A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![Principal Front of the Bank of England [&] View of the West Quadrangle at the Bank of England with the Court Room.](jpegs/68919.jpg)
Principal Front of the Bank of England [&] View of the West Quadrangle at the Bank of England with the Court Room. Designed by Sir Rob.t Taylor.
Drawn and Engav'd by T. Malton.
Publish'd as the Act directs Jan: 1.st 1790 by M.A. Taylor.
Pair of etchings with aquatint. Sheets 400 x 525mm (15¾ x 20¾"). On 18th century watermarked paper. Trimmed within plate. 'Principal' laid on archival paper. Faint mountburn.
Two views of the Bank of England as designed by English architect and sculptor, Sir Robert Taylor (1714 -88).
[Ref: 68919] £950.00 view all images for this item
Drawn and Engav'd by T. Malton.
Publish'd as the Act directs Jan: 1.st 1790 by M.A. Taylor.
Pair of etchings with aquatint. Sheets 400 x 525mm (15¾ x 20¾"). On 18th century watermarked paper. Trimmed within plate. 'Principal' laid on archival paper. Faint mountburn.
Two views of the Bank of England as designed by English architect and sculptor, Sir Robert Taylor (1714 -88).
[Ref: 68919] £950.00 view all images for this item
![Blackfriars Bridge [in pencil].](jpegs/68923.jpg)
Blackfriars Bridge [in pencil].
Sketched by Malton. [in pencil]
[n.d. c.1790]
Pencil drawing, sheet 465 x 415mm (18¼ x 16¼"). Laid on backing sheet.
Possibly a rare unpublished sketch by Thomas Malton of part of the underneath of Blackfriars Bridge. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
Ex: Gardner Colection.
[Ref: 68923] £650.00
Sketched by Malton. [in pencil]
[n.d. c.1790]
Pencil drawing, sheet 465 x 415mm (18¼ x 16¼"). Laid on backing sheet.
Possibly a rare unpublished sketch by Thomas Malton of part of the underneath of Blackfriars Bridge. Thomas Malton (1748 - 1804) was an architectural watercolourist and teacher of Thomas Girtin and Joseph Mallord William Turner; also an aquatinter, notably after his own designs of London views.
Ex: Gardner Colection.
[Ref: 68923] £650.00
Buckingham Palace.
E. Walker, Del et Lith. Day & Son, Lithrs. to the Queen.
London, Published May 1st 1852, by Mess.rs Lloyd Brothers & Co., 22 Ludgate Hill.
Hand-coloured lithograph, sheet 385 x 495mm (15 x 19½"). Foxing. Repaired tears to edges.
The principal façade, the East Front, of Buckingham Palace, figures watching the guard marching in foreground. The palace was designed by Edward Blore and built by Thomas Cubitt, completed in 1850. Buckingham House, the building which forms the core of today's Buckingham Palace, was a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761 as a private residence, known as "The Queen's House". It was enlarged over the next 75 years, and Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
Abbey Scenery 247, 1.
[Ref: 68804] £360.00
E. Walker, Del et Lith. Day & Son, Lithrs. to the Queen.
London, Published May 1st 1852, by Mess.rs Lloyd Brothers & Co., 22 Ludgate Hill.
Hand-coloured lithograph, sheet 385 x 495mm (15 x 19½"). Foxing. Repaired tears to edges.
The principal façade, the East Front, of Buckingham Palace, figures watching the guard marching in foreground. The palace was designed by Edward Blore and built by Thomas Cubitt, completed in 1850. Buckingham House, the building which forms the core of today's Buckingham Palace, was a large townhouse built for the Duke of Buckingham in 1703 and acquired by George III in 1761 as a private residence, known as "The Queen's House". It was enlarged over the next 75 years, and Buckingham Palace finally became the official royal palace of the British monarch on the accession of Queen Victoria in 1837. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
Abbey Scenery 247, 1.
[Ref: 68804] £360.00
![[Cambridge] Jesus College from the Close.](jpegs/68987.jpg)
[Cambridge] Jesus College from the Close.
W. Westall del.t. J. Stadler sculp.t.
London, Pub.d Aug.t 1. 1815, at 101 Strand, for R. Ackermann's History of Cambridge.
Aquatint with fine hand colour. 255 x 300mm (10 x 11¾"). Light staining in margins.
Abbey Scenery 79.
[Ref: 68987] £190.00 (£228.00 incl.VAT)
W. Westall del.t. J. Stadler sculp.t.
London, Pub.d Aug.t 1. 1815, at 101 Strand, for R. Ackermann's History of Cambridge.
Aquatint with fine hand colour. 255 x 300mm (10 x 11¾"). Light staining in margins.
Abbey Scenery 79.
[Ref: 68987] £190.00 (£228.00 incl.VAT)
Scholae Publicae et Bibliotheca Univer. Cantabr.
David Loggan.
[n.d., c.1690.]
Engraving. 355 x 410mm (14 x 16""), with large margins. Central crease where previously folded. Staining where crease has been reinforced. Tear in top margin just touching the plate mark. Printers crease.
An elevated view showing the courtyard. From 'Cantabrigia illustrata' by David Loggan (1634-92).
[Ref: 68940] £380.00
David Loggan.
[n.d., c.1690.]
Engraving. 355 x 410mm (14 x 16""), with large margins. Central crease where previously folded. Staining where crease has been reinforced. Tear in top margin just touching the plate mark. Printers crease.
An elevated view showing the courtyard. From 'Cantabrigia illustrata' by David Loggan (1634-92).
[Ref: 68940] £380.00
![Chairing Cross [in ink].](jpegs/68917.jpg)
Chairing Cross [in ink].
T. Malton fecit.
[Published Feb: 25, 1795 by T. Malton.]
Rare scratched proof etching with aquatint and fine hand-colour. Plate 380 x 530mm (15 x 20¾"). Faint mountburn. Light staining. Left corner torn. Thread margins.
Illustration to Malton's 'Picturesque Tour.' A view of Charing Cross looking toward Northumberland House. In the right foreground stands the equestrian statue of Charles I on a raised plinth enclosed by iron railings, with people lounging around its base, while a coach passes on the left.
[Ref: 68917] £420.00
T. Malton fecit.
[Published Feb: 25, 1795 by T. Malton.]
Rare scratched proof etching with aquatint and fine hand-colour. Plate 380 x 530mm (15 x 20¾"). Faint mountburn. Light staining. Left corner torn. Thread margins.
Illustration to Malton's 'Picturesque Tour.' A view of Charing Cross looking toward Northumberland House. In the right foreground stands the equestrian statue of Charles I on a raised plinth enclosed by iron railings, with people lounging around its base, while a coach passes on the left.
[Ref: 68917] £420.00
![[Dedham Vale.]](jpegs/63654.jpg)
[Dedham Vale.]
Painted by John Constable, Esq.r R.A. Engraved by David Lucas.
[1834.]
Mezzotint, progress proof before letters, 580 x 495mm (23 x 19½"). Slight cockling of paper on right. Few old minor repairs. Laid on card.
Extremely rare and unique view looking through trees to a river winding through fields to a town with a church tower in the distance.
Shirley 40.
[Ref: 63654] £2,500.00
Painted by John Constable, Esq.r R.A. Engraved by David Lucas.
[1834.]
Mezzotint, progress proof before letters, 580 x 495mm (23 x 19½"). Slight cockling of paper on right. Few old minor repairs. Laid on card.
Extremely rare and unique view looking through trees to a river winding through fields to a town with a church tower in the distance.
Shirley 40.
[Ref: 63654] £2,500.00
![[Six Views of London] To George Dance Esquire R.A., Architect to the City of London, &c. These Six Views of the Metropolis of the British Empire](jpegs/68490.jpg)
[Six Views of London] To George Dance Esquire R.A., Architect to the City of London, &c. These Six Views of the Metropolis of the British Empire are respectfully dedicated by William Daniell. London January 1st 1805. [with] London from Greewich Park. Plate I. [&] London. Plate II. [&] London. Plate III. [&] London. Plate IV. [&] London. Plate V.
Drawn, Engraved & Published by William Daniell. N.º 9 Cleveland Street, Fitzroy Square, London June 1st 1804 [ - Jan.y 1, 1805].
Set of six aquatints in original hand colour, each 470 x 750mm (18½ x 29½"). Title supplied in facsimile, contained in custom green half morocco box with etched title label. Paper lightly toned, ink collector's stamp in inscription area of each plate. Plate VI with tear through title into image repaired.
A set of six large aquatinted views of London by William Daniell (1769-1837), with only the first plate with a descriptive title. Plate II shows the Tower of London and the Pool of London; III shows London Bridge, The Monument and St Paul's Cathedral; IV shows St Paul's and the Thames to Blackfriars Bridge; V shows Somerset House; and VI shows Westminster Abbey, Westminster Bridge and the old Houses of Parliament from the terrace of Somerset House. The set is remarkable for being pure aquatint, without any line engraving or etching, a testament to the skill of Daniell as an aquatinter.
Provenance: Sir W.A. Fraser (1826-1898), Lugt 2380. Possibly his sale, Christie's, London, 3rd and 4th December 1990.
[Ref: 68490] £5,900.00 view all images for this item
Drawn, Engraved & Published by William Daniell. N.º 9 Cleveland Street, Fitzroy Square, London June 1st 1804 [ - Jan.y 1, 1805].
Set of six aquatints in original hand colour, each 470 x 750mm (18½ x 29½"). Title supplied in facsimile, contained in custom green half morocco box with etched title label. Paper lightly toned, ink collector's stamp in inscription area of each plate. Plate VI with tear through title into image repaired.
A set of six large aquatinted views of London by William Daniell (1769-1837), with only the first plate with a descriptive title. Plate II shows the Tower of London and the Pool of London; III shows London Bridge, The Monument and St Paul's Cathedral; IV shows St Paul's and the Thames to Blackfriars Bridge; V shows Somerset House; and VI shows Westminster Abbey, Westminster Bridge and the old Houses of Parliament from the terrace of Somerset House. The set is remarkable for being pure aquatint, without any line engraving or etching, a testament to the skill of Daniell as an aquatinter.
Provenance: Sir W.A. Fraser (1826-1898), Lugt 2380. Possibly his sale, Christie's, London, 3rd and 4th December 1990.
[Ref: 68490] £5,900.00 view all images for this item
East India House.
T.H. Shepherd Del.t. J.C. Stadler Sculp.t.
London, Published June 1.st 1817, at R. Ackermann's Repository of the Arts, N.o 101 Strand.
Etching with aquatint and hand-colour, and large margins. Laid on archival paper. Slight mountburn.
A view across the façade of East India House on Leadenhall Street, looking toward Aldgate; the street is bustling with a mix of figures, including soldiers, street traders, and gentlemen. A large cart stands to the left, while a carriage occupies the central foreground.
[Ref: 68986] £620.00
T.H. Shepherd Del.t. J.C. Stadler Sculp.t.
London, Published June 1.st 1817, at R. Ackermann's Repository of the Arts, N.o 101 Strand.
Etching with aquatint and hand-colour, and large margins. Laid on archival paper. Slight mountburn.
A view across the façade of East India House on Leadenhall Street, looking toward Aldgate; the street is bustling with a mix of figures, including soldiers, street traders, and gentlemen. A large cart stands to the left, while a carriage occupies the central foreground.
[Ref: 68986] £620.00
A View of Edinburgh.
Slack sc.
[n.d., c. 1800.]
Engraving, 200 x 275mm (8 x 10¾"), with large margins.
A view of Edinburgh Castle, in the foreground a group of young men or boys play a ball game, either golf or shinty, with long bats while figures watch from a hill.
[Ref: 68718] £190.00 (£228.00 incl.VAT)
Slack sc.
[n.d., c. 1800.]
Engraving, 200 x 275mm (8 x 10¾"), with large margins.
A view of Edinburgh Castle, in the foreground a group of young men or boys play a ball game, either golf or shinty, with long bats while figures watch from a hill.
[Ref: 68718] £190.00 (£228.00 incl.VAT)
S.T Dunstans & c. Fleet Street.
T.S.Boys Del et Lith.
[London, T.S. Boys, 1842.]
Tinted lithograph with fine hand-colour. Sheet 530 x 375mm, (21 x 14½").
A view of the new church on Fleet Street, with Temple Bar closing off the scene to the left; in the left foreground, two men hoist a heavy crate onto a cart bearing the sign “T. S. Boys, Goods Removed, Town and Country.” From Thomas Shotter Boys' 'London As It Is".
Abbey Scenery 239.23.
[Ref: 68973] £460.00
T.S.Boys Del et Lith.
[London, T.S. Boys, 1842.]
Tinted lithograph with fine hand-colour. Sheet 530 x 375mm, (21 x 14½").
A view of the new church on Fleet Street, with Temple Bar closing off the scene to the left; in the left foreground, two men hoist a heavy crate onto a cart bearing the sign “T. S. Boys, Goods Removed, Town and Country.” From Thomas Shotter Boys' 'London As It Is".
Abbey Scenery 239.23.
[Ref: 68973] £460.00
London from Greenwich.
T.S.Boys Del et Lithog.
[London, T.S. Boys, 1843.]
Tinted lithograph, sheet 365 x 545mm, (14½ x 21½"). Faint mountburn.
A view of London from beside the Observatory, past Greenwich Hospital, from Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 68925] £350.00
T.S.Boys Del et Lithog.
[London, T.S. Boys, 1843.]
Tinted lithograph, sheet 365 x 545mm, (14½ x 21½"). Faint mountburn.
A view of London from beside the Observatory, past Greenwich Hospital, from Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 68925] £350.00
The Horseguards &c. From St. James's Park.
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Lithograph with fine hand-colour. Sheet 340 x 535mm (13½ x 21"). Left margin corner torn.
View of the Horseguards, from the south side of the lake in St James's Park, from Thomas Shotter Boys' 'London As It Is". Other landmarks are the Duke of York's Column, the Spire of St Martin's-in-the-Fields and the vague outline of dome of St Paul's Cathedral.
Abbey: 240.
[Ref: 68924] £650.00
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Lithograph with fine hand-colour. Sheet 340 x 535mm (13½ x 21"). Left margin corner torn.
View of the Horseguards, from the south side of the lake in St James's Park, from Thomas Shotter Boys' 'London As It Is". Other landmarks are the Duke of York's Column, the Spire of St Martin's-in-the-Fields and the vague outline of dome of St Paul's Cathedral.
Abbey: 240.
[Ref: 68924] £650.00
Isle de Wight, Dressés sur les Derniers Memoires.
H. van Loon Sculp.
A paris chez N:de Fer dans l'Ille du Palais sur le Quay de l'Orloge a la Sphere Royale. Avec Priv. du Roy [n.d., 1715].
Engraved map, 18th century watermark. Sheet 395 x 315mm (13½ x 12½"). Trimmed into plate at bottom, narrow margins elsewhere, left edge with chips and tears, reinforced on reverse, fold. Time stained.
A map of the Isle of Wight and the mainland coasts, with inset maps of the Scilly Isles and Torbay. The map was engraved by Harmanus van Loon and originally published in 1705 as part of the "Atlas Curieux".
[Ref: 68950] £260.00
H. van Loon Sculp.
A paris chez N:de Fer dans l'Ille du Palais sur le Quay de l'Orloge a la Sphere Royale. Avec Priv. du Roy [n.d., 1715].
Engraved map, 18th century watermark. Sheet 395 x 315mm (13½ x 12½"). Trimmed into plate at bottom, narrow margins elsewhere, left edge with chips and tears, reinforced on reverse, fold. Time stained.
A map of the Isle of Wight and the mainland coasts, with inset maps of the Scilly Isles and Torbay. The map was engraved by Harmanus van Loon and originally published in 1705 as part of the "Atlas Curieux".
[Ref: 68950] £260.00
London Bridge, from above Bridge.
E.Walker Del. _W.Simpson Lith. Day & Son Lith.rs to the Queen.
London, Published May 1st 1852 by Mess.rs Lloyd, Brothers & Co. 22 Ludgate Hill.
Hand-coloured lithograph, sheet 400 x 540mm (15 3/4 x 21¼"). Chips to edges of paper at top.
View of London Bridge with boats on the River Thames. In the foreground there are boats moored on the south bank, with the river at low tide. From a series of views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes a folio of 12 titled 'Views of the Principal Buildings in London'.
See Abbey Scenery 247, 6. See Guildhall Library Record 4991.
[Ref: 68807] £480.00
E.Walker Del. _W.Simpson Lith. Day & Son Lith.rs to the Queen.
London, Published May 1st 1852 by Mess.rs Lloyd, Brothers & Co. 22 Ludgate Hill.
Hand-coloured lithograph, sheet 400 x 540mm (15 3/4 x 21¼"). Chips to edges of paper at top.
View of London Bridge with boats on the River Thames. In the foreground there are boats moored on the south bank, with the river at low tide. From a series of views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes a folio of 12 titled 'Views of the Principal Buildings in London'.
See Abbey Scenery 247, 6. See Guildhall Library Record 4991.
[Ref: 68807] £480.00
New Palace Yard.
T. Malton delin.t & fecit.
Publish'd as the Act directs May 28. 1782 by T. Malton N.o8 Carlisle Street. Soho.
Etching with aquatint and fine hand-colour. Sheet 360 x 495mm (14¼ x 19½"). Trimmed within plate. Laid on card repairing damage.
A view of New Palace Yard, with Westminster Hall on the left and the Abbey visible above the adjoining buildings in the centre. Carriages and pedestrians fill the street, including three men dressed in wigs and black robes.
[Ref: 68918] £450.00
T. Malton delin.t & fecit.
Publish'd as the Act directs May 28. 1782 by T. Malton N.o8 Carlisle Street. Soho.
Etching with aquatint and fine hand-colour. Sheet 360 x 495mm (14¼ x 19½"). Trimmed within plate. Laid on card repairing damage.
A view of New Palace Yard, with Westminster Hall on the left and the Abbey visible above the adjoining buildings in the centre. Carriages and pedestrians fill the street, including three men dressed in wigs and black robes.
[Ref: 68918] £450.00
![[Newgate Prison.]](jpegs/68939.jpg)
[Newgate Prison.] Prisoners stopping at the Baptist's Head in St.John's Lane, on the day of removal from the New-Prison to Newgate.
Dodd delin. T.Smith sculp.
[n.d., c.1780.]
Engraving. Sheet 210 x 130mm (8¼ x 5"). Small margins.
A scene depicting the Old Baptist’s Head on St John’s Lane, a notorious midway stop for prisoners being transferred from the New Prison in Clerkenwell to Newgate Prison in the late eighteenth century. At this location, prisoners, often including children convicted of offences, were permitted a final drink (a quart, two pints) or brief refreshment.
[Ref: 68939] £160.00 (£192.00 incl.VAT)
Dodd delin. T.Smith sculp.
[n.d., c.1780.]
Engraving. Sheet 210 x 130mm (8¼ x 5"). Small margins.
A scene depicting the Old Baptist’s Head on St John’s Lane, a notorious midway stop for prisoners being transferred from the New Prison in Clerkenwell to Newgate Prison in the late eighteenth century. At this location, prisoners, often including children convicted of offences, were permitted a final drink (a quart, two pints) or brief refreshment.
[Ref: 68939] £160.00 (£192.00 incl.VAT)
Norham Castle on the Tweed. P.
Drawn & Etched by J.M.W. Turner. Engraved by C. Turner.
Publish'd Jan. 1, 1816 by J.M.W. Turner, Queen Anne Street West.
Mezzotint and etching, printed in sepia, first published state. 210 x 290mm (8¼ x 11½""), large margins.
A view of the ruined castle, nearly silhouetted by the sun. Boats and cows are in the river in the foreground. From the 'Liber Studiorum".
Rawlinson 57.
[Ref: 68957] £320.00
Drawn & Etched by J.M.W. Turner. Engraved by C. Turner.
Publish'd Jan. 1, 1816 by J.M.W. Turner, Queen Anne Street West.
Mezzotint and etching, printed in sepia, first published state. 210 x 290mm (8¼ x 11½""), large margins.
A view of the ruined castle, nearly silhouetted by the sun. Boats and cows are in the river in the foreground. From the 'Liber Studiorum".
Rawlinson 57.
[Ref: 68957] £320.00
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Old Palace Yard from Margaret Street.
T. Malton delin.t & fecit.
Publish'd as the Act directs, May 28. 1782 by T. Malton, N.o 8 Carlisle Street, Soho.
Etching with aquatint. Plate 370 x 505mm (14½ x 19¾"), with large margins. Laid on board. Tears to margins.
A view along a Westminster street looking toward Old Palace Yard, flanked by grand buildings on either side. Two carriages travel along the road, while a sedan chair sits on the pavement to the left, with other elegantly dressed figures gathered on both sides.
[Ref: 68921] £720.00
T. Malton delin.t & fecit.
Publish'd as the Act directs, May 28. 1782 by T. Malton, N.o 8 Carlisle Street, Soho.
Etching with aquatint. Plate 370 x 505mm (14½ x 19¾"), with large margins. Laid on board. Tears to margins.
A view along a Westminster street looking toward Old Palace Yard, flanked by grand buildings on either side. Two carriages travel along the road, while a sedan chair sits on the pavement to the left, with other elegantly dressed figures gathered on both sides.
[Ref: 68921] £720.00
Piccadilly, looking towards the City.
[T.S.Boys Del et Lith.]
[London, T.S. Boys, 1843.]
Tinted lithograph with fine hand-colour, image 315 x 430mm. (12½ x 17"). Trimmed to image and laid on board. Foxing. 1st state as issued.
Piccadilly looking east from the corner of Old Bond Street. In the centre of the road are roadworks, with sections of water pipes being laid. In the sky are two hot air balloons. To the right is the famous Egyptian Hall, showing the exhibition of Catlin's paintings of American Indians. It was from this address that Catlin published his "Catlin's North American Indian Portfolio" in 1844. Published in Thomas Shotter Boys' 'London As It Is".
Abbey: 240. See [Ref: 68977] for one without colour.
[Ref: 68978] £330.00
[T.S.Boys Del et Lith.]
[London, T.S. Boys, 1843.]
Tinted lithograph with fine hand-colour, image 315 x 430mm. (12½ x 17"). Trimmed to image and laid on board. Foxing. 1st state as issued.
Piccadilly looking east from the corner of Old Bond Street. In the centre of the road are roadworks, with sections of water pipes being laid. In the sky are two hot air balloons. To the right is the famous Egyptian Hall, showing the exhibition of Catlin's paintings of American Indians. It was from this address that Catlin published his "Catlin's North American Indian Portfolio" in 1844. Published in Thomas Shotter Boys' 'London As It Is".
Abbey: 240. See [Ref: 68977] for one without colour.
[Ref: 68978] £330.00
Piccadilly, looking towards the City.
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Lithograph, sheet 460 x 535mm. (14¼ x 21"). Nicks to edges of paper. Mountburn.
Piccadilly looking east from the corner of Old Bond Street. In the centre of the road are roadworks, with sections of water pipes being laid. In the sky are two hot air balloons. To the right is the famous Egyptian Hall, showing the exhibition of Catlin's paintings of American Indians. It was from this address that Catlin published his "Catlin's North American Indian Portfolio" in 1844. Published in Thomas Shotter Boys' 'London As It Is".
Abbey: 240. See [Ref: 68978] for one with hnad-colour.
[Ref: 68977] £280.00 (£336.00 incl.VAT)
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Lithograph, sheet 460 x 535mm. (14¼ x 21"). Nicks to edges of paper. Mountburn.
Piccadilly looking east from the corner of Old Bond Street. In the centre of the road are roadworks, with sections of water pipes being laid. In the sky are two hot air balloons. To the right is the famous Egyptian Hall, showing the exhibition of Catlin's paintings of American Indians. It was from this address that Catlin published his "Catlin's North American Indian Portfolio" in 1844. Published in Thomas Shotter Boys' 'London As It Is".
Abbey: 240. See [Ref: 68978] for one with hnad-colour.
[Ref: 68977] £280.00 (£336.00 incl.VAT)
Royal Exchange and Bank of England.
E. Walker, Del Et. Lith. Day & Son. Lith.rs to the Queen.
London, Published May 1.st 1852 by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Hand-coloured lithograph, sheet 380 x 490mm (15 x 19½"). Foxing. Repaired tears to margins.
A view of the grand west front of the Royal Exchange showing the large portico with Corinthian columns, the Bank of England on the left, an equestrian statue in front of exchange. Coaches, carriages and pedestrians fill the busy street. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68803] £420.00
E. Walker, Del Et. Lith. Day & Son. Lith.rs to the Queen.
London, Published May 1.st 1852 by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Hand-coloured lithograph, sheet 380 x 490mm (15 x 19½"). Foxing. Repaired tears to margins.
A view of the grand west front of the Royal Exchange showing the large portico with Corinthian columns, the Bank of England on the left, an equestrian statue in front of exchange. Coaches, carriages and pedestrians fill the busy street. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68803] £420.00
The inside of S.t Martins in the Fields. in the Liberty of Westminster.
T. Malton delin. G. Bickham sculp.
[n.d. c. 1770]
Engraving, 390 x 450mm (15½ 17¾"), with margins. Damaged. Laid on archival paper.
A view of the church’s grand interior, the main space largely empty save for a few elegantly dressed figures. Corinthian columns line both sides, supporting a domed, vaulted ceiling, while a gallery runs around the space.
[Ref: 68922] £90.00 (£108.00 incl.VAT)
T. Malton delin. G. Bickham sculp.
[n.d. c. 1770]
Engraving, 390 x 450mm (15½ 17¾"), with margins. Damaged. Laid on archival paper.
A view of the church’s grand interior, the main space largely empty save for a few elegantly dressed figures. Corinthian columns line both sides, supporting a domed, vaulted ceiling, while a gallery runs around the space.
[Ref: 68922] £90.00 (£108.00 incl.VAT)
St. Paul's from Ludgate Hill.
T.S.Boys Del et Lithog.
[London, T.S. Boys, 1843.]
Tinted lithograph with fine added colour. 310 x 435mm. (12¼ x 17¼").
An energetic view of a busy Ludgate Hill (near St Paul's Cathedral, which can be seen in the background). The shop signs advertise 'Wigs' and 'Cutlery', amongst other things. The spire of St Martin's Church prominently frames St Paul's Cathedral. Published for Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 68975] £650.00
T.S.Boys Del et Lithog.
[London, T.S. Boys, 1843.]
Tinted lithograph with fine added colour. 310 x 435mm. (12¼ x 17¼").
An energetic view of a busy Ludgate Hill (near St Paul's Cathedral, which can be seen in the background). The shop signs advertise 'Wigs' and 'Cutlery', amongst other things. The spire of St Martin's Church prominently frames St Paul's Cathedral. Published for Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 68975] £650.00
S.t Paul's Catherdral, Looking Up Ludgate Hill.
E. Walker, Del et Lith. Day & Son, Lithrs. to the Queen.
London, Published May 1st 1852, by Mess.rs Lloyd Brothers & Co., 22 Ludgate Hill.
Hand-coloured lithograph, sheet 455 x 340mm (18 x 13¼"). Foxing in margins. Repaired tears to edges.
A view of part of the west front of St Paul's with the dome rising behind, Ludgate Hill in foreground. The street is busy with horse-drawn carts laden with barrels, a man pushing a large wheelbarrow and other carriages, pedestrians fill the pavements to the right and left. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68805] £480.00
E. Walker, Del et Lith. Day & Son, Lithrs. to the Queen.
London, Published May 1st 1852, by Mess.rs Lloyd Brothers & Co., 22 Ludgate Hill.
Hand-coloured lithograph, sheet 455 x 340mm (18 x 13¼"). Foxing in margins. Repaired tears to edges.
A view of part of the west front of St Paul's with the dome rising behind, Ludgate Hill in foreground. The street is busy with horse-drawn carts laden with barrels, a man pushing a large wheelbarrow and other carriages, pedestrians fill the pavements to the right and left. From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68805] £480.00
![[The] Strand.](jpegs/68972.jpg)
[The] Strand.
[T.S.Boys Del et Lith.]
[London, T.S. Boys, 1843.]
Tinted lithograph with fine hand-colour. Sheet 415 x 315mm, (16¼ x 12¼"). Trimmed losing artist line. Damage losing 'The' in title. Laid on board.
A view down the Strand reveals three churches receding westward: St Mary-le-Strand in the foreground, followed by St Clement Danes, and finally the newly built St Dunstan in the West with its Gothic crown. To the right, a glimpse of Somerset House appears alongside elegantly curved shopfronts. In the foreground stand several figures, including a Welsh milkmaid, while to the left a carrier’s cart is visible. From Thomas Shotter Boys' 'London As It Is".
Abbey Scenery 239.21.
[Ref: 68972] £550.00
[T.S.Boys Del et Lith.]
[London, T.S. Boys, 1843.]
Tinted lithograph with fine hand-colour. Sheet 415 x 315mm, (16¼ x 12¼"). Trimmed losing artist line. Damage losing 'The' in title. Laid on board.
A view down the Strand reveals three churches receding westward: St Mary-le-Strand in the foreground, followed by St Clement Danes, and finally the newly built St Dunstan in the West with its Gothic crown. To the right, a glimpse of Somerset House appears alongside elegantly curved shopfronts. In the foreground stand several figures, including a Welsh milkmaid, while to the left a carrier’s cart is visible. From Thomas Shotter Boys' 'London As It Is".
Abbey Scenery 239.21.
[Ref: 68972] £550.00
Entry to the Strand from Charing Cross.
T. S. Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph with fine hand-colour, sheet 350 x 545mm. (14 x 21½"). Tear on right. Cut to image.
A view of the Strand from Charing Cross. St Martin in the Fields can be seen on the left; beside it is Morley's Hotel and beyond that the corner turret of Nash's West Strand improvement. On the right side, with twin lead-capped turrets and a central lion, is Northumberland House which survived until 1874. From Thomas Shotter Boys' 'London As It Is".
Adams: 196.20
[Ref: 68976] £380.00
T. S. Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph with fine hand-colour, sheet 350 x 545mm. (14 x 21½"). Tear on right. Cut to image.
A view of the Strand from Charing Cross. St Martin in the Fields can be seen on the left; beside it is Morley's Hotel and beyond that the corner turret of Nash's West Strand improvement. On the right side, with twin lead-capped turrets and a central lion, is Northumberland House which survived until 1874. From Thomas Shotter Boys' 'London As It Is".
Adams: 196.20
[Ref: 68976] £380.00
Sutton.
Drawn by Rowlandson. Tinted by Alken.
Published June 1, 1790 by Mess.rs Robinson's, Paternester Row.
Fine tinted aquatint. 350 x 275mm (13¾ x 10¾"), with very large margins. Some faint foxing. Crease on lower left of image.
A topographical view of Sutton, a town in the London Borough of Sutton in South London, England. An ancient parish originally in the county of Surrey, Sutton is recorded in the Domesday Book of 1086 as having two churches and about 30 houses.
[Ref: 68693] £220.00 (£264.00 incl.VAT)
Drawn by Rowlandson. Tinted by Alken.
Published June 1, 1790 by Mess.rs Robinson's, Paternester Row.
Fine tinted aquatint. 350 x 275mm (13¾ x 10¾"), with very large margins. Some faint foxing. Crease on lower left of image.
A topographical view of Sutton, a town in the London Borough of Sutton in South London, England. An ancient parish originally in the county of Surrey, Sutton is recorded in the Domesday Book of 1086 as having two churches and about 30 houses.
[Ref: 68693] £220.00 (£264.00 incl.VAT)
The Thames, near Waterloo Bridge.
Sketched from Nature & on Stone by Frederic Martens. Printed by Engelmann, Graf, Coindet & Co.
[London: Published by Engelmann, Graf, Coindet & Co. 14, Newman St. October 1829.]
Scarce etching. Sheet 135 x 205mm (5¼ x 8"). Trimmed, losing publication line.
A view of the Thames near Waterloo Bridge, with the Shot Tower and a steamer on the right. Frédéric Vincent Martens (born Friedrich von Martens, 1806–1885) was an Italian-French photographer, engraver, and inventor based mainly in Paris, though he also worked across Europe. He is best known as a pioneer of panoramic photography.
[Ref: 68827] £160.00 (£192.00 incl.VAT)
Sketched from Nature & on Stone by Frederic Martens. Printed by Engelmann, Graf, Coindet & Co.
[London: Published by Engelmann, Graf, Coindet & Co. 14, Newman St. October 1829.]
Scarce etching. Sheet 135 x 205mm (5¼ x 8"). Trimmed, losing publication line.
A view of the Thames near Waterloo Bridge, with the Shot Tower and a steamer on the right. Frédéric Vincent Martens (born Friedrich von Martens, 1806–1885) was an Italian-French photographer, engraver, and inventor based mainly in Paris, though he also worked across Europe. He is best known as a pioneer of panoramic photography.
[Ref: 68827] £160.00 (£192.00 incl.VAT)
Trafalgar Square, with the National Gallery, and St. Martin's Church.
E. Walker, Del_T. Picken, Lith. Day & Son. Lith.rs to the Queen.
London, Published May 1.st 1852 by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Fine hand-coloured lithograph, sheet 380 x 490mm (15 x 19½"). Repaired tear on left margin. Light foxing.
Trafalgar Square from the south, with the foreground populated by pedestrians and coaches with their destinations in large letters on the sides ('Chelsea', 'Waterloo'). From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68802] £420.00
E. Walker, Del_T. Picken, Lith. Day & Son. Lith.rs to the Queen.
London, Published May 1.st 1852 by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Fine hand-coloured lithograph, sheet 380 x 490mm (15 x 19½"). Repaired tear on left margin. Light foxing.
Trafalgar Square from the south, with the foreground populated by pedestrians and coaches with their destinations in large letters on the sides ('Chelsea', 'Waterloo'). From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68802] £420.00
Trafalgar Square, with the National Gallery, and St. Martin's Church.
E. Walker, Del_T. Picken, Lith. Day & Son. Lith.rs to the Queen.
London, Published May 1.st 1852 by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Hand-coloured lithograph, sheet 380 x 490mm (15 x 19½"). Slight mount burn, very light foxing.
Trafalgar Square from the south, with the foreground populated by pedestrians and coaches with their destinations in large letters on the sides ('Chelsea', 'Waterloo'). From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68800] £420.00
E. Walker, Del_T. Picken, Lith. Day & Son. Lith.rs to the Queen.
London, Published May 1.st 1852 by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Hand-coloured lithograph, sheet 380 x 490mm (15 x 19½"). Slight mount burn, very light foxing.
Trafalgar Square from the south, with the foreground populated by pedestrians and coaches with their destinations in large letters on the sides ('Chelsea', 'Waterloo'). From a series of 12 views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes the folio as 'Views of the Principal Buildings in London'.
[Ref: 68800] £420.00
The Treasury, Whitehall.
E. Walker, Del et Lith. Day & Son, Lithrs. to the Queen.
London, Published May 1st 1852, by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Lithograph with very fine hand-colour, sheet 420 x 570mm (16½ x 22½"), large margins. Repaired tears in margins.
View of the then new Treasury Offices at Whitehall, as designed by architect Sir Charles Barry (1795 - 1860) in 1846-47; horse-drawn carriages passing along the street, two figures ride horseback in the foreground, a horse feeds by the roadside, and pedestrians stroll along the pavement. From a series of views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes a folio of 12 titled 'Views of the Principal Buildings in London'.
See Abbey Scenery 247, 2.
[Ref: 68981] £560.00
E. Walker, Del et Lith. Day & Son, Lithrs. to the Queen.
London, Published May 1st 1852, by Mess.rs Lloyd Brothers & Co. 22 Ludgate Hill.
Lithograph with very fine hand-colour, sheet 420 x 570mm (16½ x 22½"), large margins. Repaired tears in margins.
View of the then new Treasury Offices at Whitehall, as designed by architect Sir Charles Barry (1795 - 1860) in 1846-47; horse-drawn carriages passing along the street, two figures ride horseback in the foreground, a horse feeds by the roadside, and pedestrians stroll along the pavement. From a series of views of famous London buildings by Edmund Walker (1850 - 1856; fl.); Abbey describes a folio of 12 titled 'Views of the Principal Buildings in London'.
See Abbey Scenery 247, 2.
[Ref: 68981] £560.00
Peat Bog, Scotland. M.
Drawn & Etched by J.M.W. Turner Esq.r R.A. Engraved by G. Clint.
Published April 23. 1812 by J.M.W. Turner, Queen Anne Street.
Mezzotint with etching, printed in sepia. 210 x 290mm (8¼ x 11¼"), with large margins
In the centre, a morass in deep shadow, with mountains on the right. In the foreground, men are cutting turf, and to the left is a horse and cart. Rawlinson (p.110) noted that 'Peat Bog has always ranked among the great plates of the Liber. Finer mezzotint work than that of the sky would be impossible; but it was of necessity so delicate that it can only adequately be seen in early impressions'. Plate 45, issued in Part XI of 'Turner's 'Liber Studiorum', which was published in several parts between 1807 and 1819.
Rawlinson 45, state ii of v.
[Ref: 68958] £320.00
Drawn & Etched by J.M.W. Turner Esq.r R.A. Engraved by G. Clint.
Published April 23. 1812 by J.M.W. Turner, Queen Anne Street.
Mezzotint with etching, printed in sepia. 210 x 290mm (8¼ x 11¼"), with large margins
In the centre, a morass in deep shadow, with mountains on the right. In the foreground, men are cutting turf, and to the left is a horse and cart. Rawlinson (p.110) noted that 'Peat Bog has always ranked among the great plates of the Liber. Finer mezzotint work than that of the sky would be impossible; but it was of necessity so delicate that it can only adequately be seen in early impressions'. Plate 45, issued in Part XI of 'Turner's 'Liber Studiorum', which was published in several parts between 1807 and 1819.
Rawlinson 45, state ii of v.
[Ref: 68958] £320.00
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![The Thames, Near Vaux[hall B]ridge.](jpegs/68831.jpg)
The Thames, Near Vaux[hall B]ridge.
Sketched from Nature & on Stone by Frederic Martens. Printed by Engelmann, Graf, Coindet & Co.
[London Published by Engelmann, Graf, Coindet & Co. 14, Newman St. October, 1829.]
Etching. Sheet 135 x 200mm (5¼ x 8"). Trimmed close to image, losing publication line at bottom, title with printed loss.
A view of the Thames at Vauxhall, with river traffic, a windmill and chimneys. Frédéric Vincent Martens (born Friedrich von Martens, 1806–1885) was an Italian-French photographer, engraver, and inventor based mainly in Paris, though he also worked across Europe. He is best known as a pioneer of panoramic photography.
[Ref: 68831] £160.00 (£192.00 incl.VAT)
Sketched from Nature & on Stone by Frederic Martens. Printed by Engelmann, Graf, Coindet & Co.
[London Published by Engelmann, Graf, Coindet & Co. 14, Newman St. October, 1829.]
Etching. Sheet 135 x 200mm (5¼ x 8"). Trimmed close to image, losing publication line at bottom, title with printed loss.
A view of the Thames at Vauxhall, with river traffic, a windmill and chimneys. Frédéric Vincent Martens (born Friedrich von Martens, 1806–1885) was an Italian-French photographer, engraver, and inventor based mainly in Paris, though he also worked across Europe. He is best known as a pioneer of panoramic photography.
[Ref: 68831] £160.00 (£192.00 incl.VAT)
![West India Docks, from the South East [in plate lower left].](jpegs/68971.jpg)
West India Docks, from the South East [in plate lower left].
W. Parrott Del Et Lithog.
[London: H. Brooks.] Oct 1840.
Rare tinted lithograph with fine hand colour, sheet 240 x 420mm (9½ x 16½"). Right corner chipped. Trimmed to image.
From 'London from the Thames' (12 plates, 1842) by William Parrott (1813 - 1869). Very fine view of a busy dock scene.
Adams 198, 4. See Abbey Scenery 237 for a first issue (without titles). See [Ref: 22290] for one with different colouring.
[Ref: 68971] £420.00
W. Parrott Del Et Lithog.
[London: H. Brooks.] Oct 1840.
Rare tinted lithograph with fine hand colour, sheet 240 x 420mm (9½ x 16½"). Right corner chipped. Trimmed to image.
From 'London from the Thames' (12 plates, 1842) by William Parrott (1813 - 1869). Very fine view of a busy dock scene.
Adams 198, 4. See Abbey Scenery 237 for a first issue (without titles). See [Ref: 22290] for one with different colouring.
[Ref: 68971] £420.00
Westminster Abbey, Hospital, &c.
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph with added fine hand-colour. Sheet 370 x 530mm, (14½ x 20¾"). Right bottom corner margin missing.
The front of Westminster Abbey, from Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 68926] £420.00
T.S.Boys Del et Lith.
[London, T.S. Boys, 1843.]
Tinted lithograph with added fine hand-colour. Sheet 370 x 530mm, (14½ x 20¾"). Right bottom corner margin missing.
The front of Westminster Abbey, from Thomas Shotter Boys' 'London As It Is".
Abbey: 240.
[Ref: 68926] £420.00