Grosvenor Prints

Mill House, Abinger. [pencil.]
Walter G. Price. [pencil signature.]
[n.d., c.1920.]
Etching, signed by the artist. 85 x 130mm, 3¼ x 5".
Abinger, near Dorking, Surrey. Price was born in Birmingham, His etchings were exhibited between 1910-1933, including one at the R.A.
[Ref: 11661] £60.00 (£72.00 incl.VAT)

[The Angler's Rest.]
W Dendy Sadler. Oswald Burns. [pencil signatures.] W Dendy Sadler [etched into the plate.]
London, Published 1920 by L.H. Lefevre & Son, 1A King Street. St. James's S.W.1. the proprietors of the Copyright. Printed by A. Holdgate & Sons. Copyright 1920 by L.H. Lefevre & Son, in the U.S.A.
Etching. Plate 444 x 344mm. 17½ x 13½". Crease into plate on left-hand side.
The fisherman sat at the table next to the stream being served chicken by a maid.
Beazley: 281.
[Ref: 19169] £160.00 (£192.00 incl.VAT)

[The Annunciation.]
Walter W. Burgess R.E. [signed in pencil].
[n.d., c.1890.]
Etching, very scarce. 285 x 640mm (11¼ x 25¼"). Outside of frame 540 x 880mm (21¼ x 34½"). Unexamined out of frame.
A depicition of the Annunciation in the Pre-Raphaelite manner. On the reverse are labels translating the latin text and stating that the work was exhibited at the Royal Academy and Royal Society of Painter-Etchers. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections.
[Ref: 17391] £360.00

[The Answer.]
W. Dendy Sadler. Jules Jacquet [Pencil signatures, signed in plate by Sadler.]
London Published 1912 L.H. Lefevre & Son 1a King Street St.James' S.W. The Proprietors of the Copyright. Imprimerie A. Salmon, Paris.
Etching, artist's remarque proof, 460 x 355mm. 18 x 14". A fine impression. Crease to margin lower right.
A woman composing a letter at her writing-desk; wall-mounted clock upper left. Remarque of a carrier-pigeon holding a letter in its beak. Printseller's Association blindstamp lower left. After Walter Dendy Sadler (1854 - 1923).
Not listed in PSA.
[Ref: 14073] £140.00 (£168.00 incl.VAT)

[Encamping for the Night.]
[Lithographed by Joseph Needham after Walter William May.]
[London: Day & Son, 1855.]
Lithograph with original hand colour. Sheet 175 x 285mm (7 x 11¼"). Trimmed to image and laid on card,
A sledge party set up camp in a snow-covered, barren wasteland, from Walter William May's 'Series of Fourteen Sketches Made During the Voyage up Wellington Channel in Search of Sir John Franklin'. Sir Edward Belcher led five ships to the Arctic in the largest and last naval search for Sir John Franklin and the crews of the 'Erebus' and 'Terror', missing from an earlier expedition seeking the Northwest Passage. Four out of the five vessels were abandoned in pack ice, for which Belcher was court-martialled, but acquitted. Although they were unable to find Franklin they rescued the crew of HMS Investigator, which had become stuck during an earlier rescue expedition under the command of Robert McClure.
Abbey 646.
[Ref: 59118] £280.00 (£336.00 incl.VAT)

Views in Birmingham and its Vicinity, comprising Birmingham, from the London Railway, St. Philip's Church, King Edward's Grammar School, The Society of Arts and Town Hall, The Market Hall, High-Street and St. Martin's Church, Edgbaston Church, Handsworth Church.
Drawn and Lithographed by Charles Radclyffe.
Birmingham: Knott, Hawker, and Coburn [n.d., c.1845].
Book, oblong folio (330 x 415mm, 13 x 16¼") in original printed limp grey boards, vignette of Nelson's Monument to upper cover. Additional pictorial title page (from same stone), title and dedication leaf, followed by eight lithographic plates in sepia, complete as list. Description of views to rear of volume. Very scarce as complete book. Covers soiled and stained, bumped at extremities; some staining and foxing throughout.
A fine selection of views by Charles Walter Radclyffe (1817 - 1903).
Abbey Scenery 49.
[Ref: 22517] £690.00 view all images for this item

[Blenheim Palace] View near the High Lodge.
C.W. Radcliffe del et lith. Day & Haghe Lith.rs to the Queen.
[Oxford: James Wyatt & Son, 1842.]
Tinted lithograph, with large margins, rare. Printed area 275 x 375mm (10¾ x 14¾").
A view through the woods towards the High Lodge. From 'The Palace of Blenheim' by Charles Walter Radclyffe (1817-1903), a book dedicated to John Winston Spencer-Churchill, 7th Duke of Marlborough (1822-83), grandfather of Winston Churchill.
Not in Abbey.
[Ref: 34919] £230.00 (£276.00 incl.VAT)

[Blenheim Palace] From Private Gardens.
C.W. Radcliffe del et lith. Day & Haghe Lith.rs to the Queen.
[Oxford: James Wyatt & Son, 1842.]
Tinted lithograph with large margins, rare. Printed area 275 x 375mm (10¾ x 14¾").
From 'The Palace of Blenheim' by Charles Walter Radclyffe (1817-1903), a book dedicated to John Winston Spencer-Churchill, 7th Duke of Marlborough (1822-83), grandfather of Winston Churchill.
Not in Abbey.
[Ref: 34921] £220.00 (£264.00 incl.VAT)

[Blenheim Palace] High Lodge. [&] Cascade.
C.W. Radcliffe del et lith. Day & Haghe Lith.rs to the Queen.
[Oxford: James Wyatt & Son, 1842.]
Tinted lithograph with large margins, rare. Printed area 400 x 260mm (15¾ x 10¼").
Two views on one sheet: High Lodge & the Cascade, the water flowing from the Great Lake. From 'The Palace of Blenheim' by Charles Walter Radclyffe (1817-1903), a book dedicated to John Winston Spencer-Churchill, 7th Duke of Marlborough (1822-83), grandfather of Winston Churchill.
Not in Abbey.
[Ref: 34923] £120.00 (£144.00 incl.VAT)

[Blenheim Palace] Monument. [&] Rosamond's Well.
C.W. Radcliffe del et lith. Day & Haghe Lith.rs to the Queen.
[Oxford: James Wyatt & Son, 1842.]
Tinted lithograph with large margins, rare. Printed area 400 x 260mm (15¾ x 10¼").
Two views on one sheet: the Column of Victory & Rosamund's Well, named after Rosamund Clifford, a mistress of Henry II. From 'The Palace of Blenheim' by Charles Walter Radclyffe (1817-1903), a book dedicated to John Winston Spencer-Churchill, 7th Duke of Marlborough (1822-83), grandfather of Winston Churchill.
Not in Abbey.
[Ref: 34922] £180.00 (£216.00 incl.VAT)

Bomarsund. Combined Attack on the Forts. August 15,_1854. Bomarsund. Attaque Combinée des Forts. 15 Aout,_1854. The English & French Fleets in the Baltic, 1854.
O.W. Brierly, Del. Day & Son, Lith.rs to the Queen.
London Published Feby 1.st 1855, by Day & Son, Lith.rs to the Queen, 17, Gate Street, Lincoln's Inn Fields.
Tinted lithograph, framed. Visible area 452 x 635mm (17¾ x 25").
Bombardment of Bomarsund viewed from the sea; observation barge with cannon foreground centre. The Battle of Bomarsund, the Anglo-French task force against the Russian defenses at Bomarsund during the Crimean War. After the surrender of the Russian forces, the French and British demolished the fortress, and the Treaty of Paris 1856, saw the demilitarisation of the Aland Islands. From a series of 15 lithographs.
Parker: 261.a. RMG: PAH8325.
[Ref: 28991] £420.00

Vue des Isles Boromées au Lac Majeur.
Dessiné et lith.é par H. Walter. Imp. de Lemercier.
[n.d., c.1845.]
Hand-coloured lithograph. Framed. Printed area: 425 x 600mm (16¾ x 23½"), with large margins. Frame: 595 x 750mm (23½ x 29½"). Unexamined out of frame.
A pretty view of the Borromean Islands in the Lago Maggiore in Italy.
[Ref: 47100] £420.00

[13 postcards of the Aimoré people of Brazil, from photographs by Walter Garbe.] Série: Indios Botucudos...
[n.d., c.1930.]
13 collotype postcards, each 140 x 90mm (5½ x 3½").
Photographs of the Aimoré tribes of Espírito Santo, called Botocudo in Portuguese for 'plugging' their ears and lower lips with plugs to extend them. It shows them using their bows, spears, blowpipes and flutes. Walter Garbe photographed the tribesmen on the left bank of the Doce River betweeen March and May 1909.
[Ref: 45659] £350.00 view all images for this item

The City of Bristol. As it appeared on Sunday night (taken from 6 to 12 o'Clock) 30th Octb.r 1831. When the New Gaol, the Toll Houses, the Bisghops Palace, two sides of Queen Square, including the Mansion House, Custom House, excise Office, Warehouses,, with various othe buildings & other property to the Amount of One Hundred Thousand Pounds Sterling, was totally Destroyed,
From a Sketch Taken from Brandon Hill, by C.H. Walters.
London, John Bysh, 8, Cloth Fair, West Smithfield. [n.d. c.1831.]
Aquatint, very scarce. 290 x 395mm, 11½ x 15¾". Trimmed to plate on three sides, several tears.
[Ref: 27537] £320.00

Pl.s VIII & IX. Division of Sledges Finding and Cutting a Road Through Heavy Hummock, in the Queen's Channel.
Comm.r W.W.May, R.N. del _
Day & Son lith.rs to the Queen. [London, 1855.]
Tinted lithograph. Printed area 330 x 225mm, 13 x 9". Small tears and tape remains in margins.
From Walter William May's 'Series of Fourteeen Sketches Made During the Voyage up Wellington Channel in Search of Sir John Franklin'. Under Sir Edward Belcher five ships entered the Arctic to search for Franklin and the crews of the 'Erebus' and 'Terror', missing from an earlier expedition. Four out of the five vessels were abandoned in pack ice, for which Belcher was court-martialled, but acquitted.
Abbey Travel 646.
[Ref: 11063] £160.00 (£192.00 incl.VAT)

Memorials of Charterhouse.
A Series of Original Views Taken and Drawn on Stone by C.W. Radclyffe, Esq.re
London: Published by James Moore, Carthusian Street, Charterhouse Square. MDCCCXLIV. [1844]
A series of fourteen lithographs including title-page. Gilt stamped half-morocco binding. Folio. Scuffed and binding scratched at corners. Some spotting.
Ink inscription inside front cover: Rev. John G. [Blazey] 1847-49. A collection of illustrations from the Old Charterhouse School.
[Ref: 21972] £380.00 view all images for this item

[Two views in Chelsea, showing the Thames Coffee House.]
H Greaves 1857 [&] H&W Greaves 1860. [signed and dated in plate.]
Pair of etchings, 265 x 310mm, 10½ x 12¼". [&] 250 x 355mm, 9¾ x 14". Paper age toned and lightly soiled. Chipped and tatty margins.
The Thames Coffee House, Chelsea, looking west towards the Cricketers pub and Chelsea Old Church, and the same building, on the corner of Laurence Street, looking east and dated three years later. Two aspects of the same street in Old Chelsea, before the redevelopment and embankment of the area as Cheyne walk. Carlyle Mansions now stands on this site. By Walter (1846 - 1930) and Henry Greaves, Chelsea residents and close associates of Whistler.
Longford 'Images of Chelsea': undescribed.
[Ref: 11788] £790.00 view all images for this item

[Chelsea from Cremorne Wharf.]
Walter W Burgess [signed in pencil lower right, with sun symbol.]
[n.d. c.1894.]
Etching, framed. Plate 178 x 285mm. 7 x 11¼".
Very fine view of the Thames. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. From: Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
Lonford: Images of Chelsea, 241.
[Ref: 18154] £420.00

[Chelsea Reach, Looking Towards Battersea.]
Walter W Burgess [signed in pencil lower right, with sun symbol.]
[n.d. c.1894.]
Etching.Proof. Plate 180 x 285mm (7 x 11¼") large margins.
Fine view of the Thames. William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. From: Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
Elizabeth Longford: Images of Chelsea, 223.
[Ref: 53566] £260.00 (£312.00 incl.VAT)

[Old Clothes Shop, Milman's Street.]
[Walter W Burgess.]
[n.d. c.1894.]
Proof etching. 190 x 261mm (7½ x 10¼").
William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. From: Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
Longford: Images of Chelsea, 614.
[Ref: 18155] £180.00 (£216.00 incl.VAT)

[Cheyne Walk, Chelsea in 1871]
W.W.B. [Walter William Burgess]
Etching, 255 x 325mm to platemark. Signed in pencil lower left.
View looking Eastwards along Cheyne Walk showing Cadogan Pier. The historic Magpie & Stump public house, which dated from the days of Henry VIII, is visible on the left. The pub was burnt down in 1887. William Walter Burgess (1844 - 1908), who annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections.
Longford 133.
[Ref: 22457] £320.00

[The Moravian Chapel and Burial Ground.]
Walter W Burgess [signed in pencil lower right, with sun symbol.]
[n.d. c.1894.]
Etching. Plate 127 x 203mm. 5 x 8". Slight discolouration from old mount.
William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections. The Fetter Lane Moravian Church, the King's Road, Chelsea, London. It was founded in 1742 by members of the Church who had come to London in search of passage of the British colonies in the Caribbean in order to take the Gospel to the slave communities. From: Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
Lonford: Images of Chelsea, 490.
[Ref: 18152] £180.00 (£216.00 incl.VAT)

[Royal Hospital from the River, Before the Embankment.]
Walter W. Burgess [signed in pencil.]
[n.d, 1894.]
Etching, with Burgress' sun symbol lower right. Limited edition. 203 x 336mm. 8 x 13¼".
William Walter Burgess [1844 - 1908] annually exhibited his etchings at the Royal Academy from 1874 to 1903. Burgess was a full member of the Royal Engravers and such major museums as The British Museum and the Victoria and Albert Museum, London, include his etchings in their permanent collections.
Longford: Images of Chelsea, 62. Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess.Kegan Paul & Co.: London, 1894
[Ref: 14197] £230.00 (£276.00 incl.VAT)

Royal Hospital from the River before the Embankment.
Walter W. Burgess [signed in pencil].
[n.d. 1894.]
Etching. 260 x 160mm.
Burgess, Walter (Southampton, 1844 - London, 1908).
Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
[Ref: 1097] £280.00 (£336.00 incl.VAT)

Royal Hospital from the Garden.
Walter W. Burgess signed in pencil.
n.d. 1894
etching 255 x 115mm
Burgess, Walter (Southampton, 1844 - London, 1908)
Bits of Old Chelsea. A series of forty-one etchings by W. W. Burgess. Kegan Paul & Co.: London, 1894.
[Ref: 1098] £280.00 (£336.00 incl.VAT)

[Chelsea Old Church, Cheyne Walk.]
[William Walter Burgess aquaf.t
[n.d, c.1895.]
Etching. Plate: 325 x 265mm (12½ x 10½").
A view along Cheyne Walk looking west towards Chelsea Old Church and Battersea Bridge. Two figures walk sit by the river, a milk maid carries her buckets and several carriages and carts are driven along the dirt road. The costume of the figures is of a more Regency style rather than Victorian, looking back at the area before the embankment was built.
Longford by Walter Burgess: 571
[Ref: 41371] £420.00

To the Secretary and Members of the Royal Cork Yacht Club, This print of the Cutter Yacht Cygnet (W. Smith Esq.re.) is respectfully dedicated by their very obedient servant, O. W. Brierly. H.M. Brig Columbine. Xarifa Yacht.
O. W. Brierly del. et lith. Day & Haghe lith.rs. to the Queen.
Edmund Fry & Son, London. Edmund Fry Jun.r. Plymouth. [n.d., c.1840].
Lithograph, rare. Sheet : 510 x 370mm. (20 x 14½"). Small tear on right.
A view of the cutter yacht 'Cygnet'. H. M. Brig Columbine and Xarifa Yacht can be seen in the distance. For uncoloured example of this print see ref: 9894.
[Ref: 32819] £980.00

To the Secretary and Members of the Royal Cork Yacht Club, This print of the cutter Yacht Cygnet (W. Smith, Esqre.) is respectfully dedicated by their very obedient servant, O.W. Brierly.
O.W. Brierly del et lith. Day & Hague Lithrs. to the Queen.
Edmund Fry & Son, London. Edmund Fry Jnr. Plymouth [n.d. c.1840].
Tinted lithograph, image 320 x 480mm. 12½ x 18¾". Small nicks and tears to extremities, occasional surface scratch or scuff.
In the background are captioned the yachts 'Columbine' and 'Xarifa'.
[Ref: 9894] £850.00

The Declaration of War, communicated to the Fleet by Signal by Vice Admiral Sir Charles Napier, K.C.B. at Kioge Bay April 4th. 1854.
From the Original taken on board H.M.S. St. Jean D'Acre by O.W. Brierly, Esq. T.G. Dutton, Lith. Day & Son. Lith.rs to the Queen.
London, Published Sep.r 20 1854, by Ackermann & Co. 96 Strand, by Appointment, to H.M. the Queen, H.R.H. Prince Albert, H.R.H. The Duchess of Kent, &c.&c.&c.
Lithograph. 419 x 903mm.16½ 35½".
Admiral Sir Charles John Napier (1786-1860) was a Scottish naval officer whose sixty years in the Royal Navy included service in the Napoleonic Wars, Syrian War and the Crimean War. At the outbreak of the Crimean War, Napier received command of the largest fleet with the Royal Navy had assembled since the Napoleonic Wars, and it was sent to act in the Baltic Sea. It was in 1854, aboard HMS Duke of Wellington that Napied hoisted his flag, joined by Rear-Admirals Armar Lowry Corry, Henry Ducie and James Hanway Plumridge. Despite the lack of men and particularly experienced seamen, Napier, augmented by the French fleet sent by Napoleon III, managed to overawe the Russian Baltic fleet, so much so that they did not leave their moorings.
See NMM: PAI5083. See GAC: 4592.
[Ref: 17836] £650.00

Dewar Challenge Trophy. This is to Certify that M.r Beaumont Critchley Holds the Challenge Trophy for the Year 1903. Presented by Sir Thomas Dewar.
W. W. Burgess R.E. Del et Sculp.
Etching, signed in pencil. 420 x 600mm (16½ x 23¾") with wide margins. Some surface dirt in margins that does go into the top sky part of the image.
A view of London from south of the river, with St Paul's Cathedral and Watt's Shot Tower, Belvedere Road, Lambeth. Sir Thomas Robert Dewar (1864 - 1930) turned his family whisky business into an international success by sponsoring sporting events around the world. In the U.S. there were 'Dewar Challenge Trophys' for Soccer and motor racing. What competition this view celebrates is unknown. Besides his whisky Dewar is known for 'Dewarism', a philosophy stating that success can be attained without compromising joy in life. One of his aphorisms is the famous 'Experience is what you get when you're looking for something else'.
See 52181 for unsigned image.
[Ref: 7591] £650.00

Dewar Challenge Trophy. This is to Certify that [blank] M.r Beaumont Critchley Holds the Challenge Trophy for the Year 1[blank]. Presented by Sir Thomas Dewar.
W. W. Burgess R.E. Del et Sculp.
Etching, 420 x 600mm (16½ x 23½) with large margins.
A blank certificate with a view of London from south of the river, with St Paul's Cathedral and Watt's Shot Tower, Belvedere Road, Lambeth. Sir Thomas Robert Dewar (1864 - 1930) turned his family whisky business into an international success by sponsoring sporting events around the world. In the U.S. there were 'Dewar Challenge Trophys' for Soccer and motor racing. What competition this view celebrates is unknown. Besides his whisky Dewar is known for 'Dewarism', a philosophy stating that success can be attained without compromising joy in life. One of his aphorisms is the famous 'Experience is what you get when you're looking for something else'.
See 7591 for signed impression.
[Ref: 52181] £450.00

Dewar's Wharf from Victoria Embankment.
Walter W. Burgess. R.E. [signed in pencil.]
Published & Copyrighted by John Dewar & Sons Ltd.
Etching. Plate: 125 x 180mm (5 x 7'').
A view of Dewar's Wharf. John Dewar started his whisky distillery in 1846 and expanded into the global market. William Walter Burgess (1844 - 1908) annually exhibited his etchings at the Royal Academy from 1874 to 1903.
[Ref: 49410] £95.00 (£114.00 incl.VAT)

Schooner Yacht Dolphin. G.H. Ackers, Esqr. Winning the Queen's Plate at Cowes, August 17th 1839. To the Right Hon.ble the Earl of Yarborough, D.C.L. F.R.S. F.S.A. &c. Commadore of the Royal Yacht Squadron. This Print is respectfully dedicated by his Lordship's most obedient and very humble Servant, O.W. Brierly.
O.W. Brierly, del et zinc. Day & Hague, Lithrs. to the Queen.
Edmund Fry, London & Edmund Fry, Jnr. Plymouth. [n.d. c.1839.]
Tinted zincograph. Printed area: 285 x 460mm (11¼ x 18").
In the background are the yachts 'Kestrel' and 'Wanderer', captioned below the image, with the 'Dolphin' in the centre, sailing to the right. By English marine painter Sir Oswald Walters Brierly (1817 - 1894).
[Ref: 39380] £750.00

Schooner Yacht Dolphin. G.H. Ackers, Esqr. Winning the Queen's Plate at Cowes, August 17th 1839. To the Right Hon.ble the Earl of Yarborough, D.C.L. F.R.S. F.S.A. &c. Commadore of the Royal Yacht Squadron. This Print is respectfully dedicated by his Lordship's most obedient and very humble Servant, O.W. Brierly.
O.W. Brierly, del et zinc. Day & Hague, Lithrs. to the Queen.
Edmund Fry, London & Edmund Fry, Jnr. Plymouth. [n.d. c.1839.]
Tinted zincograph, image 285 x 460mm. 11¼ x 18". Small nicks and tears to extremities. Lightly soiled.
In the background are captioned the yachts 'Kestrel' and B. Boyd's 'Wanderer'.
[Ref: 9893] £850.00

[Playing Cards.]
W. Dendy Sadler. [Pencil signatures:] W. Dendy Sadler. W Boucher.
Published at 8 Clare Street, Bristol by Frost & Reed, Printsellers of London and Bristol, April 1892 Copyright Registered. Copyright in the United States of America by M. Knoedler & Co. April 1892.
Etching. Remarque of cards to lower right margin. 432 x 550mm. 17 x 21¾".
In the drawing room: two men and two women seated around a table playing cards; a guitar leaning against the stool to the harpsichord.
[Ref: 19637] £140.00 (£168.00 incl.VAT)

The Fire King Steam Ship. Burthen 600 Tons _ 150 Horse Power _ Robert Ewing Commander _ getting under weigh off Liverpool. To the Chairman and Directors of the Ardrossan and Liverpool Steam Packet Company, This Print of their Spelndid and Powerful Vessel is Respectfully Dedicated by their Obedient Servant, Samuel Walters.
Painted by Samuel Walters. Fairland, lith. 45 St John's Squ.e London.
Published by S. Walters, 99 Mill Streetm & Mr Aylward, Lord Street, Liverpoolm & Ackermann & Co. London [n.d., c.1839].
Scarce tinted lithograph with hand colour. Printed area 310 x 400mm (12¼ x 15¾") very large margins.
A paddlesteamer, built in 1839 as a pleasure yacht for Thomas Assheton Smith, with engines by Robert Napier. In 1840 it was converted for passengers and served the Ardrossan-Liverpool route, a 13 hour journey, with departures coinciding with mail train arrivals from Glasgow and London. In 1847 it was sold out of the British register.
[Ref: 57870] £480.00

''Flora''.
Painted by V.W. Bromley. Engraved by T.L. Atkinson.
London. Published Jan.y 1st 1877 by Thomas M.cLean, 7, Haymarket, Copyright Registered. Entered according to Act of Congress in the year 1877, by Mess.rs Knoedler & Co in the Office of the Librarian of Congress at Washington.
Mixed method engraving on chine collé. 885 x 520mm (34¾ x 20½"), with wide margins. Mint
A young woman in a loose gown fastened with a jewelled clasp, her left side bare and long hair tied back with a wreath of flowers, looking to left with arms outstretched, in a field full of flowers.
[Ref: 51401] £450.00

[The Moon is not Seen when the Sun is Up.]
Walter Dendy Salder [signed in pencil.] James Dobie [signed in pencil.]
London Published 1921 by L.H. Lefevre & Son, 1a King Street, St James's, London, S.W.1. The Proprietors of the Copyright, Printed by T. Brooker & Co. Copyright 1921 by L.H.Lefevre & Son in U.S.A.
Etching, signed remarqued proof, Printseller's Association Blindstamp. Plate 412 x 553mm. 16¼ x 21¾".
A butler leaning over a table where a man sits and eats; sitting behind is a man reading the paper by a large hearth and fireplace.
Not in PSA.
[Ref: 22981] £130.00 (£156.00 incl.VAT)

Fort Nottich, Bomarsund. August, 1854. Breach made by the English Battery of three 32 pounders, manned by Marines & Blue Jackets under command of Cap.n. W.Ramsay, H.M.S. Hogue. Fort Nottich, Bomarsund. Aout. 1854. Brêche faite par la Batterie Anglaise de trois pièces de 32 servie par l’infanterie de marine et les matelots sous le commandement du Capitaine W. Ramsay du Vaisseaux de S.M. La Hogue. The English & French Fleets in the Baltic, 1854.
O.W. Brierly del.t J. Needham lith. Day & Son Lith.rs to the Queen.
London Published Feb.y 1.st 1855, by Day & Son Lith.rs to the Queen, 17 Gate Street, Lincoln's Inn Fields.
Lithograph. 350 x 521mm. 13¾ x 20½".
From a set of 15 lithographs. The Battle of Bomarsund was fought by an Anglo-French task force against Russian defences at Bomarsund during the Crimean War. Fought during the August of 1854, and after a week of fighting, the British stormed the fort’s centre and eventually destroyed it by the end of the battle. There were three hundred Finnish grenadiers that greeted the British troops at the fortress, but all were captured and imprisoned in Lewes. The fortress was originally built in 1832 by Russia in Sund on the Åland Islands in the Baltic Sea. In the Treaty of Paris, 1856, the entire Åland Islands were demilitarized, which is a status that has been preserved until this day
NMM: PAH8314; Parker 266(d)
[Ref: 20641] £220.00 (£264.00 incl.VAT)

[Set of Nine Plates.] Series of Fourteen Sketches Made During the Voyage Up the Wellington Channel... Loss of the McLellan. [&] H.M.S Assistance and Pioneer in Winter Quaters. Returning Daylight. [&] Perilous Position of H.M.S Assistance and Pioneer, on the Evening of the 12th October 1853, Disaster Bay. [&] Pl.s VIII & IX_Division of Sledges Finding and Cutting a Road through Heavy Hummocks, in the Queen's Channel. [&] Division of Sledges Passsing Cape Lady Franklin; Extraordinary Masses of Ice Pressed Against the North Shore of Bathurst Land. [&] Sledges in a Fresh Fair Wind, Going Over Hummocky Ice. [&] Encamping for the Night. [&] Franklin Relics Brought by Dr. Rae.
Comm.r. W.W.May, del. Day & Son Lith.rs to the Queen.
London: Published May 1, 1855, By Day and Son, Lithographers to the Queen. 6-7-8-9, Gate Street, Lincoln's-Inn Fields.
Nine of 14 tinted lithographs with letterpress in wrappers, very rare. Sheet: 370 x 280mm (14½ x 11"). Foxing, wrappers torn and worn.
Nine of 14 plates from Walter William May's 'Series of Fourteen Sketches Made During the Voyage up Wellington Channel in Search of Sir John Franklin' with wrappers, list of over 240 subscribers and descriptions of the plates. Sir Edward Belcher led five ships to the Arctic in the largest and last naval search for Sir John Franklin and the crews of the 'Erebus' and 'Terror', missing from an earlier expedition seeking the Northwest Passage. Though they were unable to rescue Franklin they rescued the crew of HMS Investigator under the command of Robert McClure which had become stuck during an earlier rescue expedition. Four out of the five vessels were abandoned in pack ice, for which Belcher was court-martialled, but acquitted. Plates 2, 3, 6, 8, 9, 10, 11, 12. 14.
Abbey Travel 646.
[Ref: 41939] £3,000.00 view all images for this item

[From Overseas.]
W. Dendy Sadler. [Signed in pencil and in plate.]
London, Published 1919 by L.H. Lefevre & Son 1a King Street St.James' S.W. the proprietors of the Copyright. Imprimerie A. Porcabeuf & Cie. Paris.
Etching, artist's remarque proof, Printseller's Association blindstamp lower left. 485 x 375mm. 19 x 14¾". A fine impression.
An elderly lady and gentleman in an interior read a letter sent by a friend or family member abroad. Remarque of a ship in sail below. After Walter Dendy Sadler (1854 - 1923).
Not listed in PSA.
[Ref: 14074] £140.00 (£168.00 incl.VAT)

[HMS "Galatea" amongst icebergs in the Southern Ocean, 23 April 1868.]
O.W. Brierly [in image].
[n.d., c.1869.]
Zincograph, printed in colours. Sheet 380 x 670mm (15 x 26½"). Trimmed to image and laid on board, as issued. Board replaced.
A view of HMS Galatea, an Ariadne class 26-gun, sixth-rate, wooden screw frigate, launched in 1859 and broken up 1883, in rough seas. In 1867 Sir Oswald Walters Brierly (1817-94) was invited to join what was intended to be a world voyage by Prince Alfred, Duke of Edinburgh (1844-1900) as captain of the 'Galatea', with the specific intention of visiting the Australian colonies. The voyage was cut short when Alfred was shot in the back during an assassination attempt. The same scene was lithographed in a smaller format by Dutton for Rev. John Milner's official account of the voyage, 'The Cruise of HMS Galatea, Captain HRH The Duke of Edinburgh, KG, in 1867-1868'. published 1869.
[Ref: 51160] £450.00

[In Memory's Garden.]
W.Dendy Sadler [in pencil to left.] James Dobie [in pencil to right.] W. Dendy Sadler.
London Published 1911 by L.H. Lefevre & Son, 1.a. King St, St. James's S.W. the Proprietors of the Copyright. Copyright 1911, by E.L. Knoedler, New York.
Etching, signed remarqued proof, Printseller's Association Blindstamp. Plate 431 x 571mm. 17 x 22½". Large margins.
An elderly couple seated in a garden; sitting in whicker chairs looking at a small swing attached to a branch in front. Remarque of a girl in a swing.
PSA: Vol.II. Rem.AP. 375.
[Ref: 22984] £120.00 (£144.00 incl.VAT)

[The George Inn.]
W. Dendy Salder [signed in pencil.] James Dobie [signed in pencil.]
Copyright 1919, by L.H. Lefevre & Son in U.S.A. London, Published, 1919 by L.H. Lefevre & Son. 1.a King St. St. James;s, S.W. the proprietors of the Copyright. Printed by F. Brooker & Co.
Etching. Remarque of inn sign underneath image. Signed in pencil both by artist and engraver. Plate 502 x 642mm. 19¾ x 25¼".
Inside a drawing room; three men seated drinking, a fourth man standing to left holding an open paper; a woman sits to right with a dead bird and nuts on the table in front of her. A sign on the back wall reads "Freehold Corn Windmill...C. Underwood...The George Inn".
Not in PSA.
[Ref: 24154] £180.00 (£216.00 incl.VAT)

[Royal & Ancient.]
W. Dendy Sadler. James Dobie. [pencil signatures, signed in plate by Sadler.]
London, Published 1914 by L. H. Lefevre & Son, 1a King St. St. James' S.W the proprietors of the Copyright. Printed by J.Brooker & Co.
Etching, Remarqued [a golf bag] artist's proof limited to 300 signed impressions. 340 x 240mm (13½ x 9½"). Paper age-toned.
A Scottish caddy in an interior at a table cleaning his golf clubs (or those of a golfing gentleman perhaps). After Walter Dendy Sadler (1854 - 1923).
Printseller's Association Stamp.
[Ref: 17675] £780.00

[Stymied.]
W. Dendy Sadler. James Dobie. [pencil signatures, signed in plate by Sadler.]
London, Published 1915 by L. H. Lefevre & Son, 1a King St. St. James's, S.W. the proprietors of the Copyright. Printed by J.Brooker & Co.
Etching, artist's proof limited to 300 signed impressions. Remarqued proof "Club House" 340 x 450mm (13½ x 17¾"). Trace of vertical crease through left edge of image.
A golfing gentleman on the green sizing up a putt as his caddy (to left) watches, clubs under his arm and holding the scorecard for the round. Remarque of a clubhouse below image, Printsellers' Association blindstamp lower left. After Walter Dendy Sadler (1854 - 1923).
[Ref: 17674] £780.00

[A Little Practice.]
W. Dendy Sadler. James Dobie. [pencil signatures, signed in plate by Sadler.]
London, Published 1915 by L. H. Lefevre & Son, 1a King St. St. James' S.W. the proprietors of the Copyright. Printed by J.Brooker & Co.
Etching, signed artist's proof from a limited edition. "remarque of a golfer" 335 x 230mm, 13¼ x 9". Paper slightly age toned.
A golfing gentleman has pushed aside a crumpled rug to practice his putting stroke on the tiled floor of a grand panelled interior. His jacket lies on steps behind, with mirror reflecting chandelier to wall above; decanter of wine to right. Remarque of a boy-golfer wildly swinging his club at a ball below image; Printsellers' Association blindstamp lower left. After Walter Dendy Sadler (1854 - 1923).
Not in PSA.
[Ref: 17676] £780.00

The Great Western. Lying at her Moorings at Broad Pill.
I. Walter, Pinxd. Scale of 40 feet to an Inch.
Lithographed & Published by T. Bedford, 44 Broad Quay Bristol. [n.d., c.1840.]
Lithograph, image 170 x 245mm. 6¾ x 9¾". Lightly soiled. Sheet corners missing.
The SS Great Western, launched in 1837, was the first steamship purposely built for the Atlantic crossing. When it completed the crossing on 23 April 1838, it was the fastest ship ever to do so. An attractive lithograph. After Joseph Walter (1783 - 1856), marine painter, who worked in Bristol.
[Ref: 10912] £180.00 (£216.00 incl.VAT)

The Great Western.
J. Walter Pinx.d.
Lithographed & Published by T. Bedford, 44 Broad Quay, Bristol. [c.1837.]
Rare lithograph. Sheet 205 x 270mm (8 x 10½"). Small worm hole.
Isambard Kingdom Brunel's SS Great Western steamship.
NMM: PAH0210. From an album of the Walter family.
[Ref: 37730] £260.00 (£312.00 incl.VAT)

The Great Western Steam Ship, intended to trade between Bristol and New York, leaving Cumberland Basin on the morning of the 18th Aug. 1837, in tow of the Lion Steam Tug and accompanied by the Benledi and Herald Steamers for the purpose of proceeding to London to receive her Engines.
J. Walter del et litho. Printed by C. Hullmandel.
[c.1837.]
Rare lithograph. Sheet 230 x 305mm (9 x 12"). Trimmed to image and around title, laid on album paper.
Isambard Kingdom Brunel's SS Great Western leaving the docks at Bristol to be fitted with engines by Maudslay, Sons & Field. Her maiden voyage started on 8th April 1838.
NMM: PAH0209. From an album of the Walter family.
[Ref: 37729] £260.00 (£312.00 incl.VAT)

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