A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![Abba Gregorius Aethiops Amharensis Aet LII [parallel text in Amharic]](jpegs/64416.jpg)
Abba Gregorius Aethiops Amharensis Aet LII [parallel text in Amharic]
G.B. v. Sand pinx. Elias Ch. Heiss sculp. Aug. Vind. 1691.
Very rare mezzotint. Sheet 225 x 170mm (8¾ x 6¾"). Trimmed close to image, surface abrasions. Damaged.
Abba Gregorius (1595-1658), Ethiopian priest and lexicographer. Gregorius travelled to Rome where he met the German scholar Hiob Ludolf and instructed him in the history and culture of Ethiopia, later spending time in Germany at Ludolf's invitation. The two men co-authored books on the Amharic language and Ludolf wrote a 'History of Ethiopia' indebted to what he learnt from Gregorius. Mezzotint by Elias Christoph Heiss (1660-1731), Augsburg-based mezzotinter specialising in portraits.
Possibly a pair to the portrait of Ludolf by Heiss after Sand, for which see ref.30232.
[Ref: 64416] £290.00 (£348.00 incl.VAT)
G.B. v. Sand pinx. Elias Ch. Heiss sculp. Aug. Vind. 1691.
Very rare mezzotint. Sheet 225 x 170mm (8¾ x 6¾"). Trimmed close to image, surface abrasions. Damaged.
Abba Gregorius (1595-1658), Ethiopian priest and lexicographer. Gregorius travelled to Rome where he met the German scholar Hiob Ludolf and instructed him in the history and culture of Ethiopia, later spending time in Germany at Ludolf's invitation. The two men co-authored books on the Amharic language and Ludolf wrote a 'History of Ethiopia' indebted to what he learnt from Gregorius. Mezzotint by Elias Christoph Heiss (1660-1731), Augsburg-based mezzotinter specialising in portraits.
Possibly a pair to the portrait of Ludolf by Heiss after Sand, for which see ref.30232.
[Ref: 64416] £290.00 (£348.00 incl.VAT)
Lieutenant General Sir Ralph Abercrombie K.B.
Painted by J. Hoppner R.A. Engraved by S.W. Reynolds.
Published Feb. 1. 1799, by S.W. Reynolds, N.º 46, Poland Street, London.
Mezzotint, proof with uncleaned inscription area. 345 x 250mm (13½ x 8"). Trimmed to plate.
Half-length portrait of Ralph Abercrombie (1734-1801), in uniform, published two years before his death following the Battle of Alexandria. The plate was reissued to commemorate his death.
Whitman 2.
[Ref: 64380] £230.00 (£276.00 incl.VAT)
Painted by J. Hoppner R.A. Engraved by S.W. Reynolds.
Published Feb. 1. 1799, by S.W. Reynolds, N.º 46, Poland Street, London.
Mezzotint, proof with uncleaned inscription area. 345 x 250mm (13½ x 8"). Trimmed to plate.
Half-length portrait of Ralph Abercrombie (1734-1801), in uniform, published two years before his death following the Battle of Alexandria. The plate was reissued to commemorate his death.
Whitman 2.
[Ref: 64380] £230.00 (£276.00 incl.VAT)
Abraham Offering Up His Son. [And the angel of the Lord called unto him...]
Painted by J.S. Copley R.A. Engraved by R. Dunkarton.
[London Published Nov.r 1. 1797, by J.S. Copley, George Street, Hanover Square.]
Mezzotint, printed in colours and hand finished. 670 x 495mm (26½ x 19½"). Trimmed to plate at sides, into inscription area at bottom, losing contination of title and publication line, margin chipped upper right. Few repairs.
Abraham, about to sacrifice his son Isaac, throws his knife away when the angel appears to tell him to kill the ram instead.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64607] £520.00
Painted by J.S. Copley R.A. Engraved by R. Dunkarton.
[London Published Nov.r 1. 1797, by J.S. Copley, George Street, Hanover Square.]
Mezzotint, printed in colours and hand finished. 670 x 495mm (26½ x 19½"). Trimmed to plate at sides, into inscription area at bottom, losing contination of title and publication line, margin chipped upper right. Few repairs.
Abraham, about to sacrifice his son Isaac, throws his knife away when the angel appears to tell him to kill the ram instead.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64607] £520.00
![[Francis Atterbury] The Right Reverend Father in God Francis Lord Bishop of Rochester and Dean of Westminster.](jpegs/64540.jpg)
[Francis Atterbury] The Right Reverend Father in God Francis Lord Bishop of Rochester and Dean of Westminster.
G. Kneller S.R. Imp & Mag. Brit. Bart.ts pinx. 1718. J. Simon fec et ex.
Sold by Phil: Overton at ye Golden Buck ag.t S.t Dunstans Church Fleet Street [n.d. c.1740].
Mezzotint. Sheet 355 x 250mm (14 x 9¾"). Trimmed to image, laid on album paper with strips of letterpress at sides.
Francis Atterbury (1662 - 1732), Bishop of Rochester, was deprived of his offices in 1723 for corresponding with James Francis Edward Stuart (the Old Pretender). The letterpress relates to the Lords' passing of the bill of pains and penalties against Atterbury.
CS: 19. Sharpe 279. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64540] £350.00
G. Kneller S.R. Imp & Mag. Brit. Bart.ts pinx. 1718. J. Simon fec et ex.
Sold by Phil: Overton at ye Golden Buck ag.t S.t Dunstans Church Fleet Street [n.d. c.1740].
Mezzotint. Sheet 355 x 250mm (14 x 9¾"). Trimmed to image, laid on album paper with strips of letterpress at sides.
Francis Atterbury (1662 - 1732), Bishop of Rochester, was deprived of his offices in 1723 for corresponding with James Francis Edward Stuart (the Old Pretender). The letterpress relates to the Lords' passing of the bill of pains and penalties against Atterbury.
CS: 19. Sharpe 279. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64540] £350.00
Mich.l Bailey. The original subject of the celebrated Picture of the Woodman - Taken in the 108th year of his Age: by John Artur Cahusac: Aged 15.
Drawn by J.A. Cahusac. W.m Florio sculp.t.
London Published Jan.y 12.th 1818 by D. Cox, Bookseller & Stationer, N.º 39 High Street, Borough.
Fine & rare mezzotint. 240 x 170mm (9½ x 6¾"), with large margins.
A half-length portrait of an elderly man leaning on a stick. Possibly the woodman painted by Thomas Barker of Bath at least twice.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64580] £280.00 (£336.00 incl.VAT)
Drawn by J.A. Cahusac. W.m Florio sculp.t.
London Published Jan.y 12.th 1818 by D. Cox, Bookseller & Stationer, N.º 39 High Street, Borough.
Fine & rare mezzotint. 240 x 170mm (9½ x 6¾"), with large margins.
A half-length portrait of an elderly man leaning on a stick. Possibly the woodman painted by Thomas Barker of Bath at least twice.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64580] £280.00 (£336.00 incl.VAT)
![[Banditti Returning.]](jpegs/64496.jpg)
[Banditti Returning.]
Mortimer Pinxit.t. I.B.Smith Sculpsit.
Published Feb.y. 14, 1780 by J.Boydell Engraver in Cheapside London.
Very fine mezzotint. 300 x 250mm (11¾ x 9¾"). Small margins, tiny tear on upper left and tiny crease on upper right.
Three men stand at an entrance, another crouches in the background. One of the men is holding a woman captive at right.
Ex: Collection of The Hon. C. Lennox-Boyd. Not recorded.
[Ref: 64496] £290.00 (£348.00 incl.VAT)
Mortimer Pinxit.t. I.B.Smith Sculpsit.
Published Feb.y. 14, 1780 by J.Boydell Engraver in Cheapside London.
Very fine mezzotint. 300 x 250mm (11¾ x 9¾"). Small margins, tiny tear on upper left and tiny crease on upper right.
Three men stand at an entrance, another crouches in the background. One of the men is holding a woman captive at right.
Ex: Collection of The Hon. C. Lennox-Boyd. Not recorded.
[Ref: 64496] £290.00 (£348.00 incl.VAT)
Mr Bannister Jun.r and Mr Parsons as Scout and Sheepface in the Village Lawyer.
Painted by S. De Wilde. Engraved by J.R. Smith Mezzotinto Engraver to his Royal Highness the Prince of Wales.
London Published as the Act directs July 1. 1796, by I.R. Smith King Str.t Covent Garden.
Mezzotint, open-letter state. 635 x 480mm (25 x 19"). Narrow margins, a few marks and small knocks in edges.
John Bannister (1760-1836, son of actor Charles Bannister) as the lawyer Scout on the left, trying to persuade William Parsons (1735-95) as Sheepface beside him. A scene from George Colman's comedy 'The Village Lawyer', premiered as an afterpiece at the Theatre Royal, Haymarket in London on 28 August 1787.
CS 11, ii of iii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64588] £320.00
Painted by S. De Wilde. Engraved by J.R. Smith Mezzotinto Engraver to his Royal Highness the Prince of Wales.
London Published as the Act directs July 1. 1796, by I.R. Smith King Str.t Covent Garden.
Mezzotint, open-letter state. 635 x 480mm (25 x 19"). Narrow margins, a few marks and small knocks in edges.
John Bannister (1760-1836, son of actor Charles Bannister) as the lawyer Scout on the left, trying to persuade William Parsons (1735-95) as Sheepface beside him. A scene from George Colman's comedy 'The Village Lawyer', premiered as an afterpiece at the Theatre Royal, Haymarket in London on 28 August 1787.
CS 11, ii of iii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64588] £320.00
M.r Bannister Jun.r and M.r Parsons. as Scout and Sheepface in the Village Lawyer.
Painted by S. De Wilde. Engraved by J.R. Smith Mezzotinto Engraver to his Royal Highness the Prince of Wales.
London Published as the Act directs July 1. 1796, by I.R. Smith King Str.t Covent Garden.
Mezzotint, printed in colours and hand-finished. 635 x 480mm (25 x 19"), with large margins. Repaired margins. Repaired tear top right.
John Bannister (1760-1836, son of actor Charles Bannister) as the lawyer Scout on the left, trying to persuade William Parsons (1735-95) as Sheepface beside him. A scene from George Colman's comedy 'The Village Lawyer', premiered as an afterpiece at the Theatre Royal, Haymarket in London on 28 August 1787.
CS 11, iii of iii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64589] £280.00 (£336.00 incl.VAT)
Painted by S. De Wilde. Engraved by J.R. Smith Mezzotinto Engraver to his Royal Highness the Prince of Wales.
London Published as the Act directs July 1. 1796, by I.R. Smith King Str.t Covent Garden.
Mezzotint, printed in colours and hand-finished. 635 x 480mm (25 x 19"), with large margins. Repaired margins. Repaired tear top right.
John Bannister (1760-1836, son of actor Charles Bannister) as the lawyer Scout on the left, trying to persuade William Parsons (1735-95) as Sheepface beside him. A scene from George Colman's comedy 'The Village Lawyer', premiered as an afterpiece at the Theatre Royal, Haymarket in London on 28 August 1787.
CS 11, iii of iii. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64589] £280.00 (£336.00 incl.VAT)
John Barber Esq.r. Lord Mayor of the City of London in the Memorable Year 1733.
B. Dandridge pinx.t. 1737. J.Faber fecit 1740.
Price 2.d & Sold by I.Faber at the Golden-Head Bloomsbury Square.
Mezzotint. 355 x 250mm (14 x 9¾"), with large margins on three sides. Paper lightly toned. Creases in margins.
Originally a printer, Barber (1676-1741) made a fortune in the South Sea Company, from which he had the acumen to extricate himself before the crash.
CS: 21, state ii of ii (CS could find only three of the first state). Sharpe 303.Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64700] £190.00 (£228.00 incl.VAT)
B. Dandridge pinx.t. 1737. J.Faber fecit 1740.
Price 2.d & Sold by I.Faber at the Golden-Head Bloomsbury Square.
Mezzotint. 355 x 250mm (14 x 9¾"), with large margins on three sides. Paper lightly toned. Creases in margins.
Originally a printer, Barber (1676-1741) made a fortune in the South Sea Company, from which he had the acumen to extricate himself before the crash.
CS: 21, state ii of ii (CS could find only three of the first state). Sharpe 303.Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64700] £190.00 (£228.00 incl.VAT)
![[Agostino Carli. Fransescho Bartolozzi. Giovan. Battista Cipriani.]](jpegs/64542.jpg)
[Agostino Carli. Fransescho Bartolozzi. Giovan. Battista Cipriani.]
Painted by J. Rigaud. Engraved by J.R. Smith.
Publishd March 5. 1778 by J.R. Smith, N.º 10 Batemans Building, Soho Square & W.m Humphrey N.º 60 S.t Martins Lane London.
Mezzotint, scratched rare letter proof before title, 18th century watermark. 460 x 505mm (18 x 19¾"). Creases. Small margins.
A group portrait of three Italian artists in London who were founder members of the Royal Academy in London in 1768: sculptor and painter Agostino Carli (c.1718-90), holding a mallet; engraver Francesco Bartolozzi (1727-1815) with a burin and portfolio of prints; and painter Giovanni Battista Cipriani (1727-1785) with palette, brush and easle. The plate was eventually published by John Boydell. The original painting is in the National Portrait Gallery (NPG 3186).
Ex: Collection of The Hon. C. Lennox-Boyd. CS 30, not mentioning this publication line. Frankau 60, i of iv. D'Oench 116.
[Ref: 64542] £320.00
Painted by J. Rigaud. Engraved by J.R. Smith.
Publishd March 5. 1778 by J.R. Smith, N.º 10 Batemans Building, Soho Square & W.m Humphrey N.º 60 S.t Martins Lane London.
Mezzotint, scratched rare letter proof before title, 18th century watermark. 460 x 505mm (18 x 19¾"). Creases. Small margins.
A group portrait of three Italian artists in London who were founder members of the Royal Academy in London in 1768: sculptor and painter Agostino Carli (c.1718-90), holding a mallet; engraver Francesco Bartolozzi (1727-1815) with a burin and portfolio of prints; and painter Giovanni Battista Cipriani (1727-1785) with palette, brush and easle. The plate was eventually published by John Boydell. The original painting is in the National Portrait Gallery (NPG 3186).
Ex: Collection of The Hon. C. Lennox-Boyd. CS 30, not mentioning this publication line. Frankau 60, i of iv. D'Oench 116.
[Ref: 64542] £320.00
Missio de Davide, AD Bathsebam.
B.Graad, pinxit. G.Valck, fecit et Excudit, Cum Privilegis.
[n.d., c.1680.]
Very scarce mezzotint. 375 x 305mm (14¾ x 12"). Trimmed to plate, very small margins.
Representation of Bathsheba Israelite queen consort. According to the Hebrew Bible, she was the wife of Uriah the Hittite and later of David, with whom she had all of her five children.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64509] £280.00 (£336.00 incl.VAT)
B.Graad, pinxit. G.Valck, fecit et Excudit, Cum Privilegis.
[n.d., c.1680.]
Very scarce mezzotint. 375 x 305mm (14¾ x 12"). Trimmed to plate, very small margins.
Representation of Bathsheba Israelite queen consort. According to the Hebrew Bible, she was the wife of Uriah the Hittite and later of David, with whom she had all of her five children.
Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64509] £280.00 (£336.00 incl.VAT)
![[Miss Jenny & Miss Nelly Bennet.]](jpegs/64515.jpg)
[Miss Jenny & Miss Nelly Bennet.]
[Ja.s.Nixon pinx.t. G.Marchi fecit.]
[Published as the Act directs, Apr. 2nd, 1773.][Printed for John Bowles at No.13 in Cornhill]
Mezzotint proof before letters. 355 x 255mm (14 x 10"). No margins.
Portrait of sisters Jenny Bennet and Nelly Bennet; daughters of the printseller John Bennet (fl. 1760-d. 1787).
Ex: Collection of The Hon. C. Lennox-Boyd. CS 2 i of ii.
[Ref: 64515] £280.00 (£336.00 incl.VAT)
[Ja.s.Nixon pinx.t. G.Marchi fecit.]
[Published as the Act directs, Apr. 2nd, 1773.][Printed for John Bowles at No.13 in Cornhill]
Mezzotint proof before letters. 355 x 255mm (14 x 10"). No margins.
Portrait of sisters Jenny Bennet and Nelly Bennet; daughters of the printseller John Bennet (fl. 1760-d. 1787).
Ex: Collection of The Hon. C. Lennox-Boyd. CS 2 i of ii.
[Ref: 64515] £280.00 (£336.00 incl.VAT)
Miss Jenny & Miss Nelly Bennet.
Ja.s.Nixon pinx.t. G.Marchi fecit.
Published as the Act directs, Apr. 2nd, 1773. Printed for John Bowles at N.º13 in Cornhill.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Trimmed into plate and backed onto album paper at corners.
Portrait of sisters Jenny Bennet and Nelly Bennet; daughters of the printseller John Bennet (fl. 1760-d. 1787).
Ex: Collection of The Hon. C. Lennox-Boyd. CS 2 ii of ii.
[Ref: 64516] £220.00 (£264.00 incl.VAT)
Ja.s.Nixon pinx.t. G.Marchi fecit.
Published as the Act directs, Apr. 2nd, 1773. Printed for John Bowles at N.º13 in Cornhill.
Mezzotint. 350 x 250mm (13¾ x 9¾"). Trimmed into plate and backed onto album paper at corners.
Portrait of sisters Jenny Bennet and Nelly Bennet; daughters of the printseller John Bennet (fl. 1760-d. 1787).
Ex: Collection of The Hon. C. Lennox-Boyd. CS 2 ii of ii.
[Ref: 64516] £220.00 (£264.00 incl.VAT)
Miss Berridge.
Berridge Pinxit. J.R. Smith fecit.
Publish'd 15 Jan.y 1773 by H. Parker N.º 82 Cornhill, C. Bowles N.º 69 S.t Pauls Church Yard & J.R. Smith N.º 4 Exeter Court near Exeter Change Strand.
Mezzotint. Sheet 445 x 325mm (17½ x 12¾"). Trimmed into image on three sides, into plate at bottom, creased, mounted in album paper.
The sister of the artist John Berridge (1740-c.1804) of Lincoln, dressed as Diana, with crescent headdress and quiver of arrows. He also painted her as Hebe. Anink inscription on reverse describes the Berridges as the children of 'Mr Berridge many years Clerk of the Courts[?] at Lincoln'.
CS 15, ii of ii. Ex: Collection of The Hon. C. Lennox-Boyd. Frankau: 34 ii of ii. O'Oench: Copper into Gold, Prints by John Raphael Smith 27.
[Ref: 64525] £260.00 (£312.00 incl.VAT)
Berridge Pinxit. J.R. Smith fecit.
Publish'd 15 Jan.y 1773 by H. Parker N.º 82 Cornhill, C. Bowles N.º 69 S.t Pauls Church Yard & J.R. Smith N.º 4 Exeter Court near Exeter Change Strand.
Mezzotint. Sheet 445 x 325mm (17½ x 12¾"). Trimmed into image on three sides, into plate at bottom, creased, mounted in album paper.
The sister of the artist John Berridge (1740-c.1804) of Lincoln, dressed as Diana, with crescent headdress and quiver of arrows. He also painted her as Hebe. Anink inscription on reverse describes the Berridges as the children of 'Mr Berridge many years Clerk of the Courts[?] at Lincoln'.
CS 15, ii of ii. Ex: Collection of The Hon. C. Lennox-Boyd. Frankau: 34 ii of ii. O'Oench: Copper into Gold, Prints by John Raphael Smith 27.
[Ref: 64525] £260.00 (£312.00 incl.VAT)
![[Mrs Annabella Blake.]](jpegs/64617.jpg)
[Mrs Annabella Blake.]
S.r Joshua Reynolds Pinx.t. J.Dixon Fecit.
Publish'd according to Act of Parliament Febr.y 11. 1771 by J.Dixon in Kemps Row near Chelsea Bridge and Sold by A.Dury in Dukes Court St Martins Lane.
Mezzotint. 625 x 410mm (24½ x 16"). Tears in margins taped, collector's stamp in bottom margin. Small margins.
A full-lenth portrait of Annabella Bunbury (1745-1841) as Juno taking a cestus from Venus above in a cloud, a peacock at her feat. Annabella married Patrick Blake c.1765, divorced 1773, then married George Boscawen c.1778.
CS 7, iii of iii. Ink stamp of John Tetlow (Lugt 2868). Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 64617] £420.00
S.r Joshua Reynolds Pinx.t. J.Dixon Fecit.
Publish'd according to Act of Parliament Febr.y 11. 1771 by J.Dixon in Kemps Row near Chelsea Bridge and Sold by A.Dury in Dukes Court St Martins Lane.
Mezzotint. 625 x 410mm (24½ x 16"). Tears in margins taped, collector's stamp in bottom margin. Small margins.
A full-lenth portrait of Annabella Bunbury (1745-1841) as Juno taking a cestus from Venus above in a cloud, a peacock at her feat. Annabella married Patrick Blake c.1765, divorced 1773, then married George Boscawen c.1778.
CS 7, iii of iii. Ink stamp of John Tetlow (Lugt 2868). Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 64617] £420.00
Jedidiah Buxton, A poor Day Labourer: born at Elmton in Derbyshire: who without being able to write or cast Accounts in the Ordinary method: perform'd the longest Calculations and solv'd the most difficult Problems in Arithmetics, by the strength of his Memory; - neither Noise, nor Conversation cou'd interrupt him: he would either go on with his Calculations all the time or leave off in the midst and resume them again eventhough it should be Years afterwards
B. Killingbeck pinx.t. J. Spilsbury fecit.
Publish'd as the Act directs, Nov.r the 22.d 1781 by B. Killingbeck, N.º 14 Dover Street Piccadilly.
Fine mezzotint. 375 x 275mm (14¾ x 10¾"), with very large margins. Laid down on album sheet at sides.
A half-length portrait of Jedediah Buxton (1707-72) an illiterate farm labourer of Elmton, Derbyshire, whose ability as a mental calculator was tested by the Royal Society after he walked to London in 1754. First published 1773.
CS 7, state ii of ii.
[Ref: 64704] £380.00
B. Killingbeck pinx.t. J. Spilsbury fecit.
Publish'd as the Act directs, Nov.r the 22.d 1781 by B. Killingbeck, N.º 14 Dover Street Piccadilly.
Fine mezzotint. 375 x 275mm (14¾ x 10¾"), with very large margins. Laid down on album sheet at sides.
A half-length portrait of Jedediah Buxton (1707-72) an illiterate farm labourer of Elmton, Derbyshire, whose ability as a mental calculator was tested by the Royal Society after he walked to London in 1754. First published 1773.
CS 7, state ii of ii.
[Ref: 64704] £380.00
![[The Twelve Caesars] III. Tiberius Nero Cæsar.](jpegs/64626.jpg)
[The Twelve Caesars] III. Tiberius Nero Cæsar. Ex Marmore Antiquo.
J. Faber Fecit et Excud.t
[n.d., c.1710.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), with very large margins. Tears in margins taped.
A marble bust of Tiberius Julius Caesar Augustus (42BC - 37AD), third emperor of Rome, in an oval.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64626] £280.00 (£336.00 incl.VAT)
J. Faber Fecit et Excud.t
[n.d., c.1710.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), with very large margins. Tears in margins taped.
A marble bust of Tiberius Julius Caesar Augustus (42BC - 37AD), third emperor of Rome, in an oval.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64626] £280.00 (£336.00 incl.VAT)
![[The Twelve Caesars] IV. C Cæsar Caligula.](jpegs/64627.jpg)
[The Twelve Caesars] IV. C Cæsar Caligula. Ex Marmore Antiquo.
J. Faber Fecit et Excudit.
[n.d., c.1710.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), with very large margins.
A marble bust of Caligula (Gaius Caesar Augustus Germanicus, 12-41AD), fourth emperor of Rome, in an oval.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64627] £280.00 (£336.00 incl.VAT)
J. Faber Fecit et Excudit.
[n.d., c.1710.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), with very large margins.
A marble bust of Caligula (Gaius Caesar Augustus Germanicus, 12-41AD), fourth emperor of Rome, in an oval.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64627] £280.00 (£336.00 incl.VAT)
![[The Twelve Caesars] V. Claudius Drusus Cæsar.](jpegs/64628.jpg)
[The Twelve Caesars] V. Claudius Drusus Cæsar. Ex Marmore Antiquo.
J. Faber Fecit et Excud.t.
[n.d., c.1710.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), with very large margins.
A marble bust of Claudius (Tiberius Claudius Caesar Augustus Germanicus, 10BC-41AD), fifth emperor of Rome, in a niche.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64628] £280.00 (£336.00 incl.VAT)
J. Faber Fecit et Excud.t.
[n.d., c.1710.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), with very large margins.
A marble bust of Claudius (Tiberius Claudius Caesar Augustus Germanicus, 10BC-41AD), fifth emperor of Rome, in a niche.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64628] £280.00 (£336.00 incl.VAT)
![[The Twelve Caesars] VI. Nero Claudius Cæs.](jpegs/64629.jpg)
[The Twelve Caesars] VI. Nero Claudius Cæs. Ex Marmore Antiquo.
J. Faber fecit et excud.t.
[n.d., c.1710.]
Mezzotint 18th century watermark. 350 x 250mm (13¾ x 9¾"), with very large margins
A marble bust of Nero Claudius Caesar Augustus Germanicus (37-68AD), sixth emperor of Rome, in an oval.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64629] £280.00 (£336.00 incl.VAT)
J. Faber fecit et excud.t.
[n.d., c.1710.]
Mezzotint 18th century watermark. 350 x 250mm (13¾ x 9¾"), with very large margins
A marble bust of Nero Claudius Caesar Augustus Germanicus (37-68AD), sixth emperor of Rome, in an oval.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64629] £280.00 (£336.00 incl.VAT)
![[The Twelve Caesars] VII. Sergius Sulpitius Galba.](jpegs/64630.jpg)
[The Twelve Caesars] VII. Sergius Sulpitius Galba. Ex Marmore Antiquo.
J. Faber Fecit et Excud.t.
[n.d., c.1710.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), with large margins.
A marble bust of Galba (3BC-69AD), seventh emperor of Rome, in an oval. He ruled for only seven months.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64630] £260.00 (£312.00 incl.VAT)
J. Faber Fecit et Excud.t.
[n.d., c.1710.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), with large margins.
A marble bust of Galba (3BC-69AD), seventh emperor of Rome, in an oval. He ruled for only seven months.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64630] £260.00 (£312.00 incl.VAT)
![[The Twelve Caesars] IX. A. Vitellius.](jpegs/64631.jpg)
[The Twelve Caesars] IX. A. Vitellius. Ex Marmore Antiquo.
J. Faber Fecit et Excud.t.
[n.d., c.1710.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), with large margins. Creased.
A marble bust of Aulus Vitellius (15-69AD), ninth emperor of Rome, although he only ruled for eight months.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64631] £220.00 (£264.00 incl.VAT)
J. Faber Fecit et Excud.t.
[n.d., c.1710.]
Mezzotint, 18th century watermark. 350 x 250mm (13¾ x 9¾"), with large margins. Creased.
A marble bust of Aulus Vitellius (15-69AD), ninth emperor of Rome, although he only ruled for eight months.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64631] £220.00 (£264.00 incl.VAT)
![[The Twelve Caesars] XII. Titus Favius Domitianus.](jpegs/64632.jpg)
[The Twelve Caesars] XII. Titus Favius Domitianus. Ex Marmore Antiquo.
J. Faber Fecit et Excud.t.
[n.d., c.1710.]
Mezzotint. 350 x 250mm (13¾ x 9¾"), with very large margins.
A marble bust of Domitian (51-96AD), twelfth emperor of Rome, in an oval.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64632] £220.00 (£264.00 incl.VAT)
J. Faber Fecit et Excud.t.
[n.d., c.1710.]
Mezzotint. 350 x 250mm (13¾ x 9¾"), with very large margins.
A marble bust of Domitian (51-96AD), twelfth emperor of Rome, in an oval.
CS 19. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64632] £220.00 (£264.00 incl.VAT)
Miss Jenny Cameron Of Lochiel. one of the most numerous Clans of Scotland. If to her Share, some female Errors fall, [/] Look on her Face, and you'll forget them all.
Le Clare pinx. Johnson fecit.
[n.d., c.1750.]
Mezzotint. 325 x 230mm (12¾ x 9"), with large margins. Slight tear in centre.
Three-quarter portrait of a pretty young woman in low-cut dress, powdered wig and tartan shawl, holding a mask. The wife of Archibald Cameron of Lochiel (the last Jacobite to be executed, 1753), she came to London to try and stop his execution, gaining some sympathy, and was probably the 'Jenny Cameron' who visited the exiled Old Pretender in Rome and petitioned him for a pension in the late 1750s. She is often confused with Jenny Cameron of Glendessary (c.1700-72) who was rumoured to have raised a troop of men in support of the 1745 Jacobite Rebellion, fighting with them, and being the mistress of the Young Pretender.
Sharp 358, conflating the two Jenny Camerons. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64636] £360.00
Le Clare pinx. Johnson fecit.
[n.d., c.1750.]
Mezzotint. 325 x 230mm (12¾ x 9"), with large margins. Slight tear in centre.
Three-quarter portrait of a pretty young woman in low-cut dress, powdered wig and tartan shawl, holding a mask. The wife of Archibald Cameron of Lochiel (the last Jacobite to be executed, 1753), she came to London to try and stop his execution, gaining some sympathy, and was probably the 'Jenny Cameron' who visited the exiled Old Pretender in Rome and petitioned him for a pension in the late 1750s. She is often confused with Jenny Cameron of Glendessary (c.1700-72) who was rumoured to have raised a troop of men in support of the 1745 Jacobite Rebellion, fighting with them, and being the mistress of the Young Pretender.
Sharp 358, conflating the two Jenny Camerons. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64636] £360.00
Bampfylde Moore Carew King of the Beggars. From the Original Picture in the Possession of Tho.s Carew Esq.r of Crowcombe in Somersetshire.
Rich.d Phelps pinx. J. Faber fecit 1750.
[n.d., c.1800.]
Mezzotint. 330 x 230mm (13 x 9"), on wove paper.
Portrait of Bampfylde Moore Carew (1693-1759), impostor, taken from the portrait by Richard Phelps (London, National Portrait Gallery) At the age of twelve he was sent to Tiverton school, where he became involved with schoolboys who owned a pack of hounds, and one day they followed a deer so far that neighbouring farmers came to complain of the damage done. To avoid punishment the youths ran away and joined some gypsies. His career was a long series of swindling and imposture, very ingeniously carried out, occasionally deceiving people who should have known him well. His restless nature then drove him to embark for Newfoundland, where he stopped but a short time, and on his return he pretended to be the mate of a vessel, and eloped with the daughter of a respectable apothecary of Newcastle-on-Tyne, whom he afterwards married. When Clause Patch, a king, or chief of the gipsies, died, Carew was elected his successor, although he was transported to Maryland. On his arrival he escaped and met some Indians, who relieved him of his collar. He then travelled to Pennsylvania (where he pretended to be a quaker), stopping in Philadelphia, New York, and New London, from where he embarked for England. He escaped impressment on board a man-of-war by pricking his hands and face, and rubbing in bay salt and gunpowder, so as to simulate small-pox. After his landing he continued his impostures, found out his wife and daughter, and seems to have wandered into Scotland about 1745, and is said to have accompanied the Pretender to Carlisle and Derby.
CS 56, ii of ii. Sharpe 368.
[Ref: 64670] £130.00 (£156.00 incl.VAT)
Rich.d Phelps pinx. J. Faber fecit 1750.
[n.d., c.1800.]
Mezzotint. 330 x 230mm (13 x 9"), on wove paper.
Portrait of Bampfylde Moore Carew (1693-1759), impostor, taken from the portrait by Richard Phelps (London, National Portrait Gallery) At the age of twelve he was sent to Tiverton school, where he became involved with schoolboys who owned a pack of hounds, and one day they followed a deer so far that neighbouring farmers came to complain of the damage done. To avoid punishment the youths ran away and joined some gypsies. His career was a long series of swindling and imposture, very ingeniously carried out, occasionally deceiving people who should have known him well. His restless nature then drove him to embark for Newfoundland, where he stopped but a short time, and on his return he pretended to be the mate of a vessel, and eloped with the daughter of a respectable apothecary of Newcastle-on-Tyne, whom he afterwards married. When Clause Patch, a king, or chief of the gipsies, died, Carew was elected his successor, although he was transported to Maryland. On his arrival he escaped and met some Indians, who relieved him of his collar. He then travelled to Pennsylvania (where he pretended to be a quaker), stopping in Philadelphia, New York, and New London, from where he embarked for England. He escaped impressment on board a man-of-war by pricking his hands and face, and rubbing in bay salt and gunpowder, so as to simulate small-pox. After his landing he continued his impostures, found out his wife and daughter, and seems to have wandered into Scotland about 1745, and is said to have accompanied the Pretender to Carlisle and Derby.
CS 56, ii of ii. Sharpe 368.
[Ref: 64670] £130.00 (£156.00 incl.VAT)
Bampfylde Moore Carew King of the Beggars. From the Original Picture in the Possession of Tho.s Carew Esq.r of Crowcombe in Somersetshire.
Rich.d Phelps pinx. J. Faber fecit 1750.
Mezzotint. 330 x 230mm (13 x 9"). Trimmed and backed onto album paper. Very small margins.
Portrait of Bampfylde Moore Carew (1693-1759), impostor, taken from the portrait by Richard Phelps (London, National Portrait Gallery). At the age of twelve he was sent to Tiverton school, where he became involved with schoolboys who owned a pack of hounds, and one day they followed a deer so far that neighbouring farmers came to complain of the damage done. To avoid punishment the youths ran away and joined some gypsies. His career was a long series of swindling and imposture, very ingeniously carried out, occasionally deceiving people who should have known him well. His restless nature then drove him to embark for Newfoundland, where he stopped but a short time, and on his return he pretended to be the mate of a vessel, and eloped with the daughter of a respectable apothecary of Newcastle-on-Tyne, whom he afterwards married. When Clause Patch, a king, or chief of the gipsies, died, Carew was elected his successor, although he was transported to Maryland. On his arrival he escaped and met some Indians, who relieved him of his collar. He then travelled to Pennsylvania (where he pretended to be a quaker), stopping in Philadelphia, New York, and New London, from where he embarked for England. He escaped impressment on board a man-of-war by pricking his hands and face, and rubbing in bay salt and gunpowder, so as to simulate small-pox. After his landing he continued his impostures, found out his wife and daughter, and seems to have wandered into Scotland about 1745, and is said to have accompanied the Pretender to Carlisle and Derby.
Ex: Collection of The Hon. C. Lennox-Boyd. CS 56. Sharpe 368.
[Ref: 64665] £220.00 (£264.00 incl.VAT)
Rich.d Phelps pinx. J. Faber fecit 1750.
Mezzotint. 330 x 230mm (13 x 9"). Trimmed and backed onto album paper. Very small margins.
Portrait of Bampfylde Moore Carew (1693-1759), impostor, taken from the portrait by Richard Phelps (London, National Portrait Gallery). At the age of twelve he was sent to Tiverton school, where he became involved with schoolboys who owned a pack of hounds, and one day they followed a deer so far that neighbouring farmers came to complain of the damage done. To avoid punishment the youths ran away and joined some gypsies. His career was a long series of swindling and imposture, very ingeniously carried out, occasionally deceiving people who should have known him well. His restless nature then drove him to embark for Newfoundland, where he stopped but a short time, and on his return he pretended to be the mate of a vessel, and eloped with the daughter of a respectable apothecary of Newcastle-on-Tyne, whom he afterwards married. When Clause Patch, a king, or chief of the gipsies, died, Carew was elected his successor, although he was transported to Maryland. On his arrival he escaped and met some Indians, who relieved him of his collar. He then travelled to Pennsylvania (where he pretended to be a quaker), stopping in Philadelphia, New York, and New London, from where he embarked for England. He escaped impressment on board a man-of-war by pricking his hands and face, and rubbing in bay salt and gunpowder, so as to simulate small-pox. After his landing he continued his impostures, found out his wife and daughter, and seems to have wandered into Scotland about 1745, and is said to have accompanied the Pretender to Carlisle and Derby.
Ex: Collection of The Hon. C. Lennox-Boyd. CS 56. Sharpe 368.
[Ref: 64665] £220.00 (£264.00 incl.VAT)
Bampfylde Moore Carew King of the Beggars. From the Original Picture in the Possession of Tho.s Carew Esq.r of Crowcombe in Somersetshire.
Rich.d Phelps pinx. J. Faber fecit 1750.
Mezzotint. 330 x 230mm (13 x 9"), with large margins.
Portrait of Bampfylde Moore Carew (1693-1759), impostor, taken from the portrait by Richard Phelps (London, National Portrait Gallery) At the age of twelve he was sent to Tiverton school, where he became involved with schoolboys who owned a pack of hounds, and one day they followed a deer so far that neighbouring farmers came to complain of the damage done. To avoid punishment the youths ran away and joined some gypsies. His career was a long series of swindling and imposture, very ingeniously carried out, occasionally deceiving people who should have known him well. His restless nature then drove him to embark for Newfoundland, where he stopped but a short time, and on his return he pretended to be the mate of a vessel, and eloped with the daughter of a respectable apothecary of Newcastle-on-Tyne, whom he afterwards married. When Clause Patch, a king, or chief of the gipsies, died, Carew was elected his successor, although he was transported to Maryland. On his arrival he escaped and met some Indians, who relieved him of his collar. He then travelled to Pennsylvania (where he pretended to be a quaker), stopping in Philadelphia, New York, and New London, from where he embarked for England. He escaped impressment on board a man-of-war by pricking his hands and face, and rubbing in bay salt and gunpowder, so as to simulate small-pox. After his landing he continued his impostures, found out his wife and daughter, and seems to have wandered into Scotland about 1745, and is said to have accompanied the Pretender to Carlisle and Derby.
CS 56, i of ii. Sharpe 368.
[Ref: 64669] £320.00
Rich.d Phelps pinx. J. Faber fecit 1750.
Mezzotint. 330 x 230mm (13 x 9"), with large margins.
Portrait of Bampfylde Moore Carew (1693-1759), impostor, taken from the portrait by Richard Phelps (London, National Portrait Gallery) At the age of twelve he was sent to Tiverton school, where he became involved with schoolboys who owned a pack of hounds, and one day they followed a deer so far that neighbouring farmers came to complain of the damage done. To avoid punishment the youths ran away and joined some gypsies. His career was a long series of swindling and imposture, very ingeniously carried out, occasionally deceiving people who should have known him well. His restless nature then drove him to embark for Newfoundland, where he stopped but a short time, and on his return he pretended to be the mate of a vessel, and eloped with the daughter of a respectable apothecary of Newcastle-on-Tyne, whom he afterwards married. When Clause Patch, a king, or chief of the gipsies, died, Carew was elected his successor, although he was transported to Maryland. On his arrival he escaped and met some Indians, who relieved him of his collar. He then travelled to Pennsylvania (where he pretended to be a quaker), stopping in Philadelphia, New York, and New London, from where he embarked for England. He escaped impressment on board a man-of-war by pricking his hands and face, and rubbing in bay salt and gunpowder, so as to simulate small-pox. After his landing he continued his impostures, found out his wife and daughter, and seems to have wandered into Scotland about 1745, and is said to have accompanied the Pretender to Carlisle and Derby.
CS 56, i of ii. Sharpe 368.
[Ref: 64669] £320.00
Miss Carter.
Painted & Engraved by J. R. Smith.
Publishd 24 June, 1777 by J. R. Smith, N.º 10, Batesmans Buildings, Soho Square & W.m Humphrey, Gerrard Street.
Mezzotint, scratched letter proof. 265 x 200mm (10½ x 8"), with large margins.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. Probably a relative of George Carter, who painted a 'Miss Carter' as Maria in Yorick's Sentimental Journey, also engraved by Smith (BM 1981,U.590).
CS: 34, ii of ii. Frankau: 64; O' Dench: 100. Ex: Collection of The Hon. C. Lennox-Boyd & Christopher Mendez.
[Ref: 64527] £260.00 (£312.00 incl.VAT)
Painted & Engraved by J. R. Smith.
Publishd 24 June, 1777 by J. R. Smith, N.º 10, Batesmans Buildings, Soho Square & W.m Humphrey, Gerrard Street.
Mezzotint, scratched letter proof. 265 x 200mm (10½ x 8"), with large margins.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. Probably a relative of George Carter, who painted a 'Miss Carter' as Maria in Yorick's Sentimental Journey, also engraved by Smith (BM 1981,U.590).
CS: 34, ii of ii. Frankau: 64; O' Dench: 100. Ex: Collection of The Hon. C. Lennox-Boyd & Christopher Mendez.
[Ref: 64527] £260.00 (£312.00 incl.VAT)
Miss Carter.
Painted & Engraved by J. R. Smith.
[n.d., c.1780.]
Mezzotint. 250 x 205mm (9¾ x 8"). Trimmed into plate at bottom affecting title, narrow margins elsewhere.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. Probably a relative of George Carter, who painted a 'Miss Carter' as Maria in Yorick's Sentimental Journey, also engraved by Smith (BM 1981,U.590).
CS: 34, iii of iii, with the 1777 publication line cut off. Frankau: 64; O' Dench: 100. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64526] £160.00 (£192.00 incl.VAT)
Painted & Engraved by J. R. Smith.
[n.d., c.1780.]
Mezzotint. 250 x 205mm (9¾ x 8"). Trimmed into plate at bottom affecting title, narrow margins elsewhere.
Portrait of a Miss Carter wearing a shawl and large hat with tassels and hair in curls, within an oval frame. Probably a relative of George Carter, who painted a 'Miss Carter' as Maria in Yorick's Sentimental Journey, also engraved by Smith (BM 1981,U.590).
CS: 34, iii of iii, with the 1777 publication line cut off. Frankau: 64; O' Dench: 100. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64526] £160.00 (£192.00 incl.VAT)
Lord Richd: Cavendish.
Painted by S.r Joshua Reynolds. Engrav'd by J.R.Smith.
London, Publish'd May 16.th 1781, by J. Birchall, N.º 473, Strand, near S.t Martin's Church.
Mezzotint. 500 x 350mm (19¾ x 13¾"). Cracks in platemark, with repairs.
Three-quarter portrait of politician Richard Cavendish (1752-81), son of William, 4th Duke of Devonshire, right hand resting on rock and his left on his hip, a brooding landscape behind him.
Chaloner Smith 38, ii. Hamilton p.16, iii. Frankau 68, iv of iv. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64552] £230.00 (£276.00 incl.VAT)
Painted by S.r Joshua Reynolds. Engrav'd by J.R.Smith.
London, Publish'd May 16.th 1781, by J. Birchall, N.º 473, Strand, near S.t Martin's Church.
Mezzotint. 500 x 350mm (19¾ x 13¾"). Cracks in platemark, with repairs.
Three-quarter portrait of politician Richard Cavendish (1752-81), son of William, 4th Duke of Devonshire, right hand resting on rock and his left on his hip, a brooding landscape behind him.
Chaloner Smith 38, ii. Hamilton p.16, iii. Frankau 68, iv of iv. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64552] £230.00 (£276.00 incl.VAT)
Katherine Mary & Thomas John Clavering.
Painted by G. Romney. Engraved by J.R. Smith,
London, Pub.d Jan y.e 29, 1779, by J.R. Smith, N.º 10 Batemans Buildings, Soho Square. & Torre, Printseller back of the Ópera House, Market Lane.
Mezzotint, scratched letter proof. 510 x 360mm (20 x 14¼"). Narrow margins, trimmed into plate at bottom, surface scratch bottom right, foxing.
A portrait of the children of George Clavering (1719-94), of Greencroft, Durham: Catherine Mary Clavering (1769-85) and Thomas John Clavering (1771-1853), later 8th Baronet. Thomas holds two spaniels on a lead and Catherine holds a puppy. The painting is held by the The Huntington Library (78.20.35).
CS 41. Russell 41, state ii. Ex: Collection of The Hon. C. Lennox-Boyd. With ink stamp of Fritz Reiss (Lugt 2178), whose collection was sold at Christie's London in 1923. O'Oench: Copper into Gold, P
[Ref: 64524] £320.00
Painted by G. Romney. Engraved by J.R. Smith,
London, Pub.d Jan y.e 29, 1779, by J.R. Smith, N.º 10 Batemans Buildings, Soho Square. & Torre, Printseller back of the Ópera House, Market Lane.
Mezzotint, scratched letter proof. 510 x 360mm (20 x 14¼"). Narrow margins, trimmed into plate at bottom, surface scratch bottom right, foxing.
A portrait of the children of George Clavering (1719-94), of Greencroft, Durham: Catherine Mary Clavering (1769-85) and Thomas John Clavering (1771-1853), later 8th Baronet. Thomas holds two spaniels on a lead and Catherine holds a puppy. The painting is held by the The Huntington Library (78.20.35).
CS 41. Russell 41, state ii. Ex: Collection of The Hon. C. Lennox-Boyd. With ink stamp of Fritz Reiss (Lugt 2178), whose collection was sold at Christie's London in 1923. O'Oench: Copper into Gold, P
[Ref: 64524] £320.00
Katherine Mary & Thomas John Clavering.
Painted by G. Romney. Engraved by J.R. Smith,
London, Pub.d Jan y.e 29, 1779, by J.R. Smith, N.º 10 Batemans Buildings, Soho Square. & Torre, Printseller back of the Ópera House, Market Lane.
Mezzotint. 510 x 360mm (20 x 14¼"). Thread margins.
A portrait of the children of George Clavering (1719-94), of Greencroft, Durham: Catherine Mary Clavering (1769-85) and Thomas John Clavering (1771-1853), later 8th Baronet. Thomas holds two spaniels on a lead and Catherine holds a puppy. The painting is held by the The Huntington Library (78.20.35).
CS 41. Russell 41, state iii. Ex: Collection of The Hon. C. Lennox-Boyd. O'Oench: Copper into Gold, Prints by John Raphael Smith 129
[Ref: 64523] £230.00 (£276.00 incl.VAT)
Painted by G. Romney. Engraved by J.R. Smith,
London, Pub.d Jan y.e 29, 1779, by J.R. Smith, N.º 10 Batemans Buildings, Soho Square. & Torre, Printseller back of the Ópera House, Market Lane.
Mezzotint. 510 x 360mm (20 x 14¼"). Thread margins.
A portrait of the children of George Clavering (1719-94), of Greencroft, Durham: Catherine Mary Clavering (1769-85) and Thomas John Clavering (1771-1853), later 8th Baronet. Thomas holds two spaniels on a lead and Catherine holds a puppy. The painting is held by the The Huntington Library (78.20.35).
CS 41. Russell 41, state iii. Ex: Collection of The Hon. C. Lennox-Boyd. O'Oench: Copper into Gold, Prints by John Raphael Smith 129
[Ref: 64523] £230.00 (£276.00 incl.VAT)
Mr Jeremiah Collier.
Edmund Lely pinxit. W.Faithorne Fecit. E.Cooper exc.
[n.d., c.1700.]
Very scarce mezzotint. 255 x 185mm (10 x 7¼"). 17th century watermarked paper. Trimmed into plate. Some creasing and damage to corners.
Portrait of Jeremy Collier (1650 - 1726), English theatre critic, non-juror bishop and theologian.
CS 6. Sharpe 377 page 147. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64667] £230.00 (£276.00 incl.VAT)
Edmund Lely pinxit. W.Faithorne Fecit. E.Cooper exc.
[n.d., c.1700.]
Very scarce mezzotint. 255 x 185mm (10 x 7¼"). 17th century watermarked paper. Trimmed into plate. Some creasing and damage to corners.
Portrait of Jeremy Collier (1650 - 1726), English theatre critic, non-juror bishop and theologian.
CS 6. Sharpe 377 page 147. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64667] £230.00 (£276.00 incl.VAT)
William Coxe, AM. FRS. FAS. Engraved by Jn.o Young, Engraver to H.R.H the Prince of Wales, from an Original Picture Painted by C.Grignon.
[n.d., c.1790.
Mezzotint. 240 x 190mm (9½ x 7½"), with large margins.
Three-quarter portrait of priest and historian William Coxe (1747-1828), dressed in a dark fur-trimmed gown, seated on a chair with one arm resting on a large book and holding a small book in the other. He travelled throughout Europe as a tutor and travelling companion to various grand tourists including Samuel Whitbread and Lord Herbert, son of the Earl of Pembroke. He toured Switzerland with Herbert, after which he published 'Mont Blanc and the Adjacent Alps' in 1789, an early alpinist work.
CS 14, state ii of ii.
[Ref: 64381] £140.00 (£168.00 incl.VAT)
[n.d., c.1790.
Mezzotint. 240 x 190mm (9½ x 7½"), with large margins.
Three-quarter portrait of priest and historian William Coxe (1747-1828), dressed in a dark fur-trimmed gown, seated on a chair with one arm resting on a large book and holding a small book in the other. He travelled throughout Europe as a tutor and travelling companion to various grand tourists including Samuel Whitbread and Lord Herbert, son of the Earl of Pembroke. He toured Switzerland with Herbert, after which he published 'Mont Blanc and the Adjacent Alps' in 1789, an early alpinist work.
CS 14, state ii of ii.
[Ref: 64381] £140.00 (£168.00 incl.VAT)
John Christian Curwen Esq.r M.P. N.º First Fifty ~ Price £1,, 1,,
Painted by J.J. Halls. Engraved by S.W. Reynolds.
[London, Published by the Engraver, 47 Poland Street, April 12. 1802.]
Mezzotint, fine impression with 18th century watermark. Sheet 340 x 260mm (13½ x 10¼"). Trimmed within plan, losing publication line at bottom, paper remnants on right edge with slight scrape of print.
Half-length portrait of John Christian Curwen (1756-1828), Whig M.P. for Carlisle.
[Ref: 64394] £140.00 (£168.00 incl.VAT)
Painted by J.J. Halls. Engraved by S.W. Reynolds.
[London, Published by the Engraver, 47 Poland Street, April 12. 1802.]
Mezzotint, fine impression with 18th century watermark. Sheet 340 x 260mm (13½ x 10¼"). Trimmed within plan, losing publication line at bottom, paper remnants on right edge with slight scrape of print.
Half-length portrait of John Christian Curwen (1756-1828), Whig M.P. for Carlisle.
[Ref: 64394] £140.00 (£168.00 incl.VAT)
![[John. Lord Cutts.]](jpegs/64504.jpg)
[John. Lord Cutts.]
[Painted by T.Wall. Engraved by B.Lens.]
[n.d., c.1710.]
Very rare mezzotint. Trimmed into plate and backed onto card. Creasing. Damaged.
An allegorical scene, John Lord Cutts (1661 - 1707), sits solemnly in the left corner of the image, his armour laid across from him.
Ex: Collection of The Hon. C. Lennox-Boyd. CS states there are two known.
[Ref: 64504] £450.00
[Painted by T.Wall. Engraved by B.Lens.]
[n.d., c.1710.]
Very rare mezzotint. Trimmed into plate and backed onto card. Creasing. Damaged.
An allegorical scene, John Lord Cutts (1661 - 1707), sits solemnly in the left corner of the image, his armour laid across from him.
Ex: Collection of The Hon. C. Lennox-Boyd. CS states there are two known.
[Ref: 64504] £450.00
The Rev: S:r John Dolben Bar.t and DD Prebendary of Durham and Visitor of Bailiol Coll: Oxon. Aetat. 67. 1750.
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Creased. Some light foxing in the margins.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64690] £220.00 (£264.00 incl.VAT)
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Creased. Some light foxing in the margins.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64690] £220.00 (£264.00 incl.VAT)
The Rev: S:r John Dolben Bar.t and DD Prebendary of Durham and Visitor of Bailiol Coll: Oxon. Aetat. 67. 1750.
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with small margins. Lightly creased. Stained.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64691] £130.00 (£156.00 incl.VAT)
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with small margins. Lightly creased. Stained.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64691] £130.00 (£156.00 incl.VAT)
The Rev: S:r John Dolben Bar.t and DD Prebendary of Durham and Visitor of Bailiol Coll: Oxon. Aetat. 67. 1750.
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins Paper very lightly toned. Light creasing in margins and title area.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64692] £260.00 (£312.00 incl.VAT)
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins Paper very lightly toned. Light creasing in margins and title area.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64692] £260.00 (£312.00 incl.VAT)
The Rev: S:r John Dolben Bar.t and DD Prebendary of Durham and Visitor of Bailiol Coll: Oxon. Aetat. 67. 1750.
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Light creasing.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64693] £280.00 (£336.00 incl.VAT)
R. Taylor Pinx. J. Faber fecit.
[n.d. c.1756]
Mezzotint, 350 x 250mm (13¾ x 10), with large margins. Light creasing.
Three quarter length portrait of Reverend Sir John Dolben 2nd Baronet of Finedon (1684-1756) standing facing right wearing a wig, bands, and a black gown. His right hand is hanging next to him, while his left hand is on a table to the right, holding an open book. Dolben paid an annuity to the Jacobite Bishop of Rochester, Francis Atterbury, in exile. He owned a portrait of the Young Pretender and was considered 'a staunch friend to the Pretender, or at least, to hereditary right' (see Monod, 'Jacobitism and the English People', p. 151). He was the son of judge and Whig politician Sir Gilbert Dolben (1658-1722, first baronet), grandson of John Dolben, Archbishop of York (1625-86), and father of Tory abolitionist Sir William Dolben (1727-1814), 3rd Baronet.
CS 117. Sharpe 391. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64693] £280.00 (£336.00 incl.VAT)
James Earl of Fife, Viscount Macduff, Baron of the Kingdom of Ireland. Baron Fife in Great Britain, Lord Lieutenant of the County of Banff. F.R.S. & A.S. &c. &c.
Painted by A.W.Devis, 1805. Engraved by R.Dunkarton.
[n.d., c.1805.]
Very rare mezzotint. 710 x 455mm (28 x 18"), Time staining and creasing to upper and lower plate. Rubbed and some small tears close to plate. Very small margins. Messy.
Full-length portrait of James Duff, second Earl of Fife (1729 - 1809), Scottish aristocrat and Member of Parliament.
CS 18. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64659] £420.00
Painted by A.W.Devis, 1805. Engraved by R.Dunkarton.
[n.d., c.1805.]
Very rare mezzotint. 710 x 455mm (28 x 18"), Time staining and creasing to upper and lower plate. Rubbed and some small tears close to plate. Very small margins. Messy.
Full-length portrait of James Duff, second Earl of Fife (1729 - 1809), Scottish aristocrat and Member of Parliament.
CS 18. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64659] £420.00
Rev. William Farish, M.A. Jacksonian Professor of Philosophy in the University of Cambridge.
Painted by H.P.Briggs. Engraved by Henry Dawe.
London: Published by Mr.Briggs Nº6, Old Compton Street, Soho, Oct.r. 21, 1815.
Coloured Mezzotint. 500 x 355mm (19¾ x 14"), with very large margins. Some foxing and time staining. Creasing across the upper of the image.
Portrait of William Farish (1759 - 1837), British scientist who was a professor of Chemistry and Natural Philosophy at the University of Cambridge. He is best known for the development of the method of isometric projection and development of the first written university examination.
Ex: Collection of The Hon. C. Lennox-Boyd. Wellcome 950-1.
[Ref: 64560] £390.00
Painted by H.P.Briggs. Engraved by Henry Dawe.
London: Published by Mr.Briggs Nº6, Old Compton Street, Soho, Oct.r. 21, 1815.
Coloured Mezzotint. 500 x 355mm (19¾ x 14"), with very large margins. Some foxing and time staining. Creasing across the upper of the image.
Portrait of William Farish (1759 - 1837), British scientist who was a professor of Chemistry and Natural Philosophy at the University of Cambridge. He is best known for the development of the method of isometric projection and development of the first written university examination.
Ex: Collection of The Hon. C. Lennox-Boyd. Wellcome 950-1.
[Ref: 64560] £390.00
Rev. William Farish, M.A. Jacksonian Professor of Philosophy in the University of Cambridge.
Painted by H.P.Briggs. Engraved by Henry Dawe.
London: Published by Mr.Briggs Nº6, Old Compton Street, Soho, Oct.r. 21, 1815.
Mezzotint. 500 x 355mm (19¾ x 14"), with very large margins. Crease down the left of the print and the upper right corner.
Portrait of William Farish (1759 - 1837), British scientist who was a professor of Chemistry and Natural Philosophy at the University of Cambridge. He is best known for the development of the method of isometric projection and development of the first written university examination.
Ex: Collection of The Hon. C. Lennox-Boyd. Wellcome 950-1.
[Ref: 64562] £480.00
Painted by H.P.Briggs. Engraved by Henry Dawe.
London: Published by Mr.Briggs Nº6, Old Compton Street, Soho, Oct.r. 21, 1815.
Mezzotint. 500 x 355mm (19¾ x 14"), with very large margins. Crease down the left of the print and the upper right corner.
Portrait of William Farish (1759 - 1837), British scientist who was a professor of Chemistry and Natural Philosophy at the University of Cambridge. He is best known for the development of the method of isometric projection and development of the first written university examination.
Ex: Collection of The Hon. C. Lennox-Boyd. Wellcome 950-1.
[Ref: 64562] £480.00
Rev. William Farish, M.A. Jacksonian Professor of Philosophy in the University of Cambridge.
Painted by H.P.Briggs. Engraved by Henry Dawe.
London: Published by Mr.Briggs Nº6, Old Compton Street, Soho, Oct.r. 21, 1815.
Mezzotint. 500 x 355mm (19¾ x 14"). No lower margin. A small tear in the publication line. Crease across the centre of the image. Some damage in margins.
Portrait of William Farish (1759 - 1837), British scientist who was a professor of Chemistry and Natural Philosophy at the University of Cambridge. He is best known for the development of the method of isometric projection and development of the first written university examination.
Ex: Collection of The Hon. C. Lennox-Boyd. Wellcome 950-1.
[Ref: 64563] £320.00
Painted by H.P.Briggs. Engraved by Henry Dawe.
London: Published by Mr.Briggs Nº6, Old Compton Street, Soho, Oct.r. 21, 1815.
Mezzotint. 500 x 355mm (19¾ x 14"). No lower margin. A small tear in the publication line. Crease across the centre of the image. Some damage in margins.
Portrait of William Farish (1759 - 1837), British scientist who was a professor of Chemistry and Natural Philosophy at the University of Cambridge. He is best known for the development of the method of isometric projection and development of the first written university examination.
Ex: Collection of The Hon. C. Lennox-Boyd. Wellcome 950-1.
[Ref: 64563] £320.00
The Fig. Engraved from a most Capital, & Original Picture, in the Collection of the Right Hon.ble the Earl of Thanet, in Grosvenor Square.
Painted by Sir Peter Paul Rubens. Engrav'd by R.d Earlom.
Publish'd March 25, 1793, by J. & J. Boydell, Cheapside & at the Shakespeare Gallery Pall Mall London.
Scarce mezzotint. Sheet 540 x 610mm (21¼ x 24"). Trimmed within plate on three sides, to plate at bottom, nicks in top edge affecting image, horizontal crease bottom right.
A couple stand before a selection of dead game. He carries a hooded falcon; she holds a basket of fruit from which he picks a fig. According to Challoner Smith, the figures are portraits of Rubens himself and his wife.
CS 37, iv of v. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 64614] £390.00
Painted by Sir Peter Paul Rubens. Engrav'd by R.d Earlom.
Publish'd March 25, 1793, by J. & J. Boydell, Cheapside & at the Shakespeare Gallery Pall Mall London.
Scarce mezzotint. Sheet 540 x 610mm (21¼ x 24"). Trimmed within plate on three sides, to plate at bottom, nicks in top edge affecting image, horizontal crease bottom right.
A couple stand before a selection of dead game. He carries a hooded falcon; she holds a basket of fruit from which he picks a fig. According to Challoner Smith, the figures are portraits of Rubens himself and his wife.
CS 37, iv of v. Ex collection of the Hon. Christopher Lennox-Boyd.
[Ref: 64614] £390.00
The Most Noble Augustus Henry Duke of Grafton, K.G. &c. &c. &c.
J. Hoppner Esq.r R.A. pinx.t. C. Turner sculp.t.
[London Published 1.st Sept.r 1805, by R. Cribb 288 Holborn.]
Mezzotint, fine impression, printed in dark brown, 18th century watermark. Sheet 340 x 260mm (13½ x 10¼"). Trimmed into plate at bottom, losing publication line, thead margins elsewhere.
Half-length oval portrait of politician Augustus Henry Fitzroy (1735-1811), 3rd Duke of Grafton, in his later years. He wears a fur-collared coat on which is the star of the Order of the Garter, and stands before a country landscape. He had served as Prime Minister 1768-70.
Whitman 229.
[Ref: 64391] £160.00 (£192.00 incl.VAT)
J. Hoppner Esq.r R.A. pinx.t. C. Turner sculp.t.
[London Published 1.st Sept.r 1805, by R. Cribb 288 Holborn.]
Mezzotint, fine impression, printed in dark brown, 18th century watermark. Sheet 340 x 260mm (13½ x 10¼"). Trimmed into plate at bottom, losing publication line, thead margins elsewhere.
Half-length oval portrait of politician Augustus Henry Fitzroy (1735-1811), 3rd Duke of Grafton, in his later years. He wears a fur-collared coat on which is the star of the Order of the Garter, and stands before a country landscape. He had served as Prime Minister 1768-70.
Whitman 229.
[Ref: 64391] £160.00 (£192.00 incl.VAT)
![[Charles Fitzroy, 2nd Duke of Grafton, when Lord Euston.]](jpegs/64493.jpg)
[Charles Fitzroy, 2nd Duke of Grafton, when Lord Euston.]
[after Kneller.]
[n.d., c.1690.]
Very rare mezzotint. 275 x 190mm (10¾ x 7½"). Thread margins, small loss in tips of two corners, creasing.
A reversed detail of Godfrey Kneller's portrait of the young Charles FitzRoy (1683-1757), grandson of Charles II and Barbara Villiers, wearing feathered cap, loose robe, and sandals. The background has been removed, including the parrot he is reaching for. Kneller painted Grafton again as a member of the Kit-Kat Club.
O'D 363/3, BM 1876,1111.26. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64493] £260.00 (£312.00 incl.VAT)
[after Kneller.]
[n.d., c.1690.]
Very rare mezzotint. 275 x 190mm (10¾ x 7½"). Thread margins, small loss in tips of two corners, creasing.
A reversed detail of Godfrey Kneller's portrait of the young Charles FitzRoy (1683-1757), grandson of Charles II and Barbara Villiers, wearing feathered cap, loose robe, and sandals. The background has been removed, including the parrot he is reaching for. Kneller painted Grafton again as a member of the Kit-Kat Club.
O'D 363/3, BM 1876,1111.26. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64493] £260.00 (£312.00 incl.VAT)
The Hon.ble Duncan Forbes of Culloden Lord President of the Court of Session. To the Rt.Hon.ble Phillip Lord Hardwicke Lord High Chancellor of Great Britain. &c. This Plate is most humbly Dedicated by his Lordships most Obedient Serv.t Christopher Seton.
J.Davison Pinx.t. J.Faber fecit 1748.
[1748.] Sold by C.Seton Engraver in Ordinary to his Majesty at y.e. Golden Head in Suffolk Street, Charing Cross.
Rare mezzotint. 350 x 255mm (13¾ x 10"). Trimmed to plate. Crease down right of image.
Portrait of Duncan Forbes 5th of Culloden (1685 - 1747), Scottish lawyer and Whig politician who sat in the House of Commons from 1721 to 1737. As Lord President and senior Scottish legal officer, he played a major role in helping the government suppress the 1745 Jacobite Rising. Anti-Jacobite item.
CS 134. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64666] £260.00 (£312.00 incl.VAT)
J.Davison Pinx.t. J.Faber fecit 1748.
[1748.] Sold by C.Seton Engraver in Ordinary to his Majesty at y.e. Golden Head in Suffolk Street, Charing Cross.
Rare mezzotint. 350 x 255mm (13¾ x 10"). Trimmed to plate. Crease down right of image.
Portrait of Duncan Forbes 5th of Culloden (1685 - 1747), Scottish lawyer and Whig politician who sat in the House of Commons from 1721 to 1737. As Lord President and senior Scottish legal officer, he played a major role in helping the government suppress the 1745 Jacobite Rising. Anti-Jacobite item.
CS 134. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64666] £260.00 (£312.00 incl.VAT)
Rubens's Wife. In the Collection of His Grace the Duke of Marlborough.
Rubens, Pinxit. Josiah Boydell, delin.t. Rich.d Earlom, Sculpsit.
Published July 15th, 1782, by, John Boydell, Engraver, in Cheapside London.
Fine mezzotint. 505 x 355mm (20 x 14"). 18th century watermarked paper. Small creases in corners. Small margins.
Portrait of Helena Fourment (1614 - 1673), second wife of Baroque painter Peter Paul Rubens.
CS 38. II of IV. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64656] £360.00
Rubens, Pinxit. Josiah Boydell, delin.t. Rich.d Earlom, Sculpsit.
Published July 15th, 1782, by, John Boydell, Engraver, in Cheapside London.
Fine mezzotint. 505 x 355mm (20 x 14"). 18th century watermarked paper. Small creases in corners. Small margins.
Portrait of Helena Fourment (1614 - 1673), second wife of Baroque painter Peter Paul Rubens.
CS 38. II of IV. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64656] £360.00
![[Rubens's Wife.]](jpegs/64657.jpg)
[Rubens's Wife.]
[P.P.Rubens pinx.t. R.Earlom Sculp.]
[J.Boydell. Exudia. Publish'd July 15, 1782.]
Fine mezzotint proof before title, 505 x 355mm (20 x 14"). 18th century watermarked paper. Small stain in upper left corner, faint foxing.
Portrait of Helena Fourment (1614 - 1673), second wife of Baroque painter Peter Paul Rubens.
CS 38. I of IV. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64657] £320.00
[P.P.Rubens pinx.t. R.Earlom Sculp.]
[J.Boydell. Exudia. Publish'd July 15, 1782.]
Fine mezzotint proof before title, 505 x 355mm (20 x 14"). 18th century watermarked paper. Small stain in upper left corner, faint foxing.
Portrait of Helena Fourment (1614 - 1673), second wife of Baroque painter Peter Paul Rubens.
CS 38. I of IV. Ex: Collection of The Hon. C. Lennox-Boyd.
[Ref: 64657] £320.00