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[Abraham stopped from sacrificing Isaac.]
[Abraham stopped from sacrificing Isaac.]
Bickham Jn.r fecit.
[n.d., c.1750.]
Etching. Sheet 200 x 145mm (8 x 5¾"). Trimmed within plate.
An untitled plate of the angel of the Lord interrupting the sacrifice.
[Ref: 65257]   £45.00   (£54.00 incl.VAT)
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[Richard, Earl of Barrymore]
[Richard, Earl of Barrymore]
Painted by R. Cosway. Engraved by J Jehner.
Published June 24. 1778, by John Boydell Engraver in Cheapside London
Mezzotint with fantastic colour, 18th century watermark; 380 x 280mm (15 x 11"). Trimmed to plate.
Portrait of Richard Barry, Earl of Barrymore (1769-93), depicted as Cupid sitting on the grass beside a rose bush. With his back to the viewer, he looks over his shoulder while playing a lyre, all within a circular frame. As a young man the engraver, Isaac Jehner (1750-1818), had a series of accidents that broke his thighs and left arm, which were badly treated, leaving him on limited stature and disabled. He published a memoir, unusual for an engraver, called 'Fortune's Football' in 1806, described by Alexander as 'a pioneering account by a person with disabilites of his experiences'.
CS 1 I of I. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65199]   £360.00  
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[Biondina.]
[Biondina.]
[Painted by Sir F.Leighton.P.R.A. Engraved by Sam.l.Cousins.R.A.]
London Published July, 1st 1881 by The Fine Art Society (Limited), 148 New Bond Street.
Fine Mezzotint, signed by artist & engraver. 425 x 315mm (16¾ x 12½") large margins. Printsellers Association blindstamp 'JUF'.
Portrait of a young girl, her left profile in view. She is wearing a pleated shirt and bodice with small bows, with wavy blond hair tied in a bun at the nape of her neck.
Whitman: 206 state i of iii signed. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64898]   £320.00  
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Biondina.
Biondina.
Painted by Sir F.Leighton.P.R.A. Engraved by Sam.l.Cousins.R.A.
London Published July, 1st 1881 by The Fine Art Society (Limited), 148 New Bond Street.
Fine Mezzotint. 440 x 330mm (17¼ x 13"), with large margins. Printsellers Association blindstamp 'CJU'.
Portrait of a young girl, her left profile in view. She is wearing a pleated shirt and bodice with small bows, with wavy blond hair tied in a bun at the nape of her neck.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64900]   £320.00  
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Creusa appearing to Aeneas.
Creusa appearing to Aeneas.
Painted by Maria Cosway. Engraved by V. Green, Mezzotinto Engraver to his Majesty & to the Elector Palatine.
[London Publysh'd Jan.y, 7, 1803, by H. Macklin, Poets Gallery, Fleet Street.]
Scarce mezzotint, card 635 x 520mm (25 x 20½"). Trimmed within plate losing publication line and laid on card.
Aeneas, clad in armor, gazes upwards to the right as he steps forward, arms outstretched in an attempt to embrace Creusa. She hovers in mid-air, her body bare, a veil swirling around her as she looks down at him from the right. In the distance, the flames of Troy rage. A crudely reworked version published by Hannah Macklin.
Whitman 226. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65223]   £260.00   (£312.00 incl.VAT)
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Creusa appearing to Aeneas.
Creusa appearing to Aeneas.
Painted by Maria Cosway. Engraved by V. Green, Mezzotinto Engraver to his Majesty & to the Elector Palatine.
London Publysh'd Jan.y, 7, 1803, by H. Macklin, Poets Gallery, Fleet Street.
Scarce mezzotint, 550 x 430mm (22 x 17"), with large margins. Creasing and surface dirt. Tears in margins repaired with acid free tape.
Aeneas, clad in armor, gazes upwards to the right as he steps forward, arms outstretched in an attempt to embrace Creusa. She hovers in mid-air, her body bare, a veil swirling around her as she looks down at him from the right. In the distance, the flames of Troy rage. A crudely reworked version published by Hannah Macklin.
Whitman 226. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65221]   £320.00  
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Cupid.
Cupid. "As bards have seen him in thier dreams. Down the blue Ganges laughing glide. Upon a rosy lotus wreath. Catching fresh lustre from the tide. That with his image shon beneath." Vide Lalla Rookh (The Light of the Harem.)
Painted by H.W. Pickersgill Esq.r R.A. Engraved by W. Say. Eng.r to H.R.H the Duke of Gloucester.
London Published Feb.ry 1.st 1827, by the Engraver 9 Mortimer Street.
Mezzotint on india, 260 x 225mm (10¼ x 8¾"), with large margins.
A young Cupid sits amidst lilies in a pond, aiming his arrow forward. In the background, waterfalls cascade and trees frame the scene. The design is enclosed within a circular border.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 65164]   £160.00   (£192.00 incl.VAT)
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The Good Man at the Hour of Death.
The Good Man at the Hour of Death. Let me die the death of the Righteous and let my last end be like his. Numb. Ch. XXIII. ver. 10.
[after Francis Hayman.]
Printed for & Sold by Bowles & Carver, at their Map & Print Warehouse, N.º 69 in S.t Pauls Church Yard, London. [n.d. c.1730]
Mezzotint with superb hand colour, watermark 1811. 350 x 250mm (13¾ x 9¾"). Tear entering plate on right and others in margin taped.
The 'Good Man' lies in bed surrounded by books. He is approached by Old Father Time, who holds out an hourglass that has nearly finished its cycle. After a lost painting entitled 'The Death of a Christian', made in the mid-1740s for Jonathan Tyers (1702-67, proprietor of Vauxhall Gardens), at Denbies, near Dorking, Surrey. In contrast to the frivolity of Vauxhall, the Gothic garden at Denbies was named 'The Valley of the Shadow of Death'.
[Ref: 65254]   £590.00  
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[The Dunciad] Here strip my Children! here at one leap in /
[The Dunciad] Here strip my Children! here at one leap in / Here prove who best can dash thro' thick & Thin. / Dunciad Book III.
[engraved by Charles Grignon after Francis Hayman.]
[n.d., c.1770.]
Engraving with etching. Sheet 125 x 75mm (5 x 3"). Trimmed.
Men prepare to swim in a canal. The frontispiece to Volume III of Alexander Pope's 'The Dunciad'.
[Ref: 65149]   £95.00   (£114.00 incl.VAT)
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[A man with two young boys.]
[A man with two young boys.]
Bickham Jn.r fecit.
[n.d., c.1750.]
Etching. Sheet 200 x 145mm (8 x 5¾"). Trimmed within plate.
An untitled plate.
[Ref: 65258]   £45.00   (£54.00 incl.VAT)
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[The Holy Family.]
[The Holy Family.]
Bickham Jn.r fecit [after Sir Godrey Kneller].
[n.d., c.1750.]
Etching, pt 18th century watermark. Sheet 200 x 145mm (8 x 5¾"). Trimmed within plate.
An untitled plate of Jesus, Joseph and Mary sitting on a terrace with two overgrown fluted pillars behind them.
[Ref: 65256]   £65.00   (£78.00 incl.VAT)
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The Market Girl.
The Market Girl.
H. Bunbury Esqr. Delint. Engraved by G. Shepheard.
London, Publish'd June 1st, 1791, by W: Dickinson No:24 Old Bond Street.
Stipple with etching, in brown ink, sheet 440 x 325mm (17½ x 12¾"). Trimmed inside plate on right.
A girl kneeling before a fence with a dog beside her, her hand on a basket containing a goose. After Henry William Bunbury (1750 - 1811).
[Ref: 65182]   £160.00   (£192.00 incl.VAT)
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Moretta.
Moretta. A Venetian Girl.
[After Frederick Leighton. Engraved by Samuel Cousins.]
London Published July, 28th 1876 by Arthur Lucas, the Proprietor, 49, Wigmore Street, Cavendish Square W.
Fine Mezzotint, signed by artist and engraver. 445 x 320mm (17¾ x 12½"), with large margins. Printsellers Association blindstamp 'QMV'.
Portrait of a young girl, her left profile in view. She is wearing a gown with a ruffled neckline and a flower in her pinned up hair.
Whitman: 207 state i of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64896]   £320.00  
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[Mountains.]
[Mountains.]
From an Original Drawing, By Pietro da Cortona. Fra. Bartolozzi sculp.
Publish'd by J.Boydell, Engraver in Cheapside, March 21st 1763.
Engraving in sepia, on 18th century watermarked paper, 350 x 250mm (13¾ x 9½"). Faint cockling in upper corners. Trimmed into plate but not image.
Landscape with mountain in the background. In the left foreground dogs chase a deer and in the right foreground a man and women stand talking, beside them a child and dog.
[Ref: 65267]   £160.00   (£192.00 incl.VAT)
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Phaëthon.
Phaëthon.
G.Stubbs Pinx.t. B. Green [fecit].
[Sold by Ryland and Bryer at the Kings Arms in Cornhill [n.d., c.1766].
Mezzotint. 435 x 550mm (17 x 21¾"). Trimmed into plate at bottom, losing publication line and some text, damage to text, repaired tear.
Phaethon, son of Helios, drives the chariot of of the sun, drawn by four horses. Lightning crosses the sky behind. The first version of this picture to be engraved by Green
Lennox-Boyd: 3, ii of iii. Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64881]   £420.00  
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[Henry & Charlotte Spencer] The Fortune Teller.
[Henry & Charlotte Spencer] The Fortune Teller.
From a Picture by Sir J. Reynolds. Engraved by C. Turner.
London. Published June 19, 1823, by C. Turner 50, Warren Street, Fitzroy Square.
Mezzotint on steel. 275 x 230mm (10¾ x 9"), with large margins.
A portrait of two of the younger children of George, 4th Duke of Marlborough: Lord Henry John Spencer (1770-95), dressed in van Dyck costume, and his sister Charlotte (1769-1802), who is reading his palm. The painting is now in The Huntington, San Marino California.
Whitman 537, state ii of ii.
[Ref: 65251]   £260.00   (£312.00 incl.VAT)
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[Henry & Charlotte Spencer] The Fortune Teller.
[Henry & Charlotte Spencer] The Fortune Teller.
From a Picture by Sir J. Reynolds. Engraved by C. Turner.
W.S. Ford, 180, High Holborn, London [n.d., c.1840].
Mezzotint on steel proof Sheet 270 x 225mm (10¾ x 8¾"). Trimmed within plate, inscriptions weakly inked.
A portrait of two of the younger children of George, 4th Duke of Marlborough: Lord Henry John Spencer (1770-95), dressed in van Dyck costume, and his sister Charlotte (1769-1802), who is reading his palm. The painting is now in The Huntington, San Marino California. First published in 1823, this is a later state, with mezzotint frame removed and part of image erased.
Whitman 537, unlisted state after ii of ii.
[Ref: 65252]   £120.00   (£144.00 incl.VAT)
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Valentine's Day.
Valentine's Day.
Painted by George Morland. Engraved by J. Dean.
Published Nov.r 15.th 1787 by J. Dean Bentick Street Soho.
Rare mezzotint, printed in colours and hand-finished. 510 x 360mm (20 x 14¼"). Repaired tears, crack in top platemark, creases.
A scene outside a cottage, with an old woman leaning out over the door, advising a young woman who sits in front, holding a ribbon and gesturing towards a young man, who turns to walk away, looking back over his shoulder, his cane under his arm.
Ex: Collection of The Hon. Christopher Lennox-Boyd.
[Ref: 64870]   £180.00   (£216.00 incl.VAT)
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Valentine's Day.
Valentine's Day.
Painted by George Morland. Engraved by J. Dean.
Published Nov.r 15.th 1787 by J. Dean Bentick Street Soho.
Rare mezzotint. 510 x 360mm (20 x 14¼").
A scene outside a cottage, with an old woman leaning out over the door, advising a young woman who sits in front, holding a ribbon and gesturing towards a young man, who turns to walk away, looking back over his shoulder, his cane under his arm.
Ex: Collection of The Hon. Christopher Lennox-Boyd. Oettingen-Wallerstein Collection, Sotheby's 1997.
[Ref: 64871]   £380.00  
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[Venus.]
[Venus.] Iam Cytherea Choros ducit Venus, imminente Luna: Junctaeque Nymphis Gratiae decentes, Alterno Terram quatiunt Pede. Hor.
N.Blackey inven.t.
[n.d., c.1780.]
Engraving. 210 x 155mm (8¼ x 6"), with large margins.
A mythological scene depicting Venus leading her chorus line, a low moon above them.
[Ref: 65309]   £180.00   (£216.00 incl.VAT)
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[R A Glenberrie.][ink mss]
[R A Glenberrie.][ink mss]
[n.d., c.1800.]
Proof before letters. Stipple. Sheet 230 x 165mm (9 x 6½").
Portrait of a woman sat amongst a woodland landscape. In her right hand she holds a book.
[Ref: 65270]   £130.00   (£156.00 incl.VAT)
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[Graecian woman, Emma Hamilton with lyre.]
[Graecian woman, Emma Hamilton with lyre.]
London, Pub.d 20 Feb.y 1796, by G.T. Stubbs, at the Turf Gallery Conduit Street, and N.º 97, High Street, Mary-le-bone.
Stipple, printed in colours and hand finished. 455 x 330mm (18 x 13"), with very large margins. Spotting in margins. Very small wormhole top right.
Possibly Emma Hamilton, from the series 'Figures Drawn after the Graecian Manner'. Although Lennox-Boyd states that many of the series were copied from Friedrich Rehberg 'Drawings Faithfully Copied from Nature at Naples' (which recorded Emma Hamilton's 'Attitudes'), this is not one of those.
Lennox-Boyd et al: A Preliminar Checklist of Plates Engraved by George Townley Stubbs 74, & p.375.
[Ref: 64758]   £360.00  
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