A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[The Temptation of St. Anthony]](jpegs/70018.jpg)
[The Temptation of St. Anthony]
[after David Teniers the younger.]
[n.d., c.1830.]
Scarce lithograph. Sheet 360 x 295mm (18 x 11¾"). Trimmed into image, losing all inscriptions. Repaired tears. Slight marks on saint's head.
St Anthony praying in a cave while a demon is trying to tempt him with a glass of wine, monstrous creatures all around. An adapted copy of the engaving by Jacques Philippe Le Bas (BM 1850,0713.32).
[Ref: 70018] £160.00 (£192.00 incl.VAT)
[after David Teniers the younger.]
[n.d., c.1830.]
Scarce lithograph. Sheet 360 x 295mm (18 x 11¾"). Trimmed into image, losing all inscriptions. Repaired tears. Slight marks on saint's head.
St Anthony praying in a cave while a demon is trying to tempt him with a glass of wine, monstrous creatures all around. An adapted copy of the engaving by Jacques Philippe Le Bas (BM 1850,0713.32).
[Ref: 70018] £160.00 (£192.00 incl.VAT)
![[St Jerome]](jpegs/70168.jpg)
[St Jerome] Taken from a very rare print by Marc Antonio.
Raphael inv.t. Strutt sculp.
[n.d., c.1800.]
Stipple with etching, printed in colours. Sheet 230 x 180mm (9 x 7"). Trimmed within plate, laid on album paper. Top left corner crease.
St Jerome kneeling before a crucifix planted in a tree trunk; holding a skull in his left hand. In the bottom left corner is a lion smiling at the viewer.
[Ref: 70168] £60.00 (£72.00 incl.VAT)
Raphael inv.t. Strutt sculp.
[n.d., c.1800.]
Stipple with etching, printed in colours. Sheet 230 x 180mm (9 x 7"). Trimmed within plate, laid on album paper. Top left corner crease.
St Jerome kneeling before a crucifix planted in a tree trunk; holding a skull in his left hand. In the bottom left corner is a lion smiling at the viewer.
[Ref: 70168] £60.00 (£72.00 incl.VAT)
![[St Jerome?]](jpegs/70169.jpg)
[St Jerome?] [Seretur Exemplar in Ædib. Prænobilis Jacobi Comitis Derbiensis &c.]
[Rembrandt pinx.t. H. Winstanley fecit Knowsley 1728.]
Etching. Sheet 170 x 160mm (6¾ x 6¼"). Trimmed into image, laid on album paper.
A bearded saint sitting at a table, reading a book, one hand resting on a skull. From a painting in the Earl of Derby's collection at Knowsley Hall, either by or attributed to Rembrandt, now lost.
BM 1851,0208.289.
[Ref: 70169] £120.00 (£144.00 incl.VAT)
[Rembrandt pinx.t. H. Winstanley fecit Knowsley 1728.]
Etching. Sheet 170 x 160mm (6¾ x 6¼"). Trimmed into image, laid on album paper.
A bearded saint sitting at a table, reading a book, one hand resting on a skull. From a painting in the Earl of Derby's collection at Knowsley Hall, either by or attributed to Rembrandt, now lost.
BM 1851,0208.289.
[Ref: 70169] £120.00 (£144.00 incl.VAT)
Joan of Arc, After rendering the most signal services to her Prince & People, is suffered to die a martyr in their cause.
Painted by W. Etty, R.A. Engraved by C.W. Wass, Engraver to H.R.H. The Duchess of Cambridge.
London: Published Aug.t 20.th 1866, by A.J. Isaacs, 56, Bishopsgate St. Within. Entered According to Act of Congress in the Year 1851, by W. Schaus, in the Clerk's Office of the Disctrivct Court of the United States for the Sothern District of New York.
Scarce mixed method engraving. Sheet 695 x 480mm (27¼ x 19"). Trimmed within plate, slight staining.
Having been convicted of herecy, Joan of Arc is shown on the pyre, in front of half-timbered town houses, clasping a cross, looking up to the right where a dove flies upwards, with a Franciscan monk standing on the right holding up a crucifix. First published in 1851.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 70163] £320.00
Painted by W. Etty, R.A. Engraved by C.W. Wass, Engraver to H.R.H. The Duchess of Cambridge.
London: Published Aug.t 20.th 1866, by A.J. Isaacs, 56, Bishopsgate St. Within. Entered According to Act of Congress in the Year 1851, by W. Schaus, in the Clerk's Office of the Disctrivct Court of the United States for the Sothern District of New York.
Scarce mixed method engraving. Sheet 695 x 480mm (27¼ x 19"). Trimmed within plate, slight staining.
Having been convicted of herecy, Joan of Arc is shown on the pyre, in front of half-timbered town houses, clasping a cross, looking up to the right where a dove flies upwards, with a Franciscan monk standing on the right holding up a crucifix. First published in 1851.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 70163] £320.00
![[St Jude] S.t Thadaeus.](jpegs/70167.jpg)
[St Jude] S.t Thadaeus.
[William Faithhorne & James Collins?]
[London, n.d., c.1693.]
Engraving, with terracotta wash. Sheet 205 x 140mm (8 x 5½"). Trimmed to image, title excised and pasted below, laid on album paper.
A profile portrait of St Jude (Thaddeus in Latin), cousin of Christ, holding a book and set square. The panel top right, showing his martyrdom, is signed 'JC', possibly James Collins. Top right corner devils in the sky. From 'The Life of our Blessed Lord & Saviour Jesus Christ: An Heroic Poem'.
[Ref: 70167] £80.00 (£96.00 incl.VAT)
[William Faithhorne & James Collins?]
[London, n.d., c.1693.]
Engraving, with terracotta wash. Sheet 205 x 140mm (8 x 5½"). Trimmed to image, title excised and pasted below, laid on album paper.
A profile portrait of St Jude (Thaddeus in Latin), cousin of Christ, holding a book and set square. The panel top right, showing his martyrdom, is signed 'JC', possibly James Collins. Top right corner devils in the sky. From 'The Life of our Blessed Lord & Saviour Jesus Christ: An Heroic Poem'.
[Ref: 70167] £80.00 (£96.00 incl.VAT)
![[The Last Judgement]](jpegs/70243.jpg)
[The Last Judgement]
H. Wirix scul [after Michelangelo].
Johan van Weely excud [n.d., c.1600].
Engraving, sheet 310 x 230mm (12¼ x 9"). Collector's ink stamp of Heinrich Kaspar Lempert on verso. Trimmed to plate, tears with old repairs. Damaged, some loss in margins.
The Last Judgement, with Christ in the centre, people below being forced from a boat into hell. After Michelangelo's fresco in the Sistine Chapel of the Vatican. First published by Aper van der Hoeven c.1573. Hieronymus Wierix (1553–1619) was a Flemish engraver, draughtsman and publisher, best known for his reproductive engravings after works by prominent artists. Alongside other members of the Wierix family of engravers, he played an important role in promoting Netherlandish art abroad. Regarded as a child prodigy, Hieronymus began engraving in 1565, aged eleven, and produced accomplished copies after Dürer the following year.
L.1337.
[Ref: 70243] £580.00
H. Wirix scul [after Michelangelo].
Johan van Weely excud [n.d., c.1600].
Engraving, sheet 310 x 230mm (12¼ x 9"). Collector's ink stamp of Heinrich Kaspar Lempert on verso. Trimmed to plate, tears with old repairs. Damaged, some loss in margins.
The Last Judgement, with Christ in the centre, people below being forced from a boat into hell. After Michelangelo's fresco in the Sistine Chapel of the Vatican. First published by Aper van der Hoeven c.1573. Hieronymus Wierix (1553–1619) was a Flemish engraver, draughtsman and publisher, best known for his reproductive engravings after works by prominent artists. Alongside other members of the Wierix family of engravers, he played an important role in promoting Netherlandish art abroad. Regarded as a child prodigy, Hieronymus began engraving in 1565, aged eleven, and produced accomplished copies after Dürer the following year.
L.1337.
[Ref: 70243] £580.00
Sancta Maria Magdalena.
C. Smith pinx: J Smith fec: & excud:
[n.d., c.1691.]
Mezzotint, 17th century watermark; 340 x 260mm (13½ x 10¼"), large margins. Creasing in centre. Light time staining.
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
CS 287. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 70081] £160.00 (£192.00 incl.VAT)
C. Smith pinx: J Smith fec: & excud:
[n.d., c.1691.]
Mezzotint, 17th century watermark; 340 x 260mm (13½ x 10¼"), large margins. Creasing in centre. Light time staining.
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
CS 287. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 70081] £160.00 (£192.00 incl.VAT)
Sancta Maria Magdalena.
C. Smith pinx: J Smith fec: & excud:
[n.d., c.1691.]
Mezzotint, 17th century watermark; 340 x 260mm (13½ x 10¼"). Small margins. tear going into plate on plate.
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
CS 287. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 70082] £160.00 (£192.00 incl.VAT)
C. Smith pinx: J Smith fec: & excud:
[n.d., c.1691.]
Mezzotint, 17th century watermark; 340 x 260mm (13½ x 10¼"). Small margins. tear going into plate on plate.
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
CS 287. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 70082] £160.00 (£192.00 incl.VAT)
Sancta Maria Magdalena.
C. Smith pinx: J Smith fec: & excud:
[n.d., c.1691.]
Mezzotint, sheet 340 x 260mm (13½ x 10¼"). Trimmed within plate at bottom, thread margins elsewhere; small hole top left margin.
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
CS 287. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 70083] £180.00 (£216.00 incl.VAT)
C. Smith pinx: J Smith fec: & excud:
[n.d., c.1691.]
Mezzotint, sheet 340 x 260mm (13½ x 10¼"). Trimmed within plate at bottom, thread margins elsewhere; small hole top left margin.
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
CS 287. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 70083] £180.00 (£216.00 incl.VAT)
A paradice for fools; - a nocturnal trip- or- the disciple of Johanna benighted- vide Scourge N° xxxvi. Page 510.
[Charles Williams]
Pubd Septr 1st 1814 by W, N, Jones N.o 5 Newgate Street.
Etching with fine hand-coloured aquatint, sheet 215 x 530mm (8½ x 20¾"). Trimmed within plate. Damaged. Loss and tear bottom right.
Plate from the 'Scourge', viii. 161. A sequence of three designs mocking the prophecies and followers of Joanna Southcott (1750–1814), who claimed to receive divine revelations and attracted a large following in the early 19th century. ‘The Summons to Paradise’. A man, woman and child look from a first-floor window as a man draped in a sheet and riding a braying, rose-wreathed ass declares himself the “holy angel” sent by Johanna Southcott to conduct the woman to heaven. Her husband looks on in confusion, while she joyfully believes the prophecy fulfilled. A startled man holding a candle remarks, “He be a Mortal rum looking Angel!”, while a woman peers from the doorway and a cat watches from a wall. ‘The Set-down’. The fat woman, in stays, petticoat and nightcap, kneels in a country lane as the man on the ass rides away, telling her that another heavenly messenger will soon arrive. An owl approaches, calling “Hoo Noo Noo ooo”. Frightened and alone, she begins to suspect Johanna is an impostor and wishes she were home. The Return to Reason’. The woman begs her husband to let her in, but he insists she has already gone to heaven on one of Johanna’s spiritual donkeys. Their child calls for “Mummy”, while the man from the first scene tests the woman with a pitchfork, declaring, “I'll soon knaw if it be flesh and blood Measter!!” His wife intervenes, concluding that Johanna has cheated her, and adds that their boy shall not be named Shilah John.
BM Satires 12331.
[Ref: 70097] £180.00 (£216.00 incl.VAT)
[Charles Williams]
Pubd Septr 1st 1814 by W, N, Jones N.o 5 Newgate Street.
Etching with fine hand-coloured aquatint, sheet 215 x 530mm (8½ x 20¾"). Trimmed within plate. Damaged. Loss and tear bottom right.
Plate from the 'Scourge', viii. 161. A sequence of three designs mocking the prophecies and followers of Joanna Southcott (1750–1814), who claimed to receive divine revelations and attracted a large following in the early 19th century. ‘The Summons to Paradise’. A man, woman and child look from a first-floor window as a man draped in a sheet and riding a braying, rose-wreathed ass declares himself the “holy angel” sent by Johanna Southcott to conduct the woman to heaven. Her husband looks on in confusion, while she joyfully believes the prophecy fulfilled. A startled man holding a candle remarks, “He be a Mortal rum looking Angel!”, while a woman peers from the doorway and a cat watches from a wall. ‘The Set-down’. The fat woman, in stays, petticoat and nightcap, kneels in a country lane as the man on the ass rides away, telling her that another heavenly messenger will soon arrive. An owl approaches, calling “Hoo Noo Noo ooo”. Frightened and alone, she begins to suspect Johanna is an impostor and wishes she were home. The Return to Reason’. The woman begs her husband to let her in, but he insists she has already gone to heaven on one of Johanna’s spiritual donkeys. Their child calls for “Mummy”, while the man from the first scene tests the woman with a pitchfork, declaring, “I'll soon knaw if it be flesh and blood Measter!!” His wife intervenes, concluding that Johanna has cheated her, and adds that their boy shall not be named Shilah John.
BM Satires 12331.
[Ref: 70097] £180.00 (£216.00 incl.VAT)