A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
![[Ape.]](jpegs/64304.jpg)
[Ape.]
[Edward Julius Detmold.]
[n.d., c.1925.]
Etching with aquatint. In pencil bottom left "3rd" proof, 330 x 390mm (13 x 15¼"). Narrow margins top and bottom.
Two apes feeding. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64304] £290.00 (£348.00 incl.VAT)
[Edward Julius Detmold.]
[n.d., c.1925.]
Etching with aquatint. In pencil bottom left "3rd" proof, 330 x 390mm (13 x 15¼"). Narrow margins top and bottom.
Two apes feeding. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64304] £290.00 (£348.00 incl.VAT)
![[The Captive.]](jpegs/64301.jpg)
[The Captive.]
E.J.D. imp. E.J. Detmold. [all pencil.]
[1923.]
Etching on india paper, printed by the artist, unfinished proof. 350 x 300mm (13¾ x 12"), with large margins.
A superb impression of this fantastic image of an eagle perched on a rock with a middle eastern city in the background with the temple to the left. To the right can be seen two camels seated with the city walls and mountains in the background. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64301] £600.00
E.J.D. imp. E.J. Detmold. [all pencil.]
[1923.]
Etching on india paper, printed by the artist, unfinished proof. 350 x 300mm (13¾ x 12"), with large margins.
A superb impression of this fantastic image of an eagle perched on a rock with a middle eastern city in the background with the temple to the left. To the right can be seen two camels seated with the city walls and mountains in the background. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64301] £600.00
![[The Captive.]](jpegs/64302.jpg)
[The Captive.]
[Edward Julius Detmold.]
[1923.]
Etching on india paper, unfinished proof. 350 x 300mm (13¾ x 12"), with large margins.
A fantastic image of an eagle perched on a rock with a middle eastern city in the background with the temple to the left. To the right can be seen two camels seated with the city walls and mountains in the background. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64302] £600.00
[Edward Julius Detmold.]
[1923.]
Etching on india paper, unfinished proof. 350 x 300mm (13¾ x 12"), with large margins.
A fantastic image of an eagle perched on a rock with a middle eastern city in the background with the temple to the left. To the right can be seen two camels seated with the city walls and mountains in the background. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64302] £600.00
![[The Captive.]](jpegs/64303.jpg)
[The Captive.]
E.J. Detmold. [pencil signature.]
[1923.]
Etching, signed by the artist, published edition of 100 proofs. 350 x 300mm (13¾ x 12"), with large margins.
A fantastic image of an eagle perched on a rock with a middle eastern city in the background with the temple to the left. To the right can be seen two camels seated with the city walls and mountains in the background. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64303] £850.00
E.J. Detmold. [pencil signature.]
[1923.]
Etching, signed by the artist, published edition of 100 proofs. 350 x 300mm (13¾ x 12"), with large margins.
A fantastic image of an eagle perched on a rock with a middle eastern city in the background with the temple to the left. To the right can be seen two camels seated with the city walls and mountains in the background. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64303] £850.00
![[Dash. A favorite Dog; the Property of Her Royal Highness the Duchess of Kent.]](jpegs/64305.jpg)
[Dash. A favorite Dog; the Property of Her Royal Highness the Duchess of Kent.]
[after Edwin Landseer] Lowes Dickinson lithotint. C. Hullmandel's Patent.
[London: J. Dickinson, 1836.]
Lithograph on chine collé, proof before title. 270 x 275mm (10½ x 10¾"), laid on printed backing sheet as issued. Backing sheet with slight spotting.
A portrait of Dash, a Cavalier King Charles Spaniel, as commissioned by the Duchess of Kent for her daughter Queen Victoria.
[Ref: 64305] £380.00
[after Edwin Landseer] Lowes Dickinson lithotint. C. Hullmandel's Patent.
[London: J. Dickinson, 1836.]
Lithograph on chine collé, proof before title. 270 x 275mm (10½ x 10¾"), laid on printed backing sheet as issued. Backing sheet with slight spotting.
A portrait of Dash, a Cavalier King Charles Spaniel, as commissioned by the Duchess of Kent for her daughter Queen Victoria.
[Ref: 64305] £380.00
Diversæ Avium Species studiossime ad vitam delineatæ Per Fra: Barlow Insignissimi: Anglum Pictorem.
F Barlow Invent. R. Gaywood fecit.
[n.d., c.1660.]
Etching, 17th century watermark. 155 x 180mm (6 x 7"), with large margins. Stitch holes in left margin.
The title page to Barlow's series 'Diversae avium species', one of the few plates not etched by Wenceslaus Hollar. The title is on a banner held up by two eagles.
[Ref: 64309] £160.00 (£192.00 incl.VAT)
F Barlow Invent. R. Gaywood fecit.
[n.d., c.1660.]
Etching, 17th century watermark. 155 x 180mm (6 x 7"), with large margins. Stitch holes in left margin.
The title page to Barlow's series 'Diversae avium species', one of the few plates not etched by Wenceslaus Hollar. The title is on a banner held up by two eagles.
[Ref: 64309] £160.00 (£192.00 incl.VAT)
![[Rhinoceros, Elephant, and Crane in Jungle vegetation.]](jpegs/64300.jpg)
[Rhinoceros, Elephant, and Crane in Jungle vegetation.]
[Edward Julius Detmold.]
[n.d., c.1925.]
Etching on india paper.. 305 x 220mm (12 x 8¾"). Laid on card.
A fantastical view of an elephant, rhinoceros and crane among palm trees, a building on a hill to the right. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64300] £240.00 (£288.00 incl.VAT)
[Edward Julius Detmold.]
[n.d., c.1925.]
Etching on india paper.. 305 x 220mm (12 x 8¾"). Laid on card.
A fantastical view of an elephant, rhinoceros and crane among palm trees, a building on a hill to the right. Edward Julius Detmold (1883-1957) began etching with his twin, Maurice, and exhibited at The Royal Academy aged 13. In 1908 Maurice committed suicide and Edward, traumatised, stopped etching. In 1922 an appreciative article about the Detmolds in the Print Collector's Quarterly inspiring Edward to return to printmaking.
[Ref: 64300] £240.00 (£288.00 incl.VAT)
![[The Partridge] Die Rebheune.](jpegs/64106.jpg)
[The Partridge] Die Rebheune.
[n.d., c.1850.]
Watercolour and feathers. Sheet 165 x 200mm (6½ x 7¾") Unique.
An illustration of two partridges, with the background painted but the birds' plumage made with real feather.
[Ref: 64106] £120.00 (£144.00 incl.VAT)
[n.d., c.1850.]
Watercolour and feathers. Sheet 165 x 200mm (6½ x 7¾") Unique.
An illustration of two partridges, with the background painted but the birds' plumage made with real feather.
[Ref: 64106] £120.00 (£144.00 incl.VAT)
Mameluck en repos.
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 310 x 410mm (12¼ x 16"), large margins.
A turbaned mamluk resting against a rock, with a long-stemmed pipe, his Arabian horse, still saddled, by his side. Behind is a desert town. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63947] £450.00
Carle Vernet. Imp. lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 310 x 410mm (12¼ x 16"), large margins.
A turbaned mamluk resting against a rock, with a long-stemmed pipe, his Arabian horse, still saddled, by his side. Behind is a desert town. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63947] £450.00
Cheval Persan. dessiné d'après un des chevaux envoyés par le Roi de Perse à S.A.R. le Prince régent d'Angleterre.
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 330 x 340mm (13 x 13½"), large margins. Repaired tear in margins, creasing in edges.
A portrait of a Persian horseman on a stallion, drawn from one sent to George, Prince Regent. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63946] £390.00
Carle Vernet. Imp. Lithog. de F. Delpech.
[n.d., c.1820.]
Fine & rare lithograph. Printed area 330 x 340mm (13 x 13½"), large margins. Repaired tear in margins, creasing in edges.
A portrait of a Persian horseman on a stallion, drawn from one sent to George, Prince Regent. After Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63946] £390.00
![[Cossack cavalryman.]](jpegs/63945.jpg)
[Cossack cavalryman.]
Carle Vernet. S. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 400 x 445mm (15¾ x 17½"). Narrow margin at bottom, several repaired tears.
A Cossack horseman on a stallion, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63945] £280.00 (£336.00 incl.VAT)
Carle Vernet. S. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 400 x 445mm (15¾ x 17½"). Narrow margin at bottom, several repaired tears.
A Cossack horseman on a stallion, after Antoine Charles Horace Vernet (1758-1835), published in the 'Grande Suite de Chevaux' (1817-21).
[Ref: 63945] £280.00 (£336.00 incl.VAT)