A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
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![[Battersea.] [Set of three views.]](jpegs/68433.jpg)
[Battersea.] [Set of three views.]
Engraved by C.Tomkins.
Published June 1st 1784 by H.W.Billington Nº438 Strand London.
Scarce set of engravings. Sheets 210 x 145mm (8¼ x 5¾"). On 18th century watermarked paper. Trimmed into plate and edges backed onto album paper.
Set of three topographical oval views of Battersea and the Thames. A view from the bank overlooking the river, a man and woman in the left foreground and a sail boat in the right foreground. A view of the bank, in the foreground a man and dog watch two men carrying a boat, the river in the background. A view of the bank, in the foreground a man with a wheelbarrow and a man and woman fishing in the river, in the background sail boats drift along the river.
[Ref: 68433] £460.00 view all images for this item
Engraved by C.Tomkins.
Published June 1st 1784 by H.W.Billington Nº438 Strand London.
Scarce set of engravings. Sheets 210 x 145mm (8¼ x 5¾"). On 18th century watermarked paper. Trimmed into plate and edges backed onto album paper.
Set of three topographical oval views of Battersea and the Thames. A view from the bank overlooking the river, a man and woman in the left foreground and a sail boat in the right foreground. A view of the bank, in the foreground a man and dog watch two men carrying a boat, the river in the background. A view of the bank, in the foreground a man with a wheelbarrow and a man and woman fishing in the river, in the background sail boats drift along the river.
[Ref: 68433] £460.00 view all images for this item
![[Coronation of Charles II, 1661.]](jpegs/68296.jpg)
[Coronation of Charles II, 1661.]
[Wenceslaus Hollar, 1662.]
[John Ogilby]
Etching. Sheet 360 x 465mm (14¼ x 18¼"). Trimmed to image, central fold as normal, repairs to damage in central fold.
The coronation of Charles II at Westminster Abbey on 23 April 1661. Published in 'The entertainment of His most excellent Majestie Charles II...' (1662) by John Ogilby. Ogilby had obtained exclusive publishing rights for the coronation procession days before it took place, rushing out a simple and unillustrated text in time for the event, and over the next year worked on this sumptuous account with engravings by leading engravers including (as here) Wenceslaus Hollar, (1607-77), Bohemian printmaker who spent most of his career working in England. Hollar's technical skill has ensured that his prints have always been keenly collected, and comprehensive collections of his work are at institutions in London, Berlin and Prague.
P 575
[Ref: 68296] £450.00
[Wenceslaus Hollar, 1662.]
[John Ogilby]
Etching. Sheet 360 x 465mm (14¼ x 18¼"). Trimmed to image, central fold as normal, repairs to damage in central fold.
The coronation of Charles II at Westminster Abbey on 23 April 1661. Published in 'The entertainment of His most excellent Majestie Charles II...' (1662) by John Ogilby. Ogilby had obtained exclusive publishing rights for the coronation procession days before it took place, rushing out a simple and unillustrated text in time for the event, and over the next year worked on this sumptuous account with engravings by leading engravers including (as here) Wenceslaus Hollar, (1607-77), Bohemian printmaker who spent most of his career working in England. Hollar's technical skill has ensured that his prints have always been keenly collected, and comprehensive collections of his work are at institutions in London, Berlin and Prague.
P 575
[Ref: 68296] £450.00
Datchet Bridge upon the River Thames.
Wm. Oram delin.
London Re-published Jan.y 1.1801, by Rob.t Wilkinson, No.58, Cornhill.
Engraving with very fine colour. Sheet 365 x 235mm (14¼ x 9¼"). Trimmed and edges of plate tipped into on album paper.
A view of the wooden bridge over the Thames, drawn by painter and architect William Oram (d.1777), first published in 1745.
[Ref: 68416] £260.00 (£312.00 incl.VAT)
Wm. Oram delin.
London Re-published Jan.y 1.1801, by Rob.t Wilkinson, No.58, Cornhill.
Engraving with very fine colour. Sheet 365 x 235mm (14¼ x 9¼"). Trimmed and edges of plate tipped into on album paper.
A view of the wooden bridge over the Thames, drawn by painter and architect William Oram (d.1777), first published in 1745.
[Ref: 68416] £260.00 (£312.00 incl.VAT)
An Iron Work at Downton, Herefordshire.
Drawn by T. Hearne. Etch'd by B.T. Pouncy.
London, Published June 2, 1798 by W. Lowry, 57 Titchfield Street, for W. Alexander, 48 Newman Street.
Engraving. Sheet: 255 x 320mm (10 x 12½"). Trimmed to platemark.
A view of an iron works in Herefordshire, the works are set amongst a wooded landscape.
[Ref: 68271] £120.00 (£144.00 incl.VAT)
Drawn by T. Hearne. Etch'd by B.T. Pouncy.
London, Published June 2, 1798 by W. Lowry, 57 Titchfield Street, for W. Alexander, 48 Newman Street.
Engraving. Sheet: 255 x 320mm (10 x 12½"). Trimmed to platemark.
A view of an iron works in Herefordshire, the works are set amongst a wooded landscape.
[Ref: 68271] £120.00 (£144.00 incl.VAT)
Eaton.
J.Farington R.A.del.t. J.C.Stadler, Sculp.t.
Pub. June 1.1793, by J & J.Boydell, Shakespeare Gallery Pall Mall, & N°90, Cheapside London.
Engraving with fine colour. Sheet 320 x 215mm (12½ x 8½"). Trimmed and edges of plate laid on album paper at edges.
A view of Eton, the River Thames in the foreground, with houses lining the bank. On the opposite side of the river, three cows graze in a field, beyond which Eton College rises in the background. Several boats are visible on the water, including a large barge positioned to the right.
[Ref: 68417] £240.00 (£288.00 incl.VAT)
J.Farington R.A.del.t. J.C.Stadler, Sculp.t.
Pub. June 1.1793, by J & J.Boydell, Shakespeare Gallery Pall Mall, & N°90, Cheapside London.
Engraving with fine colour. Sheet 320 x 215mm (12½ x 8½"). Trimmed and edges of plate laid on album paper at edges.
A view of Eton, the River Thames in the foreground, with houses lining the bank. On the opposite side of the river, three cows graze in a field, beyond which Eton College rises in the background. Several boats are visible on the water, including a large barge positioned to the right.
[Ref: 68417] £240.00 (£288.00 incl.VAT)
Fountain's Abbey, from the South East; Situate two Miles West of Rippon in Yorkshire.
Tho. Smith Pinx. F. Vivares sculp.
Publish'd 1769 by J. Boydell Engraver in Cheapside No 90, H. Parker in Cornhill No 82, & J. Bowles No 13. in Cornhill.
Coloured engraving. Sheet 380 x 530mm (15 x 20¾"). Trimmed into image on three sides, into inscription area at bottom, laid on board.
Fountains Abbey, the largest and best preserved Cistercian houses in England. Founded in 1132 it lasted for over 400 years, until Henry VIII ordered the Dissolution of the Monasteries in 1539. It is now part of the Studley Royal Park, a UNESCO World Heritage Site. This view was published the year after William Aislabie (1700-81) bought the Fountains estate for £16,000 and added it to the Studley estate that he had inherited, expanding his father's water garden around the abbey.
[Ref: 68275] £260.00 (£312.00 incl.VAT)
Tho. Smith Pinx. F. Vivares sculp.
Publish'd 1769 by J. Boydell Engraver in Cheapside No 90, H. Parker in Cornhill No 82, & J. Bowles No 13. in Cornhill.
Coloured engraving. Sheet 380 x 530mm (15 x 20¾"). Trimmed into image on three sides, into inscription area at bottom, laid on board.
Fountains Abbey, the largest and best preserved Cistercian houses in England. Founded in 1132 it lasted for over 400 years, until Henry VIII ordered the Dissolution of the Monasteries in 1539. It is now part of the Studley Royal Park, a UNESCO World Heritage Site. This view was published the year after William Aislabie (1700-81) bought the Fountains estate for £16,000 and added it to the Studley estate that he had inherited, expanding his father's water garden around the abbey.
[Ref: 68275] £260.00 (£312.00 incl.VAT)
![[Osler's Crystal Fountain]](jpegs/68488.jpg)
[Osler's Crystal Fountain]
F. Bedford Del Et Lith.
W. Digby Wyatt Dirext. [n.d. c.1851] [London: published by Day and Son, lithographers to the Queen, [1851-1853]]
Chromolithograph, sheet 405 x 255mm (15¾ x 10"). Trimmed around image.
Plate 23 from, 'Plate 40 from M. Digby Wyatt, The industrial arts of the nineteenth century: a series of illustrations of the choicest specimens produced by every nation at the Great Exhibition of the Works of Industry, 1851; dedicated, by permission, to his Royal Highness the Prince Albert (London: published by Day and Son, lithographers to the Queen, [1851-1853])'. An image of the Crystal Fountain, designed by Abraham Follett Osler (1808–1903), standing in the heart of the Transept at the Great exhibition. It was said to be 27 feet tall and needed four tons of glass to construct it.
[Ref: 68488] £80.00 (£96.00 incl.VAT)
F. Bedford Del Et Lith.
W. Digby Wyatt Dirext. [n.d. c.1851] [London: published by Day and Son, lithographers to the Queen, [1851-1853]]
Chromolithograph, sheet 405 x 255mm (15¾ x 10"). Trimmed around image.
Plate 23 from, 'Plate 40 from M. Digby Wyatt, The industrial arts of the nineteenth century: a series of illustrations of the choicest specimens produced by every nation at the Great Exhibition of the Works of Industry, 1851; dedicated, by permission, to his Royal Highness the Prince Albert (London: published by Day and Son, lithographers to the Queen, [1851-1853])'. An image of the Crystal Fountain, designed by Abraham Follett Osler (1808–1903), standing in the heart of the Transept at the Great exhibition. It was said to be 27 feet tall and needed four tons of glass to construct it.
[Ref: 68488] £80.00 (£96.00 incl.VAT)
S.t Brelades Bay, Jersey.
Drawn by Le Capelain _ L. Haghe lith. Day & Son, lith.rs to the Queen
[Jersey: Philip Falle, 1847.]
Tinted lithograph. Sheet 410 x 580mm (16¼ x 23"). Repaired tears in margins & title area
John Le Capelain (1812-48) commemorated the 1846 visit of Queen Victoria and Prince Albert with 'The Queen's Visit to Jersey', which was presented to her as an official souvenir by the States of Jersey. This led the Queen to commission Le Capelain to paint the Isle of Wight, but on the island he developed tuberculosis, dying on Jersey in 1848.
[Ref: 68320] £230.00 (£276.00 incl.VAT)
Drawn by Le Capelain _ L. Haghe lith. Day & Son, lith.rs to the Queen
[Jersey: Philip Falle, 1847.]
Tinted lithograph. Sheet 410 x 580mm (16¼ x 23"). Repaired tears in margins & title area
John Le Capelain (1812-48) commemorated the 1846 visit of Queen Victoria and Prince Albert with 'The Queen's Visit to Jersey', which was presented to her as an official souvenir by the States of Jersey. This led the Queen to commission Le Capelain to paint the Isle of Wight, but on the island he developed tuberculosis, dying on Jersey in 1848.
[Ref: 68320] £230.00 (£276.00 incl.VAT)
Departure of the Royal Squadron, September 4.th 1846.
Drawn by Le Capelain _ T. Picken lith. Day & Son, lith.rs to the Queen
[Jersey: Philip Falle, 1847.]
Tinted lithograph. Sheet 415 x 565mm (16¼ x 22¼").
The 'Victoria and Albert' on the right, as the fleet leaves Jersey at 7.45am. John Le Capelain (1812-48) commemorated the 1846 visit of Queen Victoria and Prince Albert with 'The Queen's Visit to Jersey', which was presented to her as an official souvenir by the States of Jersey. This led the Queen to commission Le Capelain to paint the Isle of Wight, but on the island he developed tuberculosis, dying on Jersey in 1848.
[Ref: 68321] £230.00 (£276.00 incl.VAT)
Drawn by Le Capelain _ T. Picken lith. Day & Son, lith.rs to the Queen
[Jersey: Philip Falle, 1847.]
Tinted lithograph. Sheet 415 x 565mm (16¼ x 22¼").
The 'Victoria and Albert' on the right, as the fleet leaves Jersey at 7.45am. John Le Capelain (1812-48) commemorated the 1846 visit of Queen Victoria and Prince Albert with 'The Queen's Visit to Jersey', which was presented to her as an official souvenir by the States of Jersey. This led the Queen to commission Le Capelain to paint the Isle of Wight, but on the island he developed tuberculosis, dying on Jersey in 1848.
[Ref: 68321] £230.00 (£276.00 incl.VAT)
The Arrival of the Royal Squadron, Jersey, Sep.r 3.rd 1846.
Drawn by Le Capelain _ L. Haghe lith. Day & Son, lith.rs to the Queen
[Jersey: Philip Falle, 1847.]
Tinted lithograph. Sheet 405 x 550mm (16 x 21¾"). Repaired tear in top margin.
A view of the bay of St Aubin and St Helier at sunset, with Elizabeth Castle. John Le Capelain (1812-48) commemorated the 1846 visit of Queen Victoria and Prince Albert with 'The Queen's Visit to Jersey', which was presented to her as an official souvenir by the States of Jersey. This led the Queen to commission Le Capelain to paint the Isle of Wight, but on the island he developed tuberculosis, dying on Jersey in 1848.
[Ref: 68319] £230.00 (£276.00 incl.VAT)
Drawn by Le Capelain _ L. Haghe lith. Day & Son, lith.rs to the Queen
[Jersey: Philip Falle, 1847.]
Tinted lithograph. Sheet 405 x 550mm (16 x 21¾"). Repaired tear in top margin.
A view of the bay of St Aubin and St Helier at sunset, with Elizabeth Castle. John Le Capelain (1812-48) commemorated the 1846 visit of Queen Victoria and Prince Albert with 'The Queen's Visit to Jersey', which was presented to her as an official souvenir by the States of Jersey. This led the Queen to commission Le Capelain to paint the Isle of Wight, but on the island he developed tuberculosis, dying on Jersey in 1848.
[Ref: 68319] £230.00 (£276.00 incl.VAT)
Palatium Archiepiscopi Cantuariensis propæ Londinium, vulgo Lambeth House.
W. Hollar fecit 1647.
Etching. Sheet 145 x 320mm (5¾ x 12½"). Trimmed to printed border, losing numeral lower right, worm holes filled. Slight creasing.
A view of Lambeth Palace from the Thames, with Archibishop Laud and his retinue about to board his barge.
Pennington 1039, state ii of iii.
[Ref: 68286] £280.00 (£336.00 incl.VAT)
W. Hollar fecit 1647.
Etching. Sheet 145 x 320mm (5¾ x 12½"). Trimmed to printed border, losing numeral lower right, worm holes filled. Slight creasing.
A view of Lambeth Palace from the Thames, with Archibishop Laud and his retinue about to board his barge.
Pennington 1039, state ii of iii.
[Ref: 68286] £280.00 (£336.00 incl.VAT)
On the North side of London.
WHollar delin et sculp 1665 [but later]
Etching, sheet 95 x 130mm (3¾ x 5"). Trimmed.
View of London from Islington made shortly before the Great Fire of London, with the old St Paul's cathedral in the distance and three men practicing archery in the foreground. Etching by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England. Hollar's technical skill has ensured that his prints have always been keenly collected, and comprehensive collections of his work are at institutions in London, Berlin and Prague. Hollar's life was changed when he met Thomas Howard, second earl of Arundel, at Cologne in 1636: for eight months he travelled in Arundel's retinue at travelled with him to London, taking lodgings at Arundel House and marrying a servant of the countess of Arundel. This is one of a group of small views from north London sometimes thought to have been issued as a set.
Pennington 918 ii/ii.
[Ref: 68301] £260.00 (£312.00 incl.VAT)
WHollar delin et sculp 1665 [but later]
Etching, sheet 95 x 130mm (3¾ x 5"). Trimmed.
View of London from Islington made shortly before the Great Fire of London, with the old St Paul's cathedral in the distance and three men practicing archery in the foreground. Etching by Wenceslaus Hollar (1607-77), Bohemian printmaker who spent most of his career working in England. Hollar's technical skill has ensured that his prints have always been keenly collected, and comprehensive collections of his work are at institutions in London, Berlin and Prague. Hollar's life was changed when he met Thomas Howard, second earl of Arundel, at Cologne in 1636: for eight months he travelled in Arundel's retinue at travelled with him to London, taking lodgings at Arundel House and marrying a servant of the countess of Arundel. This is one of a group of small views from north London sometimes thought to have been issued as a set.
Pennington 918 ii/ii.
[Ref: 68301] £260.00 (£312.00 incl.VAT)
![[A decorated urn on a plinth] Vase in the Garden at Petworth.](jpegs/68302.jpg)
[A decorated urn on a plinth] Vase in the Garden at Petworth.
A L [monogram of Amelia Long on stone.]
[British, n.d., c.1837.]
Rare lithograph, 295 x 205mm. 11½ x 8". Original card mount watermarked 1837, with ink ruled border. Some light foxing.
An attractive and detailed study of garden furniture at Petworth House, Sussex. Amelia Long (née Hume), Lady Farnborough (1772-1837). In 1793 she married Charles Long, created Baron Farnborough in 1826. An amateur etcher and a vigorous patron of the arts, she assisted the watercolourist Thomas Girtin (1775-1802) to make his one visit to Paris in 1801. Lady Farnborough was Girtin's favourite pupil, and her work was widely admired by professional artists and drawing masters. Her watercolours also show the influence of her contemporary John Varley.
[Ref: 68302] £260.00 (£312.00 incl.VAT)
A L [monogram of Amelia Long on stone.]
[British, n.d., c.1837.]
Rare lithograph, 295 x 205mm. 11½ x 8". Original card mount watermarked 1837, with ink ruled border. Some light foxing.
An attractive and detailed study of garden furniture at Petworth House, Sussex. Amelia Long (née Hume), Lady Farnborough (1772-1837). In 1793 she married Charles Long, created Baron Farnborough in 1826. An amateur etcher and a vigorous patron of the arts, she assisted the watercolourist Thomas Girtin (1775-1802) to make his one visit to Paris in 1801. Lady Farnborough was Girtin's favourite pupil, and her work was widely admired by professional artists and drawing masters. Her watercolours also show the influence of her contemporary John Varley.
[Ref: 68302] £260.00 (£312.00 incl.VAT)
![In Sussex [in pencil]](jpegs/68392.jpg)
In Sussex [in pencil] 2/50
Marjorie Firth [signed in pencil]
1935 [in pencil]
Very rare modern wood engraving in original mount, 145 x 225mm (5¾ x 8¾). Limited edition of 50. Slight mountburn.
A view of Lancing College in Sussex. Margaret 'Marjorie' Firth (1898–1991) was a British painter and printmaker. She studied at the Bradford School of Art under Fred Stead and Harry Butler. She has exhibited with the English Wood Engraving Society, Redfern Gallery, Royal Academy, Society of Women Artists and the New English Art Club. The Hunterian, Manchester Art Gallery hold examples of her work, as well as the British Museum.
[Ref: 68392] £280.00 (£336.00 incl.VAT)
Marjorie Firth [signed in pencil]
1935 [in pencil]
Very rare modern wood engraving in original mount, 145 x 225mm (5¾ x 8¾). Limited edition of 50. Slight mountburn.
A view of Lancing College in Sussex. Margaret 'Marjorie' Firth (1898–1991) was a British painter and printmaker. She studied at the Bradford School of Art under Fred Stead and Harry Butler. She has exhibited with the English Wood Engraving Society, Redfern Gallery, Royal Academy, Society of Women Artists and the New English Art Club. The Hunterian, Manchester Art Gallery hold examples of her work, as well as the British Museum.
[Ref: 68392] £280.00 (£336.00 incl.VAT)
![[Tothill Fields]](jpegs/68291.jpg)
[Tothill Fields]
[Abraham Aubry after Wenceslaus Hollar, c.1644]
Etching, sheet 90 x 165mm (3½ x 6½"). Trimmed to image and glued to backing sheet.
View across Tothill Fields towards Westminster Abbey (marked 'S. Peter in westminster'), with Parliament buildings to the right and the old St. Paul's Cathedral (destroyed by the 1666 fire) in background. Copy by Abraham Aubry of an etching by Wenceslaus Hollar (1607-77), whose etching was originally issued as part of a set of four English views (the other three were of central London and Windsor). Born in Bohemia, Hollar spent around 32 of his 52 years as a professional artist working in England. An outstanding draughtsman and topographical etcher, Hollar's work was enormously varied and has done much to inform the way that 17th century London is visualised.
Pennington 913 (copy)
[Ref: 68291] £90.00 (£108.00 incl.VAT)
[Abraham Aubry after Wenceslaus Hollar, c.1644]
Etching, sheet 90 x 165mm (3½ x 6½"). Trimmed to image and glued to backing sheet.
View across Tothill Fields towards Westminster Abbey (marked 'S. Peter in westminster'), with Parliament buildings to the right and the old St. Paul's Cathedral (destroyed by the 1666 fire) in background. Copy by Abraham Aubry of an etching by Wenceslaus Hollar (1607-77), whose etching was originally issued as part of a set of four English views (the other three were of central London and Windsor). Born in Bohemia, Hollar spent around 32 of his 52 years as a professional artist working in England. An outstanding draughtsman and topographical etcher, Hollar's work was enormously varied and has done much to inform the way that 17th century London is visualised.
Pennington 913 (copy)
[Ref: 68291] £90.00 (£108.00 incl.VAT)
Tunbridge Wells humbly Dedicated to Thomas Pellet M.D.
T. Badslade Delin. I Kip Sculp.
[London: D. Midwinter, 1719.]
Engraving, very fine impression, 18th century watermark. 350 x 430mm (13¾ x 17"), with very large margins. Central crease as normal as issued.
A detailed bird's-eye view engraved by Johannes Kip after Thomas Badeslade for John Harris's 'History of Kent in Five Parts'. The houses are named in the image, with the wells in the centre of the plate. The title is on a scroll at the top of the plate, along with Pellet's armorial. Thomas Pellet was elected a fellow of the Royal College of Physicians in 1716 and served as President 1735-9. William Hogarth painted his portrait about that time, which is now in the Tate Gallery.
[Ref: 68282] £260.00 (£312.00 incl.VAT)
T. Badslade Delin. I Kip Sculp.
[London: D. Midwinter, 1719.]
Engraving, very fine impression, 18th century watermark. 350 x 430mm (13¾ x 17"), with very large margins. Central crease as normal as issued.
A detailed bird's-eye view engraved by Johannes Kip after Thomas Badeslade for John Harris's 'History of Kent in Five Parts'. The houses are named in the image, with the wells in the centre of the plate. The title is on a scroll at the top of the plate, along with Pellet's armorial. Thomas Pellet was elected a fellow of the Royal College of Physicians in 1716 and served as President 1735-9. William Hogarth painted his portrait about that time, which is now in the Tate Gallery.
[Ref: 68282] £260.00 (£312.00 incl.VAT)
![[Vauxhall Bridge] This Plate exhibiting a Picturesque Elevation of the Iron Bridge Erected over the Thames at Vauxhall,](jpegs/68446.jpg)
[Vauxhall Bridge] This Plate exhibiting a Picturesque Elevation of the Iron Bridge Erected over the Thames at Vauxhall, under the Direction of James Walker, Engineer, & compleated A.D. 1816, Is respectfully Dedicated to the Vauxhall Bridge Company, by their very Obedient & humble Servant, Sam.l Cossart.
Sam.l Cossart del. J.s Basire, sculp.
Published as the Act directs, Nov.r 1, 1816.
Engraving. 295 x 620mm (11¾ x 24½"). Trimmed and edges backed onto album paper at edges. Fold down right side.
The first Vauxhall Bridge, opened as a toll bridge in 1816, replaced 1906. A scale bar is drawn on a raft of timber lower right.
See [Ref: 56685] for one with colour.
[Ref: 68446] £280.00 (£336.00 incl.VAT)
Sam.l Cossart del. J.s Basire, sculp.
Published as the Act directs, Nov.r 1, 1816.
Engraving. 295 x 620mm (11¾ x 24½"). Trimmed and edges backed onto album paper at edges. Fold down right side.
The first Vauxhall Bridge, opened as a toll bridge in 1816, replaced 1906. A scale bar is drawn on a raft of timber lower right.
See [Ref: 56685] for one with colour.
[Ref: 68446] £280.00 (£336.00 incl.VAT)
Palatium Regis proprè Londinium, vulgo White-hall.
[Etched by Wenceslaus Hollar c.1647.]
Etching. 17th century watermark ? Sheet 145 x 320mm (5¾ x 12½"). Trimmed to printed border, losing numeral lower right, tear in bottom left corner repaired with acid free tape. Slight crease.
A view of Whitehall from the Thames, showing the Privy Stairs. The new Banqueting House rises above.
Pennington 1039, state ii of iii.
[Ref: 68285] £180.00 (£216.00 incl.VAT)
[Etched by Wenceslaus Hollar c.1647.]
Etching. 17th century watermark ? Sheet 145 x 320mm (5¾ x 12½"). Trimmed to printed border, losing numeral lower right, tear in bottom left corner repaired with acid free tape. Slight crease.
A view of Whitehall from the Thames, showing the Privy Stairs. The new Banqueting House rises above.
Pennington 1039, state ii of iii.
[Ref: 68285] £180.00 (£216.00 incl.VAT)