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61928] £180.00 (£216.00 incl.VAT)
Horse Armoury, Tower. Plate 101.
Rowlandson & Pugin del.t et sculp.t. Sunderland aqua.t.
London Pub, Nov.r 1.st 1809, at R. Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
Interior view of the Horse Armoury at the Tower of London. Cavalry in full armour lined up against back wall for inspection; helmets and other pieces of armour hanging from walls and ceiling Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61930] £160.00 (£192.00 incl.VAT)
Rowlandson & Pugin del.t et sculp.t. Sunderland aqua.t.
London Pub, Nov.r 1.st 1809, at R. Ackermann's Repository of Arts 101 Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
Interior view of the Horse Armoury at the Tower of London. Cavalry in full armour lined up against back wall for inspection; helmets and other pieces of armour hanging from walls and ceiling Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 61930] £160.00 (£192.00 incl.VAT)
![[Toy Theatre - The Exile] Yermach.](jpegs/66430.jpg)
[Toy Theatre - The Exile] Yermach.
[London: William West, c.1822.]
Fine etching with fine hand colour, trimmed around figure, augmented with metal beads. At most 110 x 60mm (4¼ x 2¼"). Laid on album paper watermarked 1824.
A toy theatre figure for a character in ''The Exile; or, the Deserts of Siberia'', an operatic play by Frederick Reynolds.
See BM 1886,0513.489-492.
[Ref: 66430] £140.00 (£168.00 incl.VAT)
[London: William West, c.1822.]
Fine etching with fine hand colour, trimmed around figure, augmented with metal beads. At most 110 x 60mm (4¼ x 2¼"). Laid on album paper watermarked 1824.
A toy theatre figure for a character in ''The Exile; or, the Deserts of Siberia'', an operatic play by Frederick Reynolds.
See BM 1886,0513.489-492.
[Ref: 66430] £140.00 (£168.00 incl.VAT)
Départ de Fontainbleau.
V. Adam del. Lith: de C. Motte.
[n.d. c.1826.]
Lithograph. Printed area 290 x 340mm (11½ x 13½"), with very large margins.
Having abdicated, Napoleon is given a tearful send-off by his guard as he leaves the Palace of Fontainbleau for exile on Elba. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 55875] £190.00 (£228.00 incl.VAT)
V. Adam del. Lith: de C. Motte.
[n.d. c.1826.]
Lithograph. Printed area 290 x 340mm (11½ x 13½"), with very large margins.
Having abdicated, Napoleon is given a tearful send-off by his guard as he leaves the Palace of Fontainbleau for exile on Elba. Published in A.V. Arnault's 'Vie politique et militaire de Napoléon', Paris, 1822-1826.
[Ref: 55875] £190.00 (£228.00 incl.VAT)
With the "394 Siege Battery." R. G. A. In the Great War: 1914-1919. By the days we spent together We are kin as ne'er before. Italy- Camouflaged Road. [/] Arab Horseman. [/] Bagdad. [/] Mesopotamia [/] Jerusalem From Outside the Walls. [/] Crusader. [/] Mount of Olives From The Temple. [/] Jaffa Gate. [/] Mosque of Omar. [/] Church Of The Holy Sepulchre.
J.R.G.Exley.f. [signature in pencil.].
[n.d., c.1919].
Etching, with large margins, scarce. Plate: 240 x 325mm (9½ x 12½"). Creasing in corners.
Item commemorating the exploits of the 394th Seige Battery R.G.A in the First World War. Image divided into ten separate sections depicting locations in which battles were fought, or troops were stationed in the fight against the Ottoman Empire.
[Ref: 33608] £270.00 (£324.00 incl.VAT)
J.R.G.Exley.f. [signature in pencil.].
[n.d., c.1919].
Etching, with large margins, scarce. Plate: 240 x 325mm (9½ x 12½"). Creasing in corners.
Item commemorating the exploits of the 394th Seige Battery R.G.A in the First World War. Image divided into ten separate sections depicting locations in which battles were fought, or troops were stationed in the fight against the Ottoman Empire.
[Ref: 33608] £270.00 (£324.00 incl.VAT)
![Beacon - Exmouth [in ink outside the image.]](jpegs/16324.jpg)
Beacon - Exmouth [in ink outside the image.]
[n.d. c.1820.]
Watercolour and ink. 80 x 215mm. 3¼ x 8½".
A view looking towards "The Beacon", which is geologically formed of breccias. It is where the centre of the present town sits.
[Ref: 16324] £120.00 (£144.00 incl.VAT)
[n.d. c.1820.]
Watercolour and ink. 80 x 215mm. 3¼ x 8½".
A view looking towards "The Beacon", which is geologically formed of breccias. It is where the centre of the present town sits.
[Ref: 16324] £120.00 (£144.00 incl.VAT)
![Beacon Taken from Lympstone. [in ink outside the image.]](jpegs/16325.jpg)
Beacon Taken from Lympstone. [in ink outside the image.]
[n.d. c.1820.]
Watercolour and ink. 70 x 222mm. 2¾ x 8¾".
A view from Lympstone, the village that sits due north of Exmouth along the estuary of the River Exe. The view looks south towards 'The Beacon', Exmouth.
[Ref: 16325] £120.00 (£144.00 incl.VAT)
[n.d. c.1820.]
Watercolour and ink. 70 x 222mm. 2¾ x 8¾".
A view from Lympstone, the village that sits due north of Exmouth along the estuary of the River Exe. The view looks south towards 'The Beacon', Exmouth.
[Ref: 16325] £120.00 (£144.00 incl.VAT)
![[Tailpiece to the Catalogue of Pictures exhibited in Spring Gardens, May 1761]](jpegs/33701.jpg)
[Tailpiece to the Catalogue of Pictures exhibited in Spring Gardens, May 1761]
W. Hogarth inv.t et del. C. Grignion sculp.
Publish'd according to Act of Parliament May 7. 1761
Engraving, sheet 145 x 140mm (5¾ x 5½"). Trimmed inside platemark; slight staining.
Satire on connoisseurs. Tailpiece to an exhibition held by the 'Society of Artists' at Spring Gardens, Charing Cross, in 1761. This exhibition was organised as artists, including Hogarth, withdrew from exhibiting at a space lent by the Society for the Encouragement of Arts, Manufacture and Commerce on the Strand. Hogarth designed the frontispiece and tailpiece for the catalogue, which together predict increased royal patronage of the arts and the end patronage from connoisseurs. Royal patronage is represented as a plentiful reservoir in the frontispiece, while in this tailpiece a connoisseur dressed as a monkey, holding a magnifying glass, waters three withered and sapless sticks (all labelled with their dates of death, centuries ago) to show the poverty of patronage from connoisseurs. The labelling of the dead trees as 'exoticks' only emphasises the disillusionment of those connoisseurs.
Paulson 237 i/ii; BM Satires 3809
[Ref: 33701] £330.00
W. Hogarth inv.t et del. C. Grignion sculp.
Publish'd according to Act of Parliament May 7. 1761
Engraving, sheet 145 x 140mm (5¾ x 5½"). Trimmed inside platemark; slight staining.
Satire on connoisseurs. Tailpiece to an exhibition held by the 'Society of Artists' at Spring Gardens, Charing Cross, in 1761. This exhibition was organised as artists, including Hogarth, withdrew from exhibiting at a space lent by the Society for the Encouragement of Arts, Manufacture and Commerce on the Strand. Hogarth designed the frontispiece and tailpiece for the catalogue, which together predict increased royal patronage of the arts and the end patronage from connoisseurs. Royal patronage is represented as a plentiful reservoir in the frontispiece, while in this tailpiece a connoisseur dressed as a monkey, holding a magnifying glass, waters three withered and sapless sticks (all labelled with their dates of death, centuries ago) to show the poverty of patronage from connoisseurs. The labelling of the dead trees as 'exoticks' only emphasises the disillusionment of those connoisseurs.
Paulson 237 i/ii; BM Satires 3809
[Ref: 33701] £330.00
Expectation, or The well-educated Favorite.
Taylor, Holborn, excudit. [n.d. c.1820.]
Stipple. Plate 178 x 114mm. 7 x 4½".
A small spaniel sitting up on his hind legs next to a boy and girl.
[Ref: 22616] £70.00 (£84.00 incl.VAT)
Taylor, Holborn, excudit. [n.d. c.1820.]
Stipple. Plate 178 x 114mm. 7 x 4½".
A small spaniel sitting up on his hind legs next to a boy and girl.
[Ref: 22616] £70.00 (£84.00 incl.VAT)
Expectation. To bosom heaving & to Eyes that weep. / While lovers linger in a distant clime. / Fear multiplies the dangers of the deep / And expectation loads the wing of time. EW.
Designd by H.W. Bunbury Esq.r Engraved by J.R. Smith.
London Publishd Jan.r 1.1784 by J.R. Smith No.83 Oxford Street.
Stipple, printed in brown. 400 x 3602mm (15¾ x 14¼") very large margins. Some creasing in margins.
An oval scene of two young women sitting side by side at the edge of a grassy cliff overlooking the sea, worrying about their sailor beaus.
D'Oench: 232. Frankau: 132.
[Ref: 60767] £320.00
Designd by H.W. Bunbury Esq.r Engraved by J.R. Smith.
London Publishd Jan.r 1.1784 by J.R. Smith No.83 Oxford Street.
Stipple, printed in brown. 400 x 3602mm (15¾ x 14¼") very large margins. Some creasing in margins.
An oval scene of two young women sitting side by side at the edge of a grassy cliff overlooking the sea, worrying about their sailor beaus.
D'Oench: 232. Frankau: 132.
[Ref: 60767] £320.00
The Experienc'd Angler, or Angling Improved.
Vaughn sculp.
Sold by Rich. Marriott in St Dunstan's Church yard [engraved 1662 but later].
Engraving. 140 x 95mm (5½ x 3¾"), with large margins. Laid on backing sheet.
A reprint of a plate engraved as the frontispiece to a book by Robert Venables, depicting rods, hanging fish, a basket, lures and bait.
[Ref: 56369] £65.00 (£78.00 incl.VAT)
Vaughn sculp.
Sold by Rich. Marriott in St Dunstan's Church yard [engraved 1662 but later].
Engraving. 140 x 95mm (5½ x 3¾"), with large margins. Laid on backing sheet.
A reprint of a plate engraved as the frontispiece to a book by Robert Venables, depicting rods, hanging fish, a basket, lures and bait.
[Ref: 56369] £65.00 (£78.00 incl.VAT)
The First Lecture in Experimental Philosophy.
Engrav'd for the Universal Magazine for J. Hinton at the King's Arms in St Paul's Church Yard London 1748.
Engraving. 205 x 235mm. (8 x 9¼"). Folds as normal. Large margins on 3 sides. Damaged.
A chemistry demonstration before an audience of aristrocrats.
[Ref: 45343] £120.00 (£144.00 incl.VAT)
Engrav'd for the Universal Magazine for J. Hinton at the King's Arms in St Paul's Church Yard London 1748.
Engraving. 205 x 235mm. (8 x 9¼"). Folds as normal. Large margins on 3 sides. Damaged.
A chemistry demonstration before an audience of aristrocrats.
[Ref: 45343] £120.00 (£144.00 incl.VAT)
The Experimental Squadron. Dedicated by Permission to, and and the especial patronage of Her Most Gracious Majesty, The Queen [...] A Series of Drawings, on stone by L. Haghe, Esq., Lithographer to the Queen, from paintings by J.M. Gilbert, Esq., of Lymington, Marine Painter to the Royal Southern Yacht Club, Illustrative of Her Majesty's Visit to Spithead, July 15th, 1845, at the Departure of the Experimental Squadron [...]
Lymington: Published and Sold by R.A. Grove [...] M.DCCC.XLVI [1846.]
Subscribers copy. Large oblong folio, printed wrappers with list of subscribers, tinted lithographic title and three numbered plates, as called for and three sheets of text. Disbound, wrappers with some repairs, one plate with a repaired tear entering image, repaired tears in margins of the plates, text chipped and worn.
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 51343] £950.00 view all images for this item
Lymington: Published and Sold by R.A. Grove [...] M.DCCC.XLVI [1846.]
Subscribers copy. Large oblong folio, printed wrappers with list of subscribers, tinted lithographic title and three numbered plates, as called for and three sheets of text. Disbound, wrappers with some repairs, one plate with a repaired tear entering image, repaired tears in margins of the plates, text chipped and worn.
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 51343] £950.00 view all images for this item
No.3. The Experimental Squadron. Departure from Spithead, July 15.th 1845.
Painted by J.M. Gilbert _ L. Haghe Lith. Day & Haghe Lith.rs to the Queen.
Published under the especial patronage of the Queen by R.A. Grove, Lymington Hants 1846.
Lithograph. 381 x 552mm (15 x 21¾").
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 25060] £280.00 (£336.00 incl.VAT)
Painted by J.M. Gilbert _ L. Haghe Lith. Day & Haghe Lith.rs to the Queen.
Published under the especial patronage of the Queen by R.A. Grove, Lymington Hants 1846.
Lithograph. 381 x 552mm (15 x 21¾").
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 25060] £280.00 (£336.00 incl.VAT)
No.2. The Experimental Squadron. Getting under-weigh, at Spithead, July 15th. 1845.
Painted by J.M. Gilbert _ L. Haghe. Day & Haghe Lith.rs to the Queen.
Published under the especial patronage of the Queen by R.A. Grove, Lymington Hants 1846.
Lithograph. 375 x 558mm (14¾ x 22").
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 25059] £280.00 (£336.00 incl.VAT)
Painted by J.M. Gilbert _ L. Haghe. Day & Haghe Lith.rs to the Queen.
Published under the especial patronage of the Queen by R.A. Grove, Lymington Hants 1846.
Lithograph. 375 x 558mm (14¾ x 22").
The Experimental Squadrons were groups of ships sent out between 1831 & 1845 to test innovations in ship design. This squadron of 1845 travelled from Spithead to Cork and then Plymouth.
[Ref: 25059] £280.00 (£336.00 incl.VAT)
Experiments on the Solidity of Bodies.
Engraved for the Universal Magazine.
[May, 1751.]
Engraving with two double-sides of letterpress text. 205 x 127mm (8 x 5").
A collection of various testing apparatus, with accompanying text entitled "A Lecture on the Solidity of Bodies".
[Ref: 28641] £60.00 (£72.00 incl.VAT)
Engraved for the Universal Magazine.
[May, 1751.]
Engraving with two double-sides of letterpress text. 205 x 127mm (8 x 5").
A collection of various testing apparatus, with accompanying text entitled "A Lecture on the Solidity of Bodies".
[Ref: 28641] £60.00 (£72.00 incl.VAT)
Express of Southampton. F.W. Paul R.N. Commander. The steamer which conveyed King Louis Philippe and Queen Marie Amelie from the port of Havre to Newhaven on the 2nd of March 1848 during the French revolution.
E. Haumont havre 1850.
Lithograph. Sheet: 245 x 315mm (9¾ x 12½'').
A view of a steam ship.
[Ref: 48571] £290.00 (£348.00 incl.VAT)
E. Haumont havre 1850.
Lithograph. Sheet: 245 x 315mm (9¾ x 12½'').
A view of a steam ship.
[Ref: 48571] £290.00 (£348.00 incl.VAT)
Acute Pain. No. 10. The curious observer of the Passion, has only to get a careless Servant to pour some hot water on his foor, in a case of the Gout, & he will soon know the nature of Acute Pain.
Woodward Del. Etched by Rowlandson.
London Pub: 21 Jan. 1800 at R. Ackermann's Repository of the Arts, 101 Strand.
Hand-coloured etching. Sheet: 300 x 240mm (11¾ x 9½"). Binding holes in left edge. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Acute Pain is portrayed by a man who suffers with gout crying out because his servant has poured tea on his foot. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46596] £160.00 (£192.00 incl.VAT)
Woodward Del. Etched by Rowlandson.
London Pub: 21 Jan. 1800 at R. Ackermann's Repository of the Arts, 101 Strand.
Hand-coloured etching. Sheet: 300 x 240mm (11¾ x 9½"). Binding holes in left edge. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Acute Pain is portrayed by a man who suffers with gout crying out because his servant has poured tea on his foot. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46596] £160.00 (£192.00 incl.VAT)
Admiration. No.3. Various are the ways this Passion might be depicted in this Delineation the subjects chosen are simple_a Hungry Boy_and a Plumb Pudding.
Woodward Del. Etched by Rowlandson.
London Pub.d Jan.y 20. 1800 at R. Ackermann's Repository of the Arts 101 Strand.
Hand-coloured etching. Sheet: 290 x 235mm (11½ x 9¼"). Hole in left edge, some paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. This scene portraying admiratation shows a hungry young man staring through a window at a large plum pudding. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46593] £180.00 (£216.00 incl.VAT)
Woodward Del. Etched by Rowlandson.
London Pub.d Jan.y 20. 1800 at R. Ackermann's Repository of the Arts 101 Strand.
Hand-coloured etching. Sheet: 290 x 235mm (11½ x 9¼"). Hole in left edge, some paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. This scene portraying admiratation shows a hungry young man staring through a window at a large plum pudding. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46593] £180.00 (£216.00 incl.VAT)
Simple Bodily Pain. No.11. A termagent Wife- a hen-peck'd Husband & a Cudgel are three principal ingredients for bringing forward the Passion of Simple Bodily Pain, as many an unfortunate sufferer can witness.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. The emotion of 'Simple Bodily Pain' is shown by an angry woman attacking her husband. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46597] £130.00 (£156.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. The emotion of 'Simple Bodily Pain' is shown by an angry woman attacking her husband. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46597] £130.00 (£156.00 incl.VAT)
Compassion. No. 14. He whose misfortunes can draw two-pence from the purse of a Miser, is certainly an object of Compassion, & the most capable of giving that passion its full force.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Compassion is portrayed in a scene in which a miser gives a penny to a beggar. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46600] £140.00 (£168.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Compassion is portrayed in a scene in which a miser gives a penny to a beggar. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46600] £140.00 (£168.00 incl.VAT)
Hatred or Jealousy. No. 19. Mons le Brun in his delineation of the Passions, makes a Man jealous, without assigning a cause why or wherefore_If the connoisseurs will give himself the trouble to look behind the curtain in the above sketch, he will find sufficient reason for the excitement of the Passion.
[Woodward. Rowlandson.]
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin, creasing and paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Hatred is portrayed by the response of a husband walking in on his wife with another man. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46604] £180.00 (£216.00 incl.VAT)
[Woodward. Rowlandson.]
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin, creasing and paper tone. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Hatred is portrayed by the response of a husband walking in on his wife with another man. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46604] £180.00 (£216.00 incl.VAT)
Horror. No.16. It is impossible to account for Antipithies in this instance Horror is excited by the appearance of a harmless Mouse.
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Horror is portrayed by a woman scared of a mouse carried by a young boy. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46601] £140.00 (£168.00 incl.VAT)
Woodward Del. Etchd by Rowlandson.
London Pub. 21. Jan 1800 at R. Ackermann's Repository of Arts, 101 Strand.
Hand-coloured etching. Watermark: Russell Co. 1799. Plate: 270 x 220mm (10½ x 8½"). Binding holes in left margin. Trimmed to plate.
A comic scene satirising the artist Charles le Brun's 'Expressions des passions de l'Ame' which portray faces expressing various emotions. Horror is portrayed by a woman scared of a mouse carried by a young boy. From the series 'Le Brun Travested or Caricatures of the Passion'.
BM Satire 9628-9632.
[Ref: 46601] £140.00 (£168.00 incl.VAT)