A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Frances Abington] Roxalana.](jpegs/67906.jpg)
[Frances Abington] Roxalana.
Painted by Sir Joshua Reynolds. Engraved by J.K. Shirwin.
London, Publish'd Feby. 1. 1791, by J. Thane, Rupert Street, Hay Market.
Fine stipple with etching, title in open letters. 285 x 210mm (11¼ x 8¼"), very large margins.
The famous comic actress Frances Abington (1737-1815) in character as Roxalana, an English slave in Isaac Bickstaffe's play 'The Sultan; or A Peep into the Seraglio' She is, as a contemporary newspaper reported, 'in the act of drawing the Curtain when she surprises the sultan in his retirement'. Mrs Abington was rumoured to have spent her teenage years working as a prostitute. After Sir Joshua Reynolds (1723 - 1792).
Hamilton: pg.77, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67906] £260.00 (£312.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engraved by J.K. Shirwin.
London, Publish'd Feby. 1. 1791, by J. Thane, Rupert Street, Hay Market.
Fine stipple with etching, title in open letters. 285 x 210mm (11¼ x 8¼"), very large margins.
The famous comic actress Frances Abington (1737-1815) in character as Roxalana, an English slave in Isaac Bickstaffe's play 'The Sultan; or A Peep into the Seraglio' She is, as a contemporary newspaper reported, 'in the act of drawing the Curtain when she surprises the sultan in his retirement'. Mrs Abington was rumoured to have spent her teenage years working as a prostitute. After Sir Joshua Reynolds (1723 - 1792).
Hamilton: pg.77, ii of iii. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67906] £260.00 (£312.00 incl.VAT)
St. Agnes.
Sir Joshua Reynolds pinx.t.
Publish'd as the Act directs June 25, 1787 by Torre & Co No.132 Pall Mall [but 19th century impression].
Engraving. 280 x 400mm (11 x 15¾"), with large margins. Stains in margins.
A portrait of a 'Mrs Quarrington' as St Agnes. Although she is described in contemporary accounts of the painting as an actress, she is otherwise unknown.
Hamilton 127. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67989] £130.00 (£156.00 incl.VAT)
Sir Joshua Reynolds pinx.t.
Publish'd as the Act directs June 25, 1787 by Torre & Co No.132 Pall Mall [but 19th century impression].
Engraving. 280 x 400mm (11 x 15¾"), with large margins. Stains in margins.
A portrait of a 'Mrs Quarrington' as St Agnes. Although she is described in contemporary accounts of the painting as an actress, she is otherwise unknown.
Hamilton 127. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67989] £130.00 (£156.00 incl.VAT)
![[William Alexander] Vera Effigies Gulielmi Comitis de Sterlin Ætatis Suæ LVII.](jpegs/67861.jpg)
[William Alexander] Vera Effigies Gulielmi Comitis de Sterlin Ætatis Suæ LVII.
[after an engraving by William Marshall.]
[Published Nov.r 1 1795 by W.m Richardson 2 Castle Street Leicester Square.]
Engraving. Sheet 185 x 125mm (7¼ x 5"). Trimmed to image, losing publication line at bottom.
Head and shoulders portrait in oval of William Alexander (c. 1567-1640), 1st Earl of Stirling, with a laurel wreath and ribbon. His attempts to start Scottish colonisation of Canada resulted in the name 'Nova Scotia'. A copy of the frontispiece to his 'Recreation of the Muses' (1637).
BM 1980,U.1160.
[Ref: 67861] £70.00 (£84.00 incl.VAT)
[after an engraving by William Marshall.]
[Published Nov.r 1 1795 by W.m Richardson 2 Castle Street Leicester Square.]
Engraving. Sheet 185 x 125mm (7¼ x 5"). Trimmed to image, losing publication line at bottom.
Head and shoulders portrait in oval of William Alexander (c. 1567-1640), 1st Earl of Stirling, with a laurel wreath and ribbon. His attempts to start Scottish colonisation of Canada resulted in the name 'Nova Scotia'. A copy of the frontispiece to his 'Recreation of the Muses' (1637).
BM 1980,U.1160.
[Ref: 67861] £70.00 (£84.00 incl.VAT)
Christopher Anstey Esquire. Aetat 52.
T. Lawrence R.A. del.t. W. Bond sculp.t.
Published March 1st 1807, by Cadell and Davies, Strand.
Stipple. Sheet size: 300 x 225mm (11¾ x 8¾"). Trimmed within platemark.
A half-length seated portrait of English poet and author Christopher Anstey (1724 - 1805), at his desk, writing. He is best known for his famous rhymed letters, 'The New Bath Guide or Memoirs of the Blunderhead Family', 1766. The work had immediate success, and was enthusiastically praised for its original kind of humour by Walpole and Gray. Anstey was buried at St. Swithin's Church in Bath but has a white marble memorial tablet in Poets' Corner of Westminster Abbey. The frontispiece portrait of 'The Poetical Works of the Late Christopher Anstey, Esq.'.
[Ref: 67852] £140.00 (£168.00 incl.VAT)
T. Lawrence R.A. del.t. W. Bond sculp.t.
Published March 1st 1807, by Cadell and Davies, Strand.
Stipple. Sheet size: 300 x 225mm (11¾ x 8¾"). Trimmed within platemark.
A half-length seated portrait of English poet and author Christopher Anstey (1724 - 1805), at his desk, writing. He is best known for his famous rhymed letters, 'The New Bath Guide or Memoirs of the Blunderhead Family', 1766. The work had immediate success, and was enthusiastically praised for its original kind of humour by Walpole and Gray. Anstey was buried at St. Swithin's Church in Bath but has a white marble memorial tablet in Poets' Corner of Westminster Abbey. The frontispiece portrait of 'The Poetical Works of the Late Christopher Anstey, Esq.'.
[Ref: 67852] £140.00 (£168.00 incl.VAT)
![The Late Fred Archer, in the Colours of H.R.H. The Prince of Wales. Faithfully yours F. Archer [facsimile signature].](jpegs/67834.jpg)
The Late Fred Archer, in the Colours of H.R.H. The Prince of Wales. Faithfully yours F. Archer [facsimile signature]. Born, January 11th, 1857. Died, November 8th, 1886.
Riddle & Couchman, Lith. London.
Special Supplement to the ''Illustrated Sporting and Dramtic News,'' November 27th, 1886.
Tinted lithograph. Sheet 515 x 375mm (20¼ x 14¾"). Tears taped right top, crease as normal
A portrait of jockey Frederick James Archer (1857-1886), known as the Tin Man, Champion Jockey for 13 consecutive years. Taller than the average jockey he kept a rigorous diet: in October 1886 he fasted for three days to reach race weight and shortly after fell ill. In a high fever and hallucinating, he shot himself, aged only 29.
[Ref: 67834] £95.00 (£114.00 incl.VAT)
Riddle & Couchman, Lith. London.
Special Supplement to the ''Illustrated Sporting and Dramtic News,'' November 27th, 1886.
Tinted lithograph. Sheet 515 x 375mm (20¼ x 14¾"). Tears taped right top, crease as normal
A portrait of jockey Frederick James Archer (1857-1886), known as the Tin Man, Champion Jockey for 13 consecutive years. Taller than the average jockey he kept a rigorous diet: in October 1886 he fasted for three days to reach race weight and shortly after fell ill. In a high fever and hallucinating, he shot himself, aged only 29.
[Ref: 67834] £95.00 (£114.00 incl.VAT)
![[John Archer.]](jpegs/68011.jpg)
[John Archer.] Vera Effigies Johanis Archer Medici in Ordinario Regi.
[n.d., c.1690.]
Very rare engraving. Sheet 130 x 85mm (5 x 3¼"). Trimmed and backed onto album paper at borders.
Portrait of John Archer (active 1660 - died 1684), Physician to Charles II. An Irish quack doctor.
Not in Wellcome.
[Ref: 68011] £160.00 (£192.00 incl.VAT)
[n.d., c.1690.]
Very rare engraving. Sheet 130 x 85mm (5 x 3¼"). Trimmed and backed onto album paper at borders.
Portrait of John Archer (active 1660 - died 1684), Physician to Charles II. An Irish quack doctor.
Not in Wellcome.
[Ref: 68011] £160.00 (£192.00 incl.VAT)
![[Asclepius] Esculape, Dieu de la Médecine.](jpegs/67944.jpg)
[Asclepius] Esculape, Dieu de la Médecine. Taken from the Ancient Statue deposited in the Museum at Paris and brought rfom Albania by the Emperor Napoleon.
Vauthier del. Mecou sculp.
[n.d., c.1840.]
Rare stipple. Sheet 285 x 200mm (11¼ x 8"). Trimmed witihn plate, laid on album paper. Slight scuffing bottom right.
A bust of Asclepius, the Greek god of medicine. A state of this French print with an English title added.
[Ref: 67944] £180.00 (£216.00 incl.VAT)
Vauthier del. Mecou sculp.
[n.d., c.1840.]
Rare stipple. Sheet 285 x 200mm (11¼ x 8"). Trimmed witihn plate, laid on album paper. Slight scuffing bottom right.
A bust of Asclepius, the Greek god of medicine. A state of this French print with an English title added.
[Ref: 67944] £180.00 (£216.00 incl.VAT)
![[Giuseppe Marc'Antonio Baretti] Joseph Baretti.](jpegs/67964.jpg)
[Giuseppe Marc'Antonio Baretti] Joseph Baretti. Secretary for Foreign Correspondence to the Royal Academy.
Sir J. Reynolds pinx.t. J. Hardy sculp.t.
Pub.d March 6th 1794 by W. Richardson Castle S.t Leicester Square.
Stipple. 270 x 195mm (10½ x 7¾"). Narrow margins, top left corner lost.
A half-length seated portait of Turinese writer Giuseppe Marc'Antonio Baretti (1719-89), reading a book held close to his face. After leaving Italy after facing censorship, he moved to London where he was welcomed by the literati: when he was tried for murder in 1769, character witnesses included Joshua Reynolds, Samuel Johnson, Edmund Burke and David Garrick. He was acquitted and soon after became Secretary to the Royal Academy of Arts, as referenced here.
Hamilton p.5. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67964] £180.00 (£216.00 incl.VAT)
Sir J. Reynolds pinx.t. J. Hardy sculp.t.
Pub.d March 6th 1794 by W. Richardson Castle S.t Leicester Square.
Stipple. 270 x 195mm (10½ x 7¾"). Narrow margins, top left corner lost.
A half-length seated portait of Turinese writer Giuseppe Marc'Antonio Baretti (1719-89), reading a book held close to his face. After leaving Italy after facing censorship, he moved to London where he was welcomed by the literati: when he was tried for murder in 1769, character witnesses included Joshua Reynolds, Samuel Johnson, Edmund Burke and David Garrick. He was acquitted and soon after became Secretary to the Royal Academy of Arts, as referenced here.
Hamilton p.5. Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 67964] £180.00 (£216.00 incl.VAT)
John Bigg, the Dinton Hermit. [Wonderful Magazine.]
Wilkes Sculp.t.
[Pub.d by C. Johnson.] [n.d. c.1820]
Engraving, sheet 235 x 185mm (9¼ x 7¼"). Trimmed and laid on album sheet.
Illustration to the Wonderful Magazine. Full-length seated portrait of John Bigg (1629-96). It has been suggested that Bigg was Charles I's executioner, given sanctuary and anonymity on one of the regicide's estates.
[Ref: 67878] £180.00 (£216.00 incl.VAT)
Wilkes Sculp.t.
[Pub.d by C. Johnson.] [n.d. c.1820]
Engraving, sheet 235 x 185mm (9¼ x 7¼"). Trimmed and laid on album sheet.
Illustration to the Wonderful Magazine. Full-length seated portrait of John Bigg (1629-96). It has been suggested that Bigg was Charles I's executioner, given sanctuary and anonymity on one of the regicide's estates.
[Ref: 67878] £180.00 (£216.00 incl.VAT)
![[William Burton.] Vera Effigies Guilielmi Burton.](jpegs/67999.jpg)
[William Burton.] Vera Effigies Guilielmi Burton. L.L. Baccalaurei.
W.Hollar fec:
[n.d., c.1658.]
Engraving. Sheet 220 x 145mm (8¾ x 5¾"). Trimmed and backed onto album paper.
Portrait of William Burton (1609-57). Frontis to his work 'A Commentary on Antoninus his Itinerary' (London: 1658).
Pennington 1368 ii of ii.
[Ref: 67999] £130.00 (£156.00 incl.VAT)
W.Hollar fec:
[n.d., c.1658.]
Engraving. Sheet 220 x 145mm (8¾ x 5¾"). Trimmed and backed onto album paper.
Portrait of William Burton (1609-57). Frontis to his work 'A Commentary on Antoninus his Itinerary' (London: 1658).
Pennington 1368 ii of ii.
[Ref: 67999] £130.00 (£156.00 incl.VAT)
![[Jacob Butler of Barnwell.]](jpegs/68171.jpg)
[Jacob Butler of Barnwell.]
[Etched by Michael Tyson?]
[n.d. c.1770]
Etching, 185 x 170mm (7¼ x 6¾"). Trimmed within plate and glued to album sheet at corners.
Etching probably by Michael Tyson (1740-1780) of Jacob Butler (1681-1765) a Cambridgeshire counsellor whose epitaph, which he wrote himself, can be found in the church of St. Andrew the Less, or Barnwell. There is a reverse of this print that is attributed to Rembrandt, Published by Nichols & Co 1815.
RCIN 651727. The oil painting is at Christ's College University of Cambridge. See [Ref: 68388].
[Ref: 68171] £140.00 (£168.00 incl.VAT)
[Etched by Michael Tyson?]
[n.d. c.1770]
Etching, 185 x 170mm (7¼ x 6¾"). Trimmed within plate and glued to album sheet at corners.
Etching probably by Michael Tyson (1740-1780) of Jacob Butler (1681-1765) a Cambridgeshire counsellor whose epitaph, which he wrote himself, can be found in the church of St. Andrew the Less, or Barnwell. There is a reverse of this print that is attributed to Rembrandt, Published by Nichols & Co 1815.
RCIN 651727. The oil painting is at Christ's College University of Cambridge. See [Ref: 68388].
[Ref: 68171] £140.00 (£168.00 incl.VAT)
Luis de Camoens.
[London: Humphrey Moseley, 1655.]
Engraving. Sheet 245 x 150mm (9½ x 6"). Trimmed into image on three sides, into verse at bottom, losing a line, large tear repaired, backed with archival tissue.
An illustration of a bust of Portugal's greatest poet Luís Vaz de Camões (c.1525-80), wearing armour, ruff and laurel crown, his left eye closed. The portrait has been reversed, as his right eye was blind. The frontispiece portrait of 'The Lusiad, or, Portugals Historicall Poem: Written in the Portingall Language by Luis de Camoens; and Now newly put into English by Richard Fanshaw Esq'. The missing line of verse should read '(so did I, Her) Beasts cannot browze on Bayes.'.
[Ref: 67858] £380.00
[London: Humphrey Moseley, 1655.]
Engraving. Sheet 245 x 150mm (9½ x 6"). Trimmed into image on three sides, into verse at bottom, losing a line, large tear repaired, backed with archival tissue.
An illustration of a bust of Portugal's greatest poet Luís Vaz de Camões (c.1525-80), wearing armour, ruff and laurel crown, his left eye closed. The portrait has been reversed, as his right eye was blind. The frontispiece portrait of 'The Lusiad, or, Portugals Historicall Poem: Written in the Portingall Language by Luis de Camoens; and Now newly put into English by Richard Fanshaw Esq'. The missing line of verse should read '(so did I, Her) Beasts cannot browze on Bayes.'.
[Ref: 67858] £380.00
John Cartwright in his 77th Year. John Cartwright [facsimile signature].
Engraved by Henry Cook from an Original Drawing [by Adam Buck].
[London, c.1790.]
Steel engraving. 215 x 140mm (8½ x 5½"). Surface soiling.
A seated profile portrait of political reformer John Cartwright (1740-1824), supporter of both the American and French revolutions, and prominent campaigner for electoral reform in Britain.
[Ref: 67888] £90.00 (£108.00 incl.VAT)
Engraved by Henry Cook from an Original Drawing [by Adam Buck].
[London, c.1790.]
Steel engraving. 215 x 140mm (8½ x 5½"). Surface soiling.
A seated profile portrait of political reformer John Cartwright (1740-1824), supporter of both the American and French revolutions, and prominent campaigner for electoral reform in Britain.
[Ref: 67888] £90.00 (£108.00 incl.VAT)
John Cartwright in his 77th Year. John Cartwright [facsimile signature].
Engraved by Henry Cook from an Original Drawing [by Adam Buck].
[London, c.1790.]
Steel engraving. 215 x 140mm (8½ x 5½"). Creased.
A seated profile portrait of political reformer John Cartwright (1740-1824), supporter of both the American and French revolutions, and prominent campaigner for electoral reform in Britain.
[Ref: 67890] £130.00 (£156.00 incl.VAT)
Engraved by Henry Cook from an Original Drawing [by Adam Buck].
[London, c.1790.]
Steel engraving. 215 x 140mm (8½ x 5½"). Creased.
A seated profile portrait of political reformer John Cartwright (1740-1824), supporter of both the American and French revolutions, and prominent campaigner for electoral reform in Britain.
[Ref: 67890] £130.00 (£156.00 incl.VAT)
![[Eikon Basilike.]](jpegs/68089.jpg)
[Eikon Basilike.] [Charles I.]
[after Marshall.]
[n.d., c.1650.]
Engraving. Sheet 85 x 85mm (3¼ x 3¼"). Trimmed and backed onto album paper at edges
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68089] £120.00 (£144.00 incl.VAT)
[after Marshall.]
[n.d., c.1650.]
Engraving. Sheet 85 x 85mm (3¼ x 3¼"). Trimmed and backed onto album paper at edges
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68089] £120.00 (£144.00 incl.VAT)
![[Eikon Basilike.]](jpegs/68088.jpg)
[Eikon Basilike.] [Charles I.]
[Guil.Marshall sculpsit.]
[n.d., c.1649.]
Engraving. Sheet 125 x 65mm (5 x 2½"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68088] £120.00 (£144.00 incl.VAT)
[Guil.Marshall sculpsit.]
[n.d., c.1649.]
Engraving. Sheet 125 x 65mm (5 x 2½"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68088] £120.00 (£144.00 incl.VAT)
![[Eikon Basilike.]](jpegs/68087.jpg)
[Eikon Basilike.] [Charles I.]
Guil.Marshall sculpsit.
[n.d., c.1649.]
Engraving. Sheet 125 x 125mm (5 x 5"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68087] £160.00 (£192.00 incl.VAT)
Guil.Marshall sculpsit.
[n.d., c.1649.]
Engraving. Sheet 125 x 125mm (5 x 5"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68087] £160.00 (£192.00 incl.VAT)
![[Charles I.]](jpegs/68086.jpg)
[Charles I.] [If Prudence, Temprance , Valor, Patience...]
[after Sir Anthony Van Dyck] [Saloman Savery]
[n.d., c.1650.]
Engraving. Sheet 135 x 110mm (5¼ x 4¼"). Trimmed losing text and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68086] £130.00 (£156.00 incl.VAT)
[after Sir Anthony Van Dyck] [Saloman Savery]
[n.d., c.1650.]
Engraving. Sheet 135 x 110mm (5¼ x 4¼"). Trimmed losing text and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68086] £130.00 (£156.00 incl.VAT)
![[Charles I.]](jpegs/68085.jpg)
[Charles I.] Fidei Defensor.
Guil. Marshall sculp.
[n.d., c.1649.]
Engraving. Sheet 150 x 85mm (6 x 3¼"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649, writing on a globe.
Wellcome.
[Ref: 68085] £160.00 (£192.00 incl.VAT)
Guil. Marshall sculp.
[n.d., c.1649.]
Engraving. Sheet 150 x 85mm (6 x 3¼"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649, writing on a globe.
Wellcome.
[Ref: 68085] £160.00 (£192.00 incl.VAT)
King Charles ye 1st. Butchered before his Palace at Whitehall Jan.30.1648.
[n.d., c.1700.]
Rare engraving. Sheet 120 x 85mm (4¾ x 3¼"). Trimmed and backed onto album paper at borders.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68080] £140.00 (£168.00 incl.VAT)
[n.d., c.1700.]
Rare engraving. Sheet 120 x 85mm (4¾ x 3¼"). Trimmed and backed onto album paper at borders.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68080] £140.00 (£168.00 incl.VAT)
![[Charles I.]](jpegs/68091.jpg)
[Charles I.] The High and Mighty Monarch Charles by the grace of God King of Great Brittaine, France and Ireland.
[After Gaywood.] P.Stent excudit.
[n.d., c.1655.]
Engraving. Sheet 105 x 80mm (4¼ x 3¼"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
State ii of iii.
[Ref: 68091] £95.00 (£114.00 incl.VAT)
[After Gaywood.] P.Stent excudit.
[n.d., c.1655.]
Engraving. Sheet 105 x 80mm (4¼ x 3¼"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
State ii of iii.
[Ref: 68091] £95.00 (£114.00 incl.VAT)
![[Eikon Basilike. Charles I.]](jpegs/68090.jpg)
[Eikon Basilike. Charles I.] Alij diutius. Imperium tenuerunt, nemo tam Y fortiter reliquit. Tacit. Histor. Lib.2.c.47.p.417.
[after Marshall.] R.White sculp.
[n.d., c.1700.]
Engraving. Sheet 160 x 100mm (6¼ x 4"). Trimmed and backed onto album paper at edges
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68090] £90.00 (£108.00 incl.VAT)
[after Marshall.] R.White sculp.
[n.d., c.1700.]
Engraving. Sheet 160 x 100mm (6¼ x 4"). Trimmed and backed onto album paper at edges
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. From 'Eikon Basilike'The Pourtraicture of His Sacred Majestie in His Solitudes and Sufferings, a spiritual autobiography attributed to King Charles I of England. Published on 9 February 1649, ten days after the King was beheaded by Parliament in the aftermath of the English Civil War in 1649.
[Ref: 68090] £90.00 (£108.00 incl.VAT)
Charles I. King of England. [H]is Sufferings, & his Death with truth proc[...] For He got Glory, but the Nation Shame [...]
[after Anthony Van Dyck]
[n.d., c.1660.]
Engraving. Sheet 135 x 75mm (5¼ x 3"). Trimmed and backed onto album paper at borders
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68079] £80.00 (£96.00 incl.VAT)
[after Anthony Van Dyck]
[n.d., c.1660.]
Engraving. Sheet 135 x 75mm (5¼ x 3"). Trimmed and backed onto album paper at borders
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68079] £80.00 (£96.00 incl.VAT)
K. Charles I.
H.Hulfbergh Sc.
1625.
Engraving. Sheet 125 x 100mm (5 x 4"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68078] £70.00 (£84.00 incl.VAT)
H.Hulfbergh Sc.
1625.
Engraving. Sheet 125 x 100mm (5 x 4"). Trimmed and backed onto album paper at edges.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68078] £70.00 (£84.00 incl.VAT)
![[T]rue Picture of King Charles.](jpegs/68074.jpg)
[T]rue Picture of King Charles. The first Martyr as he sate in [Wes]tminster Hall for his tryall to be beheaded.
[After Edward Bower]
[n.d., c.1700.]
Engraving. Sheet 170 x 115mm (6¾ x 4½"). Trimmed and backed onto album paper at edges. Some time staining.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68074] £130.00 (£156.00 incl.VAT)
[After Edward Bower]
[n.d., c.1700.]
Engraving. Sheet 170 x 115mm (6¾ x 4½"). Trimmed and backed onto album paper at edges. Some time staining.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68074] £130.00 (£156.00 incl.VAT)
![[Charles I.]](jpegs/68093.jpg)
[Charles I.] Charles by the Grace of God. King of England, Scotland, France and Ireland, Defen-der of the Faith, &c.
[n.d., c.1700.]
Engraving. Sheet 145 x 95mm (5¾ x 3¾"). Trimmed and backed onto album paper. Some time-staining.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68093] £70.00 (£84.00 incl.VAT)
[n.d., c.1700.]
Engraving. Sheet 145 x 95mm (5¾ x 3¾"). Trimmed and backed onto album paper. Some time-staining.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649.
[Ref: 68093] £70.00 (£84.00 incl.VAT)
![[Charles I.]](jpegs/68094.jpg)
[Charles I.] Charles Par La Grace De Diev Roy D'Angleterre.
[attributed to Richard Gaywood]
[n.d., c. 1650.] Sould by P.Stent.
Engraving. Sheet 155 x 105mm (6 x 4"). Trimmed and backed onto album paper.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. Illustration to Jean Nicolas de Parival's 'History of this Iron Age'
Globe Stent 42.
[Ref: 68094] £70.00 (£84.00 incl.VAT)
[attributed to Richard Gaywood]
[n.d., c. 1650.] Sould by P.Stent.
Engraving. Sheet 155 x 105mm (6 x 4"). Trimmed and backed onto album paper.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. Illustration to Jean Nicolas de Parival's 'History of this Iron Age'
Globe Stent 42.
[Ref: 68094] £70.00 (£84.00 incl.VAT)
![[Charles I.]](jpegs/68095.jpg)
[Charles I.] Charles par la grace de Dieu Roy de la grande Bretaigne, &c.
[after Wenceslaus Hollar] [attributed to Richard Gaywood]
P.Stent excudit. [n.d, c.1647.]
Engraving, sheet 150 x 95mm (6 x 3¾"). On 17th century watermarked paper. Trimmed and backed onto album paper.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. Frontispiece to Michael Hudson, 'The Divine Right of Government' (London, 1647).
Globe Stent 41 ii of iii. Pl57. Pennington 1433.
[Ref: 68095] £70.00 (£84.00 incl.VAT)
[after Wenceslaus Hollar] [attributed to Richard Gaywood]
P.Stent excudit. [n.d, c.1647.]
Engraving, sheet 150 x 95mm (6 x 3¾"). On 17th century watermarked paper. Trimmed and backed onto album paper.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. Frontispiece to Michael Hudson, 'The Divine Right of Government' (London, 1647).
Globe Stent 41 ii of iii. Pl57. Pennington 1433.
[Ref: 68095] £70.00 (£84.00 incl.VAT)
![[Charles I.]](jpegs/68096.jpg)
[Charles I.] Charles par la grace de Dieu Roy de la grande Bretaigne, &c.
[after Wenceslaus Hollar] [attributed to Richard Gaywood]
[P.Stent excudit.] [n.d, c.1647.]
Engraving. Sheet 150 x 95mm (6 x 3¾"). Trimmed and backed onto album paper.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. rontispiece to Michael Hudson, 'The Divine Right of Government' (London, 1647).
Globe Stent 41A i of iii. Pl57.
[Ref: 68096] £75.00 (£90.00 incl.VAT)
[after Wenceslaus Hollar] [attributed to Richard Gaywood]
[P.Stent excudit.] [n.d, c.1647.]
Engraving. Sheet 150 x 95mm (6 x 3¾"). Trimmed and backed onto album paper.
Portrait of Charles I (1600 -1649), King of England, Scotland, and Ireland from 27 March 1625 until his execution in 1649. rontispiece to Michael Hudson, 'The Divine Right of Government' (London, 1647).
Globe Stent 41A i of iii. Pl57.
[Ref: 68096] £75.00 (£90.00 incl.VAT)
Stephen Croft Esq.r F.AS.
J. Reynolds Equa Pinx.t. C. Carter fecit.
Published Oct.r 1.st 1787 and old by Robert Wikinson, N.º 58 Cornhill.
Scarce etching. 225 x 185mm (8¾ x 7¼"). Printer's creases in margins.
Portrait of Stephen Croft (1712-98) of Stillington, Yorkshire. His father, also Stephen, had founded a company importing wine from Portugal and helped to found the York Assembly Rooms. The younger Stephen was elected a director of the Rooms in 1752. Lawrence Sterne was vicar at Stillington (1745-68), becoming a friend of the family.
Hamilton p19, iii of iii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 67974] £240.00 (£288.00 incl.VAT)
J. Reynolds Equa Pinx.t. C. Carter fecit.
Published Oct.r 1.st 1787 and old by Robert Wikinson, N.º 58 Cornhill.
Scarce etching. 225 x 185mm (8¾ x 7¼"). Printer's creases in margins.
Portrait of Stephen Croft (1712-98) of Stillington, Yorkshire. His father, also Stephen, had founded a company importing wine from Portugal and helped to found the York Assembly Rooms. The younger Stephen was elected a director of the Rooms in 1752. Lawrence Sterne was vicar at Stillington (1745-68), becoming a friend of the family.
Hamilton p19, iii of iii. Ex: Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 67974] £240.00 (£288.00 incl.VAT)
No.XXXVII Mrs R-n. No.XXXVIII The Macaroni Parson.
[A. Hamilton Jun.r] [n.d. c.1774]
Engraving, 110 x 175mm (4¼ x 7"), with large margins.
Two bust portraits in ovals illustrating an account of the affair between English Anglican clergyman, William Dodd (1729-77) and Mrs R------n, the young wife of a rich merchant, whom he visits without exciting the jealousy of his wife or her husband. Dodd was known as the ''Macaroni Parson'' for his extravagant lifestyle, he turned to forgery to cover his debts. He was convicted and, despite a public campaign for a royal pardon supported by Samuel Johnson, was hanged at Tyburn. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satires 5249.
[Ref: 67896] £90.00 (£108.00 incl.VAT)
[A. Hamilton Jun.r] [n.d. c.1774]
Engraving, 110 x 175mm (4¼ x 7"), with large margins.
Two bust portraits in ovals illustrating an account of the affair between English Anglican clergyman, William Dodd (1729-77) and Mrs R------n, the young wife of a rich merchant, whom he visits without exciting the jealousy of his wife or her husband. Dodd was known as the ''Macaroni Parson'' for his extravagant lifestyle, he turned to forgery to cover his debts. He was convicted and, despite a public campaign for a royal pardon supported by Samuel Johnson, was hanged at Tyburn. From the 'Histories of the Tête à Tête annexed...' series that appeared in 'Town and Country Magazine', a monthy magazine which featured articles on the scandals and romantic affairs of the nobility.
BM Satires 5249.
[Ref: 67896] £90.00 (£108.00 incl.VAT)
![[John Durant.]](jpegs/68162.jpg)
[John Durant.] This shade's the Authors outside: but this booke his inside opens, prethee doe not looke [...]
[n.d., c.1653.]
Rare engraving. Sheet 145 x 85mm (5¾ x 3¼"). Trimmed.
Portrait of John Durant (1620-89), an independant divine. Frontispiece to his 'The salvation of the saints by the appearances of Christ' (1653).
[Ref: 68162] £130.00 (£156.00 incl.VAT)
[n.d., c.1653.]
Rare engraving. Sheet 145 x 85mm (5¾ x 3¼"). Trimmed.
Portrait of John Durant (1620-89), an independant divine. Frontispiece to his 'The salvation of the saints by the appearances of Christ' (1653).
[Ref: 68162] £130.00 (£156.00 incl.VAT)
![[Dutch Reformed Church] Gedenk-zuil op de in hun Ampt herstelde Predikanten te Amsteldam.](jpegs/67821.jpg)
[Dutch Reformed Church] Gedenk-zuil op de in hun Ampt herstelde Predikanten te Amsteldam. [Opgedragen a an de Gereformeerde Gemeente van Jezus Christus to Amsteldam.]
J. van Meurs del. N. v.d. Meer Jun.r Sculp.
J. et H. Brandt Excud. [n.d., 1804.]
Etching with engraving. Sheet 425 x 300mm (10¾ x 11¾"). Trimmed close to image and losing second part of title, small tears.
A column with twelve silhouette medallion portraits of ministers of the Dutch Reformed Church in Amsterdam, named in a key, surrounded by allegorical figures.
[Ref: 67821] £160.00 (£192.00 incl.VAT)
J. van Meurs del. N. v.d. Meer Jun.r Sculp.
J. et H. Brandt Excud. [n.d., 1804.]
Etching with engraving. Sheet 425 x 300mm (10¾ x 11¾"). Trimmed close to image and losing second part of title, small tears.
A column with twelve silhouette medallion portraits of ministers of the Dutch Reformed Church in Amsterdam, named in a key, surrounded by allegorical figures.
[Ref: 67821] £160.00 (£192.00 incl.VAT)
![[Francis Glisson.]](jpegs/68016.jpg)
[Francis Glisson.] Fransisci Glissoni. Med, Dris Effigies. Ætat suæ 80.
[n.d., c.1690.]
Engraving. Sheet 110 x 60mm (4¼ x 2¼"). Trimmed and backed onto album paper at borders.
Portrait of Francis Glisson (1597 - 1677), English physician, anatomist, and writer on medical subjects. He did important work on the anatomy of the liver, and he wrote an early pediatric text on rickets. An experiment he performed helped debunk the balloonist theory of muscle contraction by showing that when a muscle contracted under water, the water level did not rise, and thus no air or fluid could be entering the muscle.
Not in Wellcome 1139.
[Ref: 68016] £130.00 (£156.00 incl.VAT)
[n.d., c.1690.]
Engraving. Sheet 110 x 60mm (4¼ x 2¼"). Trimmed and backed onto album paper at borders.
Portrait of Francis Glisson (1597 - 1677), English physician, anatomist, and writer on medical subjects. He did important work on the anatomy of the liver, and he wrote an early pediatric text on rickets. An experiment he performed helped debunk the balloonist theory of muscle contraction by showing that when a muscle contracted under water, the water level did not rise, and thus no air or fluid could be entering the muscle.
Not in Wellcome 1139.
[Ref: 68016] £130.00 (£156.00 incl.VAT)
The Rev.d M.r James Granger.
Gul.s Wynne Ryland Chalcog.s Reg.d faciem del.t et perfecit. Cha.s Bretheron sc.t.
Publish'd according to Act of Parliament Feb.y 13. 1775.
Stipple, 150 x 115mm (6 x 4½"), with large margins.
A profile portrait in oval of clergyman James Granger (1723-76), also an author and print collector famed for 'Grangerisation' (adding extra illustrations to books). He also went to prison for using the pulpit to preach against cruelty to animals. The frontispiece to his 'Biographical History of England'.
[Ref: 67860] £70.00 (£84.00 incl.VAT)
Gul.s Wynne Ryland Chalcog.s Reg.d faciem del.t et perfecit. Cha.s Bretheron sc.t.
Publish'd according to Act of Parliament Feb.y 13. 1775.
Stipple, 150 x 115mm (6 x 4½"), with large margins.
A profile portrait in oval of clergyman James Granger (1723-76), also an author and print collector famed for 'Grangerisation' (adding extra illustrations to books). He also went to prison for using the pulpit to preach against cruelty to animals. The frontispiece to his 'Biographical History of England'.
[Ref: 67860] £70.00 (£84.00 incl.VAT)
Nathaniel Greatrakes, Esq.r. A Nature of Waterford County, Ireland & most Remarkable for Curing many Disorders by the Stroke or Touch of his Hand only.
[n.d., c.1700.]
Engraving. Sheet 155 x 95mm (6 x 3¾"). Trimmed and backed onto album paper at borders
Portrait of Valentine Greatrakes (1628-82), also known as "Greatorex" or "The Stroker", an Irish faith healer who toured England in 1666, claiming to cure people by the laying on of hands.
W 1204-5
[Ref: 68009] £80.00 (£96.00 incl.VAT)
[n.d., c.1700.]
Engraving. Sheet 155 x 95mm (6 x 3¾"). Trimmed and backed onto album paper at borders
Portrait of Valentine Greatrakes (1628-82), also known as "Greatorex" or "The Stroker", an Irish faith healer who toured England in 1666, claiming to cure people by the laying on of hands.
W 1204-5
[Ref: 68009] £80.00 (£96.00 incl.VAT)
Mademoiselle d'Hamilton Comtesse de Grammont. p.92.
P. Lely pinx.t. G. Powle sculp:
[n.d. c.1772.]
Rare etching. Sheet 150 x 120mm (6 x 4¾"). Trimmed within plate.
A head and shoulders portrait of Elizabeth Hamilton (1641-1708), 'known as 'La Belle Hamilton', a detail of one of Sir Peter Lely's 'Windsor Beauties'. After her marriage to Philibert de Gramont she entered the court of Louis XIV, becoming a lady-in-waiting to the French queen, Maria Theresa of Spain. Engraved by George Powle, a pupil of Thomas Worlidge.
[Ref: 67850] £140.00 (£168.00 incl.VAT)
P. Lely pinx.t. G. Powle sculp:
[n.d. c.1772.]
Rare etching. Sheet 150 x 120mm (6 x 4¾"). Trimmed within plate.
A head and shoulders portrait of Elizabeth Hamilton (1641-1708), 'known as 'La Belle Hamilton', a detail of one of Sir Peter Lely's 'Windsor Beauties'. After her marriage to Philibert de Gramont she entered the court of Louis XIV, becoming a lady-in-waiting to the French queen, Maria Theresa of Spain. Engraved by George Powle, a pupil of Thomas Worlidge.
[Ref: 67850] £140.00 (£168.00 incl.VAT)
![[Samuel Haworth.]](jpegs/68033.jpg)
[Samuel Haworth.] Vera Effigies Samuelis Haworth, M.D.
R.White sc.
[1683.]
Rare engraving. Sheet 115 x 65mm (4½ x 2½"). Trimmed and backed onto album paper at borders.
Portrait of Samuel Haworth (born 1659 or 1660), Empirical physician. Frontis to "The True Method of Curing Consumptions", 1683.
W1326. Fl 1679.
[Ref: 68033] £130.00 (£156.00 incl.VAT)
R.White sc.
[1683.]
Rare engraving. Sheet 115 x 65mm (4½ x 2½"). Trimmed and backed onto album paper at borders.
Portrait of Samuel Haworth (born 1659 or 1660), Empirical physician. Frontis to "The True Method of Curing Consumptions", 1683.
W1326. Fl 1679.
[Ref: 68033] £130.00 (£156.00 incl.VAT)
![[Robert Johnson.]](jpegs/68035.jpg)
[Robert Johnson.] Vera Effigies Roberti Johnson.
R.W.sc.
[n.d., c.1684.]
Rare engraving. Sheet. 150 x 95mm (6 x 3¾"). Trimmed and backed onto album paper at borders
Portrait of Robert Johnson (fl c.1640), a physician, engraved by R. White. Frontis to "Enchiridion medicum", 1684.
W1539.
[Ref: 68035] £130.00 (£156.00 incl.VAT)
R.W.sc.
[n.d., c.1684.]
Rare engraving. Sheet. 150 x 95mm (6 x 3¾"). Trimmed and backed onto album paper at borders
Portrait of Robert Johnson (fl c.1640), a physician, engraved by R. White. Frontis to "Enchiridion medicum", 1684.
W1539.
[Ref: 68035] £130.00 (£156.00 incl.VAT)
![[Ben Jonson.]](jpegs/68002.jpg)
[Ben Jonson.]
Ro:Vaughan fecit.
[London: Peake, 1640).]
Engraving. Sheet 170 x 105mm (6¾ x 4"). Trimmed and backed onto album paper at borders.
Portrait of Ben Jonson (1572-1637), English playwright. Frontis to "An Execration against Vulcan", 1640.
[Ref: 68002] £260.00 (£312.00 incl.VAT)
Ro:Vaughan fecit.
[London: Peake, 1640).]
Engraving. Sheet 170 x 105mm (6¾ x 4"). Trimmed and backed onto album paper at borders.
Portrait of Ben Jonson (1572-1637), English playwright. Frontis to "An Execration against Vulcan", 1640.
[Ref: 68002] £260.00 (£312.00 incl.VAT)
![[John Liston] M.r Liston as Sam Swipes, (in ''Exchange no Robbery'').](jpegs/68057.jpg)
[John Liston] M.r Liston as Sam Swipes, (in ''Exchange no Robbery''). ''No_am I a Gentleman!_ upon your soul tho' Mother?''. N.º 7.
Pub.d by Ingrey & Madeley, Lithog.c Office, 310 Strand, London. Jan.y 1826.
Fine coloured lithograph. Sheet 345 x 240mm (13½ x 9½"), paper watermarked 'J Whatman 1825'.
A caricature portrait of comedian John Liston (c.1776-1846) in character as cockney pot boy Sam Swipes, hands in his pockets, wearing a green jacket, white apron, brown breeches and striped leggings Theodore Hook's play 'Exchange no Robbery' was first produced at the Haymarket Theatre in 1820 and revived at Drury Lane in 1826.
[Ref: 68057] £130.00 (£156.00 incl.VAT)
Pub.d by Ingrey & Madeley, Lithog.c Office, 310 Strand, London. Jan.y 1826.
Fine coloured lithograph. Sheet 345 x 240mm (13½ x 9½"), paper watermarked 'J Whatman 1825'.
A caricature portrait of comedian John Liston (c.1776-1846) in character as cockney pot boy Sam Swipes, hands in his pockets, wearing a green jacket, white apron, brown breeches and striped leggings Theodore Hook's play 'Exchange no Robbery' was first produced at the Haymarket Theatre in 1820 and revived at Drury Lane in 1826.
[Ref: 68057] £130.00 (£156.00 incl.VAT)
![[John Liston] The Celebrated Preacher (M.r Liston as Maw-worm, in the Hypocrite.)](jpegs/68055.jpg)
[John Liston] The Celebrated Preacher (M.r Liston as Maw-worm, in the Hypocrite.) Encored in his Sermon by His Majesty.
Pub.d by Ingrey & Madeley, Lithographic Office, 310 Strand, 1825.
Coloured lithograph. Sheet 260 x 200mm (10¼ x 8"). Glue stains at corners.
A caricature portrait of comedian John Liston (c.1776-1846), standing above a screen with pictures of him in other roles: Van Dunder, Paul Pry, Tristram Sappy and Billy Lackaday. 'The Hypocrite' was a play by Isaac Bickerstaffe.
[Ref: 68055] £60.00 (£72.00 incl.VAT)
Pub.d by Ingrey & Madeley, Lithographic Office, 310 Strand, 1825.
Coloured lithograph. Sheet 260 x 200mm (10¼ x 8"). Glue stains at corners.
A caricature portrait of comedian John Liston (c.1776-1846), standing above a screen with pictures of him in other roles: Van Dunder, Paul Pry, Tristram Sappy and Billy Lackaday. 'The Hypocrite' was a play by Isaac Bickerstaffe.
[Ref: 68055] £60.00 (£72.00 incl.VAT)
![[Robert Loveday.]](jpegs/67997.jpg)
[Robert Loveday.] Wouldst know whose Face this Figure represents; He was the Muses Darling [...]
[William Faithorne.]
[1659.]
Engraving. Sheet 135 x 85mm (5¼ x 3¼"). Trimmed and backed onto album paper at borders. Some staining.
Portrait of Robert Loveday (c.1620-56), translator. Frontispiece to Loveday's 'Letters Domestick and Forrein' (London, 1659).
Fagan pg 46.
[Ref: 67997] £130.00 (£156.00 incl.VAT)
[William Faithorne.]
[1659.]
Engraving. Sheet 135 x 85mm (5¼ x 3¼"). Trimmed and backed onto album paper at borders. Some staining.
Portrait of Robert Loveday (c.1620-56), translator. Frontispiece to Loveday's 'Letters Domestick and Forrein' (London, 1659).
Fagan pg 46.
[Ref: 67997] £130.00 (£156.00 incl.VAT)
![[Robert Loveday.]](jpegs/67996.jpg)
[Robert Loveday.] Wouldst know whose Face this Figure represents; He was the Muses Darling [...]
[William Faithorne.]
[1659.]
Engraving. Sheet 135 x 85mm (5¼ x 3¼"). Trimmed and backed onto album paper at borders.
Portrait of Robert Loveday (c.1620-56), translator. Frontispiece to Loveday's 'Letters Domestick and Forrein' (London, 1659).
Fagan pg. 46.
[Ref: 67996] £160.00 (£192.00 incl.VAT)
[William Faithorne.]
[1659.]
Engraving. Sheet 135 x 85mm (5¼ x 3¼"). Trimmed and backed onto album paper at borders.
Portrait of Robert Loveday (c.1620-56), translator. Frontispiece to Loveday's 'Letters Domestick and Forrein' (London, 1659).
Fagan pg. 46.
[Ref: 67996] £160.00 (£192.00 incl.VAT)
Lady Catherine Manners. Daughter to his Grace the Duke of Rutland.
Sir Joshua Reynolds pinx. T. Gaugain sculp.
Publish'd Jan.y 1785 by T. Gaugain, No. 4 Little Compton Street, St. Ann's, London.
Fine stipple and etching printed in brown, title in open letters. 265 x 205mm (10½ x 8"), with large margins
Portrait of Catherine Manners (1779-1829), as a young child, wearing a frilled cap, after Sir Joshua Reynolds (1723-1792). She married Cecil Forester, 1st Baron Forester.
Hamilton p.116, II of II.
[Ref: 67905] £240.00 (£288.00 incl.VAT)
Sir Joshua Reynolds pinx. T. Gaugain sculp.
Publish'd Jan.y 1785 by T. Gaugain, No. 4 Little Compton Street, St. Ann's, London.
Fine stipple and etching printed in brown, title in open letters. 265 x 205mm (10½ x 8"), with large margins
Portrait of Catherine Manners (1779-1829), as a young child, wearing a frilled cap, after Sir Joshua Reynolds (1723-1792). She married Cecil Forester, 1st Baron Forester.
Hamilton p.116, II of II.
[Ref: 67905] £240.00 (£288.00 incl.VAT)
![Frederick G. Manning [&] Maria Manning.](jpegs/68159.jpg)
Frederick G. Manning [&] Maria Manning.
[n.d. c.1849]
Scarce pair of engravings, sheet 130 x 275mm (5¼ x 10¾"). Trimmed and glued to album sheet. Creases from where previously folded.
Three-quarter seated portrait of Frederick George Manning (d.1849) and seated bust portrait of Maria Manning (nee de Roux c.1821–49). They were hanged on the roof of London’s Horsemonger Lane Gaol on 13 November 1849, after she and her husband were convicted of murdering her lover, Patrick O’Connor, in the case that became known as the ''Bermondsey Horror.'' It marked the first execution of a husband and wife together in England since 1700. Charles Dickens (1812-70) witnessed the public execution and condemned the behavior of the crowd in a letter to 'The Times' that same day. He later drew on Maria’s life when creating the character of Mademoiselle Hortense, Lady Dedlock’s maid in Bleak House.
[Ref: 68159] £160.00 (£192.00 incl.VAT)
[n.d. c.1849]
Scarce pair of engravings, sheet 130 x 275mm (5¼ x 10¾"). Trimmed and glued to album sheet. Creases from where previously folded.
Three-quarter seated portrait of Frederick George Manning (d.1849) and seated bust portrait of Maria Manning (nee de Roux c.1821–49). They were hanged on the roof of London’s Horsemonger Lane Gaol on 13 November 1849, after she and her husband were convicted of murdering her lover, Patrick O’Connor, in the case that became known as the ''Bermondsey Horror.'' It marked the first execution of a husband and wife together in England since 1700. Charles Dickens (1812-70) witnessed the public execution and condemned the behavior of the crowd in a letter to 'The Times' that same day. He later drew on Maria’s life when creating the character of Mademoiselle Hortense, Lady Dedlock’s maid in Bleak House.
[Ref: 68159] £160.00 (£192.00 incl.VAT)
![[Maximilian Emperor of Germany &c. &c.]](jpegs/68169.jpg)
[Maximilian Emperor of Germany &c. &c.] [Drest For A Tournament. He was Installed Knight of the Garter in the Reign of Henry The Seventh, Obit 1519.]
C. Turner [in pencil] [Engraved by Charles Turner from an extreme rare print by Hans Burgkmair the Elder.]
[London:Pubd. 1814, by S.Woodburn, 112, St. Martin's Lane]
Proof etching before mezzotinting, 365 x 265mm (14¼ x 10¼"), with very large margins. Light staining.
Maximilian I, Holy Roman Emperor (1459 - 1519), on horseback, in full armour. A proof of the etched state before mezzotint by Charles Turner (1773-1857), after the woodcut by Hans Burgkmair the Elder (1473-1531). From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 474 I of III. Ex: Collection of the Hon. Christopher Lennox-Boyd. See [Ref: 68486] for print with letters & [Ref: 68486] for lettered state.
[Ref: 68169] £240.00 (£288.00 incl.VAT)
C. Turner [in pencil] [Engraved by Charles Turner from an extreme rare print by Hans Burgkmair the Elder.]
[London:Pubd. 1814, by S.Woodburn, 112, St. Martin's Lane]
Proof etching before mezzotinting, 365 x 265mm (14¼ x 10¼"), with very large margins. Light staining.
Maximilian I, Holy Roman Emperor (1459 - 1519), on horseback, in full armour. A proof of the etched state before mezzotint by Charles Turner (1773-1857), after the woodcut by Hans Burgkmair the Elder (1473-1531). From a series of 15 copies of early engravings, 'Portraits of Royal Personages', by Turner, Earlom and Dunkarton, issued by Samuel Woodburn in book form in 1816.
Whitman: 474 I of III. Ex: Collection of the Hon. Christopher Lennox-Boyd. See [Ref: 68486] for print with letters & [Ref: 68486] for lettered state.
[Ref: 68169] £240.00 (£288.00 incl.VAT)
Johannes Mayon.
[n.d., c.1700.]
Rare engraving. Sheet 150 x 100mm (6 x 4"). Trimmed and backed onto album paper.
Portrait of Johannes Mayon (1655-79), a physician.
W1965.
[Ref: 68041] £80.00 (£96.00 incl.VAT)
[n.d., c.1700.]
Rare engraving. Sheet 150 x 100mm (6 x 4"). Trimmed and backed onto album paper.
Portrait of Johannes Mayon (1655-79), a physician.
W1965.
[Ref: 68041] £80.00 (£96.00 incl.VAT)
Medusa Antique.
T. Worlidge Fecit.
[n.d. c.1750].
Etching with aquatint, sheet 100 x 85mm (4 x 3½"). Trimmed within plate.
Bust portrait of Medusa in profile to the right, mouth slightly open and within an oval medallion. In Greek mythology, Medusa, was one of three Gorgon sisters and depicted as a woman with snakes for hair, whose terrifying gaze could turn anyone who looked at her into stone. Medusa was beheaded by the Greek hero Perseus, who then used her head, which retained its ability to turn onlookers to stone, as a weapon until he gave it to the goddess Athena to place on her shield. Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
[Ref: 68015] £60.00 (£72.00 incl.VAT)
T. Worlidge Fecit.
[n.d. c.1750].
Etching with aquatint, sheet 100 x 85mm (4 x 3½"). Trimmed within plate.
Bust portrait of Medusa in profile to the right, mouth slightly open and within an oval medallion. In Greek mythology, Medusa, was one of three Gorgon sisters and depicted as a woman with snakes for hair, whose terrifying gaze could turn anyone who looked at her into stone. Medusa was beheaded by the Greek hero Perseus, who then used her head, which retained its ability to turn onlookers to stone, as a weapon until he gave it to the goddess Athena to place on her shield. Thomas Worlidge (1700 - 1766), 'the English Rembrandt' and a pupil of Alessandro Maria Grimaldi, whose daughter Arabella he married.
[Ref: 68015] £60.00 (£72.00 incl.VAT)
Napoléon et Son fils.
Paintd by Steuben. Engraved by G. Zobel.
London: Published Dec.r 1st. 1842, for the Proprietor, by the Engraver, 7, Commercial Road, Pimlico.
Mixed method mezzotint, printed in colours. Sheet 490 x 390mm (19¼ x 15¼"). Trimmed within plate, repaired tears, inscription area rubbed and soiled. Repairs.
Napoleon reading in a library, with and his son, Napoléon François Charles Joseph, asleep resting on his thigh. On the mantle of the fireplace is the bust of Alexander the Great, at the time his only known portrait, which is now in the Louvre.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68184] £280.00 (£336.00 incl.VAT)
Paintd by Steuben. Engraved by G. Zobel.
London: Published Dec.r 1st. 1842, for the Proprietor, by the Engraver, 7, Commercial Road, Pimlico.
Mixed method mezzotint, printed in colours. Sheet 490 x 390mm (19¼ x 15¼"). Trimmed within plate, repaired tears, inscription area rubbed and soiled. Repairs.
Napoleon reading in a library, with and his son, Napoléon François Charles Joseph, asleep resting on his thigh. On the mantle of the fireplace is the bust of Alexander the Great, at the time his only known portrait, which is now in the Louvre.
Ex: collection of The Hon. Christopher Lennox-Boyd.
[Ref: 68184] £280.00 (£336.00 incl.VAT)