A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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Anne de Cleves. Peut-on s’imaginer une telle avanture? Mon portrait me fit Reine, et Femme de Henri: Mais mon original détruisant ma peinture, Je devins soeur de mon Mari.
Adrn. vander Werff pinx. Vermeulen Sculps.
[n.d. c.1690.]
Engraving. Mounted on an album page. Plate 314 x 186mm. 12¼ x 7¼". Some staining in the margins.
Anne of Cleves (1515-1557) was a German noblewoman and the fourth wife of Henry VIII of England and as such she was Queen of England from 6 January 1540 to 9 July 1540. The marriage was never consummated, and she was not crowned queen consort. When her health began to fail, Anne was allowed by Mary I to live at Chelsea Old Manor, and later died on 16 July 1557. She also has the distinction of being the last of Henry's wives to die.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12806] £100.00 (£120.00 incl.VAT)
Adrn. vander Werff pinx. Vermeulen Sculps.
[n.d. c.1690.]
Engraving. Mounted on an album page. Plate 314 x 186mm. 12¼ x 7¼". Some staining in the margins.
Anne of Cleves (1515-1557) was a German noblewoman and the fourth wife of Henry VIII of England and as such she was Queen of England from 6 January 1540 to 9 July 1540. The marriage was never consummated, and she was not crowned queen consort. When her health began to fail, Anne was allowed by Mary I to live at Chelsea Old Manor, and later died on 16 July 1557. She also has the distinction of being the last of Henry's wives to die.
From the Belton House Collection assembled in the 18th Century by the Rt. Hon. John Ld. Brownlow, Baron Charleville, & Viscount Tyrconnel in the Kingdom of Ireland. Ex: Collection of The Hon. C. Lenno
[Ref: 12806] £100.00 (£120.00 incl.VAT)
The Beggar of Bednall Green and his Daughter. With that an angel he cast on the ground,/ And dropped, in angels, full three thousand pound/ Thus was the fair Bessee matched to a knight/ And then made a ladye in others despite/ A fairer lady there never was seen/ Then the blind beggar's daughter of Bednall Green. [&] The Beggar of Bednall Green, his Daughter and the Knight. To church then went this gallant young knight,/ His bride followed after, an angel most bright,/ With troops of ladyes the like never was seen/ That went with sweet Bessee of Bednall Green' In joy and felicity lon lived he,/ All with his fair ladye the prettye Bessye.
R. Pollard fect. Aquatinted by J. Wells [first plate]. Aquatinted by J. Jukes [second plate].
London, Published Septr. 6, 1787, by R. Pollard, Engraver, No.15, Braynes Row, Spa Fields.
Pair of aquatints with etching, each c.327 x 275mm.
A fine pair of prints that illustrate the popular Elizabethan ballad 'The Blind Beggar of Bethnal Green'. This tells the story of Henry de Montfort, a son of Simon de Montfort. He was wounded and lost his sight in the Battle of Evesham in 1265, and was nursed to health by a baroness, and together they had a child named Besse (commemorated in Besse Road in London's East End). He became the Blind Beggar of Bethnal Green and used to beg at the crossroads. The story of how he went from landed gentry to poor beggar became hugely popular in the Tudor era, and was revived by Percy's 'Reliques of Ancient English Poetry', published in 1765. The legend came to be incorporated into the arms of the Metropolitan Borough of Bethnal Green in 1900. Published by Robert Pollard (c.1755 - 1838) after his own designs.
[Ref: 8101] £490.00 view all images for this item
R. Pollard fect. Aquatinted by J. Wells [first plate]. Aquatinted by J. Jukes [second plate].
London, Published Septr. 6, 1787, by R. Pollard, Engraver, No.15, Braynes Row, Spa Fields.
Pair of aquatints with etching, each c.327 x 275mm.
A fine pair of prints that illustrate the popular Elizabethan ballad 'The Blind Beggar of Bethnal Green'. This tells the story of Henry de Montfort, a son of Simon de Montfort. He was wounded and lost his sight in the Battle of Evesham in 1265, and was nursed to health by a baroness, and together they had a child named Besse (commemorated in Besse Road in London's East End). He became the Blind Beggar of Bethnal Green and used to beg at the crossroads. The story of how he went from landed gentry to poor beggar became hugely popular in the Tudor era, and was revived by Percy's 'Reliques of Ancient English Poetry', published in 1765. The legend came to be incorporated into the arms of the Metropolitan Borough of Bethnal Green in 1900. Published by Robert Pollard (c.1755 - 1838) after his own designs.
[Ref: 8101] £490.00 view all images for this item
Anna Boleyn. Born anno 1503 Married to Henry VIII King of England anno 1530, Beheaded 19th May 1536.
Engraved by R. Cooper 9 Upper Pratt Place Camden Town from an original Picture by Hans Holbein in the possession of M. Wocker at Basle.
London, Pubd. May 1st. 1824, by R. Ackermann, 101 Strand.
A very fine stipple, etching and engraving with large margins. Plate 400 x 279mm. 15¾ x 11".
According the British Museum, this item is not listed by Ganz or Rowlands among the paintings or drawings by Holbein. The identification as Anne Boleyn may also be incorrect, although the sitter bears some resemblance to the woman depicted in a drawing attributed to Holbein and thought to be of Anne in the Royal Collection. Anne Boleyn (c.1500-1536) was second wife to Henry VIII, and mother to Elizabeth I.
[Ref: 24735] £110.00 (£132.00 incl.VAT)
Engraved by R. Cooper 9 Upper Pratt Place Camden Town from an original Picture by Hans Holbein in the possession of M. Wocker at Basle.
London, Pubd. May 1st. 1824, by R. Ackermann, 101 Strand.
A very fine stipple, etching and engraving with large margins. Plate 400 x 279mm. 15¾ x 11".
According the British Museum, this item is not listed by Ganz or Rowlands among the paintings or drawings by Holbein. The identification as Anne Boleyn may also be incorrect, although the sitter bears some resemblance to the woman depicted in a drawing attributed to Holbein and thought to be of Anne in the Royal Collection. Anne Boleyn (c.1500-1536) was second wife to Henry VIII, and mother to Elizabeth I.
[Ref: 24735] £110.00 (£132.00 incl.VAT)
![[Boy with a Ruff and Cap.]](jpegs/42054.jpg)
[Boy with a Ruff and Cap.]
[n.d., c.1700.]
Rare mezzotint. Plate: 90 x 140mm (3½ x 5½). Trimmed within plate, some light creasing.
A portrait of a boy facing left, dressed in Tudor costume with a collar with a ruff and a cap.
[Ref: 42054] £260.00 (£312.00 incl.VAT)
[n.d., c.1700.]
Rare mezzotint. Plate: 90 x 140mm (3½ x 5½). Trimmed within plate, some light creasing.
A portrait of a boy facing left, dressed in Tudor costume with a collar with a ruff and a cap.
[Ref: 42054] £260.00 (£312.00 incl.VAT)
Main Gateway, King's College, Cambridge.
N.W. Keates [signed in pencil.]
[n.d. c.1925.]
Etching. Publisher's stamp 200 x 270mm (8 x 10½") large margins.
William Wilkins gatehouse to King's College, Cambridge, erected 1824-28 in the neo-Gothic or Tudor-Gothic style. Millbourn watermark.
[Ref: 53563] £75.00 (£90.00 incl.VAT)
N.W. Keates [signed in pencil.]
[n.d. c.1925.]
Etching. Publisher's stamp 200 x 270mm (8 x 10½") large margins.
William Wilkins gatehouse to King's College, Cambridge, erected 1824-28 in the neo-Gothic or Tudor-Gothic style. Millbourn watermark.
[Ref: 53563] £75.00 (£90.00 incl.VAT)
Catherine D'Arragon. Mes parens mes destins ...
Adr.n vander Werff pinx. Vermeulen sculps.
[Rotterdam, c.1710]
Engraving. 315 x 180mm (12½ x 7¼"), paper with large margins and 18th century watermark.
Bust length oval portrait of Henry VIII's first wife, Katherine of Aragon (1485-1536). King Henry wed in June 1509. She wears a gable-hood and gown with square neckline. In a medallion with thorns, supended by a string held by two cherubic boys on a balcony. Plate from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713) from design with allegorical elements and verses in French, by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, although his reputation declined from the late 18th century onwards.
[Ref: 64023] £130.00 (£156.00 incl.VAT)
Adr.n vander Werff pinx. Vermeulen sculps.
[Rotterdam, c.1710]
Engraving. 315 x 180mm (12½ x 7¼"), paper with large margins and 18th century watermark.
Bust length oval portrait of Henry VIII's first wife, Katherine of Aragon (1485-1536). King Henry wed in June 1509. She wears a gable-hood and gown with square neckline. In a medallion with thorns, supended by a string held by two cherubic boys on a balcony. Plate from Isaac de Larrey's 'Histoire d'Angleterre' (1697-1713) from design with allegorical elements and verses in French, by Adriaen van der Werff (1659-1722), acclaimed as the most important Dutch Master during his lifetime, although his reputation declined from the late 18th century onwards.
[Ref: 64023] £130.00 (£156.00 incl.VAT)
![Chiddingstone [scratched in plate lower right.]](jpegs/12779.jpg)
Chiddingstone [scratched in plate lower right.]
Albany E. Howarth [signed in pencil.]
A.E. Howarth 1919 [scratched in plate lower right.]
Drypoint etching, 280 x 370mm. 11 x 14½".
The High Street, Chiddingstone, a village in the Sevenoaks area of Kent. Chiddingstone is unique in that, apart from the church and the Castle, the entire village is owned by the National Trust. It is described as being " the most perfect surviving example of a Tudor village in the county". Blindstamps lower left. By Albany E. Howarth ARE (1872 - 1936).
[Ref: 12779] £130.00 (£156.00 incl.VAT)
Albany E. Howarth [signed in pencil.]
A.E. Howarth 1919 [scratched in plate lower right.]
Drypoint etching, 280 x 370mm. 11 x 14½".
The High Street, Chiddingstone, a village in the Sevenoaks area of Kent. Chiddingstone is unique in that, apart from the church and the Castle, the entire village is owned by the National Trust. It is described as being " the most perfect surviving example of a Tudor village in the county". Blindstamps lower left. By Albany E. Howarth ARE (1872 - 1936).
[Ref: 12779] £130.00 (£156.00 incl.VAT)
Madame Davis.
P.Lely pinxit. R.Tompson excudit.
[n.d., c.1675.]
Mezzotint. 335 x 247mm (13¼ x 9¾"). Trimmed within plate and laid on separate sheet repaired tear right side.
Mary 'Moll' Davis, playing a guitar. An actress and mistress of Charles II, her child Mary Tudor (1673-1726) married the second Earl of Derwentwater.
CS: 11: ii of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 17006] £280.00 (£336.00 incl.VAT)
P.Lely pinxit. R.Tompson excudit.
[n.d., c.1675.]
Mezzotint. 335 x 247mm (13¼ x 9¾"). Trimmed within plate and laid on separate sheet repaired tear right side.
Mary 'Moll' Davis, playing a guitar. An actress and mistress of Charles II, her child Mary Tudor (1673-1726) married the second Earl of Derwentwater.
CS: 11: ii of ii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 17006] £280.00 (£336.00 incl.VAT)
Madame Davis.
P.Lely pinxit. R.Tompson excudit.
[n.d., c.1675.]
Mezzotint, 17th century watermark. 335 x 247mm (13¼ x 9¾"). Trimmed to plate. Paper toned. Repaired tear on left.
Mary 'Moll' Davis, playing a guitar. An actress and mistress of Charles II, her child Mary Tudor (1673-1726) married the second Earl of Derwentwater.
CS10. Blackett-Ord T26 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65036] £280.00 (£336.00 incl.VAT)
P.Lely pinxit. R.Tompson excudit.
[n.d., c.1675.]
Mezzotint, 17th century watermark. 335 x 247mm (13¼ x 9¾"). Trimmed to plate. Paper toned. Repaired tear on left.
Mary 'Moll' Davis, playing a guitar. An actress and mistress of Charles II, her child Mary Tudor (1673-1726) married the second Earl of Derwentwater.
CS10. Blackett-Ord T26 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65036] £280.00 (£336.00 incl.VAT)
Madame Davis.
P.Lely pinxit. R.Tompson excudit.
[n.d., c.1675.]
Mezzotint. 335 x 247mm (13¼ x 9¾"). Trimmed to plate.
Mary 'Moll' Davis, playing a guitar. An actress and mistress of Charles II, her child Mary Tudor (1673-1726) married the second Earl of Derwentwater.
CS10. Blackett-Ord T26 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65013] £280.00 (£336.00 incl.VAT)
P.Lely pinxit. R.Tompson excudit.
[n.d., c.1675.]
Mezzotint. 335 x 247mm (13¼ x 9¾"). Trimmed to plate.
Mary 'Moll' Davis, playing a guitar. An actress and mistress of Charles II, her child Mary Tudor (1673-1726) married the second Earl of Derwentwater.
CS10. Blackett-Ord T26 II of II. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65013] £280.00 (£336.00 incl.VAT)
Deal Castle.
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London Aug.t 1, 1823.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view of the Tudor artillery fort in Kent. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47140] £220.00 (£264.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by W. Daniell, Russell Place, Fitzroy Square, London Aug.t 1, 1823.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins.
A view of the Tudor artillery fort in Kent. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 47140] £220.00 (£264.00 incl.VAT)
This drinking Horn was presented to Daffydd ap Ifan, by King Henry the 7th, at Llwyn Dafydd, in the Parish of Llandypilio Gogo; where he slept, one night, in his march through Cardiganshire, after he landed in Milford Haven.
Printed C. Hullmandel. [n.d. c.1825.]
Lithograph. Image 98 x 261mm. 11¾ x 10¼".
The ornate drinking horn presented to Daffydd ap Ifan by King Henry VII (1457-1509) who was the first monarch of the House of Tudor. This drinking horn on a pedestal flanked either side by the greyhound and dragon of the Royal Coat of Arms.
Ex Collection Norman Blackburn.
[Ref: 18508] £90.00 (£108.00 incl.VAT)
Printed C. Hullmandel. [n.d. c.1825.]
Lithograph. Image 98 x 261mm. 11¾ x 10¼".
The ornate drinking horn presented to Daffydd ap Ifan by King Henry VII (1457-1509) who was the first monarch of the House of Tudor. This drinking horn on a pedestal flanked either side by the greyhound and dragon of the Royal Coat of Arms.
Ex Collection Norman Blackburn.
[Ref: 18508] £90.00 (£108.00 incl.VAT)
Edwardus Sextus Angliae Galliae & Hiberniae Rex. Natus 12 Octob 1537. Regnare cepit, 28. January 1547. Obijt 6.to July 1553.
R. White Sculp:
[Richard Chiswell.] [n.d. c.1681.]
Engraving, paper watermarked. 235 x 152mm (9¼ x 6"). Small tear into upper edge, trimmed.
Edward VI (1537-1553), the son of Henry VIII and Jane Seymour. He lived a very short life, and on his death bed he and his council drew up a "Devise for the Succession", attempting to prevent the country being returned to Catholicism. In light of this, Edward named his cousin Lady Jane Grey as his heir. This was however disputed following his death and Jane was deposed by Mary within 13 days, who reversed Edward's Protestant reforms. Illustration to Gilbert Burnet's 'History of the Reformation'.
[Ref: 30347] £70.00 (£84.00 incl.VAT)
R. White Sculp:
[Richard Chiswell.] [n.d. c.1681.]
Engraving, paper watermarked. 235 x 152mm (9¼ x 6"). Small tear into upper edge, trimmed.
Edward VI (1537-1553), the son of Henry VIII and Jane Seymour. He lived a very short life, and on his death bed he and his council drew up a "Devise for the Succession", attempting to prevent the country being returned to Catholicism. In light of this, Edward named his cousin Lady Jane Grey as his heir. This was however disputed following his death and Jane was deposed by Mary within 13 days, who reversed Edward's Protestant reforms. Illustration to Gilbert Burnet's 'History of the Reformation'.
[Ref: 30347] £70.00 (£84.00 incl.VAT)
Elisabetta del Leti. Parte Seconde.
[Italian, n.d., 1693.]
Engraving. Plate: 135 x 80mm (5¼ x 3'').
A portrait of Tudor queen Elizabeth I (1533-1603) shown sitting on her throne with two male figures behind her, an illustration from 'Historia o vera vita di Elisabetta...' 1693. Part of a diagram on verso.
[Ref: 48733] £140.00 (£168.00 incl.VAT)
[Italian, n.d., 1693.]
Engraving. Plate: 135 x 80mm (5¼ x 3'').
A portrait of Tudor queen Elizabeth I (1533-1603) shown sitting on her throne with two male figures behind her, an illustration from 'Historia o vera vita di Elisabetta...' 1693. Part of a diagram on verso.
[Ref: 48733] £140.00 (£168.00 incl.VAT)
![[Elizabeth I.]](jpegs/48732.jpg)
[Elizabeth I.] Elisabetta dunque dopo haver...
[n.d., c.1690.]
Engraving. Plate: 190 x 115mm (7½ x 4½''). Stain on left.
A portrait of Tudor queen Elizabeth I (1533-1603), an illustration from 'Teatro Belgico...' by Gregorio Leti.
[Ref: 48732] £180.00 (£216.00 incl.VAT)
[n.d., c.1690.]
Engraving. Plate: 190 x 115mm (7½ x 4½''). Stain on left.
A portrait of Tudor queen Elizabeth I (1533-1603), an illustration from 'Teatro Belgico...' by Gregorio Leti.
[Ref: 48732] £180.00 (£216.00 incl.VAT)
![Elizabeth par la grace de Dieu Reyne d'Angleterre [...]](jpegs/29793.jpg)
Elizabeth par la grace de Dieu Reyne d'Angleterre [...]
Habert exc. A Paris rue St Jacq. proche St Severin. [n.d., c.1700.]
Rare engraving. Sheet 250 x 160mm (9¾ x 6¼"). Trimmed within plate, bottom edge nicked.
Portrait of Queen Elizabeth I (1533-1602, queen from 1558), holding prayer book and sceptre, within a frame-like border, engraved text below. An unattractive image of Elizabeth by the French for propaganda reasons, with letterpress portraying Elizabeth as an enemy of Catholicism.
[Ref: 29793] £160.00 (£192.00 incl.VAT)
Habert exc. A Paris rue St Jacq. proche St Severin. [n.d., c.1700.]
Rare engraving. Sheet 250 x 160mm (9¾ x 6¼"). Trimmed within plate, bottom edge nicked.
Portrait of Queen Elizabeth I (1533-1602, queen from 1558), holding prayer book and sceptre, within a frame-like border, engraved text below. An unattractive image of Elizabeth by the French for propaganda reasons, with letterpress portraying Elizabeth as an enemy of Catholicism.
[Ref: 29793] £160.00 (£192.00 incl.VAT)
![Elizabeth par la grace de Dieu Reyne d'Angleterre [...]](jpegs/42969.jpg)
Elizabeth par la grace de Dieu Reyne d'Angleterre [...]
AParis Chez Habert rüe de la Harpe a la Bible d'Or. [n.d., c.1710.]
Rare engraving. Sheet 245 x 160mm (9½ x 6¼"). Trimmed within plate, mounted in album paper.
Portrait of Queen Elizabeth I (1533-1602, queen from 1558), holding prayer book and sceptre, within a frame-like border, engraved text below. An unattractive image of Elizabeth by the French for propaganda reasons, with letterpress portraying Elizabeth as an enemy of Catholicism. This state has the publisher's imprint moved from the right to the left side of the plate, apparently when Habert moved from 'rue St Jacq. proche St Severin'.
[Ref: 42969] £190.00 (£228.00 incl.VAT)
AParis Chez Habert rüe de la Harpe a la Bible d'Or. [n.d., c.1710.]
Rare engraving. Sheet 245 x 160mm (9½ x 6¼"). Trimmed within plate, mounted in album paper.
Portrait of Queen Elizabeth I (1533-1602, queen from 1558), holding prayer book and sceptre, within a frame-like border, engraved text below. An unattractive image of Elizabeth by the French for propaganda reasons, with letterpress portraying Elizabeth as an enemy of Catholicism. This state has the publisher's imprint moved from the right to the left side of the plate, apparently when Habert moved from 'rue St Jacq. proche St Severin'.
[Ref: 42969] £190.00 (£228.00 incl.VAT)
![[Elizabeth I.]](jpegs/48608.jpg)
[Elizabeth I.] Elisabeth Königin von Engllandt. 90.
[n.d., c.1750.]
Engraving. Plate: 275 x 170mm (10¾ x 6¾''). Trimmed. Printer's crease.
A portrait of Elizabeth I (1533-1603) who ruled Great Britain from 1558. Shown in an oval within a decorative border, below which is a crown, sceptre and orb upon a cushion.
[Ref: 48608] £75.00 (£90.00 incl.VAT)
[n.d., c.1750.]
Engraving. Plate: 275 x 170mm (10¾ x 6¾''). Trimmed. Printer's crease.
A portrait of Elizabeth I (1533-1603) who ruled Great Britain from 1558. Shown in an oval within a decorative border, below which is a crown, sceptre and orb upon a cushion.
[Ref: 48608] £75.00 (£90.00 incl.VAT)
The Earl of Essex's first interview with Queen Elizabeth, after his return from Ireland.
Painted by R. Westall. Engrav'd by W. Ward.
London Publish'd June 17th 1791 by J.R. Smith, King Street, Covent Garden.
Mezzotint. 585 x 660mm (23 x 26"). Large margins. Very small hole and slight surface abrasion in title area.
Robert Devereux (1565-1601), Earl of Essex and Lord Lieutenant of Ireland, kneeling before Elizabeth I, having returned from Ireland unbidden. He surprised the queen by presented himself in her bedchamber one morning at Nonsuch Palace.
[Ref: 38133] £350.00
Painted by R. Westall. Engrav'd by W. Ward.
London Publish'd June 17th 1791 by J.R. Smith, King Street, Covent Garden.
Mezzotint. 585 x 660mm (23 x 26"). Large margins. Very small hole and slight surface abrasion in title area.
Robert Devereux (1565-1601), Earl of Essex and Lord Lieutenant of Ireland, kneeling before Elizabeth I, having returned from Ireland unbidden. He surprised the queen by presented himself in her bedchamber one morning at Nonsuch Palace.
[Ref: 38133] £350.00
Q. Elizabeth. The ages mirrour, and all Europes wonder, / Arm'd gainst ye Bulls of Rome, and Spains lowd thunder, / The Netherlanders sheild, greate Frances ayde, / O neuer shall thy fame dye, Princely Maide.' 9
[engraved by George Glover]
[n.d., c.1640.]
Engraving. 195 x 130mm (7¾ x 5"). Thread margins, ruled with black ink within plate, laid on album paper.
Three-quarter length portrait of Elizabeth I, holding a baton. Originally published in Glover's 'The Nine Woemen Worthys. Three Jewes. Three Heathens. Three Christians'; this example has the added plate number 9 lower left, published 1640 in Thomas Heywood's 'The Exemplary Lives and Memorable Acts of Nine the Most Worthy Women of the World'.
[Ref: 62077] £180.00 (£216.00 incl.VAT)
[engraved by George Glover]
[n.d., c.1640.]
Engraving. 195 x 130mm (7¾ x 5"). Thread margins, ruled with black ink within plate, laid on album paper.
Three-quarter length portrait of Elizabeth I, holding a baton. Originally published in Glover's 'The Nine Woemen Worthys. Three Jewes. Three Heathens. Three Christians'; this example has the added plate number 9 lower left, published 1640 in Thomas Heywood's 'The Exemplary Lives and Memorable Acts of Nine the Most Worthy Women of the World'.
[Ref: 62077] £180.00 (£216.00 incl.VAT)
![[Queen Elizabeth I.]](jpegs/65273.jpg)
[Queen Elizabeth I.] Elisabet D.G.Ang.Fran.et.Hib. Regina Fidei Christiana Propvgna Trix Acerrima. 23
[After Crispijn de Passe the Elder.]
[n.d., c.1618. Published by Compton Hollard.]
Rare engraving. 175 x 125mm (7 x 5"). Backed onto album paper at sides on left. Some foxing and time-staining.
Portrait of Queen Elizabeth I, Queen of England and Ireland from 17 November 1558 until her death in 1603. She was the last and longest reigning monarch of the House of Tudor.
[Ref: 65273] £260.00 (£312.00 incl.VAT)
[After Crispijn de Passe the Elder.]
[n.d., c.1618. Published by Compton Hollard.]
Rare engraving. 175 x 125mm (7 x 5"). Backed onto album paper at sides on left. Some foxing and time-staining.
Portrait of Queen Elizabeth I, Queen of England and Ireland from 17 November 1558 until her death in 1603. She was the last and longest reigning monarch of the House of Tudor.
[Ref: 65273] £260.00 (£312.00 incl.VAT)
Elizabeth Queen of England. She dyed at Richmond the 24th March 1602, in the 44th yeare of Her Raign and 70th of Her Life.
W. Marshall sculp:
[n.d., 1648.]
Engraving. Sheet 130 x 110mm (5 x 4¼"). Trimmed within plate, laid on album paper, slight staining.
A half-length portrait of Elizabeth I, the frontispiece to the 1648 edition of Thomas Fuller's 'Holy and Profane State'.
[Ref: 57250] £85.00 (£102.00 incl.VAT)
W. Marshall sculp:
[n.d., 1648.]
Engraving. Sheet 130 x 110mm (5 x 4¼"). Trimmed within plate, laid on album paper, slight staining.
A half-length portrait of Elizabeth I, the frontispiece to the 1648 edition of Thomas Fuller's 'Holy and Profane State'.
[Ref: 57250] £85.00 (£102.00 incl.VAT)
Elisabeth Dei Gratia Angliae / Franciae / Hynerniae et Virhi: Regi:. Soubs Philippe 2 gouvernant Parme & les Estats.
[Franz Hogenburg.]
[Amsterdam, 1616.]
Engraving. Platemark: 135 x 120mm (5¼ x 4¾"). Small tear to upper edge of sheet.
A portrait of Elizabeth I (1533 - 1603), Queen of England and Ireland from 1558 until her death. Sometimes called The Virgin Queen, or Gloriana, the childless Elizabeth was the fifth and last monarch of the Tudor dynasty. Text on reverse in French relating to the Dutch revolt against the rule of Philip II, where Robert Dudley, a close friend of Elizabeth I and champion of the international Protestant cause, led the English campaign in support of the Dutch Revolt from 1585-1587. An illustration to 'Les Guerres de Nassau, descrites par [...]', by Franz Hogenberg published in Amsterdam by Michel Colin, 1616.
[Ref: 39013] £230.00 (£276.00 incl.VAT)
[Franz Hogenburg.]
[Amsterdam, 1616.]
Engraving. Platemark: 135 x 120mm (5¼ x 4¾"). Small tear to upper edge of sheet.
A portrait of Elizabeth I (1533 - 1603), Queen of England and Ireland from 1558 until her death. Sometimes called The Virgin Queen, or Gloriana, the childless Elizabeth was the fifth and last monarch of the Tudor dynasty. Text on reverse in French relating to the Dutch revolt against the rule of Philip II, where Robert Dudley, a close friend of Elizabeth I and champion of the international Protestant cause, led the English campaign in support of the Dutch Revolt from 1585-1587. An illustration to 'Les Guerres de Nassau, descrites par [...]', by Franz Hogenberg published in Amsterdam by Michel Colin, 1616.
[Ref: 39013] £230.00 (£276.00 incl.VAT)
![[Elizabeth I] Effigies Elizabethæ Reginæ Angliæ etc.](jpegs/52578.jpg)
[Elizabeth I] Effigies Elizabethæ Reginæ Angliæ etc.
[Anon. after Isaac Oliver, c.1730]
Engraving, sheet 170 x 125mm (6¾ x 5"). Trimmed within plate, small nick in bottom edge.
One of many prints derived from the drawing by Isaac Oliver (Royal Collection) of Elizabeth I in the dress in which she usually appeared at the opening of Parliament, holding sceptre and orb.
[Ref: 52578] £100.00 (£120.00 incl.VAT)
[Anon. after Isaac Oliver, c.1730]
Engraving, sheet 170 x 125mm (6¾ x 5"). Trimmed within plate, small nick in bottom edge.
One of many prints derived from the drawing by Isaac Oliver (Royal Collection) of Elizabeth I in the dress in which she usually appeared at the opening of Parliament, holding sceptre and orb.
[Ref: 52578] £100.00 (£120.00 incl.VAT)
![[Elizabeth I.]](jpegs/48731.jpg)
[Elizabeth I.]
[Simon de Passe after Isaac Oliver.] S. Passe [in reverse.]
[n.d., c.1620.]
A rare engraving. Plate: 60 x 50mm (2¼ x 2'').
A portrait of Tudor queen Elizabeth I (1533-1603), printed from a medal engraving.
[Ref: 48731] £260.00 (£312.00 incl.VAT)
[Simon de Passe after Isaac Oliver.] S. Passe [in reverse.]
[n.d., c.1620.]
A rare engraving. Plate: 60 x 50mm (2¼ x 2'').
A portrait of Tudor queen Elizabeth I (1533-1603), printed from a medal engraving.
[Ref: 48731] £260.00 (£312.00 incl.VAT)
Elisabetha D.G. Angliæ, Franciæ, et Hiberniæ, Regina.
[Rome: Francesco Corbelletti, 1648.]
Etching. Sheet 110 x 60mm (4¼ x 2½"). Trimmed to printed border.
Portrait of Elizabeth I (1533-1603), published in Famiano Strada's 'De bello Belgico'.
[Ref: 52587] £70.00 (£84.00 incl.VAT)
[Rome: Francesco Corbelletti, 1648.]
Etching. Sheet 110 x 60mm (4¼ x 2½"). Trimmed to printed border.
Portrait of Elizabeth I (1533-1603), published in Famiano Strada's 'De bello Belgico'.
[Ref: 52587] £70.00 (£84.00 incl.VAT)
![[Elizabeth I]](jpegs/44846.jpg)
[Elizabeth I] Elizabetha Angliae Regina
[Anon. after Isaac Oliver, c.1650]
Engraving, sheet 180 x 125mm (7 x 5"). Glued to backing sheet.
One of many prints derived from the drawing by Isaac Oliver (Royal Collection) of Elizabeth I in the dress in which she usually appeared at the opening of Parliament, holding sceptre and mound.
Not in O'D?
[Ref: 44846] £280.00 (£336.00 incl.VAT)
[Anon. after Isaac Oliver, c.1650]
Engraving, sheet 180 x 125mm (7 x 5"). Glued to backing sheet.
One of many prints derived from the drawing by Isaac Oliver (Royal Collection) of Elizabeth I in the dress in which she usually appeared at the opening of Parliament, holding sceptre and mound.
Not in O'D?
[Ref: 44846] £280.00 (£336.00 incl.VAT)
Her Sacred Majesty Queen Elizabeth, in the Superb Dress in Which She Went to St Paul's, to Return Thanks for the Defeat of the Spanish Armada.
Engraved by Charles Turner. from the extremely rare Print by Crispin de Passe, after a Drawing by Isaac Oliver.
London: Published by S. Woodburn, 112 St Martin's Lane [n.d., 1816.].
Mezzotint and etching. Sheet 375 x 265mm (14¾ x 16½"). Trimmed within plate on three sides, to plate on right and slightly on publication line, mounted in album paper at edges.
A full-length portrait Queen Elizabeth I (1533-1603), based on a contemporary engraving, published in the series 'Fifteen Splendid Portraits of Royal Personages'.
[Ref: 59417] £260.00 (£312.00 incl.VAT)
Engraved by Charles Turner. from the extremely rare Print by Crispin de Passe, after a Drawing by Isaac Oliver.
London: Published by S. Woodburn, 112 St Martin's Lane [n.d., 1816.].
Mezzotint and etching. Sheet 375 x 265mm (14¾ x 16½"). Trimmed within plate on three sides, to plate on right and slightly on publication line, mounted in album paper at edges.
A full-length portrait Queen Elizabeth I (1533-1603), based on a contemporary engraving, published in the series 'Fifteen Splendid Portraits of Royal Personages'.
[Ref: 59417] £260.00 (£312.00 incl.VAT)
![A view of Westminster Hall during the banquet given in honor of the Coronation [of his most gracious Majesty King George IV, 19 July 1821.]](jpegs/60420.jpg)
A view of Westminster Hall during the banquet given in honor of the Coronation [of his most gracious Majesty King George IV, 19 July 1821.] [Showing The Ceremony Of The King's Champion Throwing Down the Gage.]
Drawn by D. Dighton, Military Painter to His Majesty. Etched by Tho.s Dighton.
[London Published by J M.c Gowan, Great Windmall Street.][n.d. c.1826]
Etching, sheet 265 x 440mm (10½ x 17½"). Trimmed within plate and title top and bottom. Split top and bottom in one of the creases. Folds as normal.
A view of George IV's extravagant banquet held at Westminster hall after his coronation. The interior of Westminster Hall had been subdivided by wooden partitions to serve as courtrooms and these all had to be demolished to create the large space required for the coronation banquet, which required galleries for 2,934 spectators and 1,268 diners seated at 47 tables, some of which had to be sited in other parts of the palace. A temporary triumphal arch was erected at the north end of the hall in the style of a medieval castle. In accordance with the vogue for Romanticism and with his own taste for flamboyant clothes, George insisted that the participants should dress in Tudor and Stuart period costumes.
See: Ref: 42911
[Ref: 60420] £230.00 (£276.00 incl.VAT)
Drawn by D. Dighton, Military Painter to His Majesty. Etched by Tho.s Dighton.
[London Published by J M.c Gowan, Great Windmall Street.][n.d. c.1826]
Etching, sheet 265 x 440mm (10½ x 17½"). Trimmed within plate and title top and bottom. Split top and bottom in one of the creases. Folds as normal.
A view of George IV's extravagant banquet held at Westminster hall after his coronation. The interior of Westminster Hall had been subdivided by wooden partitions to serve as courtrooms and these all had to be demolished to create the large space required for the coronation banquet, which required galleries for 2,934 spectators and 1,268 diners seated at 47 tables, some of which had to be sited in other parts of the palace. A temporary triumphal arch was erected at the north end of the hall in the style of a medieval castle. In accordance with the vogue for Romanticism and with his own taste for flamboyant clothes, George insisted that the participants should dress in Tudor and Stuart period costumes.
See: Ref: 42911
[Ref: 60420] £230.00 (£276.00 incl.VAT)
Lady Jane Grey. The original of this picture, by Hans Holbein, is to be found in the Collection of Coll. Elliott of Nottingham.
Maurin [signed in plate.] Lith. de Villain.
London, Published by Bull & Churton, 26, Holles St. Cavendish Square. [n.d., c.1840.]
Lithograph, sheet 565 x 375mm. 22¼ x 14¾".
Lady Jane Dudley (née Grey) (1537 - 1554) was the grand-daughter of Henry VIII's sister Princess Mary, and in 1533 married Lord Guildford Dudley, son of the Duke of Northumberland. Under Northumberland's influence Edward VI willed her the crown. She was proclaimed queen at his death in 1533, and reigned for ten days until captured by supporters of Mary Tudor. She was executed in the aftermath of Wyatt's rebellion. After Hans Holbein the Younger (1497/8 - 1543).
[Ref: 12375] £95.00 (£114.00 incl.VAT)
Maurin [signed in plate.] Lith. de Villain.
London, Published by Bull & Churton, 26, Holles St. Cavendish Square. [n.d., c.1840.]
Lithograph, sheet 565 x 375mm. 22¼ x 14¾".
Lady Jane Dudley (née Grey) (1537 - 1554) was the grand-daughter of Henry VIII's sister Princess Mary, and in 1533 married Lord Guildford Dudley, son of the Duke of Northumberland. Under Northumberland's influence Edward VI willed her the crown. She was proclaimed queen at his death in 1533, and reigned for ten days until captured by supporters of Mary Tudor. She was executed in the aftermath of Wyatt's rebellion. After Hans Holbein the Younger (1497/8 - 1543).
[Ref: 12375] £95.00 (£114.00 incl.VAT)
Lady Jane Grey. Tower of London, Feb XII. MDLIV.
Painted by A.Barzaghi-Cattaneo. Engraved by Richard Josey.
London, April 2nd 1887. Published by Fairless & Beeforth, Doré Gallery, 35, New Bond Street, W. Copyright registered. Entered according to Act of Congress in the Year 1887 by Frank Hunter Potter in the Office of the Librarian of Congress at Washington, U.S.A.
Mezzotint on india, lettered proof. 780 x 320mm, 30¾ x 12½". With publisher's blindstamp. Staining and tears to large margins
The tragic queen of nine days, straining on the bars over the window of her cell. Painted by Antonio Barzaghi-Cattaneo (Swiss, 1831-1922).
[Ref: 29894] £260.00 (£312.00 incl.VAT)
Painted by A.Barzaghi-Cattaneo. Engraved by Richard Josey.
London, April 2nd 1887. Published by Fairless & Beeforth, Doré Gallery, 35, New Bond Street, W. Copyright registered. Entered according to Act of Congress in the Year 1887 by Frank Hunter Potter in the Office of the Librarian of Congress at Washington, U.S.A.
Mezzotint on india, lettered proof. 780 x 320mm, 30¾ x 12½". With publisher's blindstamp. Staining and tears to large margins
The tragic queen of nine days, straining on the bars over the window of her cell. Painted by Antonio Barzaghi-Cattaneo (Swiss, 1831-1922).
[Ref: 29894] £260.00 (£312.00 incl.VAT)
Giulia Grisi. Anna "....Cessa [/] A questa iniqua accusa [/] Mia dignitá riprendo, ed altamente [/] Di Smenton seduttor te_ Sire_io grido" [/] Anna Bolena. Atta 2. Sc.6.
A.E.Chalon R.A. R.J.Lane. A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, Library 33, Old Bond Street._a Paris, chez Rittner & Goupil Boulevard Montmatre. Printed by Graf & Sons.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Unexamined out of frame.
A full length portrait of Italian opera singer Giulia Grisi (1811-1869) in the role of Anna Boleyn, from A.E.Chalon's 'Recollections of Italian Opera 1836'. Donizetti's opera 'Anna Bolena' was one of four operas he wrote based on Tudor England.
Harvard Vol II: P. 4-16.
[Ref: 68228] £280.00 (£336.00 incl.VAT)
A.E.Chalon R.A. R.J.Lane. A.R.A.
London, Published Jan.y 1.st 1836 by J.Mitchell, Library 33, Old Bond Street._a Paris, chez Rittner & Goupil Boulevard Montmatre. Printed by Graf & Sons.
Coloured lithograph. Framed, sight size 380 x 265mm (15 x 10½"). Unexamined out of frame.
A full length portrait of Italian opera singer Giulia Grisi (1811-1869) in the role of Anna Boleyn, from A.E.Chalon's 'Recollections of Italian Opera 1836'. Donizetti's opera 'Anna Bolena' was one of four operas he wrote based on Tudor England.
Harvard Vol II: P. 4-16.
[Ref: 68228] £280.00 (£336.00 incl.VAT)
The Royall Palace at Hampton Court. To the Right Honorable Charles Spence, Earl of Sunderland, Baron of Wormleighton, one of her Majesty's Principal Secretary's of State &c. This Plate is humbly dedicated by your Lordship's Most Obedient Servants.
[n.d., c.1713-1724.]
Etching on two sheets conjoined, very fine impression; total platemark 580 x 900mm (22¾ x 35½"). Old repairs to original binding folds.
A large and impressive view of Hampton Court Palace, looking down over the ornamental gardens to the East Front, the Tudor palace behind. To the right is the maze, commissioned by William III. The view was probably engraved by Jan Kip and first published in David Mortier's monumental 'Nouveau Theatre de la Grande Bretagne' (1708-13), republished by John Smith in 1724.
[Ref: 54825] £1,250.00
[n.d., c.1713-1724.]
Etching on two sheets conjoined, very fine impression; total platemark 580 x 900mm (22¾ x 35½"). Old repairs to original binding folds.
A large and impressive view of Hampton Court Palace, looking down over the ornamental gardens to the East Front, the Tudor palace behind. To the right is the maze, commissioned by William III. The view was probably engraved by Jan Kip and first published in David Mortier's monumental 'Nouveau Theatre de la Grande Bretagne' (1708-13), republished by John Smith in 1724.
[Ref: 54825] £1,250.00
Quadrangle, Hampton Court.
W. Westall A.R.A. del.t. T. Sutherland sculp.t.
Pub. July 1.1819, by A. Dry, 36 Upper Charlotte Str.t Fitzroy Sq.e
Aquatint, printed in colours and hand-finished. 250 x 310mm (10 x 12¼").
View of part of the original Tudor-period Hampton Court, with the Clock tower at the centre and the Great Hall behind left. Published in Pyne's 'History of the Royal Residences'.
Adams (London) 132; Abbey: Scenery 396.
[Ref: 53207] £230.00 (£276.00 incl.VAT)
W. Westall A.R.A. del.t. T. Sutherland sculp.t.
Pub. July 1.1819, by A. Dry, 36 Upper Charlotte Str.t Fitzroy Sq.e
Aquatint, printed in colours and hand-finished. 250 x 310mm (10 x 12¼").
View of part of the original Tudor-period Hampton Court, with the Clock tower at the centre and the Great Hall behind left. Published in Pyne's 'History of the Royal Residences'.
Adams (London) 132; Abbey: Scenery 396.
[Ref: 53207] £230.00 (£276.00 incl.VAT)
King Henry. VII. From an Antient Picture in the Royal Collection.
London Engrav'd for Harrison's Edition of Rapine. Goldar Sculp.t
Publish'd as the Act directs May 19. 1787.
Engraving. Plate 298 x 197mm. 11¾ x 7¾". Repaired hole to left of face.
King Henry VII (1457-1509) the first monarch of the House of Tudor, who won the throne when he defeated Richard III at the Battle of Bosworth Hill.
[Ref: 27302] £45.00 (£54.00 incl.VAT)
London Engrav'd for Harrison's Edition of Rapine. Goldar Sculp.t
Publish'd as the Act directs May 19. 1787.
Engraving. Plate 298 x 197mm. 11¾ x 7¾". Repaired hole to left of face.
King Henry VII (1457-1509) the first monarch of the House of Tudor, who won the throne when he defeated Richard III at the Battle of Bosworth Hill.
[Ref: 27302] £45.00 (£54.00 incl.VAT)
Familia Regia ab Holbenio picta.
Geo. Vertue del. & Sculp.
[n.d., c.1743.]
Engraving. Sheet: 485 x 540mm (19 x 21¼"). Trimmed and laid on album sheet with a vertical fold.
A group portrait of Henry VII and Henry VIII with their wives Elizabeth of York and Jane Seymour. The original Holbein painting was destroyed by fire in 1698, so this engraving is after a copy by van Leemput commissioned by Charles II in 1667.
[Ref: 43732] £180.00 (£216.00 incl.VAT)
Geo. Vertue del. & Sculp.
[n.d., c.1743.]
Engraving. Sheet: 485 x 540mm (19 x 21¼"). Trimmed and laid on album sheet with a vertical fold.
A group portrait of Henry VII and Henry VIII with their wives Elizabeth of York and Jane Seymour. The original Holbein painting was destroyed by fire in 1698, so this engraving is after a copy by van Leemput commissioned by Charles II in 1667.
[Ref: 43732] £180.00 (£216.00 incl.VAT)
Henry VIII. 1509. XX. Tom. II. pag. 344.
[n.d., c.1700.]
Engraving. Sheet: 125 x 80mm (5 x 3'').
A portrait of Tudor king Henry VIII (1491-1547) who ruled Great Britain from 1509.
[Ref: 48633] £95.00 (£114.00 incl.VAT)
[n.d., c.1700.]
Engraving. Sheet: 125 x 80mm (5 x 3'').
A portrait of Tudor king Henry VIII (1491-1547) who ruled Great Britain from 1509.
[Ref: 48633] £95.00 (£114.00 incl.VAT)
Henricus VIII. Angliæ Rex &c.
WF fe.
[n.d., c.1672.]
Engraving. Sheet: 190 x 120mm (7½ x 4¾"). Trimmed and laid on album sheet.
A half-length portrait of Henry VIII set in an oval. An illustration to Edward Lord Herbert of Cherbury's 'Life and Reign of King Henry the Eighth' 1672.
[Ref: 43721] £95.00 (£114.00 incl.VAT)
WF fe.
[n.d., c.1672.]
Engraving. Sheet: 190 x 120mm (7½ x 4¾"). Trimmed and laid on album sheet.
A half-length portrait of Henry VIII set in an oval. An illustration to Edward Lord Herbert of Cherbury's 'Life and Reign of King Henry the Eighth' 1672.
[Ref: 43721] £95.00 (£114.00 incl.VAT)
Henricus VIII D.G. Angliæ Galliæ et Hiberniæ Rex Fidei Defensor. The most high and mightie Prince Henry the VIII by the grace of God King of England France and Ireland.
[n.d., c.1628.] but later.
Engraving. Sheet: 170 x 110mm (6¾ x 4¼"). Split in plate. Trimmed and laid on album sheet.
An unusual portrait if Henry VIII holdinga sceptre and ball set within an oval. An illustration from William Martyn's 'Historie of the Lives of the Kings of England' 1628.
[Ref: 43723] £95.00 (£114.00 incl.VAT)
[n.d., c.1628.] but later.
Engraving. Sheet: 170 x 110mm (6¾ x 4¼"). Split in plate. Trimmed and laid on album sheet.
An unusual portrait if Henry VIII holdinga sceptre and ball set within an oval. An illustration from William Martyn's 'Historie of the Lives of the Kings of England' 1628.
[Ref: 43723] £95.00 (£114.00 incl.VAT)
Henricus Dei Gartia Rex Anglie.
[Pub.d by W.J. White 14 Brownlow S.t Holborn London.][n.d., c.1820.]
Rare engraving. Sheet: 175 x 125mm (7 x 5"). Trimmed and laid on album sheet.
A portrait of Henry VIII (1491-1547) shown wearing a large fur lined row, his hands before him. A nineteenth century copy of a 1544 portrait by Cornelis Massijs.
[Ref: 43724] £120.00 (£144.00 incl.VAT)
[Pub.d by W.J. White 14 Brownlow S.t Holborn London.][n.d., c.1820.]
Rare engraving. Sheet: 175 x 125mm (7 x 5"). Trimmed and laid on album sheet.
A portrait of Henry VIII (1491-1547) shown wearing a large fur lined row, his hands before him. A nineteenth century copy of a 1544 portrait by Cornelis Massijs.
[Ref: 43724] £120.00 (£144.00 incl.VAT)
Uera Effigies Henrici VIII. Angliæ Francæ et Hiberniæ Fidei Defensor. The migthy and most magnificent Prince...
Francisco Dolarum sculp.
Are to be sold by William Peake. [n.d., c.1630.] but later.
Engraving. Sheet: 180 x 110mm (7 x 4¼"). Trimmed and laid on album sheet.
A portrait of Henry VIII (1491-1547) set in an oval holding a sceptre and ball. Originally printed in 1618 as an illustration to 'Baziliogia a Booke of Kings'.
[Ref: 43725] £90.00 (£108.00 incl.VAT)
Francisco Dolarum sculp.
Are to be sold by William Peake. [n.d., c.1630.] but later.
Engraving. Sheet: 180 x 110mm (7 x 4¼"). Trimmed and laid on album sheet.
A portrait of Henry VIII (1491-1547) set in an oval holding a sceptre and ball. Originally printed in 1618 as an illustration to 'Baziliogia a Booke of Kings'.
[Ref: 43725] £90.00 (£108.00 incl.VAT)
Henri VIII. Roy d'Angleterre il succeda a son Pere Henri VII l'an 1509. il se declara chef de l'Eglise Anglieant mourut en 1547 âgé de 57 ans.
Se vend a Paris chez E. Desrochers rue du soin pres la rue S.t Jacques. [n.d., c.1750.]
Engraving. Plate: 155 x 105mm (6 x 4''), with very large margins.
A portrait of English Tudor king Henry VIII with a quizical gaze (1509-1547). From a series of small portraits by Étienne-Jehandier Desrochers (1668-1741).
[Ref: 48261] £70.00 (£84.00 incl.VAT)
Se vend a Paris chez E. Desrochers rue du soin pres la rue S.t Jacques. [n.d., c.1750.]
Engraving. Plate: 155 x 105mm (6 x 4''), with very large margins.
A portrait of English Tudor king Henry VIII with a quizical gaze (1509-1547). From a series of small portraits by Étienne-Jehandier Desrochers (1668-1741).
[Ref: 48261] £70.00 (£84.00 incl.VAT)
Henricus. VIII Angliæ. Fr & Hiberniæ R.E.X &c. Fund.r. Coll: Trinit: Cantab: Ao. D.t 1546.
J. Faber.
[1714.]
Mezzotint. Sheet: 265 x 200mm (10½ x 8"). Trimmed and laid on album sheet.
A three-quater length portrait of Henry VIII standing holding a pair of gloves. One from a series of forty-five portraits of the founders of Oxford and Cambridge Colleges.
[Ref: 43729] £160.00 (£192.00 incl.VAT)
J. Faber.
[1714.]
Mezzotint. Sheet: 265 x 200mm (10½ x 8"). Trimmed and laid on album sheet.
A three-quater length portrait of Henry VIII standing holding a pair of gloves. One from a series of forty-five portraits of the founders of Oxford and Cambridge Colleges.
[Ref: 43729] £160.00 (£192.00 incl.VAT)
Henricus VIII Angliæ Rex.
[n.d., c.1700.]
Engraving. Sheet: 175 x 165mm (7 x 6½''). Laid on card at top corner.
A portrait of Tudor king Henry VIII (1491-1547) shown set in an oval, surrounded with attributes of the English throne.
[Ref: 48879] £75.00 (£90.00 incl.VAT)
[n.d., c.1700.]
Engraving. Sheet: 175 x 165mm (7 x 6½''). Laid on card at top corner.
A portrait of Tudor king Henry VIII (1491-1547) shown set in an oval, surrounded with attributes of the English throne.
[Ref: 48879] £75.00 (£90.00 incl.VAT)
King Henry The VIII.th.
E. Lutterell delin. P. Vanderbanck sculp.
[n.d., c.1680.
Engraving, Sheet 255 x 170mm (10 x 6¾"). Trimmed, losing decorative border, laid on album paper.
Engraved by Peter Vandrebanc (1649-97) after Edward Lutteral. The BM biography of Vandrebanc describes him as 'the best engraver working in London in his time'.
[Ref: 52538] £140.00 (£168.00 incl.VAT)
E. Lutterell delin. P. Vanderbanck sculp.
[n.d., c.1680.
Engraving, Sheet 255 x 170mm (10 x 6¾"). Trimmed, losing decorative border, laid on album paper.
Engraved by Peter Vandrebanc (1649-97) after Edward Lutteral. The BM biography of Vandrebanc describes him as 'the best engraver working in London in his time'.
[Ref: 52538] £140.00 (£168.00 incl.VAT)
King Henry the Eight. Only Son of hen.y ye 7th [...]
[n.d., c.1700.]
Engraving. Sheet 245 x 160mm (9¾ x 6¼"). Trimmed into image, laid on album paper.
A head and shoulders portrait of Henry VIII, from an untraced history.
[Ref: 57304] £120.00 (£144.00 incl.VAT)
[n.d., c.1700.]
Engraving. Sheet 245 x 160mm (9¾ x 6¼"). Trimmed into image, laid on album paper.
A head and shoulders portrait of Henry VIII, from an untraced history.
[Ref: 57304] £120.00 (£144.00 incl.VAT)
Henricus. VIII. Angliae Fr: & Hiberniae R.E.X. &c. Fund.r Coll: Trinit: Cantab: Ao. Di. 1546. Hanc Effigiem a Tabula in istius Coll: asservata factam Ao. 1714. Rev.do Viro Rich: Bentley. S.T.P. & ejusdem Coll: Magistro.
Summa cum Humil: & Observ:a D.D.D. J. Faber.
[n.d. c.1714.]
Mezzotint. Plate166 x 202mm (6½ x 8").
Portrait of Henry VIII (1491-1547), three-quarter length, wearing cap, robes, chain with rose medallion, and dagger, and holding gloves; coat of arms in lower margin. One of a series of forty-five plates of portraits of the founders of Oxford and Cambridge colleges, and Charterhouse.
CS: 34.
[Ref: 52507] £180.00 (£216.00 incl.VAT)
Summa cum Humil: & Observ:a D.D.D. J. Faber.
[n.d. c.1714.]
Mezzotint. Plate166 x 202mm (6½ x 8").
Portrait of Henry VIII (1491-1547), three-quarter length, wearing cap, robes, chain with rose medallion, and dagger, and holding gloves; coat of arms in lower margin. One of a series of forty-five plates of portraits of the founders of Oxford and Cambridge colleges, and Charterhouse.
CS: 34.
[Ref: 52507] £180.00 (£216.00 incl.VAT)
Henry ye VIIIth. King of England, France & Ireland.
H. Holbein pinx. J. Faber jun.r Fecit.
Cum privilegio Regis. Sold by John Bowles, opposite to Stocks Market & at Mercers Hall Cheapside [n.d. c.1730.]
Mezzotint. 350 x 255mm (13¾ x 10"). Narrow margins top and right, vertical fold.
Henry VIII (1491-1547), after Holbein by John Faber the younger, one of the leading mezzotinters of the early eighteenth century.
CS 185 ii/ii; see ref. 12797 for first state, published by Edward Cooper.
[Ref: 57302] £190.00 (£228.00 incl.VAT)
H. Holbein pinx. J. Faber jun.r Fecit.
Cum privilegio Regis. Sold by John Bowles, opposite to Stocks Market & at Mercers Hall Cheapside [n.d. c.1730.]
Mezzotint. 350 x 255mm (13¾ x 10"). Narrow margins top and right, vertical fold.
Henry VIII (1491-1547), after Holbein by John Faber the younger, one of the leading mezzotinters of the early eighteenth century.
CS 185 ii/ii; see ref. 12797 for first state, published by Edward Cooper.
[Ref: 57302] £190.00 (£228.00 incl.VAT)
Henri VIII.
Adr. vander Werff pinx. G. Valck Sculp.
[Rotterdam, Reinier Leers, c.1707.]
Fine engraving, 18th century watermark; 300 x 185mm (11¾ x 11¼"), with large margins.
A half-length portrait of Henry VIII set in an oval. An illustration to Isaac de Larrey's 'L'Histoire de l'Angleterre'.
[Ref: 44990] £130.00 (£156.00 incl.VAT)
Adr. vander Werff pinx. G. Valck Sculp.
[Rotterdam, Reinier Leers, c.1707.]
Fine engraving, 18th century watermark; 300 x 185mm (11¾ x 11¼"), with large margins.
A half-length portrait of Henry VIII set in an oval. An illustration to Isaac de Larrey's 'L'Histoire de l'Angleterre'.
[Ref: 44990] £130.00 (£156.00 incl.VAT)
Henricus VIII. D. G. Angliæ Franciæ et Hiberniæ Rex. Henrick de VIII. Coninck van Enghelant Vrancryck ende Irlant.
[n.d., c.1615.]
Engraving. Sheet: 180 x 125mm (7 x 5"). Trimmed and laid on album sheet.
A half-length portrait of Henry VIII (1491-1547) in armour, set in an oval. An illustration from Emanuel van Meteren's 'Historie der Nederlandscher ende...'.
[Ref: 43719] £140.00 (£168.00 incl.VAT)
[n.d., c.1615.]
Engraving. Sheet: 180 x 125mm (7 x 5"). Trimmed and laid on album sheet.
A half-length portrait of Henry VIII (1491-1547) in armour, set in an oval. An illustration from Emanuel van Meteren's 'Historie der Nederlandscher ende...'.
[Ref: 43719] £140.00 (£168.00 incl.VAT)