A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Peterhead, Aberdeenshire.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. July, 1, 1822.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Mint, with large margins, uncut.
A view of the fishing port at Peterhead, with rowing boats on the beach in the foreground, and the town on the bank of the bay behind. A large church is on a plateau in the middle ground. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36172] £180.00 (£216.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. July, 1, 1822.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Mint, with large margins, uncut.
A view of the fishing port at Peterhead, with rowing boats on the beach in the foreground, and the town on the bank of the bay behind. A large church is on a plateau in the middle ground. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36172] £180.00 (£216.00 incl.VAT)
Landing Troops.
J. A. Atkinson del. M. Dubourg sculp.t.
Published & Sold Aug.t. 1. 1817 by EDW.D ORME, Bond Street (corner of Brook St.) London.
Very fine coloured aquatint with large margins. Plate: 330 x 250mm (13 x 9¾").
Exterior scene depciting the landing of troops on the coast of Abukir in 1801. Boats loaded with British soldiers reach the shore while under attack from French soldiers approaching from the left. A dead British soldier floats in the water. Due to bad weather, the British vessels were forced to land in a particularly narrow section of the coastline where the French troops were ready for them. Nevertheless the British were able to overcome the French and disembark successfully.
[Ref: 33587] £180.00 (£216.00 incl.VAT)
J. A. Atkinson del. M. Dubourg sculp.t.
Published & Sold Aug.t. 1. 1817 by EDW.D ORME, Bond Street (corner of Brook St.) London.
Very fine coloured aquatint with large margins. Plate: 330 x 250mm (13 x 9¾").
Exterior scene depciting the landing of troops on the coast of Abukir in 1801. Boats loaded with British soldiers reach the shore while under attack from French soldiers approaching from the left. A dead British soldier floats in the water. Due to bad weather, the British vessels were forced to land in a particularly narrow section of the coastline where the French troops were ready for them. Nevertheless the British were able to overcome the French and disembark successfully.
[Ref: 33587] £180.00 (£216.00 incl.VAT)
The Adelphi
Publish'd June 15. 1796 by T. Malton.
Coloured aquatint with etching, sheet 290 x 380mm (11¼ x 15").
View from the River Thames, looking south-west, with the Adelphi on the far right; a number of boats moored and on the water in the foreground and beyond, Westminster Abbey in the distance to the left; illustration to Malton's 'Picturesque Tour'.
[Ref: 59023] £260.00 (£312.00 incl.VAT)
Publish'd June 15. 1796 by T. Malton.
Coloured aquatint with etching, sheet 290 x 380mm (11¼ x 15").
View from the River Thames, looking south-west, with the Adelphi on the far right; a number of boats moored and on the water in the foreground and beyond, Westminster Abbey in the distance to the left; illustration to Malton's 'Picturesque Tour'.
[Ref: 59023] £260.00 (£312.00 incl.VAT)
![[Alaska] Vue de L'Anse Fermée de L'Entrée du Prince Guillaume.](jpegs/51227.jpg)
[Alaska] Vue de L'Anse Fermée de L'Entrée du Prince Guillaume.
Benard direxit [after John Webber].
[Paris, 1785.]
Engraving. 240 x 375mm (9½ x 14¾"). Trimmed close to plate at top. Folds as issued.
Cook's ships Resolution and Discovery at anchor under high cliffs in Prince William's Sound, with men in two long boats and many local canoes. Cloud lifts from snow-covered mountains on the far side, gathering into a large cloud in upper right. Engraved by William Ellis after John Webber for 'A Voyage to the Pacific Ocean' (1784), the official account of Captain Cook's Third and final voyage. The English title was 'A View of Snug Corner Cove, in Prince William's Sound'.
[Ref: 51227] £130.00 (£156.00 incl.VAT)
Benard direxit [after John Webber].
[Paris, 1785.]
Engraving. 240 x 375mm (9½ x 14¾"). Trimmed close to plate at top. Folds as issued.
Cook's ships Resolution and Discovery at anchor under high cliffs in Prince William's Sound, with men in two long boats and many local canoes. Cloud lifts from snow-covered mountains on the far side, gathering into a large cloud in upper right. Engraved by William Ellis after John Webber for 'A Voyage to the Pacific Ocean' (1784), the official account of Captain Cook's Third and final voyage. The English title was 'A View of Snug Corner Cove, in Prince William's Sound'.
[Ref: 51227] £130.00 (£156.00 incl.VAT)
![[The Iron Steam Yacht 'Alexandria', 416 Tons.Built for H.I.M. the Emperor of Russia, by C J Mare & Co of Blackwall. Designed By Mr. Watermann Junr. &. Fitted With Engines Of 140, Horse Power By Sir John & Mr. George Rennie.]](jpegs/31205.jpg)
[The Iron Steam Yacht 'Alexandria', 416 Tons.Built for H.I.M. the Emperor of Russia, by C J Mare & Co of Blackwall. Designed By Mr. Watermann Junr. &. Fitted With Engines Of 140, Horse Power By Sir John & Mr. George Rennie.]
[T.S. Robins Del.t E.T. Dolby Lith. M. & N. Hanhart Imp.t.]
[Published May 14.th 1852 by Messers. Fores, 41, Piccadilly, London.]
Coloured lithograph, proof before all letters. 425 x 573mm (16¾ x 22½").
A view of the steam yacht 'Alexandria', which was built for the Tsar of Russia in England. The boat steams through the water with a pair of small boats with fishermen using a net in the foreground.
See Ref: 8913 for a lettered version.
[Ref: 31205] £650.00
[T.S. Robins Del.t E.T. Dolby Lith. M. & N. Hanhart Imp.t.]
[Published May 14.th 1852 by Messers. Fores, 41, Piccadilly, London.]
Coloured lithograph, proof before all letters. 425 x 573mm (16¾ x 22½").
A view of the steam yacht 'Alexandria', which was built for the Tsar of Russia in England. The boat steams through the water with a pair of small boats with fishermen using a net in the foreground.
See Ref: 8913 for a lettered version.
[Ref: 31205] £650.00
Beschiessung der Stadt Algier durch die englische Flotte, unter den Besehlen des Admirals Exmouth, den 27 August 1816.
[n.d., c.1840.]
Coloured wood engraving. Printed area 180 x 285mm, 7 x 11¼". Laid on board.
A rare illustration of the bombardment of Algiers, with a five-point key underneath. In an attempt by Britain to force the Dey of Algiers to give up slavery, the British fleet threatened bombardment if their demands weren't met. As they approached the Dey sent out many men in small boats to attempt to board the ships, resulting in the hand-to-hand fighting seen here. The following day the Dey surrendered, not knowing the British had already used up all their ammunition.
[Ref: 15656] £240.00 (£288.00 incl.VAT)
[n.d., c.1840.]
Coloured wood engraving. Printed area 180 x 285mm, 7 x 11¼". Laid on board.
A rare illustration of the bombardment of Algiers, with a five-point key underneath. In an attempt by Britain to force the Dey of Algiers to give up slavery, the British fleet threatened bombardment if their demands weren't met. As they approached the Dey sent out many men in small boats to attempt to board the ships, resulting in the hand-to-hand fighting seen here. The following day the Dey surrendered, not knowing the British had already used up all their ammunition.
[Ref: 15656] £240.00 (£288.00 incl.VAT)
Alicante. T: II: Pl: 68.
Bacler d'Albe Ft. Lith de G Engelmann.
[Paris, 1820-22.]
Lithograph. Sheet 240 x 325mm (9½ x 12¾").
View of the port and town of Alicante on Spain's Mediterranean coast; ships and boats being unloaded on the quayside. From 'Souvenirs pittoresques du Général Bacler d'Albe. Tome II, Campagne d'Espagne', a collection of landscapes by Louis Albert Guislain Bacler d'Albe (1761-1824) drawn during the Napoleonic Wars. A soldier, cartographer and painter, Bacler d'Albe was a close companion of Napoléon Bonaparte from Toulon in 1793 until 1815. Napoleon's will tasked him with the education of his son Napoleon II.
BNF: FRBNF40343994.
[Ref: 19199] £65.00 (£78.00 incl.VAT)
Bacler d'Albe Ft. Lith de G Engelmann.
[Paris, 1820-22.]
Lithograph. Sheet 240 x 325mm (9½ x 12¾").
View of the port and town of Alicante on Spain's Mediterranean coast; ships and boats being unloaded on the quayside. From 'Souvenirs pittoresques du Général Bacler d'Albe. Tome II, Campagne d'Espagne', a collection of landscapes by Louis Albert Guislain Bacler d'Albe (1761-1824) drawn during the Napoleonic Wars. A soldier, cartographer and painter, Bacler d'Albe was a close companion of Napoléon Bonaparte from Toulon in 1793 until 1815. Napoleon's will tasked him with the education of his son Napoleon II.
BNF: FRBNF40343994.
[Ref: 19199] £65.00 (£78.00 incl.VAT)
Vue du Golfe d'Alpnach.
Dessiné d'après nature par J. Wetzel. Gravé par F. Hegi.
[Publié par Orell Füssli & Comp. 1820].
Aquatint with fine hand colour. Size: 205 x 275mm (8¼ x 10¾"). Trimmed around image and text.
A landscape view of Lake Lucerne, Alpnach, Switzerland. A number of boats can be seen on the shore of the lake, with various figures walking to and from a small building at the end of the pier. Mount Pilatus can be seen in the distance. After Swiss artist Johann Jakob Wetzel (1781-1834).
[Ref: 31933] £260.00 (£312.00 incl.VAT)
Dessiné d'après nature par J. Wetzel. Gravé par F. Hegi.
[Publié par Orell Füssli & Comp. 1820].
Aquatint with fine hand colour. Size: 205 x 275mm (8¼ x 10¾"). Trimmed around image and text.
A landscape view of Lake Lucerne, Alpnach, Switzerland. A number of boats can be seen on the shore of the lake, with various figures walking to and from a small building at the end of the pier. Mount Pilatus can be seen in the distance. After Swiss artist Johann Jakob Wetzel (1781-1834).
[Ref: 31933] £260.00 (£312.00 incl.VAT)
Destruction by Fire of the Amazon Mail Steamer. of 2250 Tons burden, in the Bay of Biscay, Jan.y 4th 1852, on Her first voyage from Southampton to Chagres, with 50 Passsengers and 106 Crew and attendants, the greater number of whom were lost.
Engraved from a sketch made by one of the Survivors.
Read & Co., 10, Johnson's Court, Fleet St. London [n.d., c.1852].
Rare steel engraving with hand colour. 265 x 330mm (10½ x 13"). Trimmed close to plate, slight scuffing in inscription area.
RMS Amazon was a wooden barque with three masts and a paddle wheel, launched in 1851. On her maiden voyage the bearings on her two side-lever steam engines kept overheating, which possibly led to a fire in the hay bales kept for animal feed. The order to abandon ship was given, but heavy seas swamped most of the boats launched. The brig 'Marsden', seen in the background, rescued 21 people from a lifeboat, at one stage believed to be the only survivors but, over the course of the next few days, two other boats were recovered. It is estimated that over two-thirds of the passengers and crew died. At the time the Admiralty supervised UK merchant ships contracted to carry mail, demanding that they all have wooden hulls. After the Amazon disaster this order was rescinded, so iron hulls became the norm.
[Ref: 56510] £360.00
Engraved from a sketch made by one of the Survivors.
Read & Co., 10, Johnson's Court, Fleet St. London [n.d., c.1852].
Rare steel engraving with hand colour. 265 x 330mm (10½ x 13"). Trimmed close to plate, slight scuffing in inscription area.
RMS Amazon was a wooden barque with three masts and a paddle wheel, launched in 1851. On her maiden voyage the bearings on her two side-lever steam engines kept overheating, which possibly led to a fire in the hay bales kept for animal feed. The order to abandon ship was given, but heavy seas swamped most of the boats launched. The brig 'Marsden', seen in the background, rescued 21 people from a lifeboat, at one stage believed to be the only survivors but, over the course of the next few days, two other boats were recovered. It is estimated that over two-thirds of the passengers and crew died. At the time the Admiralty supervised UK merchant ships contracted to carry mail, demanding that they all have wooden hulls. After the Amazon disaster this order was rescinded, so iron hulls became the norm.
[Ref: 56510] £360.00
Light-house on the South Stack, Holyhead.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London Jan.y 2. 1815.
Hand coloured aquatint with very large margins, fine. Platemark: 230 x 300mm (9 x 12"). Uncut.
A view of the Lighthouse on the South Stack at Holyhead, Anglesey, North Wales. To the left is the rope-bridge leading up to the lighthouse with sailing boats in the water below. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36433] £140.00 (£168.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London Jan.y 2. 1815.
Hand coloured aquatint with very large margins, fine. Platemark: 230 x 300mm (9 x 12"). Uncut.
A view of the Lighthouse on the South Stack at Holyhead, Anglesey, North Wales. To the left is the rope-bridge leading up to the lighthouse with sailing boats in the water below. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36433] £140.00 (£168.00 incl.VAT)
Red Wharf Bay, Anglesea.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. April, 1, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Red Wharf Bay, with boats moored along the coast and buildings nearby. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36139] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. April, 1, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Red Wharf Bay, with boats moored along the coast and buildings nearby. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36139] £160.00 (£192.00 incl.VAT)
The Harbour light-house, Holyhead.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view at Holyhead, Wales, with figures in rowing boats in the foreground, and sailing boats behind. The lighthouse can be seen at the left. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36246] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1815.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view at Holyhead, Wales, with figures in rowing boats in the foreground, and sailing boats behind. The lighthouse can be seen at the left. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36246] £160.00 (£192.00 incl.VAT)
Light-house on the South Stack, Holyhead.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London Jan.y 2. 1815.
Coloured aquatint. Watermark: J Whitman 1813. Plate 228 x 298mm. 9 x 11¾".
A view of the Lighthouse on the South Stack at Holyhead, Anglesey, North Wales. To the left can be seen the rope-bridge leading up to the lighthouse; sailing boats in the foreground against the headwind. From William Daniell's First Volume of "Voyage around Great Britain".
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 18080] £130.00 (£156.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman & Co. Paternoster Row & W. Daniell 9 Cleveland St. Fitzroy Square, London Jan.y 2. 1815.
Coloured aquatint. Watermark: J Whitman 1813. Plate 228 x 298mm. 9 x 11¾".
A view of the Lighthouse on the South Stack at Holyhead, Anglesey, North Wales. To the left can be seen the rope-bridge leading up to the lighthouse; sailing boats in the foreground against the headwind. From William Daniell's First Volume of "Voyage around Great Britain".
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 18080] £130.00 (£156.00 incl.VAT)
View of Caernarvon Castle, from Anglesea.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Dec.r 1, 1814.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view from Anglesey, with figures standing next to a ship moored on the beach in the foreground to the left. Sailing boats are in the water, with Caernarvon Castle in the background and hills in the distance beyond. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36245] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Dec.r 1, 1814.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view from Anglesey, with figures standing next to a ship moored on the beach in the foreground to the left. Sailing boats are in the water, with Caernarvon Castle in the background and hills in the distance beyond. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36245] £160.00 (£192.00 incl.VAT)
The Island of Ascension, from the Roads.
Drawn by Lieu.t W.m Allen R.N. Drawn on Stone by G. Barnard. Day & Haghe Lith.rs to the King, Gate S.t Linc. Inn F.ds.
London, Published by Lieu.t W.m Allen R.N. Feb.y 1835.
Rare lithograph with hand colour. 125 x 690mm (5 x 27¼"). Creases, stains, laid on thick paper.
Panorama. One of ten plates in Allen's 'Picturesque Views in the Island of Ascension'. He spent eight weeks with the garrison put on Ascension after Napoleon was exiled to St Helena, describing the island as a 'cinder'.
[Ref: 52868] £360.00
Drawn by Lieu.t W.m Allen R.N. Drawn on Stone by G. Barnard. Day & Haghe Lith.rs to the King, Gate S.t Linc. Inn F.ds.
London, Published by Lieu.t W.m Allen R.N. Feb.y 1835.
Rare lithograph with hand colour. 125 x 690mm (5 x 27¼"). Creases, stains, laid on thick paper.
Panorama. One of ten plates in Allen's 'Picturesque Views in the Island of Ascension'. He spent eight weeks with the garrison put on Ascension after Napoleon was exiled to St Helena, describing the island as a 'cinder'.
[Ref: 52868] £360.00
Australia. Sydney. Selvaggi del Monte-bleu. Tab.40. Tom.III.
[n.d. c.1840; Italian publicaton.]
Litograph. 299 x 196mm. 11¾ x 7¾".
A view of Sydney with boats in the harbour, and five portraits of natives from the Blue Mountains, New South Wales, Australia.
[Ref: 26173] £140.00 (£168.00 incl.VAT)
[n.d. c.1840; Italian publicaton.]
Litograph. 299 x 196mm. 11¾ x 7¾".
A view of Sydney with boats in the harbour, and five portraits of natives from the Blue Mountains, New South Wales, Australia.
[Ref: 26173] £140.00 (£168.00 incl.VAT)
![[A view from Durdham-down near Bristol, Looking down the Avon to Kings-Road, & the Welch Mountains.] [&] [A view of St Vincent's rocks, and the Hot-Wells, &c near Bristol.]](jpegs/11672.jpg)
[A view from Durdham-down near Bristol, Looking down the Avon to Kings-Road, & the Welch Mountains.] [&] [A view of St Vincent's rocks, and the Hot-Wells, &c near Bristol.]
[Painted by Thomas Smith of Derby. The first plate engraved by Francis Vivares and Jean Baptiste Chatelain, the second by Antoine Benoist.]
[London: Thomas Smith, 1756.]
Pair of etchings with 18th century colour added by hand, each image c.340 x 520mm. 13½ x 20½". Trimmed and laid on card with black paint borders, contemporary presentation. Extremities chipped and tatty.
Two views on the River Avon near Bristol with boats on the water, the first with figures and goats on a hill-side in foreground and a tower standing amongst trees in the distance; the second with two figures with staffs standing on bank in the foreground, a building directly adjacent to the water beyond, opposite which smoke emanates from the bank. An outstanding pair of etching after Thomas Smith of Derby (c.1720 - 1767), father of J.R.Smith.
[Ref: 11672] £650.00 view all images for this item
[Painted by Thomas Smith of Derby. The first plate engraved by Francis Vivares and Jean Baptiste Chatelain, the second by Antoine Benoist.]
[London: Thomas Smith, 1756.]
Pair of etchings with 18th century colour added by hand, each image c.340 x 520mm. 13½ x 20½". Trimmed and laid on card with black paint borders, contemporary presentation. Extremities chipped and tatty.
Two views on the River Avon near Bristol with boats on the water, the first with figures and goats on a hill-side in foreground and a tower standing amongst trees in the distance; the second with two figures with staffs standing on bank in the foreground, a building directly adjacent to the water beyond, opposite which smoke emanates from the bank. An outstanding pair of etching after Thomas Smith of Derby (c.1720 - 1767), father of J.R.Smith.
[Ref: 11672] £650.00 view all images for this item
Babbacombe.
T. Fidlor Delint. T. Sutherland Sculpt.
Published by E. Croydon, Public Library, Teignmouth.
Aquatint, image 190 x 300mm. 7½ x 11¾". Trimmed within plate. Slight stain bottom left and right off image
A coastal village, boats and figures on beach to foreground; Babbacombe is now a district of Torquay, Devon.
Not in Abbey.
[Ref: 20289] £95.00 (£114.00 incl.VAT)
T. Fidlor Delint. T. Sutherland Sculpt.
Published by E. Croydon, Public Library, Teignmouth.
Aquatint, image 190 x 300mm. 7½ x 11¾". Trimmed within plate. Slight stain bottom left and right off image
A coastal village, boats and figures on beach to foreground; Babbacombe is now a district of Torquay, Devon.
Not in Abbey.
[Ref: 20289] £95.00 (£114.00 incl.VAT)
Barmouth, Merionethshire.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Dec.r 1, 1814.
Aquatint with fine original hand colour. On watermarked paper, 'J. Whatman. 1813'. 230 x 300mm (9 x 12"). Large margins, uncut.
A coastal view of Barmouth, Merionethshire, with number of sailing boats on the water, and a large mountainous range in the distance. Small buildings can be seen on the coast on the centre. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36244] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Dec.r 1, 1814.
Aquatint with fine original hand colour. On watermarked paper, 'J. Whatman. 1813'. 230 x 300mm (9 x 12"). Large margins, uncut.
A coastal view of Barmouth, Merionethshire, with number of sailing boats on the water, and a large mountainous range in the distance. Small buildings can be seen on the coast on the centre. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36244] £160.00 (£192.00 incl.VAT)
![[Barnes] A View of Mortlake up the Thames. Vüe du Mortlake sur la Tamise.](jpegs/29318.jpg)
[Barnes] A View of Mortlake up the Thames. Vüe du Mortlake sur la Tamise. No.25.
Tho.s Boydell Delin & Sculp.
Publish'd according to Act of Parliament, & Sold by J.no Boydell Engraver at the Unicorn the corner of Queen Street Cheapside London 1753.
Engraving, paper watermarked with very large margins. Plate 255 x 411mm (10 x 16¼"). Hole in sky area.
A view of Mortlake from the Thames with sailing boats on the river and cattle on the river bank. This is actually Barnes looking from Mortlake, with the bay window to the house which later became the residence of the composer Gustav Holst. The White Hart extreme left. From "A Collection of One Hundred Views In England and Wales", made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.25.
[Ref: 29318] £450.00
Tho.s Boydell Delin & Sculp.
Publish'd according to Act of Parliament, & Sold by J.no Boydell Engraver at the Unicorn the corner of Queen Street Cheapside London 1753.
Engraving, paper watermarked with very large margins. Plate 255 x 411mm (10 x 16¼"). Hole in sky area.
A view of Mortlake from the Thames with sailing boats on the river and cattle on the river bank. This is actually Barnes looking from Mortlake, with the bay window to the house which later became the residence of the composer Gustav Holst. The White Hart extreme left. From "A Collection of One Hundred Views In England and Wales", made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.25.
[Ref: 29318] £450.00
The bay of Barrisdale, in Loch Hourne.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1819.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Barrisdale bay on Loch Hourn, with sailing boats in the water, buildings on the coast and rocky mountains behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36106] £160.00 (£192.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. Jan.y, 1, 1819.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Barrisdale bay on Loch Hourn, with sailing boats in the water, buildings on the coast and rocky mountains behind. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 36106] £160.00 (£192.00 incl.VAT)
Prospect der Statt Basel von Seiten der Vestung Hüningen. Vue et Perspective de la ville de Bâle du côté de Huningue. (Coat of arms and key listing buildings beneath the image.)
Em Büchel delin. et pinxit, I. M. Weis Argent. sc. 1744.
Cum Privil. Ampliss. Senat. Basil.
A rare engraving. Plate 458 x 679mm. 18 x 26¾".
A view of Basel, Switzerland, along the Rhine towards the Mittlere Brücke with the Basler Münster in the background. Boats and rafts on the river; a fisherman in the near foreground. Emmanuel Büchel, Swiss artist, 1705-1775, was baker, illustrator, topographer and painter and Johann Martin Weis 1711-1751, was a German engraver from Stuttgart. This is print number two of a series of four prints drawn by Büchel between 1743 and 1747 and engraved by J.M. Weiss in Strasbourg.
[Ref: 20210] £520.00
Em Büchel delin. et pinxit, I. M. Weis Argent. sc. 1744.
Cum Privil. Ampliss. Senat. Basil.
A rare engraving. Plate 458 x 679mm. 18 x 26¾".
A view of Basel, Switzerland, along the Rhine towards the Mittlere Brücke with the Basler Münster in the background. Boats and rafts on the river; a fisherman in the near foreground. Emmanuel Büchel, Swiss artist, 1705-1775, was baker, illustrator, topographer and painter and Johann Martin Weis 1711-1751, was a German engraver from Stuttgart. This is print number two of a series of four prints drawn by Büchel between 1743 and 1747 and engraved by J.M. Weiss in Strasbourg.
[Ref: 20210] £520.00
A View taken near Mr. Smith's House at Battersea, looking up the Thames. No.7.
J. Boydell Del. & Sculp.
Publish'd according to Act of Parliament by J. Boydell 1752. & Sold at the Unicorn the corner of Queen Street Cheapside. London. Price. 1s.
Engraving, paper watermarked with very large margins. Plate 260 x 420mm (10¼ x 16½").
View on the river at Battersea; a grand house with front terrace on the left, small boats and barges on water in foreground. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.7.
[Ref: 29300] £400.00
J. Boydell Del. & Sculp.
Publish'd according to Act of Parliament by J. Boydell 1752. & Sold at the Unicorn the corner of Queen Street Cheapside. London. Price. 1s.
Engraving, paper watermarked with very large margins. Plate 260 x 420mm (10¼ x 16½").
View on the river at Battersea; a grand house with front terrace on the left, small boats and barges on water in foreground. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.7.
[Ref: 29300] £400.00
A View taken near Battersea Church, looking towards Chelsea. No.6.
J. Boydell del. & Sculp.
Publish'd according to Act of Parliament by J. Boydell at the Unicorn the corner of Queen Street Cheapside. London 1752. Price. 1s.
Engraving, paper watermarked with very large margins. Plate 260 x 425mm (10¼ x 16¾"). Some foxing.
A fine view on the river at Battersea; the church on the right; in right foreground boats grouped around pier; Chelsea in distance on the left. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.6.
[Ref: 29299] £350.00
J. Boydell del. & Sculp.
Publish'd according to Act of Parliament by J. Boydell at the Unicorn the corner of Queen Street Cheapside. London 1752. Price. 1s.
Engraving, paper watermarked with very large margins. Plate 260 x 425mm (10¼ x 16¾"). Some foxing.
A fine view on the river at Battersea; the church on the right; in right foreground boats grouped around pier; Chelsea in distance on the left. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.6.
[Ref: 29299] £350.00
A view taken near Mr. Smith's House at Battersea, looking up the Thames.
J.Boydell Del. & Sculp.
Publish'd according to Act of Parliament by J.Boydell 1752 & Sold at the Unicorn the corner of Queen Street, Cheapside London. Price 1s.
Copper engraving, c.1790. 265 x 430mm.
A view at Battersea with punts, boats and small merchant and cargo vessels on the River Thames. The building on the right is probably York House, where Battersea enamels were made.
See also ref: 25628. Collage: q6916680; Hugh Phillips, 'The Thames around 1750', p.169
[Ref: 832] £370.00
J.Boydell Del. & Sculp.
Publish'd according to Act of Parliament by J.Boydell 1752 & Sold at the Unicorn the corner of Queen Street, Cheapside London. Price 1s.
Copper engraving, c.1790. 265 x 430mm.
A view at Battersea with punts, boats and small merchant and cargo vessels on the River Thames. The building on the right is probably York House, where Battersea enamels were made.
See also ref: 25628. Collage: q6916680; Hugh Phillips, 'The Thames around 1750', p.169
[Ref: 832] £370.00
Balize.
Davenport, sculp.
London Published By Thomas Kelly, 17, Paternoster Row, 1837.
Steel engraving sheet 5½ x 9¼ (140 x 235mm). Repaired tears.
A scene of a river in Belize, a Carribean country in central America. Formally know as British Honduras, a British flag on a pole can be seen waving gently in the foreground, surrounded by a handful of soliders carrying weapons, one seems to be reprimanding a boy holding a dead bird, one of them casually leans on one of the two cannons located on the shoreline and the others stand guard. A man sits in his boat on the shore while another picks up a paddle seemingly about to set off. Two rafts are pushed around the water by men with poles, while a longer boat with four oarsmen glides across the water and a sailing ship with no sails appears to be moored on the right. The surrounding town and more boats can be seen in the distance.
[Ref: 54834] £80.00 (£96.00 incl.VAT)
Davenport, sculp.
London Published By Thomas Kelly, 17, Paternoster Row, 1837.
Steel engraving sheet 5½ x 9¼ (140 x 235mm). Repaired tears.
A scene of a river in Belize, a Carribean country in central America. Formally know as British Honduras, a British flag on a pole can be seen waving gently in the foreground, surrounded by a handful of soliders carrying weapons, one seems to be reprimanding a boy holding a dead bird, one of them casually leans on one of the two cannons located on the shoreline and the others stand guard. A man sits in his boat on the shore while another picks up a paddle seemingly about to set off. Two rafts are pushed around the water by men with poles, while a longer boat with four oarsmen glides across the water and a sailing ship with no sails appears to be moored on the right. The surrounding town and more boats can be seen in the distance.
[Ref: 54834] £80.00 (£96.00 incl.VAT)
![Bermudian Boats. Ireland Island in the Distance [ms]](jpegs/44513.jpg)
Bermudian Boats. Ireland Island in the Distance [ms]
T. Dean [?] [in image lower left; c.1820]
Watercolour, sheet 140 x 165mm (5½ x 6½"). Glued to backing sheet.
View off the coast of Bermuda in the Atlantic Ocean.
[Ref: 44513] £650.00
T. Dean [?] [in image lower left; c.1820]
Watercolour, sheet 140 x 165mm (5½ x 6½"). Glued to backing sheet.
View off the coast of Bermuda in the Atlantic Ocean.
[Ref: 44513] £650.00
Billingsgate Market.
Rowlandson & Pugin del. et sculpt. J. Bluck, Aquat.
London. Pub March 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
A general view, from the north, of Billingsgate Quay and market with stalls. In the foreground there is a crowd of streetsellers and larger retailers. In the 19th century, boats delivered fish to this small inlet of the Thames and business was conducted on the quayside. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 46882] £260.00 (£312.00 incl.VAT)
Rowlandson & Pugin del. et sculpt. J. Bluck, Aquat.
London. Pub March 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint with large margins. Platemark: 240 x 285mm (9½ x 11¼").
A general view, from the north, of Billingsgate Quay and market with stalls. In the foreground there is a crowd of streetsellers and larger retailers. In the 19th century, boats delivered fish to this small inlet of the Thames and business was conducted on the quayside. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 46882] £260.00 (£312.00 incl.VAT)
Blackfriars from Southwark Bridge.
T.S. Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London: T. S. Boys, 1843.]
Tinted lithograph. 175 x 450mm (7 x 17¾"), very large margins.
View of Blackfriars Bridge from Southwark Bridge with boats on the River Thames. St Paul's Cathedral can be seen on the right of the picture. From 'Original Views of London As It Is' by Thomas Shotter Boys, published in 1843.
Abbey 239, "A book of considerable importance".
[Ref: 39693] £300.00
T.S. Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London: T. S. Boys, 1843.]
Tinted lithograph. 175 x 450mm (7 x 17¾"), very large margins.
View of Blackfriars Bridge from Southwark Bridge with boats on the River Thames. St Paul's Cathedral can be seen on the right of the picture. From 'Original Views of London As It Is' by Thomas Shotter Boys, published in 1843.
Abbey 239, "A book of considerable importance".
[Ref: 39693] £300.00
Blackfriars from Southwark Bridge.
T.S. Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London: T. S. Boys, 1843.]
Tinted lithograph with added hand colour. 175 x 450mm (7 x 17¾"). Large margins.
View of Blackfriars Bridge from Southwark Bridge with boats on the River Thames. St Paul's Cathedral can be seen on the right of the picture. From 'London As It Is' by Thomas Shotter Boys, published in 1843.
[Ref: 53840] £480.00
T.S. Boys Del et Lithog. [Printed by Charles Hullmandel.]
[London: T. S. Boys, 1843.]
Tinted lithograph with added hand colour. 175 x 450mm (7 x 17¾"). Large margins.
View of Blackfriars Bridge from Southwark Bridge with boats on the River Thames. St Paul's Cathedral can be seen on the right of the picture. From 'London As It Is' by Thomas Shotter Boys, published in 1843.
[Ref: 53840] £480.00
A View of Blackwall, looking towards Greenwich. No.11.
J. Boydell Del & Sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1750. Price. 1s.
Engraving, paper watermarked with very large margins. Plate 260 x 425mm (10¼ x 16¾").
A fine view from the river of Blackwall, looking towards Greenwich (the hospital can be seen on the left); a cluster of sailing ships anchored near docks, other small boats surrounding. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.11.
[Ref: 29304] £300.00
J. Boydell Del & Sculp.
Publish'd according to Act of Parliament by J. Boydell Engraver 1750. Price. 1s.
Engraving, paper watermarked with very large margins. Plate 260 x 425mm (10¼ x 16¾").
A fine view from the river of Blackwall, looking towards Greenwich (the hospital can be seen on the left); a cluster of sailing ships anchored near docks, other small boats surrounding. From "A Collection of One Hundred Views In England and Wales". John Boydell's 'Collection of Views' was made after he turned from engraver to print publisher in 1767. The first collection was issued in 1770, and included some plates by printmakers other than himself.
Adams (London): 47.11.
[Ref: 29304] £300.00
Brunswick Dock on the Thames at Blackwall. This noble bason was excuted from the design & at the individual expence of John Perry Esq.r [...] & the Dock was opened for the reception of Shipping on the 20th of Nov.r 1790. To John Perry Esq.r this Print is with his permission inscribed by his obedient Servant William Daniell.
Drawn & Engraved by W.m Daniell, & Published by him at No.9 Cleveland Street, Fitzroy Square, London, Oct.r 20. 1803.
Coloured aquatint, sheet 505 x 870mm (19½ x 34¼"). Surface loss in places, general paper tone, scratch centre right.
Brunswick Dock, Blackwall, named after the ducal house in honour of George III, with text describing its history. The dock was the first wet dock with gates on to the Thames, and its main feature was a large tower containing a crane for raising or fitting masts to tall ships, visible here. One of six large aquatints by William Daniell of the new docks then being excavated to reduce congestion in the Pool of London. Daniell (1769-1837) was one of the few artists of the period who was as skilled as an aquatinter as he was a painter. It was common practice to add engraved or etched lines to give shape to the tonal effect of the aquatint; this plate is pure aquatint, with no added lines, not even on the rigging of the boats. The margins have been given a grey wash in imitation of watercolour presentation of the period. A painting of the same scene by Daniell, which may have been executed in preparation for this engraving, is in the National Maritime Museum, Greenwich (BHC1867).
Adams: 92.D
[Ref: 23321] £1,950.00
Drawn & Engraved by W.m Daniell, & Published by him at No.9 Cleveland Street, Fitzroy Square, London, Oct.r 20. 1803.
Coloured aquatint, sheet 505 x 870mm (19½ x 34¼"). Surface loss in places, general paper tone, scratch centre right.
Brunswick Dock, Blackwall, named after the ducal house in honour of George III, with text describing its history. The dock was the first wet dock with gates on to the Thames, and its main feature was a large tower containing a crane for raising or fitting masts to tall ships, visible here. One of six large aquatints by William Daniell of the new docks then being excavated to reduce congestion in the Pool of London. Daniell (1769-1837) was one of the few artists of the period who was as skilled as an aquatinter as he was a painter. It was common practice to add engraved or etched lines to give shape to the tonal effect of the aquatint; this plate is pure aquatint, with no added lines, not even on the rigging of the boats. The margins have been given a grey wash in imitation of watercolour presentation of the period. A painting of the same scene by Daniell, which may have been executed in preparation for this engraving, is in the National Maritime Museum, Greenwich (BHC1867).
Adams: 92.D
[Ref: 23321] £1,950.00
Capture of the Slave Brig Borboleta, 4 Guns, 12 .FRS and Forty Men, by the Boats of H.M.B. Pantaloon, with Thirty Men, under the command of Lieu.t Leivis de Tessier. Prevost off Lagos W. Coast of Africa. May 26.th 1845.
H John Vernon del. T.G Dutton. lith.
A Hinton, Portsmouth_ Ackermann & co. Strand, and Foster, Fenchurch S.t London. Day & Haghe Lith.rs to the Queen.
Fine lithograph, sheet 310 x 380mm (12¼ x 15"). Repaired. Faint mount burn.
A scene of a seabattle.
[Ref: 65918] £420.00
H John Vernon del. T.G Dutton. lith.
A Hinton, Portsmouth_ Ackermann & co. Strand, and Foster, Fenchurch S.t London. Day & Haghe Lith.rs to the Queen.
Fine lithograph, sheet 310 x 380mm (12¼ x 15"). Repaired. Faint mount burn.
A scene of a seabattle.
[Ref: 65918] £420.00
Borneo. Togt op de Rivier te Sambas. Promenade sur la Rivière a Sambas.
C.W.M. van de Velde. P.Lauters.
Uitgegeven by Frans Buffa & Zonen. te Amsterdam [n.d., 1846.]
Lithograph on india with hand colour. Image size 290 x 330mm (11½ x 13").
A community of boats and linked together. The Sambas region is famous for their traditional 'rumah lanting', floating-platform houses. By the Dutchman Carel William Meredith van de Velde (1818-98), a sailor, doctor and watercolourist.
[Ref: 28438] £320.00
C.W.M. van de Velde. P.Lauters.
Uitgegeven by Frans Buffa & Zonen. te Amsterdam [n.d., 1846.]
Lithograph on india with hand colour. Image size 290 x 330mm (11½ x 13").
A community of boats and linked together. The Sambas region is famous for their traditional 'rumah lanting', floating-platform houses. By the Dutchman Carel William Meredith van de Velde (1818-98), a sailor, doctor and watercolourist.
[Ref: 28438] £320.00
Boston, Lincolnshire.
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. July, 1, 1822.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Boston from the harbour, with a pier in the foreground and boats moored nearby. St. Botolph's Church can be seen at the centre in the background. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 37609] £190.00 (£228.00 incl.VAT)
Drawn & Engraved by Will.m Daniell.
Published by Mess.rs Longman, & Co. Paternoster Row, & W. Daniell, 9 Cleveland St. Fitzroy Square, London. July, 1, 1822.
Aquatint with fine original hand colour. 230 x 300mm (9 x 12"). Large margins, uncut.
A view of Boston from the harbour, with a pier in the foreground and boats moored nearby. St. Botolph's Church can be seen at the centre in the background. From William Daniell's 'A Voyage Round Great Britain', a series of 308 aquatints published in eight volumes between 1814-1825, described by R.V. Tooley as 'the most important colour plate book on British Topography'.
Abbey: Scenery, 16; Tooley: Books with Coloured Plates 177.
[Ref: 37609] £190.00 (£228.00 incl.VAT)
![South West View of Bournemouth. [&] South East View of Bournemouth. [&] South View of Bournemouth. [&] South View of Bournemouth.](jpegs/25635.jpg)
South West View of Bournemouth. [&] South East View of Bournemouth. [&] South View of Bournemouth. [&] South View of Bournemouth.
H.D. Delt. Dickinson & Co. Lith.
[n.d. c.1840.]
A rare and scarce set of four coloured lithographs. 300 x 438mm (11¾ x 17¼"); 336 x 432mm (13¼ x 17"); 350 x 432mm (13¾ x 17"); & 350 x 470mm (13¾ x 18½").
A view looking towards Bournemouth, Dorsetshire, with St Peter's Church to the left and the sea to the right. [&] A view of Bath Road, Bournemouth; the original town baths on the right and Belle Vue Boarding House to the left. [&] A view looking south towards Bournemouth with St Peter's Church to the left and sailing boats seen out on the sea. [&] A view looking west towards Bournemouth from the other side of the bay with sailing ships and larger merchant vessels in the bay, a tall-ship's mast seen over the hill to the right. By Harriet Daniel.
[Ref: 25635] £650.00 view all images for this item
H.D. Delt. Dickinson & Co. Lith.
[n.d. c.1840.]
A rare and scarce set of four coloured lithographs. 300 x 438mm (11¾ x 17¼"); 336 x 432mm (13¼ x 17"); 350 x 432mm (13¾ x 17"); & 350 x 470mm (13¾ x 18½").
A view looking towards Bournemouth, Dorsetshire, with St Peter's Church to the left and the sea to the right. [&] A view of Bath Road, Bournemouth; the original town baths on the right and Belle Vue Boarding House to the left. [&] A view looking south towards Bournemouth with St Peter's Church to the left and sailing boats seen out on the sea. [&] A view looking west towards Bournemouth from the other side of the bay with sailing ships and larger merchant vessels in the bay, a tall-ship's mast seen over the hill to the right. By Harriet Daniel.
[Ref: 25635] £650.00 view all images for this item
![Views of Bournemouth, Hants. From Sketches by H.D. [Harriet Daniel.]](jpegs/30847.jpg)
Views of Bournemouth, Hants. From Sketches by H.D. [Harriet Daniel.] The Profits will be in aid of the Funds for Schools and School-houses at Bournmouth.
Lithographed, Printed, and Published by Dickinson & Co., 114, New Bond Street, London. [n.d., c.1850.]
Oblong folio; title and four tinted lithographs with very large margins, loose in original printed wrappers. Scarce compete.
A view looking towards Bournemouth, Dorsetshire, with St Peter's Church to the left and the sea to the right. [&] A view of Bath Road, Bournemouth; the original town baths on the right and Belle Vue Boarding House to the left. [&] A view looking south towards Bournemouth with St Peter's Church to the left and sailing boats seen out on the sea. [&] A view looking west towards Bournemouth from the other side of the bay with sailing ships and larger merchant vessels in the bay, a tall-ship's mast seen over the hill to the right. After sketches by Harriet Daniel. Bournemouth was part of Hampshire until 1974.
Abbey: Scenery 51. For coloured copy see 25635.
[Ref: 30847] £800.00 view all images for this item
Lithographed, Printed, and Published by Dickinson & Co., 114, New Bond Street, London. [n.d., c.1850.]
Oblong folio; title and four tinted lithographs with very large margins, loose in original printed wrappers. Scarce compete.
A view looking towards Bournemouth, Dorsetshire, with St Peter's Church to the left and the sea to the right. [&] A view of Bath Road, Bournemouth; the original town baths on the right and Belle Vue Boarding House to the left. [&] A view looking south towards Bournemouth with St Peter's Church to the left and sailing boats seen out on the sea. [&] A view looking west towards Bournemouth from the other side of the bay with sailing ships and larger merchant vessels in the bay, a tall-ship's mast seen over the hill to the right. After sketches by Harriet Daniel. Bournemouth was part of Hampshire until 1974.
Abbey: Scenery 51. For coloured copy see 25635.
[Ref: 30847] £800.00 view all images for this item
![Views of Bournemouth, Hants. From Sketches by H.D. [Harriet Daniel.]](jpegs/61626.jpg)
Views of Bournemouth, Hants. From Sketches by H.D. [Harriet Daniel.] The Profits will be in aid of the Funds for Schools and School-houses at Bournmouth.
Lithographed, Printed, and Published by Dickinson & Co., 114, New Bond Street, London. [n.d., c.1850.]
Oblong folio; title and four hand-coloured lithographs with very large margins, in modern blue leather box. Scarce complete.
A view looking towards Bournemouth, Dorsetshire, with St Peter's Church to the left and the sea to the right. [&] A view of Bath Road, Bournemouth; the original town baths on the right and Belle Vue Boarding House to the left. [&] A view looking south towards Bournemouth with St Peter's Church to the left and sailing boats seen out on the sea. [&] A view looking west towards Bournemouth from the other side of the bay with sailing ships and larger merchant vessels in the bay, a tall-ship's mast seen over the hill to the right. After sketches by Harriet Daniel. Bournemouth was part of Hampshire until 1974.
Abbey: Scenery 51.
[Ref: 61626] £900.00 view all images for this item
Lithographed, Printed, and Published by Dickinson & Co., 114, New Bond Street, London. [n.d., c.1850.]
Oblong folio; title and four hand-coloured lithographs with very large margins, in modern blue leather box. Scarce complete.
A view looking towards Bournemouth, Dorsetshire, with St Peter's Church to the left and the sea to the right. [&] A view of Bath Road, Bournemouth; the original town baths on the right and Belle Vue Boarding House to the left. [&] A view looking south towards Bournemouth with St Peter's Church to the left and sailing boats seen out on the sea. [&] A view looking west towards Bournemouth from the other side of the bay with sailing ships and larger merchant vessels in the bay, a tall-ship's mast seen over the hill to the right. After sketches by Harriet Daniel. Bournemouth was part of Hampshire until 1974.
Abbey: Scenery 51.
[Ref: 61626] £900.00 view all images for this item
Porto do Estrella.
Dess d'ap nat. par Rugendas V. Adam del.
Lith. de Engelmann, rue du F. Montmartre No.6 [n.d., 1827-35]
Lithograph. Sheet 270 x 335mm. Trimmed into image on three sides.
A view on the quay of Porto Estrela, with boats being loaded from a mule train. From 'Voyage pittoresque au Brésil' (1827-35), a volume of lithographs after drawings by Johann Moritz Rugendas (1802-58). Rugendas, who came from a family including several notable artists, travelled to Brazil in 1821 as draughtsman with the Russian diplomat Baron de Langsdorff's scientific expedition. However, Rugendas left the expedition, discovering Brazil for himself and returning to Europe in 1825 with the extraordinary collection of drawings which provided the material for 'Voyage pittoresque'. Encouraged by the German scientist and explorer Alexander von Humboldt, Rugendas returned to Latin America in 1831, living until 1845 in Mexico and Chile with shorter stays in Argentina, Peru, Bolivia, and Uruguay, and drawing and painting prolifically throughout this time. He returned to Bavaria, where nearly 3000 drawings and paintings were acquired by the local government, but he then went back to live in Brazil between 1845 and 1846.
[Ref: 63339] £240.00 (£288.00 incl.VAT)
Dess d'ap nat. par Rugendas V. Adam del.
Lith. de Engelmann, rue du F. Montmartre No.6 [n.d., 1827-35]
Lithograph. Sheet 270 x 335mm. Trimmed into image on three sides.
A view on the quay of Porto Estrela, with boats being loaded from a mule train. From 'Voyage pittoresque au Brésil' (1827-35), a volume of lithographs after drawings by Johann Moritz Rugendas (1802-58). Rugendas, who came from a family including several notable artists, travelled to Brazil in 1821 as draughtsman with the Russian diplomat Baron de Langsdorff's scientific expedition. However, Rugendas left the expedition, discovering Brazil for himself and returning to Europe in 1825 with the extraordinary collection of drawings which provided the material for 'Voyage pittoresque'. Encouraged by the German scientist and explorer Alexander von Humboldt, Rugendas returned to Latin America in 1831, living until 1845 in Mexico and Chile with shorter stays in Argentina, Peru, Bolivia, and Uruguay, and drawing and painting prolifically throughout this time. He returned to Bavaria, where nearly 3000 drawings and paintings were acquired by the local government, but he then went back to live in Brazil between 1845 and 1846.
[Ref: 63339] £240.00 (£288.00 incl.VAT)
![[Military and slaves on boats, Rio de Janeiro coastline]](jpegs/45554.jpg)
[Military and slaves on boats, Rio de Janeiro coastline] Braia dos Mineiros à Rio-Janeiro
V. Adam del.t Dess d'ap nat. par Rugendas
Lith. de Engelmann, rue du F. Montmartre No.6 [1827-35]
Lithograph, printed area 260 x 330mm (10¼ x 13").
Stretch of Rio de Janeiro coastline formerly known as the 'Praia dos Mineiros'. Plate from 'Voyage pittoresque au Brésil' (1827-35), a volume of lithographs after drawings by Johann Moritz Rugendas (1802-58). Rugendas, who came from a family including several notable artists, travelled to Brazil in 1821 as draughtsman with the Russian diplomat Baron de Langsdorff’s scientific expedition. However, Rugendas left the expedition, discovering Brazil for himself and returning to Europe in 1825 with the extraordinary collection of drawings which provided the material for 'Voyage pittoresque'. Encouraged by the German scientist and explorer Alexander von Humboldt, Rugendas returned to Latin America in 1831, living until 1845 in Mexico and Chile with shorter stays in Argentina, Peru, Bolivia, and Uruguay, and drawing and painting prolifically throughout this time. He returned to Bavaria, where nearly 3000 drawings and paintings were acquired by the local government, but he then went back to live in Brazil between 1845 and 1846.
[Ref: 45554] £230.00 (£276.00 incl.VAT)
V. Adam del.t Dess d'ap nat. par Rugendas
Lith. de Engelmann, rue du F. Montmartre No.6 [1827-35]
Lithograph, printed area 260 x 330mm (10¼ x 13").
Stretch of Rio de Janeiro coastline formerly known as the 'Praia dos Mineiros'. Plate from 'Voyage pittoresque au Brésil' (1827-35), a volume of lithographs after drawings by Johann Moritz Rugendas (1802-58). Rugendas, who came from a family including several notable artists, travelled to Brazil in 1821 as draughtsman with the Russian diplomat Baron de Langsdorff’s scientific expedition. However, Rugendas left the expedition, discovering Brazil for himself and returning to Europe in 1825 with the extraordinary collection of drawings which provided the material for 'Voyage pittoresque'. Encouraged by the German scientist and explorer Alexander von Humboldt, Rugendas returned to Latin America in 1831, living until 1845 in Mexico and Chile with shorter stays in Argentina, Peru, Bolivia, and Uruguay, and drawing and painting prolifically throughout this time. He returned to Bavaria, where nearly 3000 drawings and paintings were acquired by the local government, but he then went back to live in Brazil between 1845 and 1846.
[Ref: 45554] £230.00 (£276.00 incl.VAT)
View of the Late Calamitous Wreck at Brentford, Occasioned by the bursting of the Banks & Locks on the Grand Junction Canal, On Saturday Night the 16th. Jany. 1841.
Day & Haghe, Lithrs. to the Queen.
Drawn, Lithographed & Pubd. by E. Wildman, 23. Jany. 1841.
Tinted lithograph, sheet 310 x 510mm. 12¼ x 20". Some foxing and surface soiling.
In 1841 boats wrecked at Brentford included two from Tipton (Staffs.) loaded with coal, two others from Tipton with coal and peas, two from Bloxwich (Staffs.) with hoop iron, and two from Stourbridge (Worcs.) with wheat. There were also three large coal barges at Brentford End, five large barges with wheat and linseed, and a barge with slate and stone from Nuneaton (Warws.); other craft came from Wolverhampton, Brierley Hill (Staffs.), and Tipton.
[Ref: 11552] £150.00 (£180.00 incl.VAT)
Day & Haghe, Lithrs. to the Queen.
Drawn, Lithographed & Pubd. by E. Wildman, 23. Jany. 1841.
Tinted lithograph, sheet 310 x 510mm. 12¼ x 20". Some foxing and surface soiling.
In 1841 boats wrecked at Brentford included two from Tipton (Staffs.) loaded with coal, two others from Tipton with coal and peas, two from Bloxwich (Staffs.) with hoop iron, and two from Stourbridge (Worcs.) with wheat. There were also three large coal barges at Brentford End, five large barges with wheat and linseed, and a barge with slate and stone from Nuneaton (Warws.); other craft came from Wolverhampton, Brierley Hill (Staffs.), and Tipton.
[Ref: 11552] £150.00 (£180.00 incl.VAT)
![[A Brig at Anchor].](jpegs/62625.jpg)
[A Brig at Anchor].
Seymour Haden. [in image].
1870.
Etching, 135 x 205mm (5¼ x 8¼"), with very large margins. Very faint foxing in margins.
View of a river bank, with a brig anchored at centre; a barge sailing towards the brig from the right; more sailing boats seen in the distance. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
[Ref: 62625] £65.00 (£78.00 incl.VAT)
Seymour Haden. [in image].
1870.
Etching, 135 x 205mm (5¼ x 8¼"), with very large margins. Very faint foxing in margins.
View of a river bank, with a brig anchored at centre; a barge sailing towards the brig from the right; more sailing boats seen in the distance. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
[Ref: 62625] £65.00 (£78.00 incl.VAT)
The Beach at Brighton, Sussex.
Drawn by H. Edridge. Engraved by George Cooke.
London, Published by John Murray, Albermarle Street, June 1, 1814.
Engraving. 235 x 291mm (9¼ x 11½").
A view along the beach at Brighton, Sussex with boats on the shore. Horses help pull a tall-masted ship onto the beach; men on the ramp pull a smaller boat up out of the water. From "Picturesque views on the Southern Coast of England".
Tate: T05284 (proof).
[Ref: 28508] £45.00 (£54.00 incl.VAT)
Drawn by H. Edridge. Engraved by George Cooke.
London, Published by John Murray, Albermarle Street, June 1, 1814.
Engraving. 235 x 291mm (9¼ x 11½").
A view along the beach at Brighton, Sussex with boats on the shore. Horses help pull a tall-masted ship onto the beach; men on the ramp pull a smaller boat up out of the water. From "Picturesque views on the Southern Coast of England".
Tate: T05284 (proof).
[Ref: 28508] £45.00 (£54.00 incl.VAT)
Suspension Chain Pier, Brighton.
This Splendid Structure was projected and Executed by Capt. S. Brown R.N. Drawn, Engraved, Printed & Publish'd by J.Bruce, 28 Middle St, Brighton.
Very fine coloured aquatint. 165 x 255mm. 6½ x 9¾". Large margins.
The Royal Suspension Chain Pier, with nine lines of description either side of the title. In the foreground are two wheeled bathing huts. Designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year.
Ford: Images of Brighton, 187.
[Ref: 21570] £160.00 (£192.00 incl.VAT)
This Splendid Structure was projected and Executed by Capt. S. Brown R.N. Drawn, Engraved, Printed & Publish'd by J.Bruce, 28 Middle St, Brighton.
Very fine coloured aquatint. 165 x 255mm. 6½ x 9¾". Large margins.
The Royal Suspension Chain Pier, with nine lines of description either side of the title. In the foreground are two wheeled bathing huts. Designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year.
Ford: Images of Brighton, 187.
[Ref: 21570] £160.00 (£192.00 incl.VAT)
![[The Chain Pier, Brighton.]](jpegs/24126.jpg)
[The Chain Pier, Brighton.]
Published by W.H. Mason. Repository fo Art. 81, King's Road, Brighton. [1841.]
Hand-coloured aquatint. 120 x 229mm. 4¾ x 9". Very fine colour.
A view of the beach and pier at Brighton, Sussex. People sitting and relaxing on the beach with boats on the ocean and a steamer in the background; men fishing just below the pier. From "Fashionable Handbook for Visitors to Brighton".
Ford: 282.
[Ref: 24126] £120.00 (£144.00 incl.VAT)
Published by W.H. Mason. Repository fo Art. 81, King's Road, Brighton. [1841.]
Hand-coloured aquatint. 120 x 229mm. 4¾ x 9". Very fine colour.
A view of the beach and pier at Brighton, Sussex. People sitting and relaxing on the beach with boats on the ocean and a steamer in the background; men fishing just below the pier. From "Fashionable Handbook for Visitors to Brighton".
Ford: 282.
[Ref: 24126] £120.00 (£144.00 incl.VAT)
Brighton Suspension Chain Pier. This brilliant specimem of modern architecture was projected & executed by Cap.n S. Brown R.N. its foundation consists of four clumps of piles, 258ft. distant driven nearly 8ft...The length of the esplanade to the beginning of the Pier, is 1250 ft. & along which carriages pals. Commened Oct.r 1822 openened to ye publick Nov. 1283. Estimated expence 30.000l/
Drawn, Engraved, Printed & Publish'd, by J. Bruce, Brighton.
[n.d. c.1824.]
Aquatint, paper watermarked, with very large margins: J Whatman 1823. 276 x 376mm (10¾ x 14¾"). Some creasing.
The Royal Suspension Chain Pier, designed by Captain Samuel Brown and built in 1823. It was primarily intended as a landing stage for packet boats to Dieppe, France.
Provenance: Hermitage Hexham. Ford 195.
[Ref: 30102] £180.00 (£216.00 incl.VAT)
Drawn, Engraved, Printed & Publish'd, by J. Bruce, Brighton.
[n.d. c.1824.]
Aquatint, paper watermarked, with very large margins: J Whatman 1823. 276 x 376mm (10¾ x 14¾"). Some creasing.
The Royal Suspension Chain Pier, designed by Captain Samuel Brown and built in 1823. It was primarily intended as a landing stage for packet boats to Dieppe, France.
Provenance: Hermitage Hexham. Ford 195.
[Ref: 30102] £180.00 (£216.00 incl.VAT)
Brighton Suspension Pier.
Drawn by Fox. Brighton.
Published by C. & R. Sickelmore, Printers &c. Kings Road [n.d., c.1827].
Fine aquatint. 200 x 415mm. 8 x 16¼", on paper watermarked 'J Whatman 1826'. Margin creased.
The Royal Suspension Chain Pier, designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year. Published in Sickelmore's 'Views of Brighton'.
Ford: Images of Brighton, 207; Abbey: Scenery 63.
[Ref: 21568] £160.00 (£192.00 incl.VAT)
Drawn by Fox. Brighton.
Published by C. & R. Sickelmore, Printers &c. Kings Road [n.d., c.1827].
Fine aquatint. 200 x 415mm. 8 x 16¼", on paper watermarked 'J Whatman 1826'. Margin creased.
The Royal Suspension Chain Pier, designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year. Published in Sickelmore's 'Views of Brighton'.
Ford: Images of Brighton, 207; Abbey: Scenery 63.
[Ref: 21568] £160.00 (£192.00 incl.VAT)
Brighton & The Chain Pier from the Pier Head.
Drawn & Lithog by C.W. Wing.
Published by Wm. Tuppen Royal Marine Library Brighton [n.d., c.1830].
Hand-coloured lithograph, sheet 225 x 350mm. 9 x 13¾". A generally good impression in fine, contemporary colour; glued to album page.
A group of male and female figures on the pier at Brighton, Sussex, with a few of the structure and the beach and town beyond. The Royal Suspension Chain Pier was designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year.
Ford 'Images of Brighton' 298.
[Ref: 23431] £140.00 (£168.00 incl.VAT)
Drawn & Lithog by C.W. Wing.
Published by Wm. Tuppen Royal Marine Library Brighton [n.d., c.1830].
Hand-coloured lithograph, sheet 225 x 350mm. 9 x 13¾". A generally good impression in fine, contemporary colour; glued to album page.
A group of male and female figures on the pier at Brighton, Sussex, with a few of the structure and the beach and town beyond. The Royal Suspension Chain Pier was designed by Capt. Samuel Brown and opened in 1823, costing £30,000. From 1825 steam packet boats offered excursions to the Isle of Wight from the pier. However the exposed nature of Brighton beach meant that the pier was damaged by storms in 1824, 1833 and 1836. It was overshadowed by the opening of the West Pier in 1866, and remained open until 1896, when a survey found the head was nearly seven feet off perpendicular. Another storm destroyed it later in the year.
Ford 'Images of Brighton' 298.
[Ref: 23431] £140.00 (£168.00 incl.VAT)
![[View of British Steam Vessels under Weigh.]](jpegs/25910.jpg)
[View of British Steam Vessels under Weigh.]
[Published by R Ackermann, 101 Strand, [London, 1820]
Coloured aquatint, unlettered. Sheet 369 x 540mm. 14½ x 21¼". Images cut and laid on separate sheet.
A view of British Steam Vessels under Weigh as Designed and Constructed by Barrodall Robert Dodd of Newcastle-Upon-Tyne. The paddle steamer on a pleasure trip in the centre of the image is surrounded by sailing barges, sailing boats and, in the foreground, a rowing boat. An inset shows the interior of the principal cabin of the main vessel; an American vessel to left for comparison purposes.
In the Sciencist & Society Picture Library.
[Ref: 25910] £360.00
[Published by R Ackermann, 101 Strand, [London, 1820]
Coloured aquatint, unlettered. Sheet 369 x 540mm. 14½ x 21¼". Images cut and laid on separate sheet.
A view of British Steam Vessels under Weigh as Designed and Constructed by Barrodall Robert Dodd of Newcastle-Upon-Tyne. The paddle steamer on a pleasure trip in the centre of the image is surrounded by sailing barges, sailing boats and, in the foreground, a rowing boat. An inset shows the interior of the principal cabin of the main vessel; an American vessel to left for comparison purposes.
In the Sciencist & Society Picture Library.
[Ref: 25910] £360.00
!['Sunset' Brixham [pencil.]](jpegs/27482.jpg)
'Sunset' Brixham [pencil.]
Francis Wells [pencil signature.]
[n.d., c.1930.]
Etching with aquatint, printed in colours. 225 x 300mm (9 x 11¾"). A fine impression, mint with large margins.
Fishing boats at Brixham, a picturesque fishing town at the southern end of Torbay on the south Devon coast. Francis Wells (exh. 1897-1938), portrait and landscape painter who studied at the Slade and Royal Academy Schools; lived Milton Abbas, Dorset.
[Ref: 27482] £120.00 (£144.00 incl.VAT)
Francis Wells [pencil signature.]
[n.d., c.1930.]
Etching with aquatint, printed in colours. 225 x 300mm (9 x 11¾"). A fine impression, mint with large margins.
Fishing boats at Brixham, a picturesque fishing town at the southern end of Torbay on the south Devon coast. Francis Wells (exh. 1897-1938), portrait and landscape painter who studied at the Slade and Royal Academy Schools; lived Milton Abbas, Dorset.
[Ref: 27482] £120.00 (£144.00 incl.VAT)