Grosvenor Prints

[Edward VII.]
Waltney sc. & del.
[n.d., c.1905.]
Etching. Plate: 300 x 205mm (11¾ x 8''). Creasing on right edge.
A three-quater length portrait of Edward VII (1841-1910), son of Queen Victoria and Prince Albert who was king from 1901.
[Ref: 48610] £130.00 (£156.00 incl.VAT)

The Royal Infants. (Prince of Wales, Albert Edward and the Princess Royal, Victoria,) Royal Album. No.
[Alf.d Carlile, Lithog.r London.]
[n.d. c.1845.]
Lithograph with explanatory text. 269 x 215mm. 10½ x 8½". Some toning around the edges.
Portraits of the infant Prince of Wales, Albert Edward and the Princess Royal, Victoria, from a sketch by the Queen. Text: "the beautiful facsimile of a Pencilling from the hand of Her Most Gracious Majesty, presented with this number of the Royal Album, is given to the public through the kindness of a noble lady holding an appointment immediately connected witht he person of the Queen".
[Ref: 21531] £60.00 (£72.00 incl.VAT)

His Majesty, King Edward VII
[Dessines Specialement par Noel Dorville.] [G. Gounouilhou.]
G. Gounouilhou, Imprimeur-Editeur Paris-Bordeaux 1909
Lithograph. 430 x 290mm.
[From 'Les Pomoteurs De L'Entente Cordiale. Album Comprenant Cinquante portraits Dessines Specialement par Noel Dorville] Edward VII, born November 9, 1841, was the eldest son of Queen Victoria. He took the family name of his father, Prince Consort Albert, hence the change in lineage, although he was still Hanoverian on his mother's side. He married Princess Alexandra of Denmark in 1863, who bore him three sons and three daughters. Edward died on May 6, 1910, after a series of heart attacks.
[Ref: 1868] £160.00 (£192.00 incl.VAT)

Expostion Universelle De 1878. S.A.R. Le Prince Des Galles. President de la Commission Royale pour la Grande Bretagne.
Ch. Waltner, del et sc.
L'Art. Imp. A. Salmon.
Etching on india laid paper, 295 x 210mm. 11½ x 8¼".
Albert Edward, Prince of Wales and the future Edward VII (1841 - 1910), King from 22 January 1901 until his death on 6 May 1910. The third Paris World's Fair, called the Exposition Universelle, was held from May 1 though to November 10, 1878. It celebrated the recovery of France after the 1870 Franco-Prussian War. This exposition was on a far larger scale than any previously held anywhere in the world. It covered over 66 acres (267,000 m²); the main building in the Champ de Mars occupying 54 acres (219,000 m²). The United Kingdom, British India, Canada, Victoria, New South Wales, Queensland, South Australia, Cape Colony and other British crown colonies occupied nearly one-third of the space set aside for nations outside France. The UK display was under the control of a royal commission, the Prince of Wales here represented as president, no doubt one of a series of portraits of emissaries from different nations commissioned for the exposition. By Charles Waltner (1846 - 1925), a leading French reproductive etcher who had prints published under the auspices of the Printsellers' Association, London.
[Ref: 11995] £75.00 (£90.00 incl.VAT)

[Edward VII] His Royal Highness Albert Edward Prince of Wales, &c, &c, &c. Dedicated by Gracious Permission to Her Majesty.
Lake Price, Photo'd from the Life at Windsor Castle. R.J. Lane, A.E.R.A. & J.H. Lynch, Lith. M & N Hanhart, Imp.t.
London, Published July 10th 1858, by J. Mitchell, Bookseller & Publisher to the Queen and by special appointment to the Emperor Napoleon III, Royal Library, 83, Old Bond St.
Chine collé lithograph. 520 x 350mm (20½ x 13¾"). Foxing in title.
Albert Edward (1841-1910, son of Victoria and Albert, later Edward VII) in highland dress, with gun and dead game, based on a photograph taken at Windsor Castle. After `William Frederick Lake Price (1810-96), painter and photographer.
[Ref: 53896] £260.00 (£312.00 incl.VAT)

[His Majesty the King]
Spy [Sir Leslie Ward]. Vincent Brooks, Day & Son, Lith.
[Vanity Fair 19th June 1902]
Chromolithograph proof, with text, sheet 400 x 270mm (15¾ x 10½"), large margins.
Full length caricature portrait of King Edward VII (1841-1910) in formal military dress.
[Ref: 63672] £70.00 (£84.00 incl.VAT)

[Edward VII] The heir Apparent.
The Whitehall Review. January 5.th 1878.
Tinted lithograph. Sheet 365 x 245mm (14½ x 9¾").
Albert Edward (1841-1910), Prince of Wales, then Edward VII after the death of Victoria in 1901, leaning, top hat in hand.
[Ref: 61395] £80.00 (£96.00 incl.VAT)

[Edward VII] His Royal Highness Albert Prince of Wales, Born Nov.r 9th 1841.
George Hayter. R.J. Lane. G. Graf
London Published by Her Majesty's Command, by F.G. Moon, 20 Threadneedle St March 19th 1842.
Lithograph on chine collé, laid on printed backing sheet. Printed area 260 x 300mm (10¼ x 11¾") very large margins. Spotting to backing sheet.
Portrait of Victoria's son Albert Edward (1841-1910), the new heir to the throne.
[Ref: 56491] £180.00 (£216.00 incl.VAT)

Procession of the Prince of Wales and Princess Alexandra Through London. Arrival At London Bridge March 7th 1863.
A. Park, London. [n.d. c.1863]
Very scarce hand coloured lithograph. Sheet 250 x 375mm (10" x 14¾"). Mount stain. Laid on archival paper. Repaired tears. Missing left bottom corner margin.
Scene of Princess Alexandra's arrival procession passing through the gateway of Temple Bar. In March 1863, Princess Alexandra travelled from Denmark to England for her marriage to Queen Victoria's eldest son, Albert Edward, Prince of Wales. Archibald and Arthur Park (fl 1828-1863) were evidently brothers trading at the same address; prints are normally lettered "A. Park"; publishers of cheap prints at 47 Leonard St, Finsbury/Shoreditch, London.
[Ref: 60477] £140.00 (£168.00 incl.VAT)

[Edward VIII] A Happy Moment ''The Prince'' Original Drypoint by R.G. Matthews (Limited Edition).
[London: Alfred Bell & Co., n.d., c.1920.]
Drypoint etching, signed by the etcher. 230 x 135mm (9 x 5¼"), with large margins. In original mount with printed gallery label with artist's name and a publisher's logo of a black bell with ABC in white. Mint.
A portrait of Edward VIII when Prince of Wales, cigarette in hand.
[Ref: 49165] £130.00 (£156.00 incl.VAT)

Prince Edward and Prince George of Wales Going Down a Mine in Australia.
Engraved by J.D. Cooper from a photograph.
[n.d., c.1881.]
Wood engraving. Sheet: 230 x 135mm (9 x 5¼'').
A group portrait showing Prince Edward and Prince George of Wales by a mine in Australia. The two grandsons of Queen Victoria, and sons of Prince Albert Edward Prince of Wales travelled to Australia as midshipmen in training on HMS Bacchante in 1881.
[Ref: 48568] £50.00 (£60.00 incl.VAT)

Edward P [facsimile signature.] [Edward VIII]
London 1933.
Lithograph. Sheet 525 x 395mm (20¾ x 15¾"). Paper toning and some wrinkling.
Edward VIII as Prince of Wales.
[Ref: 30413] £120.00 (£144.00 incl.VAT)

[Frontispiece] A Collection of Flowers drawn after Nature & disposed in an Ornamental & Picturesque Manner, by J: Edwards, F.S.A.
John Edwards Inv.t et Sculpt.
Publish'd as the Act directs Dec.r 15.th 1783
Stipple engraving with mezzotint border, platemark 340 x 250mm (13¼ x 9¾"). Slight foxing.
Three putti garlanding a monument on which sits a vase of flowers, with an easel and brushes in front. Frontispiece to John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', which was published complete in 1801 and described by Dunthorne as 'a superb and extremely rare work by a great artist, whose craftmanship is equal to the best of the 18th Century'.
Dunthorne 105; for other plates from this volume see refs. 18189 and 18190
[Ref: 31374] £120.00 (£144.00 incl.VAT)

White Strip'd Roses.
[Drawn & etched by John Edwards.]
[n.d., c.1790.]
Etching with original hand colour. 350 x 250mm (13¾ x 9¾"), on laid paper watermarked 'J. Whatman', very large margins. Tears in wide margins, paper spotted and toned.
A bouquet of roses tied with a blue ribbon. A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801, but the laid paper suggests this was printed much earlier.
Dunthorne, 105: "A superb and extremely rare work by a great artist...''. Provenance: Hooton Pagnell Hall, Yorkshire.
[Ref: 44103] £160.00 (£192.00 incl.VAT)

[Ornamental flower plate.] No 33.
Edwards del.t et sculp.
Pub.d as the Act directs Dec.r 24, 1788.
Hand coloured etching. 340 x 250mm (13½ x 9¾"). Trimmed close to plate.
A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801. Finely-coloured garlands are draped over an ornamental design containing an allegorical figure of a muse, with one vignette of a music book, pipe and horn above, and another of a painter's palette and a lyre below. The whole is presented in an oval with a blue-washed border.
Dunthorne, 105: ''A superb and extremely rare work by a great artist... The colouring is particularly fine owing to the use of a pale printer's ink''.
[Ref: 18189] £220.00 (£264.00 incl.VAT)

[Carnations.] No 23. [etched in reverse.]
[Drawn and etched by John Edwards.]
[Published 1783-1801.]
Etching with fine original hand colour. Printed area 330 x 230mm (13 x 9"), on laid paper watermarked 'J. Whatman' very large margins, mint.
A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801, but the laid paper suggests this was printed much earlier.
Dunthorne, 105: "A superb and extremely rare work by a great artist...''. Provenance: Hooton Pagnell Hall, Yorkshire.
[Ref: 40214] £420.00

[Ornamental flower plate.] No 59.
Edwards del.t et sculp.
Pub.d as the Act directs June 24th, 1795.
Hand coloured etching. Sheet 330 x 250mm (13 x 9¾"). Trimmed, pin holes in unprinted corner.
A plate from John Edwards' extremely rare work 'A Collection of Flowers Drawn after Nature and disposed in an ornamental and picturesque manner', published complete in 1801.
See: Ref 18189. Dunthorne, 105: "A superb and extremely rare work by a great artist...''.
[Ref: 18190] £220.00 (£264.00 incl.VAT)

Bryan Edwards Esq.r.
Abbot Pinxit. Holloway Sculp.t.
Published Sept, 25, 1800 by John Stockdale, Piccadilly.
Engraving. Sheet 220 x 135mm (8¾ x 5¼"). Trimmed into plate on right. Some slight time staining.
Portrait of Bryan Edwards (1743 - 1800), English politician and historian born in Westbury, Wiltshire. Edwards supported the slave trade, and was described by abolitionist William Wilberforce as a powerful opponent. West Indian slaver.
[Ref: 64135] £50.00 (£60.00 incl.VAT)

E. Edwards, Associate and Teacher of Perspective in the Royal Academy.
Ipse pinxit. Cardon sculpsit.
Published for the Proprietor as the Act directs, 20, April 1808.
Stipple. 260 x 195mm (10¼ x 7¾"), large margins.
Edward Edwards A.RA. (1738-1806), painter was elected an Associate Academician in 1773 and appointed Teacher of Perspective at the Royal Academy in 1788. This self portrait is the frontispiece to his volume entitled 'Anecdotes of Painters', intended as a supplement to Walpole's work.
Ex Norman Blackburn Trade Collection.
[Ref: 55935] £120.00 (£144.00 incl.VAT)

E. Edwards, Associate and Teacher of Perspective in the Royal Academy.
Ipse pinxit. Cardon sculpsit.
Published for the Proprietor as the Act directs, 20, April 1808.
Stipple. Sheet 228 x 152mm (9 x 6"). Trimmed within plate
Edward Edwards A.RA. (1738-1806), painter was elected an Associate Academician in 1773 and appointed Teacher of Perspective at the Royal Acadmey in 1788. This self portrait is the frontispiece to his volume entitled 'Anecdotes of Painters', intended as a supplement to Walpole's work.
[Ref: 18943] £110.00 (£132.00 incl.VAT)

Georgius Edwards R.S.S. AEtat Suae 60 AD 1754 Nat. Mar. 23. April 3.
Dandridg Pinx. J.S. Miller Sculp.
[London: George Edwards, 1758.]
Engraving. Sheet 285 x 225mm (11¼ x 8¾"). Stamps of Southampton public library verso.
George Edwards (1694-1773), ornithologist and artist, best knpwn for his four volume 'A Natural History of Uncommon Birds'. The frontispiece to 'Gleanings of natural history, exhibiting figures of quadrupeds, birds, insects, plants, &c...'.
W890-1; for a plate from Edwards' work see ref 33511.
[Ref: 44059] £240.00 (£288.00 incl.VAT)

Georgius Edwards R.S.S. Ætat Suae 60 AD 1754 Nat. Mar. 23. April 3.
Dandridg Pinx. J.S. Miller Sculp.
[London: George Edwards, 1758.]
Engraving. Sheet 250 x 185mm (9¾ x 7¼"). Trimmed within plate, mounted in album paper at edges.
George Edwards (1694-1773), ornithologist and artist, best known for his four volume 'A Natural History of Uncommon Birds'. The frontispiece to 'Gleanings of natural history, exhibiting figures of quadrupeds, birds, insects, plants, &c...'.
W890-1.
[Ref: 62079] £190.00 (£228.00 incl.VAT)

The Reverend Mr. John Edwards, Minister of the Gospel, at Leeds in York-shire.
J. Russell pinxit. J. Watson fecit.
Printed for John Binns Leeds. Published as the Act directs July 2d. 1772.
Mezzotint. Plate: 355 x 250mm (14 x 9¾''). Surface dirt.
A portrait, in an oval of John Edwards (1714-1785) who was a dissenting minister who had been a Methodist minister but broke with the Wesleyans and ministered at White Chapel in Hunslet Lane, Leeds.
[Ref: 49036] £180.00 (£216.00 incl.VAT)

The Rev.d. Jon.th. Edwards Pres.t.
[n.d.,c.1758.]
Engraving. 130 x 85mm (5 x 3½"). Trimmed. Backed onto album paper. Some minor time-staining.
Portrait of Jonathan Edwards (1703 - 1758), American revivalist preacher, philosopher, and Congregationalist theologian. Edwards is widely regarded as one of America's most important and original philosophical theologians. Edwards' theological work is broad in scope but rooted in the paedobaptist (baptism of infants) Puritan heritage as exemplified in the Westminster and Savoy Confessions of Faith. Recent studies have emphasized how thoroughly Edwards grounded his life's work on conceptions of beauty, harmony, and ethical aptness, and how central the Age of Enlightenment was to his mindset. Edwards played a critical role in shaping the First Great Awakening and oversaw some of the first revivals in 1733-35 at his church in Northampton, Massachusetts. His work gave rise to a doctrine known as New England theology. Edwards delivered the sermon "Sinners in the Hands of an Angry God", a classic of early American literature, during another revival in 1741, following George Whitefield's tour of the Thirteen Colonies. Edwards is well known for his many books, such as The End for Which God Created the World and The Life of David Brainerd, which inspired thousands of missionaries throughout the 19th century, and Religious Affections which many Calvinist Evangelicals still read today. Edwards died from a smallpox inoculation shortly after beginning the presidency at the College of New Jersey in Princeton.
[Ref: 64102] £70.00 (£84.00 incl.VAT)

Robert Edwards.
J. Ward. R.A. 1811. No.3.
London Pub June 1, 1813 by Ja.s Ward. 6 Newman Street.
Etching. 348 x 350mm. 13¾ x 13¾". Trimmed to the plate.
A portrait of a little old man astride a donkey, wearing a cocked hat with a feather cockade, tattered military coat and striped breeches, and carrying a stick From James Ward's Second Series of Etchings, "Mary Thomas the Welsh fasting woman and Ann Moore the fasting woman of Tutbury; a series of 7 etchings bound with letter press and dedicated to Sir Joseph Banks".
Not in Frankau.
[Ref: 14307] £280.00 (£336.00 incl.VAT)

The Cambrian Shakespeare. Llun Gwr yn, llawn gwir Awen; Y Byd a lanwodd o’i Ben! J.H.
E. Pugh Pinxt. J. Chapman sculpt.
London Published as the Act directs Feb.y 1.st 1800 by E. Pugh.
Rare stipple, 240 x 200mm (9½ x 8"), with large margins. Dusty, crease.
Twm o'r Nant was the pen name of Welsh language dramatist and poet Thomas Edwards (1739-1810). He was born in Llannefydd, Denbighshire, north-east Wales. He was famous for his anterliwtau (interludes), performed mainly around his native Denbighshire, north Wales.
[Ref: 65218] £230.00 (£276.00 incl.VAT)

Edwin.
Painted by Sir Joshua Reynolds / Engraved by C.H. Hodges
Pub.d as the act directs Feb.y 18th by J. Rising No. 21 Princes St. Cav.sh Sq.re.
Mezzotint with small margins, platemark 360 x 260mm (14¼ x 10¼"). Paper tone; good impression; collector's stamp of Bernard Houthakker verso. Slightly foxed.
Character study after a painting from the 1770s by Sir Joshua Reynolds (1723-1792). When the painting was auctioned in 1796 it was identified as Edwin, the hero from 'The Minstrel', a poem published in 1771 by Reynolds' friend James Beattie. The poem describes the childhood of Edwin, a shepherd boy brought up in solitary, mountainous country, and his response to nature. William Wordsworth was among the many who admired the work. This impression formerly in the collection of Bernard Houthakker, 1884-1963), Amsterdam-based dealer and publisher. A particular focus of Houthakker's buying was the work of Charles Howard Hodges (1764-1837), a British portrait painter and engraver who moved to the Netherlands in 1792. Reynolds' painting was recently sold by Christie's (3 December 2013).
Ex Collection of the Late Hon. C. Lennox-Boyd; Hamilton p.147 (only state); L.1272. Ex Collection Lady Eva Dugdale, Sotheby's 27/10/1920.
[Ref: 36504] £320.00

Edwin & Emma. She came, his cold hand softly touch'd, [/] And bath'd with many a Tear, [/] Fast falling o'er the Primrose pae [/] So morning dews appear, [/] But oh! his sister's jealous care, [/] A cruel Sister she! [/] Forbade what Emma came to say, [/] My Edwin! Live fo me!.
Painted by J. Downman. Engraved by J. Young. Engraver in Mezzotinto to His Royal Highness the Prince of Wales.
London. Published Sept.r 30th, 1789 by J. Young, No.23, New Store Street, Bedford Square.
Very fine mezzotint. Platemark: 610 x 485mm. (24 x 19"), with large margins.
Scene from The Ballad of Edwin and Emma, by David Mallet. The sister prevents a discussion between lovers.
From the Oettingen-Wallerstein Collection.
[Ref: 28401] £520.00

The Beach King discovering himself to Matilda. vide. Edwin and Matilda Canto 3.d. Plate 7, Vo,l. 2.
[after Thomas Rowlandson.]
Nº 9. of the Poetical Magazine. Pub. Jan. 1. 1810, at R. Ackermann's Repository of Arts, 101, Strand.
Coloured aquatint. Sheet 130 x 210mm (5¼ x 8¼"). Trimmed within plate.
The giant Beach King, leaning on a club of coral, grabs Matilda's wrist to stop her fleeing.
[Ref: 61314] £95.00 (£114.00 incl.VAT)

[Simon Eedy] Old Simon.
Published 24th Feb.y 1780, by Will.m Davis, N.º 25, Ludgate Hill, London.
Scarce etching, 18th century watermark. 225 x 155mm (8¾ x 6"). Ink ruling over platemark, mounted in album paper.
Portrait of Simon Edy (1709-1783), carrying two large, overflowing sacks over his shoulders. A well-known beggar of St Giles, he was sketched several times by Thomas Rowlandson and appeared on London bookseller John Seago's trade card.
See "Simon & Iphigenia".
[Ref: 62062] £360.00

[Simon Edy] Simon.
[London: E. Hagarty, 1774.]
Very scarce mezzotint. Sheet 330 x 250mm (13 x 9¾"). Trimmed to image, with chip to upper right corner.
Portrait of Simon Edy (1709-1783), a well-known beggar of St Giles.
Chaloner Smith 59.
[Ref: 27215] £160.00 (£192.00 incl.VAT)

[View by the River Thames near Nine Elms].
J.W. Edye fecit [faint scratched letters].
[n.d. c.1787].
Proof etching with aquatint. Printed area 560x 425mm. Crudely trimmed, with plate mark showing in places. Repaired tear c.2cm into plate at bottom, outside aquatint frame.
View from Nine Elms, between Battersea and Vauxhall, from a painting by John Cleveley.
[Ref: 2319] £480.00

D Franciscus Vander Ee
Anton van Dyck pinxit [Joannes Meyssens] fecit et excud [c.1645]
Etching, 17th century watermark; platemark 230 x 170mm (9 x 6¾"), with large margins. Late impression
François van der Ee, Amman of Brussels (1608-45). First published in the 'Iconographia' series of etchings after portraits by van Dyck, some of which van Dyck etched himself. This is a late impression after the name of the printmaker and publisher Jan Meyssens was effaced from the plate.
[Ref: 48012] £75.00 (£90.00 incl.VAT)

Cockney Angler N.o1 I Suppose You Never Went Bobbing For Eels! Then I Pity You, Particularily Such A Day As This. Why I Shall Get A Tub Full, In No Time.
Dean & C.o Threadneedle St. [n.d. c.1830]
Coloured lithograph, sheet 280 x 220mm (11¼ x 8½"). Some light time staining and surface dirt.
A man fishes for eels in the pouring rain sat on a log under an umbrella. The eels escape from his bucket.
[Ref: 58433] £75.00 (£90.00 incl.VAT)

[Effendi.] Effendi homme de Loy dans son Etude.
JB. G. Scotin sculp.
Avec Privil. du Roi. [n.d. c.1714.]
Engraving. Platemark 360 x 250mm (13¾ x 9¾") mint with very large margins.
Plate from 'Recueil de cent estampes représentant différentes nations du Levant', a set of one hundred plates depicting the costume of the Levant, based on paintings in the collection of the Marquis Charles de Ferriol, ambassador from the court of Versailles to the Sublime Porte from 1699 to 1710. The work had a profound effect on how the European conception of Turkey. After Jean-Baptiste Vanmour (1671-1737), the Flemish-French painter, who Ferriol brought with him to Istanbul at the age of eighteen. Ferriol commissioned at least a hundred paintings from Vanmour, which served as the source for the engravings in the 'Recueil' and are now in the Rijksmuseum in Amsterdam.
[Ref: 47046] £360.00

An Effendi of Constantinople. An Effendi of Cairo.
R. Dalton delt. et sculpt [2].
[London, n.d., c.1780s.]
Two copper engravings on one leaf, laid paper, each c.225 x 175mm. 9 x 7". Untrimmed folio sheet.
Portraits of two high-status Ottoman gentlemen. From a series of prints depicting the customs, manners, costume etc. of Turkey and Egypt, drawn and engraved by Richard Dalton (1715? - 1791). Dalton, who was trained as an artist, went to Rome to pursue his studies, and in 1749 travelled with Roger Kynaston and John Frederick to Naples and Sicily, where they joined a party consisting of James Caulfeild, Earl of Charlemont, Francis Pierpoint Burton, and others. From thence Dalton accompanied Lord Charlemont on his tour to Constantinople/Istanbul, Greece, and Egypt. Dalton managed to obtain the position of librarian to George III. He was subsequently appointed keeper of the pictures and antiquary to his majesty. He was one of the original members of the Incorporated Society of Artists in 1765, and became their treasurer. He was elected a fellow of the Society of Antiquaries in 1767. 'Antiquities and Views in Greece and Egypt, with the Manners and Customs of the Inhabitants, from Drawings made on the Spot.' was published in London in 1791 and is all three of Dalton's Tours in one volume.
DNB.
[Ref: 21949] £120.00 (£144.00 incl.VAT)

Effie Deans.
Painted by John Everett Millais. R.A. Engraved by T. Oldham Barlow, A.R.A [Artist's monogram and 1877 in image lower left].
Published Oct. 20th 1879, by Thomas Agnew & Sons, London, Liverpool and Manchester__Copyright Registered.
Mixed method engraving on india laid paper, 780 x 580mm. 30¾ x 22¾".
Effie Deans is one of the central characters in The Heart of Midlothian, a novel by Sir Walter Scott, written in 1818. Effie had been imprisoned on a false charge, accused of having killed her illegitimate child. When an angry crowd stormed the goal, she had an opportunity to escape. But Effie decided to stay. Prison seemed a better prospect than a life of freedom with a tarnished reputation. A fine impression. Sir John Everett Millais (1829 - 1896) painter of history, genre, landscape, and portraits, and president of the Royal Academy. Printseller's Association blindstamp lower right.
[Ref: 8844] £520.00

Efley Mill Oxon.
W.De La Motte. Oxford.
[n.d., c.1801].
Etching with very large margins. Platemark: 255 x 345mm. (10 x 13½"). Staining to right edge of sheet in margin. Small stain inside platemark in bottom right corner. Puncture holes in left margin where previously bound.
A view on the River Thames, with two men in a boat on the right. In the background, Iffley Mill, with a water wheel, surrounded by trees. The riverside town of Iffley is situated two miles from Oxford.
[Ref: 31690] £230.00 (£276.00 incl.VAT)

Pierce Egan. Author of the Original Works Of Life In London, Tom & Jerry, Life of an Actor, Trip to Ascot Races, Boxiana, Show Folks, Walks through Bath. Book Of Sports, &c.&c. and Life In Dublin, produced at the Theatre Royal, Hawkins Street, Dublin, on Tuesday, Feby. 18, 1834, with the most decided success.
Drawn by George Sharples. Engraved on Steel by C. Turner.
Printed for Pierce Egan, Jun.r June 1st. 1832, 4. Paget Place, Waterloo Road, London.
Mezzotint on steel. 360 x 255mm (14¼ x 10"), with large margins. Splits in lower plate mark taped, rubbed.
A very scarce portrait of Pierce Egan the elder (1772-1849), author of ‘Life of London' and other social journals. He wrote first about boxing in his serial publication, 'Boxiana, or Sketches of Ancient and Modern Pugilism' (1813-28). This example is a reissue of the plate, first published in 1823, by his novelist son Pierce Egan the younger (1814-80).
Whitman: 175, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66459] £260.00 (£312.00 incl.VAT)

Pierce Egan. Author of the Original Works Of Life In London, Tom & Jerry, Life of an Actor, Trip to Ascot Races, Boxiana, Show Folks, Walks through Bath. Book Of Sports, &c.&c. and Life In Dublin, produced at the Theatre Royal, Hawkins Street, Dublin, on Tuesday, Feby. 18, 1834, with the most decided success.
Drawn by George Sharples. Engraved on Steel by C. Turner.
Printed for Pierce Egan, Jun.r June 1st. 1832, 4. Paget Place, Waterloo Road, London.
Mezzotint on steel. Sheet 320 x 225mm (12½ x 8¾"), large margins. with Egan's ink mss presentation label. Trimmed within plate, surface crack through image, mounted in album paper,
A very scarce portrait of Pierce Egan the elder (1772-1849), author of ‘Life of London' and other social journals. He wrote first about boxing in his serial publication, 'Boxiana, or Sketches of Ancient and Modern Pugilism' (1813-28). The presentation label, addressed to the Birmingham Theatre and dated August 9th 1838, consists of seven hand-written lines. This example is a reissue of the plate, first published in 1823, by his novelist son Pierce Egan the younger (1814-80).
Whitman: 175, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 66473] £480.00

Egeria.
T.G.Dutton del & lith. John B. Day Lith.
London: Published by John B. Day, Savoy Street, Strand, W.C. [c.1875.]
Tinted lithograph with some colour added by hand, image 185 x 280mm. 7¼ x 11".
A handsome portrait of the 98ft schooner yacht. By Thomas Goldsworth Dutton (1819/20 - 1891; fl.).
NMM: PAH5783.
[Ref: 18059] £220.00 (£264.00 incl.VAT)

Col.l The Hon.ble Percy E. Herbert, C.B. M.P. From a Picture presented to Lucy, Countess of Powis, by the Walcot and Bishops Castle Tenants & Neighbours, as a Token of their approval of Colonel Herbert's services with the Army in the Guinea.
Painted by F. Grant Esq.r R.A. Engraved by T.L. Atkinson Esq.r
London: Published by Henry Graves & Comp.y Nov.r 5.th1858. Printsellers to the Queen _ 6 Pall Mall.
Mezzotint. Plate 533 x 407mm. 21 x 16". Large margins.
Sir Percy Egerton Herbert (1822-1876) was a British Army officer and politician. He served in Crimea at the Battle of the Alma and the siege of Sevastopol and the Battle of Inkerman. He was made aide-de-camp to Queen Victoria, a Companion of the Order of the Bath and a colonel for his services in the Crimean War. He also received knighthoods from the Turkish, Sardinian and French governments. In 1858 he was made Lieutenant-Colonel and commanded regiments in Rohilkhand, Cawnpore and Fatehpur. Two years later he became deputy quartermaster-general at the Horse Guards and entered parliament in 1865 as Conservative MP for South Shropshire. By 1869 he had progressed further through the ranks and was made Knight Commander of the Order of the Bath.
NPG: D35705/6.
[Ref: 17372] £230.00 (£276.00 incl.VAT)

Manoeuvring. Waiter Waiter! ___ Coming Sir. Coming! What does y'r master charge for Dinner? Four Shillings Sir. And _ how much for Supper? Two & Six-pence Sir. Then d'y'e hear ___ Bring me Supper.
Drawn by M.E. Eng.d by Geo. Hunt.
Published by HUNT, 18 Tavistock St.t Covent Garden. [n.d., c.1827.]
Hand coloured aquatint with etching, very large margins. Platemark: 245 x 215mm (9¾ x 8½"). Small ink stain in left edge.
An interior scene within a dining roon. A gentleman, to the left, enquires as to the cost of dinner and of supper, deciding that the waitor should bring him supper, it being the cheaper choice. A dining table is set in front of a window, out of which a large carriage can be seen, inscribed 'Holyhead. London'.
[Ref: 36742] £180.00 (£216.00 incl.VAT)

Manoeuvring. Waiter Waiter! ___ Coming Sir. Coming! What does y'r master charge for Dinner? Four Shillings Sir. And _ how much for Supper? Two & Six-pence Sir. Then d'y'e hear ___ Bring me Supper.
Drawn by M.E. Eng.d by Geo. Hunt.
London, Published by Tho.s M.cLean, 26, Haymarket 1827.
Hand coloured aquatint with etching. Sheet 260 x 200mm (10¼ x 8"). Trimmed within plate and tipped into album sheet. Some time staining.
An interior scene within a dining roon. A gentleman, to the left, enquires as to the cost of dinner and of supper, deciding that the waitor should bring him supper, it being the cheaper choice. A dining table is set in front of a window, out of which a large carriage can be seen, inscribed 'Holyhead. London'.
Hickman page 68. II of II. Not in BM.
[Ref: 58422] £95.00 (£114.00 incl.VAT)

Francis Henry Egerton. Earl of Bridgewater.
Gerard pinxt. =h= Grevedon. 1825.
Lithograph. 541 x 356mm. Uncut sheet..
Francis Henry Egerton, 8th Earl of Bridgewater (1756-1829), was a noted British eccentric, and supporter of natural theology. Egerton was known for giving dinner parties for dogs, where the dogs were dressed in the finest fashions of the day, down to fancy miniature shoes. Each day Egerton wore a new pair of shoes and he arranged the worn shoes into rows, so that he could measure the passing time. An animal lover, Egerton kept partridges and pigeons with clipped wings in his garden, allowing him to shoot them despite failing eyesight. Egerton never married, and upon his death, his title became extinct. He bequeathed to the British Museum the valuable Egerton Manuscripts, consisting of 67 manuscripts dealing with the literature of France and Italy.
[Ref: 13256] £140.00 (£168.00 incl.VAT)

The Right Honble: John Egerton Earl of Bridgwater, Viscount Brackley & Baron of Ellismere, first Commissioner for Executing ye Office of Lord High Admiral of England, Lord Lieutenant of the County of Buckingham, One of the Lords of His Majesties most Honble Privy Council, One of the Lords Justices, One of the Governors of Sutton and Greenwich Hospitals and Knight of the Antient Order of the Bath, 1700.
G: Kneller Eques pinx:
I. Smith fec: et ex. [n.d., c.1780.]
Mezzotint, third state, with damage to printing plate. 350 x 250mm (13¾ x 9¾").
John Egerton, 3rd Earl of Bridgewater (1646 - 1701), First Lord of the Admiralty; in an oval, wearing wig, lace cravat, armour, sash and medal. After Sir Godfrey Kneller, Bt (1646 - 1723).
Chaloner Smith: 23, III.
[Ref: 13900] £130.00 (£156.00 incl.VAT)

The Right Honble: John Egerton Earl of Bridgwater, Viscount Brackley & Baron of Ellismere, first Commissioner for Executing ye Office of Lord High Admiral of England, Lord Lieutenant of the County of Buckingham, One of the Lords of His Majesties most Honble Privy Council, One of the Lords Justices, One of the Governors of Sutton and Greenwich Hospitals and Knight of the Antient Order of the Bath, 1700.
G: Kneller Eques pinx:
I. Smith fec: et ex. [n.d., c.1750.]
Mezzotint. 350 x 250mm (13¾ x 9¾"), ink collector's stamp on reverse.
John Egerton, 3rd Earl of Bridgewater (1646 - 1701), First Lord of the Admiralty; in an oval, wearing wig, lace cravat, armour, sash and medal. The collector's stamp is of Reverend J. Burleigh James, whose collection of prints, which included Dürers et Rembrandts, was sold by Sothebys in 1877, taking 25 days and raising over £4200.
Chaloner Smith: 23, ii of iv, before damage to plate.
[Ref: 49565] £190.00 (£228.00 incl.VAT)

[The Earl of Wilton.]
[John Hoppner pinx.t. C. Turner sculp.t.]
[Published Sept.r 11. 1802, by C. Turner No. 56, Warren Street, Fitzroy Square.]
Fine mezzotint, proof before all letters. Sheet 660 x 380mm (26 x 15"). Framed in a very fine 'Daniel' type frame. Trimmed to plate. Unexamined out of frame.
Full lenth portrait in uniform of Thomas Egerton (1749-1814), 1st Earl of Wilton. He was Lieutenant Colonel of the Royal Lancashire Regiment of Volunteer Fencibles, a foot regiment from Manchester, which he raised himself.
Whitman 619. Provenance Brussels Gentleman's Club.
[Ref: 59525] £420.00

[Thomas, Earl of Wilton.]
[J. Bostock. C. Turner.]
[London: F.G. Moon, 1835.]
Mezzotint with etching, scarce proof before all letters and coat of arms engraved to lower margin. 530 x 380mm (20¾ x 15"). A fine impression.
Thomas Egerton, 2nd Earl of Wilton (1799-1882), known as Thomas Grosvenor until 1814, British nobleman and Tory Politician. Standing to front, facing towards right; wearing a dark cloak with fur collar, dark coat, waistcoat, neckerchief, watch-chain, and ring on the little finger of his left hand, which is resting on the pedestal of a large urn; curtain to left. Wilton served as Lord Steward of the Household in 1835 in Sir Robert Peel's first administration. He was an expert horseman and thus established the Heaton Park Races in 1827. His interest in yachting meant that he was appointed Commodore of the Royal Yacht Squadron from 1849 to 1881. After John Bostock (1808-1872).
Whitman 620, before I: "C. Turner sale catalogue mentions 'proofs with autograph'".
[Ref: 27223] £190.00 (£228.00 incl.VAT)

Egham Lock.
Seymour Haden. [Signed in pencil.]
1864.
Etching. Plate: 220 x 150mm (8¾ x 6"), with large margins.
A view of the lock by Egham in Surrey, built by the Thames Navigation Commission in 1817. Originally known as Egham Lock, it was rebuilt in 1866 and re-named after the first lockkeeper Charlie Bell and is now called the Bell Weir Lock. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
Sch. 21 III of X.
[Ref: 39966] £220.00 (£264.00 incl.VAT)

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