A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
A selection of stock we have recently added to our website.
VAT included (see terms) | Exclude VAT
Adair near Limerick.
Walmesley del. Hill sculp.
London Published June 25. 1810 by John Murphy
Aquatint, sheet 255 x 325mm (10 x 12¾"). Trimmed to plate. Bit messy.
A view of Adare in Ireland. People walk along a country road, on the right is a Church, possibley the Franciscan Abbey, Adare Friary or Trinitarian Abbey.
[Ref: 63052] £140.00 (£168.00 incl.VAT)
Walmesley del. Hill sculp.
London Published June 25. 1810 by John Murphy
Aquatint, sheet 255 x 325mm (10 x 12¾"). Trimmed to plate. Bit messy.
A view of Adare in Ireland. People walk along a country road, on the right is a Church, possibley the Franciscan Abbey, Adare Friary or Trinitarian Abbey.
[Ref: 63052] £140.00 (£168.00 incl.VAT)
The Street of the Twelve Apostles Armentieres.
J. Empson Tindall Major R.E.
1917.
Rare etching signed by the artist, 250 x200mm (10 x 8"), with very large margins. Creasing in margins. Top right corner missing.
A view of a dilapidated street in Armentieres, France, most likely the aftermath of the Battle of Lille during World War One.
[Ref: 62597] £160.00 (£192.00 incl.VAT)
J. Empson Tindall Major R.E.
1917.
Rare etching signed by the artist, 250 x200mm (10 x 8"), with very large margins. Creasing in margins. Top right corner missing.
A view of a dilapidated street in Armentieres, France, most likely the aftermath of the Battle of Lille during World War One.
[Ref: 62597] £160.00 (£192.00 incl.VAT)
Artulley Bridge between Kenmare and Killarney.
T. Walmsley Pinx.t. S. Alken fecit.
Published as the Act directs, by T. Walmsley, N.º 5 Rathbone Place, April 10, 1798.
Rare aquatint. 355 x 460mm (14 x 18"). Narrow margins, staining on edge of plate.
A stone bridge in a mountainous landscape, with men fishing in Roughty river underneath. According to a limestone plaque on the extant but disused bridge: 'This Bridge was Built by Richard/Orpen Esq. at His Own Expence in the Year 1786'.
[Ref: 62670] £260.00 (£312.00 incl.VAT)
T. Walmsley Pinx.t. S. Alken fecit.
Published as the Act directs, by T. Walmsley, N.º 5 Rathbone Place, April 10, 1798.
Rare aquatint. 355 x 460mm (14 x 18"). Narrow margins, staining on edge of plate.
A stone bridge in a mountainous landscape, with men fishing in Roughty river underneath. According to a limestone plaque on the extant but disused bridge: 'This Bridge was Built by Richard/Orpen Esq. at His Own Expence in the Year 1786'.
[Ref: 62670] £260.00 (£312.00 incl.VAT)
The Acropolis of Athens.
W. M. Craig del. E. Goodall sc.
[n.d., c.1800s.]
Engraving, sheet 215 x 170mm (8½ x 7").
A view of the Acropolis of Athens, Greece.
[Ref: 63071] £130.00 (£156.00 incl.VAT)
W. M. Craig del. E. Goodall sc.
[n.d., c.1800s.]
Engraving, sheet 215 x 170mm (8½ x 7").
A view of the Acropolis of Athens, Greece.
[Ref: 63071] £130.00 (£156.00 incl.VAT)
A Bâsque of the Valley of Baïgorry.
Designed and Drawn on Stone by J.D. Harding from a Sketch by J. Johnston Esq.r. Printed by C. Hullamdel.
[n.d., c.1830.]
Rare lithograph. Sheet 255 x 195mm (10 x 7¾"). Some spotting. Slight central vertical crease.
A variant of the portrait published in 'Thirty Drawings of the Male and Female Peasantry of the Pyrenean Valleys', with a complete rectangular background.
[Ref: 62790] £95.00 (£114.00 incl.VAT)
Designed and Drawn on Stone by J.D. Harding from a Sketch by J. Johnston Esq.r. Printed by C. Hullamdel.
[n.d., c.1830.]
Rare lithograph. Sheet 255 x 195mm (10 x 7¾"). Some spotting. Slight central vertical crease.
A variant of the portrait published in 'Thirty Drawings of the Male and Female Peasantry of the Pyrenean Valleys', with a complete rectangular background.
[Ref: 62790] £95.00 (£114.00 incl.VAT)
La France de nos Jours. N.º 226. Biarritz. Vue de la Villa Eugénie et de la Côte Impériale.
Des.é d'ap. nat. et lith. en col. par Ch. Mercereau. Imp.é en 3. coul. par Frick fr. r. de la Vielle Estrapade, 17, Paris.
Paris, F. Sinnett, Editeur [n.d., c.1860].
Tinted lithograph with hand colour. Sheet 300 x 385mm (11¾ x 15¼").
The Villa Eugénie, was built for the Empress Eugénie c.1855 as a summer villa but became a hotel and casino in 1880. It is now the Hôtel du Palais. ''La France de nos jours'' was a series of 475 plates published from 1853 to 1876.
[Ref: 62685] £90.00 (£108.00 incl.VAT)
Des.é d'ap. nat. et lith. en col. par Ch. Mercereau. Imp.é en 3. coul. par Frick fr. r. de la Vielle Estrapade, 17, Paris.
Paris, F. Sinnett, Editeur [n.d., c.1860].
Tinted lithograph with hand colour. Sheet 300 x 385mm (11¾ x 15¼").
The Villa Eugénie, was built for the Empress Eugénie c.1855 as a summer villa but became a hotel and casino in 1880. It is now the Hôtel du Palais. ''La France de nos jours'' was a series of 475 plates published from 1853 to 1876.
[Ref: 62685] £90.00 (£108.00 incl.VAT)
![[Chasteaux Corrèze.]](jpegs/62789.jpg)
[Chasteaux Corrèze.]
AYGross.
[Merivale Editions, c.1985.]
Etching, limited edition, 402/500, unsigned. 150 x 225mm (6 x 8¾"), in publisher's printed wrapper.
Anthony Imre Alexander Gross (1905-1984), war artist and etcher, known for designing the dust jacket for the first edition of Lord of the Flies. He was made CBE in 1982. This scene was etched in 1929 but only a few proofs were taken. This posthumous printing was in an edition of 500, most signed by his daughter, Mary West.
[Ref: 62789] £120.00 (£144.00 incl.VAT)
AYGross.
[Merivale Editions, c.1985.]
Etching, limited edition, 402/500, unsigned. 150 x 225mm (6 x 8¾"), in publisher's printed wrapper.
Anthony Imre Alexander Gross (1905-1984), war artist and etcher, known for designing the dust jacket for the first edition of Lord of the Flies. He was made CBE in 1982. This scene was etched in 1929 but only a few proofs were taken. This posthumous printing was in an edition of 500, most signed by his daughter, Mary West.
[Ref: 62789] £120.00 (£144.00 incl.VAT)
Habit of a Country Woman in Russia in 1764. Paysanne. 72.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 230 x 200mm (9 x 8"). Large margins. Staining in the left and upper margin.
Portrait of a Russian country woman, she is standing in profile and touching her cloak with her left hand. Plate 72 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62885] £140.00 (£168.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 230 x 200mm (9 x 8"). Large margins. Staining in the left and upper margin.
Portrait of a Russian country woman, she is standing in profile and touching her cloak with her left hand. Plate 72 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62885] £140.00 (£168.00 incl.VAT)
Habit of a Country Woman of Ingria in 1764. Femme d'Ingrie. 187.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 240 x 200mm (9½ x 8"). Large margins.
A full-length portrait of a country woman from Ingria in Russia stepping towards the viewer, her right hand on her hip. She is wearing a hat, earrings, a three-quarter length coat over a longer dress, and shoes with ankle straps. Plate 187 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62858] £160.00 (£192.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 240 x 200mm (9½ x 8"). Large margins.
A full-length portrait of a country woman from Ingria in Russia stepping towards the viewer, her right hand on her hip. She is wearing a hat, earrings, a three-quarter length coat over a longer dress, and shoes with ankle straps. Plate 187 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62858] £160.00 (£192.00 incl.VAT)
Vue du Mettenberg & du mont Eiger dans la vallée de Grindelwald.
Zurich chez R. Dikenman peintre Rindermarkt 353 [n.d., c.1820].
Aquatint with fine gouache colour and gum arabic highlights. 195 x 240mm (7¾ x 9½"), with large margins. Marks in unprinted area.
A superb view of the two mountains. In the foregound are walkers and mountain goats.
[Ref: 62683] £160.00 (£192.00 incl.VAT)
Zurich chez R. Dikenman peintre Rindermarkt 353 [n.d., c.1820].
Aquatint with fine gouache colour and gum arabic highlights. 195 x 240mm (7¾ x 9½"), with large margins. Marks in unprinted area.
A superb view of the two mountains. In the foregound are walkers and mountain goats.
[Ref: 62683] £160.00 (£192.00 incl.VAT)
![[Marriage of Louise Elisabeth of France with Philip infant of Spain] Veue Génerale des Décorations, illuminations et feux d'Artifice,](jpegs/62652.jpg)
[Marriage of Louise Elisabeth of France with Philip infant of Spain] Veue Génerale des Décorations, illuminations et feux d'Artifice, de la feste Donnée par la Ville de Paris sur la Riviere de Seine en presence de leurs Majestés le Vingt Neuf Aoust Mil Cent Sept Cent Trente Neuf a l'occasion du Mariage de Madame Louise Elzabeth de France, et de Dom Philippe Infant d'Espagne.
Inventé par Salley. dessiné et gravé par J F Blondel.
[Paris: P. G. Le Mercier, 1740.]
Etching. 520 x 830mm (20½ x 32¾"), with large margins. Tear entering plate taped, two printer's creases entering image. Central crease as issued.
A large etching depicting the fireworks on the Seine in Paris celebrating the 1739 marriage of Louise-Élisabeth, eldest daughter of Louis XV, and Philip, son of Philp V of Spain, who became Duke of Parma in 1748. Plate IX of thirteen of 'Description des Festes données par la Ville de Paris à l'occasion du mariage de Madame Louise-Elisabeth de France et de Dom Philippe, Infant'.
[Ref: 62652] £490.00
Inventé par Salley. dessiné et gravé par J F Blondel.
[Paris: P. G. Le Mercier, 1740.]
Etching. 520 x 830mm (20½ x 32¾"), with large margins. Tear entering plate taped, two printer's creases entering image. Central crease as issued.
A large etching depicting the fireworks on the Seine in Paris celebrating the 1739 marriage of Louise-Élisabeth, eldest daughter of Louis XV, and Philip, son of Philp V of Spain, who became Duke of Parma in 1748. Plate IX of thirteen of 'Description des Festes données par la Ville de Paris à l'occasion du mariage de Madame Louise-Elisabeth de France et de Dom Philippe, Infant'.
[Ref: 62652] £490.00
![[Marriage of Louise Elisabeth of France with Philip infant of Spain] Coupe du Batiment de l'Hôtel de Ville](jpegs/62653.jpg)
[Marriage of Louise Elisabeth of France with Philip infant of Spain] Coupe du Batiment de l'Hôtel de Ville Veu en Perspective sur sa Longueur ou sont Réprésentées les Décorations et Illuminations de la Cour et des Salles ou s'est Donné Le Bal la Nuit du XXX au XXXI Aoust MDCCXXIX. Cette Feste Donnée par La Ville de Paris a l'occasion du Mariage de Madame Louise Elzabeth de France, et de Dom Philippe Infant d'Espagne.
Inventé par Salley. dessiné et gravé par J F Blondel.
[Paris: P. G. Le Mercier, 1740.]
Etching, 18th century watermark, central crease as issued. 510 x 830mm (20 x 32¾"), with large margins.
A cross section of the Hôtel de Ville, showing the ball celebrating the 1739 marriage of Louise-Élisabeth, eldest daughter of Louis XV, and Philip, son of Philp V of Spain, who became Duke of Parma in 1748. Orchestra on the right. The last plate of thirteen of 'Description des Festes données par la Ville de Paris à l'occasion du mariage de Madame Louise-Elisabeth de France et de Dom Philippe, Infant'.
[Ref: 62653] £360.00
Inventé par Salley. dessiné et gravé par J F Blondel.
[Paris: P. G. Le Mercier, 1740.]
Etching, 18th century watermark, central crease as issued. 510 x 830mm (20 x 32¾"), with large margins.
A cross section of the Hôtel de Ville, showing the ball celebrating the 1739 marriage of Louise-Élisabeth, eldest daughter of Louis XV, and Philip, son of Philp V of Spain, who became Duke of Parma in 1748. Orchestra on the right. The last plate of thirteen of 'Description des Festes données par la Ville de Paris à l'occasion du mariage de Madame Louise-Elisabeth de France et de Dom Philippe, Infant'.
[Ref: 62653] £360.00
![[Marriage of Louise Elisabeth of France with Philip infant of Spain] Coupe du Batiment de l'Hôtel de Ville](jpegs/62654.jpg)
[Marriage of Louise Elisabeth of France with Philip infant of Spain] Coupe du Batiment de l'Hôtel de Ville Veu en Perspective sur sa Largeur ou sont Réprésentées les Décorations et Illuminations de la Cour ou s'est Donné Le Bal la Nuit du XXX au XXXI Aoust MDCCXXIX. Cette Feste Donnée par La Ville de Paris a l'occasion du Mariage de Madame Louise Elzabeth de France, et de Dom Philippe Infant d'Espagne.
Inventé par Salley. dessiné et gravé par J F Blondel.
[Paris: P. G. Le Mercier, 1740.]
Etching, central crease as issued. 520 x 705mm (20½ x 27¾"), with large margins. Small tear in edge.
A cross section of the Hôtel de Ville, showing the ball celebrating the 1739 marriage of Louise-Élisabeth, eldest daughter of Louis XV, and Philip, son of Philp V of Spain, who became Duke of Parma in 1748. Plate XII of thirteen of 'Description des Festes données par la Ville de Paris à l'occasion du mariage de Madame Louise-Elisabeth de France et de Dom Philippe, Infant'.
[Ref: 62654] £360.00
Inventé par Salley. dessiné et gravé par J F Blondel.
[Paris: P. G. Le Mercier, 1740.]
Etching, central crease as issued. 520 x 705mm (20½ x 27¾"), with large margins. Small tear in edge.
A cross section of the Hôtel de Ville, showing the ball celebrating the 1739 marriage of Louise-Élisabeth, eldest daughter of Louis XV, and Philip, son of Philp V of Spain, who became Duke of Parma in 1748. Plate XII of thirteen of 'Description des Festes données par la Ville de Paris à l'occasion du mariage de Madame Louise-Elisabeth de France et de Dom Philippe, Infant'.
[Ref: 62654] £360.00
Vue de Genève prise de Prègny.
Dubois del. Salathé sculp.
à Basle chez Birmann & Fils. [n.d. c.1825.]
Aquatint. Sheet 290 x 450mm (11½ x 17¾"). Trimmed into plate on three sides, some creasing.
A view of Geneva from the north.
[Ref: 63033] £320.00
Dubois del. Salathé sculp.
à Basle chez Birmann & Fils. [n.d. c.1825.]
Aquatint. Sheet 290 x 450mm (11½ x 17¾"). Trimmed into plate on three sides, some creasing.
A view of Geneva from the north.
[Ref: 63033] £320.00
View of the City of Genoa.
W. M. Craig del. T. Dixon sc.
[n.d., c.1800s.]
Engraving, sheet 215 x 170mm (8½ x 7").
A view of the city of Genoa, Italy.
[Ref: 63070] £130.00 (£156.00 incl.VAT)
W. M. Craig del. T. Dixon sc.
[n.d., c.1800s.]
Engraving, sheet 215 x 170mm (8½ x 7").
A view of the city of Genoa, Italy.
[Ref: 63070] £130.00 (£156.00 incl.VAT)
Habit of a Gentleman of Wallachia. Gentilhomme Valaque. 62.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Sheet 345 x 240mm (13½ x 9½"). Large margins.
Whole-length standing portrait of a gentleman from Wallachia, an ancient region in present-day Romania. He is dressed in opulent robes adorned with intricate patterns, a fur hat sits atop his head. Plate 62 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62844] £160.00 (£192.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Sheet 345 x 240mm (13½ x 9½"). Large margins.
Whole-length standing portrait of a gentleman from Wallachia, an ancient region in present-day Romania. He is dressed in opulent robes adorned with intricate patterns, a fur hat sits atop his head. Plate 62 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62844] £160.00 (£192.00 incl.VAT)
A Greek Nun of the Order of St Basil in her Choir Dress. Religieuse Grecque de l'Ordre de St Bazile en Habit de Choeur. 125.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 240 x 195mm (9½ x 7¾ "). Large margins.
A full-length portrait of a Nun of the Order of St Basil the Great. She is stepping towards the viewer, looking down to right, a chain of prayer beads hang from her right arm. Plate 125 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62840] £120.00 (£144.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 240 x 195mm (9½ x 7¾ "). Large margins.
A full-length portrait of a Nun of the Order of St Basil the Great. She is stepping towards the viewer, looking down to right, a chain of prayer beads hang from her right arm. Plate 125 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62840] £120.00 (£144.00 incl.VAT)
Der Jungfernstieg in Hamburg.
Nach der Natur u. auf Stein gez. gedr. u. verlegt v P. Suhr in Hamburg [n.d., c.1846].
Lithograph with hand colour. Sheet 300 x 445mm (11¾ x 17½"), large margins. Tear entering image at top repaired.
Promenaders in the Jungfernstieg ('Maiden's Walk'), the first street in Germany to be asphalted, and still a shopping area. Ahead is St Peter's Church; to the left is the Alsterpavillon.
[Ref: 63007] £180.00 (£216.00 incl.VAT)
Nach der Natur u. auf Stein gez. gedr. u. verlegt v P. Suhr in Hamburg [n.d., c.1846].
Lithograph with hand colour. Sheet 300 x 445mm (11¾ x 17½"), large margins. Tear entering image at top repaired.
Promenaders in the Jungfernstieg ('Maiden's Walk'), the first street in Germany to be asphalted, and still a shopping area. Ahead is St Peter's Church; to the left is the Alsterpavillon.
[Ref: 63007] £180.00 (£216.00 incl.VAT)
Das neue Hafenthor im Hamburg und er neue Hafendamm.
Nach der Natur gez. gedr. und verlegt v P. Suhr in Hamburg 1846.
Lithograph with hand colour. Sheet 300 x 445mm (11¾ x 17½"), large margins.
A view of the new harbour walls at Hamburg.
[Ref: 63006] £230.00 (£276.00 incl.VAT)
Nach der Natur gez. gedr. und verlegt v P. Suhr in Hamburg 1846.
Lithograph with hand colour. Sheet 300 x 445mm (11¾ x 17½"), large margins.
A view of the new harbour walls at Hamburg.
[Ref: 63006] £230.00 (£276.00 incl.VAT)
![[Manuscript map of the environs of Döhren-Wülfel]](jpegs/62826.jpg)
[Manuscript map of the environs of Döhren-Wülfel]
[German, n.d.]
Ink and watercolour map, 18th century watermark. 310 x 440mm (12¼ x 17¼"), with flap. Pasted on album paper with old ink mss in English. Folded, probably trimmed lower right.
A competent manuscript map of the environs of Döhren-Wülfel, marking the road from Hamburg to Hildesheim. Although the map probably relates to the Seven Years' War (1756-63), the ink mss. refers to the Kingdom of Hanover, established for George III in 1814.
[Ref: 62826] £320.00
[German, n.d.]
Ink and watercolour map, 18th century watermark. 310 x 440mm (12¼ x 17¼"), with flap. Pasted on album paper with old ink mss in English. Folded, probably trimmed lower right.
A competent manuscript map of the environs of Döhren-Wülfel, marking the road from Hamburg to Hildesheim. Although the map probably relates to the Seven Years' War (1756-63), the ink mss. refers to the Kingdom of Hanover, established for George III in 1814.
[Ref: 62826] £320.00
Habit of a Lady of Hungary, in 1700. Dame Hongroise. 99.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
A full-length portrait of a Hungarian woman, she is wearing a dress and a bonnet. Plate 99 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62871] £140.00 (£168.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
A full-length portrait of a Hungarian woman, she is wearing a dress and a bonnet. Plate 99 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62871] £140.00 (£168.00 incl.VAT)
Le nouveau, et ancien pont dit Langenruch, aux Schoellinen, route du S.t Gottard.
M Kälin ad. nat. del. et sc.
Zurich chez H.y Fuessli & C.e [n.d., c.1820].
Aquatint with fine hand colour. Some staining on left.
Two bridges over a river in a steep-sided valley. Heinrich Füssli (1755-1829, son of the artist Henry Fuseli, most famous for 'The Nightmare'). After working in Paris 1779-92, he returned to Zurich where he founded a major firm of art dealers.
[Ref: 62682] £130.00 (£156.00 incl.VAT)
M Kälin ad. nat. del. et sc.
Zurich chez H.y Fuessli & C.e [n.d., c.1820].
Aquatint with fine hand colour. Some staining on left.
Two bridges over a river in a steep-sided valley. Heinrich Füssli (1755-1829, son of the artist Henry Fuseli, most famous for 'The Nightmare'). After working in Paris 1779-92, he returned to Zurich where he founded a major firm of art dealers.
[Ref: 62682] £130.00 (£156.00 incl.VAT)
Luzerne vers le Righi, pris le Gutsch.
Zurich chez R. Dikenman peintre Rindermarkt 353 [n.d., c.1820].
Aquatint with fine gouache colour and gum arabic highlights. 195 x 240mm (7¾ x 9½"), with large margins. Marks in unprinted area.
A superb view looking across Lucerne towards Mount Rigi.
[Ref: 62684] £160.00 (£192.00 incl.VAT)
Zurich chez R. Dikenman peintre Rindermarkt 353 [n.d., c.1820].
Aquatint with fine gouache colour and gum arabic highlights. 195 x 240mm (7¾ x 9½"), with large margins. Marks in unprinted area.
A superb view looking across Lucerne towards Mount Rigi.
[Ref: 62684] £160.00 (£192.00 incl.VAT)
A View of the City of Malta, on the side of the Cotonere.
Drawn by the W. M. Craig, from the original by Goupy. E. Goodall sc.
[n.d., c.1800s.]
Engraving, sheet 240 x 190mm (9½ x 7½"). Crease in upper centre. Tiny tears down left margin.
Bird's eye view of the fortified harbour of Malta, looking towards Valetta.
[Ref: 63073] £180.00 (£216.00 incl.VAT)
Drawn by the W. M. Craig, from the original by Goupy. E. Goodall sc.
[n.d., c.1800s.]
Engraving, sheet 240 x 190mm (9½ x 7½"). Crease in upper centre. Tiny tears down left margin.
Bird's eye view of the fortified harbour of Malta, looking towards Valetta.
[Ref: 63073] £180.00 (£216.00 incl.VAT)
The Matterhorn, from the North. Plate II.
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
John Murray, Albemarle Street, 1849.
Lithograph, sheet 200 x 125mm (8 x 5"). Tiny crease upper right corner.
A view of the Matterhorn mountain of the Alps, which straddles the main watershed and border between Italy and Switzerland.
[Ref: 63066] £95.00 (£114.00 incl.VAT)
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
John Murray, Albemarle Street, 1849.
Lithograph, sheet 200 x 125mm (8 x 5"). Tiny crease upper right corner.
A view of the Matterhorn mountain of the Alps, which straddles the main watershed and border between Italy and Switzerland.
[Ref: 63066] £95.00 (£114.00 incl.VAT)
Meldert Camp. Netherlands. Brabant.
[n.d. c.1820]
Ink and watercolour map. 175 x 235mm (7 x 9¼"). Trimmed and pasted on album paper.
A competent manuscript map of a military camp at Meldert, south east of Leuven. The map was probably drawn for a history of the Seven Years' War (1756-63). On the reverse is a printed map of the Low Countries from that period.
[Ref: 62828] £130.00
[n.d. c.1820]
Ink and watercolour map. 175 x 235mm (7 x 9¼"). Trimmed and pasted on album paper.
A competent manuscript map of a military camp at Meldert, south east of Leuven. The map was probably drawn for a history of the Seven Years' War (1756-63). On the reverse is a printed map of the Low Countries from that period.
[Ref: 62828] £130.00
Habit of a Merchants Wife in Russia in 1765. Femme d'un Marchand Russe. 70
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 240 x 200mm (9½ x 8"). Large margins.
Portrait of a Russian merchant's wife standing to right, and holding the hand of a child who is playing with a toy. Plate 70 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62888] £140.00 (£168.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 240 x 200mm (9½ x 8"). Large margins.
Portrait of a Russian merchant's wife standing to right, and holding the hand of a child who is playing with a toy. Plate 70 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62888] £140.00 (£168.00 incl.VAT)
Mont Blanc from above the Flégère. Plate IV.
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
[John Murray, Albemarle Street, 1849.]
Lithograph, sheet 200 x 125mm (8 x 5"). End of publisher under title missing due to slight damage and creasing along lower margin.
A view of Mont Blanc, the highest mountain in the Alps and Western Europe, located on the French-Italian border.
[Ref: 63067] £95.00 (£114.00 incl.VAT)
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
[John Murray, Albemarle Street, 1849.]
Lithograph, sheet 200 x 125mm (8 x 5"). End of publisher under title missing due to slight damage and creasing along lower margin.
A view of Mont Blanc, the highest mountain in the Alps and Western Europe, located on the French-Italian border.
[Ref: 63067] £95.00 (£114.00 incl.VAT)
Chain of Monte Rosa from the Riffelberg. Plate I.
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
John Murray, Albemarle Street, 1849.
Lithograph, sheet 195 x 125mm (7¾ x 5"). Creasing along lower margin.
A view of Monte Rosa from the Riffelberg, a mountain massif in the eastern part of the Pennine Alps, on the border between Italy and Switzerland.
[Ref: 63065] £95.00 (£114.00 incl.VAT)
J.J.B. del W.L.Walton lith. Printed by Hullmandel & Walton.
John Murray, Albemarle Street, 1849.
Lithograph, sheet 195 x 125mm (7¾ x 5"). Creasing along lower margin.
A view of Monte Rosa from the Riffelberg, a mountain massif in the eastern part of the Pennine Alps, on the border between Italy and Switzerland.
[Ref: 63065] £95.00 (£114.00 incl.VAT)
The Ramparts at Montreuil 1817.
A. Long.
[n.d., c.1817.]
Rare amateur lithograph, sheet 210 x 290mm (8¼ x 11½"). Glued to original larger backing sheet.
An old fortress on the outskirts of Paris. Amelia Long (née Hume) (1772-1837), married Charles Long who was created Baron Farnborough in 1826. Lady Farnborough was Girtin's favourite pupil, and her work was widely admired by professional artists and drawing masters.
For a sketchbook by the artist see V&A E.21080-1957.
[Ref: 62716] £130.00 (£156.00 incl.VAT)
A. Long.
[n.d., c.1817.]
Rare amateur lithograph, sheet 210 x 290mm (8¼ x 11½"). Glued to original larger backing sheet.
An old fortress on the outskirts of Paris. Amelia Long (née Hume) (1772-1837), married Charles Long who was created Baron Farnborough in 1826. Lady Farnborough was Girtin's favourite pupil, and her work was widely admired by professional artists and drawing masters.
For a sketchbook by the artist see V&A E.21080-1957.
[Ref: 62716] £130.00 (£156.00 incl.VAT)
Habit of Moorish Pilgrims returning from Mecca in 1586. Pelerins Maures, revenant de la Mecque. 71.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 240 x 200mm (9½ x 8"). Large margins.
Portraits of two men, both whole-length standing. They are wearing turbans, each holding a large flag over their shoulder, the one on the left is bearded and wearing a fur-trimmed coat; the one on the right looking back at the first man. Plate 71 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62859] £220.00 (£264.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 240 x 200mm (9½ x 8"). Large margins.
Portraits of two men, both whole-length standing. They are wearing turbans, each holding a large flag over their shoulder, the one on the left is bearded and wearing a fur-trimmed coat; the one on the right looking back at the first man. Plate 71 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62859] £220.00 (£264.00 incl.VAT)
Habit of a Morisco Slave in 1568. Esclave Moraure. 92.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving. Plate 260 x 200mm (10¼ x 8"). Large margins. Word "Moraure" faded. Score mark on lower left of plate.
Portrait of a man, whole-length standing, his face in profile, and his right hand outstretched in front of him. He is wearing a turban with a ribbon behind flowing in the wind. Plate 92 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62874] £160.00 (£192.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving. Plate 260 x 200mm (10¼ x 8"). Large margins. Word "Moraure" faded. Score mark on lower left of plate.
Portrait of a man, whole-length standing, his face in profile, and his right hand outstretched in front of him. He is wearing a turban with a ribbon behind flowing in the wind. Plate 92 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62874] £160.00 (£192.00 incl.VAT)
Habit of a Noble Woman of Swabia in 1581. Demoiselle de Souabe. 180.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
A full-length portrait of a woman, whole-length standing. She is wearing a magnificent gown, a ruff around her neck and her hand held in together at her front. Swabia is part of south west Bavaria. Plate 180 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62838] £120.00 (£144.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
A full-length portrait of a woman, whole-length standing. She is wearing a magnificent gown, a ruff around her neck and her hand held in together at her front. Swabia is part of south west Bavaria. Plate 180 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62838] £120.00 (£144.00 incl.VAT)
St Genevieve from The Garden of the Luxembourg. 1817.
A. Long.
[n.d., c.1817.]
Rare amateur lithograph. Printed area 280 x 210mm (11 x 8¼"), with very large margins. Glued to original backing sheet.
Amelia Long (née Hume) (1772-1837), married Charles Long who was created Baron Farnborough in 1826. Lady Farnborough was Thomas Girtin's favourite pupil, and her work was widely admired by professional artists and drawing masters.
For a sketchbook by the artist see V&A E.21080-1957.
[Ref: 62687] £130.00 (£156.00 incl.VAT)
A. Long.
[n.d., c.1817.]
Rare amateur lithograph. Printed area 280 x 210mm (11 x 8¼"), with very large margins. Glued to original backing sheet.
Amelia Long (née Hume) (1772-1837), married Charles Long who was created Baron Farnborough in 1826. Lady Farnborough was Thomas Girtin's favourite pupil, and her work was widely admired by professional artists and drawing masters.
For a sketchbook by the artist see V&A E.21080-1957.
[Ref: 62687] £130.00 (£156.00 incl.VAT)
Joinville le Pont 94. Revue Encyclopédique.
E. Béjot.
[1898.]
Etching, 110 x 205mm (4¼ x 8"). Slightly time stained.
A view of Joinville-le-Pont from the side of the Seine, with an angler. Eugène Béjot (1867-1931), a French painter, taught etching by Impressionist etcher Henri Guérard.
Jean Laran 96 ii of iii. Ex: Collection of the Hon. Christopher Lennox-Boyd
[Ref: 62664] £190.00 (£228.00 incl.VAT)
E. Béjot.
[1898.]
Etching, 110 x 205mm (4¼ x 8"). Slightly time stained.
A view of Joinville-le-Pont from the side of the Seine, with an angler. Eugène Béjot (1867-1931), a French painter, taught etching by Impressionist etcher Henri Guérard.
Jean Laran 96 ii of iii. Ex: Collection of the Hon. Christopher Lennox-Boyd
[Ref: 62664] £190.00 (£228.00 incl.VAT)
The First Reformers Presenting their Famous Protest, at the Diet of Spires, on 19.th April 1529. The Picture presents Authentic Portraits taken from Albert Durer, Titian, Holbein, Lucas Cranach. &c.
G. Cattermole, Pinx.t. W. Walker, Sc.
[London: Hering & Remington, c.1843.]
Stipple on chine collé. 215 x 290mm (9¾ x 11½"). Lacking printed backing sheet, mounted on album sheet.
A keyplate to George Cattermole's picture of the Diet of Speyer of 1529, with the delegates numbered (key on the backing sheet, not present). The diet's rejection of further reform of the church led a group of delegates to protest, coining the name 'Protestant'.
See BM 1872,0413.333 for the plate with key.
[Ref: 63231] £85.00 (£102.00 incl.VAT)
G. Cattermole, Pinx.t. W. Walker, Sc.
[London: Hering & Remington, c.1843.]
Stipple on chine collé. 215 x 290mm (9¾ x 11½"). Lacking printed backing sheet, mounted on album sheet.
A keyplate to George Cattermole's picture of the Diet of Speyer of 1529, with the delegates numbered (key on the backing sheet, not present). The diet's rejection of further reform of the church led a group of delegates to protest, coining the name 'Protestant'.
See BM 1872,0413.333 for the plate with key.
[Ref: 63231] £85.00 (£102.00 incl.VAT)
![[Das Wagenrennen vor der Stadt.] [or]](jpegs/63055.jpg)
[Das Wagenrennen vor der Stadt.] [or] [Telega at the entrance of a village]
A. Orlowskj 1824.
Lithograph, sheet 345 x 475mm (13¾ x 18¾"). Repaired tears in margins and creases.
A telega race; a type of four-wheel horse-drawn vehicle, whose primary purpose is to carry loads, similar to a wain. Aleksander Orlowski (1777 –1832) was a Polish painter and sketch artist, and a pioneer of lithography in the Russian Empire.
[Ref: 63055] £290.00 (£348.00 incl.VAT)
A. Orlowskj 1824.
Lithograph, sheet 345 x 475mm (13¾ x 18¾"). Repaired tears in margins and creases.
A telega race; a type of four-wheel horse-drawn vehicle, whose primary purpose is to carry loads, similar to a wain. Aleksander Orlowski (1777 –1832) was a Polish painter and sketch artist, and a pioneer of lithography in the Russian Empire.
[Ref: 63055] £290.00 (£348.00 incl.VAT)
Habit of a Russian Girl in 1764. Fille Russe. 69.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 240 x 200mm (9½ x 8"). Large margins.
Portrait of a Russian girl, she is standing in profile to the right holding apples in both hands. Plate 69 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62884] £140.00 (£168.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 240 x 200mm (9½ x 8"). Large margins.
Portrait of a Russian girl, she is standing in profile to the right holding apples in both hands. Plate 69 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62884] £140.00 (£168.00 incl.VAT)
Habit of a Russian Market Woman in 1768. Marchande Ruse. 74.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 240 x 200mm (9½ x 8"). Large margins. Small tear on the bottom right of lower margin, far from plate.
Portrait of a Russian market trader walking away from the viewer to the right. She is carrying a basket on her right arm and another on her shoulder. Plate 74 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62881] £140.00 (£168.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 240 x 200mm (9½ x 8"). Large margins. Small tear on the bottom right of lower margin, far from plate.
Portrait of a Russian market trader walking away from the viewer to the right. She is carrying a basket on her right arm and another on her shoulder. Plate 74 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62881] £140.00 (£168.00 incl.VAT)
Summer Habit of a Russian Woman with her Cloak on, in 1765. Femme Russe avec da Coësse. 67.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 230 x 200mm (9 x 8"). Large margins.
Portrait of a Russian woman, she is standing in profile to left and wearing a cloak over her head and shoulders. Plate 67 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62883] £160.00 (£192.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 230 x 200mm (9 x 8"). Large margins.
Portrait of a Russian woman, she is standing in profile to left and wearing a cloak over her head and shoulders. Plate 67 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62883] £160.00 (£192.00 incl.VAT)
Soldier of the Strelitz Guards under Arms. Soldat du Corps des Strelits sous les Armes. 65.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving. Plate 260 x 200mm (10¼ x 8"). Large margins. Small colour mark on bottom right of plate.
Portrait of a man, whole-length standing directed slightly to the left, looking to the right. A horn is hanging from his belt and he holds a large axe over his right shoulder with his right hand. Strelitz is in northern Germany. Plate 65 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62843] £160.00 (£192.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving. Plate 260 x 200mm (10¼ x 8"). Large margins. Small colour mark on bottom right of plate.
Portrait of a man, whole-length standing directed slightly to the left, looking to the right. A horn is hanging from his belt and he holds a large axe over his right shoulder with his right hand. Strelitz is in northern Germany. Plate 65 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62843] £160.00 (£192.00 incl.VAT)
![[A major Grand Tour Album with 35 views of Switzerland lakes in superb hand colour.]](jpegs/63224.jpg)
[A major Grand Tour Album with 35 views of Switzerland lakes in superb hand colour.]
[various painters and engravers.]
[Switzerland, no dates but published 1819-1829.]
Large folio (475 x 360mm, 18¾ x 14¼"), half morocco with marbled boards, rebacked with calf; 35 colour-printed aquatints, finely finished by hand, tipped onto guards with tissue; 25 leaves of descriptive text, 18 in contemporary ink mss. Binding rubbed, one plate loose at rear, staining in margins of text leaves, ownership inscription on front pastedown dated 1842.
A fantastic Grand Tour Survivor, a collection of the finest aquatints in mint condition, including plates from Johann Jakob Wetzel's 'Voyage pittoresque aux Lacs de Zurich, Zug, Lowers, Egeri et Wallenstadt' (1819) and 'Voyage pittoresque au Lac Geneve' (1820); Gabriel Lory's 'Voyage pittoresque de l'Oberland bernois' (1822) and 'Souvenirs de la Suisse' (1829), and Samuel Birmann's Souvenirs de la vallée de Chamonix (1826). The plates are: 'Les Isles Borromées' (engraved by Rordorf after Wetzel); 'San Martino vers Porlezzo' (Rordorf after Wetzel); 'Lugano' (Rordorf after Wetzel); 'Villa Pliniana' (Hurlimann after Wetzel); 'Vue de Lausanne et de l'Extrémité Occidentale' (Hurlimann after Lory); 'Vue de Clarens et de l'Extrémité Orientale' (Hurlimann after Lory); 'Château de Chillon' (Hegi after Wetzel); 'La Chûte du Rhin prise de la rive droite' (Hurlimann after Wetzel); 'La Chûte du Rhin prise de la rive gauche' (Hurlimann after Wetzel); 'Vue d'Arth' (Hegi after Wetzel); 'Vue de la Caverne de St. Beat Audessus du Lac de Thoune' (Lory);' Maison de Paysan Près d'Unterseen'; 'La Cascade du Giessbach' (Hurlimann after Lory); 'Chute Supérieure du Staubbach'; 'Vue de la Cascade du Schmadribach au Fond de la Vallée de Lauterbrunnen' (Hurlimann after Lory); 'Vue de Grindelwald' (Hurlimann after Lory); 'Vue des Montagnes du Wetter-Horn, Well-Horn, et du Glacier de Rosenlaui' (Hurlimann after Lory); 'Les Cascades de Dorfbach et Alpbach à Meyringen' (Hurlimann after Lory); 'Pont sur l'Aar au Passage du Grimsel' (Hurlimann after Lory); 'Les Pierres sur le Glacier de l'Aar' (Hurlimann after Lory); 'Vue de l'Hospice du Grimsel' (Hurlimann after Lory); 'Le Repas Champetre' (Hurlimann after Lory); 'Ringgenberg' (Hegi after Wetzel); 'Le Chateau de Thoun' (Hegi after Wetzel); 'Vue de la Ville de Neuchatel' (Hurlimann after Lory); 'Vue de la Ville de Berne prise sur la Route de Thoune' (Hurlimann after Lory); 'Vue de Pont du Diable' (Hurlimann after Lory); 'Gorge de Cluse' (Birmann); 'À la Flégère' (Birmann); 'Glacier des Bossons' (Birmann); 'Environs de Sallenche' (Birmann); 'Lac de Chède' (Birmann); 'Les Lutteurs de l'Oberland Bernois' (Hurlimann after Lory); 'La Chapelle de Guillaume Tell sur le Lac des Quatre Cantons' (Hurlimann after Lory); 'Vue d'Interlaken' (Weber after Meyer).
[Ref: 63224] £6,500.00 view all images for this item
[various painters and engravers.]
[Switzerland, no dates but published 1819-1829.]
Large folio (475 x 360mm, 18¾ x 14¼"), half morocco with marbled boards, rebacked with calf; 35 colour-printed aquatints, finely finished by hand, tipped onto guards with tissue; 25 leaves of descriptive text, 18 in contemporary ink mss. Binding rubbed, one plate loose at rear, staining in margins of text leaves, ownership inscription on front pastedown dated 1842.
A fantastic Grand Tour Survivor, a collection of the finest aquatints in mint condition, including plates from Johann Jakob Wetzel's 'Voyage pittoresque aux Lacs de Zurich, Zug, Lowers, Egeri et Wallenstadt' (1819) and 'Voyage pittoresque au Lac Geneve' (1820); Gabriel Lory's 'Voyage pittoresque de l'Oberland bernois' (1822) and 'Souvenirs de la Suisse' (1829), and Samuel Birmann's Souvenirs de la vallée de Chamonix (1826). The plates are: 'Les Isles Borromées' (engraved by Rordorf after Wetzel); 'San Martino vers Porlezzo' (Rordorf after Wetzel); 'Lugano' (Rordorf after Wetzel); 'Villa Pliniana' (Hurlimann after Wetzel); 'Vue de Lausanne et de l'Extrémité Occidentale' (Hurlimann after Lory); 'Vue de Clarens et de l'Extrémité Orientale' (Hurlimann after Lory); 'Château de Chillon' (Hegi after Wetzel); 'La Chûte du Rhin prise de la rive droite' (Hurlimann after Wetzel); 'La Chûte du Rhin prise de la rive gauche' (Hurlimann after Wetzel); 'Vue d'Arth' (Hegi after Wetzel); 'Vue de la Caverne de St. Beat Audessus du Lac de Thoune' (Lory);' Maison de Paysan Près d'Unterseen'; 'La Cascade du Giessbach' (Hurlimann after Lory); 'Chute Supérieure du Staubbach'; 'Vue de la Cascade du Schmadribach au Fond de la Vallée de Lauterbrunnen' (Hurlimann after Lory); 'Vue de Grindelwald' (Hurlimann after Lory); 'Vue des Montagnes du Wetter-Horn, Well-Horn, et du Glacier de Rosenlaui' (Hurlimann after Lory); 'Les Cascades de Dorfbach et Alpbach à Meyringen' (Hurlimann after Lory); 'Pont sur l'Aar au Passage du Grimsel' (Hurlimann after Lory); 'Les Pierres sur le Glacier de l'Aar' (Hurlimann after Lory); 'Vue de l'Hospice du Grimsel' (Hurlimann after Lory); 'Le Repas Champetre' (Hurlimann after Lory); 'Ringgenberg' (Hegi after Wetzel); 'Le Chateau de Thoun' (Hegi after Wetzel); 'Vue de la Ville de Neuchatel' (Hurlimann after Lory); 'Vue de la Ville de Berne prise sur la Route de Thoune' (Hurlimann after Lory); 'Vue de Pont du Diable' (Hurlimann after Lory); 'Gorge de Cluse' (Birmann); 'À la Flégère' (Birmann); 'Glacier des Bossons' (Birmann); 'Environs de Sallenche' (Birmann); 'Lac de Chède' (Birmann); 'Les Lutteurs de l'Oberland Bernois' (Hurlimann after Lory); 'La Chapelle de Guillaume Tell sur le Lac des Quatre Cantons' (Hurlimann after Lory); 'Vue d'Interlaken' (Weber after Meyer).
[Ref: 63224] £6,500.00 view all images for this item
Habit of a Tartarian Lady. Dame Tartare. 37.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
Portrait of a Tartarian woman, in central Asia. She is walking to the left and touching her veil with both hands. Plate 37 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62887] £140.00 (£168.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
Portrait of a Tartarian woman, in central Asia. She is walking to the left and touching her veil with both hands. Plate 37 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62887] £140.00 (£168.00 incl.VAT)
View of the City of Turin.
W. M. Craig del. E. Goodall sculp.
[Published by Nuttall, Fisher & Co. Liverpool, April, c.1816.]
Etching with engraving. Sheet 200 x 255mm (7¾ x 10") Trimmed within plate, losing publication line, corners snipped.
A view of Turin from outside the city walls.
[Ref: 63015] £85.00 (£102.00 incl.VAT)
W. M. Craig del. E. Goodall sculp.
[Published by Nuttall, Fisher & Co. Liverpool, April, c.1816.]
Etching with engraving. Sheet 200 x 255mm (7¾ x 10") Trimmed within plate, losing publication line, corners snipped.
A view of Turin from outside the city walls.
[Ref: 63015] £85.00 (£102.00 incl.VAT)
![[Piazza San Marco, Venice] Procuratie Vecchie, Architettura di Mastro Bono Proto di S. Marco.](jpegs/62674.jpg)
[Piazza San Marco, Venice] Procuratie Vecchie, Architettura di Mastro Bono Proto di S. Marco.
Luca Carlevarijs del. et inc.
Appo Gio. Maria Pedrali S. Giovanni Evangelista Venezia Nº 2164 [n.d., 1741].
Etching. 210 x 295mm (8¼ x 11½"), Pedrali's publication line overprinted in bottom margin. Nicks in edges, paper lightly toned.
A view of the Old Procurators' House and the Clock tower in the Piazza San Marco. From Pedrali's re-issue of 'Le fabriche e vedute di Venezia (The buildings and views of Venice)' by Luca Carlevaris, first published 1703,
[Ref: 62674] £130.00 (£156.00 incl.VAT)
Luca Carlevarijs del. et inc.
Appo Gio. Maria Pedrali S. Giovanni Evangelista Venezia Nº 2164 [n.d., 1741].
Etching. 210 x 295mm (8¼ x 11½"), Pedrali's publication line overprinted in bottom margin. Nicks in edges, paper lightly toned.
A view of the Old Procurators' House and the Clock tower in the Piazza San Marco. From Pedrali's re-issue of 'Le fabriche e vedute di Venezia (The buildings and views of Venice)' by Luca Carlevaris, first published 1703,
[Ref: 62674] £130.00 (£156.00 incl.VAT)
![Bereau de Treillage du Labyrinthe a Versailles. [in sepia ink]](jpegs/62834.jpg)
Bereau de Treillage du Labyrinthe a Versailles. [in sepia ink]
[after Adam Perelle]
Paris chez N. Langlois rüe St Jacques à la Victoire avec Privilege.[in speia ink] [n.d. c.1700]
Hand coloured etching, plate 205 x 195mm (8¼ x 7¾"). Large margins.
A view most likely from "Receuille des plus belles veües des maisons royale de France," published by Langlois.
[Ref: 62834] £70.00 (£84.00 incl.VAT)
[after Adam Perelle]
Paris chez N. Langlois rüe St Jacques à la Victoire avec Privilege.[in speia ink] [n.d. c.1700]
Hand coloured etching, plate 205 x 195mm (8¼ x 7¾"). Large margins.
A view most likely from "Receuille des plus belles veües des maisons royale de France," published by Langlois.
[Ref: 62834] £70.00 (£84.00 incl.VAT)
Le Labyrinte De Versailles.
Paris chez N. Langlois rüe St Jacques à la Victoire avec Privilege du Roy. [n.d. c.1700]
Engraving, plate 250 x 345mm (10 x 14½"), with margins. Repaired tears.
A map most likey from "Receuille des plus belles veües des maisons royale de France," published by Langlois.
See Ref: 62862
[Ref: 62863] £130.00
Paris chez N. Langlois rüe St Jacques à la Victoire avec Privilege du Roy. [n.d. c.1700]
Engraving, plate 250 x 345mm (10 x 14½"), with margins. Repaired tears.
A map most likey from "Receuille des plus belles veües des maisons royale de France," published by Langlois.
See Ref: 62862
[Ref: 62863] £130.00
Habit of a Young Gentleman of Brabant, in 1588. Jeune Gentilhomme Brabancon. 146.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
Portrait of a man, whole-length standing, holding a lute. Brabant is in Belgium. Plate 146 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62856] £140.00 (£168.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 260 x 200mm (10¼ x 8"). Large margins.
Portrait of a man, whole-length standing, holding a lute. Brabant is in Belgium. Plate 146 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62856] £140.00 (£168.00 incl.VAT)
Habit of a Young Lady at Archangel in 1768. Femme d'Arcangel. 83.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 250 x 200mm (9¾ x 8"). Large margins. Staining in the left of the upper margin and left margin.
Portrait of a young Russian lady of Archangel stepping towards the viewer. She is looking to right, gesturing with her left hand, and wearing a hat and fur coat. Plate 83 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62889] £140.00 (£168.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, 18th century watermark. Plate 250 x 200mm (9¾ x 8"). Large margins. Staining in the left of the upper margin and left margin.
Portrait of a young Russian lady of Archangel stepping towards the viewer. She is looking to right, gesturing with her left hand, and wearing a hat and fur coat. Plate 83 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62889] £140.00 (£168.00 incl.VAT)
Habit of a Young Lady in Moscow in 1768. Fille Moscovitte dans son Habit simple. 82.
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 240 x 200mm (9½ x 8"). Large margins.
Portrait of a young Russian lady directed to the left, both arms are bent, and her hands are nearly touching. She is wearing a hat and a buttoned dress. Plate 82 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62882] £140.00 (£168.00 incl.VAT)
[Thomas Jefferys, n.d., c.1772.]
Hand coloured engraving, J. Whatman watermark. Plate 240 x 200mm (9½ x 8"). Large margins.
Portrait of a young Russian lady directed to the left, both arms are bent, and her hands are nearly touching. She is wearing a hat and a buttoned dress. Plate 82 from 'Collection of the dresses of different nations, antient [sic] and modern. Particularly old English dresses; after the designs of Holbein, Vandyke, Hollar and others, with an account of the authorities from which the figures are taken, and some short historical remarks on the subject. To which are added the habits of the principal characters on the English stage', published by Thomas Jefferys between 1757 - 1772.
[Ref: 62882] £140.00 (£168.00 incl.VAT)