A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
The Diffident Lover.
Set by Mr Howard. G. Bickham jun.r Sculp.t.
[London, 1738.]
Engraved music sheet, 18th century watermark. 325 x 200mm (12¾ x 8"), with very large margins.
A music and lyrics to a song by Frances Perrott, illustrated by an engraving of a pair of lovers. From Bickham's 'Musical Entertainer'.
[Ref: 53383] £120.00 (£144.00 incl.VAT)
Set by Mr Howard. G. Bickham jun.r Sculp.t.
[London, 1738.]
Engraved music sheet, 18th century watermark. 325 x 200mm (12¾ x 8"), with very large margins.
A music and lyrics to a song by Frances Perrott, illustrated by an engraving of a pair of lovers. From Bickham's 'Musical Entertainer'.
[Ref: 53383] £120.00 (£144.00 incl.VAT)
![[Untitled folio of eleven lithographic sketches of French architecture, each signed K.H. Digby.]](jpegs/33203.jpg)
[Untitled folio of eleven lithographic sketches of French architecture, each signed K.H. Digby.]
[n.d., one plate watermarked W.Spear 1815.]
Oblong folio, 11 lithographs stitched in blue wrappers. Wear to wrappers and edges.
A record of a tour around France, with sketches of Amiens, Rouen, Montpelier & Nimes, particularly noting the Roman antiquities, hear illustrated with early lithographs. The windows of opportunity for an English artist were few during this period, probably either during the Peace of Amiens, 1802, or immediately after the fall of Napoleon in 1814. A scarce work, not in Abbey: the only reference we can find is 'Lumley's Bibliographical Advertiser' of 1845, recording for sale at Lumley's Bookshop 'XI Rough Lithographic Sketches, by K.H. Digby, of French Architectural Antiquities, 5s'.
Ex: Collection of the Hon Christopher Lennox-Boyd.
[Ref: 33203] £420.00 view all images for this item
[n.d., one plate watermarked W.Spear 1815.]
Oblong folio, 11 lithographs stitched in blue wrappers. Wear to wrappers and edges.
A record of a tour around France, with sketches of Amiens, Rouen, Montpelier & Nimes, particularly noting the Roman antiquities, hear illustrated with early lithographs. The windows of opportunity for an English artist were few during this period, probably either during the Peace of Amiens, 1802, or immediately after the fall of Napoleon in 1814. A scarce work, not in Abbey: the only reference we can find is 'Lumley's Bibliographical Advertiser' of 1845, recording for sale at Lumley's Bookshop 'XI Rough Lithographic Sketches, by K.H. Digby, of French Architectural Antiquities, 5s'.
Ex: Collection of the Hon Christopher Lennox-Boyd.
[Ref: 33203] £420.00 view all images for this item
D. Kenelmus Digbi Eques auratus apud Carolu Rege magnae Britaniae.
After van Dyck. By Robert van Voerst.
Engraving. Sheet 245 x 185mm (9¾ x 7¼"). Trimmed to plate and laid on album paper. Toning
Kenelm Digby (1603-1665) was a well respected English courtier and diplomat and recognised polymath. He excelled in the fields of natural philosophy, astrology and Roman Catholic theology. He experienced bouts of unpopularity throughout the Civil War, going through periods of self-imposed exile in France. However, the Restoration period saw his own reputation restored through his relationship with the Queen Mother.
W 815-3
[Ref: 53736] £160.00 (£192.00 incl.VAT)
After van Dyck. By Robert van Voerst.
Engraving. Sheet 245 x 185mm (9¾ x 7¼"). Trimmed to plate and laid on album paper. Toning
Kenelm Digby (1603-1665) was a well respected English courtier and diplomat and recognised polymath. He excelled in the fields of natural philosophy, astrology and Roman Catholic theology. He experienced bouts of unpopularity throughout the Civil War, going through periods of self-imposed exile in France. However, the Restoration period saw his own reputation restored through his relationship with the Queen Mother.
W 815-3
[Ref: 53736] £160.00 (£192.00 incl.VAT)
Le Digestion.
Peint par Alfred de Dreux. Lithographié par Emile Lassalle. Imprimé par Lemercier à Paris.
Paris. Goupil & Vibert & C.ie Éditeurs. Boulevart Montmatre, 15, et rue d'Enghien 10. London _ E. Gambart, Junin & C.o 25 Berniers St, Oxford St.
Tinted lithograph, rare. Sheet 620 x 770mm (24½ x 30¼"), Goupil blindstamp. Margins soiled. small tear in top edge.
A pair of hounds in a kennel, dozing after their meal.
[Ref: 47433] £320.00
Peint par Alfred de Dreux. Lithographié par Emile Lassalle. Imprimé par Lemercier à Paris.
Paris. Goupil & Vibert & C.ie Éditeurs. Boulevart Montmatre, 15, et rue d'Enghien 10. London _ E. Gambart, Junin & C.o 25 Berniers St, Oxford St.
Tinted lithograph, rare. Sheet 620 x 770mm (24½ x 30¼"), Goupil blindstamp. Margins soiled. small tear in top edge.
A pair of hounds in a kennel, dozing after their meal.
[Ref: 47433] £320.00
Coffee's the thing! Go it ye Tigers!
Drawn, Etch.d. & Pub by Richard Dighton Nov. 1823.
London Pub.d. by Tho.s. M.c.Lean 26 Haymarket 1824.
Hand coloured etching with very large margins. Plate: 145 x 225mm (5¾ x 9").
A full length portrait of a man, identified by the British Museum as a Mr Cohen, stands facing the right, holding his shirt collar between his fingers.
BM 14533.A.
[Ref: 34412] £220.00 (£264.00 incl.VAT)
Drawn, Etch.d. & Pub by Richard Dighton Nov. 1823.
London Pub.d. by Tho.s. M.c.Lean 26 Haymarket 1824.
Hand coloured etching with very large margins. Plate: 145 x 225mm (5¾ x 9").
A full length portrait of a man, identified by the British Museum as a Mr Cohen, stands facing the right, holding his shirt collar between his fingers.
BM 14533.A.
[Ref: 34412] £220.00 (£264.00 incl.VAT)
A Contract. M.r. Damington. M.r. Tremloe.
Drawn Etch.d. & Pub.d. by R.d. Dighton 1818.
Hand coloured etching. Plate: 140 x 235mm (5½ x 9¼"). Some surface dirt and some slight staining to margins.
Two men stand facing each other: one man, who is much taller than the other points at his companion.
BM 13028.A
[Ref: 34411] £240.00 (£288.00 incl.VAT)
Drawn Etch.d. & Pub.d. by R.d. Dighton 1818.
Hand coloured etching. Plate: 140 x 235mm (5½ x 9¼"). Some surface dirt and some slight staining to margins.
Two men stand facing each other: one man, who is much taller than the other points at his companion.
BM 13028.A
[Ref: 34411] £240.00 (£288.00 incl.VAT)
![[Woman in enormous hat.]](jpegs/36691.jpg)
[Woman in enormous hat.]
Rob. Dighton pinxit. R. Laurie Fecit.
London: Printed for R. Sayer & J. Bennett No 53 Fleet Street, 26 Feb.y 1778, as the Act directs.
Extremely rare mezzotint. 115 x 90mm (4½ x 3½"), with large margins. Uncut; glued to backing sheet along left side.
Decorative mezzotint by engraver and printseller Robert Laurie (1755?-1836), after Robert Dighton (1751-1814), draughtsman and singer. After the death of John Collett in 1780, Dighton became the foremost designer of droll mezzotints such as this. As business in the art world declined during the Napoleonic Wars, Dighton began stealing prints from the British Museum, only getting caught after several years of theft.
Ex: Oettingen-Wallenstein collection and collection of the late Hon. C. Lennox-Boyd; not in CS.
[Ref: 36691] £280.00 (£336.00 incl.VAT)
Rob. Dighton pinxit. R. Laurie Fecit.
London: Printed for R. Sayer & J. Bennett No 53 Fleet Street, 26 Feb.y 1778, as the Act directs.
Extremely rare mezzotint. 115 x 90mm (4½ x 3½"), with large margins. Uncut; glued to backing sheet along left side.
Decorative mezzotint by engraver and printseller Robert Laurie (1755?-1836), after Robert Dighton (1751-1814), draughtsman and singer. After the death of John Collett in 1780, Dighton became the foremost designer of droll mezzotints such as this. As business in the art world declined during the Napoleonic Wars, Dighton began stealing prints from the British Museum, only getting caught after several years of theft.
Ex: Oettingen-Wallenstein collection and collection of the late Hon. C. Lennox-Boyd; not in CS.
[Ref: 36691] £280.00 (£336.00 incl.VAT)
![[Woman holding quill and letter.]](jpegs/36690.jpg)
[Woman holding quill and letter.]
Rob. Dighton pinxit. R. Laurie Fecit.
London: Printed for R. Sayer & J. Bennett No 53 Fleet Street, and J. Smith No 35 Cheapside, as the Act directs, 1st January 1778
Extremely rare mezzotint. 115 x 95mm (4¼ x 3½"), with large margins. Glued to backing sheet at lower left corner.
Decorative mezzotint by engraver and printseller Robert Laurie (1755?-1836), after Robert Dighton (1751-1814), draughtsman and singer. Shows a woman holding a letter inscribed 'My Lord Duke' and seemingly contemplating what to write next. After the death of John Collett in 1780, Dighton became the foremost designer of droll mezzotints such as this. As business in the art world declined during the Napoleonic Wars, Dighton began stealing prints from the British Museum, only getting caught after several years of theft.
Ex: Oettingen-Wallenstein collection and collection of the late Hon. C. Lennox-Boyd; not in CS.
[Ref: 36690] £280.00 (£336.00 incl.VAT)
Rob. Dighton pinxit. R. Laurie Fecit.
London: Printed for R. Sayer & J. Bennett No 53 Fleet Street, and J. Smith No 35 Cheapside, as the Act directs, 1st January 1778
Extremely rare mezzotint. 115 x 95mm (4¼ x 3½"), with large margins. Glued to backing sheet at lower left corner.
Decorative mezzotint by engraver and printseller Robert Laurie (1755?-1836), after Robert Dighton (1751-1814), draughtsman and singer. Shows a woman holding a letter inscribed 'My Lord Duke' and seemingly contemplating what to write next. After the death of John Collett in 1780, Dighton became the foremost designer of droll mezzotints such as this. As business in the art world declined during the Napoleonic Wars, Dighton began stealing prints from the British Museum, only getting caught after several years of theft.
Ex: Oettingen-Wallenstein collection and collection of the late Hon. C. Lennox-Boyd; not in CS.
[Ref: 36690] £280.00 (£336.00 incl.VAT)
They'll be done, We are obliged to thee.
Drawn Etch.d. & Pub.d. by Rich.d. Dighton.
London, Pub.d. by Tho.s. M.c.Lean, 26 Haymarket 1824.
Hand-coloured etching. 180 x 250mm (7 x 10¾"), with large margins. Some surface dirt. Some marks in printed area.
Full-length portrait of a man facing right, one hand in his pocket, the other holding out a sheaf of bills.
BM 14064.A
[Ref: 34430] £180.00 (£216.00 incl.VAT)
Drawn Etch.d. & Pub.d. by Rich.d. Dighton.
London, Pub.d. by Tho.s. M.c.Lean, 26 Haymarket 1824.
Hand-coloured etching. 180 x 250mm (7 x 10¾"), with large margins. Some surface dirt. Some marks in printed area.
Full-length portrait of a man facing right, one hand in his pocket, the other holding out a sheaf of bills.
BM 14064.A
[Ref: 34430] £180.00 (£216.00 incl.VAT)
![[Pair of watercolours by Robert Dighton.] 360 Up to every thing. [&] who cares for you.](jpegs/35769.jpg)
[Pair of watercolours by Robert Dighton.] 360 Up to every thing. [&] who cares for you.
['who cares...' signed] Dighton -del-.
[n.d., c.1780.]
Two watercolours. Each sheet 155 x 120mm (6 x 4¾"). Some spotting on 'Up to everything', ink mss slightly trimmed on 'who cares'.
Two buxom prostitutes, drawn half-length in oval borders. Both caricatures were published by Carington Bowles c.1780: 'Who Cares for You?' BM Satires 8418; and 'Up to Every Thing' BM 2010,7081.2173.
[Ref: 35769] £1,500.00 view all images for this item
['who cares...' signed] Dighton -del-.
[n.d., c.1780.]
Two watercolours. Each sheet 155 x 120mm (6 x 4¾"). Some spotting on 'Up to everything', ink mss slightly trimmed on 'who cares'.
Two buxom prostitutes, drawn half-length in oval borders. Both caricatures were published by Carington Bowles c.1780: 'Who Cares for You?' BM Satires 8418; and 'Up to Every Thing' BM 2010,7081.2173.
[Ref: 35769] £1,500.00 view all images for this item
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Life, Times and Recorded Works of Robert Dighton (1752-1814) Actor, Artist and Printseller and Three of his Artist Sons. Portrayers of Georgian Pageantry and Wit.
By Dennis Rose.
London: Dennis Rose, 1981.
4to, blue buckram gilt with d/w; pp. 95, profusely illustrated, with some colour plates. Rare. Top of d/w chipped, owner's blindstamp on endpaper.
[Ref: 59739] £70.00
By Dennis Rose.
London: Dennis Rose, 1981.
4to, blue buckram gilt with d/w; pp. 95, profusely illustrated, with some colour plates. Rare. Top of d/w chipped, owner's blindstamp on endpaper.
[Ref: 59739] £70.00
The Dignifyd Clerical Macaroni. 19.
Pub.d accor.g to Act Oct.r 1772 by M Darly 89 Strand.
Hand-coloured etching. Plate 178 x 249mm (7 x 9¾"). Small margins.
An obese bishop in a hunting jacket worn on top of a short black smock, advances cautiously from the left on a partridge on the right, trailing its wing. He is being encouraged in his progress by his game keeper who stands in the background pointing to the bird.
[Ref: 52265] £180.00 (£216.00 incl.VAT)
Pub.d accor.g to Act Oct.r 1772 by M Darly 89 Strand.
Hand-coloured etching. Plate 178 x 249mm (7 x 9¾"). Small margins.
An obese bishop in a hunting jacket worn on top of a short black smock, advances cautiously from the left on a partridge on the right, trailing its wing. He is being encouraged in his progress by his game keeper who stands in the background pointing to the bird.
[Ref: 52265] £180.00 (£216.00 incl.VAT)
![The Dijk Bell [pencil].](jpegs/11967.jpg)
The Dijk Bell [pencil].
Frank Short [pencil signature.]
[n.d., c.1930.]
Etching. 130 x 105mm, 5 x 4".
H.290 iv.
[Ref: 11967] £85.00 (£102.00 incl.VAT)
Frank Short [pencil signature.]
[n.d., c.1930.]
Etching. 130 x 105mm, 5 x 4".
H.290 iv.
[Ref: 11967] £85.00 (£102.00 incl.VAT)
Vue de Dijon a coté du Creux d'Enfer.
Dessiné par l'Allemand [...] Dirigé par Masquelier
A.P.D.R. [c.1750]
Engraving, platemark 245 x 370mm (9½ x 14½"), with very large margins Paper watermarked. Slight foxing.
Distant view of Dijon, capital of the Burgundy region of eastern France. Key below image using different formations of birds to identify notable buildings.
[Ref: 47300] £130.00 (£156.00 incl.VAT)
Dessiné par l'Allemand [...] Dirigé par Masquelier
A.P.D.R. [c.1750]
Engraving, platemark 245 x 370mm (9½ x 14½"), with very large margins Paper watermarked. Slight foxing.
Distant view of Dijon, capital of the Burgundy region of eastern France. Key below image using different formations of birds to identify notable buildings.
[Ref: 47300] £130.00 (£156.00 incl.VAT)
Dilator, spe lentus, iners, pavidusq; futuri; Difficilis, querulus.
WB [monogram of William Baillie] 1761.
Etching with drypoint. 145 x 110mm (5¾ x 4¼"). Narrow margins.
A half-length portrait of an old man after Rembrandt. A state with the date added.
[Ref: 63700] £140.00 (£168.00 incl.VAT)
WB [monogram of William Baillie] 1761.
Etching with drypoint. 145 x 110mm (5¾ x 4¼"). Narrow margins.
A half-length portrait of an old man after Rembrandt. A state with the date added.
[Ref: 63700] £140.00 (£168.00 incl.VAT)
![[The Dilettanti Society.]](jpegs/64860.jpg)
[The Dilettanti Society.] Lord Mulgrave, Lord Dundas, Lord Seaforth, Honble Charles Greville, Charles Crowle Esqr, Duke of Leeds, Sir Joseph Banks.
Sir Joshua Reynolds pinxt. Turner sculp.
[n.d., c.1860.]
Late impression mezzotint on india, 580 x 420mm (22¾ x 16½"), with large margins.
A group of men belonging to the Society of Dilettanti (founded 1734), a British society of noblemen and scholars that sponsored the study of ancient Greek and Roman art, and the creation of new work in the style. The society is believed to have been established as a gentlemen's club in 1734 by a group of people who had been on the Grand Tour. It aimed to correct and purify the public taste of the country. A few years before Joshua Reynolds became a member, the group worked towards the objective of forming a public academy, and from the 1750s, it was the prime mover in establishing the Royal Academy of Arts. The group are depicted around a table drinking wine and examining rings.
W159 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64860] £380.00
Sir Joshua Reynolds pinxt. Turner sculp.
[n.d., c.1860.]
Late impression mezzotint on india, 580 x 420mm (22¾ x 16½"), with large margins.
A group of men belonging to the Society of Dilettanti (founded 1734), a British society of noblemen and scholars that sponsored the study of ancient Greek and Roman art, and the creation of new work in the style. The society is believed to have been established as a gentlemen's club in 1734 by a group of people who had been on the Grand Tour. It aimed to correct and purify the public taste of the country. A few years before Joshua Reynolds became a member, the group worked towards the objective of forming a public academy, and from the 1750s, it was the prime mover in establishing the Royal Academy of Arts. The group are depicted around a table drinking wine and examining rings.
W159 iii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64860] £380.00
![[The Dilettanti Society.]](jpegs/64850.jpg)
[The Dilettanti Society.] [Lord Mulgrave, Lord Dundas, Lord Seaforth, Honble Charles Greville, Charles Crowle Esqr, Duke of Leeds, Sir Joseph Banks.]
[Sir Joshua Reynolds pinxt. Charles Turner sculpt.]
[n.d., c.1800.]
Mezzotint, early proof before letters. 545 x 395mm (21½ x 15½"). Faint watermark in lower left corner. Some small creases, repaired tears at edges. Damaged.
A group of men belonging to the Society of Dilettanti (founded 1734), a British society of noblemen and scholars that sponsored the study of ancient Greek and Roman art, and the creation of new work in the style. The society is believed to have been established as a gentlemen's club in 1734 by a group of people who had been on the Grand Tour. It aimed to correct and purify the public taste of the country. A few years before Joshua Reynolds became a member, the group worked towards the objective of forming a public academy, and from the 1750s, it was the prime mover in establishing the Royal Academy of Arts. The group are depicted around a table drinking wine and examining rings.
Ex: Collection of The Hon. Christopher Lennox-Boyd. Collection Duke of Buccleuch stamp.
[Ref: 64850] £650.00
[Sir Joshua Reynolds pinxt. Charles Turner sculpt.]
[n.d., c.1800.]
Mezzotint, early proof before letters. 545 x 395mm (21½ x 15½"). Faint watermark in lower left corner. Some small creases, repaired tears at edges. Damaged.
A group of men belonging to the Society of Dilettanti (founded 1734), a British society of noblemen and scholars that sponsored the study of ancient Greek and Roman art, and the creation of new work in the style. The society is believed to have been established as a gentlemen's club in 1734 by a group of people who had been on the Grand Tour. It aimed to correct and purify the public taste of the country. A few years before Joshua Reynolds became a member, the group worked towards the objective of forming a public academy, and from the 1750s, it was the prime mover in establishing the Royal Academy of Arts. The group are depicted around a table drinking wine and examining rings.
Ex: Collection of The Hon. Christopher Lennox-Boyd. Collection Duke of Buccleuch stamp.
[Ref: 64850] £650.00
Major General W. J. Dilkes. Engraved for the Military Panoramas.
by H. R. Cook from a picture by S. Woodforde R. A. London published July 1.1813 by Martin & C.o N.o 33 Orchard Street Portman Square.
London, 1813.
Stipple engraving. 230 x 140mm (9 x 5½"). Trimmed to plate. Three small tears along right edge. Some light stains.
Half portrait of General William Thomas Dilkes (1767-1841), inclined to the right and front-gazing.
[Ref: 53888] £45.00 (£54.00 incl.VAT)
by H. R. Cook from a picture by S. Woodforde R. A. London published July 1.1813 by Martin & C.o N.o 33 Orchard Street Portman Square.
London, 1813.
Stipple engraving. 230 x 140mm (9 x 5½"). Trimmed to plate. Three small tears along right edge. Some light stains.
Half portrait of General William Thomas Dilkes (1767-1841), inclined to the right and front-gazing.
[Ref: 53888] £45.00 (£54.00 incl.VAT)
Wolfgang Dillis,
Gemalt und Gealzt von M. Kellerhoven.
in Mannheim bey Dom: Artaria. [n.d., 1794.]
Etching. 220 x 170mm (8¾ x 6¾") very large margins. Some surface soiling.
Wolfgang Dillis, head forester of the Elector Maximillian, musket in the crook of his arm. Maximillian was godfather to Dillis's son Johann Georg von Dillis, the artist and museum director.
[Ref: 45047] £130.00 (£156.00 incl.VAT)
Gemalt und Gealzt von M. Kellerhoven.
in Mannheim bey Dom: Artaria. [n.d., 1794.]
Etching. 220 x 170mm (8¾ x 6¾") very large margins. Some surface soiling.
Wolfgang Dillis, head forester of the Elector Maximillian, musket in the crook of his arm. Maximillian was godfather to Dillis's son Johann Georg von Dillis, the artist and museum director.
[Ref: 45047] £130.00 (£156.00 incl.VAT)
Sir John Talbot Dillon Knt. And Baron of the Sacred R. Empire. M.R.L.A. &c. &c.
W. Bond sc. 1798.
London, Published Jany. 1. 1798.
Stipple engraving in sanguine. 200 x 120mm. Occasional light staining.
Traveller and historical writer who enjoyed the favour of Holy Roman Emperor Joseph II [1740? - 1805].
Not in BM.
[Ref: 702] £45.00 (£54.00 incl.VAT)
W. Bond sc. 1798.
London, Published Jany. 1. 1798.
Stipple engraving in sanguine. 200 x 120mm. Occasional light staining.
Traveller and historical writer who enjoyed the favour of Holy Roman Emperor Joseph II [1740? - 1805].
Not in BM.
[Ref: 702] £45.00 (£54.00 incl.VAT)
A Perspective View of Dilston Hall, once the Seat of the Unfortunate James, Earl of Derwent-Water.
T. Oliver delin. Spilsbury sculp Russell-Court London.
Drawn on the Spot by Tho.s Oliver of Hexham in Northumberland & Published according to Act of Parliament July 17, 1766.
Engraving. 430 x 470mm (17 x 18½"). A few repaired tears, creasing, laid on album paper. Bit messy.
A view of Dilston Hall, at Dilston, near Corbridge, Northumberland, at one time the seat of James Radclyffe, 3rd Earl of Derwentwater, with three columns of text lamenting his death. Radclyffe, grandson of Charles II and Moll Davis, began the construction of a grand mansion to replace the old Hall, but the works was never completed as he was beheaded for his part in the 1715 Jacobite Rebellion. Dilston Hall came into the hand of the Fofeit Estates Commission. After a corrupt sale was annulled in 1731, the Greenwich Hospital Act 1735 directed that the estate's income should be used to complete the construction of Greenwich Hospital. The Greenwich Commissioners ordered its demolition in 1765 (the year before the publication of this plate), leaving standing only the castle tower and the chapel: the castle is a Scheduled Ancient Monument and a Grade I listed building.
[Ref: 52232] £320.00
T. Oliver delin. Spilsbury sculp Russell-Court London.
Drawn on the Spot by Tho.s Oliver of Hexham in Northumberland & Published according to Act of Parliament July 17, 1766.
Engraving. 430 x 470mm (17 x 18½"). A few repaired tears, creasing, laid on album paper. Bit messy.
A view of Dilston Hall, at Dilston, near Corbridge, Northumberland, at one time the seat of James Radclyffe, 3rd Earl of Derwentwater, with three columns of text lamenting his death. Radclyffe, grandson of Charles II and Moll Davis, began the construction of a grand mansion to replace the old Hall, but the works was never completed as he was beheaded for his part in the 1715 Jacobite Rebellion. Dilston Hall came into the hand of the Fofeit Estates Commission. After a corrupt sale was annulled in 1731, the Greenwich Hospital Act 1735 directed that the estate's income should be used to complete the construction of Greenwich Hospital. The Greenwich Commissioners ordered its demolition in 1765 (the year before the publication of this plate), leaving standing only the castle tower and the chapel: the castle is a Scheduled Ancient Monument and a Grade I listed building.
[Ref: 52232] £320.00
Mr. Dimond & Miss Wallis in the Characters of Romeo & Juliet. Romeo. "Let's fly together"
Ch.s Shirreff Pinx.t F. Bartolozzi R.A. sculp.t
London Publish'd as the Act directs by Ch.s Shirreff May 1796
Stipple, sheet 250 x 185mm (9¾ x 7¾"). Trimmed inside platemark.
Scene from Shakespeare's 'Romeo & Juliet' engraved by Francesco Bartolozzi (1725-1815) after Charles Shirreff (b.1750), British artist in India (Madras and Calcutta) 1796-1809. Bartolozzi (1725-1815) was born in Florence but migrated to England, and in 1768 was elected as a founding member of the Royal Academy in London (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. This impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi's work. Inscription verso indicates this is the only impression of the print in this state seen by Calabi. This state is not in fact listed in the catalogue, which lists only different identifications of the actors playing the two roles on impressions in different collections.
Calabi & de Vesme 1213 (state not listed)
[Ref: 43138] £180.00 (£216.00 incl.VAT)
Ch.s Shirreff Pinx.t F. Bartolozzi R.A. sculp.t
London Publish'd as the Act directs by Ch.s Shirreff May 1796
Stipple, sheet 250 x 185mm (9¾ x 7¾"). Trimmed inside platemark.
Scene from Shakespeare's 'Romeo & Juliet' engraved by Francesco Bartolozzi (1725-1815) after Charles Shirreff (b.1750), British artist in India (Madras and Calcutta) 1796-1809. Bartolozzi (1725-1815) was born in Florence but migrated to England, and in 1768 was elected as a founding member of the Royal Academy in London (the RA did not admit engravers at this time but made an exception in his case). He was already hailed as the best engraver in Italy when he met George III's librarian Richard Dalton in 1763. Dalton invited Bartolozzi to London with a promise of an appointment as engraver to the king. In England he became the most celebrated exponent of the 'stipple' technique whereby he produced prints using dots rather than lines. In 1801 Bartolozzi was invited to Lisbon to reform the royal printing press, and he spent his final years in Portugal. This impression from the collection of Dr. Augusto Calabi of Milan, art historian who co-authored (with A.B. de Vesme) the authoritative catalogue raisonné of Bartolozzi's work. Inscription verso indicates this is the only impression of the print in this state seen by Calabi. This state is not in fact listed in the catalogue, which lists only different identifications of the actors playing the two roles on impressions in different collections.
Calabi & de Vesme 1213 (state not listed)
[Ref: 43138] £180.00 (£216.00 incl.VAT)
Dina. Moina. No. 7
Giorodet-Triason pingebat 1801 et direxit. Aubry Lecomte delineavit 1821.
Lith de G. Engelmann.
Lithograph 290 x 445mm (11½ x 17½"), with large margins. Unidentified blind stamp.
Print of two women, one seems to be holding the other from behind in a dancing fashion. After Franch Romantic painter Anne-Louis Girodet de Roussy-Trioson (1767–1824). Girodet was closely associated with the emperor Napoleon: in 1812 he was commissioned to paint 36 portraits of Napoleon in his coronation robes for the Imperial Courts, 26 of which he had completed by Napoleon's abdication in 1814.
[Ref: 55932] £260.00 (£312.00 incl.VAT)
Giorodet-Triason pingebat 1801 et direxit. Aubry Lecomte delineavit 1821.
Lith de G. Engelmann.
Lithograph 290 x 445mm (11½ x 17½"), with large margins. Unidentified blind stamp.
Print of two women, one seems to be holding the other from behind in a dancing fashion. After Franch Romantic painter Anne-Louis Girodet de Roussy-Trioson (1767–1824). Girodet was closely associated with the emperor Napoleon: in 1812 he was commissioned to paint 36 portraits of Napoleon in his coronation robes for the Imperial Courts, 26 of which he had completed by Napoleon's abdication in 1814.
[Ref: 55932] £260.00 (£312.00 incl.VAT)
Dinan (Cotes-du-Nord).
Félix Benoist del. Eug. Ciceri lith. Fig. par Bayot.
Nantes, lith. Charpentier Edit. Paris, quai des Augustins, 55. [n..d., c.1860.]
Tinted lithograph. Sheet: 325 x 490mm (13 x 19¼''), with large margins Foxing at bottom
A view of the town of Dinan in Brittany in the north of France.
[Ref: 50908] £90.00 (£108.00 incl.VAT)
Félix Benoist del. Eug. Ciceri lith. Fig. par Bayot.
Nantes, lith. Charpentier Edit. Paris, quai des Augustins, 55. [n..d., c.1860.]
Tinted lithograph. Sheet: 325 x 490mm (13 x 19¼''), with large margins Foxing at bottom
A view of the town of Dinan in Brittany in the north of France.
[Ref: 50908] £90.00 (£108.00 incl.VAT)
![[Old Houses, Dinant.]](jpegs/64434.jpg)
[Old Houses, Dinant.]
Monk [William Monk].
Second Pull Feb 1912 [pencil].
Etching, proof; 380 x 280mm (15 x 11").
A view of a street in Dinant, Belgium by William Monk (1863-1937).
[Ref: 64434] £70.00 (£84.00 incl.VAT)
Monk [William Monk].
Second Pull Feb 1912 [pencil].
Etching, proof; 380 x 280mm (15 x 11").
A view of a street in Dinant, Belgium by William Monk (1863-1937).
[Ref: 64434] £70.00 (£84.00 incl.VAT)
![[Old Houses, Dinant.]](jpegs/64436.jpg)
[Old Houses, Dinant.]
Monk [William Monk].
[n.d., c.1912.]
Etching, proof. 380 x 280mm (15 x 11").
A view of a street in Dinant, Belgium by William Monk (1863-1937).
[Ref: 64436] £70.00 (£84.00 incl.VAT)
Monk [William Monk].
[n.d., c.1912.]
Etching, proof. 380 x 280mm (15 x 11").
A view of a street in Dinant, Belgium by William Monk (1863-1937).
[Ref: 64436] £70.00 (£84.00 incl.VAT)
Dindons. No.20.
Lith. de Delpech.
[n.d. c.1820.]
Lithograph with large margins. 272 x 363mm (10¾ x 14¼"). Small crease to upper left edge.
At a farm, six turkeys, two in the foreground, one pecking at the ground. A christmas item.
[Ref: 28684] £60.00 (£72.00 incl.VAT)
Lith. de Delpech.
[n.d. c.1820.]
Lithograph with large margins. 272 x 363mm (10¾ x 14¼"). Small crease to upper left edge.
At a farm, six turkeys, two in the foreground, one pecking at the ground. A christmas item.
[Ref: 28684] £60.00 (£72.00 incl.VAT)
Sir John Dinely Baronet.
W. Hopkins 1809.
Etching. 175 x 230mm very large margins. Foxing in margin.
John Dineley-Goodere (1729-1809), famous eccentric, wearing wig and bicorn. His father, Samuel Goodere, was convicted and hanged for the murder of his elder brother Sir John Dineley Goodere, 2nd Baronet in 1741. His older twin brother inherited the title, but died insane in 1761 aged 32. John wasted what money was left in the estate and, being nearly destitute, was given the pension and residence of a poor knight of Windsor (within the castle) through the intervention of Lord North. He spent the rest of his life trying to marry into money, randomly handing out marriage proposals to women he saw in the street.
[Ref: 44371] £130.00 (£156.00 incl.VAT)
W. Hopkins 1809.
Etching. 175 x 230mm very large margins. Foxing in margin.
John Dineley-Goodere (1729-1809), famous eccentric, wearing wig and bicorn. His father, Samuel Goodere, was convicted and hanged for the murder of his elder brother Sir John Dineley Goodere, 2nd Baronet in 1741. His older twin brother inherited the title, but died insane in 1761 aged 32. John wasted what money was left in the estate and, being nearly destitute, was given the pension and residence of a poor knight of Windsor (within the castle) through the intervention of Lord North. He spent the rest of his life trying to marry into money, randomly handing out marriage proposals to women he saw in the street.
[Ref: 44371] £130.00 (£156.00 incl.VAT)
Dinevwr Castle. On the Towy, Carmarthanshire, Morning.
J.H. Robinson del.t. J.S. Templeton ex.t.
[London, Engelman, Graf, Coindet & Co, , c.1861.]
Lithograph, laid on scrap sheet. 205 x 285mm, 8 x 11¼". Trimmed, losing publication line.
The ruins of Dinefwr Castle, near the town of Llandeilo, Carmarthenshire, Wales.
[Ref: 25262] £130.00 (£156.00 incl.VAT)
J.H. Robinson del.t. J.S. Templeton ex.t.
[London, Engelman, Graf, Coindet & Co, , c.1861.]
Lithograph, laid on scrap sheet. 205 x 285mm, 8 x 11¼". Trimmed, losing publication line.
The ruins of Dinefwr Castle, near the town of Llandeilo, Carmarthenshire, Wales.
[Ref: 25262] £130.00 (£156.00 incl.VAT)
![A Perspective and Political View of the Timber-Yard at the L-e [Limehouse].](jpegs/54383.jpg)
A Perspective and Political View of the Timber-Yard at the L-e [Limehouse]. The Saw Mill.
[Oxford Magazine, 1769.]
Engraving. Sheet 170 x 120mm (6¾ x 4¾"), with margins.
A satirical scene showing a lawyer sawing through the 'Magna Carta' and 'Bill of Rights' in front of a saw mill while John Wilkes looks on from the left. Charles Dingley, a speculator and mechanic, stood against Wilkes in the 1769 election. He patented a sawmill, built in Limehouse, which rioting sawyers pulled down in 1768, after which an Act was 'for punishing persons destroying mills' was passed.
BM Satires 4278.
[Ref: 54383] £130.00 (£156.00 incl.VAT)
[Oxford Magazine, 1769.]
Engraving. Sheet 170 x 120mm (6¾ x 4¾"), with margins.
A satirical scene showing a lawyer sawing through the 'Magna Carta' and 'Bill of Rights' in front of a saw mill while John Wilkes looks on from the left. Charles Dingley, a speculator and mechanic, stood against Wilkes in the 1769 election. He patented a sawmill, built in Limehouse, which rioting sawyers pulled down in 1768, after which an Act was 'for punishing persons destroying mills' was passed.
BM Satires 4278.
[Ref: 54383] £130.00 (£156.00 incl.VAT)
![A Perspective and Political View of the Timber-Yard at the L-e [Limehouse].](jpegs/53538.jpg)
A Perspective and Political View of the Timber-Yard at the L-e [Limehouse]. The Saw Mill.
[Oxford Magazine, 1769.]
Engraving. Sheet 165 x 105mm (6½ x 4¼"). Trimmed within plate mark.
A satirical scene showing a lawyer sawing through the 'Magna Carta' and 'Bill of Rights' in front of a saw mill while John Wilkes looks on from the left. Charles Dingley, a speculator and mechanic, stood against Wilkes in the 1769 election. He patented a sawmill, built in Limehouse, which rioting sawyers pulled down in 1768, after which an Act was 'for punishing persons destroying mills' was passed.
BM Satire 4278.
[Ref: 53538] £75.00 (£90.00 incl.VAT)
[Oxford Magazine, 1769.]
Engraving. Sheet 165 x 105mm (6½ x 4¼"). Trimmed within plate mark.
A satirical scene showing a lawyer sawing through the 'Magna Carta' and 'Bill of Rights' in front of a saw mill while John Wilkes looks on from the left. Charles Dingley, a speculator and mechanic, stood against Wilkes in the 1769 election. He patented a sawmill, built in Limehouse, which rioting sawyers pulled down in 1768, after which an Act was 'for punishing persons destroying mills' was passed.
BM Satire 4278.
[Ref: 53538] £75.00 (£90.00 incl.VAT)
![A Perspective and Political View of the Timber-Yard at the L-e [Limehouse].](jpegs/59971.jpg)
A Perspective and Political View of the Timber-Yard at the L-e [Limehouse]. The Saw Mill.
[Oxford Magazine, 1769.]
Engraving. Sheet 170 x 120mm (6¾ x 4¾"), with margins.
A satirical scene showing a lawyer sawing through the 'Magna Carta' and 'Bill of Rights' in front of a saw mill while John Wilkes looks on from the left. Charles Dingley, a speculator and mechanic, stood against Wilkes in the 1769 election. He patented a sawmill, built in Limehouse, which rioting sawyers pulled down in 1768, after which an Act was 'for punishing persons destroying mills' was passed.
BM Satires 4278.
[Ref: 59971] £70.00 (£84.00 incl.VAT)
[Oxford Magazine, 1769.]
Engraving. Sheet 170 x 120mm (6¾ x 4¾"), with margins.
A satirical scene showing a lawyer sawing through the 'Magna Carta' and 'Bill of Rights' in front of a saw mill while John Wilkes looks on from the left. Charles Dingley, a speculator and mechanic, stood against Wilkes in the 1769 election. He patented a sawmill, built in Limehouse, which rioting sawyers pulled down in 1768, after which an Act was 'for punishing persons destroying mills' was passed.
BM Satires 4278.
[Ref: 59971] £70.00 (£84.00 incl.VAT)
Robert Dingley Esq.r Treasurer to the Magdalen House. Done from an Original Picture presented to that Charity by M,,r William Hoare.
W. Hoare Pinx.t. J. Dixon Fec.t.
[n.d., c.1760.]
Mezzotint. 380 x 280mm (15 x 11"). Ruled in black around image. Small margins.
A portrait of merchant Robert Dingley (1709 - 1781), holding a book open on right knee to show the title-page of 'An Account of the Rise, Progress and Present State of the Magdalen Charity' faced by a picture of a woman. Dingley founded the Magdalen Hospital for 'fallen women'.
CS 14.
[Ref: 66071] £230.00 (£276.00 incl.VAT)
W. Hoare Pinx.t. J. Dixon Fec.t.
[n.d., c.1760.]
Mezzotint. 380 x 280mm (15 x 11"). Ruled in black around image. Small margins.
A portrait of merchant Robert Dingley (1709 - 1781), holding a book open on right knee to show the title-page of 'An Account of the Rise, Progress and Present State of the Magdalen Charity' faced by a picture of a woman. Dingley founded the Magdalen Hospital for 'fallen women'.
CS 14.
[Ref: 66071] £230.00 (£276.00 incl.VAT)
Australasian Dog, or Dingo.
Heath sculp.
1800 Jan.y 1. London, Publish'd by G. Kearsley, Fleet Street.
Engraving. Sheet 120 x 205mm (4¾ x 8"). Trimmed within plate.
From George Shaw's 'Systematic Natural History'.
[Ref: 55357] £60.00 (£72.00 incl.VAT)
Heath sculp.
1800 Jan.y 1. London, Publish'd by G. Kearsley, Fleet Street.
Engraving. Sheet 120 x 205mm (4¾ x 8"). Trimmed within plate.
From George Shaw's 'Systematic Natural History'.
[Ref: 55357] £60.00 (£72.00 incl.VAT)
Hund van Neuholland. Canis Dingo. Der Hirtenhund. Canis domesticus. Le berger. Der Jagdhund. Canis gallicus. Chien courrant. Der Spitz oder Pommer. Canis pomeranus. Le Chien loup. 42.
[n.d. c.1847.]
Lithograph with small margins, rare. 335 x 230mm (13¼ x 9"). Small chip to paper lower left.
A dingo, Leonberger, Galgo Hound (Spanish Greyhound), and Spitz or Pomeranian. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29491] £95.00 (£114.00 incl.VAT)
[n.d. c.1847.]
Lithograph with small margins, rare. 335 x 230mm (13¼ x 9"). Small chip to paper lower left.
A dingo, Leonberger, Galgo Hound (Spanish Greyhound), and Spitz or Pomeranian. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29491] £95.00 (£114.00 incl.VAT)
Hund von Newholland. Chien de la nouvelle Holland. Ujhollandiai Kutya. 64.
[n.d. c.1847.]
Lithograph, with large margins, rare. 240 x 368mm (9½ x 14½").
Dingo. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29506] £180.00 (£216.00 incl.VAT)
[n.d. c.1847.]
Lithograph, with large margins, rare. 240 x 368mm (9½ x 14½").
Dingo. From "Panorama der Saeugethiere lithographirt und herausgegeben von H. Reichert".
[Ref: 29506] £180.00 (£216.00 incl.VAT)
Native Dog of New South Wales.
A. Cooper R.A. Pinxt. W. Smith sculpt.
London 1822.
Engraving 170 x 125mm.
[Ref: 1365] £65.00 (£78.00 incl.VAT)
A. Cooper R.A. Pinxt. W. Smith sculpt.
London 1822.
Engraving 170 x 125mm.
[Ref: 1365] £65.00 (£78.00 incl.VAT)
Brücke beÿ Dingolfing.
Wagenbauer del.
[n.d. c.1800.]
Early German lithograph, very large margins. 349 x 495mm (13¾ x 19½").
The high vaulted arch bridge across the Isar River, at Dingolfing, Southern Bavaria, Germany.
[Ref: 31106] £120.00 (£144.00 incl.VAT)
Wagenbauer del.
[n.d. c.1800.]
Early German lithograph, very large margins. 349 x 495mm (13¾ x 19½").
The high vaulted arch bridge across the Isar River, at Dingolfing, Southern Bavaria, Germany.
[Ref: 31106] £120.00 (£144.00 incl.VAT)
The Town of Dingwall.
Drawn on the Spot by I. Clark.
London, Published by Smith, & Elder, Fenchurch Street, 1824.
Coloured aquatint. Plate 476 x 627mm. 18¾ x 24¾". Crease to lower left-hand corner.
Dating from the Vikings' arrival in Scotland, Dingwall, and its Castle was home to the once powerful earls of Ross, The Castle once being the biggest north of Stirling. Dingwall formerly served as the county town of the county of Ross and Cromarty. It lies near the head of the Cromarty Firth where the valley of the Peffery unites with the alluvial lands at the mouth of the Conon, northwest of Inverness.
Abbey No: 489: 34.
[Ref: 17815] £520.00
Drawn on the Spot by I. Clark.
London, Published by Smith, & Elder, Fenchurch Street, 1824.
Coloured aquatint. Plate 476 x 627mm. 18¾ x 24¾". Crease to lower left-hand corner.
Dating from the Vikings' arrival in Scotland, Dingwall, and its Castle was home to the once powerful earls of Ross, The Castle once being the biggest north of Stirling. Dingwall formerly served as the county town of the county of Ross and Cromarty. It lies near the head of the Cromarty Firth where the valley of the Peffery unites with the alluvial lands at the mouth of the Conon, northwest of Inverness.
Abbey No: 489: 34.
[Ref: 17815] £520.00
John Dingwall of Brucklay. Born at Brucklay Castle, 11 October 1815.
J.Holmes Esqr. pinxt. C.Turner sculpt.
London Published Dec.r 15, 1819, by C.Turner, 50 Warren Street, Fitzroy Square.
Rare engraving. 355 x 255mm (14 x 10"). Some creasing.
Portrait of John Duff Dingwall (1815 - 1840) of Bruckley, as a child. He wears a traditional kilt and leans with his right arm against a tree. He was born at Brucklay Castle, also known as Brucklay House, a 16th-century castle in the Buchan area of Aberdeenshire, Scotland.
W161. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67234] £260.00 (£312.00 incl.VAT)
J.Holmes Esqr. pinxt. C.Turner sculpt.
London Published Dec.r 15, 1819, by C.Turner, 50 Warren Street, Fitzroy Square.
Rare engraving. 355 x 255mm (14 x 10"). Some creasing.
Portrait of John Duff Dingwall (1815 - 1840) of Bruckley, as a child. He wears a traditional kilt and leans with his right arm against a tree. He was born at Brucklay Castle, also known as Brucklay House, a 16th-century castle in the Buchan area of Aberdeenshire, Scotland.
W161. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67234] £260.00 (£312.00 incl.VAT)
John Dingwall of Brucklay. Born at Brucklay Castle, 11 October 1815.
J.Holmes Esqr. pinxt. C.Turner sculpt.
London Published Dec.r 15, 1819, by C.Turner, 50 Warren Street, Fitzroy Square.
Rare engraving. Sheet 335 x 220mm (13¼ x 8¾"). Trimmed into plate. Laid on archve paper.
Portrait of John Duff Dingwall (1815 - 1840) of Bruckley, as a child. He wears a traditional kilt and leans with his right arm against a tree. He was born at Brucklay Castle, also known as Brucklay House, a 16th-century castle in the Buchan area of Aberdeenshire, Scotland.
W161. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67235] £180.00 (£216.00 incl.VAT)
J.Holmes Esqr. pinxt. C.Turner sculpt.
London Published Dec.r 15, 1819, by C.Turner, 50 Warren Street, Fitzroy Square.
Rare engraving. Sheet 335 x 220mm (13¼ x 8¾"). Trimmed into plate. Laid on archve paper.
Portrait of John Duff Dingwall (1815 - 1840) of Bruckley, as a child. He wears a traditional kilt and leans with his right arm against a tree. He was born at Brucklay Castle, also known as Brucklay House, a 16th-century castle in the Buchan area of Aberdeenshire, Scotland.
W161. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67235] £180.00 (£216.00 incl.VAT)
Dining Out. (Nothing for the Waiter.)
Drawn by Alfred Crowquill. Engraved by J. Porter.
London, Published by W. Tegg & Co. 85, Queen St. Cheapside. Oct.r 30th. 1855.
Mixed-method engraving, rare. Plate 438 x 342mm. 17¼ x 13½".
A rural scene; a girl with some bread in her hand and wheat in a bundle tied into her dress, walks towards a gate; a dog looks up at her for the piece of bread.
[Ref: 19372] £240.00 (£288.00 incl.VAT)
Drawn by Alfred Crowquill. Engraved by J. Porter.
London, Published by W. Tegg & Co. 85, Queen St. Cheapside. Oct.r 30th. 1855.
Mixed-method engraving, rare. Plate 438 x 342mm. 17¼ x 13½".
A rural scene; a girl with some bread in her hand and wheat in a bundle tied into her dress, walks towards a gate; a dog looks up at her for the piece of bread.
[Ref: 19372] £240.00 (£288.00 incl.VAT)
Representation of the Dinner in the Theatre Royal Manchester on the 4.th Dec.r 1832. Dedicated by permission to Francis Aspinall Philips Esq.re chairman; & to the Gentlemen composing the Committee of John Thomas Hope Esq.re by thier; Ob.t Humble Servant, Dominic Bologaro. About 750 Gentlemen sat down to Dinner exclusive of a number who were afterwards admitted to take wine with the Company, also 400 Ladies in the upper Boxes...
Sketched & Drawn on Stone by T. Allom. T. Physick lith.r 90 King St. Manchester.
Published by D. Bolongaro 32 Market St. Manchester Dec.r 1832.
Lithograph on india. Sheet 341 x 445mm. 13½ x 17½". Some soiling and tears into the edges, creasing, large margins.
A dinner for the parliamentary candidates and committee of the Tory party and John Thomas Hope; General Election 1832, won that year in Manchester by Mark Philips (1800-1873) for the English Liberal Party.
[Ref: 23399] £130.00 (£156.00 incl.VAT)
Sketched & Drawn on Stone by T. Allom. T. Physick lith.r 90 King St. Manchester.
Published by D. Bolongaro 32 Market St. Manchester Dec.r 1832.
Lithograph on india. Sheet 341 x 445mm. 13½ x 17½". Some soiling and tears into the edges, creasing, large margins.
A dinner for the parliamentary candidates and committee of the Tory party and John Thomas Hope; General Election 1832, won that year in Manchester by Mark Philips (1800-1873) for the English Liberal Party.
[Ref: 23399] £130.00 (£156.00 incl.VAT)
![[A dinner party.]](jpegs/10415.jpg)
[A dinner party.]
Imp. de Jacomme et Cie. rue de Lancry, 16, Paris [c.1850].
Lithograph on india laid paper, image 210 x 280mm. 8¼ x 11".
An upmarket French dinner party in a lavishly decorated interior. With collector's blindstamp of Adolphe Moreau below dated 1851, and stamped with number '113' upper left corner of sheet. Moreau's collection of 19th century French paintings compiled in the 1840s was augmented between 1898 and 1906 by Impressionist works bought by his grandson Etienne Moreau-Nélaton, the painter and art historian. The entire collection was given to the French state in 1906 and divided between the Musée du Louvre and Musée d'Orsay.
[Ref: 10415] £140.00 (£168.00 incl.VAT)
Imp. de Jacomme et Cie. rue de Lancry, 16, Paris [c.1850].
Lithograph on india laid paper, image 210 x 280mm. 8¼ x 11".
An upmarket French dinner party in a lavishly decorated interior. With collector's blindstamp of Adolphe Moreau below dated 1851, and stamped with number '113' upper left corner of sheet. Moreau's collection of 19th century French paintings compiled in the 1840s was augmented between 1898 and 1906 by Impressionist works bought by his grandson Etienne Moreau-Nélaton, the painter and art historian. The entire collection was given to the French state in 1906 and divided between the Musée du Louvre and Musée d'Orsay.
[Ref: 10415] £140.00 (£168.00 incl.VAT)
The Dinner-Locust; or Advantages of a Keen Scent [...]
Drawn by E.F. Lambert. Eng.d by Cha.s Hunt.
Pub.d by D.B. Woodward, 98 Cheapside [c.1825]
Etching and aquatint printed in colour, platemark 275 x 210mm (10¾ x 8¼"), with very large margins.
Satire on a 'dinner-locust', a young man (far right) with a keen sense of smell who habitually visits acquaintances just in time for dinner, as explained by the text below: -Egad, my Worthy Friend, it seems I have just hit your hour. -Yes, you generally do.
Hickman 119.
[Ref: 67432] £320.00
Drawn by E.F. Lambert. Eng.d by Cha.s Hunt.
Pub.d by D.B. Woodward, 98 Cheapside [c.1825]
Etching and aquatint printed in colour, platemark 275 x 210mm (10¾ x 8¼"), with very large margins.
Satire on a 'dinner-locust', a young man (far right) with a keen sense of smell who habitually visits acquaintances just in time for dinner, as explained by the text below: -Egad, my Worthy Friend, it seems I have just hit your hour. -Yes, you generally do.
Hickman 119.
[Ref: 67432] £320.00
Dinsdale Baths, from the Woods.
J.M. Sparks delt. Paul Gauci lith.
Printed by Engelmann & Co. [n.d. c.1820.]
Lithograph. 159 x 201mm. 6¼ x 8".
Dinsdale Spa, Darlington, Durham. Although never as fashionable as Buxton or Bath, Dinsdale was thought by the Darlington Railway Company to have potential and they built Dinsdale Station to accomodate the anticipated passenger traffic.
Not in Abbey.
[Ref: 16407] £65.00 (£78.00 incl.VAT)
J.M. Sparks delt. Paul Gauci lith.
Printed by Engelmann & Co. [n.d. c.1820.]
Lithograph. 159 x 201mm. 6¼ x 8".
Dinsdale Spa, Darlington, Durham. Although never as fashionable as Buxton or Bath, Dinsdale was thought by the Darlington Railway Company to have potential and they built Dinsdale Station to accomodate the anticipated passenger traffic.
Not in Abbey.
[Ref: 16407] £65.00 (£78.00 incl.VAT)
The Portraicture of the Reverend Mr. John Diodati. Minister of God's Word. Aetatis 70. Anno 1647. 'Reader looke well on Diodati, more/ Uppon the Golden worke he stands before./ Lest in the Scripture's Labyrinth the minde/ Should snare and lose it selfe, heer thou mayst finde/ A Clue that through each mysterious storie/ Lead thee from earth up the throne of Glorie. Wher thy well-guided soule shall once meet his/ Whoe heer directs thee to eternall bliss.'
[on left in plate] W. Hollar fecit 1643.
Etching. Sheet 195 x 110mm (7¾ x 4"). Trimmed to plate and laid on album paper. Minor toning
Giovanni Diodati (1576 - 1649) was an Italian theologian and translator. He translated the first version of the Italian Bible from Hebrew and Greek sources.
[Ref: 53726] £130.00 (£156.00 incl.VAT)
[on left in plate] W. Hollar fecit 1643.
Etching. Sheet 195 x 110mm (7¾ x 4"). Trimmed to plate and laid on album paper. Minor toning
Giovanni Diodati (1576 - 1649) was an Italian theologian and translator. He translated the first version of the Italian Bible from Hebrew and Greek sources.
[Ref: 53726] £130.00 (£156.00 incl.VAT)
Diogenes. Intuitus Puerum concaua bibentem manu...
Eques Carolus Maratti invent. Andreas Procacinus sculp.
Cum privil. Sum: Pont et regis Christ.mi. [n.d., c.1720.]
Engraving. Sheet: 380 x 235mm (15 x 9¼''). Trimmed, mounted into album sheet. Staining.
A scene showing Diogenese watching a young man drinking directly from a stream, causing him to cast aside his last possession, a cup which lies discarded on the ground.
[Ref: 49755] £70.00 (£84.00 incl.VAT)
Eques Carolus Maratti invent. Andreas Procacinus sculp.
Cum privil. Sum: Pont et regis Christ.mi. [n.d., c.1720.]
Engraving. Sheet: 380 x 235mm (15 x 9¼''). Trimmed, mounted into album sheet. Staining.
A scene showing Diogenese watching a young man drinking directly from a stream, causing him to cast aside his last possession, a cup which lies discarded on the ground.
[Ref: 49755] £70.00 (£84.00 incl.VAT)
Diogenes looking for an Honest Man. 86.
Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church yard, London. Publish'd as the Act directs, 2nd Oct.r 1777.
Scarce engraving. Sheet 515 x 375mm (20¼ x 14¾"). Trimmed within plate, repaired tears, laid on archival tissue. Damaged.
A scene showing the Greek philosopher Diogenes walking through a contemporary English villlage streets in the middle of the day, using a lit lamp to searching for a good man. The villagers point and laugh.
Not in BM but see BM Satires 5392 for a smaller mezzotint also published by Bowles.
[Ref: 59673] £380.00 (£456.00 incl.VAT)
Printed for & Sold by Carington Bowles, at his Map & Print Warehouse, No. 69 in St. Pauls Church yard, London. Publish'd as the Act directs, 2nd Oct.r 1777.
Scarce engraving. Sheet 515 x 375mm (20¼ x 14¾"). Trimmed within plate, repaired tears, laid on archival tissue. Damaged.
A scene showing the Greek philosopher Diogenes walking through a contemporary English villlage streets in the middle of the day, using a lit lamp to searching for a good man. The villagers point and laugh.
Not in BM but see BM Satires 5392 for a smaller mezzotint also published by Bowles.
[Ref: 59673] £380.00 (£456.00 incl.VAT)
![[Dirk II] Theodoricus II, Theodorici I. Filiusm Secundus Hollaniæ, etc. Comes [...]](jpegs/62537.jpg)
[Dirk II] Theodoricus II, Theodorici I. Filiusm Secundus Hollaniæ, etc. Comes [...]
[C. Visscher sculp.]
[Haarlem: Pieter Soutman, c.1650.]
Etching with engraving, slight 17th century watermark. 410 x 300mm (16 x 11¾"), very large margins Margins chipped and staining in right bottom margin.
Head and shoulders portrait of Dirk II (c.920-988), from Cornelis Visscher's series, 'Counts of Holland, Zeeland and West-Frisia', first published by Pieter Soutman in 1650. This second state has Visscher's name removed.
BM 1839,0413.337.
[Ref: 62537] £320.00
[C. Visscher sculp.]
[Haarlem: Pieter Soutman, c.1650.]
Etching with engraving, slight 17th century watermark. 410 x 300mm (16 x 11¾"), very large margins Margins chipped and staining in right bottom margin.
Head and shoulders portrait of Dirk II (c.920-988), from Cornelis Visscher's series, 'Counts of Holland, Zeeland and West-Frisia', first published by Pieter Soutman in 1650. This second state has Visscher's name removed.
BM 1839,0413.337.
[Ref: 62537] £320.00