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The Return from a Course on Lambourn Downs near Ashdown Park, a Hunting Seat of the Right Honourable Fulwar Lord Craven.
The Return from a Course on Lambourn Downs near Ashdown Park, a Hunting Seat of the Right Honourable Fulwar Lord Craven.
J. Seymour Pinx.t. Walker Sculp.t.
London Printed for Rob.t Sayer, at the Golden Buck near Serjeants Inn Fleet Street. [n.d., c.1750.]
Very scarce engraving. Framed. Printed area: 440 x 320mm (17¼ x 12¼"). Frame size: 455 x 570mm (17¾ x 22½"). Unexamined out of frame.
A scene depicting Lord Fulwar Craven, on horse back, in profile to the right, dressed in hunting costume with a view of Ashdown House in the background. The house was built by William Earl Craven (supposedly for Elizabeth of Bohemia, sister of Charles I, but she died before construction was started). It was gifted by the family to the National Trust in 1956 and is now tenanted by Pete Townsend of 'The Who', who has undertaken a substantial renovation. Another attendant to the hunt is also on a horse, behind to the left. A huntsman with a dead hare is standing before him, with two greyhounds and a smaller horse. Fulwar Craven, 4th Baron Craven, was an English nobleman and sportsman who was educated at Rugby School and Magdalen College, Oxford. He was famously fond of racing and hunting, hunting on his Berkshire estates at Hamstead Marshall and Ashdown Park, keeping his own stud of racehorses and founding a racecourse at Lambourn. He and his brother William founded the Craven Hunt.
Not in Siltzer
[Ref: 38013]   £650.00  
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Astronomy. - New System. Signs of the Zodiac.
Astronomy. - New System. Signs of the Zodiac.
[by Robert Seymour?]
[London Published by Thos. McLean, 26 Haymarket, 1827.]
Hand-coloured etching, rare, 1825 watermark. Plate: 210 x 270mm (8¼ x 10½''). Very slight central crease.
A ring of satirical representations of the twelve zodiac signs surround a basket in which the traditional signs have been thrown. On the basket is a sign 'Old Signs to be sold cheap'.
[Ref: 48407]   £240.00   (£288.00 incl.VAT)
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Astronomy. - New System. Signs of the Zodiac.
Astronomy. - New System. Signs of the Zodiac.
[by Robert Seymour?]
London Published by Thos. McLean, 26 Haymarket, 1827.
Rare hand-coloured etching. Sheet: 200 x 260mm (8 x 10¼''). Trimmed, tipped into album sheet.
A ring of satirical representations of the twelve zodiac signs surround a basket in which the traditional signs have been thrown. On the basket is a sign 'Old Signs to be sold cheap'.
BM Satires Undescribed.
[Ref: 50968]   £260.00   (£312.00 incl.VAT)
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The Portraiture of Bald Charlotte.
The Portraiture of Bald Charlotte.
J. Seymour del. R. Houston fecit.
Publish'd March 10th 1756 as the Act directs.
Scarce early issue & rare mezzotint with engraved rococo border, 18th century watermark. 300 x 350mm (11¾ x 13¾"), with large margins. Uncut. Printer's crease.
Bald Charlotte was a famous Yorkshire-bred race horse, grand-dam of the extremely influential American broodmare, Kitty Fisher. Published in "12 Portraits of Racehorses", engraved by Richard Houston after Thomas Spencer and James Seymour.
Siltzer p.247.
[Ref: 52183]   £680.00  
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Brushing in, To Catch others.
Brushing in, To Catch others.
J. Seymour inv.t.. T. Burford delin et fecit.
Published 12th May, 1794 by Laurie & Whittle, 53, Fleet Street London.
Mezzotint. 250 x 350mm. Short printer's crease, some foxing.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5467]   £320.00  
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Newmarket. Exhibiting a new Race of Jockies.
Newmarket. Exhibiting a new Race of Jockies.
On stone by R. Seymour.
[London, William Spooner? n.d., c.1833.]
Coloured lithograph, very fine & scarce. Sheet 220 x 295mm (8¾ x 11½"). Trimmed and laid on album paper.
Three cats in colours race saddled pointers watched by an excited crowd of cats.
[Ref: 33860]   £260.00   (£312.00 incl.VAT)
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The Chaise Match, Run on New-market Heath on Wednesday the 29 of August, 1750,
The Chaise Match, Run on New-market Heath on Wednesday the 29 of August, 1750, from an Original Drawing by Mr Seymour.
London, Printed for Rob.t Sayer No 53, Fleet Street. [originally c.1770., but watermarked 'W. King Alton Mills 1854'.]
Engraving. 350 x 470mm (13¾ x 18½"), very large margins. Top margins tatty.
A record of a 1000-guinea wager: William Douglas, 4th Duke of Queensbury, claimed he could get a carriage 'with four running wheels, and a person in, or upon it, drawn by four horses' to travel nineteen miles in one hour. Backed by Alexander Montgomerie, 10th Earl of Eglinton, the wager was accepted by Theobald Taaffe (described by Horace Walpole as 'a gamester, usurer, adventurer') and Andrew Sprowle. The carriage, specially made by a Mr. Wright of Long Acre, managed to complete the 19 miles around Newmarket Heath in 53 minutes, 27 seconds.
Siltzer 248.
[Ref: 43775]   £260.00   (£312.00 incl.VAT)
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Old Chelsea. 16
Old Chelsea. 16
Seymour Haden.
[n.d., c.1872].
Etching. Plate: 200 x 120mm (8 x 4¾"), with wide margins.
View of Old Chelsea from the Thames. From 'Etchings for the Art Union of London Etching Club' 1872. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
[Ref: 35121]   £180.00   (£216.00 incl.VAT)
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Coursing the Hare.
Coursing the Hare. La Course Du Livre.
T. Burford fecit.
London Published June 22nd. 1787 by Robt. Sayer 53 Fleet Street.
Mezzotint, 250 x 355mm. 9¾ x 14". A good impression, unexamined out of frame.
Two hounds chasing a hare through a landscape; the beater who has flushed the quarry from cover urges the dogs on, a cottage in the background. From a series of hare hunting prints, numbered '5' lower right. After James Seymour (1702 - 1752).
Siltzer: undescribed.
[Ref: 13984]   £480.00  
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The Death of the Hare.
The Death of the Hare. La Mort De Lievre.
T. Burford fecit.
London Published June 22nd. 1787 by Robt. Sayer 53 Fleet Street.
Mezzotint, 255 x 355mm. 10 x 14". A good impression, unexamined out of frame.
A man walking to his horse, which stands on the brow of a hill looking towards the house in the distance to right, holding a dead hare and his whip; two hounds following, panting from the chase. From a series of hare hunting prints, numbered '6' lower right. After James Seymour (1702 - 1752).
Siltzer: undescribed.
[Ref: 13983]   £480.00  
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Doncaster Gold Cup for 1825.
Doncaster Gold Cup for 1825.
Seymour Del. Sears, sc.
[London: Sherwood, Neely, and Jones, 1825.]
Wood engraving. Sheet 210 x 135mm (8¼ x 5¼").
A sketch of that year's Doncaster Gold Cup, published in 'The Annals of Sporting and Fancy Gazette'.
[Ref: 39103]   £45.00   (£54.00 incl.VAT)
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[Egham Lock.]
[Egham Lock.]
Seymour Haden. [Signed in pencil.]
[Plate XIII from the Portfolio "Etudes à l'Eau-forte". 1859.]
Etching 225. x 148mm. Broken on right side of plate.
Francis Seymour Haden, English, 1818 - 1910 Etcher and engraver (also physician and surgeon); born London 16 September 1818, died in Alresford 1 June 1910; brother-in-law of Whistler.
[Ref: 2874]   £220.00   (£264.00 incl.VAT)
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Egham Lock.
Egham Lock.
Seymour Haden. [Signed in pencil.]
1864.
Etching. Plate: 220 x 150mm (8¾ x 6"), with large margins.
A view of the lock by Egham in Surrey, built by the Thames Navigation Commission in 1817. Originally known as Egham Lock, it was rebuilt in 1866 and re-named after the first lockkeeper Charlie Bell and is now called the Bell Weir Lock. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
Sch. 21 III of X.
[Ref: 39966]   £220.00   (£264.00 incl.VAT)
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Waltonizing or - Green-Land Fisherman__Be quiet & go a-Angling...Walton's Angler_Part.1.
Waltonizing or - Green-Land Fisherman__Be quiet & go a-Angling...Walton's Angler_Part.1.
Seymour Del Etch'd by Shortshanks.
London Published by Tho.s Mc.Lean 26, Haymarket. [n.d. c.1830.]
Hand-coloured etching. Plate 247 x 349mm. 9¾ x 13¾".
Satire on angling by Robert Seymour, or 'Shortshanks', who illustrated Dickens' 'The Pickwick Papers'. 'It uses Charles Cotton's famous dictum, "Be quiet and go a-Angling", as a continuation of the title. But the last thing the assembled anglers are doing is being quiet. It's Bedlam! Lines are crossed or tangled, a hooked dog is being drawn towards a landing net, one sport is following his rod into the water, and, to cap it all, a copy of Walton's 'Complete Angler' is floating away on the current' (David Beazley, 'Images of Angling').
Beazley: 89; In the Lewis Walpole Library.
[Ref: 27849]   £260.00   (£312.00 incl.VAT)
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[Little Calais Pier.]
[Little Calais Pier.]
Seymour Haden. [Signed in pencil.]
Calais. S. Haden 1865. 3am.
Etching. Platemark: 75 x 150mm (3 x 6").
An attractive view of the pier at Calais, France. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:98.
[Ref: 38026]   £170.00   (£204.00 incl.VAT)
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[Little Moat House.]
[Little Moat House.]
Seymour Haden. [Signed in pencil.]
1866.
Etching. Platemark: 150 x 225mm (6 x 9"). Very large margins. Some foxing.
An attractive view at the waters edge, with a house to the left. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:114.
[Ref: 38025]   £250.00   (£300.00 incl.VAT)
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[Little Shere Mill Pond.]
[Little Shere Mill Pond.]
Seymour Haden. [Signed in pencil.]
[n.d., c.1860.]
Etching. Platemark: 110 x 170mm (4¼ x 6¾"). Slight staining.
A view of Shere Mill Pond, surrounded by trees and reeds, with a building in the background in the centre. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
H:37.
[Ref: 38027]   £160.00   (£192.00 incl.VAT)
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The Heiress: Plate 3. The Finishing School.
The Heiress: Plate 3. The Finishing School.
[by Robert Seymour.]
Publsihed March 1st 1830 by Thomas McLean, 26 Haymarket, London.
Coloured etching. 250 x 350mm (9¾ x 13¾"), with very large margins.
A plate from Seymour's 'The Heiress: A Farce : in Six Plates'. Here the heroine is send to finishing school. Around the main image are four comic portraits of the foreign tutors teaching languages, dancing, drawing and music, including Carl Matloa von Grump!
[Ref: 44365]   £220.00   (£264.00 incl.VAT)
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The Heiress: Plate 5. [The Captain.]
The Heiress: Plate 5. [The Captain.]
[by Robert Seymour.]
Publsihed March 1st 1830 by Thomas McLean, 26 Haymarket, London.
Coloured etching. 250 x 350mm (9¾ x 13¾"), with very large margins.
A plate from Seymour's 'The Heiress: A Farce : in Six Plates'. Here the heroine meets 'The Captain'; the seven scenes show them at entertainments, including a fancy dress ball and card party.
[Ref: 44366]   £220.00   (£264.00 incl.VAT)
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The Heiress Plate 1.
The Heiress Plate 1. The Surprise.
[by Robert Seymour]
Published March 1st 1830 by Thomas McLean 26 Haymarket London
Etching with hand-colouring, platemark 250 x 350mm (9¾ x 13¾"), with large margins. Repaired tear on right.
Five sketches, in the first of which an unexpected visitor informs the assembled company of a shabby working-class home that 'Grandfather from India Died on his Passage immense fortune Great Heiress Lady Dashfort Guardian'. The subsequent sketches show the heiress reacting to the news and leaving with the 'man of business'. The first plate of 'The Heiress, A Farce In Six Plates' by Robert Seymour (1798-1836). Seymour was amongst the leading British comic artists of his generation (Baudelaire wrote of his 'violence...love of the excessive, and...simple, ultra-brutal and direct manner of stating his subject'), and he provided illustrations for Dickens' 'Pickwick Papers' (which carries some similarities with the characters of 'The Heiress'), but committed suicide shortly after at the age of 38.
Abbey Life 319.i
[Ref: 40584]   £110.00   (£132.00 incl.VAT)
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The Heiress Plate 2.
The Heiress Plate 2. Hey! For London [...]
[by Robert Seymour]
Published March 1st 1830 by Thomas McLean 26 Haymarket London
Etching with hand-colouring, platemark 250 x 350mm (9¾ x 13¾") large margins.
The second plate of 'The Heiress, A Farce In Six Plates' by Robert Seymour (1798-1836). Having been informed of her inheritance in the first plate, the protagonist is here brought to London, introduced to her guardian, Lady Dashfort, and fitted out in stylish new clothes ('the metamorphose'). Along the bottom are Lady Dashfort's 25 staff. Seymour was amongst the leading British comic artists of his generation (Baudelaire wrote of his 'violence...love of the excessive, and...simple, ultra-brutal and direct manner of stating his subject'), and he provided illustrations for Dickens' 'Pickwick Papers' (which carries some similarities with the characters of 'The Heiress'), but committed suicide shortly after at the age of 38.
Abbey Life 319.ii
[Ref: 40585]   £120.00   (£144.00 incl.VAT)
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The Heiress Plate 4.
The Heiress Plate 4. The Assembly [...]
[by Robert Seymour]
Published March 1st 1830 by Thomas McLean 26 Haymarket London
Etching with hand-colouring, platemark 250 x 350mm (9¾ x 13¾") large margins. Stained.
The fourth plate of 'The Heiress, A Farce In Six Plates' by Robert Seymour (1798-1836). In the previous three plates the previously-poor heiress was summoned to London, entrusted to her guardian Lady Dashfort, and enrolled in a finishing school. Here the heiress (in blue cress) makes her society debut ('brought out!!'). Four sketches around the edge show men of different professions discussing her desirability. Seymour was amongst the leading British comic artists of his generation (Baudelaire wrote of his 'violence...love of the excessive, and...simple, ultra-brutal and direct manner of stating his subject'), and he provided illustrations for Dickens' 'Pickwick Papers' (which carries some similarities with the characters of 'The Heiress'), but committed suicide shortly after at the age of 38.
Abbey Life 319.iv
[Ref: 40587]   £130.00   (£156.00 incl.VAT)
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The Heiress Plate 5.
The Heiress Plate 5. The Fancy Dress Ball. Dancing with the Captain [...]
[by Robert Seymour]
Published March 1st 1830 by Thomas McLean 26 Haymarket London
Etching with hand-colouring, platemark 250 x 350mm (9¾ x 13¾") large margins.
The fourth plate of 'The Heiress, A Farce In Six Plates' by Robert Seymour (1798-1836). The heiress, who in the previous plate made her society début, here attends various fashionable events with 'the Captain' who is courting her, including the opera, the theatre, and a cards party. As two onlookers at the latter ask: '-What's the game John. -Oh! Whist & Courtship'. Seymour was amongst the leading British comic artists of his generation (Baudelaire wrote of his 'violence...love of the excessive, and...simple, ultra-brutal and direct manner of stating his subject'), and he provided illustrations for Dickens' 'Pickwick Papers' (which carries some similarities with the characters of 'The Heiress'), but committed suicide shortly after at the age of 38.
Abbey Life 319.v
[Ref: 40588]   £180.00   (£216.00 incl.VAT)
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[A hunter clearing a gate.]
[A hunter clearing a gate.]
I. Seymour inv. 247.
London, Printed for Rob.t Sayer, No 53, Fleet Street.
Mezzotint. 250 x 350mm. Some ink spotting and wear to edges.
With three fox hounds.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5470]   £220.00  
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The Hunter in a Flying Leap.
The Hunter in a Flying Leap.
J. Seymour Pinxt.. R. Houston Fecit~.
Printed for J. Bowles & Son at tahe Black Horse in Cornhil.
Mezzotint. 350 x 250mm. Carrying the stamp of the Duke of Cambridge's collection on bottom right corner.
[Ref: 5471]   £520.00  
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[Huntsman and Horse]
[Huntsman and Horse]
J. Seymour delin. T. Burford fecit. 248.
Published 4th June 1800 by Laurie & Whittle, 53 Fleet Street, London.
Fine mezzotint. Platemark: 260 x 355mm (10¼ x 14"). Small margins.
A hunter being led out into the fields by a huntsman with two foxhounds. After English painter James Seymour (1702-1752),widely recognized for his equestrian art.
Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 40127]   £280.00   (£336.00 incl.VAT)
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[Feeding the Hunters.]
[Feeding the Hunters.]
Seymour pinx. T. Burford sc.
[n.d., c.1750.]
Mezzotint. Platemark: 255 x 355mm (10 x 13¾"), with large margins. Light surface rubbing. A few light spots.
A groom bringing grain to feed two hunters. After English painter James Seymour (1702-1752),widely recognized for his equestrian art.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 40126]   £240.00   (£288.00 incl.VAT)
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[Hunting.]
[Hunting.]
J. Seymour inv. T. Burford fecit. ~9.
Publish'd according to Act of Parliament~. [n.d., c.1752.]
Mezzotint. 250 x 350mm, 10 x 13¾". Repaired holes ( horses neck and hounds shoulder ) laid on conservation tissue.
A hunter clearing a gate. Listed in Siltzer as part of a set of twelve sporting mezzotints, each numbered and inscribed with name of J. Seymour and T. Burford. Only the last three dated 1752. Nos. 5 and 10 have titles: others without titles.
Siltzer: p.247.
[Ref: 23660]   £220.00   (£264.00 incl.VAT)
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Kew. 1864.
Kew. 1864.
Signed in pencil Seymour Haden.
Plate IX from the Portfolio "Etudes à l'Eau-forte" 1864.
Etching 210 x 135mm Slight foxing.
Showing the Kew Railway Extension. Francis Seymour Haden, English, 1818 - 1910 Etcher and engraver (also physician and surgeon); born London 16 September 1818, died in Alresford 1 June1910; brother-in-law of Whistler.
[Ref: 2876]   £220.00   (£264.00 incl.VAT)
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Leading Out a Hunter.
Leading Out a Hunter.
Seymour delin. T. Burford fecit. 236.
Published 12th May 1794 by Laurie & Whittle, 53 Fleet Street, London.
Mezzotint. 250 x 350mm.
'Little Driver' racehorse.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5477]   £320.00  
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McLean's Monthly Sheet of Caricatures No 53.
McLean's Monthly Sheet of Caricatures No 53. A Trade's Union Committee. Putting Down the Trades' Union
A. de Cotè Lithog. 70 St Martin's Lane.
[n.d., 1 May 1834 .]
Coloured lithograph with two satirical scenes. Printed area 350 x 250mm (13¾ x 9¾"); large margins.
The upper scene shows the committe sharing out amongst themselves the contents of a box marked 'Trades Union Subscription', drinking and smoking. The lower scene has the Duke of Wellington, then the Prime Minister, punching a union protester in the face, as the other protesters flee in disarray.
Ex: Collection of Norman Blackburn.
[Ref: 42024]   £140.00   (£168.00 incl.VAT)
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Miss Slamerkin, with her Colt Othello, now the famous Horse Black & all Black.. She was likewise ye Dam of L.d Portmor's Oroonoko.
Miss Slamerkin, with her Colt Othello, now the famous Horse Black & all Black.. She was likewise ye Dam of L.d Portmor's Oroonoko.
F.Seymour pinx.t. T.Burford fec.
[1752.]
Mezzotint. 250 x 350mm. Repaired tear entering picture area.
Plate 10 of a set of twelve horses.
[Ref: 5478]   £390.00  
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[Piano and cello players.]
[Piano and cello players.]
Seymour Lucas. Willie Heydemann [pencil signatures].
Copyright 1901. Published by Virtue & Company Limited, London.
Etching, signed by artist and engraver. 400 x 460mm (15¾ x 18"), with very large margins. Mint.
A period scene, the participants in 17th century Dutch dress.
[Ref: 52189]   £360.00  
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[A marble bust of Admiral Lord Nelson carved by The Hon. Anne Seymour Damer, at the Guildhall, London.]
[A marble bust of Admiral Lord Nelson carved by The Hon. Anne Seymour Damer, at the Guildhall, London.] PALMAM QUI MERUIT FERAT. THIS BUST OF LORD NELSON EXECUTED IN MARBLE BY THE HON.BLE ANNE SEYMOUR DAMER ON HIS RETURN TO ENGLAND AFTER THE BATTLE OF THE NILE 1801 WAS PRESENTED BY HER TO THE CITY OF LONDON AND IS NOW PLACED IN THE COUNCIL CHAMBER GUILDHALL.
Stipple engraving, sheet 740 x 555mm (29 x 21¾"). Trimmed inside platemark at top and bottom; slight creasing. Rare.
A marble bust of Admiral Lord Nelson after Anne Seymour Damer (1749-1828), sculptor and artist. Engraved by Charles Knight (1742 or 1743-in or after 1826). Full Face, in a niche, dressed in military uniform with medals, one of which reads: 'NILE AUGUST 1'.
O' Donoghue. Vol.3 p.316
[Ref: 27497]   £460.00  
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[A Water Meadow.]
[A Water Meadow.]
[Seymour Haden.]
[British, n.d., c.1859.]
Etching on laid paper, unsigned, 150 x 225mm. 6 x 9".
A water meadow by the river Test, near Romsey, Hampshire, on a cloudy day. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818 - 1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style.
Harrington 21, ii. See Salaman 21.
[Ref: 23494]   £120.00   (£144.00 incl.VAT)
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The Setting Dog and Partridges. Le Chien Couchant et La Perdrix.
The Setting Dog and Partridges. Le Chien Couchant et La Perdrix.
J. Seymour invent. T. Burford del. fecit.
Published according to Act of Parliament, October, 1758.
Mezzotint. Plate 255 x 356mm. 10 x 14".
Not in Siltzer.
[Ref: 15083]   £420.00  
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Noon.
Noon. R. Seymour's Fishing Subjects. No. 2
The last design & drawing on Stone by R. Seymour. J. Graf Printer to Her Majesty.
London. Published June 10th 1839 for the Proprietor by Ackermann & Co. 96 Strand.
Lithograph, printed area 215 x 230mm. 8½ x 9".
Humorous fishing scene by Robert Seymour (1798-1836) and published posthumously by Ackermann.
DNB
[Ref: 16273]   £240.00   (£288.00 incl.VAT)
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Shepperton.
Shepperton.
Seymour Haden.
1864.
Etching. Plate 140 x 120mm (5½ x 4¾").
A view of Shepperton, in Surrey, England. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
[Ref: 30360]   £140.00   (£168.00 incl.VAT)
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[A Standing Leap at a Gate.]
[A Standing Leap at a Gate.]
I. Seymour inv. 526
Publish'd according to Act of Parliament.
Coloured mezzotint. 250 x 350mm. No. 526. Repaired tears, trimmed within plate at bottom. Stained.
The title appeared on a Laurie & Whittle state.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 5485]   £260.00   (£312.00 incl.VAT)
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Mc. Lean's Monthly Sheet of Caricatures No. 53.
Mc. Lean's Monthly Sheet of Caricatures No. 53. A Meeting of the Trades's Union. A Sunday ''Turn Out'' of the Trades' Unions.
[by Robert Seymour.] A Du Cote Lithog. 70 St Martin's Lane.
[Thos. McLean, 26 Haymarket, London. May 1st, 1834.]
Coloured lithograph. Printed area 350 x 245mm (13½ x 9¾"). Small tear in bottom margin.
Two satires on one sheet. At top a speaker lists what he doesn't want: ''No king, no Lords... no taxes, no transportation, no nothing''. Underneath columns of workers march out of gin palaces.
BM: 1868,0808.12343.
[Ref: 51682]   £240.00   (£288.00 incl.VAT)
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The Turnip Field.
The Turnip Field. A Man in a state of semi intoxication announced at a Public House in Northampton, that the Rev_ had given a neighbouring field of fine turnips to the poor of the parish, the charitable Ministers health was accordingly drank amidst the loudest acclamations, on the following morning. Men, Women children worked amain at digging up conveying home the turnips about then oclock finally both he his servant commenced driving them out of the field. Great was the amazement confusion, hats, caps implements of Husbandry were strewed in all directions by the flying foe, soon were the equestrians left masters of the field but nearly all the turnips remained in the hands of the enemy.
Desinged [sic] & Etched by R. Seymour.
London, Published by Tho.s McLean, 26, Haymarket, March 11th 1830.
Etching with very fine hand colour. 250 x 345mm (9¾ x 13½"). Small margins.
[Ref: 51626]   £260.00   (£312.00 incl.VAT)
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[Windsor.]
[Windsor.]
Seymour Haden. 1878.
Etching, signed in pencil by the artist. 330 x 440mm (13 x 17¼"), with large margins with part of artist's blind stamp. Slight mount stain.
A view of Windsor from the river, looking up towards the Round Tower of Windsor Castle. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
Harrington: 199 Trial Proof.
[Ref: 52877]   £620.00  
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