Grosvenor Prints

[Croatia] Iean Lovys Comte d'AbIsolani General de Croates.
B. Moncornet excu.
[n.d. c.1770.]
Etching and engraving. Plate 152 x 114mm. 6 x 4½".
Ludovic Isolani, the Croatian leader who was killed on the bridge at Spoy c.1750.
[Ref: 20887] £85.00 (£102.00 incl.VAT)

[Croatia] A Pandour Collonel. A Pandour Ensign. A Pandour Collonel Watch Master.
Joh. Sebast. Muller fec. Lond. Drawn after ye Life & design'd by Joh. Seb. Muller. Engraved by Joh. Seb. Muller.
Publish'd according to Act of Parliament, Nov. 15, 1743. London printed for John Bowles at the Black Horse in Cornhill.
Etching, sheet 195 x 245mm. 7¾ x 9¾". Foxing. Trimmed within plate and glued to album page.
Pandours were an 18th century force of Croatian soldiers in the Austrian service, notorious for their brutality. Rare. For a book, numbered '3' upper right. By Johann Sebastian Müller (1715 - 1792), engraver of historical, topographical and portrait prints; botanist. He was born in Nuremberg, where he trained, and emigrated to London in 1744.
[Ref: 13080] £160.00 (£192.00 incl.VAT)

[Roški Slap on the Krka] Vue Particuliere de la Cascade de la Kerka, audessus de Scardona en Dalmatie.
Dessiné par Cassas. Gravé à l'Eau-forte par la C.re Chenu. Terminé par Neé.
[n.d., 1802.]
Etching. 430 x 280mm (17 x 11"), large margins.
Roški Slap, waterfalls and cascades on the Lrka River, within the Krka National Park in Croatia. From 'Voyage Pittoresque et Historique de l'Istrie et de la Dalmatie', with a text by Joseph Lavallée.
[Ref: 58040] £140.00 (£168.00 incl.VAT)

[Porec] Parens, sive Parentium vulgo, Parenzo Histrie Opp:
[Engraved by Frans Hogenberg.]
[Amsterdam, Johannes Jansson, 1657.]
Engraving. Printed area 170 x 250mm (6¾ x 9¾"). Trimmed to printed border on two sides.
A prospect of Porec, Croatia, from the sea. Originally published in the Braun & Hogenberg 'Civitates Orbis Terrarum' atlas of townplans in 1575, this example comes from Jansson's Townbooks, which utlilised many of the Hogenberg plates.
[Ref: 55522] £160.00 (£192.00 incl.VAT)

[Sibenik] Sibinium, Ptolemeo Sicum vulgo Sibenicho, Dalmatie opp:
[Engraved by Frans Hogenberg.]
[Amsterdam, Johannes Jansson, 1657.]
Engraving. Printed area 135 x 175mm (5¼ x 7"). Trimmed to printed border on two sides.
A prospect of Sibenik, Croatia, with St. Nicholas Fortress in the foreground. Originally published in the Braun & Hogenberg 'Civitates Orbis Terrarum' atlas of townplans in 1575, this example comes from Jansson's Townbooks, which utlilised many of the Hogenberg plates.
[Ref: 55519] £130.00 (£156.00 incl.VAT)

[The Aqueduct of Diolcletian] Vue de L'Aqueduct de Salones, Qui conduisoit l'Eau à Spalatre.
Dessiné par Cassas. Gravé à l'Eau-forte par Charpentier. Terminé par Neé.
[n.d., 1802.]
Etching. 280 x 430mm (11 x 17"), large margins. Cracks in edges of margins.
The Roman aquaduct built to bring water to the palace of the emperor Diocletian in Croatia. From 'Voyage Pittoresque et Historique de l'Istrie et de la Dalmatie', with a text by Joseph Lavallée.
[Ref: 58039] £160.00 (£192.00 incl.VAT)

[Crockery sellers.]
T. Orde ft 1768.
Etching. Sheet 220 x 170mm (8¾ x 6¾"). Trimmed within plate on three sides.
A portrait of a man and a woman, both carrying baskets of crockery, by Thomas Orde-Powlett (1746-1807), a politician also known for his etched caricatures (mostly of Cambridge celebrities) which were published by his drawing-master, the well-known printmaker James Bretherton. The British Museum's impression has a pencil annotation 'Mrs. Hammond Printseller & D. Randal Printman at Cambridge', which they have taken as an identification. However as they have more than one Orde caricature with 'D. Randal' on the reverse it is more likely that Randal sold the print rather that is the subject.
See BM 1847,0713.61 for this print and 1847,0713.60 for the other 'Randal'. Ex. Collection N. Blackburn.
[Ref: 60747] £160.00 (£192.00 incl.VAT)

Crockery.
[n.d. c.1830.]
Handcoloured lithograph with added gum arabic. 127 x 127mm. 5 x 5".
Puzzle print; Crockery, the earthenware pot; a woman with a body of ceramic bowls, jugs, cups, containers, plates, dishes, pourers, and egg cups. In 1830, George Spratt, an English artist, and George E. Madeley, an English engraver and printmaker, produced a series of lithographed satiric designs of tradesmen composed of the objects of their profession. They were published by Charles Tilt, a London book and print seller.
[Ref: 19394] £95.00 (£114.00 incl.VAT)

Crockery.
Printed by N.Jones.
[n.d., c.1850.]
Coloured lithograph. Printed area 190 x 120mm (7½ x 4¾").
A woman's figure made up from jugs, ewers, plates, teapot and sauce boats. A Personification print.
[Ref: 11844] £130.00 (£156.00 incl.VAT)

David Crockett's Fight for Bear-Meat. Sporting Anecdotes. The Hardest Fend Off!! [...]
Drawn & Engraved by H. Alken.
Published March 1st 1839 by R. Ackermann at his Eclipse, Sporting Gallery, 191, Regent St.
Aquatint printed in colour with gum arabic, platemark 280 x 380mm (11 x 15"), on Whatman paper watermarked 1837. Crease through centre.
Davy Crockett (1786-1836), American frontiersman, soldier, and politician, encountering a bear. He approaches the bear, which has one of Crockett's dogs in its clutches. Already a media star in his lifetime, this print was published three years after he was killed at the Alamo. Print made by Henry Alken (1785-1851), painter and engraver who specialised in hunting, coaching, racing and animal subjects. His work was highly sought-after in sporting circles, particularly amongst the huntsmen who gathered at Melton Mowbray.
[Ref: 39541] £450.00

[William Crockford] W. Crockford [facsimile signature.]
R.S.
[n.d., c.1830.]
Coloured lithograph. Sheet 210 x 135mm (8¼ x 5¼"). Binding marks in left edge.
William Crockford (1775 - 1844). After working with his father as a fishmonger he won a large sum of money, which he used to found a gambling house In St James's Street, 'Crockford's', which made him one of the richest men in England.
[Ref: 52058] £60.00 (£72.00 incl.VAT)

Stephen Croft Esq.r F.AS.
J. Reynolds Equa Pinx.t. C. Carter fecit.
Published Oct.r 1.st 1787 and old by Robert Wikinson, N.º 58 Cornhill.
Scarce etching. 225 x 185mm (8¾ x 7¼"). Printer's creases in margins.
Portrait of Stephen Croft (1712-98) of Stillington, Yorkshire. His father, also Stephen, had founded a company importing wine from Portugal and helped to found the York Assembly Rooms. The younger Stephen was elected a director of the Rooms in 1752. Lawrence Sterne was vicar at Stillington (1745-68), becoming a friend of the family.
Hamilton p19, iii of iii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 67974] £240.00 (£288.00 incl.VAT)

Spa Hotel, Croft.
Lambert.
[n.d., c.1835.]
Steel engraving. Sheet 90 x 160mm (3½ x 6¼"). Trimmed.
A view of the Croft Spa Hotel, Croft-on-Tees, North Yorkshire. It was built in 1835 by Ignatius Bonomi for Sir William Chaytor to cater for visitors taking the spa's sulpherous mineral waters, and is now Listed Grade II.
[Ref: 56594] £95.00 (£114.00 incl.VAT)

[Pair] Crofton Hall, Yorkshire To M,,rs Wilson (now) of New Miller Dam, This Plate is most respectfully Dedicated by her Ob,,t Serv,,t C. Cope. [&] To Miss Richmal Mangnall, of Crofton Hall, this Plate is most respectfully Dedicated by her Ob,,t Serv,,t C. Cope.
Drawn by C. Cope. Engraved by R. & D. Havell.
Published Dec.r 1st 1813, by Mr. Cope.
Pair of aquatints, printed in colours and hand-finished. Each sheet 335 x 250mm (13 x 10"). Trimmed to plate, laid.on board.
Crofton Hall, a school attended by the Bronte sisters, in Crofton, near Wakefield, Yorkshire, now the site of Crofton High School. In 1808 Miss Richmal Mangnall (1769-1820), a former pupil, bought Crofton Hall, running the school there until her death. She was one of the most prominent educators of girls of her time.
[Ref: 61008] £240.00 (£288.00 incl.VAT) view all images for this item

[9 writing sheets with vignette rustic scenes of Crofton, West Yorkshire.]
Crofton. CC.
[n.d., c.1826.]
9 lithographs. Each sheet c. 230 x 190mm (9 x 7½"). Two sheets watermarked 'J Green & Son 1826'.
Writing sheets with scenes of rustic buildings in Crofton, West Yorkshire, school of Bronte sisters. Green & Son in Hayle Mill, Kent operated from 1815.
[Ref: 55339] £280.00 (£336.00 incl.VAT) view all images for this item

To Bell Lloyd Esq.r this View of Corwen on the River-Dee, is with the greatest respect inscribed by his obedient and obliged Servants T. Walmsley and F. Jukes.
From a Picture by T. Walmsley. Engrav'd by F. Jukes.
London Pub.d Nov.r 1 1792 by F. Jukes No.10 Howland Street.
Aquatint with fine hand colour. 350 x 445mm (13¾ x 17½"), with very large margins. Stitch markes in left margin.
A view of a manor house under mountains. By the banks of the Dee a man sits sketching, probably a self-portrait by Walmsley. From the series ''Views in North Wales''.
Abbey Scenery: 512.
[Ref: 55221] £280.00 (£336.00 incl.VAT)

Vera Effigies Georgii Croke Equitis Aurati et Utriusqu Banci Iusticiar: Temp: Car: Reg: Ut Vulturs hominum, Ita Sumulacra vultus quae Marmore, aut aere finguntur Imbecilla, ac mortalia sunt: Forma mentis aeterna: quam tenera, et exprimere non per alienam maeriam, et artem, sed tuis ipse moribus possis. Tac: in vita Iulÿ Agric: Socri Sui.
Rob: Vaughan sculp:
[n.d. c.1661.]
Engraving. Plate 209 x 140mm. 8¼ x 5½", paper with 17th century watermark. Trimmed, crease through centre.
Portrait of George Croke, bust in an oval, wearing skull-cap, ruff, and robes, and holding a scroll; coat of arms below, with a row of books. Sir George Croke (1560-1642) the judge and law-reporter.
NPG: D26956.
[Ref: 27337] £70.00 (£84.00 incl.VAT)

Vera Effigies Georgii Croke Equitis Aurati et Utriusqu Banci Iusticiar: Ut Vulturs hominum, Ita Sumulacra vultus quae Marmore, aut aere finguntur Imbecilla, ac mortalia sunt: Forma mentis aeterna: quam tenera, et exprimere non per alienam maeriam, et artem, sed tuis ipse moribus possis. Tac: in vita Iulÿ Agric: Socri Sui.
R. Gaywood fecit.
[n.d., 1657.]
Etching, with Collector's Mark. 205 x 135mm (8 x 5¼"). Trimmed close to plate, mounted in album sheet at edges.
Portrait of George Croke (c.1560 – 1642), bust in an oval, wearing skull-cap, ruff, and robes, and holding a scroll; coat of arms below, with a row of books. Frontispiece to 'The Reports of Sir George Croke' (1560-1642), judge and law-reporter.
[Ref: 62071] £130.00 (£156.00 incl.VAT)

[John Wilson Croker.]
[Engraved by George Clint after William Owen.]
[n.d., c.1830.]
Mezzotint. Proof before letters. Plate: 355 x 250mm (14 x 9¾''), with large margins. Slight horizontal crease.
A half-length portrait of politician and writer John Wilson Croker (1780-1857) who served as Secretary of the Admiralty and was a founding member of the Athenaeum Club.
[Ref: 48248] £140.00 (£168.00 incl.VAT)

Front of the New Mills.
J. Crome, 1813.
[Norfolk, for the benefit of his widow, 1834.] bit later.
Etching. 230 x 305mm (9 x 12"), sheet with very large margins.
A view of the New Mills, Norwich, from the River Wensum, etched by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. This state has the title added at bottom. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 5, state iii of iii. See 57580 for earlier state.
[Ref: 57808] £160.00 (£192.00 incl.VAT)

[Tree Trunks & Lane.] [&] [Footbridge at Cringleford.]
[by John Crome.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings on chine collé, on one sheet. 210 x 165mm (8¼ x 6½") & 225 x 175mm (9 x 7"), sheet with large margins. Backing paper foxed
Two studies of trees in rural Norfolk, etched c.1811 & 1812 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 29 & 8 (state ii of iv).
[Ref: 57582] £320.00

[At Hackford.]
J. Crome [?] 1812.
[Norfolk, for the benefit of his widow, 1834.]
Etching on chine collé. 175 x 275mm (7 x 10¾"), sheet with large margins. Backing paper foxed, tear taped.
A view of a cottage set in trees by a pond, etched by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 14, state iv of v.
[Ref: 57583] £320.00

[Tree Trunk & Bushes.] [&] [Deepham, near Hingham.]
[Deepham] J Crome 1813.]
[Norfolk, for the benefit of his widow, 1834.]
Two etchings and drypoint on chine collé, on one sheet. 180 x 145mm (7 x 5¾") & 160 x 175mm (6¼ x 7"), sheet with large margins. Backing paper foxed
Two studies of trees in rural Norfolk, etched c.1811 & 1813 by John Crome (1768-1821), a founding member of the Norwich School of painters and one of the first 19th-century Britons to use etching as an expressive tool, anticipating the Etching Revival. Although Crome issued a prospectus for his etchings, none were published in his lifetime. In 1834 sixty sets titled ''Norfolk Picturesque Scenery, Consisting of Thirty-One Etchings'' were issued to benefit his widow.
Theobald 27 (only state) & 7 (state iv of v).
[Ref: 57581] £320.00

To the Norwich Society of Artists, this Portrait of his late father their president, Is dedicated by their sincere Friend and well wisher, John Berney Crome.
Painted by D.R. Murphy. Engraved by R.W. Sievier.
Published Octr. 1821, by J. and W. Freeman, Norwich.
Stipple with etching, 360 x 280mm to platemark. 14 x 11". Fine proof on india paper.
John Crome (1768 - 1821), landscape painter and founder of the Norwich School. His son was painter John Bernay Crome (1794 - 1842). This portrait, in its published state, was the frontispiece to Mrs. Crome's 1838 edition of 'the etchings of Crome'.
NPG: D34312.
[Ref: 16783] £160.00 (£192.00 incl.VAT)

A View in Crumford, near Matlock Bath, In Derbyshire.
Jn.o Boydell Del. & Sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver. 1749.
Engraving. 18th century watermarked paper; Platemark: 305 x 455mm (12 x 17¾"). One very small pinhole in middle, large margins.
A scenic view in Cromford, in the Derwent Valley, Derbyshire. A number of figures can be seen along a path to the right where a small cottage sits beneath the cliffs. The River Derwent runs through the centre of the image, with hills in the distance. A plate from Boydell's 'Collection of One Hundred Views in England and Wales'.
[Ref: 38142] £260.00 (£312.00 incl.VAT)

[Oliver Cromwell discovering M.r Jeremiah White his Chaplain at his daughter's knees.]
G.B. Cipriani inv. F. Bartolozzi sculps. 1787.
[Published according to Act of Parliament 19 April 1787, by Anne Bryer, N.o 5. Poland Street, Soho.]
Stipple and etching, printed in brown; proof before title and publication, very large margins. Plate 330 x 394mm (13 x 15½ Some slight toning.
Oliver Cromwell surprising his chaplain Jeremiah White, kneeling at the feet of Frances Cromwell. White had ambitions to marry Frances, daughter of the Lord Protector; however, found in a compromising position, he pretended he was asking Frances's permission to court her lady in waiting. Cromwell immediately called for another chaplain and had White and the maid sent away.
De Vesme: 537: iv/v. Tuer: 1245. Collection: Northwick
[Ref: 31207] £260.00 (£312.00 incl.VAT)

Olivier Cromwel. Der Königreiche Engel- Schott- u. Irrland/ Protector.
Cor: Nico: Schurtz sc.
[n.d., c.1690].
Engraving. Rare. Sheet size: 195 x 145mm. (7¾ x 5¾"). Trimmed inside platemark. Slight damage to bottom right corner.
Portrait of Oliver Cromwell (1599 - 1658), bust-length, turned to left, wearing armour with a burning ship in the left background. In an oval frame with Cromwell's arms attached at bottom. Illustration to Johann Christoph Beer's, 'Das Neu-Geharnische Groß-Britannien', a set of fourteen portrait illustrations, published in 1690. Until 1640, Cromwell played only a small role in local administration and no significant role in national politics. However, it was the civil wars of the 1640s which lifted him from obscurity to power. Cromwell was one of the signatories of King Charles I's death warrant in 1649, and, as a member of the Rump Parliament, he dominated the short-lived Commonwealth of England. Eventually, in December 1653, he became head of state as Lord Protector, serving for almost five years, until his death on 3 September 1658.
O' Donoghue BM. 87.
[Ref: 31702] £130.00 (£156.00 incl.VAT)

Oliver Cromwell Oliverius Cromwel Vice Generalis Exercitus Parlam.ti in Anglia. Sat Doctus Versare Dolos.
[n.d., c.1650].
Engraving, with small margins. Rare. Platemark: 160 x 125mm. (6¼ x 5").
Portrait of Oliver Cromwell (1599 - 1658), half length in an oval frame, wearing collar and jacket, and holding a book. At lower left and right, severed heads including that of Charles I. Until 1640, Cromwell played only a small role in local administration and no significant role in national politics. However, it was the civil wars of the 1640s which lifted him from obscurity to power. Cromwell was one of the signatories of King Charles I's death warrant in 1649, and, as a member of the Rump Parliament, he dominated the short-lived Commonwealth of England. Eventually, in December 1653, he became head of state as Lord Protector, serving for almost five years, until his death on 3 September 1658.
O' Donoghue BM. 95.
[Ref: 31703] £160.00 (£192.00 incl.VAT)

O. Cromwell.
Cooper pinx.t. Pariset sculp. Engraved after an original picture painted by Mr. Sam. Cooper.
Publish'd by J. Bradford in fleetstreet London. May 7th. 1771.
Stipple printed in brown. Sheet size: 225 x 163mm. (8¾ x 6½"). Trimmed inside platemark.
Portrait, in oval of Oliver Cromwell (1599 - 1658), one of the commanders of the New Model Army which defeated the royalists in the English Civil War. Until 1640, Cromwell played only a small role in local administration and no significant role in national politics. However, it was the civil wars of the 1640s which lifted him from obscurity to power. Cromwell was one of the signatories of King Charles I's death warrant in 1649, and, as a member of the Rump Parliament, he dominated the short-lived Commonwealth of England. Eventually, in December 1653, he became head of state as Lord Protector, serving for almost five years, until his death on 3 September 1658.
O' Donoghue BM. 10.
[Ref: 31701] £130.00 (£156.00 incl.VAT)

[Oliver Cromwell.]
[after Samuel Cooper.]
[n.d., c.1700.]
Mezzotint, very scarce. 105 x 90mm (4¼ x 9½"). Thread margins.
Oliver Cromwell (1599-1658) in later life, as Lord Protector.
[Ref: 34137] £260.00 (£312.00 incl.VAT)

Oliver Lord Protector of the Commonwealth of England, Scotland and Ireland &c.
Sould by P. Stent.
Engraving with very large margins, fine. Plate: 110 x 160mm (4¼ x 6¼").
A portrait of the puritan politician and military leader Oliver Cromwell (1599-1658) who ruled Great Britain during the Commonwealth or Interegnum between 1653-1659.
[Ref: 36857] £190.00 (£228.00 incl.VAT)

Olivier Cromwell Luytenant Generael van de Armee vant Parlement van Engeland.
[Cornelis Visscher after Caspar Casteleyn]
Clemendt de Jonghe Excudit
Etching, rare, sheet 250 x 200mm (9¾ x 8"). Trimmed to plate, mounted on album paper.
An anti-Commonwealth portrait of Oliver Cromwell, still giving his military rank rather than 'Lord Protector', his rank post 1653. Among the allegorical figures in the borders are several references to his desire to be made king. This print originated as a portrait of Dirk Rafaelsz. Camphuysen (1586-1627), painter, poet and cleric by Cornelis Visscher after Caspar Casteleyn. The portrait was subsequently changed to that of Cromwell, the text changed, and new vignettes added in the top corners. The three female personifications are substantially the same as for the Camphuysen state, but they have been subtly changed to yield different meanings in the new context.
O'D 92; for earlier state before de Jonghe publication line see ref. 31756.
[Ref: 42613] £320.00

Oliver Lord Protector of the Common Wealth of England, Scotland Ireland &c.
Painted by S.r P. Lily after ye Original limning of Cooper.
Printed for John Bowles & Son, at the Black Horse in Cornhil.
Mezzotint with very large margins. 355 x 250mm (14 x 9¾"). Ink library stamp on verso.
Oliver Cromwell (1599-1658), in armour and lace collar, within an oval frame. The engraver of this print is unknown, although it is possible that it was the original publisher, J. Sympson. The libray ink stamp is that of the Allan Library. Thomas Robinson Allan (1799-1886) created the library as a Methodist rival to Sion College Library (of the Church of England). Allan donated it to the Wesleyan Methodist Conference in 1884, which funded a purpose-built premises in London opened in 1891. However it remained open for less than a decade before the collection was put in storage in 1899. In 1920 it was sold to the London Library which dispersed the unwanted publications.
CS: Engraved not Ascertained 26, state iii of iii. Clive Field: ‘The Allan Library: a Victorian Methodist odyssey’. Ex collection of the Hon Christopher Lennox-Boyd.
[Ref: 34272] £240.00 (£288.00 incl.VAT)

Oliverius Cromwell Exercitum Angliæ Reipublicæ Dux Generalis. Locum-Tens et Gubernator Hiberniæ. Oxoniensis Academiæ Cancellarius Parliamento Reipublicæ Anglicanæ Hanc sui Ducis effigiem offert. Dicat. consecratque omni officiorum genere mancipatus. Petrus Lombardus.
[Lombart sculpsit A Londre.] [after Robert Walker.]
[n.d., c.1651.]
Engraving. Sheet 360 x 265mm (14¼ x 10½"). Trimmed to printed border, losing artist's inscription, mounted in album sheet. Slight foxing.
Lombart's engraving of Walker's famous portrait of Oliver Cromwell, regarded as the closest likeness. It shows Cromwell as General of the Army of the English Republic, Governor of Scotland and Chancellor of Oxford University, in armour, with a page tying his waist sash. Lombart has dedicated it to Parliament. This is an example of the first state, before the addition of Thomas Hinde's name as publisher.
Griffiths: 'The Print in Stuart Britain', cat. 116.
[Ref: 42860] £650.00

O. Cromwell D.G. Angl. Scot. Franc. et Fib. Protector.
P. a Gunst sculp. et exc. t'Amsterdam op de binnen Amstel op de hoek van de Keysers-graft. [n.d., c.1700.]
Engraving, scarce. Sheet 560 x 410mm (22 x 16¼"). Trimmed to image, repaired crease & tear.
A large oval portrait of a young Oliver Cromwell in armour, within a wreath border. Engraved by Pieter van Gunst (c.1659-c.1731), best known for engraving the anatomical plates of Gerard de Lairesse, 1685.
Rare: not found in the BM, NPG or Dutch Rijksmuseum.
[Ref: 42861] £850.00

[Dog and the Lion Dance.] Dogg en Leeuwen-Dans.
[n.d., c.1658.]
Illustrated broadside, very scarce. Sheet: 380 x 280mm (15 x 11"). Damaged with large repaired tears below image right. Trimmed and laid on album sheet.
A Dutch satirical print commenting on Oliver Cromwell's rule of Britain and his relationship with the Netherlands. Cromwell, wearing the triple crown is shown standing on a tattered royal standard while leading two men with chains, to his right a Spaniard points out of a window at two ships. To the right the Dutch Lion raises a sword topped with the cap of Liberty, while some Dutchmen stand behind him. Above are three scenes, the central shows the Dutch Lion attacking Cromwell, on the left the figures of Liberty and Justice hand Charles II the sceptre and on the right Liberty frees two imprisoned men.
[Ref: 42930] £750.00

O. Cromwell.
R. Walker pinx. F. Bartolozzi R.A. sculp 1st Nov. 1802
London Published Octr. by H.W. Mortimer, No 6 Hereford Street, Fitzroy Square.
Stipple engraving, rare, sheet 485 x 370mm (19 x 14½"). Repaired small hole lower left; trimmed to platemark.
An impressive image of Oliver Cromwell (1599-1658), lord protector of England, Scotland, and Ireland. Engraved by Francesco Bartolozzi, cropping Robert Walker's half-length portrait of Cromwell with his Page (Aylesbury, Chequers Court) to eliminate the background and focus on Cromwell and his armour.
De Vesme 798 (listed as 'published...Oct.r 11.th 1802')
[Ref: 42399] £420.00

Oliver Cromwell, Lord Protector of England, Scotland, France and Ireland, and the Territories thereunto Belonging.
Engrav'd by Cha.s Turner, from the celebrated print by W. Faithorne.
London: Published by S. Woodburn, 112 S.t Martin's Lane.
Mezzotint. Proof. Plate: 265 x 400mm (10½ x 15¾"); large margins top & bottom. Thread margins left & right;
A portrait of Oliver Cromwell (1599-1658) who served as Lord Protector of England between 1653-1658 following the English Civil War 1642-1851. From Woodburn's series of mezzotint portraits after early engravings titled 'Portraits of Royal Personages'.
Whitman: 472 I of III.
[Ref: 40763] £260.00 (£312.00 incl.VAT)

[Oliver Cromwell.]
[after Sir Peter Lely.]
[n.d., c.1700.]
Mezzotint. 155 x 150mm (6 x 5¾"). Thread margins, laid on album paper.
Oliver Cromwell (1599-1658) in later life, as Lord Protector. This print is apparently based on John Faber's oval portrait of Cromwell after Sir Peter Lely.
[Ref: 34138] £480.00

[Oliver Cromwell.]
J. Houbraken sculps. Amst.
[n.d., c.1745.]
Engraving, proof before title. 375 x 275mm.
Oliver Cromwell (1599-1658), Lord Protector of England, after the painting by after Samuel Cooper. Proof before title, published in Amsterdam, later included in the 'Heads of Illustrious Persons of Great Britain' published in folio in London by Knapton between 1743 and 1752. With the collector's stamp of M Hornibrook (1874-1949). Extremely rare and fine.
Luyt 1873.
[Ref: 7319] £330.00

Cromwell & his Wife from a Drawing in the possession of the E. of Essex at Cashiobury copied by Harriet C.ss of Essex [ms]
[George Perfect Harding, c.1802.]
Watercolour and wash, sheet 245 x 360mm (9¾ x 14").
Oliver Cromwell (1599-1658), lord protector of England, Scotland, and Ireland, with his wife Elizabeth [née Elizabeth Bourchier] (1598-1665). Watercolour by George Perfect Harding (1779/80-1853), miniature painter. Harding devoted himself to producing minute copies in watercolour of works of historical and antiquarian interest. Examples of his work are in several major British institutions.
[Ref: 42326] £260.00 (£312.00 incl.VAT)

[Oliver Cromwell] The difference of Times between those Times and these Times.
[n.d., c.1800.]
Rare etching. Sheet 195 x 270mm (7¾ x 10½"), on wove paper. Trimmed and mounted in album paper watermarked 1819.
A copy of a satirical medal struck in the Netherlands circa 1655 to ridicule the subservience of the French and Spanish kings to Oliver Cromwell. The 'heads' side has a roundel portrait of Cromwell in armour; the 'tails' has Cromwell kneeling with his head on Britannia's lap, his bottom exposed for them to kiss. A re-engraved copy of a print from c.1739.
See BM Satires 894 & 2417.
[Ref: 61154] £160.00 (£192.00 incl.VAT)

Oliver Cromwell. ___Careat successibus opto. Quisquis ab eventu facta notanda putat.
R. Walker pinx.
[n.d. c. 1750.]
Mezzotint. Mounted on an album page. Image 301 x 223mm. 11¾ x 8¾". Cut and laid on sheet.
Lord Protector of England (1599 - 1658).
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12823] £180.00 (£216.00 incl.VAT)

Oliver Cromwell. Careat successibus opto, / Quisquis ab eventu facta notanda putat. SS [on right]
R. Walker pinx:
Printed for & Sold by Rob.t Sayer at the Golden Buck Fleet St.
Mezzotint. 305 x 225mm (12 x 8¾"), with large margins, Foxing to edges. Later impression on wove paper.
Oliver Cromwell (1599-1658), lord protector of England, Scotland and Ireland. Latin text from Ovid below which can be translated as 'Let him lack success, I wish, who thinks that the deed can be censured from its outcomes'. This plate originally showed Cromwell in armour as in most likenesses, but in this later impression a coat has been substituted in its place.
Ex: collection of the late Hon. C. Lennox-Boyd; O'D 65.
[Ref: 34122] £140.00 (£168.00 incl.VAT)

Oliver Cromwell, Lord Protector of England, Scotland, France and Ireland, and the Territories Thereunto Belonging.
Engrav'd by Cha.s Turner, from the celebrated print by W. Faithorne.
London: Published by S. Woodburn, 112, St Martin's Lane [n.d, 1816.]
Mezzotint. 390 x 265mm (15¼ x 10½"), with very large margins. Staining at top.
A full-length portrait of Oliver Cromwell after Francis Barlow, in armour, surrounded by allegorical detail. The title of William Faithorne's original engraving, published in 1658, is within the image: 'The Embleme of Englands Distractions As also of her attained, and further expected Freedome & Happiness'. Published in 'Fifteen Splendid Portraits of Royal Personages'.
Ex. collection of the Hon. Christopher Lennox-Boyd.
[Ref: 40267] £120.00 (£144.00 incl.VAT)

Olivarus Cromwel Luÿtenant Generael van t'Parlement.
Peeter Huÿbrechts fecit et exc.
[n.d., c.1700.]
Engraving. 150 x 105mm (6 x 4"). Some time-staining.
Portrait of Oliver Cromwell (1599 - 1658), English statesman, politician, and soldier, widely regarded as one of the most important figures in British history.
[Ref: 64454] £35.00 (£42.00 incl.VAT)

[Oliver Cromwell.]
F. Bartolozzi R.A sculp.
Published as the Act Directs Octr. 11th 1802.
Fine stipple plate, proof before letters; 495 x 420mm (19½ x 16½") with large margins.
Half-length portrait of Oliver Cromwell (1599 - 1658), in armour holding baton. One of the commanders of the New Model Army which defeated the royalists in the English Civil War. During the Commonwealth of England, Cromwell conquered Ireland and Scotland, and ruled as Lord Protector from 1653 until his death in 1658. After Robert Walker (died 1658), with adaptations.
[Ref: 54988] £360.00

Oliver Cromwell, Lord Protector. E Collectione W.m Powlet, Gen:
Peter Lely pinx.t 1653. I. Faber fecit 1740.
[n.d. c.1740.]
Mezzotint. 210 x 150mm (8¼ x 6"). Thread margins.
Bust portrait in oval of Oliver Cromwell (1599-1658), in armour with loose hair curling to shoulders and a plain white collar, directed to left, looking over left shoulder. Published as the frontispiece to Peck's 'Memoirs of Oliver Cromwell'.
CS 97.
[Ref: 63617] £320.00

[Oliver Cromwell.]
R.F. 1883.
Etching. Working proof, fine image. Plate: 380 x 325mm (15 x 12½"), with very large margins. Repaired tear in left edge, light foxing.
A portrait of Oliver Cromwell after Samuel Cooper's painting. 'Working proof. R.F' in pencil below plate, maybe by Robert Farrer.
[Ref: 45945] £260.00 (£312.00 incl.VAT)

Parlememt Haer Testement.
[Cornelis Visscher after Casper Casteleyn.]
[Clement de Jonghe.][n.d., c.1655.]
A rare & scarce engraving. Sheet: 250 x 200mm (9¾ x 8"). Trimmed.
A portrait of Oliver Cromwell in an oval, to the left the figure of Deceit sits with a mask and cross in her hands, to the left Riches holds a crown in her lap and above the oval the figure of Charity dangles a crown while holding a mitre and coins in her other hand. An earlier version of this print contained a portrait of Dirk Rafaelsz Camphuysen.
[Ref: 45528] £360.00

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