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Designs by Mather Brown.
Drawn by Mather Brown & Published by Vincent Zanetti, No 5 Wrights Court, Market Street, Manchester. Nov.r 1. 1816, Where may be had a Book of other Designs by the same Artist. Prince 7/6.
4to (235 x 200mm (9¾ x 8), limp boards; stipple frontis. and eight plates, all in original hand colour. Disbound, frontispiece slightly soiled.
A very scarce reissue of Mather Brown's drawing book, with two plates still with his publication line. The frontispiece and two plates feature cherubs, three are portraits of young girls and three are sketches of tree trunks. One of the trees is signed 'Mary Ann Rumball''; Brown painted her portrait in London in 1808.
[Ref: 60676] £850.00
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[An Indian elephant with mahout.] Ein Elephant im höchsten aufbutz von vorne anzusehen.
P.F. v. G. ad. viv. del. 1741. I.E. Ridinger sculpsit A.V.
Fine etching, 305 x 205mm (12 x 8"), with large margins. Margins a bit messy.
A very fine image of an elephant and its guides seen from the front. Drawn from life by Philipp Ferdinand von Gudenus (1688-1754) in a Persian camp outside Constantinople in 1741 and engraved by Johann Elias Ridinger (1698-1767). Thienemann 539.
[Ref: 60493] £380.00
[An Indian elephant in manacles.] Ein in dem Lager angepflöckter, sich niederlegend, oder ausfstehender Elephant.
P.F. v. G. ad. viv. del. 1741. I.E. Ridinger sculpsit A.V.
Fine etching. 210 x 305mm (8¼ x 12"), with large margins.
A very fine image of an elephant with skullcap, blanket and manacured tusks, chained by its back leg. Drawn from life by Philipp Ferdinand von Gudenus (1688-1754) in a Persian camp outside Constantinople in 1741 and engraved by Johann Elias Ridinger (1698-1767). Around the same time von Gudenus drew a large prospect of Constantinople. Thienemann 540.
[Ref: 60494] £390.00
To Sir John Shelley Bar.t This Print of his Celebrated Pointer (Sancho), Is with permission humbly dedicated by his most obedient & very humble Serv.t. C.Turner.
Painted by Benj.n Marshall. Engraved by C. Turner.
London, Published March 20, 1808 by C.Random D.B. at his Sporting Gallery, No 65 Pall Mall, where a variety of Sporting Subjects are ready for Publication.
Fine colour-printed stipple. Plate: 355 x 505mm (14 x 20"), with large margins. On paper watermarked 'J. Whatman 1831'. Framed in original maple frame. Repaired tear in top left margin.
A portrait of the pointer Sancho, owned by Sir John Shelley (1771-1849), an amateur cricket player and breeder of thoroughbred horses.
[Ref: 60591] £480.00
Spark, a famous Hunter which was presented to the Prince of Wales by M.r Fleetwood, after his Royal Highness had done riding him, he was kept as a Stallion in his Majesties Stud at Hampton Court.
James Seymour Pinx. R. Parr Sculp.
Publish'd by John Bowles according to Act of Parliam.t July 4, 1743.
Etching. Sheet 185 x 200mm (7¼ x 8"). Trimmed into plate on three sides, some scuffing and wear, laid on archival paper.
Spark, a decendant of the Darly Arabian, was given by Charles Fleetwood to Frederick Louis, Prince of Wales. He later passed the horse to Lord Baltimore to give to Samuel Ogle, Governor of Maryland, who took the horse to Maryland in 1747. Thus Spark became the first thoroughbred stallion in the colony and the beginning of the American purebred development at the Belair Stud. Probably from the series 'Seventeen Famous Race Horses' engraved by Regimius Parr, mentioned by Siltzer but not listed or dated. As Spark was foaled in 1743 the publication line here is suspect. Siltzer p. 248.
[Ref: 60436] £160.00
(£192.00 incl.VAT)
The Narrow Leaved Kalmia.
Reinagle A.R. pinx.t. Caldwell sculp.t.
London. Published June 1. 1804 by Dr. Thornton.
Aquatint and stipple, printed in colours and hand-finished. 545 x 415mm (21½ x 16¼"), watermarked 'H. Smith 1810'. Small tear in edge of top margin, slight mount burn.
An illustration of the Kalmia angustifolia, a native of eastern North America known now as narrow-leaved laurel, dwarf laurel and lambkill (because of an andromedotoxin poisonous to grazing animals). It was published in Dr Robert John Thornton's 'Temple of Flora' 1799-1807, considered by many to be the greatest English colour-plate flower book, and the first series of flower prints to show the plant within a habitat, in this case with ships in the background. Dunthorne: p.251, only state.
[Ref: 60146] £850.00
60.
Loeillot d'apres C. Vernet. Y. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A man tries to calm a horse, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60596] £160.00
(£192.00 incl.VAT)
73.
[Loeillot d'apres C. Vernet. Y. lith. de Delpech.]
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A rides a horse holding a scimitar, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60597] £160.00
(£192.00 incl.VAT)
74.
[Loeillot d'apres C. Vernet.] Y. lith. de Delpech.
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾").
A man holds the reins of the horse and raises a baton, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60598] £160.00
(£192.00 incl.VAT)
59.
[Loeillot d'apres C. Vernet. Y. lith. de Delpech.]
[n.d., c.1820.]
Lithograph. Sheet 185 x 270mm (7¼ x 10¾"). Light time staining at bottom of the paper.
A man tries to calm a rearing horse, after Antoine Charles Horace Vernet (1758-1835).
[Ref: 60599] £160.00
(£192.00 incl.VAT)
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