A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
La Botte mal-appliquée.
J. Mich. Daenzel inv. et del.
[n.d., c.1780.]
Stipple, printed in sanguine. 165 x 260mm (7¼ x 10¼"). Thread margins, very small loss at corner.
An oval scene of a boy trying on a giant-sized boot with spur, aided by a girl.
[Ref: 65652] £230.00 (£276.00 incl.VAT)
J. Mich. Daenzel inv. et del.
[n.d., c.1780.]
Stipple, printed in sanguine. 165 x 260mm (7¼ x 10¼"). Thread margins, very small loss at corner.
An oval scene of a boy trying on a giant-sized boot with spur, aided by a girl.
[Ref: 65652] £230.00 (£276.00 incl.VAT)
A Catechism.
Painted by J. Rising. Engraved by V. Green, Mezzotinto Engraver to his Majesty.
[n.d., c.1800.]
Rare mezzotint, open letter proof, inscription area partially uncleaned. Sheet 485 x 605mm (19 z 23¾"). Trimmed to plate.
Four children in a cottage interior, listening intently to a boy reading from a catechism.
Whitman: 286. Ex Collection of the Hon. Christopher Lennox Boyd.
[Ref: 54255] £280.00 (£336.00 incl.VAT)
Painted by J. Rising. Engraved by V. Green, Mezzotinto Engraver to his Majesty.
[n.d., c.1800.]
Rare mezzotint, open letter proof, inscription area partially uncleaned. Sheet 485 x 605mm (19 z 23¾"). Trimmed to plate.
Four children in a cottage interior, listening intently to a boy reading from a catechism.
Whitman: 286. Ex Collection of the Hon. Christopher Lennox Boyd.
[Ref: 54255] £280.00 (£336.00 incl.VAT)
To the Memory of the Duke of Marlborough.
D. Creti Eques: et N. Ferravoli et J.P. Mirando Pinx. L. Cars Sculp. et D.M.Fratta delin.
John Boydell excudit London.
Engraving. 650 x 415mm (25¾ x 16¼''). Large margins on 3 sides. Some light creasing.
An allegorical scene featuring an invented monument to John Churchill, first Duke of Marlborough, hero of the War of the Spanish Succession, depicting him as a Roman general on horseback. From Boydell's edition of 'Tombeaux des Princes, Grand Capitaines et Autres Hommes Illustres, Qui ont fleuri dans la Grande-Bretagne' by Owen McSwiny, former manager of Drury Lane and the Haymarket Theatres, first published by Basan in Paris c.1737. Boydell has translated the title into English from Latin and added his name as publisher. McSwiny had travelled to Italy where he bought works of Italian painters, including Canaletto, to sell to English collectors. This series of paintings, commemorating the deeds of famous Englishmen, was planned for the decoration of the Duke of Richmond's apartment at Goodwood.
See BM 1859,0709.685 for the first published state. See: 10619
[Ref: 54252] £260.00 (£312.00 incl.VAT)
D. Creti Eques: et N. Ferravoli et J.P. Mirando Pinx. L. Cars Sculp. et D.M.Fratta delin.
John Boydell excudit London.
Engraving. 650 x 415mm (25¾ x 16¼''). Large margins on 3 sides. Some light creasing.
An allegorical scene featuring an invented monument to John Churchill, first Duke of Marlborough, hero of the War of the Spanish Succession, depicting him as a Roman general on horseback. From Boydell's edition of 'Tombeaux des Princes, Grand Capitaines et Autres Hommes Illustres, Qui ont fleuri dans la Grande-Bretagne' by Owen McSwiny, former manager of Drury Lane and the Haymarket Theatres, first published by Basan in Paris c.1737. Boydell has translated the title into English from Latin and added his name as publisher. McSwiny had travelled to Italy where he bought works of Italian painters, including Canaletto, to sell to English collectors. This series of paintings, commemorating the deeds of famous Englishmen, was planned for the decoration of the Duke of Richmond's apartment at Goodwood.
See BM 1859,0709.685 for the first published state. See: 10619
[Ref: 54252] £260.00 (£312.00 incl.VAT)
![[The Flood] And it rained upon the Earth forty days & forty nights.](jpegs/65799.jpg)
[The Flood] And it rained upon the Earth forty days & forty nights. [repeated in Hebrew, German, Latin, French & Dutch]
G. Hoet delineavit. G. Vander Gouwen Sculpsit.
[n.d., c.1715.]
Engraving. 355 x 430mm (14 x 17"). Repairs at centre fold.
Men, women and children scramble to higher ground to escape the Flood, joined by a lion and elephant. Behind are lightning forks and Noah's Ark.
[Ref: 65799] £240.00 (£288.00 incl.VAT)
G. Hoet delineavit. G. Vander Gouwen Sculpsit.
[n.d., c.1715.]
Engraving. 355 x 430mm (14 x 17"). Repairs at centre fold.
Men, women and children scramble to higher ground to escape the Flood, joined by a lion and elephant. Behind are lightning forks and Noah's Ark.
[Ref: 65799] £240.00 (£288.00 incl.VAT)
![[The Fool of Quality]. Mrs Vindex, meeting with Master Harry Clinton.](jpegs/65669.jpg)
[The Fool of Quality]. Mrs Vindex, meeting with Master Harry Clinton.
[after P.W. Tomkins.]
Pub. 1795 by G.F. Cook.
Rare stipple, printed in sanguine. 280 x 215mm (11 x 8½"). Crease.
A scene from 'The Fool of Quality; or, The History of Henry, Earl of Moreland', written by the Irish writer Henry Brooke and published in five volumes 1765-70. Two ladies on a table drinking tea in background. It tells the story of Harry Clinton who, rejected by his decadent and aristocratic father, is educated on enlightened principles by his philanthropic uncle. Inspired by the Methodist movement, it was influential in its day: Charles Kingsley described it as 'more pure, sacred and eternal than anything since the Faerie Queene'. However to modern taste it is rambling and sentimental: Walter Allen, author of the important study 'The English Novel' (1954), called it 'one of the worst novels ever written, but a remarkable book'. A reversed copy of the plate engraved by Bartolozzi after Tomkins.
Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65669] £360.00
[after P.W. Tomkins.]
Pub. 1795 by G.F. Cook.
Rare stipple, printed in sanguine. 280 x 215mm (11 x 8½"). Crease.
A scene from 'The Fool of Quality; or, The History of Henry, Earl of Moreland', written by the Irish writer Henry Brooke and published in five volumes 1765-70. Two ladies on a table drinking tea in background. It tells the story of Harry Clinton who, rejected by his decadent and aristocratic father, is educated on enlightened principles by his philanthropic uncle. Inspired by the Methodist movement, it was influential in its day: Charles Kingsley described it as 'more pure, sacred and eternal than anything since the Faerie Queene'. However to modern taste it is rambling and sentimental: Walter Allen, author of the important study 'The English Novel' (1954), called it 'one of the worst novels ever written, but a remarkable book'. A reversed copy of the plate engraved by Bartolozzi after Tomkins.
Ex Collection of the Hon. Christopher Lennox-Boyd.
[Ref: 65669] £360.00
![[Wooded landscape with herdsman and cows] 10.](jpegs/60662.jpg)
[Wooded landscape with herdsman and cows] 10.
Designed & Engraved by Thos. Gainsborough.
Pubd. as the Act directs Aug.t 1797, by J.&J.Boydell No.90 Cheapside, & at the Shakespeare Gallery Pall Mall. [Published by Iain Bain at the John Boydell Press, Newnham, Baldock, Hertfordshire. December 1971]
Soft-ground etching, 275 x 345mm (11 x 13½"), with huge margins. On paper watermarked 'J Whatman Turkey Mill 1893'. Mount burn.
Landscape with four cows amongst trees, figure seen beyond at right. From the limited editioned of seventy-five numbered sets of the 1971 reprints from Gainsborough's (1727-1788) original copper plates. Each impression was printed by Philip McQueen, who represents the fifth generation of his family in the trade .The edition was printed on specially watermarked ‘Penshurst’ paper made by J.Barcham Green Ltd, at Hayle Mill, Maidstone. These were published by Iain Bain at the John Boydell Press, and the copper-plates then entered the Tate Gallery’s collection.
From Collection of Iain Bain.
[Ref: 60662] £230.00 (£276.00 incl.VAT)
Designed & Engraved by Thos. Gainsborough.
Pubd. as the Act directs Aug.t 1797, by J.&J.Boydell No.90 Cheapside, & at the Shakespeare Gallery Pall Mall. [Published by Iain Bain at the John Boydell Press, Newnham, Baldock, Hertfordshire. December 1971]
Soft-ground etching, 275 x 345mm (11 x 13½"), with huge margins. On paper watermarked 'J Whatman Turkey Mill 1893'. Mount burn.
Landscape with four cows amongst trees, figure seen beyond at right. From the limited editioned of seventy-five numbered sets of the 1971 reprints from Gainsborough's (1727-1788) original copper plates. Each impression was printed by Philip McQueen, who represents the fifth generation of his family in the trade .The edition was printed on specially watermarked ‘Penshurst’ paper made by J.Barcham Green Ltd, at Hayle Mill, Maidstone. These were published by Iain Bain at the John Boydell Press, and the copper-plates then entered the Tate Gallery’s collection.
From Collection of Iain Bain.
[Ref: 60662] £230.00 (£276.00 incl.VAT)
![Girl Gathering Mushrooms. [&] A Fern Cutter's Child.](jpegs/65183.jpg)
Girl Gathering Mushrooms. [&] A Fern Cutter's Child. From the Original Drawing in the possession of Tho.s Streatfield Esq.r. [&] From the Original Drawing in the possession of Will.m Chamberlain Esq.r.
Painted by R. Westall R.A. Engraved by Meadow.
Pub. May 1. 1800 by J. & J. Boydell No. 90 Cheapside & at the Shakspeare Gallery Pall Mall London.
A pair of stipples, sheet size 330 x 405mm (13 x 16"). Both slightly trimmed.
Two rustic scenes: A young girl kneels as she picks mushrooms on a bank, her left hand resting on the handle of her basket. To the left, cattle drink from a pond, with more grazing in the field beyond. In the background to the left, another girl stands next to a jug watching on. A girl with short, dark, curly hair sits on the ground to the right, her profile facing left as she entwines her fingers around her left knee. A dog sits beside her. Behind her, sheep graze near a forest, while a figure on the left is cutting ferns. In the background, to the left, there’s a house amidst the landscape.
[Ref: 65183] £550.00 view all images for this item
Painted by R. Westall R.A. Engraved by Meadow.
Pub. May 1. 1800 by J. & J. Boydell No. 90 Cheapside & at the Shakspeare Gallery Pall Mall London.
A pair of stipples, sheet size 330 x 405mm (13 x 16"). Both slightly trimmed.
Two rustic scenes: A young girl kneels as she picks mushrooms on a bank, her left hand resting on the handle of her basket. To the left, cattle drink from a pond, with more grazing in the field beyond. In the background to the left, another girl stands next to a jug watching on. A girl with short, dark, curly hair sits on the ground to the right, her profile facing left as she entwines her fingers around her left knee. A dog sits beside her. Behind her, sheep graze near a forest, while a figure on the left is cutting ferns. In the background, to the left, there’s a house amidst the landscape.
[Ref: 65183] £550.00 view all images for this item
The Guardian Angels. N.o 1219.
F. Bartolozzi inv. G. Zancon Sculp.t
[n.d. c.1800]
Rare stipple 190 x 235mm (7½ x 9¼"), with very large margins. Very light foxing.
A naked boy, asleep on a bed outside, is visited by three heads with wings. After the original print made by Bartolozzi and Published by Thomas Simpson in 1791; it omits the two verses by, 'S Collings.' Gaetano Zancon (1771-1816), engraver from Bassano, he produced individual plates and published various series of outline etchings after Old Masters, as well as reproductions of English prints.
R 732.
[Ref: 66022] £260.00 (£312.00 incl.VAT)
F. Bartolozzi inv. G. Zancon Sculp.t
[n.d. c.1800]
Rare stipple 190 x 235mm (7½ x 9¼"), with very large margins. Very light foxing.
A naked boy, asleep on a bed outside, is visited by three heads with wings. After the original print made by Bartolozzi and Published by Thomas Simpson in 1791; it omits the two verses by, 'S Collings.' Gaetano Zancon (1771-1816), engraver from Bassano, he produced individual plates and published various series of outline etchings after Old Masters, as well as reproductions of English prints.
R 732.
[Ref: 66022] £260.00 (£312.00 incl.VAT)
Hope. Hope springs eternal in the human breast...[etc.]
Angelica Kauffman Invt. et Delint. [Wm. Wynne Ryland Sculpt.]
[Publish'd Feby. 7th. 1775 by W.W. Ryland, Engraver to his Majesty, No. 159, Strand London.]
Very fine stipple and etching, printed in sanguine. Proof before engraver and publisher. 225 x 190mm (9 x 7½"), with very large margins. Staining in margins just going inside plate mark on right.
Portrait after a self-portrait of Angelica Kauffman (1741-1807), in a circle, her head resting on her hands, leaning on an anchor and looking dreamily at the viewer, wearing a turban. Four lines of verse by Alexander Pope (1680 - 1744) below image.
[Ref: 66025] £320.00
Angelica Kauffman Invt. et Delint. [Wm. Wynne Ryland Sculpt.]
[Publish'd Feby. 7th. 1775 by W.W. Ryland, Engraver to his Majesty, No. 159, Strand London.]
Very fine stipple and etching, printed in sanguine. Proof before engraver and publisher. 225 x 190mm (9 x 7½"), with very large margins. Staining in margins just going inside plate mark on right.
Portrait after a self-portrait of Angelica Kauffman (1741-1807), in a circle, her head resting on her hands, leaning on an anchor and looking dreamily at the viewer, wearing a turban. Four lines of verse by Alexander Pope (1680 - 1744) below image.
[Ref: 66025] £320.00
![[Dinner party of lechers.]](jpegs/54284.jpg)
[Dinner party of lechers.]
[n.d., c.1860.]
Tinted lithograph, very scarce proof. Image 380 x 505mm (15 x 20"), with large margins. Edges chipped and tears in margins. Light foxing.
A 19th century dinner party, all the men wearing powdered wigs except for a fat friar, leering over a naked young woman who is collecting cherries that have spilled onto the floor. Her clothes are to one side.
[Ref: 54284] £500.00
[n.d., c.1860.]
Tinted lithograph, very scarce proof. Image 380 x 505mm (15 x 20"), with large margins. Edges chipped and tears in margins. Light foxing.
A 19th century dinner party, all the men wearing powdered wigs except for a fat friar, leering over a naked young woman who is collecting cherries that have spilled onto the floor. Her clothes are to one side.
[Ref: 54284] £500.00
Mnemosina the Goddess of Memory Weeping for the unfortunate Louis XVI...
London Pub.d as the Act directs, October 30th 1793 by P. Molinari No.43 Rupert Street Hay Market.
Stipple, with image and inscription printed from separate plates. Sheet 280 x 150mm (8 x 6") Staining on left.
An allegorical scene on the execution of Louis XVI and Marie Antoinette, with Mnemosyne reclining in a landscape beside a portrait of the deceased monarchs, mourning their loss.
[Ref: 66007] £180.00 (£216.00 incl.VAT)
London Pub.d as the Act directs, October 30th 1793 by P. Molinari No.43 Rupert Street Hay Market.
Stipple, with image and inscription printed from separate plates. Sheet 280 x 150mm (8 x 6") Staining on left.
An allegorical scene on the execution of Louis XVI and Marie Antoinette, with Mnemosyne reclining in a landscape beside a portrait of the deceased monarchs, mourning their loss.
[Ref: 66007] £180.00 (£216.00 incl.VAT)
The Meeting of Paris and Helen.
E. Burney Esq.r del.t. R. Cooper sculp.
Published June 21. 1814 by S. & J. Fuller, at the Temple of Fancy, 34, Rathbone Place.
Very fine stipple printed in colour. Sheet 280 x 265mm (11 x 10½") Trimmed within plate on three sides.
Venus introduces Helen to a reclining Paris.
See [Ref: 65942] for uncoloured version.
[Ref: 65941] £180.00 (£216.00 incl.VAT)
E. Burney Esq.r del.t. R. Cooper sculp.
Published June 21. 1814 by S. & J. Fuller, at the Temple of Fancy, 34, Rathbone Place.
Very fine stipple printed in colour. Sheet 280 x 265mm (11 x 10½") Trimmed within plate on three sides.
Venus introduces Helen to a reclining Paris.
See [Ref: 65942] for uncoloured version.
[Ref: 65941] £180.00 (£216.00 incl.VAT)
The Meeting of Paris and Helen.
E. Burney Esq.r del.t. R. Cooper sculp.
Published June 21. 1814 by S. & J. Fuller, at the Temple of Fancy, 34, Rathbone Place.
Stipple on india, 305 x 360mm (12 x 14"), with margins. Foxing and surface dirt. Tear in right bottom corner going into india paper.
Venus introduces Helen to a reclining Paris.
See [Ref: 65941] for one in colour.
[Ref: 65942] £130.00 (£156.00 incl.VAT)
E. Burney Esq.r del.t. R. Cooper sculp.
Published June 21. 1814 by S. & J. Fuller, at the Temple of Fancy, 34, Rathbone Place.
Stipple on india, 305 x 360mm (12 x 14"), with margins. Foxing and surface dirt. Tear in right bottom corner going into india paper.
Venus introduces Helen to a reclining Paris.
See [Ref: 65941] for one in colour.
[Ref: 65942] £130.00 (£156.00 incl.VAT)
[Peace of Aix-la-Chapelle. A Group of Statues, representing Peace Supported by Neptune and Mars. To His Grace the Duke of Montagu, Master General of His Majesty's Ordnance &c, &c, &c, This Plate is Humbly dedicated by his Grace's most Devoted & most Obedient Humble Servant, Che.r And.e Casali.
Equ.s: An: Casali Inv.t. J. Bonneau Sculp.t.
Publish'd by Permission, June 6, 1751, according to Act of Parliam.t for I.G. at ye Jarr in Princes-Street, Cavendish Square.
Engraving, 18th century watermark Sheet 410 x 280mm (16 x 11"). Trimmed into plate on three sides, small tear repaired, small stain.
A group of statues with personification of Peace, sitting on a pedestal, flanked by Neptune (representing the British Navy) on the left and Mars (the army) on the right. Below the image are the arms of the Duke of Montagu. From a series of prints reproducing the pictures created by Casali for the firework machine set in St James' Park for the celebrations of the Treaty of Aix-la-Chapelle in 1748, first published 1749.
[Ref: 65833] £380.00
Equ.s: An: Casali Inv.t. J. Bonneau Sculp.t.
Publish'd by Permission, June 6, 1751, according to Act of Parliam.t for I.G. at ye Jarr in Princes-Street, Cavendish Square.
Engraving, 18th century watermark Sheet 410 x 280mm (16 x 11"). Trimmed into plate on three sides, small tear repaired, small stain.
A group of statues with personification of Peace, sitting on a pedestal, flanked by Neptune (representing the British Navy) on the left and Mars (the army) on the right. Below the image are the arms of the Duke of Montagu. From a series of prints reproducing the pictures created by Casali for the firework machine set in St James' Park for the celebrations of the Treaty of Aix-la-Chapelle in 1748, first published 1749.
[Ref: 65833] £380.00
Silence.
F. Bartolozzi inv. G. Zancon Sculp.t
[n.d. c.1800]
Rare stipple 190 x 235mm (7½ x 9¼"), with very large margins. Very light foxing.
A naked boy, asleep on a bed, is visited by two putti; one shushes the other. After the original print made by Bartolozzi and Published by Thomas Simpson in 1791; it omits the two verses by, 'S Collings.' Gaetano Zancon (1771-1816), engraver from Bassano, he produced individual plates and published various series of outline etchings after Old Masters, as well as reproductions of English prints.
R 733.
[Ref: 66024] £260.00 (£312.00 incl.VAT)
F. Bartolozzi inv. G. Zancon Sculp.t
[n.d. c.1800]
Rare stipple 190 x 235mm (7½ x 9¼"), with very large margins. Very light foxing.
A naked boy, asleep on a bed, is visited by two putti; one shushes the other. After the original print made by Bartolozzi and Published by Thomas Simpson in 1791; it omits the two verses by, 'S Collings.' Gaetano Zancon (1771-1816), engraver from Bassano, he produced individual plates and published various series of outline etchings after Old Masters, as well as reproductions of English prints.
R 733.
[Ref: 66024] £260.00 (£312.00 incl.VAT)
A Snake in the Grass. Fann'd by the summers gentlest wind... R.B. Cooper.
Painted by Sir Joshua Reynolds. Engrav'd by J.R. Smith.
London Pub.d Sept.r 24, 1787 by J.R. Smith, N.º 31 King Street, Covent Garden.
Stipple, printed in brown, 18th century watermark. Sheet 320 x 250mm (12½ x 9¾"). Trimmed within plate, abrasions in unprinted area top right, crease top right.
A bare-breasted nymph reclines, her right arm raised to cover part of her face with her hand. To her left Cupid tugs on the sash of her dress; to the right is a snake.
Frankau 326, ii of ii, D'Oench 288, Hamilton p.158.
[Ref: 65647] £260.00 (£312.00 incl.VAT)
Painted by Sir Joshua Reynolds. Engrav'd by J.R. Smith.
London Pub.d Sept.r 24, 1787 by J.R. Smith, N.º 31 King Street, Covent Garden.
Stipple, printed in brown, 18th century watermark. Sheet 320 x 250mm (12½ x 9¾"). Trimmed within plate, abrasions in unprinted area top right, crease top right.
A bare-breasted nymph reclines, her right arm raised to cover part of her face with her hand. To her left Cupid tugs on the sash of her dress; to the right is a snake.
Frankau 326, ii of ii, D'Oench 288, Hamilton p.158.
[Ref: 65647] £260.00 (£312.00 incl.VAT)
Tobias and the Angel. From an Original Picture in the Possession of Samuel Athawes Esq.r to whom this Place is Inscribedm by his very obliged & obedient Serv.t W.m Woollett.
The Landscape painted by Glauber, and the Figures by G. Lairesse. Engraved by W. Woollett and J. Emes.
Publish'd as the Act directs 2 May 1785, by W.m Woollett, No.1, North Street, Charlotte Street, Rathbone Place, London.
Engraving, 380 x 450mm (15 x 17½"). Some scuffing and staining in margins.
Depiction of a scene from the book of Tobit, one of the Apocrypha in the King James Bible. Much of the narrative of this book is dedicated to Tobit's son, who is sent by his father to collect a sum of money from the land of Media, in which he is aided by the angel Raphael, who presents himself as Tobit's kinsman Azariah.
Fagan CXIX.
[Ref: 54253] £290.00 (£348.00 incl.VAT)
The Landscape painted by Glauber, and the Figures by G. Lairesse. Engraved by W. Woollett and J. Emes.
Publish'd as the Act directs 2 May 1785, by W.m Woollett, No.1, North Street, Charlotte Street, Rathbone Place, London.
Engraving, 380 x 450mm (15 x 17½"). Some scuffing and staining in margins.
Depiction of a scene from the book of Tobit, one of the Apocrypha in the King James Bible. Much of the narrative of this book is dedicated to Tobit's son, who is sent by his father to collect a sum of money from the land of Media, in which he is aided by the angel Raphael, who presents himself as Tobit's kinsman Azariah.
Fagan CXIX.
[Ref: 54253] £290.00 (£348.00 incl.VAT)
![[Untitled scene of a woman with a water jug on her head.]](jpegs/65743.jpg)
[Untitled scene of a woman with a water jug on her head.]
[n.d., c.1780.]
Etching, printed in brown. 200 x 195mm (8 x 7¾"), with large margins on three sides. Some toning of paper. Small top margin. Foxing.
A woman stands at a spring, with her two young children, the girl cuddling a lamb.
[Ref: 65743] £160.00 (£192.00 incl.VAT)
[n.d., c.1780.]
Etching, printed in brown. 200 x 195mm (8 x 7¾"), with large margins on three sides. Some toning of paper. Small top margin. Foxing.
A woman stands at a spring, with her two young children, the girl cuddling a lamb.
[Ref: 65743] £160.00 (£192.00 incl.VAT)
Wood-Nymph. From a Picture in the Possession of Rich. Wyatt Esq.r.
Painted by S. Woodford. Engraved by J.R. Smith.
London publish'd Feb.y 12th: 1787 by J.R. Smith N.º 31 King Street Covent Garden.
Fine stipple, printed in brown. 250 x 200mm (9¾ x 8"). Small margins.
A half-length portrait of a peasant girl wearing a bonnet, carrying a bundle of firewood. A companion print to 'Shepherdess'.
Frankau 379. D'Oench 279. Collection J. Walker mezzotinter.
[Ref: 65649] £280.00 (£336.00 incl.VAT)
Painted by S. Woodford. Engraved by J.R. Smith.
London publish'd Feb.y 12th: 1787 by J.R. Smith N.º 31 King Street Covent Garden.
Fine stipple, printed in brown. 250 x 200mm (9¾ x 8"). Small margins.
A half-length portrait of a peasant girl wearing a bonnet, carrying a bundle of firewood. A companion print to 'Shepherdess'.
Frankau 379. D'Oench 279. Collection J. Walker mezzotinter.
[Ref: 65649] £280.00 (£336.00 incl.VAT)