Grosvenor Prints

[Arizona] View on the Gila Below the Great Bend. U.S.P.R.R. Exp. & Surveys 32º Parallel & Cal. General Report Plate VI.
[Washington: Govenment Printing Office, 1855.]
Tinted lithograph. Sheet 215 x 285mm (8½ x 11¼").
A view of the Gila River with a wagon fording and people swimming. Published in 'Reports of Explorations and Surveys, to Ascertain the most Practicable and Economical Route for a Railroad from the Mississippi River to the Pacific Ocean'. This was to the first transcontinental railway in the USA.
[Ref: 62450] £120.00 (£144.00 incl.VAT)

Washing sheds, Avranches [in pencil].
G. Hayes [in pencil].
[n.d., c.1900.]
Etching signed by the artist, 150 x 225mm (6 x 8¾"), with very large margins. Faint foxing.
Women wash laundry at a lavoir. By Gertrude Ellen Hayes (1872-1956), who married Alfred Kedington. Both were art tutors at Rugby School.
[Ref: 62607] £65.00 (£78.00 incl.VAT)

[Siege of Barcelona, 1714] Aggressio duorum propugnaculorum, a fossore cuniculario labe facta. Attaque de deux Bastions les breches faits par le Mineur. Median fol.º No. 75.
Georg Matthaüs Probst del. et sculp.
Georg Balthasar Probst excud. A.V. [Augsburg, c.1780.]
Coloured engraving. 320 x 410mm (12½ x 16"). Mounted.
A vue d'optique of the siege of Barcelona during the War of the Spanish Succession, based one of the set of six views of the siege by Jacques Rigaud for Belidor's 'La science des ingénieurs dans la conduite des travaux de fortification et d'architecture civile'. This plate shows soldiers entering the city through the three breaches made in the walls my miners. The image has been reversed for viewing through a zograscope, a device of lenses and mirrors designed to give a sense of depth, which transposed the image, resulting in the need for a title in reverse above the print.
[Ref: 62548] £280.00 (£336.00 incl.VAT)

[The Spires of Danzig]
Fred A. Farrell [in pencil].
[Vicars Bros, 12 Old Bond Street, London, W.1.] [n.d. c.1925]
Etching signed by the artist, 200 x 360mm (8 x 14¼"), with very large margins. Embossed stamp of the Fine Art Trade Guild. Some paper toning in margins.
From Poland and Danzig Twelve Etchings By Fred A. Farrell. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62629] £260.00 (£312.00 incl.VAT)

[Fort Amsterdam, Ghana] Castello di Cormantin. Pag. 398.
[Venice: G.B. Albrizzi, 1766.]
Engraving. 125 x 185mm (5 x 7¼"). Trimmed within plate top and left.
A view of the city with ships. From Albrizzi's 'Lo stato presente di tutti i paesi e popoli del mondo'.
[Ref: 62525] £95.00 (£114.00 incl.VAT)

La Vanoise from Montigny, Bride les Bains. Compliments of the Season. [in pencil]
W Huggins [in image.] Wilfred Huggins [in penicl]
[n.d., c.1900s.]
Etching signed by the artist, 185 x 120mm (7 x 5”), with large margins. Light foxing and creasing on the edge of right margin.
View of Parc National de la Vanoise, mountain range. Wilfred Huggins (1873-1949).
[Ref: 62582] £75.00 (£90.00 incl.VAT)

[Luceram.]
Fred A. Farrell [in pencil].
[n.d. c.1925]
Etching signed by the artist, 190 x 375mm (7½ x 14¾"), with very large margins. Embossed stamp of the Fine Art Trade Guild.
A view of a rural village in the Alpes-Maritimes department in the southeastern Provence-Alpes-Côte d'Azur region in France. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62632] £180.00 (£216.00 incl.VAT)

[Monte Carlo, Monaco.]
Fred A. Farrell [in pencil].
[n.d. c.1925]
Etching signed by the artist, 160 x 370mm (6¼ x 14½"), with large margins. Embossed stamp of the Fine Art Trade Guild.
A coastal view of Monte Carlo. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62636] £280.00 (£336.00 incl.VAT)

[Asilah, Morocco] Argilla, Città Marittima del Regno di Fez sulla Costa Barbaria nell'Africa.
[Venice: G.B. Albrizzi, 1766.]
Engraving. 125 x 185mm (5 x 7¼"). Trimmed within plate top and left.
A view of the city with ships. From Albrizzi's 'Lo stato presente di tutti i paesi e popoli del mondo'.
[Ref: 62524] £75.00 (£90.00 incl.VAT)

[Nice.]
Fred A. Farrell [in pencil].
[n.d. c.1925]
Etching signed by the artist, 225 x 370mm (8¾ x 14½"), with very large margins. Embossed stamp of the Fine Art Trade Guild. Crease in image on right. Creases and small tears to margins.
A view of the waterfront of Nice from a high point. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62631] £280.00 (£336.00 incl.VAT)

[Nice.]
Fred A. Farrell [in pencil].
[n.d. c.1925]
Etching signed by the artist, 190 x 375mm (7½ x 14¾"), with very large margins. Embossed stamp of the Fine Art Trade Guild. Crease in image on right. Creases and small tears to margins.
A view along the waterfront of Nice, France. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62630] £120.00 (£144.00 incl.VAT)

Vue De Saint Gervais Et Des Quais.
E. Kayser [in crayon].
[n.d. c.1930]
Etching, 165 x 220mm (6½ x 8¾"). Thread margin at top. Some staining middle top & bottom.
A view of the Saint Gervais Church from the Seine, in Paris. Edmond Charles Kayser (1882-1965) was a French etcher, founder member of the Peintres-Graveurs Indépendants in 1923. A large collection of his work is now in the Musée du Mont-de-Piété in Bergues.
[Ref: 62612] £90.00 (£108.00 incl.VAT)

L’Aubreuvoir Paris au Pont Mariey.
Aepere [August-Louis Lepere]
1902.
Etching, 195 x 265mm (7¾ x 10½"), with small margins.
A view of Pont Marie bridge which crosses the Seine in Paris, France.
[Ref: 62601] £90.00 (£108.00 incl.VAT)

[The Avenue at Chaulnes.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 203 x 152mm (8 x 6”), with large margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of an avenue of dead trees, with trunks standing without branches, and a collapsed structure blocking the road in foreground. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.247
[Ref: 62554] £280.00 (£336.00 incl.VAT)

[Bourlon Church.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 165 x 140mm (6½ x 5 ½”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a village with buildings damaged by war, in foreground at centre, church with ruined tower and rubble of stones in front. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.243
[Ref: 62556] £220.00 (£264.00 incl.VAT)

[The Church Square at Bourlon No.10.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 230 x 140mm (9 x 5 ½”), with large margins. Uncut.
From 'Lanscapes of the War' 1918-1922. View of derelict buildings damaged by war, surrounded by leafless trees with broken branches, with church at centre during. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.244
[Ref: 62553] £280.00 (£336.00 incl.VAT)

[Fresnes No.2.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. 203 x 140mm (8 x 5 ½”), with large margins. Uncut.
From 'Landscapes of the War' 1918 - 1922. A sketch of Fresnes, France. Broken branches of dead trees lying on the ground, with rubble of destroyed wooden buildings behind, and a dead leafless tree with broken branches standing at centre. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.239
[Ref: 62551] £280.00 (£336.00 incl.VAT)

[Havrincourt.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-point etching. Head & Co. watermark. 203 x 140mm (8 x 5 ½”), with large margins. Some soiling in the edge of margins. Slight foxmark top left in margin.
From 'Landscapes of the War' 1918-1922. View of buildings ruined by war, with fragments of walls standing among dead trees with broken branches during the First World War. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
BM 1960,0409.250, BM 1949,0411.680
[Ref: 62555] £280.00 (£336.00 incl.VAT)

[Rothenstein Landscape.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Dry-point etching, Head & Co. watermark; 235 x 155mm (9¼ x 6”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a woodland, damaged by war. In the right foreground two large trees stand dead with broken branches depicting the impact of the First World War. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
[Ref: 62557] £280.00 (£336.00 incl.VAT)

[Old Houses at Perrone No.5.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Fine dry-Point etching, Head & Co. watermark. 203 x 140mm (8 x 5 ½”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of wooden houses damaged by war, the one at centre with pointed roof, and pile of broken timber lying at front on top of a low stone wall. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war.
[Ref: 62552] £280.00 (£336.00 incl.VAT)

[Outside Bourlon Wood No.1.]
[Published for the artist, & sold by the Cotswold Gallery, 59 Frith Street, Soho Sqaure, W.1. c.1918-22.]
Dry-point etching. 235 x 157mm (9¼ x 6”), with large margins. Some soiling in the edge of the margins. Uncut.
From 'Landscapes of the War' 1918-1922. View of a wooded area with broken trunks of dead trees standing without branches; church and other buildings seen in background at right and left. The artist Sir William Rothenstein (1872 – 1945) acted as an Official War Artist to the British and Canadian armies on the Western Front during WW1, recording the devastation caused by war. Bourlon Wood memorial stands today to commemorate the series of battles the Canadian Corps fought in the final months of the Great War.
[Ref: 62550] £280.00 (£336.00 incl.VAT)

[St. Raphael.]
Fred A. Farrell [in pencil].
[n.d. c.1925]
Etching signed by the artist, 190 x 375mm (7½ x 14¾"), with very large margins. Embossed stamp of the Fine Art Trade Guild.
A view of the waterfront of Saint Raphael towards the Basilica Notre-Dame de la Victoire. Frederick Arthur Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62633] £240.00 (£288.00 incl.VAT)

A Perspective View on the East side of the Hague with the Winter deversions their &c. Vüe de Hyver, de la Haye vers la Coupagne due cote de L'ouest.
J. June, sculp, 1763.
Published 12th May, 1794 by Laurie & Whttle, 53 Fleet Street, London. [
Engraving with fine contemporary hand colour. 260 x 400mm (10¼ x 15¾"). Laid on board, tear through inscription area into corner of image bottom right repaired.
Figures enjoying various activities at a frost fair on the ice at The Hague in the west of the Netherlands, with horse-drawn sleighs, skaters and a refreshment tent.
[Ref: 62476] £360.00

The Story of Uncle Sam. Page 104.
G. Millar sc. Edin.r.
[n.d., c.1830.]
Steel engraving. Sheet 145 x 100mm (5¾ x 4"). Binding notches in right edge.
A woman in a sari listens to a man seated under trees. In the background are cupolas of Indian temples.
[Ref: 62515] £70.00 (£84.00 incl.VAT)

Bridge of Sighs Venice [in pencil]
W Travis Jackson [in pencil]
[n.d., c.1930.]
Etching signed by the artist, 250 x 170mm (9¾ x 6¾"), with very large margins.
A view of the Ponte de i Sospiri which passes over the Rio di Palazzo, and connects the New Prison (Prigioni Nuove) to the interrogation rooms in the Doge's Palace.
[Ref: 62589] £60.00 (£72.00 incl.VAT)

[Venetian Steps]
SM Litten [in pencil]
[n.d. c.1930]
Etching signed by the artist, 270 x 380mm (10¾ x 15"), on blue tinged paper with very large margins. Creases in corner of left margin.
A view of some steps in Venice with a gondola approaching. Sydney MacKenzie Litten (British 1887-1949) was a British etcher and engraver who was apupil of Sir Frank Short at the Royal College of Art before going on to become Senior Master at St Martin's School of Art.
[Ref: 62594] £230.00 (£276.00 incl.VAT)

The Rialto Venice [in pencil]
W Travis Jackson [in pencil]
[n.d., c.1930.]
Etching signed by the artist, 170 x 250mm (6¾ x 9¾"), with very large margins.
A view of the Ponte de Rialto crossing the Canal Grande in Venice.
[Ref: 62588] £75.00 (£90.00 incl.VAT)

[Villefranche.]
Fred A. Farrell [in pencil].
[n.d. c.1925]
Etching signed by the artist, 225 x 365mm (8¾ x 14½"), with very large margins. Embossed stamp of the Fine Art Trade Guild.
A view of the lovely resort town of Villefranche-sur-Mer in the Alpes-Maritimes department in the Provence-Alpes-Côte d'Azur region on the French Riviera. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62637] £240.00 (£288.00 incl.VAT)

The Wetterhorn [in pencil]
W Travis Jackson [in pencil]
[n.d., c.1930.]
Etching signed by the artist, 250 x 170mm (9¾ x 6¾"), with very large margins.
An Alpine view in Switzerland.
[Ref: 62587] £85.00 (£102.00 incl.VAT)

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