Grosvenor Prints

Hazy October Day on the Apperley Canal, with Thackley and Greengates, Bradford.
J.C. Jones [? pencil signature]
[n.d., c.1930.]
Etching, signed by the artist in pencil. 125 x 220mm (5 x 8¾"). Mounted on card in top corners as normal. Slight glue stains in top corners. Small margins.
A view near Apperley Bridge, near Bradford, West Yorkshire.
[Ref: 62570] £130.00 (£156.00 incl.VAT)

Battersea.
C W Sherborn aqua forti [in image].
[n.d. c.1873]
Etching 80 x 120mm (3¼ x 4¾"), with very large margins. Lightly time stained.
View across the Thames with the moon rising over tall chimneys. Charles William Sherborn (1831 - 1912). Etcher and engraver, prominent designer working with Seymour Haden and Dante Gabriel Rossetti.
[Ref: 62610] £65.00 (£78.00 incl.VAT)

Belvoir Castle, one of the Seats of the Most Noble John Duke of Rutland, Marquis of Granby, Earl of Rutland [...]
T. Badeslade Delin. Ger: vanderGucht sculp.
[n.d., c.1720.]
Engraving. Sheet 430 x 600mm (17 x 23½"). Trimmed within plate, original folds. Slightly stained on left.
A view of Belvoir Castle and gardens, with a hunt bottom right.
[Ref: 62529] £320.00

"Billing Mill" Northants. [Billing Mill, Northamptonshire.]
J.S. Adams [pencil signature].
[1924.]
Dry-point etching. 260 x 180mm (10 x 7”).
Two young boys sit fishing on a boat across the Billing river from a Mill.
[Ref: 62583] £130.00 (£156.00 incl.VAT)

View of Brighton, from the Old Steine.
Brighton, Drawn, Engraved, Printed & Publish'd by I. Bruce.
[n.d. c.1829]
Aquatint printed in blue and brown, finished by hand. 285 x 400mm (11¼ x 15¾"), on Whatman paper watermarked 1828 or 1829. Small margins.
A view looking toward the Royal Pavilion from the gardens on the Steine. By local publisher John Bruce.
Ford: Images of Brighton 136.
[Ref: 62488] £320.00

To Capt.n S. Brown RN. This plate representing the Entrance of the Chain Pier at Brighton is with permission respectfully dedicated by his Obl.d Ser.y J. Brown.
Drawn, Engraved, Printed & Publish'd, by J. Bruce, Brighton.
[n.d. c.1831.]
Aquatint printed in blue and brown, finished by hand. 295 x 410mm (11½ x 16"). Small margins.
The Royal Suspension Chain Pier, designed by Captain Samuel Brown and built in 1823. This is the first state of two, before an arch was added to the gateway.
Ford 240.
[Ref: 62489] £320.00

Royal Agricultural Society's Show Yard, at Bristol. July 14th 1842.
[c.1842.]
Lithograph. Sheet 265 x 400mm (10½ x 15¾"). Trimmed into image on three sides, crease reinforced. Damaged bottom left, but very rare.
Gentlemen farmers in the yard, with horses and sheep, before a cast-iron building.
[Ref: 62278] £230.00 (£276.00 incl.VAT)

Caernarvon Castle N. Wales. N.o2
W. Yetts.
[n.d. c.1850]
Etching, 225 x 150mm (9 x 6"), with margins. Glued to backing sheet at four corners.
A view of Caernarvon Castle and part of the River Seiont in Gwynedd, North Wales.
[Ref: 62596] £85.00 (£102.00 incl.VAT)

The North-West Prospect of the University and Town of Cambridge.
[after Samuel and Nathaniel Buck.]
London Mag. [1775]
Engraving. Sheet 205 x 350mm (8 x 13¾"). Trimmed within plate, one corner snipped, partially mounted in album paper.
A view of Cambridge with a 31-point key and the University arms underneath, adapted from the large prospect by Samuel and Nathaniel Buck. About this time the publisher Robert Sayer bought the Buck copper plates, re-publishing them in 1778.
[Ref: 62527] £160.00 (£192.00 incl.VAT)

Fitzwilliam Museum Cambridge.
Drawn & Published by R.B. Harraden.
[n.d., c.1840.]
Rare aquatint. Sheet 175 x 230mm (6¾ x 9"). Trimmed within plate.
A view of the interior. The original watercolour, by Richard Bankes Harraden (1778-1862) is in the Fitzwilliam Museum housed in the Perse (1001)
[Ref: 62443] £190.00 (£228.00 incl.VAT)

St. John's College - Cambridge. [in pencil]
Alfred. J. Bennett [in pencil]
[n.d. c.1900]
Etching signed by the artist, 225 x 175mm (8¾ x 6¾"), with very large margins. Faint mountburn.
A view of St. John's from the river Cam. Alfred J Bennett (1861 - 1923) was an English artist who worked in oils, watercolour and etching. He worked as a jeweller whilst also regularly submitting paintings to the Royal Academy of which four were exhibited between 1861-1880. After this success, Bennett left the jewellery trade to concentrate on his art. Bennett exhibited extensively, regularly contributing work to the Royal Watercolour Society and British Institution exhibitions, the RA, Walker's Gallery in New Bond Street, Fine Art Society, New English Art Club, Grosvenor Gallery, International Society, and the Royal Institute of Oil Painters.
[Ref: 62599] £60.00 (£72.00 incl.VAT)

Trinity College. Cambridge. [in pencil]
W A Donald. [in pencil]
[n.d. c.1930]
Etching signed by the artist, 260 x 200mm (10¼ x 8"). Small margins.
A view of Trinity College Great Gate.
[Ref: 62603] £70.00 (£84.00 incl.VAT)

Jesus College Chapel, Cambridge.
E. Joyce Shillington Scales. [in pencil].
November, 1916.
Etching signed by the artist, 175 x 125mm (6¾ x 5"), with very large margins.
A view up the path to the Chapel.
[Ref: 62626] £75.00 (£90.00 incl.VAT)

King's Gateway Trinity College Cambrige. [in image and in pencil]
E.J. Maybery [in image and in pencil]
Louis Wolff & Co. London. Copyright. [Embossed stamp]. [n.d. c.1920]
Etching signed by the artist, 200 x 125mm (8 x 5"), with very large margins.
Edgar James Maybery (1887-1966) etcher based in Newport, best known for views of buildings.
[Ref: 62624] £60.00 (£72.00 incl.VAT)

Mercery Lane, Canterbury [pencil].
W.m P. Robins [pencil].
[n.d. c.1920.]
Etching, titled and signed by the artist. 235 x 165mm (9¼ x 6½"), very large margins. Faint mount burn.
A view of the medieval lane, looking towards Canterbury Cathedral. William Palmer Robins (1882-1959), member of the Royal Society of Painters, Etchers and Engravers, and the Chicago Society of Etchers.
[Ref: 62558] £95.00 (£114.00 incl.VAT)

Canterbury [pencil].
W.P. Robins 1921 [pencil].
Etching, titled and signed by the artist. 230 x 380mm (9 x 15") very large margins.
A view looking down on Canterbury Cathedral from woodland. William Palmer Robins (1882-1959), member of the Royal Society of Painters, Etchers and Engravers, and the Chicago Society of Etchers.
[Ref: 62561] £160.00 (£192.00 incl.VAT)

A View of the Royal Hospital at Chelsea and the Rotunda in Ranelagh Gardens. ~ Vüe de l'Hôpital Royal de Chelsea et de la Rotunde des Jardins de Ranelagh.
Printed for John Bowles at the Black Horse in Cornhil, & Carington Bowles in St. Pauls Church Yard, London. [n.d. c.1750.]
Engraving with fine hand colour. 270 x 420mm (10¾ x 16½"), large margins. Mounted. Small crease.
A view of the Royal Hospital at Chelsea, with the river in the foreground, the edge of the bank visible at the bottom left and the Rotunda in Ranelaigh Gardens to the right of the hospital; boats and punts on the river.
[Ref: 62461] £160.00 (£192.00 incl.VAT)

The Parish of S.t James Clerkenwell, Taken from ye last Survey with Corrections.
[n.d., c.1770.]
Engraved map, 18th century watermark. 365 x 290mm (14½ x 11½"), with very large margins.
A map of Clerkenwell centred on St John Street, marking Clerkenwell Green, St John's Priory, New River Pond and Sadler's Wells. Originally engraved for the 6th edition of Stow's 'Survey of London', 1720.
[Ref: 62526] £140.00

Down along "Newlynn" [in pencil].
W Travis Jackson [in pencil].
[n.d., c.1930.]
Etching signed by the artsit, 175 x 125mm (7 x 5"), with very large margins.
A view the old quay in Cornwall.
[Ref: 62621] £70.00 (£84.00 incl.VAT)

The House of Lord Archer in Covent Garden.
[Sutton Nicholls?]
Published according to Act of Parliament 1754, for Stowes Survey.
Etching with engraving. 350 x 465mm (13¾ x 18¼"). Original folds. Small margins.
43 King Street, Covent Garden, built in 1717 for Admiral Russell, 1st Earl of Orford, to designs by Thomas Archer. The Lord Archer of the title was the architect's nephew, also Thomas (1695-1768), who had married Lord Orford's great-niece in 1726 and came into ownership of the house in 1729. He was raised to the peerage in 1747 as 1st Baron Archer. The house, once the home of the National Sporting Club, is now the London premises of 'Glossier', a cosmetics firm. From the sixth edition printed in 1754 - 1755 of John Stowe's work 'A Survey of the Cities of London and Westminter and the Borough of Sothwark', originally published in 1598 and 1603.
[Ref: 62522] £260.00 (£312.00 incl.VAT)

The Plan of Edinburgh Exactly done From the Original of ye famous D: Wit.
[after ]
Printed for, and Sold by J. Smith, at his Shop in the West End of Exeter Change in the Strand [n.d., c.1724].
Engraved map, two sheets of three. Plates 430 x 515mm (17 x 20¼") & 195 x 530mm (7¾ x 21"). Left plate trimmed within plate top and bottom, right plate trimmed to printed border on right; both plates with restoration. Minus top right portion.
Three-quarters of a plan of Edinburgh based on the survey by James Gordon of Rothiemay in 1647, printed by others including Frederick de Wit of Amsterdam and Andrew Slezer. It has been augmented by the prospect of the city, which was drafted c.1690.
[Ref: 62277] £350.00

The Modern Athens [Edinburgh.]
Robert C. Robertson [in plate.]
[n.d., c.1930.]
Etching, 310 x 210mm (12 x 8"). Slight mount burn.
View on the bustling Princes Street, Edinburgh, looking towards the Scott Monument, The National Galleries of Scotland and Edinburgh Castle.
[Ref: 62585] £130.00 (£156.00 incl.VAT)

Gads Hill Place, Rochester [in pencil].
Clough Bromley [in image and in pencil]
London Published March 1. 1886 by S. Drewett. 1. Northumberland Avenue S.W.
Etching signed by the artist, 160 x 210mm (6¼ x 8¼"), with large margins.
A view of Gadshill Place in Winter covered in snow. The house was built in 1780 for a former Mayor of Rochester, Thomas Stephens however is most famously known as being the country home of Charles Dickens. Today the building is the independent Gad's Hill School. Clough Bromley (c.1850-1904).
[Ref: 62615] £95.00 (£114.00 incl.VAT)

Glencoe. [pencil, lower left.]
John Fullwood [pencil signature.]
[n.d., c.1900.]
Drypoint etching, from an edition limited to 150. 200 x 350mm (8 x 13¾") very large margins. Glued into mount at top two corners as issued with original label.
John Fullwood (1855-1931) exhibited paintings at the Royal Academy on 21 occasions and the Royal Society of British Artists on 99 occasions.
[Ref: 62593] £130.00 (£156.00 incl.VAT)

Hawling Manor [in pencil].
Arthur Bell [in pencil].
[n.d. c.1930]
Etching signed by the artist, 175 x 250mm (7 x 9¾"), with large margins.
A view of Hawling Manor in Hawling, Gloucestershire. Arthur Bell (1897-1995) was a Kettering-born painter and etcher. From 1919-21, he studied under Henry Crockett at the Bournemouth School of Art. He was elected an Associate of the RWA in 1935 and a full member ten years later, after his work was shown there on multiple occasions. He was a teacher at Weymouth College and Canford School. Bell showed with the Cheltenham Group and his work is in the collection of Cheltenham Art Gallery where an exhibition of his work was staged in 1987. A posthumous retrospective exhibition of his work was held at the RWA, Bristol in 1994.
[Ref: 62619] £95.00 (£114.00 incl.VAT)

The North Prospect of the Town of Hertford from Porthill. To The Right Worshipfull ye Mayor Recorder & Aldermen of the Town of Hertford this Plate Containing ye North Prospect of ye Town of Hertford as it was taken from Porthill is humbly dedicated by your Worships humble Servant, J Drapentier
[London: Benjamin Griffin et al, 1700.]
Engraving. 265 x 340mm (10½ x 13½"), 17th century watermark. Trimmed into image right & left.
A view of Hertford from Sir Henry Chauncy's 'Historical Antiquities of Hertfordshire'.
[Ref: 62540] £160.00 (£192.00 incl.VAT)

The County of Hertford, With Additions & Corrected and Amended in many Places.
H. Moll Fecit A.º 1700.
[London: Benjamin Griffin et al, 1700.]
Engraved map. 365 x 485mm (14¼ x 19"). Trimmed into printed border at top, creasing. Small margins.
A detailed map of Hertfordshire, engraved by Herman Moll not for a county atlas but for Sir Henry Chauncy's 'Historical Antiquities of Hertfordshire'.
[Ref: 62545] £140.00

The Town of Hitchin.
[John Drapentier.]
[London: Benjamin Griffin et al, 1700.]
Engraved plan. 275 x 395mm (10¾ x 15½") very large margins. Creasing as normal.
A plan of Hitchin in the form of a bird's-eye view, published in Sir Henry Chauncy's 'Historical Antiquities of Hertfordshire'.
[Ref: 62546] £180.00

Hitchin Church. To the Reverend M.r Francis Bragge Batchelor of Divinity & Minister of Hitchin, this Draught is humbly pres'd By J Drapentier.
[London: Benjamin Griffin et al, 1700.]
Engraving. 280 x 340mm (11 x 13½") very large margins.
A view of Hitchin Church from Sir Henry Chauncy's 'Historical Antiquities of Hertfordshire'.
[Ref: 62544] £130.00 (£156.00 incl.VAT)

'Isle of Arran' (Glen Sannox). [in pencil]
J Alphege Brewer [in pencil].
[n.d., c.1930.]
Coloured etching signed by the artist, 135 x 210mm (5½ x 8¼"), with very large margins.
A wonderful view of the hills of Glen Sannox, North Ayrshire in Scotland. James Alphege Brewer (1881-1946) was a well-known early 20th century producer of colour etchings - notably of English and European Cathedrals and churches and other scenes.
[Ref: 62618] £60.00 (£72.00 incl.VAT)

Kirkwall in the Orkneys - Evening.
A.C. [in image]. Alexander Cameron [in pencil]
[n.d. c.1930]
Etching signed by the artist, 115 x 150mm (4½ x 6), with very large margins. Mountburn and light time staining, creasing and a small tear in the left margin.
A view of the town of Kirwall in the Orkney Islands, Scotland. Alexander Cameron (fl.1921-1951) was a Scottish artist.
[Ref: 62616] £50.00 (£60.00 incl.VAT)

[Callanish Stones, Lewis] Turusachan, Callernish, or The Place of Pilgrimage on the Bleak Headland, in the Isle of Lewis.
Drawn by Colonel Sir Henry James R.E: 1866. Copied in Chalk by 2nd Corporal Goodwin R.E.
Zincographed at the Ordnance Survey Office Southampton. 1867.
Zincograph. Sheet 255 x 330mm (10 x 13"). Edges toned.
The neolithic Callanish Stones on Lewis. From 'Plans and photographs of Stonehenge, and of Turusachan in the Isle of Lewes; with notes relating to the druids and sketches of cromlechs in Ireland, by Colonel Sir Henry James.'
[Ref: 62549] £280.00 (£336.00 incl.VAT)

Market Place Lichfield, The Birth-Place of D.r Johnson.
Drawn, Lith.g and Published by N. Whittock, 39, Rathbone Place.
[n.d., c.1850.]
Lithograph. 150 x 180mm (6 x 7"). Trimmed close to image, laid on album paper at edges.
St. Mary's Church on the left, the Town Hall at the top of the street in the centre, and Samuel Johnson's birthplace on the right.
[Ref: 62532] £90.00 (£108.00 incl.VAT)

[Loch Lomond.]
Nicolson [in image and in pencil].
[n.d. c.1920]
Etching signed by the artist, 175 x 280mm (7 x 11"), with very large margins.
A view across lake Lomond to wooded islands and mountains rising behind. John 'Jock' Nicholson (1891-1951) was a British artist, etcher and illustrator for books and periodicals. He was an Associate of the Royal Society of Painter-Etchers and Engravers (A.R.E.),[1] a member of the Royal Society of British Artists (R.B.A), and a member of the Royal Watercolour Society (R.W.S.).
[Ref: 62602] £65.00 (£78.00 incl.VAT)

[A Panorama of London, Taken from Nature by R. Havell, Jnr.]
[London: Published by Rodwell & Martin, 40 New Bond Street. 1822.]
Coloured aquatint in six sections. 80 x c.4020mm (3¼ x c.158"). Some restoration.
A four-metre rolling scarce & decorative prospect showing the north side of the Thames from Chelsea Prison down the river to The Pool of London, recording the buildings and the traffic both on the river and on the bridges. The prospect was originally published in one piece, rolled into a boxwood drum.
Abbey Life 485.
[Ref: 62530] £680.00 view all images for this item

Milford Haven and the Islands Adjacent most Humbly dedicated and presented to S.r Hugh Owen Bar.t by Cap,t G. Collins, Hydrographer to their Majesties.
[London: Mount & Page, c.1750.]
Coloured sea chart. 450 x 575mm (17¾ x 22½"). Splits in centre fold taped. Slight stain centre right margin.
A sea chart of western Wales, originally published in ''Great Britain's Coasting Pilot'' by Captain Greenvile Collins in 1693. This was the first English sea atlas of English waters, but many of the charts appeared in other sea atlases until the 1770s.
[Ref: 62547] £160.00

Mountague House in Great Russell Street.
Sutton Nicholls del: & scul.
London Sold by Iohn Bowles Print & Map Seller over against Stocks Market [n.d., c.1728].
Etching with engraving. 335 x 450mm (13¼ x 13¾"). Trimmed to platemark.
The façade of Montague House, later the British Museum, with coaches lined up in the courtyard. From the series 'London Described'.
[Ref: 62521] £280.00 (£336.00 incl.VAT)

[Old Bond Street.]
Sydney R. Jones.
[1928.]
Drypoint etching, signed by the artist in pencil. 315 x 225mm (12½ x 9").
A view of Old Bond Street looking towards Piccadilly, with several recognisable business signs including fine art dealers Agnew's. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 62481] £260.00 (£312.00 incl.VAT)

[Magdalen Tower and Bridge, &c.]
Drawn by E. Dayes. Engraved by James Basire.
[Oxford, 1797.]
Engraving, proof before title. 350 x 490mm (13¾ x 19¼") very large margins.
A view looking up at Magdalen Bridge and Tower from the banks of the Cherwell, published as the Oxford Almanac for 1797. The Oxford Almanack has been published annually since 1674.
[Ref: 62280] £280.00 (£336.00 incl.VAT)

[Pendley Manor] To the Honourable S.r Richard Anderson Bar:t this Plate of the Mannor House of Penley is Humbly Dedicated by John Oliver. Pag. 594.
[London: Benjamin Griffin et al, 1700.]
Engraving. 285 x 325mm (11¼ x 12¾") very large margins.
A view of the original Pendley Manor, near Tring, burned down in 1835. From Sir Henry Chauncy's 'Historical Antiquities of Hertfordshire'.
[Ref: 62543] £130.00 (£156.00 incl.VAT)

Ayr Street, Piccadilly London
Edward Prust [signed in pencil]
circa 1926 [in pencil]
Etching signed by the artist, 300 x 375mm (11¾ x 14¾"), with very large margins. Dusty margins. Small taped tear in left margin. Very slightly creased in margins.
A busy scene on Regent Street looking towards Air Street. Edward C. Prust (1891-1978)
[Ref: 62591] £140.00 (£168.00 incl.VAT)

Potters Heigham [pencil].
W.P. Robins 1921.
Etching, signed and dated by the artist in pencil. 175 x 275mm (7 x 10¾") very large margins. Faint mount burn.
A view of a river bank on the Norfolk Broads, with a thatched cottage and grazing cow. William Palmer Robins (1882-1959), member of the Royal Society of Painters, Etchers and Engravers, and the Chicago Society of Etchers.
[Ref: 62562] £130.00 (£156.00 incl.VAT)

Rhossili [in pencil].
A J Lavender [in pencil].
[n.d. c.1930]
Etching with artists signature, 175 x 225mm (7 x 8¾"), with large margins.
A view of Rhossili Bay on the southwestern tip of the Gower Peninsula in Wales.
[Ref: 62611] £65.00 (£78.00 incl.VAT)

[Richmond Bridge.]
James Ness.
[n.d., c.1930.]
Etching, signed by the artist in pencil. 195 x 270mm (7¾ x 10½"). Small margins.
A view of Richmond Bridge from the East Twickenham bank.
Not in: Bamber Gascoigne.
[Ref: 62569] £140.00 (£168.00 incl.VAT)

[The Royal Exchange.]
Sydney R. Jones.
[n.d., 1927.]
Drypoint etching, signed in pencil by the artist. 270 x 330mm (10¾ x 13").
View of the Royal Exchange's west front, with bustling street scene outside, including traffic and pedestrians. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 62482] £280.00 (£336.00 incl.VAT)

A Mapp of the Parish of St Anns, Taken from the last Survey with Corrections and Additions.
Engraved map. 320 x 185mm (12½ x 7¼") very large margins. Central crease as normal.
A map of Soho, bounded by Wardour Street in the west, Oxford Street in the north and Charing Cross Road (Hog Lane!) in the east, and Leicester Square (Leicester Fields) in the south. Soho Square is named King's Square. Originally engraved for the 6th edition of Stow's 'Survey of London', 1720.
[Ref: 62466] £160.00

[Ploughing on the South Downs]
N.H [in image] Norman Hirst pinx. et sculp [in pencil].
Copyright. Published August 1.st 1924 by Vicars Brothers.12. Old Bond St. London
Mezzotint, 200 x 275mm (8 x10¾"). Taped into original mount at one corner.
A rural landscape; a farmer ploughs a field with a team of oxen. Norman Hirst (1862-1956), mezzotinter and etcher. Born at Liverpool, Hirst was a student at Leeds, Lucerne and in Germany, where he began to engrave in 1875. He subsequently worked at Bushey, Christchurch and Langport, Somerset, and exhibited at the Royal Academy from 1890 to 1929. Along with distinguished contemporaries such as Frank Short and Seymour Haden, Hirst was a member of the Society of Mezzotint Engravers, founded in 1898.
Ex Collection Christopher Lennox-Boyd.
[Ref: 62592] £95.00 (£114.00 incl.VAT)

A Mapp of the Parish of St Giles's in the Fields taken from the last Survey with Corrections and Additions.
Engraved map. 330 x 370mm (13 x 14½"), very large margins. Folds and creases as normal. Small tear at bottom.
A map of the parish of St Giles, covering the Seven Dials area of Covent Garden, Great Russell Street (with Montague house, now the British Museum), High Holborn, Great Queen Street and Lincoln's Inn Fields. Originally engraved for the 6th edition of Stow's 'Survey of London', 1720.
[Ref: 62465] £190.00

The Fish Quay (St Ives). Original Dry Point Etching by Sam Garratt. Edition Limited to 300 Artist's Proofs. Plate to be Destroyed.
Sam Garratt [pencil signature.]
Raphael Tuck & Sons, Ltd. Publishers to their Majesties. [n.d., c.1920.]
Drypoint etching, signed by the artist, publisher's blind stamps. 200 x 175mm (8 x 7") very large margins. In original mount with publisher's title label, as above. Mint. Glued into mount at top corner.
A horse and cart loading barrels, surrounded by seagulls, by Sam Garratt (1864-1946).
[Ref: 62595] £140.00 (£168.00 incl.VAT)

St. Peters Norfolk [in pencil on the mount].
W R Hay [in image]. William R. Hay [in pencil].
[n.d. c. 1920]
Etching signed by the artist, 160 x 320mm (6¼ x 12½"), with very large margins. Taped into original mount at top corners.
A view of one of the St. Peter's Churches in Norfolk. William Robert Hay (1886-1964).
[Ref: 62609] £95.00 (£114.00 incl.VAT)

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