A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Chatsworth in Derbyshire is a Seat of the Duke of Devonshire. This Magnificent Palace fit for any Prince in Europe to dwell in, is raised in the most barren parts in the middle of inaccessible Mountains it shews how far Art can come up to Nature and expresses the Gusto Grande as much as any building in the world. Opulency and Judgement blended together are conspicuous in every part of this celebrated Pole, its outward Structure, Entrance, Squares, Galleries &c the Chambers and their Furniture &x. the curiosities of the Gardens: its Statues, Ponds, Cascades, surprising contrivances of Fountains Cateracts &C: are all beyond expression. Its imposible to view the beauties of this noble place without being lost in admiration.
[n.d. c.1800.]
Engraving. 178 x 235mm (7 x 9¼"). Trimmed, centrefold.
A view of Chatsworth situated alongside the River Derwent, built on land purchased by Sir William Cavendish in 1549.
[Ref: 30378] £120.00 (£144.00 incl.VAT)
[n.d. c.1800.]
Engraving. 178 x 235mm (7 x 9¼"). Trimmed, centrefold.
A view of Chatsworth situated alongside the River Derwent, built on land purchased by Sir William Cavendish in 1549.
[Ref: 30378] £120.00 (£144.00 incl.VAT)
A General View of the House and Gardens of Chatsworth in Derbyshire, a Beautiful Seat of His Grace the Duke of Devonshire. Vue Generale de la Maison & Jadin Magnifique de Chatsworth, dans le Comté de Derby, appartment a Monseig.r le Duc de Devonshire.
published by Laurie & Whittle, 53, Fleet Street, London.
Rare engraving with hand colour. 330 x 465mm (13 x 18¼"). Thread margins.
A vue d'optique of Chatsworth House, Gardens, and surrounds, including the bridge over the River Derwent, and the hills of the Derwent Valley. Numerous figures can be seen in the foreground.
[Ref: 37233] £360.00
published by Laurie & Whittle, 53, Fleet Street, London.
Rare engraving with hand colour. 330 x 465mm (13 x 18¼"). Thread margins.
A vue d'optique of Chatsworth House, Gardens, and surrounds, including the bridge over the River Derwent, and the hills of the Derwent Valley. Numerous figures can be seen in the foreground.
[Ref: 37233] £360.00
![[A pauper lying in bed; said to be the boy poet Thomas Chatterton.]](jpegs/64384.jpg)
[A pauper lying in bed; said to be the boy poet Thomas Chatterton.]
R. L. West pinxt. F. Bartolozzi R A sculps. 1801.
[London, 1801.]
Rare etching, 18th century watermark. 255 x 205mm (10 x 8"), with large margins.
A wasted young man with bare torso lying on a straw bed in an impoverished interior, looking up to the ceiling, his head bandaged; two mice, a spoon and a plate on the floor. He is lit from a window upper left. The plate was used to illustrate 'Juvenilia, or a Collection of poems' by James Henry Leigh Hunt. The artist, Raphael Lamar West (1769-1850), is said to have been inspired by the story of Thomas Chatterton (1752-70), a poet who spent his last months in poverty in a London attic before committing suicide at the age of 17. Chatterton's life and work had a powerful effect on the Romantic imagination; witness Wordsworth's tribute: 'the marvellous boy, The sleepless soul, that perished in his pride'. Raphael Lamar West, painter and lithographer, was the son of Benjamin West.
De Vesme 1738, III of IV.
[Ref: 64384] £260.00 (£312.00 incl.VAT)
R. L. West pinxt. F. Bartolozzi R A sculps. 1801.
[London, 1801.]
Rare etching, 18th century watermark. 255 x 205mm (10 x 8"), with large margins.
A wasted young man with bare torso lying on a straw bed in an impoverished interior, looking up to the ceiling, his head bandaged; two mice, a spoon and a plate on the floor. He is lit from a window upper left. The plate was used to illustrate 'Juvenilia, or a Collection of poems' by James Henry Leigh Hunt. The artist, Raphael Lamar West (1769-1850), is said to have been inspired by the story of Thomas Chatterton (1752-70), a poet who spent his last months in poverty in a London attic before committing suicide at the age of 17. Chatterton's life and work had a powerful effect on the Romantic imagination; witness Wordsworth's tribute: 'the marvellous boy, The sleepless soul, that perished in his pride'. Raphael Lamar West, painter and lithographer, was the son of Benjamin West.
De Vesme 1738, III of IV.
[Ref: 64384] £260.00 (£312.00 incl.VAT)
![[Thomas Chatterton] To the Right Worshipful John Kerle Haberfield, Esqre. Third time Mayor of Bristol, This Engraving of Chatterton Composing the Rowleian M.S.S.](jpegs/19469.jpg)
[Thomas Chatterton] To the Right Worshipful John Kerle Haberfield, Esqre. Third time Mayor of Bristol, This Engraving of Chatterton Composing the Rowleian M.S.S. in the lumber room of his Mother's house, Colston's Parade,_the Church of St. Mary, Redcliffe, which contains the celebrated Monument Room, being seen through the window, Is respectfully dedicated, by his obliged Servant The Publisher.
R. Jeffreys Lewis. E. Mc.Innes.
Bristol: Published 1st. Sept.r 1846, by C. Mitchell, 37, College Street.
Mezzotint. 444 x 503mm (17½ x 19¾"). Trimmed with some tears, particular tear into left-hand side of image. Repaired title area with text scuffed and rubbed.
Thomas Chatterton (1752-1770), Poet and icon of the Romantic movement. The boy poet who spent his last months in poverty in a London attic before committing suicide at the age of 17; his life and work had a powerful effect on the Romantic imagination: 'the marvellous boy, The sleepless soul, that perished in his pride' (Wordsworth). Shelley also commemorates the poet.
[Ref: 19469] £260.00 (£312.00 incl.VAT)
R. Jeffreys Lewis. E. Mc.Innes.
Bristol: Published 1st. Sept.r 1846, by C. Mitchell, 37, College Street.
Mezzotint. 444 x 503mm (17½ x 19¾"). Trimmed with some tears, particular tear into left-hand side of image. Repaired title area with text scuffed and rubbed.
Thomas Chatterton (1752-1770), Poet and icon of the Romantic movement. The boy poet who spent his last months in poverty in a London attic before committing suicide at the age of 17; his life and work had a powerful effect on the Romantic imagination: 'the marvellous boy, The sleepless soul, that perished in his pride' (Wordsworth). Shelley also commemorates the poet.
[Ref: 19469] £260.00 (£312.00 incl.VAT)
![[A pauper lying in bed; said to be the boy poet Thomas Chatterton.]](jpegs/21188.jpg)
[A pauper lying in bed; said to be the boy poet Thomas Chatterton.]
R. L. West pinxt. F. Bartolozzi R A sculps. 1801.
[London, 1801.]
Etching on india paper. Sheet 170 x 195mm (6¾ x 7¾"). Sheet trimmed; some spotting.
A wasted young man with bare torso lying on a straw bed in an impoverished interior, looking up to the ceiling, his head bandaged; two mice, a spoon and a plate on the floor. He is lit from a window upper left. The plate was used to illustrate 'Juvenilia, or a Collection of poems' by James Henry Leigh Hunt. The artist, Raphael Lamar West (1769-1850), seems to have been inspired by the story of Thomas Chatterton (1752 - 1770), a poet who spent his last months in poverty in a London attic before committing suicide at the age of 17. The print has been labelled 'The Death of Chatterton', as indeed this impression is captioned, in pencil, to verso. Chatterton's life and work had a powerful effect on the Romantic imagination; witness Wordsworth's tribute: 'the marvellous boy, The sleepless soul, that perished in his pride'. Raphael Lamar West, painter and lithographer, was the son of Benjamin West.
De Vesme 1738, III of IV. See NPG D1372.
[Ref: 21188] £260.00 (£312.00 incl.VAT)
R. L. West pinxt. F. Bartolozzi R A sculps. 1801.
[London, 1801.]
Etching on india paper. Sheet 170 x 195mm (6¾ x 7¾"). Sheet trimmed; some spotting.
A wasted young man with bare torso lying on a straw bed in an impoverished interior, looking up to the ceiling, his head bandaged; two mice, a spoon and a plate on the floor. He is lit from a window upper left. The plate was used to illustrate 'Juvenilia, or a Collection of poems' by James Henry Leigh Hunt. The artist, Raphael Lamar West (1769-1850), seems to have been inspired by the story of Thomas Chatterton (1752 - 1770), a poet who spent his last months in poverty in a London attic before committing suicide at the age of 17. The print has been labelled 'The Death of Chatterton', as indeed this impression is captioned, in pencil, to verso. Chatterton's life and work had a powerful effect on the Romantic imagination; witness Wordsworth's tribute: 'the marvellous boy, The sleepless soul, that perished in his pride'. Raphael Lamar West, painter and lithographer, was the son of Benjamin West.
De Vesme 1738, III of IV. See NPG D1372.
[Ref: 21188] £260.00 (£312.00 incl.VAT)
Geoffrey Chaucer. In the Collection of Sr. Hans Sloane Bart.
Goldar sculpt.
[London: J. Harrison] Publish'd as the Act directs, June 25 1785.
Engraving, 290 x 200mm. 11½ x 8".
Oval portrait of Geoffrey Chaucer (c.1343 - 1400), English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative 'The Canterbury Tales'. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin. Artist unknown. For the English translation of Rapin de Thoyras's 'History of England', John Harrison 1784-89.
See BL HS.74/934.
[Ref: 21685] £130.00 (£156.00 incl.VAT)
Goldar sculpt.
[London: J. Harrison] Publish'd as the Act directs, June 25 1785.
Engraving, 290 x 200mm. 11½ x 8".
Oval portrait of Geoffrey Chaucer (c.1343 - 1400), English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative 'The Canterbury Tales'. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin. Artist unknown. For the English translation of Rapin de Thoyras's 'History of England', John Harrison 1784-89.
See BL HS.74/934.
[Ref: 21685] £130.00 (£156.00 incl.VAT)
![[Geoffrey Chaucer.]](jpegs/24855.jpg)
[Geoffrey Chaucer.]
[James Bretherton.]
[n.d. c.1780.]
Drypoint etching, proof, very rare. Plate 108 x 82mm. 4¼ x 3¼".
Geoffrey Chaucer (c.1343-1400), the Father of English Literature, and considered the greatest English poet of the Middle Ages. He was the first poet to be buried in Poet's Corner of Westminster Abbey. Aside from an active life as an author, philosopher, alchemist, astronomer, and the composition of a scientific treatise on the astrolabe, he also maintained an active career in the civil service as a bureaucrat, courtier and diplomat.
For another portrait of Chaucer from the same source image see ref. 24004.
[Ref: 24855] £180.00 (£216.00 incl.VAT)
[James Bretherton.]
[n.d. c.1780.]
Drypoint etching, proof, very rare. Plate 108 x 82mm. 4¼ x 3¼".
Geoffrey Chaucer (c.1343-1400), the Father of English Literature, and considered the greatest English poet of the Middle Ages. He was the first poet to be buried in Poet's Corner of Westminster Abbey. Aside from an active life as an author, philosopher, alchemist, astronomer, and the composition of a scientific treatise on the astrolabe, he also maintained an active career in the civil service as a bureaucrat, courtier and diplomat.
For another portrait of Chaucer from the same source image see ref. 24004.
[Ref: 24855] £180.00 (£216.00 incl.VAT)
Jeffery Chaucer.
London Printed for R. Sayer & J. Bennett No.53 Fleet Street.
Fine mezzotint with margins. Plate 152 x 114mm. 6 x 4½".
Geoffrey Chaucer, bearded and wearing a hood, with a pen case hanging from a ribbon around his neck. Geoffrey Chaucer (c.1343-1400), known as the Father of English literature, was an author, philosopher, alchemist and astronomer and maintained an active career in the civil service as a bureaucrat, courtier and diplomat. He was a crucial figure in developing the legitamacy of vernacular Middle English at a time when French and Latin dominanted England. He is remembered for his unfinished frame narrative 'The Canterbury Tales'.
CS: undescribed; for another portrait of Chaucer from the same source image see ref. 24855.
[Ref: 24004] £160.00 (£192.00 incl.VAT)
London Printed for R. Sayer & J. Bennett No.53 Fleet Street.
Fine mezzotint with margins. Plate 152 x 114mm. 6 x 4½".
Geoffrey Chaucer, bearded and wearing a hood, with a pen case hanging from a ribbon around his neck. Geoffrey Chaucer (c.1343-1400), known as the Father of English literature, was an author, philosopher, alchemist and astronomer and maintained an active career in the civil service as a bureaucrat, courtier and diplomat. He was a crucial figure in developing the legitamacy of vernacular Middle English at a time when French and Latin dominanted England. He is remembered for his unfinished frame narrative 'The Canterbury Tales'.
CS: undescribed; for another portrait of Chaucer from the same source image see ref. 24855.
[Ref: 24004] £160.00 (£192.00 incl.VAT)
![[Geoffrey Chaucer.]](jpegs/14932.jpg)
[Geoffrey Chaucer.]
[Engraved by P. Conde?]
[London, c.1803.]
Very rare stipple with etching, proof before letters, sheet 265 x 180mm. 10½ x 7". Trimmed to plate.
Geoffrey Chaucer (c.1343 - 1400) was an English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative 'The Canterbury Tales'. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin. An apparently identical image, but enlarged to include the whole shield upper left, to the frontispiece to William Godwin's 'Life of Geoffrey Chaucer' by Peter Condé (item 14931). Either this is from a different plate, or the frontispiece is from the same plate reduced in size.
[Ref: 14932] £230.00 (£276.00 incl.VAT)
[Engraved by P. Conde?]
[London, c.1803.]
Very rare stipple with etching, proof before letters, sheet 265 x 180mm. 10½ x 7". Trimmed to plate.
Geoffrey Chaucer (c.1343 - 1400) was an English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative 'The Canterbury Tales'. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin. An apparently identical image, but enlarged to include the whole shield upper left, to the frontispiece to William Godwin's 'Life of Geoffrey Chaucer' by Peter Condé (item 14931). Either this is from a different plate, or the frontispiece is from the same plate reduced in size.
[Ref: 14932] £230.00 (£276.00 incl.VAT)
Geoffrey Chaucer.
Burder sculpsit.
[n.d., c.1790.]
Copper engraving, frontispiece, 175 x 120mm. 7 x 4¾". Very fine impression.
Geoffrey Chaucer (c.1343 - 1400) was an English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative 'The Canterbury Tales'. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin.
[Ref: 15166] £85.00 (£102.00 incl.VAT)
Burder sculpsit.
[n.d., c.1790.]
Copper engraving, frontispiece, 175 x 120mm. 7 x 4¾". Very fine impression.
Geoffrey Chaucer (c.1343 - 1400) was an English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative 'The Canterbury Tales'. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin.
[Ref: 15166] £85.00 (£102.00 incl.VAT)
Geof.y Chaucer.
Geo. Naylor H.C. fecit.
[n.d., c.1750.]
Fine mezzotint. 155 x 110mm (6 x 4¼"). Framed. Unexamined out of frame.
A very fine impression of this half-length portrait of Geoffrey Chaucer (c.1343-1400), bearded and wearing a hood, with a pen case hanging from a ribbon around his neck. Geoffrey Chaucer (c.1343-1400), a crucial figure in developing the legitimacy of vernacular Middle English at a time when French and Latin dominanted England, particularly with his unfinished frame narrative 'The Canterbury Tales'. The only known print by George Naylor.
For a similar mezzotint of Chaucer but facing in the other direction see ref. 24004. Not in Chaloner Smith.
[Ref: 66533] £360.00
Geo. Naylor H.C. fecit.
[n.d., c.1750.]
Fine mezzotint. 155 x 110mm (6 x 4¼"). Framed. Unexamined out of frame.
A very fine impression of this half-length portrait of Geoffrey Chaucer (c.1343-1400), bearded and wearing a hood, with a pen case hanging from a ribbon around his neck. Geoffrey Chaucer (c.1343-1400), a crucial figure in developing the legitimacy of vernacular Middle English at a time when French and Latin dominanted England, particularly with his unfinished frame narrative 'The Canterbury Tales'. The only known print by George Naylor.
For a similar mezzotint of Chaucer but facing in the other direction see ref. 24004. Not in Chaloner Smith.
[Ref: 66533] £360.00
Geofy Chaucer.
Geo. Naylor H C. fecit.
[n.d. c.1750.]
A very fine mezzotint. Plate 150 x 105mm (6 x 4¼). Narrow margins.
Geoffrey Chaucer (1343-1400) was an English author, poet, philosopher, bureaucrat, courtier and diplomate. He wrote many works throughout his lifetime, although he is remembered best for his unfinished narrative The Canterbury Tales. The only known print by George Naylor.
O'D undescribed; CS: undescribed.
[Ref: 55260] £180.00 (£216.00 incl.VAT)
Geo. Naylor H C. fecit.
[n.d. c.1750.]
A very fine mezzotint. Plate 150 x 105mm (6 x 4¼). Narrow margins.
Geoffrey Chaucer (1343-1400) was an English author, poet, philosopher, bureaucrat, courtier and diplomate. He wrote many works throughout his lifetime, although he is remembered best for his unfinished narrative The Canterbury Tales. The only known print by George Naylor.
O'D undescribed; CS: undescribed.
[Ref: 55260] £180.00 (£216.00 incl.VAT)
G. Chaucer. Honoralissimo Dno. Dno. Heneagio Finch Comiti de Winchelsea &c. &c. Ectypum hoc olim dum in vivis destinatum nunc T? µ??? ??78 T8 memoriae consecratum esse volui G. Vertue.
Vertue sculp.
[n.d. c.1710.] [Early issue]
Engraving. 360 x 240mm (14¼ x 9½"), large margins.
Geoffrey Chaucer (c.1343-1400) was an English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative The Canterbury Tales. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin.
Alexander 572. Provenance: Sandys Family, Ormersley Court, Worcestershire.
[Ref: 63880] £180.00 (£216.00 incl.VAT)
Vertue sculp.
[n.d. c.1710.] [Early issue]
Engraving. 360 x 240mm (14¼ x 9½"), large margins.
Geoffrey Chaucer (c.1343-1400) was an English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative The Canterbury Tales. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin.
Alexander 572. Provenance: Sandys Family, Ormersley Court, Worcestershire.
[Ref: 63880] £180.00 (£216.00 incl.VAT)
![[Geoffrey Chaucer.]](jpegs/36894.jpg)
[Geoffrey Chaucer.]
[From an Original Painting in the Picture Gallery at Oxford. Engraved by P. Conde]
[Published Feb.y 14 1804 by Richard Philips. No.71 St. Paul's Church Yard, London.]
Very rare stipple with etching. Proof before letters. Sheet size: 255 x 180mm (10 x 7"). Trimmed inside plate.
Geoffrey Chaucer (c.1343 - 1400) was an English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative 'The Canterbury Tales'. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin.
[Ref: 36894] £320.00
[From an Original Painting in the Picture Gallery at Oxford. Engraved by P. Conde]
[Published Feb.y 14 1804 by Richard Philips. No.71 St. Paul's Church Yard, London.]
Very rare stipple with etching. Proof before letters. Sheet size: 255 x 180mm (10 x 7"). Trimmed inside plate.
Geoffrey Chaucer (c.1343 - 1400) was an English author, poet, philosopher, bureaucrat, courtier and diplomat. Although he wrote many works, he is best remembered for his unfinished frame narrative 'The Canterbury Tales'. Sometimes called the father of English literature, Chaucer is credited by some scholars as the first author to demonstrate the artistic legitimacy of the vernacular English language, rather than French or Latin.
[Ref: 36894] £320.00
Geof.y Chaucer.
Geo. Naylor H.C. fecit.
[n.d., c.1750.]
Mezzotint. 155 x 110mm (6 x 4¼"). Glued onto album sheet.
A very fine impression of this half-length portrait of Geoffrey Chaucer (c.1343-1400), bearded and wearing a hood, with a pen case hanging from a ribbon around his neck. Geoffrey Chaucer (c.1343-1400), a crucial figure in developing the legitimacy of vernacular Middle English at a time when French and Latin dominanted England, particularly with his unfinished frame narrative 'The Canterbury Tales'. The only known print by George Naylor.
For a similar mezzotint of Chaucer but facing in the other direction see ref. 24004.
[Ref: 42001] £280.00 (£336.00 incl.VAT)
Geo. Naylor H.C. fecit.
[n.d., c.1750.]
Mezzotint. 155 x 110mm (6 x 4¼"). Glued onto album sheet.
A very fine impression of this half-length portrait of Geoffrey Chaucer (c.1343-1400), bearded and wearing a hood, with a pen case hanging from a ribbon around his neck. Geoffrey Chaucer (c.1343-1400), a crucial figure in developing the legitimacy of vernacular Middle English at a time when French and Latin dominanted England, particularly with his unfinished frame narrative 'The Canterbury Tales'. The only known print by George Naylor.
For a similar mezzotint of Chaucer but facing in the other direction see ref. 24004.
[Ref: 42001] £280.00 (£336.00 incl.VAT)
Geoffrey Chaucer. In the Collection of Sir Hans Sloane Bar.t
J. Houbraken sculps. Amst. 1741.
Impensis I. & P. Knapton Londini 1741.
Engraving. 380 x 240mm (15 x 9½"). Trimmed.
Geoffrey Chaucer (c.1343-1400), the Father of English literature, and considered the greatest English poet of the Middle Ages. He was the first poet to be buried in Poet's Corner of Westminster Abbey. Aside from an active life as an author, philosopher, alchemist, astronomer, and the composition of a scientific treatise on the astrolabe, he also maintained an active career in the civil service as a bureaucrat, courtier and diplomat.
[Ref: 34628] £180.00 (£216.00 incl.VAT)
J. Houbraken sculps. Amst. 1741.
Impensis I. & P. Knapton Londini 1741.
Engraving. 380 x 240mm (15 x 9½"). Trimmed.
Geoffrey Chaucer (c.1343-1400), the Father of English literature, and considered the greatest English poet of the Middle Ages. He was the first poet to be buried in Poet's Corner of Westminster Abbey. Aside from an active life as an author, philosopher, alchemist, astronomer, and the composition of a scientific treatise on the astrolabe, he also maintained an active career in the civil service as a bureaucrat, courtier and diplomat.
[Ref: 34628] £180.00 (£216.00 incl.VAT)
L’Hospitalité ou la Cabane du Paria. Le Docteur jouissait du plaisir d’être ensûreté au milieu de la tempête...En fin jusqu’au chien prenait part au bonheur commun; couché avec un chat, auprès du fue, il entre-ouvrait de temps en temps les yeux et soupirait en regardant son maître. Voyez la Chaumiere indienne, Page 75. Par Jacques-Bernardin Henri de St. Pierre.
Challiou delineavit. Mariage sculpsit.
à Paris chez Bance ainé, Md. d’Estampes, rue St. Denis, No.214. [n.d. c.1800.]
Stipple with small margins, rare. Plate 560 x 412mm (22 x16¼").
A scene from 'La Chaumiere Indienne' ("The Indian Cottage"), by Jacques-Henri Bernardin de Saint Pierre in 1790. A traveller finds wisdom in the cottage of an Indian outcast.
for another print from the same series see ref. 1193
[Ref: 28897] £350.00
Challiou delineavit. Mariage sculpsit.
à Paris chez Bance ainé, Md. d’Estampes, rue St. Denis, No.214. [n.d. c.1800.]
Stipple with small margins, rare. Plate 560 x 412mm (22 x16¼").
A scene from 'La Chaumiere Indienne' ("The Indian Cottage"), by Jacques-Henri Bernardin de Saint Pierre in 1790. A traveller finds wisdom in the cottage of an Indian outcast.
for another print from the same series see ref. 1193
[Ref: 28897] £350.00
Charles Chauncy M.D. F.R.S. Obiit 25.to Dec.ri 1777 Aetatis 68.
Francis Coates pinx.t 1750. Caroline Watson sculp.t Engraver to her Majesty.
[n.d. c.1780.]
Mixed method engraving. 202 x 157mm. 8 x 6¼".
Dr Charles Chauncy (1709-1777) was a physician and antiquary. He formed a valuable collection of books, nearly all in choice condition and in handsome bindings. He was one of the earliest bibliophiles to pay attention to literary manuscripts or presentation copies.
Not in Wellcome.
[Ref: 20031] £120.00 (£144.00 incl.VAT)
Francis Coates pinx.t 1750. Caroline Watson sculp.t Engraver to her Majesty.
[n.d. c.1780.]
Mixed method engraving. 202 x 157mm. 8 x 6¼".
Dr Charles Chauncy (1709-1777) was a physician and antiquary. He formed a valuable collection of books, nearly all in choice condition and in handsome bindings. He was one of the earliest bibliophiles to pay attention to literary manuscripts or presentation copies.
Not in Wellcome.
[Ref: 20031] £120.00 (£144.00 incl.VAT)
Sr. Henry Chauncy of Yardley-Bury in the County of Hertford Kn.t Serjeant at Law.
J. Savage Sculp.
[n.d. c.1700.]
Engraving with large margins. Plate 292 x 192mm. 11½ x 7½".
Sir Henry Chauncy (1632-1719), the English lawyer, educator and antiquary. c.1680 he began work on his county history "The Historical Antiquities of Hertfordshire".
NPG: D31271.
[Ref: 27760] £130.00 (£156.00 incl.VAT)
J. Savage Sculp.
[n.d. c.1700.]
Engraving with large margins. Plate 292 x 192mm. 11½ x 7½".
Sir Henry Chauncy (1632-1719), the English lawyer, educator and antiquary. c.1680 he began work on his county history "The Historical Antiquities of Hertfordshire".
NPG: D31271.
[Ref: 27760] £130.00 (£156.00 incl.VAT)
Sr. Henry Chauncy of Yardley-Bury in the County of Hertford Kn.t Serjeant at Law.
J. Savage Sculp.
[n.d. c.1700.]
Engraving. Plate 292 x 192mm. 11½ x 7½", with large margins.
Sir Henry Chauncy (1632-1719), the English lawyer, educator and antiquary. c.1680 he began work on his county history 'The Historical Antiquities of Hertfordshire'. Engraved by John Savage who was active from 1683 until 1701: although he worked on several significant works, not much is known about him.
NPG: D31271.
[Ref: 48989] £160.00 (£192.00 incl.VAT)
J. Savage Sculp.
[n.d. c.1700.]
Engraving. Plate 292 x 192mm. 11½ x 7½", with large margins.
Sir Henry Chauncy (1632-1719), the English lawyer, educator and antiquary. c.1680 he began work on his county history 'The Historical Antiquities of Hertfordshire'. Engraved by John Savage who was active from 1683 until 1701: although he worked on several significant works, not much is known about him.
NPG: D31271.
[Ref: 48989] £160.00 (£192.00 incl.VAT)
![Dr Chauncy [pencil mss., Nathaniel Chauncy?]](jpegs/57208.jpg)
Dr Chauncy [pencil mss., Nathaniel Chauncy?]
[n.d., c.1780.]
Etching. Sheet 135 x 95mm (5¼ x 3¾"). Trimmed to plate, laid on album paper.
Caricatured profile portrait, possibly of Nathaniel Chauncy, described by the BM as an 'Antiquary and virtuoso', not a doctor.
See BM 1868,0822.2302 for a portrait after Reynolds.
[Ref: 57208] £130.00 (£156.00 incl.VAT)
[n.d., c.1780.]
Etching. Sheet 135 x 95mm (5¼ x 3¾"). Trimmed to plate, laid on album paper.
Caricatured profile portrait, possibly of Nathaniel Chauncy, described by the BM as an 'Antiquary and virtuoso', not a doctor.
See BM 1868,0822.2302 for a portrait after Reynolds.
[Ref: 57208] £130.00 (£156.00 incl.VAT)
Rupert Chawner, M.D.
Painted by T. Barber. Engraved by G. Clint.
Published Augt. 1st. 1806, by T. Barber, Nottingham & Mosley, Derby.
Rare mezzotint. Plate 330 x 234mm (13 x 9¼").
Portrait of Rupert Chawner; half length, seated at table, turned towards the right, looking at viewer; holding letter over pile of books; a curtain in background. Dr Rupert Chawner (18th century); physician at Burton-on-Trent.
[Ref: 52506] £190.00 (£228.00 incl.VAT)
Painted by T. Barber. Engraved by G. Clint.
Published Augt. 1st. 1806, by T. Barber, Nottingham & Mosley, Derby.
Rare mezzotint. Plate 330 x 234mm (13 x 9¼").
Portrait of Rupert Chawner; half length, seated at table, turned towards the right, looking at viewer; holding letter over pile of books; a curtain in background. Dr Rupert Chawner (18th century); physician at Burton-on-Trent.
[Ref: 52506] £190.00 (£228.00 incl.VAT)
Cheam School.
[n.d., c.1840.]
Lithograph on chine collé. 205 x 275mm (8 x 10¾").
With a cricket bat and ball on the ground.
[Ref: 56379] £260.00 (£312.00 incl.VAT)
[n.d., c.1840.]
Lithograph on chine collé. 205 x 275mm (8 x 10¾").
With a cricket bat and ball on the ground.
[Ref: 56379] £260.00 (£312.00 incl.VAT)
Dedicated with all due Respect to his most Worthy Friends, & Patrons Jos.ph & Hen.y Berens, and John Mitford Esq.rs with the other Gentlemen Educated at Cheam School by their most Obed.t h.ble Serv.t John Young.
From a Drawing by the Rev:d J: Berens. Geo. Wilson, Aqua Tint, &c.
London. Pub.d as the Act directs by J. Young No.143 Tottenham Court Road. [n.d. c.1834.]
Aquatint with added colour to sky. Plate 285 x 388mm. 11¼ x 15¼". Late impression.
Cheam School, the preparatory school in Headley, Hampshire, founded in 1645 by the Reverend George Aldrich. Children playing the grounds, a group in the centre with a kite, and playing hop-skotch, boys to the left holding a hoop, to the right looking inside a hutch, and other boys around the yard.
[Ref: 22054] £130.00 (£156.00 incl.VAT)
From a Drawing by the Rev:d J: Berens. Geo. Wilson, Aqua Tint, &c.
London. Pub.d as the Act directs by J. Young No.143 Tottenham Court Road. [n.d. c.1834.]
Aquatint with added colour to sky. Plate 285 x 388mm. 11¼ x 15¼". Late impression.
Cheam School, the preparatory school in Headley, Hampshire, founded in 1645 by the Reverend George Aldrich. Children playing the grounds, a group in the centre with a kite, and playing hop-skotch, boys to the left holding a hoop, to the right looking inside a hutch, and other boys around the yard.
[Ref: 22054] £130.00 (£156.00 incl.VAT)
![The Cross in Cheapside [&] Representation of the demolishing of the Cross in Cheapside, in the Year 1643.](jpegs/45404.jpg)
The Cross in Cheapside [&] Representation of the demolishing of the Cross in Cheapside, in the Year 1643.
[J. Seago.] [n.d., c.1790.]
Pair of engravings on one sheet. Plates: 185 x 115mm (7¼ x 4½") and 125 x 175mm (5 x 7"), with large margins.
A pair of engravings showing the Eleanor cross which once stood in Cheapside, the cross was demolished in 1643 during the Civil War.
[Ref: 45404] £70.00 (£84.00 incl.VAT)
[J. Seago.] [n.d., c.1790.]
Pair of engravings on one sheet. Plates: 185 x 115mm (7¼ x 4½") and 125 x 175mm (5 x 7"), with large margins.
A pair of engravings showing the Eleanor cross which once stood in Cheapside, the cross was demolished in 1643 during the Civil War.
[Ref: 45404] £70.00 (£84.00 incl.VAT)
Check Mate!
London, Pub.d June 16 1819, by the Proprietor.
Rare etching with hand-colouring, platemark 160 x 190mm (6¼ x 7½"). Small margins.
Chess scene with the winning player rising from his seat to deliver the coup de grace.
[Ref: 41548] £230.00 (£276.00 incl.VAT)
London, Pub.d June 16 1819, by the Proprietor.
Rare etching with hand-colouring, platemark 160 x 190mm (6¼ x 7½"). Small margins.
Chess scene with the winning player rising from his seat to deliver the coup de grace.
[Ref: 41548] £230.00 (£276.00 incl.VAT)
Cheddar, Somerset.
Drawn, Printed & Published by G. Rowe, 9 Clarence S.t., Cheltenham. [n.d., c.1840.]
Tinted lithograph. Sheet: 380 x 275mm (15 x 10¾'') very large margins.
A view of the limestone gorge in the Mendip Hills near the village of Cheddar in Somerset.
[Ref: 48386] £70.00 (£84.00 incl.VAT)
Drawn, Printed & Published by G. Rowe, 9 Clarence S.t., Cheltenham. [n.d., c.1840.]
Tinted lithograph. Sheet: 380 x 275mm (15 x 10¾'') very large margins.
A view of the limestone gorge in the Mendip Hills near the village of Cheddar in Somerset.
[Ref: 48386] £70.00 (£84.00 incl.VAT)
Cheddar. Somersetshire.
Drawn, Printed & Published by G. Rowe. Cheltenham.
Lithograph. Sheet: 245 x 320mm (9¾ x 12½'') very large margins.
A view of the limestone gorge in the Mendip Hill near the village of Cheddar in Somerset.
[Ref: 48383] £70.00 (£84.00 incl.VAT)
Drawn, Printed & Published by G. Rowe. Cheltenham.
Lithograph. Sheet: 245 x 320mm (9¾ x 12½'') very large margins.
A view of the limestone gorge in the Mendip Hill near the village of Cheddar in Somerset.
[Ref: 48383] £70.00 (£84.00 incl.VAT)
The Wind Rock, Cheddar Cliffs, Somersetshire.
Mrs. G. Rowe Lith._Printed and Published by G. Rowe, 9 Clarence S.t., Cheltenham.
Tinted lithograph. Sheet: 380 x 275mm (15 x 10¾'') very large margins.
A view of the limestone gorge in the Mendip Hill in Somerset.
[Ref: 48385] £70.00 (£84.00 incl.VAT)
Mrs. G. Rowe Lith._Printed and Published by G. Rowe, 9 Clarence S.t., Cheltenham.
Tinted lithograph. Sheet: 380 x 275mm (15 x 10¾'') very large margins.
A view of the limestone gorge in the Mendip Hill in Somerset.
[Ref: 48385] £70.00 (£84.00 incl.VAT)
Stowell Park Estate. Plan showing Cottages and Small Holdings in the Village of Chedworth. (Lots 14 to 29 Inclusive) To be Sold by Auction by Messrs. Bruton, Knowles & Co. 16th July, 1923.
Cook, Hammond & Kell Ltd 47 & 49 Tothill Street, Westminster.
Lithograph. Sheet 595 x 910mm (23 x 35¾"). Splits to original folds taped, some creasing.
An estate agent's map of Chedworth, showing from Manor Farm and St Andrew's Church to Pancake Hill. It shows the railway and station, both closed 1961. Rose Cottage, a Cotswold stone building bought in 1930 by Henry Ford to be transported to Michigan, is probably one of the unnamed buildings on the road in the centre of the map.
[Ref: 62659] £260.00
Cook, Hammond & Kell Ltd 47 & 49 Tothill Street, Westminster.
Lithograph. Sheet 595 x 910mm (23 x 35¾"). Splits to original folds taped, some creasing.
An estate agent's map of Chedworth, showing from Manor Farm and St Andrew's Church to Pancake Hill. It shows the railway and station, both closed 1961. Rose Cottage, a Cotswold stone building bought in 1930 by Henry Ford to be transported to Michigan, is probably one of the unnamed buildings on the road in the centre of the map.
[Ref: 62659] £260.00
![[Chee Tor][in pencil]](jpegs/56570.jpg)
[Chee Tor][in pencil]
Rare lithograph, sheet 345 x 445mm (13½ x 14½"). Trimmed and glued to backing card. Slightly faded. Some marks in backing sheet as issued.
A view of Chee Tor in Chee Dale, a steep-sided gorge on the River Wye near Buxton in the Peak District. Two men fish while a flock of sheep graze.
[Ref: 56570] £180.00 (£216.00 incl.VAT)
Rare lithograph, sheet 345 x 445mm (13½ x 14½"). Trimmed and glued to backing card. Slightly faded. Some marks in backing sheet as issued.
A view of Chee Tor in Chee Dale, a steep-sided gorge on the River Wye near Buxton in the Peak District. Two men fish while a flock of sheep graze.
[Ref: 56570] £180.00 (£216.00 incl.VAT)
A View of the Thee Tor, &c. on the River Wye, two Miles below Buxton, in Derby-Shire.
Printed for Rob.t Sayer Map & Printseller. No.53 in Fleet Street, London. [n.d. c.1760.]
Engraving with very large margins. Plate 177 x 280mm (7 x 11").
A view Chee Tor, in the Peak District of England, Derbyshire.
[Ref: 30370] £120.00 (£144.00 incl.VAT)
Printed for Rob.t Sayer Map & Printseller. No.53 in Fleet Street, London. [n.d. c.1760.]
Engraving with very large margins. Plate 177 x 280mm (7 x 11").
A view Chee Tor, in the Peak District of England, Derbyshire.
[Ref: 30370] £120.00 (£144.00 incl.VAT)
![Poine! Poine! Fromage de lait caille. [Cheese curds seller.]](jpegs/11579.jpg)
Poine! Poine! Fromage de lait caille. [Cheese curds seller.]
Gezeichnet v. C. Brand Prof. Gestochen v. Joh Seigel.
[n.d., 1810.]
Etching, sheet 335 x 245mm. 13¼ x 9¾". Trimmed within plate.
Plate to a set of 'Cries of Vienna', after Christian Hilfgott Brand (1694 - 1756), who seems to have been a drawing master at the Vienna Academy.
[Ref: 11579] £170.00 (£204.00 incl.VAT)
Gezeichnet v. C. Brand Prof. Gestochen v. Joh Seigel.
[n.d., 1810.]
Etching, sheet 335 x 245mm. 13¼ x 9¾". Trimmed within plate.
Plate to a set of 'Cries of Vienna', after Christian Hilfgott Brand (1694 - 1756), who seems to have been a drawing master at the Vienna Academy.
[Ref: 11579] £170.00 (£204.00 incl.VAT)
la Crieuse de petit fromages. Je vends du laict, fromages, crême, Aux belles filles de Paris; Pour regaler leurs fauoris, Qui de leur côte font de même.
J. bonnart f.
Chez H. Bonnart rue S.t Jacques Vis à Vis les Mathurins avec privil. 116 [n.d. c.1675-1700].
Etching with engraving. 275 x 190mm (10¾ x 7½"). Trimmed and laid on album paper. Staining across the image. Creasing in right margin.
A street vendor selling cheese to young girls and their admirers. Printed by Henri II Bonnart (1642-1711) and from an album of 215 prints depicting different French costumes of the period, the majority are published by members of the Bonnart family. The four Bonnart brothers were renowed for the breadth of the works depicting contemporary fashion and costume.
[Ref: 54859] £180.00 (£216.00 incl.VAT)
J. bonnart f.
Chez H. Bonnart rue S.t Jacques Vis à Vis les Mathurins avec privil. 116 [n.d. c.1675-1700].
Etching with engraving. 275 x 190mm (10¾ x 7½"). Trimmed and laid on album paper. Staining across the image. Creasing in right margin.
A street vendor selling cheese to young girls and their admirers. Printed by Henri II Bonnart (1642-1711) and from an album of 215 prints depicting different French costumes of the period, the majority are published by members of the Bonnart family. The four Bonnart brothers were renowed for the breadth of the works depicting contemporary fashion and costume.
[Ref: 54859] £180.00 (£216.00 incl.VAT)
![Mr. R____elt a Cheesemonger and Common Council M….[paper loss.]](jpegs/16598.jpg)
Mr. R____elt a Cheesemonger and Common Council M….[paper loss.]
I.N. del 1781 [inside the image bottom left corner.]
Pub by S & E Harding Pall Mall.
Stipple. Image 159 x 113mm. Tear and paper loss bottom right hand corner effecting title. Cut and laid on separate sheet.
A bottle of wine, glass on table.
Library of Congress: PC 3 - 1781.
[Ref: 16598] £45.00 (£54.00 incl.VAT)
I.N. del 1781 [inside the image bottom left corner.]
Pub by S & E Harding Pall Mall.
Stipple. Image 159 x 113mm. Tear and paper loss bottom right hand corner effecting title. Cut and laid on separate sheet.
A bottle of wine, glass on table.
Library of Congress: PC 3 - 1781.
[Ref: 16598] £45.00 (£54.00 incl.VAT)
![[Cheese Monger] Highty, tighty! Mr Witey, /](jpegs/53169.jpg)
[Cheese Monger] Highty, tighty! Mr Witey, / Don't you think my question hard: / I want to know the price per pound / Of your own bladder of lard!
[n.d., c.1840.]
Coloured woodcut. Writing sheet; Sheet 165 x 120mm (6¼ x 4¾").
An egg-headed man scoops out a dollop from a barrel marked 'Fat' and slaps it on a scale, to a customer's disgust. 'Highty, tighty' is an obsolete variant of 'hoity-toity'.
[Ref: 53169] £130.00 (£156.00 incl.VAT)
[n.d., c.1840.]
Coloured woodcut. Writing sheet; Sheet 165 x 120mm (6¼ x 4¾").
An egg-headed man scoops out a dollop from a barrel marked 'Fat' and slaps it on a scale, to a customer's disgust. 'Highty, tighty' is an obsolete variant of 'hoity-toity'.
[Ref: 53169] £130.00 (£156.00 incl.VAT)
![Cheetah [pencil]](jpegs/64048.jpg)
Cheetah [pencil]
H. Rayner. Henry Rayner [pencil signature].
1940 [pencil].
Drypoint etching, titled and signed by the artist. 165 x 240mm (6½ x 9½") Small margins.
A reclining cheetah by Australian artist Henry Rayner (1902-1957).
[Ref: 64048] £85.00 (£102.00 incl.VAT)
H. Rayner. Henry Rayner [pencil signature].
1940 [pencil].
Drypoint etching, titled and signed by the artist. 165 x 240mm (6½ x 9½") Small margins.
A reclining cheetah by Australian artist Henry Rayner (1902-1957).
[Ref: 64048] £85.00 (£102.00 incl.VAT)
![Cheetah [pencil].](jpegs/64049.jpg)
Cheetah [pencil].
H.y G. Webb [pencil signature].
[n.d., c.1900.]
Etching, signed by the artist. 190 x 155mm. (7½ x 6"), with large margins.
The head of a snarling cheetah. Harry George Webb (1882-1914) was a landscape and architectural painter and etcher, who exhibited at the Royal Academy and the Royal Society of Etchers. He set up the Caradoc Press in Chiswick in 1899 with his wife Hesba.
[Ref: 64049] £140.00 (£168.00 incl.VAT)
H.y G. Webb [pencil signature].
[n.d., c.1900.]
Etching, signed by the artist. 190 x 155mm. (7½ x 6"), with large margins.
The head of a snarling cheetah. Harry George Webb (1882-1914) was a landscape and architectural painter and etcher, who exhibited at the Royal Academy and the Royal Society of Etchers. He set up the Caradoc Press in Chiswick in 1899 with his wife Hesba.
[Ref: 64049] £140.00 (£168.00 incl.VAT)
![[A cheetah running down a blackbuck.]](jpegs/30154.jpg)
[A cheetah running down a blackbuck.]
Harrington Bird 1905.
Published by A. Baird-Carter, 70 Jermyn Street, London S.W. 1906
Colour lithographic print, rare, signed in pencil by the artist. Printed area 290 x 490mm. Glued into mount, some spotting.
A cheetah chasing a blackbuck, an antelope native to India and once the country's most hunted wild animal. The artist, John Alexander Harington Bird (1846-1936), specialised in sporting pictures, including foxhunting, coaching, dressage, pig-sticking, coursing and racing. The Royal Family were among his clients.
[Ref: 30154] £330.00
Harrington Bird 1905.
Published by A. Baird-Carter, 70 Jermyn Street, London S.W. 1906
Colour lithographic print, rare, signed in pencil by the artist. Printed area 290 x 490mm. Glued into mount, some spotting.
A cheetah chasing a blackbuck, an antelope native to India and once the country's most hunted wild animal. The artist, John Alexander Harington Bird (1846-1936), specialised in sporting pictures, including foxhunting, coaching, dressage, pig-sticking, coursing and racing. The Royal Family were among his clients.
[Ref: 30154] £330.00
Chien D'Arret.
Peint par P.ppe Ledieu. Grave par Hurlimann.
Aquatint. Image 320 x 240mm (12½ x 9½"). Trimmed into plate.
Philippe Ledieu worked in France in the early 19th century. Johann Hürlimann produced engravings of high quality, particularly for travel folios.
[Ref: 3791] £150.00 (£180.00 incl.VAT)
Peint par P.ppe Ledieu. Grave par Hurlimann.
Aquatint. Image 320 x 240mm (12½ x 9½"). Trimmed into plate.
Philippe Ledieu worked in France in the early 19th century. Johann Hürlimann produced engravings of high quality, particularly for travel folios.
[Ref: 3791] £150.00 (£180.00 incl.VAT)
Old Chelsea. 1873.
Sherborn Ft. [in plate].
Etching. 145 x 68mm x 60mm.
Charles William Sherborn [1831 - 1912]. Etcher and engraver, prominant designer working with Seymour Haden and Dante Gabriel Rossetti. A view looking to the east from near World's End.
[Ref: 7168] £160.00 (£192.00 incl.VAT)
Sherborn Ft. [in plate].
Etching. 145 x 68mm x 60mm.
Charles William Sherborn [1831 - 1912]. Etcher and engraver, prominant designer working with Seymour Haden and Dante Gabriel Rossetti. A view looking to the east from near World's End.
[Ref: 7168] £160.00 (£192.00 incl.VAT)
Chelsea From The Bridge.
Drawn from Nature by J.C. Burgess. 1829.
Printed by W. Day. 17. Gate Strt.
Coloured lithograph on india laid paper, image 270 x 360mm. Very scarce. Marginal stains from old tape on verso.
A view on the River Thames at Chelsea, with the tower of Chelsea Old Church behind the waterfront buildings. After John Cart Burgess (1798 - d. 1863), painter and writer. Son of William Burgess, he was the brother of Henry William Burgess and Thomas Burgess.
Longford 152.
[Ref: 9227] £450.00
Drawn from Nature by J.C. Burgess. 1829.
Printed by W. Day. 17. Gate Strt.
Coloured lithograph on india laid paper, image 270 x 360mm. Very scarce. Marginal stains from old tape on verso.
A view on the River Thames at Chelsea, with the tower of Chelsea Old Church behind the waterfront buildings. After John Cart Burgess (1798 - d. 1863), painter and writer. Son of William Burgess, he was the brother of Henry William Burgess and Thomas Burgess.
Longford 152.
[Ref: 9227] £450.00
Another View of the River from Chelsea. No.2
Chas. White Sc.t
[n.d. c.1794.]
Copper engraving. Plate 120 x 172mm. 4¾ x 6¾". Crease through centre, not visible from front.
View of River Thames from Chelsea. To the right of the tree a young couple with a girl, other figures walking along the sidewalk and rowing in the river. From 'Six Views of the Thames, 1794'.
Longford: 199.
[Ref: 20071] £95.00 (£114.00 incl.VAT)
Chas. White Sc.t
[n.d. c.1794.]
Copper engraving. Plate 120 x 172mm. 4¾ x 6¾". Crease through centre, not visible from front.
View of River Thames from Chelsea. To the right of the tree a young couple with a girl, other figures walking along the sidewalk and rowing in the river. From 'Six Views of the Thames, 1794'.
Longford: 199.
[Ref: 20071] £95.00 (£114.00 incl.VAT)
![[Lindsey House, Chelsea.]](jpegs/10920.jpg)
[Lindsey House, Chelsea.]
C.W. Sherborn signed in pencil.
Etching 130 x 355mm, 5 x 14inches.
Atmospheric view of Cheyne Walk. Charles William Sherborn, artist British [1831 - 1912].
Images of Chelsea :226
[Ref: 10920] £260.00 (£312.00 incl.VAT)
C.W. Sherborn signed in pencil.
Etching 130 x 355mm, 5 x 14inches.
Atmospheric view of Cheyne Walk. Charles William Sherborn, artist British [1831 - 1912].
Images of Chelsea :226
[Ref: 10920] £260.00 (£312.00 incl.VAT)
![[Two views in Chelsea, showing the Thames Coffee House.]](jpegs/11788.jpg)
[Two views in Chelsea, showing the Thames Coffee House.]
H Greaves 1857 [&] H&W Greaves 1860. [signed and dated in plate.]
Pair of etchings, 265 x 310mm, 10½ x 12¼". [&] 250 x 355mm, 9¾ x 14". Paper age toned and lightly soiled. Chipped and tatty margins.
The Thames Coffee House, Chelsea, looking west towards the Cricketers pub and Chelsea Old Church, and the same building, on the corner of Laurence Street, looking east and dated three years later. Two aspects of the same street in Old Chelsea, before the redevelopment and embankment of the area as Cheyne walk. Carlyle Mansions now stands on this site. By Walter (1846 - 1930) and Henry Greaves, Chelsea residents and close associates of Whistler.
Longford 'Images of Chelsea': undescribed.
[Ref: 11788] £790.00 view all images for this item
H Greaves 1857 [&] H&W Greaves 1860. [signed and dated in plate.]
Pair of etchings, 265 x 310mm, 10½ x 12¼". [&] 250 x 355mm, 9¾ x 14". Paper age toned and lightly soiled. Chipped and tatty margins.
The Thames Coffee House, Chelsea, looking west towards the Cricketers pub and Chelsea Old Church, and the same building, on the corner of Laurence Street, looking east and dated three years later. Two aspects of the same street in Old Chelsea, before the redevelopment and embankment of the area as Cheyne walk. Carlyle Mansions now stands on this site. By Walter (1846 - 1930) and Henry Greaves, Chelsea residents and close associates of Whistler.
Longford 'Images of Chelsea': undescribed.
[Ref: 11788] £790.00 view all images for this item
![['The Little Gate' - Chelsea.]](jpegs/11675.jpg)
['The Little Gate' - Chelsea.]
Theodore Roussel [etched in plate and signed in pencil.]
[n.d., c.1890.]
Etching, 205 x 165mm. 8 x 6½".
The fine wrought-iron gate to 4 Cheyne Walk, Chelsea. By Theodore Casimir Roussel (1847 - 1926), English painter and etcher of French birth. He was born and educated in France and settled in England in 1878, when he quickly established a reputation. In 1885 he was introduced to James McNeill Whistler, his neighbour in Chelsea, London, and in consequence a lifelong friendship was formed. In 1888 Whistler introduced him to the techniques of etching and drypoint. As Roussel was a member of Whistler’s London circle his work was influenced by the latter in style and choice of subject-matter. Scarce.
Guichard: pg.57. Longford 'Images of Chelsea': 552.
[Ref: 11675] £330.00
Theodore Roussel [etched in plate and signed in pencil.]
[n.d., c.1890.]
Etching, 205 x 165mm. 8 x 6½".
The fine wrought-iron gate to 4 Cheyne Walk, Chelsea. By Theodore Casimir Roussel (1847 - 1926), English painter and etcher of French birth. He was born and educated in France and settled in England in 1878, when he quickly established a reputation. In 1885 he was introduced to James McNeill Whistler, his neighbour in Chelsea, London, and in consequence a lifelong friendship was formed. In 1888 Whistler introduced him to the techniques of etching and drypoint. As Roussel was a member of Whistler’s London circle his work was influenced by the latter in style and choice of subject-matter. Scarce.
Guichard: pg.57. Longford 'Images of Chelsea': 552.
[Ref: 11675] £330.00
View of Chelsea & Battersea from East Wandsworth.
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Sepia aquatint. 320 x 220mm.
From the 'History of the River Thames'.
Abbey: 432.
[Ref: 2401] £260.00 (£312.00 incl.VAT)
J. Farington R.A. delt. J. C. Stadler Sculpt.
Pub. June 1, 1795, by J. & J. Boydell, Shakespeare Gallery, Pall Mall, & No. 90, Cheapside.
Sepia aquatint. 320 x 220mm.
From the 'History of the River Thames'.
Abbey: 432.
[Ref: 2401] £260.00 (£312.00 incl.VAT)
The House att Chelsea in the County of Middlesex.
[after Johannes Kip.]
[Leiden: Pieter van der Aa, c.1720.]
Engraving. 130 x 165mm (5 x 6½"). Very large margins. Unusually no central creases. Collector's mark verso in ink; Ink mss. numeral in bottom right.
A reduced version of Kip's view of Chelsea, published in James Beverell's 'Les Delices de la Grande Bretagne et de L'Irlande'.
[Ref: 38402] £75.00 (£90.00 incl.VAT)
[after Johannes Kip.]
[Leiden: Pieter van der Aa, c.1720.]
Engraving. 130 x 165mm (5 x 6½"). Very large margins. Unusually no central creases. Collector's mark verso in ink; Ink mss. numeral in bottom right.
A reduced version of Kip's view of Chelsea, published in James Beverell's 'Les Delices de la Grande Bretagne et de L'Irlande'.
[Ref: 38402] £75.00 (£90.00 incl.VAT)
![[Chelsea from Cremorne Wharf.]](jpegs/18154.jpg)
[Chelsea from Cremorne Wharf.]
Walter W Burgess [signed in pencil lower right, with sun symbol.]
[n.d. c.1894.]
Etching, framed. Plate 178 x 285mm. 7 x 11¼".
Very fine view of the Thames. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. From: Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
Lonford: Images of Chelsea, 241.
[Ref: 18154] £420.00
Walter W Burgess [signed in pencil lower right, with sun symbol.]
[n.d. c.1894.]
Etching, framed. Plate 178 x 285mm. 7 x 11¼".
Very fine view of the Thames. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. From: Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
Lonford: Images of Chelsea, 241.
[Ref: 18154] £420.00
Stadium, Cremorne House, Chelsea.
R. Martin Lithog. 124, High Holborn.
[n.d. c.1832.]
Hand coloured lithograph on india laid paper, india 135 x 170mm. 5¼ x 6¾". Rare
A view in Cremorne Gardens, Chelsea, named after Thomas Dawson, Lord Cremorne, and the site of his former residence. In the early part of the 19th century, Lord Cremorne's mansion, known as Chelsea Farm, was often visited by George III, Queen Charlotte, and the Prince of Wales. The natural beauty of the situation led to the grounds being opened to the public as the ‘Stadium’.
See Longford: 354.
[Ref: 18209] £120.00 (£144.00 incl.VAT)
R. Martin Lithog. 124, High Holborn.
[n.d. c.1832.]
Hand coloured lithograph on india laid paper, india 135 x 170mm. 5¼ x 6¾". Rare
A view in Cremorne Gardens, Chelsea, named after Thomas Dawson, Lord Cremorne, and the site of his former residence. In the early part of the 19th century, Lord Cremorne's mansion, known as Chelsea Farm, was often visited by George III, Queen Charlotte, and the Prince of Wales. The natural beauty of the situation led to the grounds being opened to the public as the ‘Stadium’.
See Longford: 354.
[Ref: 18209] £120.00 (£144.00 incl.VAT)