A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Boar Hunting. In his Majesty's Collection at the Royal Apartments Windsor Castle.
Snyders Pinxit. Josiah Boydell delin.t. Gabriel Smith, Sculpsit.
Publish'd Sep.r 2.d 1782 by John Boydell Engraver in Cheapside, London.
Etching with engraving, printed in colours. 485 x 620mm (19 x 24½"), with large margins. Laid on board. Some foxing top of outside margin.
A dramatic image showing a pack of dogs bringing down a boar, after a painting by Frans Snyders (1579-1657) dated 1653. Bought by Charles II, it is now in the Public Dining Room, Hampton Court Palace. Gabriel Smith engraved the plate from a preparatory drawing by John Boydell's nephew, Josiah, three years before he became a partner in the family firm.
See Royal Collection RCIN 405557.
[Ref: 62660] £360.00
Snyders Pinxit. Josiah Boydell delin.t. Gabriel Smith, Sculpsit.
Publish'd Sep.r 2.d 1782 by John Boydell Engraver in Cheapside, London.
Etching with engraving, printed in colours. 485 x 620mm (19 x 24½"), with large margins. Laid on board. Some foxing top of outside margin.
A dramatic image showing a pack of dogs bringing down a boar, after a painting by Frans Snyders (1579-1657) dated 1653. Bought by Charles II, it is now in the Public Dining Room, Hampton Court Palace. Gabriel Smith engraved the plate from a preparatory drawing by John Boydell's nephew, Josiah, three years before he became a partner in the family firm.
See Royal Collection RCIN 405557.
[Ref: 62660] £360.00
Art of Self Defence. Tom and Jerry receiving Instructions from Mr. Jackson, at his Rooms in Bond Street.
Drawn & Eng.d. by I.R. & G. Cruikshank.
[Published by Sherwood, Neely & Jones, London, 1821.]
Hand-coloured etching and aquatint. 185 x 125mm (7¼ x 5"). Trimmed within plate. Slight time staining.
Satirical print of Tom and Jerry boxing. One of the coloured illustrations for the 1821 a popular book with the title Life in London or, The Day and Night Scenes of Jerry Hawthorn, Esq. and his Elegant Friend Corinthian Tom in their Rambles and Sprees through the Metropolis.
BM Satires 14329
[Ref: 63186] £130.00 (£156.00 incl.VAT)
Drawn & Eng.d. by I.R. & G. Cruikshank.
[Published by Sherwood, Neely & Jones, London, 1821.]
Hand-coloured etching and aquatint. 185 x 125mm (7¼ x 5"). Trimmed within plate. Slight time staining.
Satirical print of Tom and Jerry boxing. One of the coloured illustrations for the 1821 a popular book with the title Life in London or, The Day and Night Scenes of Jerry Hawthorn, Esq. and his Elegant Friend Corinthian Tom in their Rambles and Sprees through the Metropolis.
BM Satires 14329
[Ref: 63186] £130.00 (£156.00 incl.VAT)
Sparring at the Fives Court.
Drawn & Etched by H.Alken Esq.r.
[London, Published as the Act directs, by Jones & C.º May 1st 1821.]
Hand coloured etching. 175 x 110mm (7 x 4¼"). Trimmed around the title.
Gentlemen stand watching two men boxing in a raised ring at the Fives Court in St Martins Street, London. After an illustration by Henry Alken from 'Real Life in London, or, the Further Rambles and Adventures of Bob Tallyho, Esq. and His Cousin The Hon. Tom Dashall, through the Metropolis'.
[Ref: 63187] £95.00 (£114.00 incl.VAT)
Drawn & Etched by H.Alken Esq.r.
[London, Published as the Act directs, by Jones & C.º May 1st 1821.]
Hand coloured etching. 175 x 110mm (7 x 4¼"). Trimmed around the title.
Gentlemen stand watching two men boxing in a raised ring at the Fives Court in St Martins Street, London. After an illustration by Henry Alken from 'Real Life in London, or, the Further Rambles and Adventures of Bob Tallyho, Esq. and His Cousin The Hon. Tom Dashall, through the Metropolis'.
[Ref: 63187] £95.00 (£114.00 incl.VAT)
The Daffy Club. , or a Musical Muster of the Fancy.
Drawn & Engraved by R. Cruikshank.
Published March 1.1824 by Sherwood Jones & Co.
Coloured aquatint. 240 x 150mm (9½ x 6").
A view of the interior of the Daffy Club meeting at the Castle Tavern, Holborn. The club was for members of The Fancy to enjoy a bit of gin and sport and featured a long room adorned with portraits of the great boxers.
[Ref: 63188] £130.00 (£156.00 incl.VAT)
Drawn & Engraved by R. Cruikshank.
Published March 1.1824 by Sherwood Jones & Co.
Coloured aquatint. 240 x 150mm (9½ x 6").
A view of the interior of the Daffy Club meeting at the Castle Tavern, Holborn. The club was for members of The Fancy to enjoy a bit of gin and sport and featured a long room adorned with portraits of the great boxers.
[Ref: 63188] £130.00 (£156.00 incl.VAT)
Le Joli Jeu de Ecarte.
A chez Alex.dre Tessier, Suc, de M.me V.e Chereau rue S.t Jacques N.o 10. Depose. [n.d. c.1823]
Etching with wonderful hand colour, 19th century watermark. Plate 235 x 325mm (9¼ x 12½"), with large margins.
Grotesque figures play écarté (an old French casino game for two players) at two tables while a couple in the background dances.
[Ref: 63100] £390.00
A chez Alex.dre Tessier, Suc, de M.me V.e Chereau rue S.t Jacques N.o 10. Depose. [n.d. c.1823]
Etching with wonderful hand colour, 19th century watermark. Plate 235 x 325mm (9¼ x 12½"), with large margins.
Grotesque figures play écarté (an old French casino game for two players) at two tables while a couple in the background dances.
[Ref: 63100] £390.00
Le Jeu des Sages. Caricatures Parisiennes.
A Paris chez Martinet libraire, rue du Coq St Honoré. [n.d. c.1802]
A finely hand coloured etching, plate 210 x 285mm (8½ x 11¼"), with very large margins. Some time staining and surface dirt, largely contained to margins.
A group of five elderly men playing at boules; behind two dogs and an elegant lady.
[Ref: 63062] £390.00
A Paris chez Martinet libraire, rue du Coq St Honoré. [n.d. c.1802]
A finely hand coloured etching, plate 210 x 285mm (8½ x 11¼"), with very large margins. Some time staining and surface dirt, largely contained to margins.
A group of five elderly men playing at boules; behind two dogs and an elegant lady.
[Ref: 63062] £390.00
Royal Cock Pit. Plate 18.
Rowlandson & Pugin del. et sculpt. Bluck, Aquat.
London. Pub May 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, plate 230 x 280mm (9 x 11"), with very large margins.
An interior scene showing the Royal Cock Pit, as a large frantic crowd has gathered to watch a cockfight. The Cockpit-in-Court (also known as the Royal Cockpit) was an early theatre in London, located in Dartmouth Street, Whitehall, demolished in 1816. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62694] £180.00 (£216.00 incl.VAT)
Rowlandson & Pugin del. et sculpt. Bluck, Aquat.
London. Pub May 1, 1808 at R. Ackermann’s Repository of Arts 101, Strand.
Hand coloured aquatint, plate 230 x 280mm (9 x 11"), with very large margins.
An interior scene showing the Royal Cock Pit, as a large frantic crowd has gathered to watch a cockfight. The Cockpit-in-Court (also known as the Royal Cockpit) was an early theatre in London, located in Dartmouth Street, Whitehall, demolished in 1816. Published in Ackermann's famous work, the 'Microcosm of London', the figures were drawn by the famous caricaturist Thomas Rowlandson and the architecture by Augustus Pugin.
Abbey, Scenery: 212.
[Ref: 62694] £180.00 (£216.00 incl.VAT)
Ballo dell'Orso.
Pinelli Fece 1809 Roma.
Engraving. 215 x 305mm (8½ x 12"), large margins.
A street entertainer, playing bag pipes, with a bear dancing on its hind legs, with two small dogs in human dress also dancing. Bartolomeo Pinelli (1781-1835) was famous for his depictions of the people of Rome. He also provided staffage for Luigi Rossini's 'Veduta di Roma'.
[Ref: 63002] £130.00 (£156.00 incl.VAT)
Pinelli Fece 1809 Roma.
Engraving. 215 x 305mm (8½ x 12"), large margins.
A street entertainer, playing bag pipes, with a bear dancing on its hind legs, with two small dogs in human dress also dancing. Bartolomeo Pinelli (1781-1835) was famous for his depictions of the people of Rome. He also provided staffage for Luigi Rossini's 'Veduta di Roma'.
[Ref: 63002] £130.00 (£156.00 incl.VAT)
Knuckledown Fair.
[nd., c.1820.]
Scarce coloured aquatint. 140 x 180mm (5½ x 7"). Trimmed within plate, laid on album paper.
A rowdy fair.
[Ref: 63300] £140.00 (£168.00 incl.VAT)
[nd., c.1820.]
Scarce coloured aquatint. 140 x 180mm (5½ x 7"). Trimmed within plate, laid on album paper.
A rowdy fair.
[Ref: 63300] £140.00 (£168.00 incl.VAT)
Out! So don't fatigue yourself - I beg Sir?
[Robert Seymour]
[Henry Bohn] [n.d. c.1878]
Lithograph, sheet 165 x 155mm (6½ x 6¼").
A man stumps the wicket, making the remark to a sweating larger man in tartan trousers. Cricketing caricature by Robert Seymour, published in 'Seymour's Humorous Sketches,' by Henry Bohn in 1878.
[Ref: 62965] £70.00 (£84.00 incl.VAT)
[Robert Seymour]
[Henry Bohn] [n.d. c.1878]
Lithograph, sheet 165 x 155mm (6½ x 6¼").
A man stumps the wicket, making the remark to a sweating larger man in tartan trousers. Cricketing caricature by Robert Seymour, published in 'Seymour's Humorous Sketches,' by Henry Bohn in 1878.
[Ref: 62965] £70.00 (£84.00 incl.VAT)
Pheasant Shooting.
Painted by J. Ibbetson. Engrav'd by R. Dodd.
Pub.d Jan.y 1. 1790 by T. Smith N.º 40 Margaret Street, Cavendish Sq.r.
Aquatint, printed in brown, 1st issue. 365 x 425mm (14¼ x 16¾"), with large margins.
Two men shooting with pointers.
Siltzer p. 166, as published by Simpson in 1790.
[Ref: 63024] £390.00
Painted by J. Ibbetson. Engrav'd by R. Dodd.
Pub.d Jan.y 1. 1790 by T. Smith N.º 40 Margaret Street, Cavendish Sq.r.
Aquatint, printed in brown, 1st issue. 365 x 425mm (14¼ x 16¾"), with large margins.
Two men shooting with pointers.
Siltzer p. 166, as published by Simpson in 1790.
[Ref: 63024] £390.00
![[Das Wagenrennen vor der Stadt.] [or]](jpegs/63055.jpg)
[Das Wagenrennen vor der Stadt.] [or] [Telega at the entrance of a village]
A. Orlowskj 1824.
Lithograph, sheet 345 x 475mm (13¾ x 18¾"). Repaired tears in margins and creases.
A telega race; a type of four-wheel horse-drawn vehicle, whose primary purpose is to carry loads, similar to a wain. Aleksander Orlowski (1777 –1832) was a Polish painter and sketch artist, and a pioneer of lithography in the Russian Empire.
[Ref: 63055] £290.00 (£348.00 incl.VAT)
A. Orlowskj 1824.
Lithograph, sheet 345 x 475mm (13¾ x 18¾"). Repaired tears in margins and creases.
A telega race; a type of four-wheel horse-drawn vehicle, whose primary purpose is to carry loads, similar to a wain. Aleksander Orlowski (1777 –1832) was a Polish painter and sketch artist, and a pioneer of lithography in the Russian Empire.
[Ref: 63055] £290.00 (£348.00 incl.VAT)
Snipe Shooting.
G. Morland pinx.t. C.Catton jun.r fecit.
London Pub.d Feb.y. 10th. 1789 by T.Smith No. 35 New Bond Street.
Aquatint, printed in brown 1st issue. 355 x 430mm (14 x 17") large margins. Some restoration.
A man holding a gun advances to right on a flying snipe with his dog.
Siltzer p.166.
[Ref: 63025] £390.00
G. Morland pinx.t. C.Catton jun.r fecit.
London Pub.d Feb.y. 10th. 1789 by T.Smith No. 35 New Bond Street.
Aquatint, printed in brown 1st issue. 355 x 430mm (14 x 17") large margins. Some restoration.
A man holding a gun advances to right on a flying snipe with his dog.
Siltzer p.166.
[Ref: 63025] £390.00
![[A major Grand Tour Album with 35 views of Switzerland lakes in superb hand colour.]](jpegs/63224.jpg)
[A major Grand Tour Album with 35 views of Switzerland lakes in superb hand colour.]
[various painters and engravers.]
[Switzerland, no dates but published 1819-1829.]
Large folio (475 x 360mm, 18¾ x 14¼"), half morocco with marbled boards, rebacked with calf; 35 colour-printed aquatints, finely finished by hand, tipped onto guards with tissue; 25 leaves of descriptive text, 18 in contemporary ink mss. Binding rubbed, one plate loose at rear, staining in margins of text leaves, ownership inscription on front pastedown dated 1842.
A fantastic Grand Tour Survivor, a collection of the finest aquatints in mint condition, including plates from Johann Jakob Wetzel's 'Voyage pittoresque aux Lacs de Zurich, Zug, Lowers, Egeri et Wallenstadt' (1819) and 'Voyage pittoresque au Lac Geneve' (1820); Gabriel Lory's 'Voyage pittoresque de l'Oberland bernois' (1822) and 'Souvenirs de la Suisse' (1829), and Samuel Birmann's Souvenirs de la vallée de Chamonix (1826). The plates are: 'Les Isles Borromées' (engraved by Rordorf after Wetzel); 'San Martino vers Porlezzo' (Rordorf after Wetzel); 'Lugano' (Rordorf after Wetzel); 'Villa Pliniana' (Hurlimann after Wetzel); 'Vue de Lausanne et de l'Extrémité Occidentale' (Hurlimann after Lory); 'Vue de Clarens et de l'Extrémité Orientale' (Hurlimann after Lory); 'Château de Chillon' (Hegi after Wetzel); 'La Chûte du Rhin prise de la rive droite' (Hurlimann after Wetzel); 'La Chûte du Rhin prise de la rive gauche' (Hurlimann after Wetzel); 'Vue d'Arth' (Hegi after Wetzel); 'Vue de la Caverne de St. Beat Audessus du Lac de Thoune' (Lory);' Maison de Paysan Près d'Unterseen'; 'La Cascade du Giessbach' (Hurlimann after Lory); 'Chute Supérieure du Staubbach'; 'Vue de la Cascade du Schmadribach au Fond de la Vallée de Lauterbrunnen' (Hurlimann after Lory); 'Vue de Grindelwald' (Hurlimann after Lory); 'Vue des Montagnes du Wetter-Horn, Well-Horn, et du Glacier de Rosenlaui' (Hurlimann after Lory); 'Les Cascades de Dorfbach et Alpbach à Meyringen' (Hurlimann after Lory); 'Pont sur l'Aar au Passage du Grimsel' (Hurlimann after Lory); 'Les Pierres sur le Glacier de l'Aar' (Hurlimann after Lory); 'Vue de l'Hospice du Grimsel' (Hurlimann after Lory); 'Le Repas Champetre' (Hurlimann after Lory); 'Ringgenberg' (Hegi after Wetzel); 'Le Chateau de Thoun' (Hegi after Wetzel); 'Vue de la Ville de Neuchatel' (Hurlimann after Lory); 'Vue de la Ville de Berne prise sur la Route de Thoune' (Hurlimann after Lory); 'Vue de Pont du Diable' (Hurlimann after Lory); 'Gorge de Cluse' (Birmann); 'À la Flégère' (Birmann); 'Glacier des Bossons' (Birmann); 'Environs de Sallenche' (Birmann); 'Lac de Chède' (Birmann); 'Les Lutteurs de l'Oberland Bernois' (Hurlimann after Lory); 'La Chapelle de Guillaume Tell sur le Lac des Quatre Cantons' (Hurlimann after Lory); 'Vue d'Interlaken' (Weber after Meyer).
[Ref: 63224] £6,500.00 view all images for this item
[various painters and engravers.]
[Switzerland, no dates but published 1819-1829.]
Large folio (475 x 360mm, 18¾ x 14¼"), half morocco with marbled boards, rebacked with calf; 35 colour-printed aquatints, finely finished by hand, tipped onto guards with tissue; 25 leaves of descriptive text, 18 in contemporary ink mss. Binding rubbed, one plate loose at rear, staining in margins of text leaves, ownership inscription on front pastedown dated 1842.
A fantastic Grand Tour Survivor, a collection of the finest aquatints in mint condition, including plates from Johann Jakob Wetzel's 'Voyage pittoresque aux Lacs de Zurich, Zug, Lowers, Egeri et Wallenstadt' (1819) and 'Voyage pittoresque au Lac Geneve' (1820); Gabriel Lory's 'Voyage pittoresque de l'Oberland bernois' (1822) and 'Souvenirs de la Suisse' (1829), and Samuel Birmann's Souvenirs de la vallée de Chamonix (1826). The plates are: 'Les Isles Borromées' (engraved by Rordorf after Wetzel); 'San Martino vers Porlezzo' (Rordorf after Wetzel); 'Lugano' (Rordorf after Wetzel); 'Villa Pliniana' (Hurlimann after Wetzel); 'Vue de Lausanne et de l'Extrémité Occidentale' (Hurlimann after Lory); 'Vue de Clarens et de l'Extrémité Orientale' (Hurlimann after Lory); 'Château de Chillon' (Hegi after Wetzel); 'La Chûte du Rhin prise de la rive droite' (Hurlimann after Wetzel); 'La Chûte du Rhin prise de la rive gauche' (Hurlimann after Wetzel); 'Vue d'Arth' (Hegi after Wetzel); 'Vue de la Caverne de St. Beat Audessus du Lac de Thoune' (Lory);' Maison de Paysan Près d'Unterseen'; 'La Cascade du Giessbach' (Hurlimann after Lory); 'Chute Supérieure du Staubbach'; 'Vue de la Cascade du Schmadribach au Fond de la Vallée de Lauterbrunnen' (Hurlimann after Lory); 'Vue de Grindelwald' (Hurlimann after Lory); 'Vue des Montagnes du Wetter-Horn, Well-Horn, et du Glacier de Rosenlaui' (Hurlimann after Lory); 'Les Cascades de Dorfbach et Alpbach à Meyringen' (Hurlimann after Lory); 'Pont sur l'Aar au Passage du Grimsel' (Hurlimann after Lory); 'Les Pierres sur le Glacier de l'Aar' (Hurlimann after Lory); 'Vue de l'Hospice du Grimsel' (Hurlimann after Lory); 'Le Repas Champetre' (Hurlimann after Lory); 'Ringgenberg' (Hegi after Wetzel); 'Le Chateau de Thoun' (Hegi after Wetzel); 'Vue de la Ville de Neuchatel' (Hurlimann after Lory); 'Vue de la Ville de Berne prise sur la Route de Thoune' (Hurlimann after Lory); 'Vue de Pont du Diable' (Hurlimann after Lory); 'Gorge de Cluse' (Birmann); 'À la Flégère' (Birmann); 'Glacier des Bossons' (Birmann); 'Environs de Sallenche' (Birmann); 'Lac de Chède' (Birmann); 'Les Lutteurs de l'Oberland Bernois' (Hurlimann after Lory); 'La Chapelle de Guillaume Tell sur le Lac des Quatre Cantons' (Hurlimann after Lory); 'Vue d'Interlaken' (Weber after Meyer).
[Ref: 63224] £6,500.00 view all images for this item
![[Theatre set] Osteria.](jpegs/63056.jpg)
[Theatre set] Osteria.
A.Basoli inv. P. Candeglieri dis. L. e F. Basoli inc.
[Italy, 1821.]
Scarce aquatint with line engraving, printed in brown. 305 x 380mm (12 x 15"), with very large margins.
A theatre set for a play set in Italy outside an osteria, or bar, where people are playing boules. Published in Antonio Basoli's 'Collezione di varie scene teatrali', 1821.
Ex: Collection of Edward Croft Murray
[Ref: 63056] £280.00 (£336.00 incl.VAT)
A.Basoli inv. P. Candeglieri dis. L. e F. Basoli inc.
[Italy, 1821.]
Scarce aquatint with line engraving, printed in brown. 305 x 380mm (12 x 15"), with very large margins.
A theatre set for a play set in Italy outside an osteria, or bar, where people are playing boules. Published in Antonio Basoli's 'Collezione di varie scene teatrali', 1821.
Ex: Collection of Edward Croft Murray
[Ref: 63056] £280.00 (£336.00 incl.VAT)