A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
The Rev:d M:r John Abernethy A.M.
James Latham pinxit. J. Faber fecit 1741.
Sold by Paul Smith in Crane Lane near Dames Street Dublin.
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"), large margins on 3 sides. Paper toned, tear in right margin, creased.
A half-length portrait in oval of Irish Presbyterian minister John Abernethy (1680-1740).
CS 1. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68525] £190.00 (£228.00 incl.VAT)
James Latham pinxit. J. Faber fecit 1741.
Sold by Paul Smith in Crane Lane near Dames Street Dublin.
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"), large margins on 3 sides. Paper toned, tear in right margin, creased.
A half-length portrait in oval of Irish Presbyterian minister John Abernethy (1680-1740).
CS 1. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68525] £190.00 (£228.00 incl.VAT)
The Reverend Mr Thomas Bradbury.
M.rs Mary Grace Pinx. J. Faber fecit.
Printed for John Bowles, at No. 13 in Cornhill. Price 2. Shill. [n.d., c.1750.]
Fine mezzotint. 355 x 250mm (14 x 9¾''), large margins.
Three quarter seated portrait of Thomas Bradbury (1677-1759), dissenting minister; seated facing front, in clerical dress without a wig, left hand on his knee, right elbow resting on a table beside a book, document and ink stand. Curtain and bookshelves behind. After Mary Grace (d. 1786); first published by Faber with the date 1749.
CS 39, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68532] £260.00 (£312.00 incl.VAT)
M.rs Mary Grace Pinx. J. Faber fecit.
Printed for John Bowles, at No. 13 in Cornhill. Price 2. Shill. [n.d., c.1750.]
Fine mezzotint. 355 x 250mm (14 x 9¾''), large margins.
Three quarter seated portrait of Thomas Bradbury (1677-1759), dissenting minister; seated facing front, in clerical dress without a wig, left hand on his knee, right elbow resting on a table beside a book, document and ink stand. Curtain and bookshelves behind. After Mary Grace (d. 1786); first published by Faber with the date 1749.
CS 39, ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68532] £260.00 (£312.00 incl.VAT)
The Reverend Robert Bragge P.D.
Robert Bragge Pinx.t. J. Faber fe. 1738.
Mezzotint, 18th century watermark 355 x 255mm (14 x 10"), large margins. Small tear in lower margin.
Rev Robert Bragge (1665-1738), an Independent minister in London, known as 'eternal Bragge' of Lime Street. A moderate Calvinist, he was a popular preacher at Salters' Hall, where he once preached for four months on Joseph's coat. Among his written works are 'A Brief Essay Concerning the Soul of Man' and 'Church Discipline according to its Ancient Standard, as it was Practis'd in Primitive Times'.
CS 43 & Lugt 2907. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68531] £190.00 (£228.00 incl.VAT)
Robert Bragge Pinx.t. J. Faber fe. 1738.
Mezzotint, 18th century watermark 355 x 255mm (14 x 10"), large margins. Small tear in lower margin.
Rev Robert Bragge (1665-1738), an Independent minister in London, known as 'eternal Bragge' of Lime Street. A moderate Calvinist, he was a popular preacher at Salters' Hall, where he once preached for four months on Joseph's coat. Among his written works are 'A Brief Essay Concerning the Soul of Man' and 'Church Discipline according to its Ancient Standard, as it was Practis'd in Primitive Times'.
CS 43 & Lugt 2907. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68531] £190.00 (£228.00 incl.VAT)
D. Josephi Carreras Hispani. Meliora Latent. Pict.a orig.lis Ædibus Johann.s Roberts Armigeri.
G. de Kneller pinx.t 1686. J. Faber fecit 1735.
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Fine mezzotint, 345 x 245mm (13½ x 9½"). On 18th century watermarked paper.
A half-length portrait of poet and cleric Don Jose Carreras Y Coligo (d.1732), secretary and chaplain to Catherine of Braganza, queen of Charles II. Unusually informal for a Kneller portrait, it shows him without his wig. Carreras is reported to have joined the Spanish and Portuguese Synagogue before returning to catholocism; Lucien Wolf's 'Jews in the Canary Islands' (London, 1926) records repeated denunciations of him to the Spanish Inquisition as a 'London Jew'.
CS 68. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68570] £260.00 (£312.00 incl.VAT)
G. de Kneller pinx.t 1686. J. Faber fecit 1735.
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Fine mezzotint, 345 x 245mm (13½ x 9½"). On 18th century watermarked paper.
A half-length portrait of poet and cleric Don Jose Carreras Y Coligo (d.1732), secretary and chaplain to Catherine of Braganza, queen of Charles II. Unusually informal for a Kneller portrait, it shows him without his wig. Carreras is reported to have joined the Spanish and Portuguese Synagogue before returning to catholocism; Lucien Wolf's 'Jews in the Canary Islands' (London, 1926) records repeated denunciations of him to the Spanish Inquisition as a 'London Jew'.
CS 68. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68570] £260.00 (£312.00 incl.VAT)
D. Josephi Carreras Hispani. Meliora Latent. Pict.a orig.lis Ædibus Johann.s Roberts Armigeri.
G. de Kneller pinx.t 1686. J. Faber fecit 1735.
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, 345 x 245mm (13½ x 9½"). On 18th century watermarked paper. Small tear in margin repaired.
A half-length portrait of poet and cleric Don Jose Carreras Y Coligo (d.1732), secretary and chaplain to Catherine of Braganza, queen of Charles II. Unusually informal for a Kneller portrait, it shows him without his wig. Carreras is reported to have joined the Spanish and Portuguese Synagogue before returning to catholocism; Lucien Wolf's 'Jews in the Canary Islands' (London, 1926) records repeated denunciations of him to the Spanish Inquisition as a 'London Jew'.
CS 68. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68569] £220.00 (£264.00 incl.VAT)
G. de Kneller pinx.t 1686. J. Faber fecit 1735.
Sold by J. Faber at the Golden Head in Bloomsbury Square.
Mezzotint, 345 x 245mm (13½ x 9½"). On 18th century watermarked paper. Small tear in margin repaired.
A half-length portrait of poet and cleric Don Jose Carreras Y Coligo (d.1732), secretary and chaplain to Catherine of Braganza, queen of Charles II. Unusually informal for a Kneller portrait, it shows him without his wig. Carreras is reported to have joined the Spanish and Portuguese Synagogue before returning to catholocism; Lucien Wolf's 'Jews in the Canary Islands' (London, 1926) records repeated denunciations of him to the Spanish Inquisition as a 'London Jew'.
CS 68. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68569] £220.00 (£264.00 incl.VAT)
Pater! transeatame hoc poculum non voluntas mea fiat sed tua.
P V Somer fe. [after Charles le Brun.]
J. Smith ex. [n.d., c.1700.]
Mezzotint. 210 x 155mm (8¼ x 6"). Narrow margins, creasing in corners.
Christ's agony in the garden of Gethsemane, supported by angels.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3..
[Ref: 68879] £160.00 (£192.00 incl.VAT)
P V Somer fe. [after Charles le Brun.]
J. Smith ex. [n.d., c.1700.]
Mezzotint. 210 x 155mm (8¼ x 6"). Narrow margins, creasing in corners.
Christ's agony in the garden of Gethsemane, supported by angels.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3..
[Ref: 68879] £160.00 (£192.00 incl.VAT)
Samuel Clarke D.D. Done after the Marble Bust in Her Majesty's Hermitage in the Royal Garden at Richmond.
I. Faber fecit.
Printed for Tho: Bowles in St. Pauls Church Yard, & John Bowles at the Black Horse in Cornhill [n.d., c.1750].
Mezzotint. 355 x 250mm (14 x 9¾''). Trimmed to image on three sides, into plate at bottom, creased.
An engraving of a bust of Rev. Dr. Samuel Clarke (1675-1729), rector of St. James Westminster and philosopher, at the Royal Palace at Kew, now the Royal Botanic Gardens. In 1730 Queen Caroline commissioned a 'hermitage', decorated with a series of five marble busts by the English sculptor Michael Rysbrack to celebrate British philosphers: Clarke, Robert Boyle, John Locke, Isaac Newton and William Wollaston. Unfortunately the Hermitage no longer exists.
CS. 125, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68787] £190.00 (£228.00 incl.VAT)
I. Faber fecit.
Printed for Tho: Bowles in St. Pauls Church Yard, & John Bowles at the Black Horse in Cornhill [n.d., c.1750].
Mezzotint. 355 x 250mm (14 x 9¾''). Trimmed to image on three sides, into plate at bottom, creased.
An engraving of a bust of Rev. Dr. Samuel Clarke (1675-1729), rector of St. James Westminster and philosopher, at the Royal Palace at Kew, now the Royal Botanic Gardens. In 1730 Queen Caroline commissioned a 'hermitage', decorated with a series of five marble busts by the English sculptor Michael Rysbrack to celebrate British philosphers: Clarke, Robert Boyle, John Locke, Isaac Newton and William Wollaston. Unfortunately the Hermitage no longer exists.
CS. 125, i of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68787] £190.00 (£228.00 incl.VAT)
![[Nathaniel Crew] The R.t Rev.d and R.t Hon.ble Nathaniel Lord Crew Lord Bishop of Durham](jpegs/68651.jpg)
[Nathaniel Crew] The R.t Rev.d and R.t Hon.ble Nathaniel Lord Crew Lord Bishop of Durham & Baron of Steane, Consecrated Bishop of Oxford 1671 Translated to Durham 1674 Privy Councellor to their Maj.ties CHarles & James the 2.d. Dyed Sep.r 1721 Aged 88. Done from the Original Painting in the Gallery of the Bodleian Library Oxon.
G. Kneller Eques pinx 1698. J. Faber fecit 1727.
Sold by J. West in Great Queen Street, Lincolns Inn Fields.
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"). Small margins.
A three-quarter portrait of Nathaniel Crew (1633-1721), 3rd Baron Crew, standing, wearing robes and holding his coronet. This portrait was painted to celebrate him becoming Bishop of Durham in 1674, having been Bishop of Oxford from 1671. He was made a Privy Counsellor in 1676. On the decline of King James's power, Crew dissociated himself from the court, and made a bid for the favour of William III's new government by voting for the motion that James had abdicated.
CS: 94, only state listed. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68651] £230.00 (£276.00 incl.VAT)
G. Kneller Eques pinx 1698. J. Faber fecit 1727.
Sold by J. West in Great Queen Street, Lincolns Inn Fields.
Mezzotint, 18th century watermark; 355 x 250mm (14 x 9¾"). Small margins.
A three-quarter portrait of Nathaniel Crew (1633-1721), 3rd Baron Crew, standing, wearing robes and holding his coronet. This portrait was painted to celebrate him becoming Bishop of Durham in 1674, having been Bishop of Oxford from 1671. He was made a Privy Counsellor in 1676. On the decline of King James's power, Crew dissociated himself from the court, and made a bid for the favour of William III's new government by voting for the motion that James had abdicated.
CS: 94, only state listed. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68651] £230.00 (£276.00 incl.VAT)
Delineatio Crucifixæ in Cappella Sereniss.æ ac Potentiss.æ Princ: ac Dom.æ DN.æ Catharinæ M. Brit. Gall. et Hib. Reginæ Viducæ, Natæ Princ. R. Portugall ^c. Ipsi Reg Majestati Suæ quam humillme dedicata ab Is: Beckett.
A van Dyke p. I:B: [Isaac Beckett] fe.
J. Smith ex. [n.d., c.1711.]
Fine & rare mezzotint. 285 x 175mm (11¼ x 7"). Thread margins, laid down at corners.
The Crucifixion, with cherubs catching the Holy blood in chalices. The dedication is to Catherine of Braganza, queen of Charles II, died 1705.
New Hollstein, Van Dyck, 528; Le Blanc 4.
[Ref: 68545] £460.00
A van Dyke p. I:B: [Isaac Beckett] fe.
J. Smith ex. [n.d., c.1711.]
Fine & rare mezzotint. 285 x 175mm (11¼ x 7"). Thread margins, laid down at corners.
The Crucifixion, with cherubs catching the Holy blood in chalices. The dedication is to Catherine of Braganza, queen of Charles II, died 1705.
New Hollstein, Van Dyck, 528; Le Blanc 4.
[Ref: 68545] £460.00
![[The Crucifixion] Clamans voce magna Iesus ait, Pater in manus tuas commendo spiritum meum et hæc dicens expiravit.](jpegs/68541.jpg)
[The Crucifixion] Clamans voce magna Iesus ait, Pater in manus tuas commendo spiritum meum et hæc dicens expiravit.
A van Dyke Equess pinx. J. Smith fecit.
Sold by John Smith at the Lyon & Crown in Russell Street Covent Garden [n.d., c.1711].
Mezzotint, 18th century watermark. 425 x 285mm (16¾ x 11¼"). Thread margins, creasing in corners, some toning.
The Crucifixion, with cherubs catching the Holy blood in chalices. In the upper right is an eclipsed sun. The plate was originally published by Alexander Browne, but reworked by John Smith with his own publication line.
Wessely 302. Le Blanc 303. Ex: collection of The Hon. Christopher Lennox-Boyd, his state ii of ii.
[Ref: 68541] £360.00
A van Dyke Equess pinx. J. Smith fecit.
Sold by John Smith at the Lyon & Crown in Russell Street Covent Garden [n.d., c.1711].
Mezzotint, 18th century watermark. 425 x 285mm (16¾ x 11¼"). Thread margins, creasing in corners, some toning.
The Crucifixion, with cherubs catching the Holy blood in chalices. In the upper right is an eclipsed sun. The plate was originally published by Alexander Browne, but reworked by John Smith with his own publication line.
Wessely 302. Le Blanc 303. Ex: collection of The Hon. Christopher Lennox-Boyd, his state ii of ii.
[Ref: 68541] £360.00
![[The Crucifixion] Clamans voce magna Iesus ait, Pater in manus tuas commendo spiritum meum et hæc dicens expiravit.](jpegs/68544.jpg)
[The Crucifixion] Clamans voce magna Iesus ait, Pater in manus tuas commendo spiritum meum et hæc dicens expiravit.
A van Dyke Equess pinx. J. Smith fecit.
Sold by John Smith at the Lyon & Crown in Russell Street Covent Garden [n.d., c.1711].
Fine mezzotint. 425 x 285mm (16¾ x 11¼"), 18th century watermark. Thread margins.
The Crucifixion, with cherubs catching the Holy blood in chalices. In the upper right is an eclipsed sun. The plate was originally published by Alexander Browne, but reworked by John Smith with his own publication line.
Wessely 302. Le Blanc 303. Ex: collection of The Hon. Christopher Lennox-Boyd, his state ii of ii.
[Ref: 68544] £460.00
A van Dyke Equess pinx. J. Smith fecit.
Sold by John Smith at the Lyon & Crown in Russell Street Covent Garden [n.d., c.1711].
Fine mezzotint. 425 x 285mm (16¾ x 11¼"), 18th century watermark. Thread margins.
The Crucifixion, with cherubs catching the Holy blood in chalices. In the upper right is an eclipsed sun. The plate was originally published by Alexander Browne, but reworked by John Smith with his own publication line.
Wessely 302. Le Blanc 303. Ex: collection of The Hon. Christopher Lennox-Boyd, his state ii of ii.
[Ref: 68544] £460.00
Convicerat enim eos Daniel ex ore suo Falsum dixisse Testimonium. [To the Earl of Bute this Plate engrav'd from a Picture of Eckhout's in His Lordship's Collection is dedicated by his most obedient humble Servant Will.m Baillie.]
Eckhout Pinx.t. WBailie sculp.t. 1764.
Etching, proof before mezzotint. Sheet 370 x 400mm (14½ x 15¾"). Trimmed, into plate, losing dedication at bottom, creasing, bit messy.
Daniel accusing the two elders of bearing false witness against Susanna. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing, acting as art agent to the Earl of Bute, owner of this painting. Baillie specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. A pencil annotation on the reverse reads 'First Impression - of the first state of the Plate'.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 1 of 3.
[Ref: 68875] £280.00 (£336.00 incl.VAT)
Eckhout Pinx.t. WBailie sculp.t. 1764.
Etching, proof before mezzotint. Sheet 370 x 400mm (14½ x 15¾"). Trimmed, into plate, losing dedication at bottom, creasing, bit messy.
Daniel accusing the two elders of bearing false witness against Susanna. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing, acting as art agent to the Earl of Bute, owner of this painting. Baillie specialised in imitating old-master drawings and prints, using a variety of printmaking techniques. A pencil annotation on the reverse reads 'First Impression - of the first state of the Plate'.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 1 of 3.
[Ref: 68875] £280.00 (£336.00 incl.VAT)
Convicerat enim eos Daniel ex ore suo Falsum dixisse Testimonium. To the Earl of Bute this Plate engrav'd from a Picture of Eckhout's in His Lordship's Collection is dedicated by his most obedient humble Servant Will.m Baillie.
Eckhout Pinx.t. WBailie sculp.t. 1764.
Etching, proof before mezzotint. 395 x 405mm (15½ x 16"). Small margins.
Daniel accusing the two elders of bearing false witness against Susanna. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing, acting as art agent to the Earl of Bute, owner of this painting. Baillie specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 1 of 3.
[Ref: 68876] £360.00
Eckhout Pinx.t. WBailie sculp.t. 1764.
Etching, proof before mezzotint. 395 x 405mm (15½ x 16"). Small margins.
Daniel accusing the two elders of bearing false witness against Susanna. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing, acting as art agent to the Earl of Bute, owner of this painting. Baillie specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 1 of 3.
[Ref: 68876] £360.00
Convicerat enim eos Daniel ex ore suo Falsum dixisse Testimonium. To the Earl of Bute this Plate engrav'd from a Picture of Eckhout's in His Lordship's Collection is dedicated by his most obedient humble Servant Will.m Baillie.
Eckhout Pinx.t. WBailie sculp.t. 1764. Re-Sculp.t 1774.
Mezzotint and etching. Sheet 390 x 405mm (15¼ x 16"). Trimmed within plate.
Daniel accusing the two elders of bearing false witness against Susanna. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing, acting as art agent to the Earl of Bute, owner of this painting. Baillie specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 2 of 3.
[Ref: 68877] £240.00 (£288.00 incl.VAT)
Eckhout Pinx.t. WBailie sculp.t. 1764. Re-Sculp.t 1774.
Mezzotint and etching. Sheet 390 x 405mm (15¼ x 16"). Trimmed within plate.
Daniel accusing the two elders of bearing false witness against Susanna. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing, acting as art agent to the Earl of Bute, owner of this painting. Baillie specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 2 of 3.
[Ref: 68877] £240.00 (£288.00 incl.VAT)
Convicerat enim eos Daniel ex ore suo Falsum dixisse Testimonium. To the Earl of Bute this Plate engrav'd from a Picture of [erased] dedicated by his most obedient humble Servant Will.m Baillie. Cap.t Baillie's Fifty-Guilder-Print 1775
Eckhout Pinx.t. WBailie sculp.t. 1764.
Mezzotint and etching, 18th century watermark. Sheet 390 x 405mm (15¼ x 16"). Trimmed within plate.
Daniel accusing the two elders of bearing false witness against Susanna. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing, acting as art agent to the Earl of Bute, owner of this painting. When this plate was first published in 1764the dedication read 'Eckhout's in His Lordship's Collection'; this example seems to have been published after the painting had been sold on. Baillie specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3.
[Ref: 68878] £260.00 (£312.00 incl.VAT)
Eckhout Pinx.t. WBailie sculp.t. 1764.
Mezzotint and etching, 18th century watermark. Sheet 390 x 405mm (15¼ x 16"). Trimmed within plate.
Daniel accusing the two elders of bearing false witness against Susanna. Engraved by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing, acting as art agent to the Earl of Bute, owner of this painting. When this plate was first published in 1764the dedication read 'Eckhout's in His Lordship's Collection'; this example seems to have been published after the painting had been sold on. Baillie specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3.
[Ref: 68878] £260.00 (£312.00 incl.VAT)
The Rev.d M.r Howell Davis, Late Minister of the Gospel in Pembrokeshire and Chaplain to the Countess of Walsingham.
Printed for Carington Bowles, at his Map & Print Warehouse, N.º 69 in St Pauls Church Yard, London. Published as the Act directs, March 30.th 1773.
Scarce mezzotint. Sheet 255 x 235mm (14 x 9¼"). Trimmed into image on three sides,
A half-length portrait in oval of Howell Davis (d.1770), a popular Welsh Methodist preacher.
CS ENA III, 48. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68793] £280.00 (£336.00 incl.VAT)
Printed for Carington Bowles, at his Map & Print Warehouse, N.º 69 in St Pauls Church Yard, London. Published as the Act directs, March 30.th 1773.
Scarce mezzotint. Sheet 255 x 235mm (14 x 9¼"). Trimmed into image on three sides,
A half-length portrait in oval of Howell Davis (d.1770), a popular Welsh Methodist preacher.
CS ENA III, 48. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68793] £280.00 (£336.00 incl.VAT)
![[Robert de Eglesfield] Proepositio & Scholaribus Coll: Reg: Oxon: hanc Roberti Eglesfeld Pientissimi Fundatoris Effigiem.](jpegs/68590.jpg)
[Robert de Eglesfield] Proepositio & Scholaribus Coll: Reg: Oxon: hanc Roberti Eglesfeld Pientissimi Fundatoris Effigiem.
T. Murray pinx. D.D.J. Faber
Sold by J. Faber at ye Golden head ye South Side of Bloomsbury Square [c.1720]
Mezzotint. Sheet 415 x 260mm (16¼ x 10¼"). Trimmed to plate, laid on album paper. Unidentified ink stamp with leg and initials "FFF".
A full-length portrait of Robert de Eglesfield (c.1295-1349), chaplain to Philippa of Hainault, wife of Edward III. In 1341 he founded Queen's College, Oxford, on a site purchased by Eglesfield from his own funds.
CS 121. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68590] £260.00 (£312.00 incl.VAT)
T. Murray pinx. D.D.J. Faber
Sold by J. Faber at ye Golden head ye South Side of Bloomsbury Square [c.1720]
Mezzotint. Sheet 415 x 260mm (16¼ x 10¼"). Trimmed to plate, laid on album paper. Unidentified ink stamp with leg and initials "FFF".
A full-length portrait of Robert de Eglesfield (c.1295-1349), chaplain to Philippa of Hainault, wife of Edward III. In 1341 he founded Queen's College, Oxford, on a site purchased by Eglesfield from his own funds.
CS 121. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68590] £260.00 (£312.00 incl.VAT)
The Right Reverend Father in God Edmund Gibson Lord Bishop of London Dean of his Maj.ties Chapels Royal & one of his Maj.ties mosat Honourable Privy Council.
J. Vanderbank pinx.t 1737. J. Faber fecit.
Sold by Faber at the Golden Head in Bloomsbury Square [n.d., c.1740.]
Mezzotint, 350 x 250mm (13¾ x 9¾"), with large margins. On 18th century watermarked paper. A very slight horizontal crease; paper toned.
A three-quarter seated portrait of Edmund Gibson (1669-1748), bishop of Lincoln then London, founding governor of the Foundling Hospital. John Vanderbank's painting is in the Bodleian Library collection.
CS 161. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68575] £190.00 (£228.00 incl.VAT)
J. Vanderbank pinx.t 1737. J. Faber fecit.
Sold by Faber at the Golden Head in Bloomsbury Square [n.d., c.1740.]
Mezzotint, 350 x 250mm (13¾ x 9¾"), with large margins. On 18th century watermarked paper. A very slight horizontal crease; paper toned.
A three-quarter seated portrait of Edmund Gibson (1669-1748), bishop of Lincoln then London, founding governor of the Foundling Hospital. John Vanderbank's painting is in the Bodleian Library collection.
CS 161. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68575] £190.00 (£228.00 incl.VAT)
![[Holy Family with St Anne presenting an apple to the Christ child]](jpegs/68650.jpg)
[Holy Family with St Anne presenting an apple to the Christ child]
AR [monogram of Alexander Runciman]
[n.d. c.1760]
Very rare (possibly unrecorded) etching, 190 x 140mm (7½ x 5½"), with very large margins.
St Anne kneels before the infant Jesus, having just given him an apple. Mary sits holding the Christ child on her lap, while Joseph looks on behind. Images of Saint Anne offering or presenting an apple to the Christ Child often symbolise the redemption of Original Sin, with the apple alluding to the Fall of Man. In this artistic tradition, Mary or Saint Anne gives the fruit to Jesus, the “New Adam”, signifying the reversal and repair of the fall brought about by Eve. An etching by Scottish artist Alexander Runciman (1736-1785) one of the earliest exponents of original etching in Scotland.
[Ref: 68650] £350.00
AR [monogram of Alexander Runciman]
[n.d. c.1760]
Very rare (possibly unrecorded) etching, 190 x 140mm (7½ x 5½"), with very large margins.
St Anne kneels before the infant Jesus, having just given him an apple. Mary sits holding the Christ child on her lap, while Joseph looks on behind. Images of Saint Anne offering or presenting an apple to the Christ Child often symbolise the redemption of Original Sin, with the apple alluding to the Fall of Man. In this artistic tradition, Mary or Saint Anne gives the fruit to Jesus, the “New Adam”, signifying the reversal and repair of the fall brought about by Eve. An etching by Scottish artist Alexander Runciman (1736-1785) one of the earliest exponents of original etching in Scotland.
[Ref: 68650] £350.00
The Most Revd. Father in God Dr. Matthew Hutton by Divine Providence Lord Arch. Bishop of York, Primate of England and Metropolitan, Lord High Almoner & one of His Majesty's most Hon:ble Privy Council. 1748.
T.Hudson Pinx. J. Faber fecit.
Price 2 Shill: Sold by J.Faber, at the Golden Head, in Bloomsbury Square. [n.d. c.1750]
Mezzotint, 18th century watermark. 355 x 255mm (14 x 10"), large margins.
A three-quarter seated portrait of Matthew Hutton (1693-1758), as Archbishop of York, before becoming Archbishop of Canterbury in 1757.
CS: 199. i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68589] £230.00 (£276.00 incl.VAT)
T.Hudson Pinx. J. Faber fecit.
Price 2 Shill: Sold by J.Faber, at the Golden Head, in Bloomsbury Square. [n.d. c.1750]
Mezzotint, 18th century watermark. 355 x 255mm (14 x 10"), large margins.
A three-quarter seated portrait of Matthew Hutton (1693-1758), as Archbishop of York, before becoming Archbishop of Canterbury in 1757.
CS: 199. i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68589] £230.00 (£276.00 incl.VAT)
![Doctor Martin Luther, [was born at Isleben in the County of Manffield in saxony, Novr. 10th. 1483, & died there Feby. 18th. 1546, Aged 63.]](jpegs/68912.jpg)
Doctor Martin Luther, [was born at Isleben in the County of Manffield in saxony, Novr. 10th. 1483, & died there Feby. 18th. 1546, Aged 63.] [Rome tam'd the World, but Rome the Pope o'er aw'd: The one by force, the other wrought by Fraud. Greater than both was learned Luther, when Both this and that he conquer'd with his Pen. The Emblem of the Swan refers to a Predictioin of John Huss. See Clerk's Lives, Vol. I. page 7 in Burnham's Pious Memorials.]
[Printed for Carington Bowles, Map & Printseller, No.69 in St. Pauls Church Yard, London. Published as the Act directs, 2d Jan. 1773.]
Very rare mezzotint, 18th century watermark, sheet 330 x 260mm (13 x 10¼"). Trimmed within plate losing text and publication lines.
A portrait of German theologian and leader of the Reformation, Martin Luther (1483 - 1546), whole-length standing directed to the left, looking ahead of him, holding a small volume in both hands, wearing dark robes. He is seen in a study with books on the table and window-sill to the left, a swan standing behind him and a large Bible propped vertically on the floor to the right. Luther expressed his controversial opinions in the publication, 'Disputation on the Power and Efficacy of Indulgences', commonly known as 'The 95 Theses' (1517), which sebsequently led to his excommunication from the catholic Church in 1521.
Ex Collection of Christopher Lennox-Boyd. CS: Not in.
[Ref: 68912] £380.00
[Printed for Carington Bowles, Map & Printseller, No.69 in St. Pauls Church Yard, London. Published as the Act directs, 2d Jan. 1773.]
Very rare mezzotint, 18th century watermark, sheet 330 x 260mm (13 x 10¼"). Trimmed within plate losing text and publication lines.
A portrait of German theologian and leader of the Reformation, Martin Luther (1483 - 1546), whole-length standing directed to the left, looking ahead of him, holding a small volume in both hands, wearing dark robes. He is seen in a study with books on the table and window-sill to the left, a swan standing behind him and a large Bible propped vertically on the floor to the right. Luther expressed his controversial opinions in the publication, 'Disputation on the Power and Efficacy of Indulgences', commonly known as 'The 95 Theses' (1517), which sebsequently led to his excommunication from the catholic Church in 1521.
Ex Collection of Christopher Lennox-Boyd. CS: Not in.
[Ref: 68912] £380.00
![[The Virgin and Child.]](jpegs/68858.jpg)
[The Virgin and Child.] From a Painting by Parmegiano in the Collection of D.r Bragg.
WBaillie sculp. 1769.
Fine mezzotint, printed in colours. 255 x 205mm (10 x 8"), large margins Left corners of margin rebuilt.
A portrait of the Madonna, holding a peach, and Christ holding a bird engraved by Captain William Baillie after Parmigianino . Baillie (1723-1810) devoted himself to printmaking and dealing after retiring from the army in 1761. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3, with date added.
[Ref: 68858] £280.00 (£336.00 incl.VAT)
WBaillie sculp. 1769.
Fine mezzotint, printed in colours. 255 x 205mm (10 x 8"), large margins Left corners of margin rebuilt.
A portrait of the Madonna, holding a peach, and Christ holding a bird engraved by Captain William Baillie after Parmigianino . Baillie (1723-1810) devoted himself to printmaking and dealing after retiring from the army in 1761. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3, with date added.
[Ref: 68858] £280.00 (£336.00 incl.VAT)
![[The Virgin and Child.]](jpegs/68859.jpg)
[The Virgin and Child.] From a Painting by Parmegiano in the Collection of D.r Bragg.
WBaillie sculp. 1769.
Mezzotint, 18th century watermark, 255 x 205mm (10 x 8"), large margins. Crease lower right.
A portrait of the Madonna, holding a peach, and Christ holding a bird engraved by Captain William Baillie after Parmigianino . Baillie (1723-1810) devoted himself to printmaking and dealing after retiring from the army in 1761. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3, with date added.
[Ref: 68859] £240.00 (£288.00 incl.VAT)
WBaillie sculp. 1769.
Mezzotint, 18th century watermark, 255 x 205mm (10 x 8"), large margins. Crease lower right.
A portrait of the Madonna, holding a peach, and Christ holding a bird engraved by Captain William Baillie after Parmigianino . Baillie (1723-1810) devoted himself to printmaking and dealing after retiring from the army in 1761. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd, his state 3 of 3, with date added.
[Ref: 68859] £240.00 (£288.00 incl.VAT)
Ambulabunt Gentes in Lumine tuo, et Reges in Splendore Ortûs tui. Ex collectione Sim: du Bois Londini.
Fredericus Borocius Urb: pinx. J. Smith Fec. 1704.
Sold by J. Smith at the Lyon and Crown in Russel-street Covent Garden.
Fine & rare mezzotint, 18th century watermark; 295 x 220mm (11½ x 8¾"). Narrow margins, slight cockling, tipped onto album paper. Ink collector's stamp in image.
The Madonna and the infant Christ, with the infant John the Baptist holding the reed cross.
Ex: collections of The Hon. Christopher Lennox-Boyd & Dr E. Peart (c.1756-1824), Lugt 891.
[Ref: 68694] £420.00
Fredericus Borocius Urb: pinx. J. Smith Fec. 1704.
Sold by J. Smith at the Lyon and Crown in Russel-street Covent Garden.
Fine & rare mezzotint, 18th century watermark; 295 x 220mm (11½ x 8¾"). Narrow margins, slight cockling, tipped onto album paper. Ink collector's stamp in image.
The Madonna and the infant Christ, with the infant John the Baptist holding the reed cross.
Ex: collections of The Hon. Christopher Lennox-Boyd & Dr E. Peart (c.1756-1824), Lugt 891.
[Ref: 68694] £420.00
![[Virgin and Christ child.]](jpegs/68846.jpg)
[Virgin and Christ child.]
From a Drawing by Luti. CWB [monogram of Captain William Baillie] 1767. [But later]
Etching, printed in sepia. 210 x 210mm (8¼ x 8¼"), with large margins.
Etching after Benedetto Luti (1666-1724) by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68846] £120.00 (£144.00 incl.VAT)
From a Drawing by Luti. CWB [monogram of Captain William Baillie] 1767. [But later]
Etching, printed in sepia. 210 x 210mm (8¼ x 8¼"), with large margins.
Etching after Benedetto Luti (1666-1724) by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68846] £120.00 (£144.00 incl.VAT)
![[Virgin and Christ child.]](jpegs/68845.jpg)
[Virgin and Christ child.]
From a Drawing by Luti. CWB [monogram of Captain William Baillie] 1767.
Etching, printed in sepia, 210 x 210mm (8¼ x 8¼"), with large margins. On 18th century watermarked paper.
Etching after Benedetto Luti (1666-1724) by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68845] £180.00 (£216.00 incl.VAT)
From a Drawing by Luti. CWB [monogram of Captain William Baillie] 1767.
Etching, printed in sepia, 210 x 210mm (8¼ x 8¼"), with large margins. On 18th century watermarked paper.
Etching after Benedetto Luti (1666-1724) by Captain William Baillie (1723-1810), who retired from the army in 1761 and devoted himself to printmaking and dealing. He specialised in imitating old-master drawings and prints, using a variety of printmaking techniques.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68845] £180.00 (£216.00 incl.VAT)
M Magdalena.
G: Schalcken pinxit majori forma. J Smith fec: & excud:
[n.d., c.1695.]
Mezzotint. 345 x 250mm (13¾ x 9¾").
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68696] £260.00 (£312.00 incl.VAT)
G: Schalcken pinxit majori forma. J Smith fec: & excud:
[n.d., c.1695.]
Mezzotint. 345 x 250mm (13¾ x 9¾").
Mary Magdalene resting on a rock, wearing a loose dress with one breast bared, a halo above her head. Under her elbow is a rock; a skull lies beside her. Challoner Smith suggests it is a portrait of Mrs. Voss, Godfrey Kneller's mistress.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68696] £260.00 (£312.00 incl.VAT)
![[St Paul.] Done from the Original Painting in the Collection of the Right Honourable John Lord Viscount Tyrconnel,](jpegs/68771.jpg)
[St Paul.] Done from the Original Painting in the Collection of the Right Honourable John Lord Viscount Tyrconnel, Knight of the most Hon:ble Order of the Bath To whom this Plate is Humbly Dedicated by his Lordship's Obliged and Obedient Servant, John Faber.
S.r Ant.y Van Dyke pinx.t. J. Faber fecit 1741.
Sold by Faber at ye Golden Head in Bloomsbury Square.
Mezzotint. 330 x 230mm (13 x 9"), large margins Marks in background, inscription area and margins.
An old bearded man swathed wearing a cloak with one hand on a book with leather ties. The same plate was reissued by Robert Sayer with the title 'Saint Paul'.
Not in CS. Ex Belton Collection.
[Ref: 68771] £260.00 (£312.00 incl.VAT)
S.r Ant.y Van Dyke pinx.t. J. Faber fecit 1741.
Sold by Faber at ye Golden Head in Bloomsbury Square.
Mezzotint. 330 x 230mm (13 x 9"), large margins Marks in background, inscription area and margins.
An old bearded man swathed wearing a cloak with one hand on a book with leather ties. The same plate was reissued by Robert Sayer with the title 'Saint Paul'.
Not in CS. Ex Belton Collection.
[Ref: 68771] £260.00 (£312.00 incl.VAT)
Effigies Reverendi admodum Viri, Thomæ Smith Episcopi Carliolensis. Anno Christi 1701. Ætatis Suæ 87.
Timo: Stephenson pinx: J: Smith fec: et ex:
[n.d., c.1701.]
Mezzotint, 18th century watermark. 325 x 235mm (12¾ x 9¼"). Narrow margins, nick lower left, creasing in corners.
A half-length portrait of Thomas Smith (1615-1702), who served as chaplain to Charles II before becoming Bishop of Carlile in 1684.
CS 233. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68657] £130.00 (£156.00 incl.VAT)
Timo: Stephenson pinx: J: Smith fec: et ex:
[n.d., c.1701.]
Mezzotint, 18th century watermark. 325 x 235mm (12¾ x 9¼"). Narrow margins, nick lower left, creasing in corners.
A half-length portrait of Thomas Smith (1615-1702), who served as chaplain to Charles II before becoming Bishop of Carlile in 1684.
CS 233. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68657] £130.00 (£156.00 incl.VAT)
![[The marriage of St Catherine.]](jpegs/68847.jpg)
[The marriage of St Catherine.]
[Engravd by Capt: Baillie from a Drawing of Romanelli:
June ye 5. 1778.]
Soft ground etching, proof before letters, printed in sanguine, 250 x 200mm (9¾ x 8"). On 18th century watermarked paper. Creasing, small margins.
The infant Jesus puts a ring on the finger of St Catherine of Alexandria, an early 4th century Christian saint and virgin martyr, patron of education and learning, mystically 'married' to Christ. Behind is the Virgin Mary, with cherubs in the clouds all around. Engraved after Giovanni Francesco Romanelli by Capt William Baillie (1723 - 1810) who retired from the army and became a picture dealer. He was also an amateur then semi-professional printmaker, later selling his plates to Boydell. After Giovanni Francesco Romanelli (c.1610 - 1662).
Ex: collection of The Hon. Christopher Lennox-Boyd. See [Ref: 12217] for lettered version.
[Ref: 68847] £180.00 (£216.00 incl.VAT)
[Engravd by Capt: Baillie from a Drawing of Romanelli:
June ye 5. 1778.]
Soft ground etching, proof before letters, printed in sanguine, 250 x 200mm (9¾ x 8"). On 18th century watermarked paper. Creasing, small margins.
The infant Jesus puts a ring on the finger of St Catherine of Alexandria, an early 4th century Christian saint and virgin martyr, patron of education and learning, mystically 'married' to Christ. Behind is the Virgin Mary, with cherubs in the clouds all around. Engraved after Giovanni Francesco Romanelli by Capt William Baillie (1723 - 1810) who retired from the army and became a picture dealer. He was also an amateur then semi-professional printmaker, later selling his plates to Boydell. After Giovanni Francesco Romanelli (c.1610 - 1662).
Ex: collection of The Hon. Christopher Lennox-Boyd. See [Ref: 12217] for lettered version.
[Ref: 68847] £180.00 (£216.00 incl.VAT)
![[Marriage of St Margaret and King Malcolm of Scotland.]](jpegs/68642.jpg)
[Marriage of St Margaret and King Malcolm of Scotland.]
AR [monogram of Alexander Runciman] Pinxit & ficit.
[n.d c.1760.]
Rare & fine etching, 240 x 185mm (9½ x 7¼"), with very large margins.
A scene showing the marriage of King Malcolm (c.1031–1093) and Saint Margaret (c.1045–93), Malcolm is shown placing a ring on Margaret's finger while the ceremony is presided over by a bishop, members of the court gather around them in the church. An etching by Scottish artist Alexander Runciman (1736-1785) one of the earliest exponents of original etching in Scotland.
[Ref: 68642] £320.00
AR [monogram of Alexander Runciman] Pinxit & ficit.
[n.d c.1760.]
Rare & fine etching, 240 x 185mm (9½ x 7¼"), with very large margins.
A scene showing the marriage of King Malcolm (c.1031–1093) and Saint Margaret (c.1045–93), Malcolm is shown placing a ring on Margaret's finger while the ceremony is presided over by a bishop, members of the court gather around them in the church. An etching by Scottish artist Alexander Runciman (1736-1785) one of the earliest exponents of original etching in Scotland.
[Ref: 68642] £320.00
![[Catherine Voss as Saint Agnes.]](jpegs/68688.jpg)
[Catherine Voss as Saint Agnes.]
[Engraved by John Smith after Godfrey Kneller.]
Printed for John Bowles at the Black Horse in Cornhill [n.d., c.1730].
Mezzotint. 150 x 110mm (6 x 4¼"), large margins. Tear taped. Crack in plate on right.
A portrait of Catherine Voss (1685/90-1714) portrayed as Saint Agnes of Rome, holding a book and lamb. Voss was the illegitimate daughter of Godfrey Kneller by Mrs. Voss (proprietress of a coffee-house in St. James's Market). Called Catherine, but also known as Agnes, she later married a Mr. Huckle by whom she had son, Godfrey Huckle Kneller. Kneller left her his fortune with a request that her son should assume his name. Kneller's oil is in the Fitzwilliam Museum.
CS 262A. Russell 262a ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68688] £260.00 (£312.00 incl.VAT)
[Engraved by John Smith after Godfrey Kneller.]
Printed for John Bowles at the Black Horse in Cornhill [n.d., c.1730].
Mezzotint. 150 x 110mm (6 x 4¼"), large margins. Tear taped. Crack in plate on right.
A portrait of Catherine Voss (1685/90-1714) portrayed as Saint Agnes of Rome, holding a book and lamb. Voss was the illegitimate daughter of Godfrey Kneller by Mrs. Voss (proprietress of a coffee-house in St. James's Market). Called Catherine, but also known as Agnes, she later married a Mr. Huckle by whom she had son, Godfrey Huckle Kneller. Kneller left her his fortune with a request that her son should assume his name. Kneller's oil is in the Fitzwilliam Museum.
CS 262A. Russell 262a ii of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68688] £260.00 (£312.00 incl.VAT)
![[Catherine Voss as Saint Agnes.]](jpegs/68687.jpg)
[Catherine Voss as Saint Agnes.]
[Engraved by John Smith after Godfrey Kneller.]
[Published by John Smith, n.d., c.1716.]
Mezzotint, rare proof before letters. 150 x 110mm (6 x 4¼"), large margins. Paper toned.
A portrait of Catherine Voss (1685/90-1714) portrayed as Saint Agnes of Rome, holding a book and lamb. Voss was the illegitimate daughter of Godfrey Kneller by Mrs. Voss (proprietress of a coffee-house in St. James's Market). Called Catherine, but also known as Agnes, she later married a Mr. Huckle by whom she had son, Godfrey Huckle Kneller. Kneller left her his fortune with a request that her son should assume his name. Kneller's oil is in the Fitzwilliam Museum.
CS 262A. Russell 262a i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68687] £180.00 (£216.00 incl.VAT)
[Engraved by John Smith after Godfrey Kneller.]
[Published by John Smith, n.d., c.1716.]
Mezzotint, rare proof before letters. 150 x 110mm (6 x 4¼"), large margins. Paper toned.
A portrait of Catherine Voss (1685/90-1714) portrayed as Saint Agnes of Rome, holding a book and lamb. Voss was the illegitimate daughter of Godfrey Kneller by Mrs. Voss (proprietress of a coffee-house in St. James's Market). Called Catherine, but also known as Agnes, she later married a Mr. Huckle by whom she had son, Godfrey Huckle Kneller. Kneller left her his fortune with a request that her son should assume his name. Kneller's oil is in the Fitzwilliam Museum.
CS 262A. Russell 262a i of ii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68687] £180.00 (£216.00 incl.VAT)
![[Catherine Voss] St. Agnes.](jpegs/68540.jpg)
[Catherine Voss] St. Agnes.
G.Kneller S.R.Imp: et Mag: Brit. Baronet Pinx. J.Smith Fec et ex.
1716. [But later]
Mezzotint. 350 x 250mm (13¾ x 9¾"). Horizontal crease across lower centre of image.
Portrait of Catherine Voss (1685/90-1714) as St Agnes, half-length to front embracing lamb on bank before her, holding book in her left hand, head turned to right. The illegitimate daughter of Godfrey Kneller by Mrs. Voss (proprietress of a coffee-house in St. James's Market). Called Catherine, but also known as Agnes, she later married a Mr. Huckle by whom she had son, Godfrey Huckle Kneller. Kneller left her his fortune with a request that her son should assume his name.
CS 262 iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd. See also [Ref: 68880].
[Ref: 68540] £180.00 (£216.00 incl.VAT)
G.Kneller S.R.Imp: et Mag: Brit. Baronet Pinx. J.Smith Fec et ex.
1716. [But later]
Mezzotint. 350 x 250mm (13¾ x 9¾"). Horizontal crease across lower centre of image.
Portrait of Catherine Voss (1685/90-1714) as St Agnes, half-length to front embracing lamb on bank before her, holding book in her left hand, head turned to right. The illegitimate daughter of Godfrey Kneller by Mrs. Voss (proprietress of a coffee-house in St. James's Market). Called Catherine, but also known as Agnes, she later married a Mr. Huckle by whom she had son, Godfrey Huckle Kneller. Kneller left her his fortune with a request that her son should assume his name.
CS 262 iii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd. See also [Ref: 68880].
[Ref: 68540] £180.00 (£216.00 incl.VAT)
The Reverend Iohn Wesley. M.A.
G: Romney pinx.t. J: Spilsbury sculp.t
Publish'd June 1.st 1789 by I. Spilsbury No.10 St Georges Row, Hyde Park, London & sold by j. Wilkinson, No.58 Cornhill.
Mezzotint. 325 x 230mm (12¾ x 9"), large margins. Slighting time staining.
Half-length portrait of John Wesley (1703-91), the Founder of Methodism.
CS: 37. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 69025] £280.00 (£336.00 incl.VAT)
G: Romney pinx.t. J: Spilsbury sculp.t
Publish'd June 1.st 1789 by I. Spilsbury No.10 St Georges Row, Hyde Park, London & sold by j. Wilkinson, No.58 Cornhill.
Mezzotint. 325 x 230mm (12¾ x 9"), large margins. Slighting time staining.
Half-length portrait of John Wesley (1703-91), the Founder of Methodism.
CS: 37. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 69025] £280.00 (£336.00 incl.VAT)