Grosvenor Prints

Ahoy [in pencil]
Nat. Long. [in image and signed in pencil]
[n.d., c.1920.]
Very fine etching, titled and signed by the artist. Limited edition numbered 3 of 75. Plate 200 x 265mm (8 x 10½"), with mint, uncut margins.
A nude woman waves a towel from the sands of a wet beach. Nathaniel Long (1893-1955), book and magazine illustrator and printmaker who specialized in eroticised female etching. In 1948 he illustrated editions of both 'Tom Brown's Schooldays' and 'The Coral Island'.
Provenance: From the Artist's Studio.
[Ref: 62508] £360.00

Hazy October Day on the Apperley Canal, with Thackley and Greengates, Bradford.
J.C. Jones [? pencil signature]
[n.d., c.1930.]
Etching, signed by the artist in pencil. 125 x 220mm (5 x 8¾"). Mounted on card in top corners as normal. Slight glue stains in top corners. Small margins.
A view near Apperley Bridge, near Bradford, West Yorkshire.
[Ref: 62570] £130.00 (£156.00 incl.VAT)

Washing sheds, Avranches [in pencil].
G. Hayes [in pencil].
[n.d., c.1900.]
Etching signed by the artist, 150 x 225mm (6 x 8¾"), with very large margins. Faint foxing.
Women wash laundry at a lavoir. By Gertrude Ellen Hayes (1872-1956), who married Alfred Kedington. Both were art tutors at Rugby School.
[Ref: 62607] £65.00 (£78.00 incl.VAT)

Bathers [in pencil]
Nat. Long. [in image and signed in pencil]
[n.d., c.1920.]
Very fine etching, titled and signed by the artist. Plate 200 x 265mm (8 x 10½"), with mint, uncut margins.
Two women in a rowing boat. One is fully nude about to dive into the water while the other holds the oars. Nathaniel Long (1893-1955), book and magazine illustrator and printmaker who specialized in eroticised female etching. In 1948 he illustrated editions of both 'Tom Brown's Schooldays' and 'The Coral Island'.
Provenance: From the Artist's Studio.
[Ref: 62506] £380.00

Battersea.
C W Sherborn aqua forti [in image].
[n.d. c.1873]
Etching 80 x 120mm (3¼ x 4¾"), with very large margins. Lightly time stained.
View across the Thames with the moon rising over tall chimneys. Charles William Sherborn (1831 - 1912). Etcher and engraver, prominent designer working with Seymour Haden and Dante Gabriel Rossetti.
[Ref: 62610] £65.00 (£78.00 incl.VAT)

"Billing Mill" Northants. [Billing Mill, Northamptonshire.]
J.S. Adams [pencil signature].
[1924.]
Dry-point etching. 260 x 180mm (10 x 7”).
Two young boys sit fishing on a boat across the Billing river from a Mill.
[Ref: 62583] £130.00 (£156.00 incl.VAT)

[A Brig at Anchor].
Seymour Haden. [in image].
1870.
Etching, 135 x 205mm (5¼ x 8¼"), with very large margins. Very faint foxing in margins.
View of a river bank, with a brig anchored at centre; a barge sailing towards the brig from the right; more sailing boats seen in the distance. One of the pioneers of the 19th century etching revival, Sir Francis Seymour Haden (1818-1910) married the sister of James McNeill Whistler and became an important influence on the American-born etcher's style
[Ref: 62625] £65.00 (£78.00 incl.VAT)

Caernarvon Castle N. Wales. N.o2
W. Yetts.
[n.d. c.1850]
Etching, 225 x 150mm (9 x 6"), with margins. Glued to backing sheet at four corners.
A view of Caernarvon Castle and part of the River Seiont in Gwynedd, North Wales.
[Ref: 62596] £85.00 (£102.00 incl.VAT)

[Where's Master?]
Published at 8 Clare Street, Bristol by Frost & Reed Printsellers of Bristol, Clifton & London January 2.nd 1911.
Etching. Sheet size 400 x 490mm (15¾ x 19¼"). Trimmed within image at sides.
'Caesar, I belong To the King', in remarque of a dog collar. Portrait of a wire fox terrier by an empty chair. Caesar (1898–1914) was a dog owned by Edward VII and was a constant companion. He achieved worldwide fame in 1910 when he joined the funeral procession of his master.
[Ref: 62499] £380.00

St. John's College - Cambridge. [in pencil]
Alfred. J. Bennett [in pencil]
[n.d. c.1900]
Etching signed by the artist, 225 x 175mm (8¾ x 6¾"), with very large margins. Faint mountburn.
A view of St. John's from the river Cam. Alfred J Bennett (1861 - 1923) was an English artist who worked in oils, watercolour and etching. He worked as a jeweller whilst also regularly submitting paintings to the Royal Academy of which four were exhibited between 1861-1880. After this success, Bennett left the jewellery trade to concentrate on his art. Bennett exhibited extensively, regularly contributing work to the Royal Watercolour Society and British Institution exhibitions, the RA, Walker's Gallery in New Bond Street, Fine Art Society, New English Art Club, Grosvenor Gallery, International Society, and the Royal Institute of Oil Painters.
[Ref: 62599] £60.00 (£72.00 incl.VAT)

Trinity College. Cambridge. [in pencil]
W A Donald. [in pencil]
[n.d. c.1930]
Etching signed by the artist, 260 x 200mm (10¼ x 8"). Small margins.
A view of Trinity College Great Gate.
[Ref: 62603] £70.00 (£84.00 incl.VAT)

Jesus College Chapel, Cambridge.
E. Joyce Shillington Scales. [in pencil].
November, 1916.
Etching signed by the artist, 175 x 125mm (6¾ x 5"), with very large margins.
A view up the path to the Chapel.
[Ref: 62626] £75.00 (£90.00 incl.VAT)

King's Gateway Trinity College Cambrige. [in image and in pencil]
E.J. Maybery [in image and in pencil]
Louis Wolff & Co. London. Copyright. [Embossed stamp]. [n.d. c.1920]
Etching signed by the artist, 200 x 125mm (8 x 5"), with very large margins.
Edgar James Maybery (1887-1966) etcher based in Newport, best known for views of buildings.
[Ref: 62624] £60.00 (£72.00 incl.VAT)

Mercery Lane, Canterbury [pencil].
W.m P. Robins [pencil].
[n.d. c.1920.]
Etching, titled and signed by the artist. 235 x 165mm (9¼ x 6½"), very large margins. Faint mount burn.
A view of the medieval lane, looking towards Canterbury Cathedral. William Palmer Robins (1882-1959), member of the Royal Society of Painters, Etchers and Engravers, and the Chicago Society of Etchers.
[Ref: 62558] £95.00 (£114.00 incl.VAT)

Canterbury [pencil].
W.P. Robins 1921 [pencil].
Etching, titled and signed by the artist. 230 x 380mm (9 x 15") very large margins.
A view looking down on Canterbury Cathedral from woodland. William Palmer Robins (1882-1959), member of the Royal Society of Painters, Etchers and Engravers, and the Chicago Society of Etchers.
[Ref: 62561] £160.00 (£192.00 incl.VAT)

Down along "Newlynn" [in pencil].
W Travis Jackson [in pencil].
[n.d., c.1930.]
Etching signed by the artsit, 175 x 125mm (7 x 5"), with very large margins.
A view the old quay in Cornwall.
[Ref: 62621] £70.00 (£84.00 incl.VAT)

[The Spires of Danzig]
Fred A. Farrell [in pencil].
[Vicars Bros, 12 Old Bond Street, London, W.1.] [n.d. c.1925]
Etching signed by the artist, 200 x 360mm (8 x 14¼"), with very large margins. Embossed stamp of the Fine Art Trade Guild. Some paper toning in margins.
From Poland and Danzig Twelve Etchings By Fred A. Farrell. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62629] £260.00 (£312.00 incl.VAT)

The Dark Canoe [in pencil]
Nat. Long. [in image and signed in pencil]
[n.d., c.1920.]
Very fine etching, titled and signed by the artist. Plate 200 x 265mm (8 x 10½"), with mint, uncut margins.
A pair of naked women and their canoe. Nathaniel Long (1893-1955), book and magazine illustrator and printmaker who specialized in eroticised female etching. In 1948 he illustrated editions of both 'Tom Brown's Schooldays' and 'The Coral Island'.
Provenance: From the Artist's Studio.
[Ref: 62512] £420.00

[Portrait of a Deerhound.]
Herbert Dicksee [pencil signature].
Copyright 1924 by Frost & Reed Ltd (of Bristol, England) in the United States of America.
Etching. Framed, sight size 400 x 385mm (15¾ x 15¼"). Frame size 600 x 590mm (23¾ x 23¼") Unexamined outside of frame.
[Ref: 62496] £1,650.00

Evening on the shore.
Jozef Israels [in pencil]
[n.d. c.1875]
Etching, 100 x 150mm (10 x 6"), with very large margins. Very slight back board staining.
Also known as Sur les Dunes (On The Dunes). The scene depicts a young woman and two children seated on a dune on the left, looking out to the sea, with a sailing boat in the distance. Jozef Israels (1824 – 1911) was a Dutch painter, born to Jewish parents. He was a leading member of the group of landscape painters referred to as the Hague School and was, during his lifetime, "the most respected Dutch artist of the second half of the nineteenth century."
[Ref: 62586] £95.00 (£114.00 incl.VAT)

The Modern Athens [Edinburgh.]
Robert C. Robertson [in plate.]
[n.d., c.1930.]
Etching, 310 x 210mm (12 x 8"). Slight mount burn.
View on the bustling Princes Street, Edinburgh, looking towards the Scott Monument, The National Galleries of Scotland and Edinburgh Castle.
[Ref: 62585] £130.00 (£156.00 incl.VAT)

[A Young Maiden in the Woods with Fairies]
John Shapland [in pencil]. WH Sweet [in pencil]
[n.d. c.1900]
Coloured etching signed by both artists, 250 x 170mm (9¾ x 6¾"), with very large margins.
A woodland scene; a woman wearing a stola observes naked fairies frolicking amongst the toadstools. John Shapland (1865-1929) was a painter from the Southwest of England. He mainly specialised in seascapes and landscapes largely in watercolour but occasionally in oil. He exhibited at the RA, Paris Salon, and in the USA. Two of his exhibits at the RA were entitled 'Fairy Led' and 'Paradise Lost'. He was the principle of the Exeter School of Art from 1899 to 1913. William (also known as Walter) Henry Sweet (1889-1943) was a British painted and etcher. He studied at the Exeter School of Art under the guidance of his friend John Shapland. He worked locally and exhibited work at the Devon and Exeter Annual Exhibition at Elands Art Gallery in the 1900s. After the First World War, he moved to Dundee, Scotland, and was employed by James Valentine and Sons as a commercial illustrator.
[Ref: 62598] £160.00 (£192.00 incl.VAT)

[Fishing boats.]
W. Douglas Macleod [pencil].
[n.d., c.1930.]
Etching, signed by the artist. 225 x 330mm (8¾ x 13") very large margins.
Fishing boats moored on a bank, opposite an Italian (?) town, by Scottish artist W. Douglas Macleod (1892-1963).
[Ref: 62564] £160.00 (£192.00 incl.VAT)

[Forgotten.]
Herbert Dicksee [signed in pencil.] H.D. 1922 [printed within image]
Copyright 1923 by Frost & Reed Ltd in the United States of America.
Etching. 280 x 385mm (11 x 15¼"). Framed, total size 540 x 650mm (21¼ x 25½"). Unexamined outside of frame.
A sad looking black Scottish terrier begs beside an empty bowl.
[Ref: 62495] £920.00

Gads Hill Place, Rochester [in pencil].
Clough Bromley [in image and in pencil]
London Published March 1. 1886 by S. Drewett. 1. Northumberland Avenue S.W.
Etching signed by the artist, 160 x 210mm (6¼ x 8¼"), with large margins.
A view of Gadshill Place in Winter covered in snow. The house was built in 1780 for a former Mayor of Rochester, Thomas Stephens however is most famously known as being the country home of Charles Dickens. Today the building is the independent Gad's Hill School. Clough Bromley (c.1850-1904).
[Ref: 62615] £95.00 (£114.00 incl.VAT)

Glencoe. [pencil, lower left.]
John Fullwood [pencil signature.]
[n.d., c.1900.]
Drypoint etching, from an edition limited to 150. 200 x 350mm (8 x 13¾") very large margins. Glued into mount at top two corners as issued with original label.
John Fullwood (1855-1931) exhibited paintings at the Royal Academy on 21 occasions and the Royal Society of British Artists on 99 occasions.
[Ref: 62593] £130.00 (£156.00 incl.VAT)

[Yachting]
Gray [in image]. Joseph Gray [in pencil].
1924.
Etching signed by the artist, 150 x 210mm (6 x 8¼"), with very large margins. Embossed stamp of the Fine Art Trade Guild. Time staining.
A scene in a marina, with people waving off a racing yacht. Joseph Gray (1890-1962) was a painter and etcher of landscapes, architectural subjects and battlefield scenes (WWI).
[Ref: 62622] £85.00 (£102.00 incl.VAT)

Hawling Manor [in pencil].
Arthur Bell [in pencil].
[n.d. c.1930]
Etching signed by the artist, 175 x 250mm (7 x 9¾"), with large margins.
A view of Hawling Manor in Hawling, Gloucestershire. Arthur Bell (1897-1995) was a Kettering-born painter and etcher. From 1919-21, he studied under Henry Crockett at the Bournemouth School of Art. He was elected an Associate of the RWA in 1935 and a full member ten years later, after his work was shown there on multiple occasions. He was a teacher at Weymouth College and Canford School. Bell showed with the Cheltenham Group and his work is in the collection of Cheltenham Art Gallery where an exhibition of his work was staged in 1987. A posthumous retrospective exhibition of his work was held at the RWA, Bristol in 1994.
[Ref: 62619] £95.00 (£114.00 incl.VAT)

[Island Sands]
Nat. Long. [in image and signed in pencil]
[n.d., c.1920.]
Very fine etching signed by the artist. Plate 200 x 265mm (8 x 10½"), with mint, uncut margins.
A naked woman holding a large towel stands on a rock looking towards her nude companion on a sandier part of the beach. Nathaniel Long (1893-1955), book and magazine illustrator and printmaker who specialized in eroticised female etching. In 1948 he illustrated editions of both 'Tom Brown's Schooldays' and 'The Coral Island'.
Provenance: From the Artist's Studio.
[Ref: 62504] £320.00

'Isle of Arran' (Glen Sannox). [in pencil]
J Alphege Brewer [in pencil].
[n.d., c.1930.]
Coloured etching signed by the artist, 135 x 210mm (5½ x 8¼"), with very large margins.
A wonderful view of the hills of Glen Sannox, North Ayrshire in Scotland. James Alphege Brewer (1881-1946) was a well-known early 20th century producer of colour etchings - notably of English and European Cathedrals and churches and other scenes.
[Ref: 62618] £60.00 (£72.00 incl.VAT)

Kirkwall in the Orkneys - Evening.
A.C. [in image]. Alexander Cameron [in pencil]
[n.d. c.1930]
Etching signed by the artist, 115 x 150mm (4½ x 6), with very large margins. Mountburn and light time staining, creasing and a small tear in the left margin.
A view of the town of Kirwall in the Orkney Islands, Scotland. Alexander Cameron (fl.1921-1951) was a Scottish artist.
[Ref: 62616] £50.00 (£60.00 incl.VAT)

La Vanoise from Montigny, Bride les Bains. Compliments of the Season. [in pencil]
W Huggins [in image.] Wilfred Huggins [in penicl]
[n.d., c.1900s.]
Etching signed by the artist, 185 x 120mm (7 x 5”), with large margins. Light foxing and creasing on the edge of right margin.
View of Parc National de la Vanoise, mountain range. Wilfred Huggins (1873-1949).
[Ref: 62582] £75.00 (£90.00 incl.VAT)

The Listener.
Middleton Todd. [in pencil]
[n.d., c.1930.]
Etching signed by the artist, 170 x 125mm (6¾ x 5"), with large margins. Glued into mount in top corners as issued with label.
Woman in robe at window, holding curtain back with her right hand. Arthur Ralph Middleton Todd (1891-1966) was a painter, draughtsman, etcher and teacher. Son of the landscape and genre painter, Ralph Todd (1856-1932). He studied at the Slade school of Fine Art after serving in the army during WWI. He was the meember of several societies including: Society of Etchers and Engravers, 1930; the Watercolour Society, 1937; Royal Society of Portrait Painters, 1938 and member of the English Art Club in 1945. He taught at Leicester School of Art where he was head of drawing and painting, 1934-39; then returning to London was appointed as master of the life class at Regent Street Polytechnic School of Art. From 1946-49 he taught at the Royal Academy Schools and 1947-56 at the City and Guild School, Kennington.
[Ref: 62590] £140.00 (£168.00 incl.VAT)

[Loch Lomond.]
Nicolson [in image and in pencil].
[n.d. c.1920]
Etching signed by the artist, 175 x 280mm (7 x 11"), with very large margins.
A view across lake Lomond to wooded islands and mountains rising behind. John 'Jock' Nicholson (1891-1951) was a British artist, etcher and illustrator for books and periodicals. He was an Associate of the Royal Society of Painter-Etchers and Engravers (A.R.E.),[1] a member of the Royal Society of British Artists (R.B.A), and a member of the Royal Watercolour Society (R.W.S.).
[Ref: 62602] £65.00 (£78.00 incl.VAT)

Low Tide [in pencil].
Nat. Long. [in image and signed in pencil]
[n.d., c.1920.]
Very fine etching, titled and signed by the artist. Plate 200 x 265mm (8 x 10½"), with very large margins. Mint. Uncut.
A nude woman watches three other nude women running along the beach. Nathaniel Long (1893-1955), book and magazine illustrator and printmaker who specialized in eroticised female etching. In 1948 he illustrated editions of both 'Tom Brown's Schooldays' and 'The Coral Island'.
Provenance: From the Artist's Studio.
[Ref: 62500] £360.00

[Luceram.]
Fred A. Farrell [in pencil].
[n.d. c.1925]
Etching signed by the artist, 190 x 375mm (7½ x 14¾"), with very large margins. Embossed stamp of the Fine Art Trade Guild.
A view of a rural village in the Alpes-Maritimes department in the southeastern Provence-Alpes-Côte d'Azur region in France. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62632] £180.00 (£216.00 incl.VAT)

Misty Morn [in pencil]
Nat. Long. [in image and signed in pencil]
[n.d., c.1920.]
Very fine etching, titled and signed by the artist. Limited edition numbered 1 of 75. Plate 200 x 265mm (8 x 10½"), with mint, uncut margins.
Two nude women towel themselves off after a morning skinny dip. Nathaniel Long (1893-1955), book and magazine illustrator and printmaker who specialized in eroticised female etching. In 1948 he illustrated editions of both 'Tom Brown's Schooldays' and 'The Coral Island'.
Provenance: From the Artist's Studio.
[Ref: 62510] £360.00

[Monte Carlo, Monaco.]
Fred A. Farrell [in pencil].
[n.d. c.1925]
Etching signed by the artist, 160 x 370mm (6¼ x 14½"), with large margins. Embossed stamp of the Fine Art Trade Guild.
A coastal view of Monte Carlo. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62636] £280.00 (£336.00 incl.VAT)

Morning [in pencil]
Nat. Long. [in image and signed in pencil]
[n.d., c.1920.]
Very fine etching, titled and signed by the artist. Plate 200 x 265mm (8 x 10½"), with mint, uncut margins.
Several nude women rest on a grassy bank after they've been swimming. Nathaniel Long (1893-1955), book and magazine illustrator and printmaker who specialized in eroticised female etching. In 1948 he illustrated editions of both 'Tom Brown's Schooldays' and 'The Coral Island'.
Provenance: From the Artist's Studio.
[Ref: 62505] £320.00

Ali Baba of Mogador. [pencil.]
Alec Fraser. [pencil].
[n.d, c.1930.]
Etching signed by the artist, 135 x 100mm (5¼ x 4"), with very large margins. Faint mountburn.
An elderly Moorish merchant of Essaouira (formerly Mogador), a UNESCO World Heritage Listed city in Morocco.
For a coloured artwork version see reference 16735.
[Ref: 62627] £70.00 (£84.00 incl.VAT)

[Nice.]
Fred A. Farrell [in pencil].
[n.d. c.1925]
Etching signed by the artist, 225 x 370mm (8¾ x 14½"), with very large margins. Embossed stamp of the Fine Art Trade Guild. Crease in image on right. Creases and small tears to margins.
A view of the waterfront of Nice from a high point. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62631] £280.00 (£336.00 incl.VAT)

[Nice.]
Fred A. Farrell [in pencil].
[n.d. c.1925]
Etching signed by the artist, 190 x 375mm (7½ x 14¾"), with very large margins. Embossed stamp of the Fine Art Trade Guild. Crease in image on right. Creases and small tears to margins.
A view along the waterfront of Nice, France. Frederick Farrell (1882-1935), a Scottish self-taught etcher & watercolourist, was the official artist with the 51st Highlanders during the First World War.
[Ref: 62630] £120.00 (£144.00 incl.VAT)

[Old Bond Street.]
Sydney R. Jones.
[1928.]
Drypoint etching, signed by the artist in pencil. 315 x 225mm (12½ x 9").
A view of Old Bond Street looking towards Piccadilly, with several recognisable business signs including fine art dealers Agnew's. Sydney Robert Fleming Jones (1881-1961) was a notable watercolourist and etcher, particularly of architectural views; he also wrote several books on the English countryside and provided illustrations for several publications including The Times, Illustrated London News and The Studio.
[Ref: 62481] £260.00 (£312.00 incl.VAT)

An Opal Morning [in pencil]
Nat. Long. [in image and signed in pencil]
[n.d., c.1920.]
Very fine coloured etching, titled and signed by the artist. Fine Art Trade Guild blind stamps. Plate 200 x 265mm (8 x 10½"), with large margins. Slight mount burn.
Two women in a rowing boat. One is fully nude about to dive into the water while the other is half covered by a towel and braces herself against the side about to get up. Nathaniel Long (1893-1955), book and magazine illustrator and printmaker who specialized in eroticised female etching. In 1948 he illustrated editions of both 'Tom Brown's Schooldays' and 'The Coral Island'.
Provenance: From the Artist's Studio.
[Ref: 62513] £480.00

Ornamental Glasses (Köpping'sche Ziergläser.)
K [in image]. Karl Köpping [in pencil].
[c.1896] from the periodical Pan , vol. II, no. 3 (Oct-Nov-Dec 1896).
Etching 255 x 150mm (10 x 6”), with very large margins. Foxing on edge of margins.
Two art-nouveau glasses in the shape of flowers.
BM 1992,0125.6
[Ref: 62581] £180.00 (£216.00 incl.VAT)

Vue De Saint Gervais Et Des Quais.
E. Kayser [in crayon].
[n.d. c.1930]
Etching, 165 x 220mm (6½ x 8¾"). Thread margin at top. Some staining middle top & bottom.
A view of the Saint Gervais Church from the Seine, in Paris. Edmond Charles Kayser (1882-1965) was a French etcher, founder member of the Peintres-Graveurs Indépendants in 1923. A large collection of his work is now in the Musée du Mont-de-Piété in Bergues.
[Ref: 62612] £90.00 (£108.00 incl.VAT)

In the Covert [in pencil].
W Travis Jackson [in pencil].
[n.d., c.1930.]
Etching signed by the artsit, 125 x 100mm (5 x 4"), with very large margins.
Two pheasants in a woodland.
[Ref: 62620] £130.00 (£156.00 incl.VAT)

Ayr Street, Piccadilly London
Edward Prust [signed in pencil]
circa 1926 [in pencil]
Etching signed by the artist, 300 x 375mm (11¾ x 14¾"), with very large margins. Dusty margins. Small taped tear in left margin. Very slightly creased in margins.
A busy scene on Regent Street looking towards Air Street. Edward C. Prust (1891-1978)
[Ref: 62591] £140.00 (£168.00 incl.VAT)

L’Aubreuvoir Paris au Pont Mariey.
Aepere [August-Louis Lepere]
1902.
Etching, 195 x 265mm (7¾ x 10½"), with small margins.
A view of Pont Marie bridge which crosses the Seine in Paris, France.
[Ref: 62601] £90.00 (£108.00 incl.VAT)

Potters Heigham [pencil].
W.P. Robins 1921.
Etching, signed and dated by the artist in pencil. 175 x 275mm (7 x 10¾") very large margins. Faint mount burn.
A view of a river bank on the Norfolk Broads, with a thatched cottage and grazing cow. William Palmer Robins (1882-1959), member of the Royal Society of Painters, Etchers and Engravers, and the Chicago Society of Etchers.
[Ref: 62562] £130.00 (£156.00 incl.VAT)

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